We found 45333 price guide item(s) matching your search

An Encore black and white six string Electric Guitar

A BM Classico six string Acoustic Guitar

A French silver seal in the form of a cockerel, a Danish silver snuff box, a Dutch silver spoon, a guitar shaped box and a pin dish.

Three pieces of Lladro porcelain, comprising Kissing Doves, model No. 1169, Angel with Flute, model No. 4540, and Girl with Guitar, model No. 4871.

A late 19th Century Continental guitar with engraved mother-of-pearl inlaid decoration.

Johnny `Guitar` Watson - `One More Kiss`, 7" vinyl record, Class 246, Promotional Copy, together with a collection of approximately twenty other 7" records (faults).

A Skiffe Junior Guitar, A Pull Along Wooden Clown, Childs Tepee etc :- One Box

A tortoise shell and ivory model mandolin, banjo, guitar; tortoise shell and horn magnifying glass etc.

A Beswick Sinclairs `Thomas` Pig playing Guitar

A miniature tortoiseshell and mother and pearl inlaid model of a mandolin, length 14cm, also a similar model of a guitar, length 15cm (2).

A Hawaiian inlaid koa wood Kumalae ukulele, of guitar shape with twelve frets and four tuning pegs, transfer on head "Kumalae Gold Award P.P.I.E. 1915 Hawaii" around coat of arms, length 52.5cm, cased.

An early 20th century mandolinetto of guitar shape, the back decorated with printed portrait of a seated girl with tambourine, labelled by His Majesty`s Royal Letters Patent no.2272 Neapolitan College of Music, cased.

An early 19th century guitar by Antonio D`Lorca, Malaga 1836, with label, length of back 42.5cm. Antonio De Lorca Garcia was born in Cartagena in 1798 and died in Malaga in 1870. He was the founder of a family of guitar makers and was followed by his son Antonio De Lorca Pino & grandson Antonio De Loca Ramirez. The family trained many other makers and is generally considered to be the most influential and important group of Malaga guitar makers in the 19th century.

JOSE RAMIREZ - A GH (George Harrison) model 6 string acoustic guitar. Bearing internal blue trade label and date label for 2006, serial no: 0199. Back and sides of indian rosewood with spruce top, and ebony fingerboard. With a Hiscox hard case. (2)

A Brunswick 6 string electro - acoustic guitar. With a hard case. (2)

A Yamaha, 6 string acoustic guitar, LA 28 model. Indian rosewood back and sides with spruce top and mahogany one-piece neck. With a hard case. (2)

An E-ros acoustic guitar, together with another

An Arklin Sidewinder electric guitar

A modern Encore electric guitar, and a Chantry Model No. 2459 six string acoustic guitar (PART ILLUSTRATED)

A Spanish Guitar by Karl Obersten no. 61301995.

A Yamaha 5 string bass guitar RBX 765A in blue

A CASIO CZ-101 ELECTRONIC KEYBOARD, ANOTHER CZ-1000 AND IBANEZ ELECTRIC GUITAR ALL CASED

Hofner 500/5 model 1959 bass guitar serial number 218,the inlaid headstock with no logo, transfer logo to body and paper label to inside, with original hard case, (neck joint requiring attention, teacup knobs missing the facings) 106cm long

A guitar, length 93cms

JOSEF HERMAN "The Guitar Player", inscribed on a label on the reverse, oil on canvas, 9¾" x 13¾". See illustration

A modern `Encore` guitar

A Goldscheider Pottery figure of a woman with a guitar, designed by Stephan Dakon, model no.6901, painted in colours impressed and printed marks, small hairline to the base rim 42cm. high

A Goldscheider Pottery figure of a woman with a guitar, model no.6901, designed by Stephan Dakon, modelled wearing slit dress and broad rimmed hat printed and impressed marks 42cm. high

A 1980s Eko Acoustic “Ranger 6” Guitar, with associated papers Serial Number 271080

An elvis presley child`s plastic toy guitar 1960`s, as new boxed

A 19th Century six string guitar with 17" back, unsigned.

"Ruskin ceramic brooch, micro mosaic cross pendant and guitar brooch, other costume jewellery, evening bags and other items"

Silver brush (Ldn) - Cut glass scent bottle with silver collar - White metal ashtray - White metal vesta or pill box shaped as guitar

An acoustic guitar by Colette, 99cm, cased.

An Applause electro acoustic guitar with resin bowl back

A Fender "lead" guitar in case, together with a Marshall Valvestate 2000 amplifier and Valvestate 200 Aut stage foot controller.

A "Tatra Classic" acoustic guitar housed in a black carrying case

A Torre Spanish guitar

A painted caricature of a guitar player, the reverse with good luck messages, dated 1967, 19 1/2" x 15 1/2", a print of birds etc.. Best Bid

A Beatles New Beat plastic guitar, length 80cms

Carulli (Ferdinando) Méthode Complete Op.241, fifth edition, lithographed portrait, 108pp. including title, (plate no.2250), title-page soiled, fore-edge of one leaf strengthened, Paris, Carli, [c.1825] § Rosquellas (P.) A Complete Tutor for the Spanish Guitar, containing in addition to the fingered lessons & exercises Spanish, Italian & English Songs with several National Airs, 40pp. including title and introduction, two fore-edges strengthened, a few minor stains, Clementi, [c.1825] § Bertioli (A.) Select Airs for the Spanish Guitar [including three by Carulli], 7pp. including title, (plate no. L.55), F.T. Latour, [1826] § Apollon, à la Toilette des Dames, Melodies faciles et agreables pour la Guitare, principalement par A. Diabelli, no. 4-6, each 6 pp. including title, (plate no. F & J 163), Ewer & Johanning, [c.1825]. the seven works bound in one vol., engraved throughout, contemporary half roan, upper cover with ownership label of Mrs. Morison, spine defective, folio, [c.1825]-1826. ***A letter by the publsher and the author`s introduction to Carulli`s Méthode draw attention to the improvements incorporated in this edition. The preliminary scales and exercises are followed by 56 pieces and six études. The only other copies located of this edition are in the Kenneth Sparr collection and Yale University Librart. One other copy of the third work is located in the British Library.

Carulli (Ferdinando).- Master & Scholar or the Spanish Guitar Simplified, being a complete method compiled from Ferdinand Carulli, 30 engraved pp.including title, the latter and last page slightly soiled, later wrappers, folio, Z.T. Purday, [c.1840]. ***This is described on the title-page as an "Improved Edition with Paganini`s Airs". There are three in all, following six pieces by Carulli in the preliminary instructions, four songs, six solos from the opera "Masaniello" by Auber, and a piece for guitar and piano. No other copy has been located.

Darr (Adam) Manuscript music for the guitar 62 pp., further pages not used, slightly soiled, a few leaves stained at upper outer corner, original cloth, folio, n.d. ***The manuscript is possibly autograph, but the music is more neatly written than that in the preceding lot, and the titles and instructions are in a different style, suggesting that the pieces were copied from Darr`s own manuscript. The contents are: No.1. Adagio et Rondo; No.2. Introduction & Rondo; No.3. Introduction & Polonaise; No. 4 Serenade; No.5. Einleitung & Walzer; No.6 Galopp; No.7. Introduction & Walzer; No.8 Polka; No.9.Erinerung an Rottach; No.10. Galoppe (Rasch); No.11. Galoppe; No.12. Introduction & Walzer (Schweinfurt 1836); No.13. Jagd Galoppe; No.14. Introd. & Walzer; No.15. Ländler; [No.16]. Erinerung an St Petersburg. No.1 and 15 have similarities to pieces with the same titles in the preceding lot, and are possibly solo versions of the same pieces, although passages in the first are marked "Accompagnement". The final piece was also arranged by Darr as a guitar duet. .

Darr (Adam) Adagio & Rondo (concertant) mit Beleitung der Bass-Guitarre & 2 Violinen, parts for guitar and terz-guitar and violin II, 11pp, including title; Ländler für Terz- & Bass-Guitarre & 2 Violinen, four parts, 10pp., including "Allegretto graziosa Chor und Ballet" on fourth page of guitar part; Einleitung & Walzer für Terz- & Bass-Guitare, 2 parts, 8pp. including title and "Bockzopf-Fantasie oder was-!, Beides geliefert am 1 May 1849 (Munich)" on fourth page of the bass part; Introduction & Rondo Guitarre Spatso, and Champagnes Galoppe, 4pp.; Popourri für die Zither & Guitarre, guitar part only, 4pp., autograph manuscripts, 37pp. in all, some leaves soiled, four leaves slightly affected by damp at upper outer or lower inner corner, folio, [c.1849]. ***Adam Darr was born in Schweinfurt in 1811 and from the age of 18 travelled throughout Europe for 16 years, including a stay in London where he worked as a private teacher of the guitar. He died in 1866 and none of his music was published until the turn of the century .

Gatayes (G.P.A.) Séconde Méthode de Guitare Oeuvre 26, third edition (revised and enlarged), 41 pp., including pictorial title-page and fingerboard chart, Paris, Frere § Carulli (Ferdinando) Le Répertoire des Elèves, Op.124, 13 pp. including title, (plate no. 223 P), Paris, Ph. Petit; Morceaux Progressifs, Op.264, 11 pp. including title, (plate no. 613), Paris, C. Lafillé; Récréation: Choix de Douze Airs Connus, 13 pp. including title, (plate no.501 P), Paris, Ph. Petit; Quatrième Recueil de Morceaux Faciles, Op.36, 11pp. including title, (plate no. N.1525), Paris, Naderman; Petit Fantasie pour Trois Guitares, Op.251, (1st guitar only), 5 pp. including title, (plate no.V.D et D.1304), Paris, Vve. Dufaut et Dubois; Choix de Plusieurs Morceaux d`Haydn, Mozart, Beethoven & Hummel, Op.235, 9pp. including title, (plate no.2054), Paris, Pacini § Spontini (G.) Marche Triumphale de la Vestale arrangée par Maurice de Raoulx, 4pp. including title, (plate no.941 1), Paris, Melles.Erard, [c.1820] § Quadrille pour deux guitares tirées de Robin des Bois Freischütz, arrangées par Varlet, (1st guitar only), 5 pp. (plate no. M.S.401), Paris, Maurice Schlesinger § Meissonier Jeune (Joseph) Trente Airs Connus, Oeuvre 2, 13pp. including title, (plate no.258 P), Paris, Ph. Petit, 10 separately issued works bound in one vol., the contents engraved throughout, a few leaves slightly spotted or stained, all with label of Fulliatre et Neveu, Bordeaux, over imprint, and import stamp of Jas. Jacobs, Calcutta, contemporary half calf, folio, [c.1820]. ***In the lengthy introduction to his tutor Gatayes names several of the leading players and composers of the time. followed by exercises and scales, several preludes, five songs, and eight solos. None of the above pieces have been located elsewhere apart from a second edition of the Gatayes Méthode; the first Carulli piece; and another edition of the second Carulli title.

Giuliani (Mauro) Choix des mes Fleures ou Le Boutique Emblématique pour la Guitarre, Oeuvre 46, 13pp. including title (plate no. 2237), soiled, lower outer corner cut away, rebacked, folio, Vienna, Artia et Comp., [1815?] § Sor (Fernando) Six Divertimentos for the Spanish Guitar, set 2d., Op.2, 6 pp. including title, signed by the author, slightly soiled and discoloured, folio, Manzani & Hill, [1819] § Carcassi (Matteo) Six Walz pour Guitare ou Lyre, Oeuv.4, 6pp. including title (plate no. 2553, affected by damp at upper outer corner, folio, Mayence, chez les fils de B. Schott, [c.1820] § Dolce et Utile, a Melange for the Spanish Guitar, corrected and fingered by Mr. [George Henry] Derwort, no.3 and 7, each 3pp. including titles (plate no. W.& S. No.128 and 134), stamps of W.H. Aldridge and later owner on titles, small 4to, Wessel & Stodart, [c.1825], all engraved, unbound, 4to and folio(5) ***The Giuliani pieces have a parly legible inscription at the top of the first page, apparently by a Sr. Tobya. It seems likely that this was by J. Toby before he anglicised his name. One other copy of the first four items have been located.

Giuliani (Mauro) Le Rossiniane per la Chitarra [part 3], Op. 121, first edition, 13pp. including title, (plate no. 2769), title-page pasted down, soiled, Vienna, Aetaria, with Wessel & Stoddart stamp over imprint, [1823]; Giulianate: Recueil d`Airs Favori, Liv.2, Oeuv.148, 13pp. including title, (plate no. 2538:R), stained, Paris, Richault, [c.1830]; Nouvo Rondo di Gusto Originale, Opera 5, 3 pp., Paris, Richault, with the stamps of Wessel & Stodart, [c.1830]; Douze Walzes pour la Guitare, Opera 44, 4pp. including title, (plate no. 1309.R), Paris Richault, [c. 1830] § Kûffner (J.) Serenade for Spanish Guitar and Flute or Violin, Op.48 (guitar part only), 4pp. including title, Metzler & Son, imprint obscured by Wessel & Stoddart label, [c.1820] § Horetzky (Felix) Quatre Variations, avec l`Introduction et Finale, Op.22, 5pp. including title, W.H. Aldridge, with the stamp of Johanning & Whatmore, [c.1840]; Twelve Easy Divertimentos for the Guitar, Op.26, 5pp. including title, J.J. Ewer, [c.1840]; Divertissemens pour Guitare seule, Op.17, 7 pp. including title, Johanning & Ferry, [c.1835]; Divertissements for the Guitar, Op.19, 4pp including title, Mezler & Son, [c.1835]; Preludes, Cadences, and Modulations in every key for the Guitar, Op.21, 9 pp. including title, the latter loose, Metzler & Son, [c.1840] § L`Aurore, ou Journal de Guitare, no.5 and 6, each 17 pp. including titles, with 23 pieces by Giuliani, Sor, Carulli, and others, Johanning & Whatmore, [c.1840] § The Stranger`s Bride, arranged for the Spanish Guitar by F. Pelzer, 3 pp., J. Duff, [c.1840] § Craven (J.T.) The Light Bark § Lover (Samuel) Under the Rose, arranged for the Guitar by M. Sola, both 3pp. and one page letterpress publisher`s catalogue, H. Falkner, [c.1840] § Meves`s much admired song The Muleteer, expressly arranged for the Spanish Guitar by W. A. Wordsworth, 3pp., Monro & May, [c.1835] § Teach me to Forget, arranged by C.M. Sola, 2 pp., Goulding & D`Almaine, [c.1835] § Stevens (Charles) The Rose, a Divertimento for the Spanish Guitar, 3pp. including title, Johanning & Whatmore, [c.1840], the nineteen pieces bound in one vol. with manuscript index, engraved throughout, soiled and stained, contemporary half roan, covers loose, stitching defective, folio, [c.1820-1840]. ***Four copies of Le Rossiniane have been located; one of the second item (and two first printings); one of the fourth item (and two with Viennese imprints); one of the sixth item, and two of the nineteenth, (one with different imprint). None of the others have been found.

Harp Guitar by Rolfe of Cheapside eight strings, the ebony fingerboard with inlaid bone frets, a gilt star within the rose, and gilt head at the top of the pegbox, gilt foliate decoration around the bridge and outer edge of the soundboard, the maker`s name at foot of the fingerboard, 833mm. high, in mahogany case, [c.1820]. ***Included in the lot is an Mandoline Lyre by Nicola and Raffaeli Calace, with their label dated 1896, four double courses, in need of restoration. .

Molino (François) Grande Méthode Complette Op.46, second edition (revised and enlarged), lithographed pictorial dedication to the Duchesse de Berry and 3 plates by Engelmann, one depicting and naming the parts the guitar, the others of a female pupil and the left hand position, the remainder of the book engraved throughout, 131pp. (plate no. 80), including title-page and folding fingerboard diagram, both frayed and backed, somewhat soiled, contemporary half roan, worn, upper cover almost loose, folio, Paris, chez l`Auteur, [ownership inscription dated 1839]. ***The general introduction is followed by instructions on holding the guitar followed by lessons, scales and related pieces, a theme with 50 variations, and exercises in sustaining the sound on the instrument. A catalogue of music by Molino lists pieces up to Op.64. The volume was formerly in the collection of M. Stehling, a friend of Ferdinand Sor. The only other recorded copies of this tutor are a first edition and two second editions in Kenneth Sparr collection and a copy of the second edition in Yale University Library. .

Pratten (C.J.) Nineteenth Divertimento Two Marches for the Guitar, 5pp. including title, list of music on final page, C. Lonsdale, n.d.; Paganini`s Carnival de Venise, 2 parts for guitar and piano, 6 pp. and 5 pp. including titles, one part with list of music on final page, Published at her Residence, n.d.; Twelve Songs fore the Guitar, no.5: Phoebe Dearest, 3 lithographed pp. including title, advertisement on last page, Boosey & Sons, n.d.; Moorish Dance, 5 pp. including title, list of solos on last page, Madame G. Pelzer, n.d. § Ferranti (M.A. Zani de) Fantasie variée sur l`air Wan I in der fruh auf steh, Op 1, 8pp. including title, one leaf cropped at fore-edge with slight loss of notation: Six Nocturnes Bibliques, Op.3, 13 pp. including title; Fantasie Variée sur l`aire de Caraffa O Cara Memoria, Op.10, 10pp. including title, the second slightly affected by damp, all three Mayence, chez les fils de B. Schott, n.d., all but the fourth item engraved, some slightly soiled § Sor (Ferdinand) Method for the Guitar, edited by Frank Mott Harrison, original cloth-backed printed wrappers, Robert Cocks & Co., [c.1900]; nine later tutors and pieces for the guitar, and a collection of violin music, folio(a quantity) ***Two other copies of the fifth and sixth items have been located, and three copies of the eighth.

Schulz (Leonard) Rondo à la Chasse Op.10, 6 pp. including title; Three Rondos on Favourite Melodies from "The Bridal Promise", [no.3 only], Op.14, 5 pp. including title; Schottische, founded on a favourite theme by Bellini, 2pp.; Beauties for the Guitar no.2: Harmonic Walz, 3pp. including title § Sagrini (Luigi) La Recreation des Elèves, Op13 Liv II, 5pp., Johanning & Whatmore, [c.1830]; Five Divertimentos for the Guitar, Op.3, 9pp. including title; Récréation des Amateurs: Sept Morceaux choisis des plus jolis Opéra, Op.13, [no.4-7 only], 5 pp. including title, somewhat browned, Anvers, chez les fils de B. Schott, [c.1830] § Luigi (G.) The Offering, no.1: Il Lamento, 3 pp. including title § Marescot. The French Retreat, 4 pp. § Duvernay (Flamini) The Spanish Retreat, 3 pp. § Cirineo (Simon) The New Spanish Retreat, 4 pp.; Zumalacarreguy`s Grand March, 2 pp. § de Santillana (Don Gonzales) Don Carlos` Original Spanish Retreat, 2 pp.; and ten pieces for the piano, seven from the Musical Bouquet series with illustration on first page, some leaves torn, the twenty three pieces bound in one vol., engraved throughout, unless otherwise stated, the guitar music all published by Johanning & Co., [c.1835], contemporary half russia, covers loose, folio, [c.1830-1835]. ***The first piece has the ownership signature of J. Toby. Two other copies have been located, and one other copy of the Three Rondos no.3; the Duvernay; and the Cirineo Grand March. No locations have been found for the other pieces.

Sola (C.M.A.) Six Italian Canzonets with an accompaniment for the Spanish Guitar, 7pp. including title, one leaf repaired slightly affecting text, Chappell & Co., [c.1820?]; Select Songs for the Voice and Spanish Guitar, no. 2-4 (the first and third renumberd 8 and 10: "Farewell thou coast of glory" by Rossini; "Toujours le même"; and "In happier hours" by H.R. Bishop, each 3 pp. including title, soiled, Goulding & D`Allmaine, [c.1830] § Mayseder (J.) Variations sur la romance Partant pour la Syrie pour Violon et Guitarre, 9pp. including title (plate no. 2490), spotted, Vienna, Artaria et Comp. [c.1825] § Carulli (Gustave and Ferdinando) Mélange en duo pour Piano et Guitare sur des motifs de Rossini, Op.236, 12pp. (plate no.494P), dampstained, original wrappers, title on upper cover, Paris, Nadaud, [c.1830] § Neuland (W.) Six Divertimentos for Two Guitars, Op.6, second part only, 5pp. including title (plate no.3839), later owner`s stamp at foot of title, S. Chappell, [c.1830]; "L`Or est une Chimère, from Meyerbeer`s Opera of Robert, arranged the the Guitar & Piano-Forte, Op.12, 12pp. including title (plate no.4228), title soiled, S. Chappell, [c.1830] § Philomèle no.67: "Father I Call to Thee", 4pp. including title (plate no. W & Co.no.1904), and letterpress list of German songs, Wessel & Co., [c.1830] § The Mermaid`s Cave. Cavatina composed by Charles E. Horn, arranged with an accompaniment for the Guitar, 3 pp., the first soiled and stained, Z.T. Purday, [c.1830], all engraved, four pieces strengthened at spine, folio(10)

Sola (C.M.A.) Instructions first edition, lithographed pictorial title-page, and 27 engraved pp. (plate no. 1450), title-page cut down and mounted inside upper cover of later wrapper, Chappell & Co., [1819] § A New Method of Instruction for the Spanish Guitar, the lessons original and selected, but principally by Carulli, Giuliani & Meisonnier, 16 pp. including title, stained, some repairs, later wrappers, Ewer & Johanning, [c.1825] § Lea (Henry) Exercises for the Guitar on those chords which are most commonly used for accompanying the Voice, 3 pp. including title-page, extensive list of Lea`s publications for guitar on last page, slightly soiled, Published by the Author, [c.1830], folio(3) ***No other copies of these pieces have been located apart for a copy of the third published by T. Prouse, [c.1840].

Sosson (Alexander) A Complete Instruction Book with rules to facilitate a knowledge of that Elegant Instrument, 35 engraved pp. including pictorial title-page, the latter loose, with deleted ownership signature and later owner`s stamp at bottom margin, inner edge slightly frayed, outer edge trimmed, Goulding & D`Almaine, [c.1830], bound with Sola (Charles Michael Alexis) Les Amusemens Tiroliens. Favourite Swiss Airs as sung by the Tyrolese Family Rainer at the Egytian Hall, 20 engraved pp. including title, (plate no.R.M.R. 416), publisher`s letterpress advertisement on last page, slightly cropped, I. Willis & Co., Royal Musical Repository, [c.1830], later wrappers, partly obscuring text of advertisement, folio ***Sosson`s tutor has scales and exercises interspersed with 43 pieces, ending with four songs with French text. Various arrangements of the Rainer repertoire are known with piano accompaniments, but this collection for guitar and the Sosson manual appear to be unrecorded. .

Toby (J.) [Treatise on the Guitar] lithographed frontispiece, 73 pp., the preface signed by the author, slightly stained, [c.1835]; Twelve Pieces for the Piano Forte expressly composed & arranged as an Accompaniment to the Twelve Pieces contained in the Treatise on the Guitar, 16pp. including title, the latter signed by the author, Published by the Author, [c.1835]; Romanzo Capriccioso por Chitarra Seule, 4pp. including title, slightly browned, F.N. Colson, [c.1835]; Inspirazione d`Amore per il Violino, 1 page, F.N.Colson, [c.1835] § Giuliani (Mauro) Trois Rondeaux pour Guitarre, oeuvre 17, no. 2 and 3 only, each 3pp. including title, (plate no. 712), Bonn, N.Simrok, [c.1817]; Giuliana no.14: Forty Studies [actually twenty four], edited by Leonard Schutz, 24pp. including title, (plate no. 1277), letterpress advertisement on final page, slightly browned, Wessel & Co., [c.1834] § Eulenstein (C.) Fantasie, in which is Introduced a Favourite German Air, 5pp. including title; Douze Petits Morceaux très faciles, 6 pp. including title, (plate no.1683 R), both R. & W. Davis, imprint obscured by Johanning & Whatmore label, [c.1830]; Pleyel`s German Hymn, arranged as a solo for the Guitar, 3 pp., D`Almaine & Co., [c.1835] § Pelzer (Ferdinand) Variations pour la Guitare sur un Thème Russe, Op.2, 6 pp. including title, (plate no.291), Paris, and Bohem à Lille, [c.1835] § Molino (Francesco) Le Plaisir de Tous les Goûts, ou Variations sur l`air Fleuve du Tage, Op.35, 6pp. including title, C. Wheatstone, [c.1827] § Schulz (Leonard) The Scales for the Guitar, 3pp., Johanning, [c.1835] § Gaude (Theodor) Variations sur diverses Thêmes pour la Guitarre, ouv.34, 8pp. including title, (plate no.1517), Leipzig, C.F. Peters, [c.1830] § Marescot (Charles) Allegro en Variations pour Guitare, Op.5, 7pp. including title, (plate no. L 10), Published by the Author, [c.1830] § Legnani (Luigi) Air Nouveau avec Variations, Op.40, 4 pp. including title, Rougé, Professeur de Guitare and Johanning, [c.1835] § Sagrini (Luigi) Souvenirs de Bohème. Four Favourite National Melodies as sung by the Bohemian Brothers, 5 pp. including title, (plate no. B.5), Bochsa & Co., obscured by Johanning and Whatmore label, [c.1830] § Horetzky (Felix) Fantasie pour la Guitare, Oeuv.14, 4pp. including title, (plate no.1618.R.), the imprint obscured by Johanning & Whatmore label, [c.1835?] § Huerta (A.T.) A Divertimento for the Spanish Guitar; Grand March for the Spanish Guitar, each piece 3pp. (plate no 3631 and 3630), with letterpress advertisement on last page, S. Chappel and G. Edwards, Bristol, [c.1835], the nineteen works bound in one vol., the contents engraved throughout unless otherwise stated, contemporary half roan, covers detached, stitching defective, folio, [c.1817-1835]. ***Toby`s Treatise has his signed autograph note explaining why he removed the title-page, asking any subsequent owner of the book to have it reprinted. At the end there are his autograph manuscript drafts for a song acompanied by the guitar and a guitar duet, 9pp., the first with dedication to Signor Bonaccia and his sister (another dedication to Luigi Mosca of Naples dedicatee of the Romanzo Caspriccioso, has been deleted); and manuscript music in a different hand, 7pp., for Le Postillion Musard and five other pieces. Toby decribes himself as a "Professeur de la langue Espagnole", but his music appears to be totally unrecorded. It seems likely that the volume was originally owned by the composer. Of the other pieces locations have only been found for one other copy of the Giuliani Trois Rondeaux. Giuliana no.14; and the Molino piece.

De Negen-Zang Godinnen engraving depicting a consort with harp, lute, viol and other instruments, Amsterdam, A. Olofsen; a small engraving of a lady harpist and two admirers, in contemporary brass frame; a mezzotint portrait after Reynolds of Miss Fordyce playing the English guitar, John Bowles, [c.1750]; The Patent Dital-Harp, aquatint by J. Minasi and Stadler after Burney depicting a young woman playing the instrument, 1819; Music for the Million no.4: A Grand Instrument a Little Out of Tune, humorous lithograph coloured by hand depicting a woman and piano-tuner beside a badly damaged instrument, Dean & Co., [c.1830], all framed and glazed, and seven other prints depicting musicians, all but three framed, various sizes(11)

A Sting Precision Bass by Fender. This is a Sting Signature Precision Bass, manufactured by Fender. This 50s style guitar features a vintage style single coil pick up, contoured body with two colour sunburst finish and Stings facsimile signature in the block pearl inlay at the 12th fret and his actual signature to the pickguard. NOTE - this guitar is being sold on behalf Cumbria Community Foundation for the Flood Relief Fund. It was donated by Sting himself to be sold for this worthy charity.

Two second quarter of the 19th century porcelaneous figures, of `D O`Connell` standing wearing a blue coat, 14.5cm (5.75in) high and of Mandane from Thomas Arne`s opera `Artaxerxes` seated wearing a blue dress and playing a black guitar, 11.5cm (4.5in) high (2) (D). Mary Anne Paton played Mundane in the 1827 version of the opera

Josep Marti Garces de Marcilla (Spanish, 1880-1932), A Senorita in a Cream Lace Mantilla; a Senorita holding a Shot Glass; and Vinos y Comida - a Flamenco Dancer with Castanets and another Senorita playing the Guitar, two signed "Garces", oil on board, 20 x 15cm (8 x 6in), 18 x 12cm (7 x 5in), 18 x 12cm (7 x 5in) (3)Provenance: The Newsells Park sale, Hertfordshire, 1950s

A Neapolitan guitar with Sorrento back, the sound hole with mother of pearl inlaid border, the back inlaid with a figure of a lady, the overall length 90cm (35.5in), the back 43.5cm (17in)