THATCHAM : Map of an Estate called Thatcham Farm and other property belonging to Miss C. M. Fromont in the Parish of Thatcham Berks. Surveyed & Drawn by F. W. Dibbin (Railway Engineers) large rolled manuscript map mounted on linen, with a fair bit of wear, 880 x 650 mm, 1837.*Notes Thatcham Estate belonged to the daughter of the proprietor of the first Mail Coach, Edward Fromont, the family were involved in the mail coach business until the coming of the railways. The railway is indicated on the plan by the surveyor F. W, Dibbin, a family member, who worked with I. K. Brunel. The Kennet and Avon Canal runs to the south of the estate.
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INDIA : 1914 - 1916. An album of photographs and postcards, also tipped-in is a manuscript signed letter from the House of Commons, dated Aug. 1. 87 by George Curzon, (Lord) declining an invitation to be present at the Annual Meeting of the 'Council'. Original vellum backed cloth with the title in ink on the upper cover, folio, c1910s.
SEAMSTRESS' INSTRUCTIONAL : 20 manuscript pages (many blank) with a couple of small samples, cont. half sheep marbled boards, 4to, Mid-Victorian ? With a useful eighteenth century blank 4to note-book with paper watermarked ' 1794'. With a ledger c1820s. With another bound manuscript volume.(4)
Selection of lute and early music books to include André Deutsch - Pills to Purge Melancholy, hardback book, Speight - Bawdy Songs of the Early Music Hall, the Welde Lute Book facsimile edition and Matthew Holmes Manuscript Lute Society facsimile edition seven with Cambridge University Press slip case
Galilei (Galileo) and Baldessare Capra. Usus Et Fabrica Circini Cuiusdam Proportionis, Per Quem Omnia Fere Tum Euclidis, Tum Mathematicorum Omnium Problemata Facili Negotio Resolvuntur, Bologna, heirs of Dozza, 1655 bound with Difesa di Galileo Galilei... Contro alle calunie & imposture di Baldessar Capra, Bologna, heirs of Dozza, 1655, together 2 works in 1 vol., woodcut decorations to titles, woodcut initials, head-pieces and diagrams, light marginal dampstaining towards end, contemporary vellum, rebacked, endpapers and pastedowns reusing manuscript documents on paper (dated Florence, 1743), preserved in custom drop-back box, [Tomash & Williams C23 & G6], 4to.⁂ A fragment extracted from the first volume of the 1655-1656 Dozza edition of Galileo's work consisting of Capra's work on the use and construction of proportional compasses and Galileo's resulting attack on Capra.
Jacquard weaving.- Biehler (Tobias) Practische anleitung für jeder zeichnung zur Jaquard-maschine, autograph manuscript, lithographed presentation title to Otto, King of Greece, manuscript dedication leaf and autograph manuscript signed by Biehler of his foreword or "General Remarks" ("Allgemeine Anmerkungen"), loosely inserted, 3ff. with 48 gilt-edged silk swatches laid down, 90 leaves of text and elaborate diagrams, some full-page, 46 weaving patterns drawn on thin card laid down, many on large folding sheets with silk swatches and captions facing, several stubs at start ?indicating removal of early ff. although the whole seemingly complete, contemporary green velvet blocked in gilt, preserved in custom drop-back box, [Tomash & Williams Add5], oblong folio, Vienna, 1839; sold not subject to return. ⁂ A superb manuscript on the Jacquard loom including 12 pages showing the punched cards representing weaving patterns and swatches of the resulting silk cloth. This use of replaceable punched cards to control a sequence of operations is considered an important step in the history of computer programming. "This large work is a description of how to set up a Jacquard loom. It begins with a description of the weaving process and the notation system used to describe a pattern. This is followed by an in-depth description of the Jacquard loom with very detailed full-page diagrams of the mechanisms. The final, and largest, part of the work is a sampler of different weavings, including their initial design documents and patterns together with swatches from the actual cloth." - Tomash & Williams.
Kepler (Johannes) Tabulae Rudolphinae, quibus Astronomicae Scientiae, Temporum longinquitate collapsae Restauratio continetur, first edition, additional engraved title becoming loose, L2/L3 double-page letterpress table with partial hand-colouring, folding manuscript table of logarithms bound in at end, a few margins repaired or remargined, including engraved title at foot and folding margin of k3, with some letters of side-notes supplied in manuscript, some worming, mostly marginal, a few gatherings (including "Sportula", sig. q, issued in 1629) browned, later half calf, rubbed, [Tomash & Williams K27; Houzeau & Lancaster 12754; Norman 1208], folio, Ulm, Jonas Saur, 1627.⁂ "The foundation of all planetary calculations for over a century." (Sparrow, Milestones of Science). Tycho Brahe asked Kepler to complete his Rudolphine tables, shortly before the former's death in 1601 - the resultant work, based on Kepler's discovery of the laws of planetary motion and on his introduction to logarithms, produced far more accurate positions than those in earlier tables. This copy includes the 4-leaf "Sportula genethliacis missa" published in 1629, but does not have Bartsch's appendix or the world map, both issued after 1627.
Lambert (Johann Heinrich) Zusätze zu den Logarithmischen und Trigonometrischen Tabellen, first edition, woodcut title decoration and head-pieces, small manuscript slip pasted in, occasional foxing, modern boards, [Tomash & Williams L20; VD18 12463442], Berlin, Haude and Spener, 1770 § Grüneberg (Christian) Pandora Mathematicarum Tabularum, occasional browning, contemporary vellum, soiled, lacking ties, [Tomash & Williams G94; VD17 39:115087Q], Frankfurt am Main, Christoph Zeitler, 1684; and another, similar by Schulze, [Tomash & William S65], 8vo (3)⁂ A good group of German logarithmic and trigonometric tables.
Leybourn (William) Panorganon: Or, An Universal Instrument, Performing All Such Conclusions Geometrical And Astronomical As Are Usually Wrought By The Globes, Spheres, Sectors, Quadrants, [&C.], first edition, engraved portrait frontispiece and 2 folding plates, woodcut initials, head-pieces and diagrams, marginal browning and occasional chipping, occasional light marking or soiling, modern panelled calf, [Tomash & Williams L104; Wing L1928], small 4to, William Birch, 1672.⁂ The Panorganon describes a quadrant which Leybourn had himself designed, though he acknowledged that he owed much to the manuscript notes of Samuel Foster, professor at Gresham College.Provenance: John Gardiner, William Green and Doubleday Auborn (early ink inscriptions).
Mensuration.- Nystrom (Johan Vilhelm) Project of a new system of arithmetic, weight, measure and coins, proposed to be called the tonal system with sixteen to the base, presentation copy with ink inscription "To the Library of the Franklin Institute with the Author's best regards" to front free endpaper and signed bookplate to pastedown, folding plate (a little torn), library stamps, library cloth, Philadelphia, 1862 § Bowring (Sir John) The Decimal System in Numbers, Coins, and Accounts, plates, original cloth, spine ends repaired, Nathaniel Cooke, 1854, [Tomash & Williams N51 & B218] § Coli (Gaudenzio) Trattato elementare del sistema metrico decimale, Bologna G. Monti, 1859 bound with Coli (Gaudenzio) Il nuovo abbaco ovvero primi elementi intorno al sistema metrico decimale ad uso delle scuole elementari-minori, Bologna, Giacomo Monti, 1859 and Tabelle di ragguaglio della moneta Romana e l'Italiana e del peso Romana col metrico con tavole ed esempi per facilitarne i conteggi, Bologna, Marsigli e Rocchi, 1859 and Tabelle di ragguaglio fra la moneta Romana e l'Italiana e fra la moneta Toscana e l'Italiana e viceversa, Bologna, Marsigli and Rocchi, 1860 and Zavaglia (Sebastino) Ragguaglio fra tutte le misure metriche decimale autorizzate con decreto 8 Ottobre 1859 e le misure Bolognese e viceversa coi piu facili modi di riduzione disposti per ordine alfabetico con alcune applicazioni utili alle arte industriali, Bologna, Tipografia Scienze, 1860 and Ragguaglio fra le nuove e antiche misure lineari, agrimensorie e cubiche non che per li pesi per uso del dipartimento del reno. Con una tavola di ragguaglio delle misure lineari di diversi dipartimenti. In execution dell' articolo 13 della legge 27 Octobre 1803, Bologna, Marsigli, 1860 and Conteggio sino a N. 50 per ciascheduna moneta che ha corso legale nello Stato Pontificio secondo il chirografo di S.S. Papa Gregorio XVI, Bologna, Stamperia della Colomba, 1860 and Tabelle di ragguaglio del peso Romana e del Bolognese col metrico e viceversa. Con tavole ed esempi per facilitarne i conteggi. Aggiuntovi une specchio comparato di tutte le misure metriche celle Bolognesi, Bologna, Marsigli and Rocchi, 1861 and Giornaletto per 1'anno, 1861 and L (F. M.) Principi elementari d'aritmetica compendiata da F.M.L. Bologna, Antonio Chierici , together 10 works in 1 vol., with an additional four folding printed plates or tables, one folding manuscript table and one manuscript page, original wrappers, later boards, rebacked, [Tomash & Williams C119, C118, R34, R33, Z5, R31, R24, R32, R25 & F1]; and 4 others, the metric and decimal systems, 8vo & folio (7)
Merchants' handbooks.- Tapis (Vincent César) Tables de nombres fixes, pur opérer les principales réductions étrangères avec la France, first edition, woodcut title decoration, first and last f. blank, contemporary calf, wear to extremities, Lyon, Pierre Valfray, 1751 § Nouvelle methode pour trouver facilement & en peu de tems la valeur de quelque nombre que ce sort de Louis d'argent, d'ecus d'or, lys d'or, de pistoles & de Louis d'or, avec un nouveau calcul pour les rentes, depuis le denier sept jusques au denier trente. Augmentée, a few small patches of staining, ink stamps to title, contemporary calf, spine ends chipped, Paris, Jean Guignard, 1686 § Ouvrier Delile, Jean-Claude (d.1807). Calcul des décimales, appliqué aux différentes opérations de commerce, de banque et de finance, first edition, half-title, manuscript index tabs, bookplates to pastedown, contemporary calf-backed marbled boards, Paris, Libraires Associés, 1765, [Tomash & Williams T6, R23 & O57], 8vo (3)
Military fortifications.- De l'usage du compas de proportion, autograph manuscript in brown ink, 22ff., title within elaborate cartouche illustrated with fruits and a face, chapter titles within head-pieces, diagrams and 11 fortification designs, worm hole running throughout, occasional light soiling, neatly recased in seventeenth-century black morocco, gilt, [Tomash & Williams S78], small 8vo, 1681.⁂ "This well-done manuscript is more about building of fortifications than about the sector. The sector is used as a sighting/surveying instrument as well as a device to do minor calculations. It begins with a short section on the line of lines, parts of the circle and some elementary trigonometry. The rest of the text is made up of a consideration of eight different fortification problems." - Tomash & Williams.Provenance: Gabriel Peignot (1767-1849); Jacques Techener, Catalogued'une nombreuse collection de livres anciens rares et curieux provenant de la bibliothèque de feu Gabriel Peignot, Paris, 8-30 March 1852, lot 935 ("De l'usage du compas de proportion, pet. in-8, mar. noir, Þ l. Ms. du xviie siècle sur pap. et orné de dessins à la plume").
Scheffelt (Michael) Pes mechanicus artificialis, oder neu-erfundener Mass-Stab auf welchem alle Proportiones der gantzen Matheseos ohne muhsames Rechnen, first edition, engraved frontispiece and 11 plates (one folding with neat repair), Ulm, Wagner, for the Author, 1699 bound after Instrumentum proportionum, oder Unterricht vom Proportional-Zirkul, second edition, 12 engraved plates, Ulm, Daniel Bartholomaeus, 1708, together 2 works in 1 vol., Gothic letter, titles printed in red and black, woodcut initials and head-pieces, occasional foxing or light browning, bound in old parchment manuscript leaf, spine a little chipped, [Tomash & Williams S27 (footnote) & S33; VD18 11004266 & VD17 39:121551N], 4to.⁂ Provenance: inscription on title-page dated Helmstedt, 1788.
Schott (Gaspar) Cursus Mathematicus, sive Absoluta omnium mathematicarum disciplinarum encyclopedia, first edition, double column, woodcut initials, head- and tail-pieces and diagrams, engraved additional title page, folding engraved table and 41 plates (some folding), engraved title cropped at outer margin, small ink stamp to printed title, browning, heavy in places, later vellum, title in manuscript on spine, a little soiled, endpapers renewed, preserved in custom drop-back box, [Tomash & Williams S54; VD17 12:196809B], folio, Wurzburg, Heirs of Martin Schonwetter, 1661.⁂ Includes chapters on varied subjects such as astronomy, geography, horology, mechanics, hydrostatics, optics, military architecture, music and surveying.Provenance: "Colloredo" (ink stamp to title).
Sundials.- Clavius (Christoph) Gnomonices libri octo, first edition, title within engraved architectural border, woodcut initials, head- and tail-pieces and diagrams, printers device above colophon, occasional very light marginal dampstaining and minor browning, bookplates and book labels to pastedown, ink stamp to title and final f., contemporary vellum, title in manuscript to spine, joints splitting, a few wormholes to covers, lacking 4 pairs of ties, [Edit16 12671; Tomash & Williams C101], folio, Rome, Francesco Zanetti, 1581.⁂ First edition of the most important and substantial work on gnomonics published to that date.Provenance: "Abbatiae Carcerum" (i.e. the abbey of Santa Maria delle Carceri (near Padua), engraved bookplate on inside covers); Rev. Antonio de Lazzaris, canon of the Congregation of San Giorgio (inscription on inside front cover); "TA" (red monogram stamp).
Bion (Nicolas) The Construction and Principal Uses of Mathematical Instruments, translated and edited by Edmund Stone, 2 parts in 1, including supplement, second English edition, woodcut initials and head- and tail-pieces, 30 folding engraved plates, small portion of loss to plate 7 margin, occasional very light browning, some spotting, contemporary calf, sympathetically rebacked and recornered, covers worn and repaired, [Baillie p.145; Tardy p.36; Tomash & Williams B160], folio, J. Richardson, 1758⁂ Provenance: Bindon Blood (1755-1855, ink stamp to verso of title, dated 1793 in manuscript); Cardinal Hayes Library, New York, Manhattan College, (blindstamp to title).
Brerewood (Edward) De Ponderibus, et Pretiis Veterum Nummorum, eorumque; cum recentioribus collatione, liber unus, first edition, title within architectural woodcut border, woodcut initials and head-pieces, text within ruled border, occasional light spotting, bookplate and ink names to pastedowns, contemporary limp vellum, preserved in custom drop back box, [Honeyman I, 499 (this copy); Tomash & Williams B246]; 4to, John Bill, 1614.⁂ The Honeyman copy of this work comparing the weights and coinage of the Jews, Greeks, Romans and Byzantines, including chapters on the constitutions of the metals and alloys used among the ancients. The author was the first Gresham professor of astronomy and a distinguished mathematician and antiquary.Provenance: Jean Bouhier (1673-1746), president of the Parliament of Burgundy, inscribed "Bouhier" (listed in his manuscript library catalogue, Bibliotheca Buheriana; BU, Montpellier, Ms H19, fol. 156); Robert B. and Marian S. Honeyman (bookplate).
Autographs & Ephemera - Sir Pelham Grenville (P.G.) Wodehouse (1881-1975) - Signed typewritten greetings card dated January 30, 1973 sent from Basket Neck Lane, Remsenburg, N.Y. 11960 from Wodehouse to Mrs W Myatt of Boston, Lincolnshire in thanks for a letter from the recipient, with original postally-franked envelope, together with a White Star Line RMS Majestic Passenger List Southampton to New York dated July 1926, with 'Mr. P.G. Wodehouse on the First Class list, an unused RMS Majestic postcard, and a musical manuscript for 'The Golden Moth' (Book by Fred Thompson & PG Wodehouse) (4) Condition: One greetings card has losses to front cover illustration around edges. Typewritten page is clean and bright with correction on surname of recipient. Envelope has been opened to 2½ sides and has minor creasing. RMS Passenger List is discoloured, well-worn and folded, small ink mark beside Woodehouses name on Passenger List, general foxing to internal pages, manuscript has general light wear to covers but is preserved beneath plastic dust wrapper, internal content generally good. **General condition consistent with age
An Indonesian palm leaf manuscript, Hindu text, Bali, enclosed by hardwood slats and tied with string, 16.5ins, together with a pair of 19th century Indian hardwood Paduka, with ornate wire inlay, length 9.5ins, and an Indian brass plaque, decorated with high relief depiction of a holy man, 16ins x 10ins, together with a similar plaque with woman and child, 17ins x 11ins, matching hardwood frames
HERALDRY - MANUSCRIPT'Edmondson's Heraldic Scrap-Book', so-titled in pencil on opening leaf, approximately 100 leaves, including approximately 70 pen and watercolour heraldic designs (380 x 290mm., and smaller), 75 pen and ink, or pencil designs and sketches, approximately 20 manuscript notes and letters (several mentioning 'J. Edmondson', including a note concerning the arms of John Ingilby of Ripley, 1785), numerous engraved illustrations, all pasted onto album leaves on recto only, old dealer/auction catalogue note describing the volume as belonging to Edmondson pasted inside upper cover, old vellum, rebacked, folio (515 x 380mm.), [late eighteenth/early nineteenth century]--MANUSCRIPT PEDIGREE ALBUM, titled on spine 'Barones Angliae extin[cto] 1616. Viscounts of England 1628. Knights of Ye Baro. 1625' 228 leaves (164-208 blank), ink on paper, written in a neat hand (index and a few additions in an eighteenth century hands, one a pedigree of Hammond Cross of Bramingham, Surrey 'comunicated [sic] by him to me Arthur Collins, August 1st 1752'), old vellum, rebacked, soiled, folio (395 x 300mm.), [seventeenth century]--Album of heraldry designs, 98 leaves, including 130 pen and ink drawings, watercolours, pencil designs, sketches and tracings of heraldic arms, some with signatures (including Charles A. Buckler, Surrey Herald and Gerald Woods Wollaston, College of Arms), and other heraldic ephemera, half morocco, rebacked, worn, small folio (380 x 240mm.), [c.1910-1925] (3)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
JAQUES (FAITH)A large archive of original artwork for books illustrated, and sometimes written, by Faith Jaques, with other artwork for magazines (Radio Times, Cricket, etc.), upwards of 600 original illustrations (approximately 200 fully realised watercolours or gouache, the others black ink), on paper or artist's boards, many with overslips, marginal annotations, several dummy mock-ups, various sizes, [1960s-1990s] (large quantity)Footnotes:'Faith Jaques was one of the outstanding illustrators responsible for the renaissance of British picture books during the last three decades... Her brilliance found many outlets, including Roald Dahl's Charlie and the Chocolate Factory' (obituary in The Independent, 1997).An exceptional archive including upwards of six hundred original pieces of artwork, including those for many of Jaques' best-loved books from the 1960s to the 1980s. It is rich in cover designs, dummy mock-ups, final page-lay outs as well as numerous striking individual images.Colour works include: 'Johnnie Golightly and his Crocodile. By Ursula Moray Williams' (14 including front/back cover, together with full pen and ink mock-up of the book); 'The Magic Fish-bone. By Charles Dickens (17, most double-page, including front/back cover, together with full pen and ink mock-up of the book, with variant colour cover design); 'The Giant Who Swallowed the Wind' and 'The Giant that Stole the World' (both by John Cunliffe, 27, mostly colour); 'The Orchard Book of Nursery Rhymes' (42); 'Little Grey Rabbit's House' (12), 'Our Village Shop' (15), 'Goldilocks in the House of the Three Bears' (12); 'Kidnap in Willowbank Wood' (3, with a full pencil mock-up of the book); 'The Return of the Antelope' (21, including cover illustration which is 300 x 460mm., and copy of the book inscribed by the author); 'The Hugh Evelyn History of Costumes' and 'A First Look at Costume' (approximately 90 costume plates, some with 2 images on sheet); 'Tilly's Rescue' (3 variant versions of colour plates including the upper cover, together with half-size pencil dummy of the book; archive of textual charges, correspondence, etc.); Other colour material includes full-colour cover artwork for 'The Little Orchard Book of Nursery Rhymes' (unused, front and back), Margary Fisher's 'Journeys' (front), Andre Norton's 'Octagon Magic' (front), Leon Garfield's 'Moss and Blister'; Full-page illustration of a magician from Eric Houghton's 'The House and the Magician'; 'The Sleeping Princess... Text by Brothers Grimm', 32-page full colour manuscript mock-up with printed text pasted-in; Phillipa Pearce's 'What the Neighbours Did' (front and back).The black and white artwork includes: illustrations for 'Carrie's War.... by Nina Bawden' (6); 'A Picnic With the Aunts. By Ursula Moray Williams' (8, with a copy of the book inscribed by the author to Jaques 'for making this book what it is'); 'The War of Bird's and Beasts... by Arthur Ransome' (30, with 2 full-colour cover designs); 'Apprentices' series by Leon Garfield (approximately 110 black and white, according to Jaques' obituary 'among her finest work'); and others such as 'The Faber Book of Greek Legends'.Provenance: Faith Jaques (1923-1997); by descent to the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
ILLUMINATED MANUSCRIPT - KATE EADIEElegy Written in a Country Churchyard by Thomas Gray, illuminated manuscript on vellum, 20 pages, frontispiece with a full-page miniature of woodcutters felling trees with an elaborate border of hawthorn foliage and berries in gold, brown and blue, title-page with raised gold lettering, second frontispiece incorporating large round miniature of the Church at Stoke Poges and smaller one of the Gray memorial, within a border of oak leaves and branches with acorns, subtitle-page lettered in blue and turquoise, the poem mostly written in black ink on 16 pages (including the Epitaph), each with a different decorative border in gold and colours of foliage reflecting the text of the poem, capital letters in various colours on a gold ground throughout, the first page with elaborate heading and historiated letter T incorporating figure of the ploughman, the following 14 pages each with one historiated and one decorative initial, original limp vellum, titled in gilt on upper cover, remnants of green silk ties, preserved in green cloth solander box, 4to (317 x 240mm.), [c.1900-1910]Footnotes:A fine and very rare example of an illuminated manuscript by the Birmingham enameller, jeweller, illuminator and Arts & Crafts designer Kate Eadie. Kate Muriel Mason Eadie (1880-1945) trained at the Birmingham school of Art, where she is believed to have been taught by Arthur Joseph Gaskin. In 1902 she won the national Owen Jones prize, awarded to 'Students at the Schools of Art who, in annual competition, produce the best designs for Household Furniture, Carpets, Wall-papers and Hangings, Damask, Chintzes etc.' In 1915, she became the first woman to be elected Associate of the Royal Birmingham Society of Artists, exhibiting jewellery, metalware, stained glass design, illuminated manuscripts and Limoges enamels - her gouache on vellum The Defence of Guenevere won the Harry Lucas Award for the finest example of decorative artwork in the RBSA's Spring Exhibition of 1916. At Birmingham she had also met the Pre-Raphaelite artist Sidney Harold Meteyard. She posed as a model in many of his most famous paintings, and having worked together for twenty years, they eventually married in 1940. Provenance: Kate Eadie; thence by descent to her great nephew in Cookshill nr. Alcester (where Kate Eadie and Sydney Metyard lived), from whom it was acquired.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
ROWLING (J.K.)Harry Potter and the Philosopher's Stone, FIRST EDITION, FIRST IMPRESSION, INSCRIBED BY THE AUTHOR 'to Bryony - who is the most important person I've ever met in a signing queue & the first person ever to see merit in Harry Potter. With huge [underlined 4 times] thanks. J.K. Rowling' on the dedication leaf, publisher's imprint page with the number sequence from 10 to 1, and author cited as 'Joanne Rowling', p.53 with the duplication of '1 wand' on the equipment list, misspelling 'Philospher's' on lower cover, publisher's pictorial boards, spine and corners slightly bumped, 8vo, Bloomsbury, 1997Footnotes:IMPORTANT FIRST EDITION OF THE FIRST HARRY POTTER NOVEL, WITH A REMARKABLE INSCRIPTION BY THE AUTHOR TO 'THE FIRST PERSON EVER TO SEE MERIT IN HARRY POTTER'.In 1995 J.K. Rowling, unknown and unpublished, 'walked into a library in Edinburgh and looked up a list of literary agents. She alighted on the name Christopher Little, and, deciding that he sounded like a character from a children's book, she sent him her own manuscript, Harry Potter and the Philosopher's Stone' (Sunday Telegraph, 15 June 2003). In fact she sent just the opening three chapters, and on arrival at Little's small office the book was destined for the slush pile and rejection, as Little's agency had not previously handled children's literature. But office manager Bryony Evens, intrigued by the distinctive black folder in which the manuscript was enclosed, picked it from the pile, read it, was instantly smitten and suggested to Little they request that Rowling send the whole manuscript. She did, and from that moment the Harry Potter phenomenon was launched. The book, after having been rejected by twelve publishers, was sold to Bloomsbury for £2,500 in 1996, and in 1997 was published in an edition of five hundred hardback copies, going onto be the most successful book and subsequent franchise, in publishing history. Evens had left the agency prior to publication of the book, but received a copy on publication. In 1998 she attended a reading by Rowling to promote her second book at the Cheltenham Literary Festival. She joined the short queue to have her copy of Philosopher's Stone signed. Whilst the two had corresponded previously they had never met, and on hearing to whom the book should be inscribed, Rowling stood to give her a hug of gratitude, signing her copy to 'the most important person I've ever met in a signing queue, and the first person ever to see merit in Harry Potter'.Provenance: Bryony Evens.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
KNIGHTS TEMPLAR - VATICANProcessus Contra Templarios. Exemplaria praetiosa III, 2 vol., NUMBER 455 OF 799 COPIES, text volume in Latin, Italian and English, printed on specially made cotton paper, with 3 engraved plates, accompanying portfolio containing facsimile manuscripts and Papal seals in elaborate leather pockets decorated in gilt, publisher's vellum over boards, text volume lettered in gilt, spine of portfolio with onlaid leather strapwork and ties, preserved in single wallet-style limp goatskin portfolio, with ties, original velour bag and packaging, folio (444 x 278mm.), Vatican Secret Archives, 2007; and a copy of the Italian edition, limited to 799 copies, publisher's fabric-covered boards, leather slipcase, original velour bag, folio, Mestre, Scrinium, 2009 (3)Footnotes:A lavishly presented work issued by the Vatican Secret Archives, reproducing the documentation of the papal hearings convened by Clement V after Philip IV of France arrested and tortured Templar leaders in 1307 on charges of heresy and immorality. Clement eventually suppressed the order in 1312, but the facsimiles include the 'Parchment of Chinon,' a previously overlooked 1308 manuscript recording Clement's initial decision to save the Templars and their order.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
MUSICROSSINI (GIOACHINO) Autograph manuscript signed ('G. Rossini') of his song 'Mi lagnerò tacendo', the upper stave marked 'Canto' and the lower two 'Piano Forte', 1 page (originally two oblong album pages, subsequently pasted over to comprise a single one, with traces of mounting to each overleaf), browned, especially at the edges, from acidic frame-backing, framed with a lithographed portrait after W. Dreser, 4to (overall c.335 x 255mm.), 'Paris a 30 Avril 1834'Footnotes:ROSSINI LAMENTS IN SILENCE: 'Rossini composed almost fifty different versions of Metastasio's text, some of which are full-scale songs, some no more than 'album leaves'. Rossini must have relished the irony of setting a text in which the poet 'laments in silence' his 'bitter fate' – he had, after all, consciously abandoned the theatre and condemned himself to a self-imposed silence' (Richard Stokes, note to the Hyperion edition, Péchés de vieillesse, vol. xiii, Musique anodine, no. 5, 2008). This particular version of the song differs, for example, from that written out by Rossini for the album of Louise Carlier in 1835 (Sotheby's, London, 28 September 2017, lot 60).This manuscript comes from the collection of the owner's father, the film composer Riz Ortolani, a student of the Conservatorio Rossini di Pesaro, where a room is dedicated to his memory. He was married to the late actor and singer Katyna Ranieri.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
STAFFORDSHIRE – CHETWYND FAMILY AND INGESTRECalligraphic richly illustrated volume on vellum tracing the deeds and architectural accomplishments of the Chetwynd family of Ingestre Hall, compiled for the antiquary and friend of Sir Christopher Wren, Walter Chetwynd, by his protege Gregory King (later map-engraver to John Ogilby and pioneering economist), with title-page: 'Chetwyndorum Stemma./ sive/ Chetwyndianæ Familiæ/ de Ingestre in Agro Staffordiensi/ Ac olim de Chetwynd in com. Salop./ Successio./ Ex ipsis Autographis/ penes Walter Chetwynd Arm./ deducta./ Et/ Insignis, Sigillis, aliisq., ejusdem Familiae Monumentis/ illustrata./ Ao. Dni. M.DC.LXXXX.', transcribing each deed, including petitions and wills (including, for example, that of Sir Thomas Littleton, 1481: 'Item I will that my wife have a Bason of Silver, in the middest whereof is her Armes and mine, and an Ewer of Silver; two great Salt sellers with a kever, a standinge playn gilt peece, vj bolls of Silver, a standinge peece with a Cover, a flatt low gilt peece with a cover, ij peeces of Silver, one coveringe another, a Powder Box of Silver, a Paxborde, ij Cruets and a Sacring bell of Silver. Item that William Littleton my sonne and heire shall have a deepe washing Bason of Silver...'), illustrated in the margins with nineteen watercolour drawings of seal impressions, and within the text four pen-and-ink studies of monumental effigies, tombs and the like (on pp.22, 64, 66 and 84); two leaves unpaginated, one of which has been left incomplete (between pp.36 and 37 and 82 and 83), a further four leaves unpaginated followed by three blank leaves following p.92 and before the beginning of the second section at p.93; the second half of the volume containing pen, ink and wash drawings of Ingestre and the family property at Grendon (Warwickshire), beginning at p.93 with 'A Prospect of the Front of the Manour house at Ingestre'; followed by 'A Prospect of the South Side of the Parish Church of Ingestre Erected Anno 1677' and 'A Prospect of the West end of the said Church' (p.95); followed by the mural monument 'On the North side of the Chancell of the Parish Church of Ingestre' (p.96), 'On the South side of the said Chancell' (p.97), the wording of the 'Memoriae sacrum Walteri Chetwynd' [then still living] left blank; the inscription repeated on p.98; eight armorial windows 'of the Chancell of the Parish Church of Ingestre', with a key to the families represented (p.99); the mural monument 'In the South Ile of the Parish Church of Grendon' (p.100); and another 'In the same South Ile' (p.101) and 'In the foresaid South Ile' (p.102) [these three erected by Sir Walter Chetwynd, see VCH Warwickshire, Grendon Parish], followed by two blank vellum sheets; bound at the end, on paper, are figures of forty-three seals in pen-and-ink (pp.105-6), with four paper leaves at the end left blank, 114 vellum leaves (102 paginated plus 12 unnumbered or with duplicate pagination), bookplate of Ingestre Hall (with the Talbot crest surrounded by the Garter and surmounted by an earl's coronet, for Charles Chetwynd-Talbot, 2nd Earl Talbot, 1777-1849, created KG in 1844), later endpapers, fine late seventeenth century morocco, elaborately gilt with floral and foliate devices and drawer-handle borders, with the arms of Sir Walter Chetwynd at centre, lightly rubbed, folio (360 x 275mm.), 1690Footnotes:A CONTEMPORARY RECORD OF THE ONLY WREN CHURCH OUTSIDE LONDON, the present volume having been compiled at the behest of Sir Walter Chetwynd FRS, who is thought to have commissioned the church from his friend Sir Christopher Wren; the volume itself compiled for Chetwynd by his protégé Gregory King, later renowned as map-engraver to John Ogilby and pioneer economist. (It will be noted that Chetwynd's own monument, on the south side of Ingestre chancel, has been left blank under the heading 'Memoriae sacrum Walteri Chetwynd': he was to die two years later, on 21 March 1692.)In the words of Sir Nikolaus Pevsner: 'For churches the locus classicus [in Staffordshire] is of course Ingestre, which can with full confidence be ascribed to Wren. It is dated 1676, and in it one breathes an air of harmony and calm not attained by any church in the county for well over a century after' ( The Buildings of England, Staffordshire, 1974, p.28). While the church and its monuments have happily survived, the hall itself was severely damaged by fire in 1882 and largely rebuilt.Although this book was compiled under the aegis of Chetwynd, the actual work was begun, and probably carried through, by Gregory King (1648-1712), who was later to become well-known as a herald, antiquary and map-engraver to John Ogilby. He is now chiefly remembered, however, for his work as the 'first great economic statistician' (Some British Empiricists in the Social Sciences 1650-1900, 1997, p.xxii ): 'King's political arithmetic was highly original and he had no peer until the flowering of the nineteenth-century statistical movement. In the first place he was distinguished by tying his calculations closely to detailed available evidence, often by imaginative use of tax records, though his earlier work as a herald and cartographer was also vital. If King's political arithmetic was more ambitious than that of any other contemporary it was also more securely based' (Julian Hoppit, 'Gregory King', ODNB).The present volume appears to have been, to a large degree at any rate, assembled by King at the start of his career: 'A manuscript compendium of Chetwynd deeds entitled 'Chetwyndorum stemma' and written on vellum is dated 1690. It also contains tricks of seals and drawings of Ingestre Hall, the new church and monuments there and in Grendon church. The first part, which concludes with the Chetwynd pedigree to 1671, is evidently the work for which Gregory King was brought to Ingestre in 1670. Its continuation, which includes further medieval deeds and documents relating to public offices held by Chetwynd from 1662 to 1689, is also probably by Gregory King. Finally in September 1692 the chaplain Charles King stated that Chetwynd had done all that he intended on the antiquities of Staffordshire' (M. W. Greenslade, 'Walter Chetwynd', ODNB). The quality of the work suggests also that Gregory King could well have been responsible for its execution; although his near namesake, Charles, the chaplain, did early antiquarian work for Chetwynd and was also, to boot, a fine botanical illustrator (see Greenslade, op.cit.). Quite how the volume was assembled is not clear. Not only are there several pages bearing duplicate pagination, and others bearing none at all, but one of the final unnumbered leaves bears the pencilled heading, in what appears to be a late seventeenth century hand, 'Before page 93'. While the binding is clearly contemporary, the marbled endpapers are more characteristic of the turn of the eighteenth and nineteenth centuries. This impressive volume has remained in the family to this day.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
ALBUM - LITERATURE AND SCIENCESAlbum containing autograph letters etc. by John Ruskin (to Mrs Max Müller: 'I was made miserable yesterday with envy of Professor Westwood's power of drawing all that I want to draw that how I'm to bear the farther envy to day of your husband's knowledge of all that I want to know, I don't know'), Robert Southey (to Charles B[enjamin] Taylor, 1820: 'I have read your poems. To a certain point all young poets however different they may be in power or in turn of mind, are upon an quality:- while they are young they can only prove that they possess the talent for versifying, & the love of poetry. This proof you have given. Beyond this every thing must depend upon the strength of the soil, & the manner of cultivation...'), Charles Darwin (clipped signature plus accompanying letter – 'I have been looking over several letters I had from my cousin Charles Darwin in 1879 when he was writing his & my grandfather's life... The writing at the back of this signature is his wife's... She was, as you know, Granddaughter to the Mr Wedgwood of the Etruria works...'), William Wordsworth (signature beneath printed subscription), Sir Arthur Sullivan (plus envelope by Gilbert), George MacDonald, Wellington, Lord Shaftesbury (on the gratitude he feels toward God), Charles Lever, Caroline Norton (emotional letter on the death of her uncle), J.A. Froude, Mrs Craik, Mrs Oliphant, Bret Harte, Walter Besant, Charles Reade ('...my reply to two squabblers in the Athenaeum...'), Sir Moses Montefiore, Holman Hunt, G.F. Watts and other painters, the explorer Lovett Cameron, and others, plus fragments by Victoria, Albert, Meer Mahboob Ali Khan, and various royalty, nobility, politicians, bishops etc., pasted in, some leaves loose, diced calf, stamped 'Autographs/ C.S.E.', some rubbing, 4toFootnotes:A contributor to this album appears to be Georgina, wife of the celebrated philologist and Vedic scholar Max Müller; many of the letters being addressed to her (or in some instances her Kingsley relations), with one leaf inscribed to her by Francis Galton. Her husband is represented by a section from the autograph manuscript of his well-known Rede Lecture 'On the Stratification of Language', delivered at the Senate House Cambridge, 29 May 1868, in which he states the three conditions of language, our fragment beginning: 'There may be languages in which all words, both empty & full, may retain their independent form...'. The album itself belonged to Caroline Sim Edlmann (née Elliot), wife of Major Joseph Ernest Edlmann sometime of India and of Leamington, Warwickshire, and has remained in the family.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
BEEKEEPINGPURCHAS (SAMUEL) A Theatre of Politicall Flying-Insects, Wherein the Nature, the Worth, the Work, the Wonder, and the Manner of Right-ordering of the Bee, is Discovered and Described, FIRST EDITION, title and parts title within typographical woodcut border, vertical half-title and blank leaf preceding title to part 2, loss of some text to pp.261/2 replaced in manuscript facsimile, small burn hole to pp.259/60 resulting in loss of 5 letters, nineteenth century blind-stamped calf, neatly rebacked to match, gilt lettering on spine [ESTC R6282], small 4to, Printed by R.I., for Thomas Parkhurst, 1657Footnotes:Provenance: B. Venables, early ownership inscription at end of the dedicatory epistle; G.R. Bostock, Aslockton, Notts, small oval stamp on front endpaper.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
BIBLE, IN ENGLISH, AUTHORISED VERSIONThe Holy Bible, Containing the Old Testament, and the New, general and NT titles within wide woodcut borders, lacks one preliminary leaf (b6, list of books) and 2 blanks, corner torn away with loss of text to 2 leaves (provided in manuscript facsimile), small loss to one side-note, tear to 7 leaves, light marginal dampstain to approximately 15 leaves, occasional spotting [ESTC S113708; Herbert 349], Robert Barker, 1616; The Genealogies... by J[ohn] S[peed], woodcut ornaments on title, double-page maps of Canaan, light dampstaining [ESTC S122913], [Felix Kingston, ?1628], bound with an incomplete 'Whole Book of Psalmes' (1618), 3 works bound in 1 vol., contemporary blindstamped calf, rebacked, folio (330 x 210mm.)Footnotes:The first small folio edition of King James's version, printed in Roman type.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
WESLEY AND THE CITY OF YORKAlbum Amicorum kept by Richard Burdekin, bookseller and Wesleyan of York, containing some 200 autograph entries from eminent Wesleyan ministers, missionaries and authors, many collected on the occasion of district meetings and conferences, with much other material, including: John Wesley (printed Methodist ticket endorsed 'Nov 1755/ Ann Lepitre' depicting an angel carrying the text 'Now is the Accepted Time'), verses written by Arctic explorer and clergyman William Scoresby Jnr ('Be ye therefore ready also: for the Son of Man cometh at an hour when athink not'), Elihu Burritt ('God is love: love to our human brethren is the earthward reflection of the heart filled with the light and life of the love of God...'), Robert Southey (autograph address panel and signature, 1834), Jabez Bunting and his son William, William Martin, self-styled Natural Philosopher and poet (several poems and a ticket to one of his lectures in 1850 illustrated with a pen and ink sketch of a lion), Titus Close, Theophilus Lessey, Robert Goodacre, Robert Spence, Gideon Ouseley, William Naylor, James Everett, Richard Stoner, George Marsden, Samuel Dunn, exortations on the evils of alcohol by popular preacher and early agent of temperance William Pollard, the painter Henry Purlee Parker and George Hudson ('the Railway King'); with several contributors from overseas such as Kahkewaquonaby ('Peter Jones') Missionary and chief of the Chippeway Indians of Upper Canada ('While I was lost in the woods, Jesus found me...'), William Fisk of Connecticut and Edward Fraser, freed slave and missionary from the West Indies; other items include a printed broadsheet 'A Negro Woman's Lamentation' sold by Joseph Phillips with manuscript verses entitled 'Negro Slavery' pleading 'the injured Negro's cause' written on the reverse by Phillips 'late of Antiqua', and two manuscript lists of subscribers and subscriptions received by the York Methodist Society as at 3 October 1775, raising money to build side galleries on the Peaseholme Green chapel (the first Wesleyan Chapel in York where Wesley himself preached in 1759) and list of works undertaken; with various printed ephemera of religious and local interest ('An Evangelical Dialogue', 'An Address from the first 'High' Sherriff of York to his 'Low' Sherriff', minutes of meetings, uplifting texts, tickets etc.), and newspaper cuttings, with loose index book, 459 numbered pages (including blanks), contemporary half calf over marbled paper boards, old leather dust-jacket, spine lettered in gilt detached, worn with losses, 280 x 225mm., index book with marbelled paper cover, 270 x 120mm., York, May 1825 to November 1882Footnotes:'I WAS THE GUEST OF MR BURDEKIN – FROM WHOM AND THE WHOLE FAMILY I HAVE RECEIVED MUCH KINDNESS'; a remarkable collection spanning nearly sixty years and bringing together luminaries of the Wesleyan movement. In addition to worthies of the church, Burdekin seems particularly interested in one Jonathan Martin, a former lapsed Wesleyan preacher and arsonist, who famously set the fire that destroyed large parts of York Minster in February 1829. Burdekin must have visited him in the York County Gaol as the album contains three pages of religious ramblings written directly into the book and dated 15 March 1829, shortly before his transfer to Bethlem Hospital where he died in 1838; '...may the Lord grant that these fue simpler remarks may have a Blessing to all that need them the Lord will not despise the Day of small things your sincere Friend and Brother in the Lord...'. Martin was also known prior to his arson attack for attaching strongly-worded notices denouncing the clergy on various ecclesiastical buildings and one of these, written at Lincoln in October 1827 is included in the collection - 'O clergyman', he writes, 'I right to warn you to repent... Father's right Hand luks down upon you with Dridful Gillisey and he like a clap of Thunder and as quick as lighting... and you go down & live into the Dridful pit of Hell to be turmenteed with the firey Tigers and Lions of Hell...'.Richard Burdekin was a highly respected bookseller and stationer in the city of York. He began his long career in bookselling as a travelling salesman and became famous for riding his favourite horse 30,000 miles in search of orders. He went into business with fellow Wesleyan Robert Spence under the name Spence and Burdekin and was to write Spence's biography in 1837. One of his two shops was destroyed by fire in 1855 but he continued to trade in Parliament Street until his death in 1860. In the words of his obituary published in The Bookseller, 'Mr Burdekin joined the Wesleyan Methodist Society early in life. He became a zealous local preacher and class-leader in that body... As he lived, so he died, a happy Christian, at a good old age'. The album was added to by family members after his death and has remained in the family.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
BIBLE - MANUSCRIPT COMMENTARYCommentarii in Epistolas S. Pauli et Apolcalypsin Novi Testamanti, MANUSCRIPT, on paper, 523 leaves, brown ink in a neat small gothic hand, sixteenth century blindstamped calf over boards, worn, old boss holes on sides, rebacked in calf with red gilt morocco spine label, folio (310 x 215mm.), [14 October, 1526, dated in ink at end]Footnotes:FROM THE DUKE OF SUSSEX'S LIBRARY. Extensive sixteenth century manuscript commentary on the Epistles to the Romans, to the Galatians, to the Ephesians, to Titus, and to Philemon, accompanied by prologues and arguments, together with a commentary on the Apocalypse. This work is described in Thomas Joseph Pettigrew, Bibliotheca Sussexiana: A Descriptive Catalogue, 1827, No. 51.Provenance: St. Agatha's Convent, North Brabant, Netherlands, inscribed 'Conventus S. Agathae prope Cuyck ad Mosam [i.e. Meuse]' on folio 1; Prince Augustus Frederick, Duke of Sussex (1773–1843), bookplate (with shelf mark 'VI H.m.8' in ink); his sale, Part II. Manuscripts, 1844, lot 208.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
BIBLE AND ILLUMINATED LEAVESBiblia sacrosancta testamenti veteris & novi, 3 parts in 1 vol., printer's device on general title and Ecclesiastes and NT titles, a few early ink annotations in text, later notes on front free endpapers, ownership inscription of Samuel Rusch (1672) on title, blindstamped vellum over wooden boards, upper cover stamped 'F.S.H.S. 1593', metal hasps and clasps retaining one metal strap (of 2), worn [Adams B1034; Cf. Darlow & Moule 6126, footnote], 8vo, Zurich, [Christoph Froschauer], 1544--[MAZZOLINI (SILVESTRO)] Aurea Rosa, title printed in red and black within decorative woodcut border, decorative initials, lacks final 3 leaves, inscriptions by various early owners (one dated 1587) on title, modern calf, 8vo, [Lyon, Guilhelm Huyon, 1521]--[Biblia Concordantiae], Canon tables printed in red and black, woodcut illustrations (including full-page Nativity), lacks 36 leaves (title and preliminaries, and index at end), modern calf, re-using old metal corner-pieces and central boss on upper cover, folio, [Paris, Jean Crespin, 1546]; together with 3 single French illuminated manuscript leaves (from a thirteenth century Bible, a fifteenth century Book of Hours and a ?fourteenth century breviary), 212 x 165mm., and smaller (6)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
MERIAN (MATTHAEUS)Icones biblicae; praecipuas sacrae scripturae eleganter & graphice repraesentantes; Biblische Figuren, darinnen die Fuernembsten Historien, in Heiliger und Goettlicher Schrifft begriffen, 4 parts in 1 vol., text in Latin, German and French, 3 engraved titles within elaborate borders and one letterpress title, 233 engraved plates by Merian, first part lightly spotted, one repair touching headline, short tear to margin of first title, this and final leaf with Bath library blindstamp, early manuscript poem 'Judicium Solomonis' on front free endpaper, ownership inscription of Nicholas von Boden dated 1633, later vellum, soiled [Graesse 496], oblong 8vo, Strasbourg, L. Zetzners, [1629] and Frankfurt, Erasmus Kempffern, 1627--DAVID (JOANNES) Duodecim specula deum aliquando videre desideranti concinnata, decorative engraved title and 12 plates by Theodore Galle, each with title, 2-line text and description with coded letters, lacking the printed text [Landwehr 53], 8vo, Antwerp, ex officina Plantiniana, Johannes Moretus, 1610 (2)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
VERLAINE (PAUL)Choix de poésies, COPY NUMBER 2 OF 10 COPIES 'sur papier du Japon', AUTHOR'S PRESENTATION COPY, INSCRIBED 'à Félicien Champsaur son ami P. Verlaine' on the half-title, frontispiece portrait of Verlaine after Eugène Carrière, Paris, Charpentier, 1891; Invectives, Léon Vanier, 1896, 2 works bound in 1 vol., tipped-in at front of volume an AUTOGRAPH POSTCARD SIGNED BY VERLAINE ('P.V.') to Champsaur ('Cher ami...', dated ''Vendredi 30') discussing sending proofs and correcting 'Fêtes galantes', one page with address panel, franked 30 January 1891, on the title to the sequence of 'Fêtes galantes' is pasted a manuscript cutting with Champsaur's name and a picture of Verlaine, later blue quarter morocco, gilt lettered on spine, t.e.g., publisher's yellow upper wrapper of first work, and both wrappers of second bound in; Confessions. Notes autobiographiques, AUTHOR'S PRESENTATION COPY, INSCRIBED 'à M. Alfred Capus, hommage d'auteur P. Verlaine' on the half-title, frontispiece portrait of Verlaine by Anquetin, later half morocco, publisher's printed wrappers bound in, 'Fin De Siècle', 1895, FIRST EDITIONS, 8vo (2)Footnotes:Choix de poèsies is inscribed by Verlaine to the novelist and journalist Félicien Champsaur (1858–1934); one collection within the volume, 'Fêtes galantes', was addressed 'à Félicien Champsaur', and is discussed in the autograph postcard tipped into the volume. Verlaine also addressed a poem, sonnet LIV, to Champsaur in Invectives. Alfred Capus (1858-1922), the recipient of Confessions was also a novelist and journalist.Provenance: Property of a European collector.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
"A Plunger of the Past"Manuscript: Donegal (Marquis of) A manuscript account (3 folio pages) of the spendthrift life style and marital affairs of George (Recte Arthur) Chichester, first Marquis of Donegall (1739 - 1799) and of his son the second Marquess (1769 - 1844). A tabloid style narrative written c. 1850, with some politically incorrect references to persons traditionally associated with money lending. Curiously, the writer failed to record the problem associated with the second Marquess's wife - the daughter of a Co. Waterford baronet he had met when imprisoned for debt - who turned out to be both under age and illegitimate. As a m/ss, w.a.f. Interesting document. (1)
Warren (F.E.) The Manuscript Irish Missal Belonging to .. Corpus Christi College, Oxford, tall 8vo L. 1879. First Edn., 5 plts. orig. full cloth; Forbes (Rev. G.H.) Missale Drummondiense, The Ancient Irish Missal in the Possession of Baroness Willoughby de Eresby, Drummond Castle, Perthshire. Roy 8vo Burntisland (Pitsligo Press) 1882. First Edn., 2 plts. orig. mor. backed boards. Good. (2)
Gilbert (John T.) 'Crede Mihi,' The Most Ancient Register Book of the Archbishops of Dublin..., 4to D. 1897. Lim. Edn. 125 Copies, 2 illus. mor. backed cloth; Warren (F.E.)ed. The Manuscript Irish Missal, L. 1879. Pres. Copy, cloth; O'Donnchadha (T.) Leabhar Cloinne Aodha Buidhe, D. 1931; & O'Farrelly (A.) Leabhar an tAthar Eoghan, lg. 4to D. 1904, both cloth. (4)
Maps: Co. Galway: Original Manuscript, Map of parts of the Lands of St. Brendans, Lissanruggy and Beannagloos, Co. Galway, by Hodges Figgis & Co., Dublin, approx. 32" x 26" (81cms x 66cms), hd. cold. in outline; also Co. Wicklow, 5 lg. 6" scale Ordnance Maps of Bray Area, Co. Wicklow, hd. cold. in outline, as a coll. of maps, w.a.f. (1)
Box: Irish interest - Fitzgerald (Maj.) History of the Irish Guards in the Second World War, Aldershot 1949; Murphy (Rev. D.) Triumphalia Chronologica Monasterii Sanctae Crucis in Hibernia [Holy Cross Abbey], etc. 4to D. 1895, plts.; Ussher & Warren The Birds of Ireland, L. 1900, cold. & other plts.; O'Curry (E.) Lectures on the Manuscript Materials of Ancient Irish History, 8vo D. 1861; Hunt (W.) The Irish Parliament 1775, 8vo D. 1907, & others of sim. interest, numerous very good items. As a box lot. (1)
Manuscript: A small octave notebook relating to Irish Antiquities, monuments, fossils etc., c. 1960. A manuscript of approx. 101pp (the remainder blank), with news cuttings and other inserts. The author, who writes in a neat hand, has not so far been identified. He gives descriptions of monuments and buildings in various parts of Ireland, and lists of shells and fossils. There are several neat plans of ancient sites such as Clonmacnoise, Monasterboice, St. Doulagh's Church near Malahide etc. etc. In full brown cloth, as a manuscript, w.a.f. (1)
Co. Meath: Armstrong (Wm.) A Map of the Estate of the Co-heiresses of the late James Wilson Esq., in the County of Meath [Parsonstown Section] Surveyed and divided in seven shares ... 1814. A very large manuscript and hand coloured map, on three linen backed parts, overall approx. 102" x 56". the legend, in seven sections lists the town lands, acreage, number on map & tenants names. In very good condition. In orig. marbled slip case. As a manuscript, w.a.f. (1)
Co. Westmeath: Manuscript Map - Byron (Sam.) cartographer, A Survey of Ballrowan, Kerynstown, & Clonecully in the Barony of Farbill, Parish of Killucan and County of Westmeath The Estate of the Rt. Hon. Hercules Langford Rowley, 1787. Lg. hd. cold. manuscript map, linen back & rolled. With descriptions of the Different holdings with acreage; 1 other item sim. As a m/ss., w.a.f. (2)
The Book of KellsFacsimile - Verlag, Luzern, Publishers: The Book of Kells, the most precious illuminated manuscript of the early Middle Ages, now reproduced, the FIRST AND ONLY COMPLETE FINE ART FACSIMILE EDITION, published by Authority of the Board of Trinity College, Dublin. Lg. thick 4to, Luzern 1990, LIMITED EDN. (1480), in fine white tawed leather over wooden boards. Contained in a specially created presentation box, the embossed surface with blind & gilt tooled Celtic decoration and silver and brass mounts. Together with a large Commentary Volume, with illus., leather backed cloth, and orig. advertising portfolio. An unique opportunity to acquire a complete facsimile of one of the Worlds greatest Art Treasures. As a lot. (1)
A Fine George II carved mahogany, dressing commode, circa 1735, possibly by John Boson and Cornelius Martin or Benjamin Goodison, now with an eared rectangular green marble slab top, the four long graduated drawers with original gilt-brass handles and escutcheons, flanked by a pair of guilloche-carved corbel pilasters headed by acanthus leaves and lion masks holding brass rings, the panelled sides with further conforming pilasters, on paterae-carved bracket feet, 80cm high, 123cm wide, 54cm deep, the drawer retaining a label with ducal coronet above a monogram contained within roundel bearing the motto `honi soit qui mal y pense', the back bearing a small paper label 'LADY LEVER COLLECTION' together with the inventory number 'X3933' and another paper manuscript label 'KENT ROOM S. RIGHT', the back also with chalk inscriptions `518 NX' and 'C185', originally with a fold-over top and pull-out supporting front pilasters; the top drawer probably originally fitted. Provenance: 'M. Harris & Sons, sold 17 June 1920 (£350) to William Lever, 1st Viscount Leverhulme (1851-1925) The Leverhulme Collection.The Lady Lever Art Gallery, Port Sunlight.Sold Christie's London, 27 May 1965, Lot 74 (£472.10s) The architectural form of the present lot, featuring distinctive lion mask pilasters with brass ring handles, relates to a group of documented 18th furniture associated with the furniture makers John Boson (d.1743) and Benjamin Goodison or Cornelius Martin (d.1767). Both makers were associated with the celebrated Royal architect designer William Kent (d.1745) who was the protégé of Richard Boyle, 3rd Earl of Burlington. The group includes the 'Owl' tables supplied by Boson for the Summer Parlour at Chiswick House in 1735 (See. T. Rosoman, 'The decoration and use of the principal apartments at Chiswick House 1727-7-`, Burlington Magazine, October 1985). Another related desk from Viscount Downe's collection at Wynham Abbey, Yorkshire, is illustrated in F. L. Hinckley, Metropolitan Furniture of the Georgian Years, New York, 1988, p. 78, pl. 44, fig. 93. A further library table supplied to 2nd Duke of Montague for Montague House, Northamptonshire, circa 1737-41 has been traditionally attributed to Goodison on the basis of invoices supporting the assertion that Goodison was the principal cabinet-maker to the Duke. However the discovery of payments in the Montagu accounts to John BosonSummer Exhibition Catalogue, 1987) calls this into question. A George II gilt-brass mounted and marble topped commode attributed to either Boson or Goodison, with provenance from the Dukes of Northumberland, sold Sotheby's, London, 'Treasures including selected works from the collections of the Dukes of Northumberland', 9 July 2014, lot 7. Shortly prior to the sale of this lot, a much anticipated exhibition William Kent: Designing Georgian Britain, was held at the Bard Graduate Center, New York in September 2013. This gave rise to certain key items being conserved before being loaned to either the Bard Graduate Center or the Victoria& Albert Museum where the exhibitions were staged consecutively first in New York and followed by London. Included in the conservation was the aforementioned Owl Suite, by John Boson, comprising a pair of mahogany and parcel-gilt dressing commodes and companion gilt pier glasses. The evidence for the suite's attribution to Boson is based on a receipt dated 11 September 1735, made out to Lady Burlington who had commissioned the complete furnishing of her Garden Room (later referred to as the Summer Parlour) at Chiswick House. During the course of the 'Owl' dressing commodes conservation, their Victorian leather-lined tops were removed in order to reveal the original top surfaces of the commodes. Interestingly this revealed fragments of a green textile, likely to have been a silk velvet fabric matching that of the green silk damask decorating the walls of the Garden Room at Chiswick during the 1730s. However the most exciting discovery lay to the underside of one of the commodes in the form of faint pencil signatures with the inscriptions 'W. Kent', 'B' standing for John Boson and lastly that of 'Cornelius Martin / 1735'. The latter may be the same Cornelius Martin who was recorded at Dover Street in 1763 (See Geoffrey Beard and Christopher Gilbert, The Dictionary of English Furniture Makers 1660-1840, 1986, p. 580). Hence the 'Owl' commodes would represent the first documented examples of his work. The geographical proximity of Dover Street to Savile Row where Boson had taken a lease for a plot since 1733/1734 (from his patron Lord Burlington), makes this collaboration appear highly feasible. (see Matthew Hirst 'Conservation Discoveries: New Insights into Lady Burlington's 'Owl' tables for her Garden Room at Chiswick, Furniture History, 2014, pp. 205-215). John Boson's career was relatively short (See Virtue Note Book, III, Walpole Society, 22, Oxford, 1934, for an obituary recording Boson's death in 1743) dying at 'an age not considerably above middle age'. It was also noted that he was 'a man of great ingenuity and undertook great works in his way for the prime people of quality and made his fortune well in the world'. Tradition has it that Boson's first apprenticeship was as a ship's carver, possibly at Deptford, prior to acquiring his own yard at Greenwich in the early 1720s. His earliest known documented work was for the Duke of Kent in 1727 when he undertook carving at 4 St. James's Square. Significantly the majority of Boson's known commissions were for carved work in wood and marble rather than cabinet-work. His documented furniture is limited to a small group seven surviving pieces. These include the aforementioned 'Owl Suite', now at Chatsworth, and a pair of candle-stands with 'Boys heads' also commissioned by the Burlingtons.

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