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An extensive collection of Spode and other Blue and White transfer printed, Bat printed and hand painted cups, coffee cans and saucers, various. Differing designs and also including Grangers Worcester, Chamberlains Worcester etc. 63 items over all. Some bearing labels for Audrey White Collection, Geoffrey Fisk Collection, Worlock Collection and others.
AN EARLY 19TH CENTURY SPODE EARTHENWARE BLUE AND WHITE TRANSFER PRINTED CARAMANIAN SERIES OVAL PEDESTAL BOWL, decorated in the Citadel near Corinth pattern, impressed 'Spode M' to underside, oval length 31.5cm x height 11cm (Condition report: no sign of chips, cracks or restoration, sounds a bit dull when tapped, slight staining to the underside of the handles, wear to the base)
A Spode blue and white Italian pattern kettle, 31cm high and four French white glazed tureens, one with a ladle CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Books: Archives of China's Imperial Maritime Customs Confidential Correspondence... 1874-1904, 4 vols, 1st, Beijing: Foreign Language Press 1990, 4to; Burton, William, 3 vols - A General History of Porcelain, Cassell & Co Ltd 1921 (2) and Josiah Wedgwood and His Pottery, Cassell 1922; Dillon, Edward, Porcelain, 1st, London: Methuen & Co. 1904 4to; Hayden, Arthur, Spode and His Successors, 1st, Cassell 1925; lot also includes a 1970 Hugh Moss (Bruton St) sales catalogue - Chinese Pottery Burial Objects, with price-list (10)
An English Porcelain Dish, probably Chamberlains Worcester, circa 1800, of canted rectangular form, painted with a stylised dragon within foliage borders, 31cm long; A Similar Boat Shaped Dish, with gilt eagle handles, painted with flower sprigs and floral meander, 32cm long; A Set of Four Spode Porcelain Teacups and Five Saucers, painted in brown and gilt with fruiting vine; A Coalport Oval Teapot and Cover, circa 1790, printed in underglaze blue with a chinoiserie landscape, 25cm long; A Derby Porcelain Imari Pattern Coffee Can; A Wedgwood Pearlware Coffee Can; A Wedgwood Pearlware Dessert Plate; Two Staffordshire Dessert Plates; Two Saucer Dishes; A Bat Printed Teacup and Saucer; and A Sèvres Style Cup (qty)The Chamberlain dish, no chips or cracks, gilt wear, boat shaped dish, crazed and with heavy gilt wear, no damage or restoration, four Spode teacups with gilt wear, no chips or cracks, five saucers with gilt wear, one with abraded rim, another with slight staining, teapot, rim chip to the cover, spout broken off with staple repairs, Derby coffee can, crazed and a with gilt wear, Wedgwood coffee can, tiny chip to the foot, Wedgwood dessert plate, slight glaze scratching, Staffordshire dessert plates, floral example broken and stapled, the other with light gilt were, saucer dishes, gilt example with wear, the other broken in two and stapled, Bat printed cup and saucer, one small foot chip to the saucer, Serve style cup with gilt wear
A Quantity of Ceramics Reference Books, comprising:Bradshaw (Peter) Derby Porcelain FiguresSandon (Henry) Royal Worcester PorcelainBrayshaw (Gilhespy F) Royal Crown Derby ChinaBradley (Gilbert) Derby Porcelain 1750-1798Barrett (Franklin A) and Thorp (Arthur L) Derby Porcelain Godden (Geoffrey A) British Pottery and Porcelain 1780-1850Hughes (G Bernard) English and Scottish EarthenwareLewis (Griselda) Collectors History of English PotteryBennett (Ian) Oriental Rugs, Volume I CaucasianTwitchett (John) Derby PorcelainTwitchett (John) & Bailey (Betty) Royal Crown DerbyThe Charles Norman Collection of 18th Century Derby PorcelainEdmunds (William H) Pointers and Clues to the Subjects of Chinese and Japanese ArtStockspring Antiques Tea Trade & Tea Canisters, Exhibition CatalogueFujioka Ryotichi Shino and Oribe CeramicsLewis (J) & (G) PrattwareHenrywood (RK) Relief-Moulded Jugs 1820-1900Francis (Peter) A Pottery by the LaganWilliams-Wood (Cyril) English Transfer-Printed Pottery and PorcelainPotworks: The Industrial Architecture of the Staffordshire Potteries CatalogueLloyd Thomas (E) Victorian Art PotteryWakefield (Hugh) Victorian PotteryTowner (Donald) English Cream-Coloured EarthenwareCreamware and Pearlware Re-examined, ECC CatalogueSkinner (Deborah) Miles Mason PorcelainCopeland (Robert) Spode & Copeland Marks (two boxes)The books have not been collated and were all part of David Batties reference library, have been heavily used, dust jackets with sun fading
Spode Italian part service comprising teapot and cover, milk jug, sugar bowl, six teacups and saucers, six side plates, six small bowls, six plates, bowl, foliate dish, single handle dish, canister, salt and pepper shakers, lozenge dish, rectangular twin handle tray, meat platter, wall clock and a limited edition mantle clock 538/1950, together with a Spose's Tower platter and a blue and white bowl. (box).
An early 19th century English gilt bronze mounted crackle glazed Chinese porcelain vasethe mounts in the manner of Benjamin Vulliamy (1747-1811) and Benjamin Lewis Vulliamy (1780-1853)the grey crackle glazed baluster body with a relief moulded biscuit undulating key border and scalloped girdle, the foot with a similar narrow band, the whole with applied stylised lion drop ring handles, the rim with applied flared fluted and lobed rim mounts, the foot rim mount with trellis cast border, the vase raised on an a shallow square porphyry plinth base, the vase 36.6cm high, 39cm high overall including the plinth (2)Footnotes:Benjamin Vulliamy and his son Benjamin Lewis Vulliamy (1780-1854) who traded in London as Vulliamy & Son, belonged to a family of Swiss extraction whose original business of making clocks and watches expanded rapidly during the last quarter of the 18th century due much to the entrepreneurial spirit of the senior member of the family, Benjamin. Trading from 74 Pall Mall, their surviving Ornament and Clock Books contain extensive details regarding their business practices which clearly indicate that their craftsmen were not necessarily employees of the firm, but were 'individuals or firms largely resident in London who were working independently for their own account,' (See: Furniture History, 1967, Geoffrey de Bellaigue, 'The Vulliamys and France,' pp. 45-53). Besides mechanical movements for their watches and clocks, they also designed and had made elaborate cases which incorporated porcelain figures which were supplied by William Duesbury of Derby. In addition they supplied ornamental metalwork in many guises and, as de Bellaigue remarks, 'they were prepared to supply their customers with anything from a chimney-piece to a door handle, from a piano to a button.' The Vulliamys were fully aware of current taste on the Continent and France, not only utilizing published French designs, but also copying actual French objects or their components. They are also recorded as actually purchasing works of art in Paris, either on commission or for resale, and also utilized the workshops of the Delafontaines, 'who were among the most eminent bronze manufacturers active in Paris in the beginning of the nineteenth century,' (Bellaigue, op. cit.). The Delafontaines are shown in Vulliamys' books 'as suppliers of bronze mounts, chased but not gilt, which were incorporated into candelabras, inkstands, clocks and mounted porcelain jars,' as seen on the present vases. The Vulliamys had an illustrious list of clients, including many members of the aristocracy and eminent personages, together with the patronage of the Royal Family including the Prince Regent to whom they supplied elaborate mounts, all with comparable square bases, for several Chinese porcelain vases which in the Royal Collection. These included three Chinese famille rose jardinières (RCINs 48 and 101659.1-2) and a set of four jardinières with bowls of dark blue Spode ware in imitation of Chinese porcelain (RCINs 700.1–4).For further information on this lot please visit Bonhams.com

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