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Lot 120
CLASSIC - MODERN SOUL/FUNK/JAZZ/DISCO LPs - A well presented collection of 50 x LPs. To include stirrin' albums from the likes of Sadao Watanabe, Blackwell, Mary Watkins, Jody Watley, Johnny 'Guitar' Watson, Marion Meadows, Helen Merrill/Dick Katz, Ramsey Lewis, Bobbi Humphrey, William Eaton, Derek Watkins, George Benson, Cido Bianchi and Bobby Bland. Condition is Ex to Ex+/unplayed.
Lot 179
CLASSIC/MOTOWN SOUL - A fab collection of 72 x essential 7" sides! Artists/titles include Inez & Charlie Foxx - Mockingbird (rare Italian p/s UA-3157, lovely Ex+/Ex), Jimmy James -Better By Far (7N 17886 promo), Lonnie Mack (PT 198), Wilson Pickett, Otis Redding, Freddie Ryder (MF 935), Nina Simone, Joe Simon, Dionne Warwick (271 900 YF Dutch p/s), Jackie Wilson, Mary Wells (SS 288), Nino Tempo And 5th Avenue Sax, Johnny Guitar Watson (DJS 10890), Lou Rawls, Jimmy Ruffin, Funkadelic and The Drifters. Condition is nice and clean throughout with the majority of titles VG+ to Ex+ with many original company sleeves.
Lot 1
Interesting antique short scale small bodied guitar, the open peg box with brass tuning strips and bone buttons, seventeen fret fingerboard, rosewood back and sides, the table with string and herringbone banding to the edges and string, block, ebony and pearl inlay to the sound hole (restorations)
Lot 14
19th century French small bodied guitar, the open peg box with brass tuning strips branded Jerome and with shaped bone buttons, seventeen fret ebony fingerboard, rosewood back and sides and fine grain table with string banding to the edges and ebonised and pearl rosette to the sound hole (restorations)
Lot 15
French guitar attributed to Hyppolite Collin, circa 1800, the closed spade peg box with bone tuning pegs, fourteen fret ebony fingerboard, maple back and sides, the table with alternating multi-block banding to the edges and sound hole rosette, the bridge terminating in shallow carved foliate scrolls, wooden coffin case (restorations)
Lot 16
Early 19th century English small bodied guitar by and labelled Panormo Fecit, Anno 1826, London, 26 High Street, Bloomsbury, the open peg box with engraved brass tuning strips branded Rance bearing bone buttons, eighteen fret rosewood fingerboard, rosewood back and sides and fine grained top with string banding to the edges, string and pearl inlay to the sound hole rosette and with later Victorian painted floral decoration, original ebonised coffin case (restorations)
Lot 17
1933 Selmer Maccaferri Orchestra model oval soundhole guitar, no. 269, labelled “Fabrique en France, Selmer & Cie, Orchestra, 269” the open peg box stamped “Special, Henri Selmer, Paris” and bearing “HSC” gold tuners, 24 fret ebony fingerboard (14 to the body), the back and side of Indian rosewood, bound to the spruce table with ebony and boxwood lines, string banding to the oval soundhole, ebony bridge and “HSC” gold tailpiece, original Henri Selmer hard caseToni “Ray” Gallo from Green Lanes, London, a proficient guitarist and tutor, inherited his Selmer Maccafferi Orchestra guitar from his late father Louis Gallo, in 1988.Ray can be seen playing the guitar here:- http://www.louisgalloguitarist.com/index.php/2 Selmer Orchestra, number 269, as listed in The Selmer Book by Francois Charle, indicates this guitar started life as a 4 string in 1933. It is widely said that Mario Maccaferri only built Selmer guitars himself, in the years 1932/33. Only around 300 guitars from this classic period are known to have been made.Louis Gallo, a pioneer of plectrum jazz style guitar, had the guitar changed to a 6 string head/neck in the 1960s. Louis,instructed his good friend, Marco Roccia, a master luthier and employee of Clifford Essex Co. (who published BMG magazine at the time), to carry out the alterations to the guitar, as it is found today.Louis and Marco, who both could count Mario Maccaferri as a personal ffriend, visited Paris many times in the 1950/60s and during this time bought original Maccaferri components from Pierre Beuscher musical instruments, Paris-15e, which were subsequently used on Selmer Maccaferri no. 269. The illustrated receipt for these parts, which is held by Ray Gallo, supports these facts.
Lot 2
19th century German small bodied guitar, the open peg box bearing engraved nickel tuning strips and bone buttons, eighteen fret ebony fingerboard, birds eye maple back and sides, the table with decorative pearl abalone and ebony inlaid rosette and herringbone inlay to the edges, ebonised coffin hard case
Lot 4
Antique small bodied guitar labelled Salvador Ibanez, Bajada San Francisco 23, Valencia, Espana, circa 1900, the open peg box with brass engraved tuning strips and bone buttons, eighteen fret fingerboard, rosewood back and sides, the natural table with multi-string banding to the edges, the sound hole also with multi-string banding and pearl inlay
Lot 5
Antique classical guitar by and labelled Salvador Ibanez Bajada de San Francisco, 23-Valencia (Espana), the open peg box with engraved brass tuning strips and bone buttons, string banding and pearl inlay to the front, nineteen fret rosewood fingerboard, rosewood back and sides, the natural table with highly decorative string banding and pearl inlay to the edges and sound hole, later case
Lot 7
Good 19th century small bodied guitar, labelled Chappell, Spanish Guitar Maker, Music Seller to Their Majesties, no. 50 New Bond Street, London, the open peg box with brass engraved tuning strips and shaped bone buttons, seventeen fret ebony fingerboard, birds eye maple back and sides, the fine grained table with multi-string banding to the edges and sound hole (at fault)
Lot 8
Mid 19th century English small bodied guitar by and labelled D & A Roudhloff, from Paris, Manufacturers of Guitars, 87 Charlotte Street, Fitzroy Square, London, the open peg box with engraved brass tuning strips and shaped bone buttons, the ebony fingerboard scalloped to the first seven frets, highly figured rosewood back and sides, the fine grained table with multi-string banding to the edges and sound hole, the bridge terminating with three pearl button discs (at fault)
Lot 9
19th century small bodied guitar by and labelled Johanning & Ferry, Guitar & Violin Manufacturers, 14 Titchborne Street, London, restored by David J. Rubio and bearing a signed label dated 1970, with closed rounded peg box, seventeen fret ebony fingerboard, satinwood back and sides, fine grained table with multi-string banding to the edges and sound hole, ebonised coffin hard case
Lot 369
A Washburn electro-acoustic guitar, EQ300 Condition report Report by GHGenerally scratched and knocked with several edge knocks, particularly around the back, with losses. Some surface cracks to paint and a crack at the front of the body going up the neck for around 5 cm. Generally sounds ok. Overall well used but seemingly functional.
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45333 item(s)/page