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An English Porcelain Dish, probably Chamberlains Worcester, circa 1800, of canted rectangular form, painted with a stylised dragon within foliage borders, 31cm long; A Similar Boat Shaped Dish, with gilt eagle handles, painted with flower sprigs and floral meander, 32cm long; A Set of Four Spode Porcelain Teacups and Five Saucers, painted in brown and gilt with fruiting vine; A Coalport Oval Teapot and Cover, circa 1790, printed in underglaze blue with a chinoiserie landscape, 25cm long; A Derby Porcelain Imari Pattern Coffee Can; A Wedgwood Pearlware Coffee Can; A Wedgwood Pearlware Dessert Plate; Two Staffordshire Dessert Plates; Two Saucer Dishes; A Bat Printed Teacup and Saucer; and A Sèvres Style Cup (qty)The Chamberlain dish, no chips or cracks, gilt wear, boat shaped dish, crazed and with heavy gilt wear, no damage or restoration, four Spode teacups with gilt wear, no chips or cracks, five saucers with gilt wear, one with abraded rim, another with slight staining, teapot, rim chip to the cover, spout broken off with staple repairs, Derby coffee can, crazed and a with gilt wear, Wedgwood coffee can, tiny chip to the foot, Wedgwood dessert plate, slight glaze scratching, Staffordshire dessert plates, floral example broken and stapled, the other with light gilt were, saucer dishes, gilt example with wear, the other broken in two and stapled, Bat printed cup and saucer, one small foot chip to the saucer, Serve style cup with gilt wear
A Quantity of Ceramics Reference Books, comprising:Bradshaw (Peter) Derby Porcelain FiguresSandon (Henry) Royal Worcester PorcelainBrayshaw (Gilhespy F) Royal Crown Derby ChinaBradley (Gilbert) Derby Porcelain 1750-1798Barrett (Franklin A) and Thorp (Arthur L) Derby Porcelain Godden (Geoffrey A) British Pottery and Porcelain 1780-1850Hughes (G Bernard) English and Scottish EarthenwareLewis (Griselda) Collectors History of English PotteryBennett (Ian) Oriental Rugs, Volume I CaucasianTwitchett (John) Derby PorcelainTwitchett (John) & Bailey (Betty) Royal Crown DerbyThe Charles Norman Collection of 18th Century Derby PorcelainEdmunds (William H) Pointers and Clues to the Subjects of Chinese and Japanese ArtStockspring Antiques Tea Trade & Tea Canisters, Exhibition CatalogueFujioka Ryotichi Shino and Oribe CeramicsLewis (J) & (G) PrattwareHenrywood (RK) Relief-Moulded Jugs 1820-1900Francis (Peter) A Pottery by the LaganWilliams-Wood (Cyril) English Transfer-Printed Pottery and PorcelainPotworks: The Industrial Architecture of the Staffordshire Potteries CatalogueLloyd Thomas (E) Victorian Art PotteryWakefield (Hugh) Victorian PotteryTowner (Donald) English Cream-Coloured EarthenwareCreamware and Pearlware Re-examined, ECC CatalogueSkinner (Deborah) Miles Mason PorcelainCopeland (Robert) Spode & Copeland Marks (two boxes)The books have not been collated and were all part of David Batties reference library, have been heavily used, dust jackets with sun fading
Spode Italian part service comprising teapot and cover, milk jug, sugar bowl, six teacups and saucers, six side plates, six small bowls, six plates, bowl, foliate dish, single handle dish, canister, salt and pepper shakers, lozenge dish, rectangular twin handle tray, meat platter, wall clock and a limited edition mantle clock 538/1950, together with a Spose's Tower platter and a blue and white bowl. (box).
An early 19th century English gilt bronze mounted crackle glazed Chinese porcelain vasethe mounts in the manner of Benjamin Vulliamy (1747-1811) and Benjamin Lewis Vulliamy (1780-1853)the grey crackle glazed baluster body with a relief moulded biscuit undulating key border and scalloped girdle, the foot with a similar narrow band, the whole with applied stylised lion drop ring handles, the rim with applied flared fluted and lobed rim mounts, the foot rim mount with trellis cast border, the vase raised on an a shallow square porphyry plinth base, the vase 36.6cm high, 39cm high overall including the plinth (2)Footnotes:Benjamin Vulliamy and his son Benjamin Lewis Vulliamy (1780-1854) who traded in London as Vulliamy & Son, belonged to a family of Swiss extraction whose original business of making clocks and watches expanded rapidly during the last quarter of the 18th century due much to the entrepreneurial spirit of the senior member of the family, Benjamin. Trading from 74 Pall Mall, their surviving Ornament and Clock Books contain extensive details regarding their business practices which clearly indicate that their craftsmen were not necessarily employees of the firm, but were 'individuals or firms largely resident in London who were working independently for their own account,' (See: Furniture History, 1967, Geoffrey de Bellaigue, 'The Vulliamys and France,' pp. 45-53). Besides mechanical movements for their watches and clocks, they also designed and had made elaborate cases which incorporated porcelain figures which were supplied by William Duesbury of Derby. In addition they supplied ornamental metalwork in many guises and, as de Bellaigue remarks, 'they were prepared to supply their customers with anything from a chimney-piece to a door handle, from a piano to a button.' The Vulliamys were fully aware of current taste on the Continent and France, not only utilizing published French designs, but also copying actual French objects or their components. They are also recorded as actually purchasing works of art in Paris, either on commission or for resale, and also utilized the workshops of the Delafontaines, 'who were among the most eminent bronze manufacturers active in Paris in the beginning of the nineteenth century,' (Bellaigue, op. cit.). The Delafontaines are shown in Vulliamys' books 'as suppliers of bronze mounts, chased but not gilt, which were incorporated into candelabras, inkstands, clocks and mounted porcelain jars,' as seen on the present vases. The Vulliamys had an illustrious list of clients, including many members of the aristocracy and eminent personages, together with the patronage of the Royal Family including the Prince Regent to whom they supplied elaborate mounts, all with comparable square bases, for several Chinese porcelain vases which in the Royal Collection. These included three Chinese famille rose jardinières (RCINs 48 and 101659.1-2) and a set of four jardinières with bowls of dark blue Spode ware in imitation of Chinese porcelain (RCINs 700.1–4).For further information on this lot please visit Bonhams.com
A First Period Worcester porcelain cup and saucer: of fluted form painted in rose cameiu after a Meissen original, fretted square marks, circa 1760, bears label for the Frank Wheeldon collection, together with a Coalport coffee can painted with a Japan pattern, bears label for B. & T. Thorne & Son, a Spode coffee can painted with orange peony scroll and a Qianlong cup painted in the famille rose palette. [4]
An English porcelain botanical part dessert service, probably Spode: painted with floral sprays and applied with lavender and gilt foliate motifs, iron red pattern number 17??, circa 1820-30, 21/26 and 27cm, twelve pieces comprising three sets of four shaped dishes [one with discoloured crack].
A group of five egg cups on integral stands: including a Chamberlains Worcester cup with blue banded decoration, circa 1840-50; a Bloor Derby cup in deep blue and gilt, iron-red printed mark, circa 1820-30; a Ridgway cup transfer printed with flowers and foliage, circa 1840; a Spode Copeland blue and gilt cup in Flight Worcester style, printed marks, circa 1900; and a green and gilt decorated cup, possibly Flight, Barr & Barr Worcester, circa 1820 (5)
A group of eight Spode & Copeland egg cups: including a pair of Copeland & Garrett 'Felspar' cups painted in pink, printed marks, circa 1840; another with moulded and painted flowers and foliage, script mark and pattern number 2527; another with moulded flowers on a lavender ground, script mark and pattern number 2010; and four others (8)
A group of five 19th Century pottery egg cups: including a Wemyss cup painted with pink cabbage roses, impressed and painted marks, early 20th Century; together with four ironstone-type pottery cups transfer printed with flowers, comprising one by Davenport (printed mark); one Spode (unmarked); another Copeland late Spode; the last by an unknown maker (5)
A pearlware asparagus server, printed in underglaze blue with a Chinese landscape, within a border, length 7.5cm, circa 1860, and an early Spode Willow pattern asparagus server, printed in blue with the standard chinoiserie design, length 7.5cm, both with Audrey White collection sticker to back
Sale Item: 18 PCS COPELAND SPODE CHINA TEAWARE (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%
A 19th century Spode-style Imari-decorated tureen and cover, 18cm long, 15cm high, a 19th century Staffordshire two-handled loving cup with decorated scene of ruins in mountainous landscape and gilt inscription William Gerrard, A Present from A Friend February 6th 1859, 11cm high, other ceramics and four modern glass paperweights.
A pair of Staffordshire white and gilt earthenware bell pulls retaining the brass mechanism, c1860, 10.5cm diam, a pierced square saltglazed buff stoneware salt cellar, 19th c, a pair of Copeland PORT and SHERRY wine bin labels, another impressed SPODE and a black printed earthenware scale plate for Day & Millward Birmingham (7) The lot in good condition. The bell pulls particularly so
An assembled group of Spode swan handled 'dolphin embossed' ware, c1815, painted with botanical flowers and tightly grouped floral sprays, the rims and handles gilt, the service including two comports, 35 and 37cm over handles and pair of sauce tureens, covers and one stand, pattern Nos 1660, 1875 and 2106 (14) Cover of one of the tureens cracked. Smaller of the two comports - flower painting to interior rubbed, but mostly good condition
A BOX, TWO BASKETS AND LOOSE CERAMICS AND SUNDRY ITEMS, to include a large Italian ceramic schnauzer dog height 33cm, together with a smaller example, a Beswick Laurel and Hardy cruet set, a Nao figure of playing puppies, a boxed Halcyon Days enamel box 'inspired by a Bilston enamel snuff box dated late 18th century in the collections of the V&A', a small collection of trinket dishes including Wade London Zoo, Paragon Tree of Kashmir, Royal Doulton Old Leeds Sprays, Shelley and Spode Chelsea, etc (1 box + 2 baskets + dog) (sd)
A SET OF FIVE SPODE 'GAME BIRDS' CABINET PLATES, blue and gilt borders surrounding 'Lapwing', 'Pheasant', 'Pintail', 'Quail' and 'Snipe', hand painted by A Wallis and L Casewell, lacks no.2 from the numbered set, printed marks, diameter 23.5cm (5) (Condition report: Lapwing plate is cracked, the others are all in good condition other than some surface dirt)
A SMALL COLLECTION OF BLUE AND WHITE WARES ETC, to include six Spode calendar plates for the years 2001 to 2006 inclusive, plates in good condition, boxes are distressed, Wedgwood Ferrara oval dish approximately 33cm in length, Allertons wavy edge dish, Wessex and Barratts willow pattern bowls, Wessex with chip to the rim, a Universal dish with chip to the rim and a Elesva of Holland Delft style mug, together with a blue Carlton Ware Wellington shape coffee pot with chip to the base
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47359 item(s)/page