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Lot 29
2014 Taylor Custom DI electro-acoustic guitar, made in USA, ser. no. 1xxxxxx0; Back and sides: mahogany; Top: tobacco sunburst finished spruce; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 1.94kg; Overall condition: very good *This guitar is a built to spec customer order made by the Taylor Custom shop
Lot 3
Fender Telecaster electric guitar, made in USA, circa 1963/64, ser. no. L2xxx3; Finish: three-tone sunburst, heavy buckle wear to back, heavy arm wear to top, further heavy wear to edges and various other marks and imperfections; Fretboard: rosewood, minor groove wear to first position, chips to side of frets left from where the previous frets were pulled out; Frets: mild wear, refret; Electrics: working, later Seymour Duncan bridge pickup installed, neck pickup probably later, replaced jack, miscellaneous potentiometers, replaced switch, original jack, a spare switch and three spare pickups also included; Hardware: generally good, replaced strap buttons with originals retained; Other: middle pickup rout under the scratchplate, bridge pickup cavity rout slightly enlarged; Case: later tweed hard case; Weight: 3.25kg; Overall condition: fair *Sold with CITES A10 certificate no. 595804/01
Lot 31
Fender Stratocaster Hardtail electric guitar, made in USA, circa 1979, ser. no. S9xxxx6; Finish: natural; Fretboard: maple; Frets: good; Electrics: working; Hardware: good; Case: later hard case; Weight: 4.09kg; Overall condition: good *Single owner from new. Sold with a copy of the original purchase receipt from Cleveland Music dated 29th March 1982 for the sum of £300
Lot 33
1995 Fenix by Young Chang FAE-4 hollow body electric guitar, made in Korea, ser. no. 95xxxxx1; Finish: natural, minor surface imperfections, three mystery screws placed between bridge and bridge pickup; Fretboard: rosewood; Frets: minor wear; Electrics: working; Hardware: generally good, additional coil switch added which is currently bypassed, typical wear to gold plating; Case: soft bag; Weight: 3.44kg; Overall condition: good
Lot 352
2004 Rik Middleton classical guitar, numbered 80CG67, also numbered 1/4; Back and sides: rosewood, minor marks; Top: natural spruce, minor marks; Fretboard: ebony: Frets: good; Weight: 1.82kg; Case: Hiscox hard case; Overall condition: very good *Made by Rik Middleton in 2004, probably for Kent Guitar Classics
Lot 353
1930s guitar labelled 'Apollo-Vio-Triumph'..., 1934; Back and Sides: a couple of hairline splits to the back, scratches and marks allover; Top: natural, a few hairline cracks running from the bridge to the end, hairline crack to the upper bout, slight wave to the table around the bridge area; Fretboard: rosewood; Frets: generally good, refret; Hardware: generally good; Weight: 1.16kg; Overall condition: fair
Lot 358
1964 G.H Barker concert guitar in need of restoration, made in Buckinghamshire; Back and sides: rosewood, repaired split to back; Top: two repaired splits, bridge plate damaged and in need of replacement/ repair; Fretboard: rosewood, requires cleaning; Frets: worn; Hardware: later tuners; Case: Rock Bag gig bag; Overall condition: in need of restoration
Lot 359
Classical guitar labelled Luigi Arrigoni; Back and sides: natural with inlaid classical figure to the back, repaired splits to the sides and back, repaired split to the shoulders running through the neck heel; Top: natural spruce, minor rippling to bridge area, repaired splits and general wear; Fretboard: maple, inset repair to first fret; Frets: mild wear; Hardware: later friction type tuners; Case: semi-rigid fibreboard case; Overall condition: fair
Lot 36
1968 Gibson J-50-ADJ acoustic guitar, made in USA, ser. no. 5xxxx6; Back and sides: mahogany, large blemishes and scratches throughout, bubbling to lacquer on the treble side; Top: natural, filled holes from previously installed controls, small repaired hairline towards edge, lots of wear to the treble side of sound hole edge, lacquer checking and further blemishes; Fretboard: rosewood, groove wear to first position; Frets: minor wear, refret; Electrics: working, De Armond pickup fitted to the sound hole and wired through the treble side; Hardware: good; Case: TKL hard case; Weight: 2.25kg; Overall condition: fair *The late great Lightning Hopkins was known for using a 1968 Gibson J-50, with a 5 pole De-Armond pickup. The vendor acquired this guitar to emulate the look and style of the blues great himself. **Sold with CITES A10 certificate no. 595933/01
Lot 361
Interesting Danish Antique guitar labelled J.N. Gade...; Back and sides: maple, repaired splits to sides and revarnish; Top: natural spruce, many repaired and filled splits; Fretboard: ebony; Frets: worn, refret, oxidisation; Hardware: later pegs, bridge restorations; Case: gig bag; Overall condition: restored *Sold with a restoration invoice from J.White Guitar Workshops
Lot 37
Hutchins "The Beast" six-neck electric guitar, comprising a twelve string guitar, a six string guitar with tremolo, a five string bass, a four string bass, a seven string guitar with tremolo and a six string hardtail guitar; Finish: metallic red, some minor marks; Fingerboards: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original gig bag; Weight: 16.97kg; Overall condition: good *In the words of creator Gary Hutchins this is 'The guitar that should never have been made'. Inspired by Cheap Tricks Rick Nielsen using a five-neck guitar, Gary Hutchins thought he would go one further. "The Beast was born, creating a buzz and has been seen on stages all over the world with Bill Bailey, Spinal Tap and Prince Charles, with appearances at the Victoria & Albert Museum and the Museum of Comedy in London. This example is one of only a few made
Lot 402
John Renbourn - 1977 Michael Gurian J-R acoustic guitar, made in USA, ser. no. C2927; Back and sides: Indian rosewood, slight clouding to lacquer, minor imperfections; Top: natural spruce, lacquer checking and minor dings; Fretboard: ebony; Frets: minor wear; Electrics: under-saddle pickups wired to the end pin; Hardware: good; Case: Guild hard case; Weight: 2.41kg; Overall condition: good *Sold on behalf of the late John Renbourn's surviving family
Lot 406
Bernie Marsden & Whitesnake - 1978 Marshall JMP model 2159 Super Lead 100 watt MKII guitar amplifier, made in England, ser. no. 02057K, fitted with a pair of Celestion G12T-75T3760 12" speakers *A rare Marshall amp, modified for Bernie Marsden by the factory. Used as a 'tune up room amp' with Whitesnake
Lot 408
Pete Doherty - owned and played B&M Ronda classical guitar, previously owned by Peter Doherty and purchased on 17th August 2013 from the Doherty Martin Rag and Bone Collection pop-up store in Camden, the guitar signed to the top by Suzi Martin and sold with an image of Suzi Martin holding the guitar, also a copy of a signed note from Suzi Martin certifying that the guitar was formerly property of Peter Doherty and was purchased at DohertyMartin.com *From the estate of David Rees, a Welsh National who collected memorabilia over a forty year period, whilst working in and around London
Lot 41
2000 Ovation S861-W Balladeer Special electro-acoustic guitar, made in USA, ser. no. 5xxxx; Back and sides: synthetic Lyrachord shallow back bowl; Top: natural spruce, a few minor dings; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Weight: 2.10kg; Overall condition: good
Lot 411
Paul McCartney - autographed contemporary Hofner violin bass guitar, signed by Paul McCartney to the scratchplate *Acquired by the vendor from a gentleman who obtained the autograph from Paul McCartney at LIPA (the Liverpool Institute of Performing Arts); Paul used to signed items for him to help him fund travelling the world
Lot 421
John Lennon - interesting colour photographic slide inscribed "Original", depicting John Lennon playing a Gibson acoustic guitar, offered with a photograph print taken from the slide; together with a framed photograph display depicting John Lennon at his Tittenhurst Park home recording studio, mounted with cassette inlays and adhesive label used on recordings made there; also copies of two Southern Electricity documents relating to the power supply at the property; also a large quantity of newspapers from the time that John Lennon was murdered, plus a few other Lennon and Beatles publications
Lot 44
Eko M20 left-handed electric guitar, custom built by Roberto Brandoni from original parts; Finish: wood stain; Fretboard: ebony; Frets: good; Electrics: working; Hardware: generally good, typical minor loss to gold plating; Weight: 4.11kg; Case: Soundsation hard case; Overall condition: good *This rare left-handed Eko M20 was custom ordered by the vendor through Roberto Brandoni who acquired the remaining Eko factory stock when it closed down in the 1980s. The custom order included the guitar to be left-handed, have gold hardware including the vendor-supplied gold fret wire
Lot 445
Artists various - good selection of reference books relating to various artists including John Entwistle - Bass Culture, the John Entwistle Bass Collection; Nick Freeth & Cliff Douse - Great Guitarists; John Shearlaw - The Authorised Biography of Status Quo; Guitarist Magazine - Blues Guitar Heroes; Chris Collingwood - Def Leppard, No Safety Net; Fred Weiler - Eric Clapton; Bounty Books - Rock and Roll People; Q Magazine - Blues Heroes Starring Eric Clapton; Andy Babiuk - Beatles Gear; Bill Milkowski - Keith Richards, a Rock and Roll Life; Marc Roberty - Clapton, the Complete Chronicle; Greil Marcus - Invisible Republic, Bob Dylan's Basement Tapes and Jacques Lowe - Queen's Greatest Pix
Lot 45
1995 Takamine EN-40LH left-handed electro-acoustic guitar, made in Japan, ser. no. 9xxxxxx3; Back and sides: Mahogany; Top: natural cedar, minor play wear; Fretboard: rosewood; Frets: good, a few minor oxidisation spots; Electrics: working, new preamp installed; Hardware: good; Case: original hard case; Weight: 2.12kg; Overall condition: good *This guitar was set up by Makoto Terasaki, the general manager of Takamine at an event held by Guitar Guitar, Camden on the 24th September 2019
Lot 458
Amy Winehouse - an interesting Millers Rock & Pop Memorabilia hardback book, with internal tribute 'To Becky, happy birthday, love Amy, 16th Jan 1996', thought to have been gifted by a twelve year old Amy Winehouse to a friend; together with an autographed monochrome photograph of Amy Winehouse holding a guitar, signed 'Amy' in black pen, 12" x 8"; also an Amy Winehouse - 'Frank' album sampler vinyl and a limited edition Rock Archive print of Amy Winehouse at Dublin Castle in 2007, limited edition number 007/300 (4) *From the estate of David Rees, a Welsh National who collected memorabilia over a forty year period, whilst working in and around London
Lot 477
Four author signed books including Bob Harris - 'The Whispering Years', Nick Kent - 'Apathy For The Devil', Jeremy Reed - 'Heartbreak Hotel' and Will Hodgkinson - 'Guitar Man'; together with Kevin Cummins - 'The Smiths and Beyond' limited edition book (signed photograph missing) and a 7" limited edition record of Spiral Scratch an interview with The Smiths (6) *From the estate of David Rees, a Welsh National who collected memorabilia over a forty year period, whilst working in and around London
Lot 49
1950s archtop guitar, possibly by Hans Frederik Jensen; Finish: sunburst, cutaway restoration to the side, binding repairs, areas of refinishing, general wear and imperfections consistent for age; Fretboard: rosewood; Frets: minor wear; Hardware: later Grover tuners, later bridge and tailpiece, missing pickguard; Case: soft bag; Weight: 3.12kg; Overall condition: fair
Lot 50
1950s Hans Frederik Jensen Single archtop guitar; Finish: sunburst, herringbone binding placed to top edge, refinishing to the edges on both back and top, various dings and wear as consistent for age; Fretboard: ebony, later herringbone inlay to the perimeter; Frets: in need of attention with some slightly lifting and some oxidisation; Electrics: later Walchris floating pickup wired through to the body edge to an unconventional three pin jack, large jack ring installed with vacant holes either side; Hardware: later pickguard; Case: soft bag; Weight: 3.56kg; Overall condition: fair
Lot 51
1984 Fender Telecaster Elite electric guitar, made in USA, ser. no. E3xxxx0; Finish: walnut, dings and surface scratches to the top, blemishes to the side, light buckle markings and dings to the back; Fretboard: ebony; Frets: generally good, minor visible indent wear; Electrics: working, one replaced potentiometer; Hardware: oxidisation and pitting to gold plating, some corrosion to bridge saddles; Case: non-original hard case; Other: Fender Elite Series booklet included; Weight: 3.79kg; Overall condition: fair
Lot 52
1970s Columbus Hummingbird acoustic guitar, made in Japan; Finish: cherry sunburst, many scratches to the back, minor dings and marks to the top, minor bellying to the top in the bridge area; Fretboard: rosewood; Frets: good; Hardware: good, section of pearl missing from bridge face; Case: soft bag; Other: action requires attention; Weight: 2.20kg; Overall condition: fair
Lot 54
Interesting German solid body electric guitar, possibly by Voss; Finish: black with white plastic edging, lacquer checking to both back and front, other minor wear; Fretboard: good; Frets: generally good, although in need of some cleaning; Electrics: working, although intermittent, later lipstick pickups installed; Hardware: generally good; Case: soft bag; Weight: 2.84kg; Overall condition: fair
Lot 55
1975 Travis Bean TB1000S electric guitar, made in USA, ser. no. 5x5; Finish: natural koa, lacquer blemishes and dings allover; Fretboard: rosewood; Frets: in need of dressing/cleaning due to oxidisation; Electrics: working, however require minor attention with the treble volume control intermittent and the rhythm tone control in need of attention; Hardware: replaced knobs and strap buttons; Case: original hard case; Weight: 4.72kg; Overall condition: fair
Lot 56
Late 1970s Kramer DMZ 2000 electric guitar, made in USA, ser. no. 0xxx0; Finish: walnut, various dings and blemishes; Fretboard: ebanol; Frets: minor wear; Electrics: working; Hardware: generally good, replaced switch, replaced strap buttons, replaced bridge/stop bar; Case: generic oblong hard case; Weight: 4.24kg; Overall condition: good *This Kramer guitar is of unusual spec with the body being that of a standard DMZ 2000 but with neck inlays being more typical of the 650 Artist. Also note the addition of the locking nut, which could be later
Lot 58
Late 1970s Kawai KS-12XL electric guitar, made in Japan; Finish: natural, many dings and heavier blemishes to the front, back and edges, small damaged section of binding to the top edge, body rout to house a later fitted trem unit, dings to the back of the neck; Fretboard: rosewood, in need of cleaning; Frets: generally good; Electrics: working, additional coil switch installed; Hardware: later trem unit fitted and in need of properly setting up, trem arm missing, upper B and E fine tuning screws replaced, missing one locking nut clamp; Case: soft bag; Weight: 3.84kg; Overall condition: fair
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45333 item(s)/page