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A modern large round Spode floral decorated Dish with gilt highlights, 10? diameter

A mixed lot: 19th and 20th Century floral and gilt highlighted Tea Cups & Saucers to include Crown Derby, Copeland Spode and others, (9)

A large Spode blue and white transferware meat platter 19th century, printed in a pale blue with the Castle pattern, with figures passing through a castled gateway to a bridge beyond, impressed mark, 51cm. The pattern derives from two aquatints of 1796, `The Gate of Sebastian` and `Ponte Molle`. Cf. A W Coysh & R K Henrywood, The Dictionary of Blue and White Printed Pottery 1780-1880, p.73.

A Copeland & Garrett Late Spode pearlware eyebath c.1840, printed in blue with scrolled leaves and small flowers beneath a narrow scale border, some restoration, 7cm.

Three blue and white pearlware eyebaths 19th century, one Spode, printed with the Broseley or Willow pattern, one Staffordshire with a pale Fitzhugh border, the last with foliate scrolls, and a French white-glazed example raised on a wide foot, some damages, 6.6cm max. (4)

Twelve various English porcelain spill vases most 19th century, including Spode, Minton, Copeland, Charles Bourne and Hicks & Meigh, variously decorated with flowers, Imari designs, stylized patterns and applied bamboo, 14.5cm max. (12)

Four Worcester blush porcelain spill vases late 19th/early 20th century, one painted with a pheasant by James Stinton, one decorated with a view of Edgar Tower, one with a peacock, and four English porcelain vases variously applied with flowers, including Spode, Minton, Coalbrookdale and Samuel Alcock, 12cm max. (8)

A Spode spill vase c.1815, richly decorated in pattern 1166 with bright floral painting reserved on a gilt and blue scale ground, a little restoration to the rim and foot, 11.5cm.

Three English porcelain spill vases 1st half 19th century, one Grainger`s Worcester, the tall square form painted with a scene of Rhaeadr Ddu, reserved on a claret ground and raised on four paw feet, one Ridgway of cylindrical form, painted with a continuous scene of figures before a ruined building in a riverside landscape, the last Spode with a similar scene between gilt borders, 15.5cm max. (3)

Three English porcelain spill vases c.1820-30, one Spode, painted with a figure seated in a jail cell with a manacle around his ankle, depicting the character of Arthur from Shakespeare`s `King John`, one Ridgway, painted with three figures in a sailing boat, pattern number 3/642, one Staffordshire and painted with two travellers, the two former with white beading to the rims and feet, 11.6cm max. (3)

A Spode miniature cabinet cup and saucer c.1820, decorated in raised gilt with peacocks perched on leafy branches, on a rich puce ground, iron red mark and pattern number 3993, 7.5cm. (2)

A pair of Spode small vases c.1810, decorated in pattern 1626 each with a finely painted panel of flowers within a border of pink roses on a black ground, with an edge of white beading to the necks and feet, painted pattern numbers, 13cm. (2)

An English porcelain cabinet cup and stand c.1820, Spode or Minton, brightly painted with flowers and moulded with a band of raised white enamel on a dark pink ground, the cup raised on three paw feet, 13cm. (2)

A Spode tea and coffee service c.1800, painted in pattern 382 with sepia monochrome scenes of tumbledown thatched cottages, pastoral figures and rural landscapes, within simple gilt foliate bands, pattern number marks. Comprising: a teapot with cover and stand, a sugar bowl and cover, a milk jug, a slop bowl, six tea cups, six coffee cans and six saucers. (25)

Seven English porcelain coffee cans early 19th century, including Barr Worcester, New Hall and Spode, variously decorated in blue and gilt with scrolling leaf and floral designs, one New Hall can with an Oriental Willow landscape, 6.5cm. (7) Provenance: the late Raymond Hill Collection of Early 19th Century Coffee Cans. One New Hall can with a paper label for the Norman Collection.

Seven Spode coffee cans and five saucers c.1805-10, bat-printed in pattern 557 with European landscape scenes and stately homes, two breakfast saucers, three small plates and two teacups with similar decoration, some wear and damages, 16.8cm max. (19) Provenance: the Brian Gill Collection of Bat-Printed Spode. Some with paper labels for the Trevor Kentish Collection and the Mollie Field Collection.

A Spode part tea service c.1805-10, bat-printed in pattern 557 with pastoral scenes of villagers at various pursuits before thatched cottages, and travellers before ruins and harbour scenes. Comprising: a teapot with cover and stand, a sugar bowl and matched cover with stand, a milk jug, a large plate and one smaller, twelve tea cups and twelve saucers. (33) Provenance: the Brian Gill Collection of Bat-Printed Spode.

A collection of bat-printed Spode tea wares 1st half 19th century, variously decorated with figures and with European landscape scenes, including figures before water wheels, taking tea, and in village scenes, pattern numbers 2208, 2211. Comprising: a slop bowl, a teapot stand, a sugar bowl and cover, a milk jug, four tea cups, four plates, three saucers, and a coffee can. (17) Provenance: the Brian Gill Collection of Bat-Printed Spode. Some with paper labels for the David Drakard Collection and the Trevor Kentish Collection.

A collection of Spode tea wares 1st half 19th century, including a trio moulded in pattern 2479, another similarly moulded with flower sprays, a trio, further tea cup and matching plate in pattern 4406, printed with black landscape vignettes within moulded panels, two cups and saucers in pattern 557 with bat-printed landscapes, and a cup in pattern 492 with gilt palmettes on a cobalt blue band, 21.3cm max. (16) Provenance: the Brian Gill Collection of Bat-Printed Spode.

A small collection of Spode tea wares early 19th century, painted in sepia monochrome with flowers, fruit and landscape scenes, including a cup and saucer in pattern 343, a coffee can and cup in pattern 382, a large plate, a sugar basin and cover, and three other coffee cans, some damages and restoration, 21.7cm max. (10) Provenance: the Brian Gill Collection of Bat-Printed Spode.

A Spode tea service c.1810, bat-printed in pattern 557 with small figures before ruins or thatched cottages in rural landscape scenes. Comprising: a teapot with cover and stand, a sugar basin with cover and stand, a milk jug, a slop bowl, one large and two small cake plates, eight tea cups, eight coffee cans and eight saucers. (35) Provenance: the Brian Gill Collection of Bat-Printed Spode. Some with paper labels for the Trevor Kentish Collection.

A Spode combined part tea service c.1805-10, bat-printed in patterns 1922 and 557 with figures at various pursuits, including riding horses, shepherding sheep and courting. Comprising: a teapot and cover with stand, a milk jug, two cake plates, a saucer, a breakfast cup, a teacup, a coffee can, and a Miles Mason coffee can with similar figural decoration. (11) Provenance: the Brian Gill Collection of Bat-Printed Spode. Some with paper labels for the Trevor Kentish Collection.

A Spode combined part service c.1810, bat-printed in patterns including 557 and 1222 with various scenes of animals including sleeping dogs, dead game, deer, leopards, rabbits. Comprising: a shell-shaped dessert dish, a milk jug, four plates, four tea cups, five coffee cans and five saucers. (20) Provenance: the Brian Gill Collection of Bat-Printed Spode.

A Spode muffin dish and cover and eight plates c.1810, bat-printed in pattern 557 with village landscapes and small figures travelling before streams, ruins and castles, and a flared spill vase in the same pattern, some wear, 20cm max. (11) Provenance: the Brian Gill Collection of Bat-Printed Spode.

Six Spode tea cups and saucers c.1810, decorated in pattern 558 with bat-printed scenes of wild landscapes within wide gilt palmette borders, and a matching coffee can, 13.8cm. (13) Provenance: the Brian Gill Collection of Bat-Printed Spode.

A Spode bat-printed part tea service c.1805-10, decorated in pattern 1922 with black monochrome scenes of figures fishing, travelling, and reclining in rural landscapes. Comprising: a teapot and cover with stand, a slop bowl, a breakfast cup, eight saucers, three tea cups and three coffee cans. (19) Provenance: the Brian Gill Collection of Bat-Printed Spode.

A pair of Spode vases c.1810, of `New Shape Jar` form, richly decorated in pattern 967 with plantain and bamboo beside zigzag fences, 16.2cm. (2)

A Royal Doulton china Toby Ale Toby jug together with a Bohemian glass vase, Art Pottery fruit bowl and two Canterbury Cathedral Spode bone china plates.

A Royal Doulton china Toby Ale Toby jug together with a Bohemian glass vase, Art Pottery fruit bowl and two Canterbury Cathedral Spode bone china plates.

Group of English 18th / 19th century porcelain, comprising Caughley painted coffee cup, fluted tea bowl, a spiral fluted saucer dish, small Derby Imari plate, Spode teapot stand and Wedgwood dish, longest 24cm CONDITION REPORT Various wear. Reasonable condition for age

A Royal Doulton china Toby Ale Toby jug together with a Bohemian glass vase, Art Pottery fruit bowl and two Canterbury Cathedral Spode bone china plates.

A large Spode blue and white transferware meat platter 19th century, printed in a pale blue with the Castle pattern, with figures passing through a castled gateway to a bridge beyond, impressed mark, 51cm. The pattern derives from two aquatints of 1796, `The Gate of Sebastian` and `Ponte Molle`. Cf. A W Coysh & R K Henrywood, The Dictionary of Blue and White Printed Pottery 1780-1880, p.73.

A Copeland & Garrett Late Spode pearlware eyebath c.1840, printed in blue with scrolled leaves and small flowers beneath a narrow scale border, some restoration, 7cm.

Three blue and white pearlware eyebaths 19th century, one Spode, printed with the Broseley or Willow pattern, one Staffordshire with a pale Fitzhugh border, the last with foliate scrolls, and a French white-glazed example raised on a wide foot, some damages, 6.6cm max. (4)

Twelve various English porcelain spill vases most 19th century, including Spode, Minton, Copeland, Charles Bourne and Hicks & Meigh, variously decorated with flowers, Imari designs, stylized patterns and applied bamboo, 14.5cm max. (12)

Four Worcester blush porcelain spill vases late 19th/early 20th century, one painted with a pheasant by James Stinton, one decorated with a view of Edgar Tower, one with a peacock, and four English porcelain vases variously applied with flowers, including Spode, Minton, Coalbrookdale and Samuel Alcock, 12cm max. (8)

A Spode spill vase c.1815, richly decorated in pattern 1166 with bright floral painting reserved on a gilt and blue scale ground, a little restoration to the rim and foot, 11.5cm.

Three English porcelain spill vases 1st half 19th century, one Grainger`s Worcester, the tall square form painted with a scene of Rhaeadr Ddu, reserved on a claret ground and raised on four paw feet, one Ridgway of cylindrical form, painted with a continuous scene of figures before a ruined building in a riverside landscape, the last Spode with a similar scene between gilt borders, 15.5cm max. (3)

Three English porcelain spill vases c.1820-30, one Spode, painted with a figure seated in a jail cell with a manacle around his ankle, depicting the character of Arthur from Shakespeare`s `King John`, one Ridgway, painted with three figures in a sailing boat, pattern number 3/642, one Staffordshire and painted with two travellers, the two former with white beading to the rims and feet, 11.6cm max. (3)

A Spode miniature cabinet cup and saucer c.1820, decorated in raised gilt with peacocks perched on leafy branches, on a rich puce ground, iron red mark and pattern number 3993, 7.5cm. (2)

A pair of Spode small vases c.1810, decorated in pattern 1626 each with a finely painted panel of flowers within a border of pink roses on a black ground, with an edge of white beading to the necks and feet, painted pattern numbers, 13cm. (2)

An English porcelain cabinet cup and stand c.1820, Spode or Minton, brightly painted with flowers and moulded with a band of raised white enamel on a dark pink ground, the cup raised on three paw feet, 13cm. (2)

A Spode tea and coffee service c.1800, painted in pattern 382 with sepia monochrome scenes of tumbledown thatched cottages, pastoral figures and rural landscapes, within simple gilt foliate bands, pattern number marks. Comprising: a teapot with cover and stand, a sugar bowl and cover, a milk jug, a slop bowl, six tea cups, six coffee cans and six saucers. (25)

Seven English porcelain coffee cans early 19th century, including Barr Worcester, New Hall and Spode, variously decorated in blue and gilt with scrolling leaf and floral designs, one New Hall can with an Oriental Willow landscape, 6.5cm. (7) Provenance: the late Raymond Hill Collection of Early 19th Century Coffee Cans. One New Hall can with a paper label for the Norman Collection.

Seven Spode coffee cans and five saucers c.1805-10, bat-printed in pattern 557 with European landscape scenes and stately homes, two breakfast saucers, three small plates and two teacups with similar decoration, some wear and damages, 16.8cm max. (19) Provenance: the Brian Gill Collection of Bat-Printed Spode. Some with paper labels for the Trevor Kentish Collection and the Mollie Field Collection.

A Spode part tea service c.1805-10, bat-printed in pattern 557 with pastoral scenes of villagers at various pursuits before thatched cottages, and travellers before ruins and harbour scenes. Comprising: a teapot with cover and stand, a sugar bowl and matched cover with stand, a milk jug, a large plate and one smaller, twelve tea cups and twelve saucers. (33) Provenance: the Brian Gill Collection of Bat-Printed Spode.

A collection of bat-printed Spode tea wares 1st half 19th century, variously decorated with figures and with European landscape scenes, including figures before water wheels, taking tea, and in village scenes, pattern numbers 2208, 2211. Comprising: a slop bowl, a teapot stand, a sugar bowl and cover, a milk jug, four tea cups, four plates, three saucers, and a coffee can. (17) Provenance: the Brian Gill Collection of Bat-Printed Spode. Some with paper labels for the David Drakard Collection and the Trevor Kentish Collection.

A collection of Spode tea wares 1st half 19th century, including a trio moulded in pattern 2479, another similarly moulded with flower sprays, a trio, further tea cup and matching plate in pattern 4406, printed with black landscape vignettes within moulded panels, two cups and saucers in pattern 557 with bat-printed landscapes, and a cup in pattern 492 with gilt palmettes on a cobalt blue band, 21.3cm max. (16) Provenance: the Brian Gill Collection of Bat-Printed Spode.

A small collection of Spode tea wares early 19th century, painted in sepia monochrome with flowers, fruit and landscape scenes, including a cup and saucer in pattern 343, a coffee can and cup in pattern 382, a large plate, a sugar basin and cover, and three other coffee cans, some damages and restoration, 21.7cm max. (10) Provenance: the Brian Gill Collection of Bat-Printed Spode.

A Spode tea service c.1810, bat-printed in pattern 557 with small figures before ruins or thatched cottages in rural landscape scenes. Comprising: a teapot with cover and stand, a sugar basin with cover and stand, a milk jug, a slop bowl, one large and two small cake plates, eight tea cups, eight coffee cans and eight saucers. (35) Provenance: the Brian Gill Collection of Bat-Printed Spode. Some with paper labels for the Trevor Kentish Collection.

A Spode combined part tea service c.1805-10, bat-printed in patterns 1922 and 557 with figures at various pursuits, including riding horses, shepherding sheep and courting. Comprising: a teapot and cover with stand, a milk jug, two cake plates, a saucer, a breakfast cup, a teacup, a coffee can, and a Miles Mason coffee can with similar figural decoration. (11) Provenance: the Brian Gill Collection of Bat-Printed Spode. Some with paper labels for the Trevor Kentish Collection.

A Spode combined part service c.1810, bat-printed in patterns including 557 and 1222 with various scenes of animals including sleeping dogs, dead game, deer, leopards, rabbits. Comprising: a shell-shaped dessert dish, a milk jug, four plates, four tea cups, five coffee cans and five saucers. (20) Provenance: the Brian Gill Collection of Bat-Printed Spode.

A Spode muffin dish and cover and eight plates c.1810, bat-printed in pattern 557 with village landscapes and small figures travelling before streams, ruins and castles, and a flared spill vase in the same pattern, some wear, 20cm max. (11) Provenance: the Brian Gill Collection of Bat-Printed Spode.

Six Spode tea cups and saucers c.1810, decorated in pattern 558 with bat-printed scenes of wild landscapes within wide gilt palmette borders, and a matching coffee can, 13.8cm. (13) Provenance: the Brian Gill Collection of Bat-Printed Spode.

A Spode bat-printed part tea service c.1805-10, decorated in pattern 1922 with black monochrome scenes of figures fishing, travelling, and reclining in rural landscapes. Comprising: a teapot and cover with stand, a slop bowl, a breakfast cup, eight saucers, three tea cups and three coffee cans. (19) Provenance: the Brian Gill Collection of Bat-Printed Spode.

A pair of Spode vases c.1810, of `New Shape Jar` form, richly decorated in pattern 967 with plantain and bamboo beside zigzag fences, 16.2cm. (2)

SPODE CHRISTMAS TREE PLATES, dinner plates, side plates and saucers. (40) (with faults, some flaking to enamel rims)

An early 19th Century Spode and Copeland and Garrett part dessert service C. 1830 decorated with overglaze painted lime green bands and floral transfer decorated borders comprising fruit stand, two lozenge shaped dishes, four small oval dishes, two large oval dishes, three fluted shell shaped bowls and a twin handled basket on stand (13 pieces).

Copeland Spode 'Italian' print ware ceramics in one box

WHITSTABLE OYSTER PLATE. 7.75ins diam, black pict. transfer - oysters adorn border, hands above barrel t.m. to centre ‘WHITE & CO/ OYSTER SALESMEN... FROM THE FISHERIES ADJOINING WHITSTABLE’. Edge chips. Copeland Spode p.m. NR +.