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Collection of Copeland Spode and Spode ' Italian ' pattern blue & white ceramics, 39 pieces, to include 4 x jugs (tallest 22cm), toast rack, clock, 8 x dinner bowls (26.5cm diameter), ladle, 8 x soup cups, 6 saucers, 2 x sugar bowls, preserver jar & cover, 7 x lunch plates, and a circular dish (2 trays)
Victorian and later ceramics comprising Queen Victoria 1887 Jubilee cup, Rd No. 64761, Shelley twin handled square dish, Shelley teacup and coronation mug, motto ware Be as Aisy as You Can jug, majolica ewer, Minton, copper lustre, Copeland Spode, other commemorative ware, Maling lustre, Royal Doulton, tea wares etc in three boxes
Victorian Ironstone Hydra type octagonal mug decorated in Imari style, impressed marks H1cm, Victorian Staffordshire Imari pattern trio, cup and plate, two Spode Copelands models of birds and a Continental match strike model of a child titled Ready to Start, impressed marks, H15.5cm etc (11)
An extensive Spode Sheffield China dinner service, pattern R568, eight-place setting with extras, comprising dinner plates, side plates, dessert plates, a tureen and cover, soup bowls, coffee cans and saucers, tea cups and saucers, oval dishes, a gravy boat and others, (circa 120 pieces). plate sizes: 27 cm, 24 cm, 20 cm, 15.5 cm, meat plates 46 cm long, 38 cm long.Appears unusedI have been through each item and only one item has minor damage:one demitasse saucer has a very small shell chip to the foot rim.JRL 28/3/23
Attributed to Spode Aesthetic movement framed tile, with gilded decoration, 28.5cm x 28.5cm overallProvenance:The collection of Paul Whitfield (1942–2018)Paul Whitfield’s distinguished auctioneering career began in the furniture department at Christie’s in 1965 rising quickly through the ranks to become managing director at King Street by 1969. Later, he was instrumental in the setting up of Christie’s South Kensington. He was the son of the poet and writer Christopher Whitfield, an early friend of Michael Cardew in the 1920s, and a supporter of Frederick Landseer Griggs.After Christie’s, he worked in roles at Bonhams, Sotheby’s, and finally Phillips. Passionate about his craft, he had a deep knowledge of many areas, including bronzes, furniture, ceramics, and modern British painting. This passion was reflected in his own collection, avidly compiled over his lifetime and housed at his Cotswold home outside Chipping Campden.In retirement, he provided invaluable support to the north Cotswolds’ museums, as a trustee of the Guild of Handicraft Trust and the Court Barn Museum, as well as loaning works of art to the Winchcombe archive collection.Overall wear, scuffs and scratches. Some minor losses to painted decoration in places. We have not removed this from the frame to examine.
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47359 item(s)/page