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Pietro Paolini, 1603 Lucca – 1681 ebenda Junger GitarrenspielerÖl auf Leinwand.73 x 60 cm.In ebonisiertem Holzrahmen.Beigegeben ein Gutachten von Prof. Patrizia Giusti Maccari, in Kopie.Das vorliegende Werk ist zudem bei der Fondazione Zeri unter Nummer 55820 mit Abbildung dokumentiert als Pietro Paolini1928 wurde das angebotene Gemälde von Adolfo Venturi noch Caravaggio zugeschrieben.Vor unbestimmtem Hintergrund das Hüftportrait eines leicht nach links gewandten jungen Mannes eine Gitarre spielend, die er in geschickter optischer Verkürzung in den Betrachterraum hält. Wenngleich das Gemälde noch 1928 als Werk Caravaggios galt, erkannte Federico Zeri es jedoch als eigenhändiges Werk des lucchesischen Malers Pietro Paolini an. Giusti Maccari datiert das Gemälde in ihrem mehrseitigen Gutachten auf ca. 1625 – 1630. Ein Hauptaugenmerk seines Schaffens lag auf allegorischen Gemälden und auf Portraits- und vermutlich haben wir es hier mit einer Kombination beider Typoi zu tun, so weißt die Nase auf portraithafte Züge hin, während die Gitarre auch als Allegorie des Gehörs verstanden werden kann. Im Walters Art Museum wird etwa die Allegorie der Fünf Sinne verwahrt, in der freilich der allgegenwärtige Caravaggismus der Zeit mit seinen Chiaro-Scuro Effekten mitschwingt. Überhaupt scheint Musik eines seiner Lieblingsthemen zu sein, so wird das 1620-1630 entstandene Gemälde „Konzert“ im Dallas Museum of Art aufbewahrt, welches ebenso wie das hier angebotene Gemälde in die Anfangsjahre seiner Römischen Tätigkeit fällt.Provenienz:Laut Fondazione Zeri Römische Privatsammlung. Anmerkung:Paolini wurde bereits sechzehnjährig nach Rom geschickt um unter der Anleitung von Angelo Caroselli zu arbeiten und sich die verschiedensten Malerschulen der Bologneser und Florentiner zu eigen machen zu können. Dabei ist sein Stil stark vom Caravaggismus beeinflusst worden. 1628 in Venedig, kehrt er bereits 1631 in seine Heimatstadt Lucca zurück, wo er 1640 seine eigene Akademie zur Ausbildung lokaler Künstler gegründet hat. Von Giacomo Sardini (1751-1811) wurde er erstmals in großem Stile als einer der strahlensten Maler der Luccesischen Schule gewürdigt. Der Einfluss aus dem Kreis von Bartolomeo Manfredi ist unverkennbar.(1330522) (13)Pietro Paolini,1603 Lucca – 1681 ibid.YOUNG GUITAR PLAYEROil on canvas.73 x 60 cm.Acompanied by an expert’s report by Professor Patrizia Giusti Maccari. The present painting is also listed with an illustration at Fondazione Zeri under n. 55820 and described as by Pietro Paolini.When the painting was offered for sale by Adolfo Venturi in 1928 it was attributed to Caravaggio. Although the painting was still considered a work by Caravaggio in 1928, Federico Zeri recognized it as an original work by the Lucca painter Pietro Paolini. Giusti Maccari dates the painting in her multi-page report to around 1625-1630. In his multi-page report Giusti Maccari dates the painting to ca. 1625 – 1630. The Walters Art Museum, for example, holds The Allegory of the Five Senses, which resonates with the omnipresent Caravaggism and its chiaroscuro typical for the time. Music seems to have been one of his favourite subjects generally, like the painting Concert (1620-1630) held at the Dallas Museum of Art for example, which dates to his early years in Rome like the painting offered for sale here.Provenance:According to Fondazione Zeri held in private collection, Rome.
David Hockney R.A. (British, born 1937)Made in April, from 'The Blue Guitar' (MCA Tokyo 188; Scottish Arts Council 209) Etching and aquatint printed in colours, 1976-77, on wove, signed and numbered 50/200 in pencil, printed by Petersburg Studios and published by Petersburg Press, New York and London, the full sheet, 523 x 457mm (20 5/8 x 18in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A collection of Lladro porcelain figures,comprising a figure group of a reclining girl and three kittens, 22cm wide, a girl lying down with three dogs, 18cm wide, and a seated girl with a dog, 14.5cm high, printed marks,together with a collection of similar porcelain figures,comprising a Cascades seated clown, 26cm high, a similar standing guitar player, 26cm high, a seated Nadal figure of a boy, 19.5cm high, and a Nao figure of a standing sailor, 29.5cm high, all with printed marks (7)Condition ReportThe Lladro figure of a girl lying down with dogs has had a repair to her neck. The rest are in a good condition, with no obvious chips or losses.
A fine quality 19th century French guitar, with bird's eye maple body, length of back 42 cm, pine sound-board with inlaid floral mother of pearl rosette, ebonised neck with white metal frets and mounts, the body with ivory beading, 90 cm long o/a, stamped indistinctly '_P_ a Paris'.Ivory Registration Submission reference 35KGX1GN
Three Japanese Tin and Plastic battery-operated Automata, Yonezawa Chef with rubber head, card hat, saucepan and steak and bottle of Sauce cooking on a grill (battery compartment with some rust), Alps Rock'n' Roll Monkey with felt face, playing a Guitar with both strings and original Hat, one foot on a Speaker and free standing light up Microphone (battery compartment clean), Alps North American Red Indian playing the Drums (battery compartment a little rusty, contacts clean) F-G, all a bit grubby and require a good clean (3)
A CELLO IN NEED OF RESTORATION AND AN ACOUSTIC GUITAR, the cello with two piece back, the guitar with paper label reading 'Hertz Guitar series 2002, made in... German Democratic Republic', both with soft cases (2 + 2 cases) (Condition report: guitar appears in good condition, cello as stated)
FIVE BOXES OF ASSORTED SUNDRIES, to include, tennis rackets, eight digital cameras, 'Swallow' binoculars, Hockey stick, a left handed leather baseball mitt (Coopers-Pro-Action back), soft toys, textiles, books, road maps, an 'Almeria' acoustic guitar, a Lifesystems rectangular mosquito net, wicker basket, etc (s.d) (5 boxes)
Rag-Time/Blues/Jazz, a large collection of LP's, to include Blind Lemon Jefferson - 1926-29, Woodie Guthrie - Poor Boy, Bessie Smith - Nobody's Blues But Mine, Big Bill Broonzy - Do That Guitar Rag 1928-1935, Bill Clifton - Going Back To Dixie, Blind Blake - 1926-1931 The Accompanist, Blind Boy Fuller - 1909-1941 Death Valley, Steeleye Span - Please To See The King, Shirley & Dolly Collins - Love Death & The Lady, Barbra Streisand - Stoney End and Anita O'Day - In Tokyo '63 (Japanese) etc. (approx. 180 some duplicates / different pressings)All as catalogued. Down in the Village: Sleeve good, wear at corners, spine good, small tear at bottom corner of opening, vinyl very good.Ronnie Scott: Light creases to edges of the sleeve, light wear at corners, scratch to back, wear at opening. Vinyl light spindle wear but overall very good.
A collection of Guinness memorabilia, including miniature bottles, tea towels, advertising prints, beer mats and books, together with a Coca-Cola napkin dispenser with Coca-Cola branded napkins, Budweiser coasters, a Bud Light draught handle in the form of a guitar headstock and a Pepsi-Cola wooden bottle top, 22cm
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45333 item(s)/page