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Lot 179
NO RESERVE Music.- Engel (John) Uncommon Sound: the Left-Handed Guitar Players that Changed Music, 2 vol., illustrations, original cloth, dust-jackets, housed in original pictorial slip-case, fractional rubbing, Brussels, 2006 § Banks (Chris, editor) Sundry sorts of music books: Essays on the British Library Collections, portrait frontispiece, illustrations, original cloth, dust-jacket, slight creasing to edges, 1993; and 3 others, one of which comprises of a collection of bound sheet music, folio & 4to (5)
Lot 656
Harrison (George). Live in Japan, Guildford: Genesis Publications, 1993, numerous colour illustrations, all edges gilt, original black morocco, 4to, together with a separate small portfolio containing a double CD and souvenir pack with Access All Areas and After Show passes, and George Harrison and Eric Clapton's guitar picks, all contained in original cloth slipcase (fitted compartment for the small portfolio loose), 4toQTY: (1)NOTE:Limited edition 2871/3500, signed by George Harrison.
Lot 54
Sting and Mark Knopfler interest: a celebrity signed Fender Japan Sting model '51 precision bass guitar, circa 2004, serial number Q 040338, with maple neck, two colour sunburst body, facsimile signature at the 12th fret, the white scratchplate signed by Sting and Mark Knopfler, the reverse signed by Robson Green, Phil Sumner, and Tim and Denise Healy, who all attended the Variety Club 'A Tribute To Sting' on Friday 7th May 2004 at the Civic Centre Newcastle Upon Tyne, together with a Sting signed programme, Guest pass and Fender tag, soft case.
Lot 81
A Rickenbacker 330-12 twelve string semi-acoustic guitar, serial number 1537691, with maple body, laminated neck and rosewood fretboard, double high output single-coil pickups, Scaller tuners, finished in fireglow, circa 2007, in plush-lined Rickenbacker moulded hard case, with original paperwork.
Lot 87
A Guild custom shop 45th Anniversary Guitar, numbered 34 of 45, with flamed maple two-piece back with abalone back stipe, flamed maple sides and spruce top, two-piece flamed maple neck, with centre stripe, ebony fretboard with mother of pearl and abalone split block markers, Guild G brand logo in mother of pearl, abalone bound headstock, neck and body, gold plated Grover tuners, Guild Certificate signed and dated January 1 1997, Guild plush-lined hard case with tags.
Lot 134
Vinyl Records - 45rpm 7" singles various genres and artists including The Stranglers, The Communards, Deep Purple, Frankie Goes To Hollywood, The Sex Pistols, The Pet Shop Boys, Queen, Gary Numan picture disc, Robert Palmer, Duran Duran, Ian Dury and the Blockheads, Depeche Mode, Culture Club, Rah Band, Rainbow, Mike Oldfield, Free, Otis Redding, Electric Light Orchestra, Bob Marley and The Wailers, Pig Bag, Aretha Franklin, Roy Orbison and KD Lang, Orchestral Manoeuvres In The Dark, Neneh Cherry, Nottingham Forest, Yoko Ono, Red Box, Donny Osmond picture disc, Randy Crawford, Dave Clarke Five, 7th Heaven, Peppermint Lump, Kid Creole and the Coconuts, Creedence Clearwater Revival, Abba, Arcadia, Red Box, Raze, Showaddywaddy, No Sweat limited edition box set with stencil, Elvis Presley, Gilbert O'Sullivan, The A's, Darts, Child, Nu Romance Crew, The Pyramids, The Four Tops, Pandora's Box, The Fountainhead, Wilson Pickett, Freddie and the Dreamers, The Sensations, Serious Intention, The O' Jays, Manfred Mann, Cher, Cherry, The Shadows, others including easy listening, crooners, classical, pop, guitar, etc (*over 300)
Lot 137
Vinyl Records - 45rpm 7" singles various genres and artists including Public Image Ltd, Duran Duran, The Damned, REM, A-ha, Depeche Mode, The Communards, Ian Dury, Adam and the Ants, Crash Test Dummies, The Beatles, Graham Parker, Chris Rea, Cream, Eric Clapton, Clannad, Dead or Alive, Eagles, Roy Orbison, Robert Palmer, The Real Thing yellow vinyl, Renaissance, Lou Reed, Queen, Rah Band, The Ramones, Cast of Thousands, The Charlatans, Rainbow, The Real Roxanne with Hitman Howie Tee, Paul McCartney, April Love, Elvis Presley, Culture Club special edition poster single, Red Box, No Dice picture disc, Shaun Cassidy picture disc, The A's, Sparks, Child, Heatwave, Ram Jam, Gilbert O'Sullivan, Showaddywaddy, Gary Numan, Tubeway Army, Pandoras Box, Mica Paris, Freak Power, Freddie and the Dreamers, Suzi Quatro, Johnny Cash, Otis Redding, Four Tops, Quantum Jump, others including easy listening, crooners, classical, pop, guitar, etc (*over 300)
Lot 9
Pink Floyd/John Peel: An Important and Rare 'Evolutions' Southampton University Concert Poster,Friday 26th January 1968,printed on metallic paper, for a concert featuring performances by Pink Floyd, John Peel, Incredible String Band, Jimmy Cliff and the Shakedown Sound, Tyrannosaurus Rex, Chicken Shack, Nelson's Column, held at the Old Refectory, University of Southampton, England, 20in x 30in (51cm x 76cm)Footnotes:The title of this event is eerily apposite, the date being that on which Pink Floyd effectively sacked Syd Barrett. His increasingly drug-related erratic and difficult behaviour through 1967 and the band's evolving musical direction led them to seek another guitar player. At the end of that year they brought in one of Syd's friends, David Gilmour, and the band played a handful of gigs as a five-piece in January 1968. In his book, Echoes: The Complete History Of Pink Floyd, Glenn Povey writes: 'Syd Barrett was clearly never going to come back to the real world, and his role within Pink Floyd was all but over. One solution the band thought of was to use him as an off-stage songwriter in the same way that the Beach Boys retained Brian Wilson. But almost at once they realised that this was an impossibility.' Travelling to Southampton for this gig, the band simply decided not to pick Syd up en route.Those who attended this event had real value for the ticket price and were treated to an eclectic mix of music, from the psychedelia of Pink Floyd and the mystic folk of the Incredible String Band and Tyrannosaurus Rex, to the West Indian-influenced Jimmy Cliff and the blues/rock of Chicken Shack and Nelson's Column. As MC/DJ for the evening, this poster was kept as a souvenir by John Peel. It is thought this is the first example of the poster ever to appear at auction and it may possibly be a unique survivor of the small number that would have been put up around the University campus to publicise the concert.Literature:Povey, Glenn, Echoes: The Complete History Of Pink Floyd, Mind Head Publishing, 2007.For further information on this lot please visit Bonhams.com
Lot 33
Nick Drake: Five Leaves Left,1969,LP, Island ILPS 9105, first pressing, gatefold cover by Ernest. J. Day, pink label with black 'circle' logo, matrices ILPS 9105 A//2 ILPS 9105 B//2Footnotes:'It's a dream really to have great songs, a singer who does it like *that* on the first take, and plays the guitar perfectly every time'- Producer Joe Boyd on Five Leaves Left, 2014Just one track from 'Five Leaves Left' was played by John Peel ('Time Has Told Me' on Top Gear, 31 August 1969), but the success of the album led to Nick Drake performing for a Peel Session radio broadcast earlier that month. Recordings of the session were feared to have been lost forever due to a lack of archiving at the time, with Peel musing in 1999 'I'm not sure whether that Nick Drake session still exists'. It wasn't until 2014 that a vinyl record of compiled songs from the session was released.A 'Record Boxes' video interview, with producer Joe Boyd discussing the present record and its production, was made for the John Peel Archive YouTube channel:https://www.youtube.com/watch?v=rOb2X8XVRuQFor further information on this lot please visit Bonhams.com
Lot 35
David Bowie: An Autographed Full Page Typed Letter 'Beckenham Days',circa 1969,an in-depth, insightful typescript letter on plain paper with address David Bowie. 4, Plaistow Grove, Bromley, Kent., letting John Peel know his current movements, ...I find myself in the arms of just about the biggest garden in the world, deep in the heart of (God Forbid) Beckenham. He elaborates on his state of mind and lack of creative successes... I got an itchy bum after the tour so with a guitar and memories of Hermione on my back I thumbed a lift through my mind and got involved with writing. I have walked through no less than fifteen songs in two weeks and some of them were very bad. Bowie later goes on to declare that, I have dropped the whole mime thing as I seem to be becoming too known for that alone. He discusses the current work he and 'Hutch' [John Hutchinson, his guitarist] are collaborating on and dreams for the future, Still no news of records or anything although the guy who got the Led Zeppelin thing together in the States told us we should also find ourselves on ATco [sic] soon.. He discusses meeting John while gigging in London over the summer before having to catch the last train home and signs off, (You must think us out of towners are a crazy bunch...Yes we dance a furious boredom.)...Must leave it at that as I am going to fall off the edge. Love Davie, his name handwritten in blue pen, 8 1/4in x 12in (22cm x 31cm)Footnotes:This letter was sent to John Peel while David Bowie was still establishing himself and on the cusp of his career really taking off. It provides a fascinating insight into this stage of Bowie's life, and the turbulence following the demise of his relationship with his first love, Hermione Farthingale. The couple had an intense twelve-month relationship, living and performing together in the band Features with John Hutchinson. She has commented that she was the one who broke his heart, But I also said to myself, 'am I going to be with David for the rest of my life?' and I didn't think I was actually going to. He was clearly going somewhere and I didn't think I was going to tread that path with him. It was this early and influential love affair that inspired the song 'Letter To Hermione' that was included on Bowie's self-titled second album in 1969.John Hutchinson was Bowie's collaborator and guitarist across three of his bands. He auditioned to back him in David Bowie And The Buzz, he was with him when they formed Feathers, with David and Hermione, and later featured with Bowie in The Spiders From Mars. He has been credited as the guitarist on 'Space Oddity', written in February 1969.For further information on this lot please visit Bonhams.com
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45333 item(s)/page