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Lot 29
1970s Ibanez 2453CW Howard Roberts electric archtop guitar, made in Japan; Finish: translucent wine red, minor surface scratches and small blemishes; Fretboard: rosewood with some minor wear; Frets: generally good, but with some dent wear to the first position; Electrics: working, additional coil switch added to the table; Hardware: gold plating typically worn to the tailpiece, pickup and tuners; Case: none; Overall condition: good
Lot 295
2011 Gibson Custom Eric Clapton 1960 Les Paul V.O.S 'Beano' electric guitar, made in USA, ser. no. EC028; Finish: antiquity burst; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original Gibson custom hard case; Overall condition: good *This guitar is number 28 of a limited run of 350 and is sold with a certificate of authenticity and a copy of the John Mayall Bluesbreakers album
Lot 296
1968 Fender Telecaster electric guitar, made in USA, ser. no. 2xxxx8; Finish: blond, lacquer cracking, buckle wear to back, other minor blemishes; Fretboard: maple, mild wear in places; Frets: some wear; Electrics: working, neck pickup (possibly later) refitted which had previously been replaced, both pots dating to 1966; Hardware: replaced scratchplate where original was damaged during the pickup change, nut replaced, bridge cover included; Case: bass guitar hard case; Other: body rout to the neck position - enlarged to house a mini humbucker pickup; Overall condition: good
Lot 298
Roger Giffin Tele style electric guitar, made in England; Finish: natural zebra wood, minor imperfections; Fretboard: maple, worn in places; Frets: generally good, mild surface wear; Electrics: electrics require attention (fault to bridge pickup position); Hardware: oxidisation, rusting and pitting to metal parts; Case: Five Star Cases flight case; Overall condition: fair *Bearing a 'Music Bank' stencil to the outside of the case. It is thought that this guitar may have been used by Mike Rutherford in the studio via his association with Music Bank backline rentals, however, there is no documentation to support this
Lot 3
Good quality custom build Strat type electric guitar comprising a guitarbuild.co.uk Strat style body and Fender licenced Mighty Mite Strat style neck; Finish: natural, oiled; Fretboard: ebony; Frets: good; Electrics: three unknown staggered pole single coil pickups, Jupiter vintage tone capacitor, five-way switch and three CTS pots, working; Hardware: red faux tortoiseshell three-ply scratchplate, Wilkinson gold plated trem bridge, locking tuners; Case: shaped Fender hard case; Overall condition: very good
Lot 30
1950s/60s Framus Billy Lorento hollow body electric guitar, made in Germany, ser. no. 69743-X3K; Finish: cherry sunburst with lacquer checking and blemishes consistent with age; Fretboard: rosewood; Frets: some wear; Electrics: working; Hardware: generally good, strap buttons replaced, repairs to floating pickguard; Case: none; Other: wear to finish on the back of the head, the serial stamp on the back of the head has an indecipherable date code that appears to either be 53 or 63; Overall condition: good for age
Lot 300
1960 Fender Precision bass guitar, made in USA, ser. no. 5xxx7; Finish: stripped and re-lacquered; Fretboard: rosewood; Frets: worn and with dent wear, green oxidisation; Electrics: working; Hardware: generally good, typical ageing, missing bridge cover; Case: later hard case; Overall condition: fair *Sold with CITES certificate no. 562975/01
Lot 301
1994 Gibson Historic '59 reissue R9 Les Paul electric guitar, made in USA, ser. no. 9 4xx8; Finish: Tom Murphy painted burst, minor checking and minor blemishes; Fretboard: rosewood; Frets: good, very minor dent wear first position; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good *Painted by Tom Murphy, only 350 of these guitars were produced in 1994, this being number 78 in that run
Lot 32
Early 20th century Salvador Ibanez classical guitar; Back and sides: rosewood, hairline cracks and other wear to the back; Table: spruce with wear consistent for age, hairline crack running from the bridge to the lower end, two splits to the table; Fretboard: ebony with visible surface wear; Frets: some wear, very sharp to the edges; Case: hard case; Overall condition: fair
Lot 33
Fender Kingman electro-acoustic guitar, made in USA, circa 1967, ser. no. 1xxx0; Back and sides: transparent sunburst with many lacquer cracks and other blemishes; Table: spruce with many hairline cracks and other lacquer imperfections; Fretboard: rosewood; Frets: dent wear to first position and minor wear further up; Hardware: generally good, saddles appear to be re-chromed; Electrics: working; Case: original Victoria Luggage hard case; Overall condition: fair *This guitar is thought to have been previously owned by Rudy Love, with his name inscribed on a label to the hard case. Also included is email correspondence dated March 2007, between a previous owner and Rudy Love's family which appears to confirm that this was his guitar.
Lot 34
1989 Gibson "Les Paul '59 Prehistoric" Standard reissue electric guitar, made in USA, ser. no. 9 0xx2; Finish: cherry sunburst, surface marks and blemishes to the table, heavier wear and large blemishes to the back edges, various buckle wear to the back, a few blemishes to the back of the neck; Fretboard: rosewood; Frets: good with some minor dent wear up to around the ninth fret; Electrics: working, pickups upgraded to '57 classic reissue pickups by Gibson in 1992; Hardware: good, typical for age, strap buttons replaced, jack plate replaced; Case: original hard case, original handle replaced; Overall condition: good *Single owner from new. Statement of provenance from the vendor: "I got this guitar direct from Gibson in Tin Pan Alley, Denmark Street in 1992. This was back in the day when Gibson helped new artists to find the right guitar and lent them out for studio work and videos etc. I fell in love with this guitar the moment I played it, the neck felt great and I really like the unique flame top. After playing it for a few months, I wasn't completely convinced about the sound of the stock 1989 pickups, so Gibson replaced them with their latest at the time, a pair of 1992 '57 classic reissue pickups. They felt they'd really nailed the vintage sound with these pickups and raved about them. I played this guitar a lot from 1992 to 1996 and, as my music changed, so did the guitars and it has not seen much action since then"
Lot 35
1966/69 Gibson ES125TC (TDC conversion) hollow body electric guitar, made in USA, ser. no. 8xxxx7; Finish: cherry sunburst with lacquer checking, blemishes and other typical marks for age; Fretboard: rosewood; Frets: generally good; Electrics: require attention, bridge pickup added including additional two pots, currently no output to the neck pickup which appears to be a wiring fault; Hardware: generally good; Case: later Boston hard case; Other: pickguard placement slightly altered with old holes filled, additional pickup resulting in the table having an additional hole which includes the additional holes for the pots; Overall condition: fair
Lot 36
1964 Gretsch Chet Atkins Country Gentleman electric guitar, made in USA, ser. no. 6xxx2; Finish: dark mahogany in good condition for age with a few blemishes to the back of the body and neck, other light surface scratches; Fretboard: ebony; Frets: good; Electrics: working; Hardware: typical heavy wear to gold plating, mild green oxidisation to pickups, string mutes missing foam tops; Case: original hard case; Other: two small areas of binding repair; Overall condition: good *Single owner from new with the previous owner's name inscribed onto the inner back and dated 1965. Sold with the original Gretsch guarantee papers and tags.
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45333 item(s)/page