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Lot 139
1939 Gibson L-5 'Advanced 17"' archtop guitar, made in USA, ser. no. Exxxx7; Finish: sunburst, refinished in the Benedetto workshop circa 1990, lacquer checking and further blemishes; Fretboard: ebony; Frets: generally good; Hardware: good reproduction pickguard, typical loss to gold plating; Case: original Geib tweed and stripe hard case; Other: Recent Knight Guitars set-up; Overall condition: good
Lot 141
1959 Gibson ES-335 semi-hollow body electric guitar, made in USA, ser. no. A3xxx8; Finish: sunburst, light checking in places, minor blemishes but generally very good for age; Fretboard: rosewood; Frets: good, refret; Electrics: working, bridge pickup cover previously removed; Hardware: generally good, switch tip replaced, previously installed trapeze/Bigsby removed leaving vacant holes by the end pin; Case: original Lifton hard case, taped to the lower edges; Overall condition: good *Sold with CITES A10 certificate no. 588891/01
Lot 142
1965 Fender Stratocaster electric guitar, made in USA, ser. no. L8xxx3; Finish: Olympic white, poly refinish, lacquer cracking; Fretboard: rosewood, visible wear throughout; Frets: wear consistent with fretboard; Electrics: working, additional switch added to allow for neck and bridge pickup configuration, replaced volume pot; Hardware: generally good, typical split to pickguard near to the neck pickup height adjustment screw; Case: contemporary Fender hard case; Overall condition: good *Single owner since the early 1970s. When the vendor purchased this guitar in the early '70s, it had already been finished in the current colour, the vendor added the switch himself to allow use of the neck and bridge pickup in combination ***Sold with CITES A10 certificate no. 588891/03
Lot 150
1971 Fender Jazz Bass guitar, made in USA, ser. no. 3xxxx9; Finish: black, refinish, heavy buckle rash to back, rubbing to edges, various other marks, refinished neck; Fretboard: rosewood; Frets: some wear and mild oxidisation; Electrics: working, replaced potentiometers; Hardware: replaced bridge, replaced strap buttons (originals retained), pickup and bridge covers included; Case: heavy duty flight case; Overall condition: fair *Purchased by the vendor in the 1970s with the finish stripped to natural. The vendor sprayed the guitar himself in black nitrocellulose
Lot 151
Mike Hurst/The Springfields/Cat Stevens - Gibson Country Western acoustic guitar, made in USA, circa 1960, owned and used by Mike Hurst throughout his entire musical career, beginning with The Springfields, through to sessions with acclaimed recording artists such as Cat Stevens, P.P Arnold, Shakin' Stevens, Manfred Mann and many more *Purchased new in 1962 from Selmer, Charing Cross Road, London, for use with The Springfields, the UK's top group at the time, featuring Dusty Springfield, brother Tom Springfield and Mike. The guitar was first used on the recording session for 'Island of Dreams', which successfully reached fifth in the UK charts. Later that year, Mike and the guitar travelled to Nashville, USA to record The Springfields album 'Folk Songs from The Hills', which included the first hit by a British group in the USA 'Silver Threads and Golden Needles', charting at number twenty. Mike can be seen with the guitar in many images of the band, including the album artwork for 'Folk Songs from the Hill' and 'The Springfields Story' During a tour with Del Shannon and Bobby Vee, the guitar lost a bridge pin. Del gave Mike one of his, which is still present on the guitar to this day. Bobby Vee accidentally knocked over a speaker, leaving a hole in the top of the guitar, this was repaired at Andy's Guitar Workshop, Denmark Street, London, in 1964, by expertly letting in a new strip. Thankfully, Bobby paid! After The Springfields disbanded in 1963/64, the Gibson was used with Mike's band 'The Methods' with a stellar lineup which included Jimmy Page, Albert Lee and Tony Ashton By 1965, Mike was now a record producer, discovering singer-songwriter Cat Stevens, signing him to the new Deram (Decca) record label and producing his first five hit singles. Cat Stevens used the Gibson on his first single 'I Love My Dog' and it was subsequently used on his biggest hit 'Matthew and Son' Mike's production days throughout the late 1960s saw recordings and hits for The Move ('Curly'), Manfred Mann ('Mighty Quinn'), Spencer Davis Group ('Time Seller'), Warm Sounds, Ayshea, Alan Bown and P.P. Arnold ('The First Cut Is the Deepest'), the latter seeing another outing for the Gibson which was used for the session At the close of the 1960s Mike recorded Colin Blunstone (ex-Zombies), re-recording 'She's Not There', which features the Gibson guitar. This track was subsequently used in the final scene of series three of 'The Crown' and played over the closing credits The Gibson has seen a long and varied history, being used at every opportunity throughout Mike's entire hit-making career, both live and in session. In Mike's words 'The guitar is well used and shows it, but plays like a dream hence it still being used up until now…….' **Sold with CITES A10 certificate no. 568327/01
Lot 152
Suzi Quatro - 1964 Fender Duo-Sonic electric guitar, made in USA, ser. no. L32875; Finish: natural, stripped back with traces of red visible, various scratches; Fretboard: rosewood, mild wear; Electrics: working; Hardware: generally good, top of bridge pickup cover removed, two replaced scratchplate screws; Case: later hard case; Overall condition: fair *Provenance: won by the vendor on Multi-Coloured Swap Shop in February 1977. Suzi Quatro appeared on the show approximately the week of 12th February 1977. All guests took an item to give away and Suzi left the Fender Duo Sonic Guitar. She set the question to viewers of which city and state she was born; the vendor wrote in to the show giving the correct answer of Detroit, Michigan. The following week, probably 19th February 1977, the vendor's name was drawn out of a plastic sphere with all the correct answers in it. That week he received a 'phone call to ask him to go to the show in London to meet Noel Edmonds where Suzi Quatro would present the guitar in person. Suzi appeared on the show with John Miles and other artists as part of a super group performing a song. She presented the guitar live on the show on Saturday 26th February 1977 and it has been kept in its case ever since **Sold with CITES A10 no. 588951/01
Lot 153
Suzi Quatro - 1990 Status Graphite Series 2 headless bass guitar, made in England, ser. no. 526; Finish: natural rippled ash and walnut, various minor imperfections; Fretboard: Phenolic; Electrics: working; Hardware: good; Case: Status branded Hiscox hard case; Overall condition: good *Status Graphite made this bass for Suzi Quatro in August 1990. Suzi Quatro owned the bass until May 2003 when it was part exchanged for a custom status Stealth 2 with maple top. It was then sold to the next owner in July 2004. Sold with a certificate and letter of authenticity from Status Graphite
Lot 155
Two Door Cinema Club - 2013 Nash Guitars S-81 electric guitar, made in USA; Finish: candy purple relic, further blemishes; Fretboard: rosewood; Frets: generally good; Electrics: working, DiMarzio Blues Bucker and Air Norton pickups; Hardware: good; Case: original hard case; Overall condition: good *Purchased by the vendor through the Two Door Cinema Club Reverb.com store
Lot 160
Rolling Stones - autographed Yamaha FG-260 twelve string acoustic guitar, signed by Keith Richards, Ronnie Wood and Mick Taylor to the front *All autographs obtained on the 12th of July 2013 before the Rolling Stones played their Hyde Park gig with Mick Taylor as a special guest. The vendor caught Mick Taylor in the Chelsea Harbour Hotel lobby just after breakfast, later obtaining Keith Richards' and Ronnie Wood's signatures outside the Corinthia Hotel as they headed into their waiting taxi
Lot 162
Liam Gallagher - autographed Fender CD-60SBST acoustic guitar *Won in an XFM Radio competition. The guitar is sold with a recorded clip of the radio show from when it was won. The radio DJ states that, following an interview with Liam Gallagher, he tuned the guitar, strummed it for a bit then signed it before he left
Lot 17
1994 Patrick Eggle Berlin Pro hardtail electric guitar, made in England; Finish: green burst, many blemishes and scratches; Fretboard: ebony; Frets: generally good; Electrics: mostly working (minor cleaning required), modifications including additional control and selection rotary switch added; Hardware: good; Case: original hard case; Overall condition: good
Lot 18
Gibson Les Paul Custom electric guitar, made in USA, circa 1971, ser. no. 6xxxx9 (re-stamped); Finish: black, blemishes, scratches, refinishing to back of neck concealing an old head break; Fretboard: ebony, lacquered over; Frets: refret, minor indent wear; Electrics: replaced bridge pickup (DiMarzio), neck pickup cover removed, one new capacitor, re-soldering work to accommodate new pickup; Hardware: replaced tuners (Sperzel), replaced switch tip, replaced control cavity plate, replaced strap buttons; Case: heavy duty flight case; Overall condition: fair
Lot 183
2007 James Trussart Steeltop 'African Engraving' electric guitar, made in USA, ser. no. 07xx9; Finish: black with African engraved steel top; Fretboard: ebony; Frets: good; Electrics: working, potentiometer modifications to remove original push-pull coil switching; Hardware: good; Case: original hard case with tags; Overall condition: good
Lot 184
1988 Fender '57 Stratocaster electric guitar with various modifications; Body: STD-57 body finished in surf green, enlarged bridge position rout and neck and middle positioning routs deepened, further routing coming off from the control rout to allow for a previously fitted battery, dowelled and repositioned holes to allow for differing scratchplate; Neck: STD-57 neck with 1988 pencil date to the end, ebony veneer re-board and fat frets installed; Electrics: working, upgraded with bevelled pole piece pickups (probably Fender), good quality 250K potentiometers and USA five-way selector switch; Hardware: largely replaced, All Parts three-ply scratchplate, Graph Tech saddles and further replaced plastics; Overall condition: good
Lot 186
2012 Tokai Love Rock P90 Goldtop electric guitar, made in Japan, ser. no. 12xxxx0; Finish: gold top, a few minor dings to the top near the bridge; Fretboard: rosewood; Frets: good; Electrics: working, upgraded Lollar P90 pickups; Hardware: good; Case: Turner hard case; Overall condition: good
Lot 187
2017 Tokai TTE98B Breezysound Custom electric guitar, made in Japan, ser. no. 17xxx2; Finish: cherry sunburst, a few very minor dings; Fretboard: maple; Frets: good; Electrics: upgraded Fender Custom Shop '51 Nocaster Telecaster pickups set (original set retained); Hardware: good; Case: original hard case; Overall condition: very good
Lot 189
Late 1980s Squier by Fender Stratocaster electric guitar, made in Japan, ser. no. G0xxxx6; Finish: surf green, minor dings and marks; Fretboard: maple; Frets: generally good; Electrics: working; Hardware: generally good, Kluson type replacement tuners, missing two screws from cavity back plate; Overall condition: good
Lot 197
1970s Gibson Mark Series MK-35 acoustic guitar, made in USA, ser. no. 2xxxx1; Back and sides: mahogany, untidy hairlines to back, further marks; Top: sunburst, various blemishes, bridge starting to lift and will require attention; Fretboard: rosewood; Frets: generally good; Hardware: generally good, strap button added to the neck heel; Overall condition: fair
Lot 2
1955 Gibson Southern Jumbo acoustic guitar, made in USA, factory order no. Wxxx7; Back and sides: mahogany, various minor marks, evidence of lacquer overspray; Top: sunburst, checking and minor marks, evidence of lacquer overspray; Fretboard: rosewood; Frets: good, refret; Hardware: generally good, evidence of bridge reset; Other: evidence of neck reset, back of neck with clear lacquer overspray; Case: contemporary Stagg hard case; Overall condition: good for age *Sold with CITES A10 certificate no. 588236/01
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45333 item(s)/page