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Lot 743
A large mixed group of approx 130 vinyl long play LP record albums of varying artist and genres to include The Byrds Greatest Hits (CBS 63107), The Rolling Stones Some Girl (CUN 39108), Oscar Peterson The Trio (CLP 1578), Joan Baez Songs Of The USA, Genesis Selling England By The Pound (CHC 46), Supertramp Paris (AMLM 66702), 10cc Deceptive Bends (SRM 1-3702), Bob Dylan Bringing It All Back Home (SBPG 62515), Bobby Vee Meets The Crickets (LBY 1086), ZZTop Eliminator, U2 Rattle & Hum (U27), Steely Dan, Cat Stevens Catch Bull At Four and more, Procol Harum, The Guitar Artistry Of Charlie Byrd (OLP 3007), Concert By The Sea Erroll Garner (BBL 7106), Be-Bop Deluxe Drastic Plastic (SHSP 4091), The Beatles Revolver (SMO 74 161), Jr. Walker & The All Stars Greatest Hits (STML 11120), Best Of Cream, Jethro Tull Original Masters and many more.
Lot 30
22 x Jazz / Classical LPs. Titles To Include. Bill Black's Combo - Black With sugar. Bobby Gordon - The Lamp Is Low (STA 8640). Baden Powell - Triesteza On Guitar 583 708). Original Piano Quartet - Forty Fabulous Fingers (SXA 4514). Roland Shaw & His Orchestra - James Bond In Action (SKL 4730). Paul Simon - Graceland.
Lot 120
The Rolling Stones: a Fender Squier Telecaster signed by the band,1991,serial no.MN400834 in cream finish, 22 fret beech fingerboard and white scratch plate, signed and annotated in black ink with the song title Time Is On My Side, Keith Richards, with a clock face motif, additionally signed by Mick Jagger in black ink and Charlie Watts and Ronnie Wood in blue; with original hard-shell case with black plush liningFootnotes:Provenance:The guitar is offered by the Director of the music video 'Time Is On My Side' which was shot in 1982. A photo of the vendor with Keith Richards taken during a pre-production meeting to explain the concept for the video is available on request. The vendor has confirmed that in the mid-1990's he worked with the band on their 'Voodoo Lounge' and 'Bridges to Babylon' tour, when he met the band again he asked if they would sign this guitar as a memento of the 'Time Is On My Side' production.For further information on this lot please visit Bonhams.com
Lot 141
Live Aid: A Baseball-Style Tour Jacket Personalised for Harvey Goldsmith,1985,the black canvas jacket labelled Satin Jackets with red detail to collar, arms, cuffs and waist, with red popper closures, embroidered on the front in white Harvey, the back adorned with Live Aid Africa guitar logo and Hard Rock Café symbol, embroidered Feed The World July 13 1985, with Hard Rock Café Singapore guitar pin, accompanied by a Harvey Goldsmith, Bob Geldof and Maurice Jones for the Band Aid Trust promotional Live Aid poster Live Aid July 13th Sold Out, framed, accompanied by a certificate, the poster overall 13in x 16 1/2in (33cm x 42cm)Footnotes:Provenance:From the private collection of Harvey GoldsmithA career highlight for Harvey and still one of the most famous live events that has ever taken place, was Live Aid. Following the success of Bob Geldof's Band Aid single in December 1984, Harvey was approached by Bob to produce the first live show of its kind. From initial contact to the day of the concert was 10 1/2 weeks. Harvey remembers clearly the press call at Wembley Stadium where he and Bob Geldof announced the event and listed the acts who would be playing. Although at this time the acts had been told the event was to take place, only the Boomtown Rats (Geldof's band) had confirmed that they would play. However this announcement set the tone for artists to confirm their attendance, David Bowie, Madonna, Elton John and U2 being some of the first.Before the time of mobiles phones and the internet, it was a huge feat to keep such a tight schedule. The morning of the concert Harvey sent his runner to find 40 clocks to place backstage. Harvey personally put them in every dressing room, restaurant, green room area and even the toilets affixed with the instruction - 'I don't mind what time you go on, but it does matter what time you come off'. If the artists could stick to their stage exit there was a hope that the live transfer over from Wembley Stadium in London to John F. Kennedy Stadium in Philadelphia would sync without a glitch. Live Aid has become a historic event, with the initial anticipation it would raise £1million. To this day the Band-Aid Trust receives £2-3million each year, and directly following Live Aid a staggering £140million.For further information on this lot please visit Bonhams.com
Lot 156
Bruce Springsteen: A signed tour poster for Born in the USA,1994-1995,featuring the iconic image of Springsteen playing guitar, signed and annotated in black ink To Jonathan ya got a great dad! Bruce Springsteen, framed, accompanied by a certificate, 12in x 14 3/4in (30cm x 40cm)Footnotes:Provenance: From the private collection of Harvey GoldsmithFor further information on this lot please visit Bonhams.com
Lot 157
Bruce Springsteen: A Handwritten Letter and Set-List by Bruce Springsteen,May 2008,the letter on American notepaper, written in black felt pen to a fan Harvey said you've been a long time fan...c'mon backstage and say hi, hope to see you there. Best, Bruce Springsteen with hand-drawn guitar motif; accompanied by a handwritten set list dated 28th May 2008 Manchester UK with twenty-four abbreviated song titles all in Springsteen's hand, songs including Long Walk Home, Lonesome Day, Thunder Road, Born to Run, American Land; with a corresponding printed set list and additional list dated 8th May 2008 Cardiff with twenty-five song titles (and key prompts), accompanied by a certificateFootnotes:Provenance:From the private collection of Harvey GoldsmithHarvey first saw Bruce Springsteen in New York at the Bottom Line in early 1970s when he was the opening act. He was amazed at his performance and on meeting him backstage said that he must come to the UK. Springsteen's response was that it was his first time in New York! It was two years later that Harvey was finally able to promote him at the Hammersmith Odeon in 1975.For further information on this lot please visit Bonhams.com
Lot 158
Bob Dylan/George Harrison and Others: An Important Multi-Signed Les Paul Gold Top 'HALL OF FAME' DELUX EDITION Guitar Signed at The 30th Anniversary Concert Celebration at Madison Square Gardens, New York,16th October 1992,serial no.91631367 blind stamped to the back, dated 12 June 1991, with single cutaway body, mahogany neck and body with maple cap, 22-fret rosewood bound fingerboard with trapezoid inlays, headstock fitted with Kluson delux machine heads and inlaid 'Gibson' logo, decal to back 'Hall of Fame Edition', cream scratch plate, two volume and two tone controls, three way toggle switch, mini-humbucker pickups, accompanying Gibson hard shell case with pink plush lining and matching silk protector, signed by various artists on the night, including Bob Dylan, George Harrison, Eric Clapton, Johnny Cash, Willie Nelson, Chrissie Hynde, Ronnie Wood, Tom Petty, Johnny Winter, Kris Kristofferson, Neil Young and Stevie Wonder, accompanied by a certificateFootnotes:Provenance:From the private collection of Harvey GoldsmithOnly six weeks before the concert was scheduled Bob Dylan personally called Harvey Goldsmith asking for his help with the project. The promotion company he had been using was out of its depth with a project of this scale. Dylan knew Harvey was the right promotor to have on board for such a large and impressive line-up. Harvey accepted the job and simply knuckled down to ensure that it was well organised and managed properly. Although many of the acts had been approached by Dylan and his team to perform, it was only when they knew that Harvey was the promotor that they confirmed they would be available to play, many of whom had worked with Harvey previously. This concert was a huge event for Bob Dylan celebrating his career. It was also an important anniversary concert as it became one of the first big events of this nature to happen in the USA. Previously it was stadium events in Europe which had dominated the scene.For further information on this lot please visit Bonhams.com
Lot 205
Ray Lowry (British, 1944-2008): Original concept artwork for the album London Calling By The Clash,1979,ink, watercolour and pencil, comprising: a sketch of what was to become the iconic front cover; two further similar sketches; and two double-sided sheets of back cover design sketches with text, four sheets in clip-frames; together with a watercolour study by Lowry of Joe Strummer onstage with a microphone, mounted and framed, 8in x 10in (20cm x 25.5cm) each, one slightly larger, (5)Footnotes:Provenance:Offered for sale by Samuel Lowry, the artist's son.This, the third studio album by The Clash, was originally released in the UK in December 1979. The album reflected the band's interests, going beyond their punk roots and taking in musical influences such as reggae, rockabilly and ska. London Calling has been included at No.8 in Rolling Stone magazine's list of 'The 500 Greatest Albums Of All Time'.Artist Ray Lowry became friendly with The Clash after they had played in Manchester and this led to him accompanying them on their US tour in 1979 as a 'war artist'. Also documenting the tour was photographer Pennie Smith, who took the photograph of Paul Simonon smashing his bass guitar on stage at the Palladium, New York, an image voted by Q magazine in 2002 as 'the best rock and roll photograph of all time'. Ray Lowry is reported to have said that The Clash were as important as Elvis had been, hence his homage to the cover of Elvis' first album, its black and white image juxtaposed with the vivid green and pink lettering.In an article in Amateur Photographer, February 2021, Justin Williams, former keeper of the Ray Lowry archive explained why Ray chose Pennie's photograph for the cover: 'What Ray recognised within the photograph was Elvis with the open mouth, the closeness of the picture, the black and white...he felt that image captured everything that rock and roll was about. It was a moment, and what Ray saw in Pennie Smith's photo was the same moment.' Conversely, Pennie herself thought that it was of too poor a quality to be used, but Ray's choice has since been proved to have been perfect. In 2010 the UK's Royal Mail issued a set of ten stamps commemorating Classic Album Covers. Alongside albums by the likes of the Rolling Stones, Led Zeppelin and David Bowie was London Calling.The front cover sketch included here was amongst items shown in the Museum Of London's 2020 exhibition, 'The Clash: London Calling'.For further information on this lot please visit Bonhams.com
Lot 229
Paul Weller: AN EPIPHONE CASINO GUITAR AUTOGRAPHED BY PAUL WELLER AND DESIGNER PAUL SMITH,2007,serial no.EE07110625, natural finish hollow body with mahogany neck and rosewood fingerboard signed in black marker pen, in shaped plush-lined rigid case, accompanied by an 8in x 10in photo of Weller and Smith with the guitarFootnotes:Provenance:This was autographed in June 2008 at an exhibition of Paul Weller memorabilia held at the Paul Smith store in London to celebrate the launch of the Genesis Publications book, A Thousand Things.Ex-Lot 459, Entertainment Memorabilia including 'The Private World of Spike Milligan', Bonhams London, 25th November 2008.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 233
Live 8 / Bob Geldof: An autographed Gibson Les Paul studio guitar,2004,serial no.02894353 in white finish with gold hardware, unbound single cutaway body, unbound neck, twenty-two fret rosewood fingerboard with crown inlays, headstock facia with Les Paul MODEL, two humbucking pickups, four rotary controls, selector switch, metal bridge, stud tailpiece and black pickguard, signed and dated on the body in black ink Bob Geldof 7/2/05, together a black hard-shell contour case with black plush liningFootnotes:Provenance:Ex-Lot 126, Pop Culture: Rock and Pop Memorabilia, Christie's South Kensington, 15th November 2011 in which it was donated by Gibson Guitars to benefit the Band Aid Trust.For further information on this lot please visit Bonhams.com
Lot 235
Band Aid: An autographed Justin Hawkins Gibson Les Paul Custom '68 guitar,2004,serial no.CS41262 printed to back of headstock, silver burst finish, bound single cut-away body, bound neck, twenty-two fret ebony fingerboard with ornate flame-style abalone inlays, headstock facia with split diamond inlay, two pickups, four rotary controls, selector switch, metal bridge, Bigsby tremolo tailpiece, signed on the body by many of the artists including Hawkins at the recording of the 'Band Aid 20' single on the 14 November 2004, together with a Les Paul hardshell caseFootnotes:Provenance:Ex-Lot 122, Pop Culture: Rock and Pop Memorabilia, Christie's South Kensington, 15th November 2011 in which it was donated by Gibson Guitars to benefit the Band Aid Trust.For further information on this lot please visit Bonhams.com
Lot 275
Judas Priest/K.K. Downing: A silver guitar strap,mid-1980s,composed of three strips of brown leather of varying length with silver-coloured facing, accompanied by letter of provenance, 52in (132cm) longFootnotes:Provenance:Property of Ken (K.K.) Downing of Judas Priest.One of two identical straps used by K.K. in the Turbo album/tour era. One can be seen in the video of the 1986 Fuel For Life tour, on the track 'Turbo Lover'.For further information on this lot please visit Bonhams.com
Lot 276
Judas Priest/K.K. Downing: A Hamer Custom K.K. Mini V guitar,circa 1984,serial no.821374, blue finish, top and bottom of body with round metal studs, two EMG pickups, two selectors and one control, tremolo unit, scalloped rosewood fingerboard with dot markers, locking nut, angled headstock with six-a-side tuners, maker's logo and lettered K.K. Downing, in hard, rectangular Hamer case, accompanied by letter of provenanceFootnotes:Provenance:Property of Ken (K.K.) Downing of Judas Priest.This was one of four Mini V's in various colours made specially for Ken by Hamer. The red version was sold in these rooms, Lot 145, Entertainment Memorabilia, 17th December 2019.This blue example is similarly customised, with the addition of metal upholsterer's studs to the body to make it appear more 'metal'. It was Ken's main backup guitar to the red version and used during the Turbo, Ram It Down and Painkiller albums and tours era; because of its size it was also his main travelling guitar, for use backstage and in hotel rooms. It can be seen in use in the 1991 Rock In Rio concert video. It bears the scars of life on the road, with many chips to the finish and wear down to the wood on the back.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 307
George Harrison: A three page autographed letter from George to Astrid Kirchherr,circa September 1962,written in blue ballpoint pen on white note paper, the insightful letter to Astrid following Pete Best's departure from the band, he writes We went to London to record 'Love Me Do', again...and do another song for the B [P.S I Love You], following on from discussing their music George shares the news John & I have both got new guitars - Gibson Jumbo country and western style, with a small guitar doodle in George's hand, he also mentions Paul's new car a Ford Classic - bigger than mine... and comments that their new band member Ringo is drumming very nice, signed off Cheerio, love from George 5in x 8in (12.75cm x 20.5cm)Footnotes:Provenance:From a Private German CollectionThe kind letter from George updating his dear friend Astrid of his new address written at the top of the first page and again at the bottom of the last page as a reminder. George's move from Upton Green the family home he had lived since the age of 6 years old was a sign of the start of the band's success. He was still only 19 at this point, as he tells Astrid about a recent fight he had been in where he got a black eye. Followed shortly by being knocked down by a bus on his way home from the hospital. He goes on to tell her about recording 'Love Me Do' and the re-recording of the B side which was originally, according to George, 'How Do You Do'. On the third page of the letter George updates Astrid on the band's new look, which includes suits that are dark brown. Astrid, the quintessential Mod many believe was instrumental in starting the band's makeover, away from the Teddy-Boy look when she met them in Hamburg. Additionally to the new clothes George mentions excitedly about his and John's new Gibson jumbo guitars. These matching Gibson J-160s are documented being used at numerous concerts such as The Operation Big Beat in September 1962, and there are still images of them using the Gibson's performing for Granada TV. George also expresses joy at their new amplifiers, another sign that after all their hard work the band were starting to see some of their due rewards.For further information on this lot please visit Bonhams.com
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45333 item(s)/page