We found 16093 price guide item(s) matching your search

Catherine Knight Munch's Window, 2022 Gouache on Watercolour Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Catherine Knight is a painter based at BV Studio, Bristol and a RWA Artist Network member. Since graduating from an MA in Fine Art at Bath Spa University in 2008 with a distinction, she has exhibited widely in both private and public gallery spaces including Wolverhampton Art Gallery and the Royal West of England Academy. Most notably she was an invited artist at the Discerning Eye exhibition in 2014 and a prizewinner at the Royal Watercolour Society Open in 2022. Her work is distinctive for its vibrant use of colour and evocative landscapes based on Iceland and Finland. In 2018 Catherine was one of five artists who took part in the Bristol/ Hannover Artist Exchange, which linked up artists in the two cities and resulted in group exhibitions in both. Her recent project, Isolation Windows, involved painting over 180 gouache paintings during lockdown and led to being shortlisted for the Jackson's Painting Prize, a publication and a solo show at Exeter Phoenix Gallery. Education   BA (Hons) Fine Art at University Wales Institute, Cardiff- 1st class, 2004 MA Fine Art at Bath Spa University- Distinction, 2008   Select Exhibitions/Awards   Insight Art Prizewinner at Royal Watercolour Society Open- 2022 Time, Space, Money Bursary recipient- 2022 A Generous Space 2, New Art Gallery, Walsall Memory, Newlyn Society of Artists, Tremenheere Sculpture Gardens, Cornwall A Room of Her Own, Irving Contemporary, Oxford Royal Watercolour Society Open, Bankside Gallery, London Looking Forward, Newlyn Society of Artists, Tremenheere Sculpture Gardens, Cornwall Solo Show, Isolation Windows, Exeter Phoenix Gallery Jackson's Painting Prize, Online exhibition Edge of Dark, Newlyn Society of Artists Discerning Eye, Mall Galleries, London Small works, Stratford Gallery, Stratford- upon- Avon Elsewhere is here/ Anderswo ist hier, Centrespace Gallery, Bristol Anderswo ist hier/ Elsewhere is here, Turba Gallery, Hannover, Germany BEEP Painting biennial, Elysium Gallery, Swansea Eighteen, Llantarnam Grange, Wales London Art Fair with Cavaliero Finn Gallery Gallery Representation   Cavaliero Finn, Irving Contemporary   Statement about AOAP Submitted Artwork   This painting is based on my recent visit to Edvard Munch's summer house in Åsgårdstrand, Norway   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Kim Dorland Glow, 2022 Coloured Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Kim Dorland's practice reflects a fascination with the enigmatic Canadian landscape as it comes into contact with contemporary urban experience. The psychological atmosphere represented by Dorland is confrontational and hallucinatory, disrupting conventional ideas that the natural world is a place of solace and contemplation. Using a dense matrix of intense colours, delirious textures, and passionate painterly touch, Dorland brings a paradoxical sense of displacement in which the artist's relationship with nature is simultaneously one of awe and fear. In parallel with this, fragments of contemporary urban life materialize themselves in the form of ghostly figures and graffiti remnants. It is through these dueling representations of the landscape that Kim Dorland has created a body of work endowed with an emotional charge whose potential far exceeds the formal confines of the canvas.   Education   2003: MFA, York University, Toronto, BC 1998: BFA, Emily Carr Institute of Art and Design, Vancouver, BC   Gallery Representation   EQUINOX GALLERY, Vancouver PatelBrown Gallery, Toronto   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Kim Dorland Untitled, 2022 Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Kim Dorland's practice reflects a fascination with the enigmatic Canadian landscape as it comes into contact with contemporary urban experience. The psychological atmosphere represented by Dorland is confrontational and hallucinatory, disrupting conventional ideas that the natural world is a place of solace and contemplation. Using a dense matrix of intense colours, delirious textures, and passionate painterly touch, Dorland brings a paradoxical sense of displacement in which the artist's relationship with nature is simultaneously one of awe and fear. In parallel with this, fragments of contemporary urban life materialize themselves in the form of ghostly figures and graffiti remnants. It is through these dueling representations of the landscape that Kim Dorland has created a body of work endowed with an emotional charge whose potential far exceeds the formal confines of the canvas.   Education   2003: MFA, York University, Toronto, BC 1998: BFA, Emily Carr Institute of Art and Design, Vancouver, BC   Gallery Representation   EQUINOX GALLERY, Vancouver PatelBrown Gallery, Toronto   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Adam Dix Untitled (1), 2022 Ink and Oil Glaze on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.)   About   The work of Adam Dix (b.1967) explores the history of transmission, and wrestles with components of contemporary communication. His work brings together a world depicting community and ritual, whilst traversing the landscape of analogue and digital medias through a blend of traditional folk customs, religious ceremony and contemporary communication.   Coupling the contemporary instant-ness of a screen shot, with the slower historic ghostly feel of lithography, Adam Dix's work is concerned with communication through the ages, the constant effort of humanity to come together, share, inspire, pass on our narratives. Humanity has communicated for millennia through illustrations, rituals, customs, choreography, music, writing, religion and symbolism in an attempt to understand one another. Pilgrimages to sites both known and unexpected are suggested in Dix's paintings, religious ceremony is referenced. Costume, disguise and the borrowing and interpretation of symbols are prevalent. Timeframes are indistinct, in Dix's work the present assimilates the residue of the past, we are left contemplating whether a scene is contemporary or historic.   Education   2009 - M.A. Fine Art Wimbledon College of Art 1990 - B.A. (Hons) Graphics and Illustration. Middlesex Polytechnic   SELECTED RECENT EXHIBITIONS AND ART FAIRS: 2020 - bo.lee gallery at London Art Fair 2020, bo.lee gallery Papyrophylia, Charlie Smith Gallery 2019 - bo.lee gallery at London Art Fair 2020, bo.lee gallery   2018 - In Search of the Author, Zedes Gallery, Brussels bo.lee gallery at London Art Fair 2020, bo.lee gallery 2016 - New Paintings, Slete Gallery, Los Angeles All are Welcome, Eleven, London Yesterday's Prophets, Eleven, London   SELECTED GROUP EXHIBITIONS   2017 - In Residence, Griffin Gallery, London Relics from the De-Crypt, Gossamer Fog, London   2016 - Telling Tales, Colleyer Bristow, London   2015 - BFAMI Contemporary Art Auction, Sotheby's, London The Mdina Biennale, Malta Strange Cities, Onassis Cultural Centre, Athens and New York London Art Fair Project Space, The Contemporary London, London   2014 - 100 Painters of Tomorrow, Christies and Beers Contemporary, London So Long and Thanks for All the Fish, Lawrie Shabbi, Dubai   2013 - Salon 10. Marine Contemporary, Los Angeles Ici Londres, Galierie Silin, Paris News From The Sun, Phoenix Art Centre, Exeter 2012 - Editions, Other Criteria, London Programming Myth, Sumarria Lunn, London Unobtrusive Measures, Kunstpavillion, Munich On The Horizon, New Generation of British Painters, Marine Contemporary, Los Angeles   2011 - Fraternise, Beaconsfield Gallery, London Exam, Transition Gallery, London   2010 - Transmission, Haunch of Venison, London Keep Me Posted, Julia Royse, London   2009 - Black Dog Yellow House, Trolley Gallery, London   Gallery Representation   Candida Stevens Gallery in the UK, Zedes Art Gallery in Belgium and Obsolete in Los Angeles. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Adam Dix Untitled (2), 2022 Ink and Oil Glaze on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.)   About   The work of Adam Dix (b.1967) explores the history of transmission, and wrestles with components of contemporary communication. His work brings together a world depicting community and ritual, whilst traversing the landscape of analogue and digital medias through a blend of traditional folk customs, religious ceremony and contemporary communication.   Coupling the contemporary instant-ness of a screen shot, with the slower historic ghostly feel of lithography, Adam Dix's work is concerned with communication through the ages, the constant effort of humanity to come together, share, inspire, pass on our narratives. Humanity has communicated for millennia through illustrations, rituals, customs, choreography, music, writing, religion and symbolism in an attempt to understand one another. Pilgrimages to sites both known and unexpected are suggested in Dix's paintings, religious ceremony is referenced. Costume, disguise and the borrowing and interpretation of symbols are prevalent. Timeframes are indistinct, in Dix's work the present assimilates the residue of the past, we are left contemplating whether a scene is contemporary or historic.   Education   2009 - M.A. Fine Art Wimbledon College of Art 1990 - B.A. (Hons) Graphics and Illustration. Middlesex Polytechnic   SELECTED RECENT EXHIBITIONS AND ART FAIRS: 2020 - bo.lee gallery at London Art Fair 2020, bo.lee gallery Papyrophylia, Charlie Smith Gallery 2019 - bo.lee gallery at London Art Fair 2020, bo.lee gallery   2018 - In Search of the Author, Zedes Gallery, Brussels bo.lee gallery at London Art Fair 2020, bo.lee gallery 2016 - New Paintings, Slete Gallery, Los Angeles All are Welcome, Eleven, London Yesterday's Prophets, Eleven, London   SELECTED GROUP EXHIBITIONS   2017 - In Residence, Griffin Gallery, London Relics from the De-Crypt, Gossamer Fog, London   2016 - Telling Tales, Colleyer Bristow, London   2015 - BFAMI Contemporary Art Auction, Sotheby's, London The Mdina Biennale, Malta Strange Cities, Onassis Cultural Centre, Athens and New York London Art Fair Project Space, The Contemporary London, London   2014 - 100 Painters of Tomorrow, Christies and Beers Contemporary, London So Long and Thanks for All the Fish, Lawrie Shabbi, Dubai   2013 - Salon 10. Marine Contemporary, Los Angeles Ici Londres, Galierie Silin, Paris News From The Sun, Phoenix Art Centre, Exeter 2012 - Editions, Other Criteria, London Programming Myth, Sumarria Lunn, London Unobtrusive Measures, Kunstpavillion, Munich On The Horizon, New Generation of British Painters, Marine Contemporary, Los Angeles   2011 - Fraternise, Beaconsfield Gallery, London Exam, Transition Gallery, London   2010 - Transmission, Haunch of Venison, London Keep Me Posted, Julia Royse, London   2009 - Black Dog Yellow House, Trolley Gallery, London   Gallery Representation   Candida Stevens Gallery in the UK, Zedes Art Gallery in Belgium and Obsolete in Los Angeles. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

András Nagy-Sándor Facing Forward, 2022 Pen, Ink and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About   Andras Nagy-Sandor (1993) is a Hungarian artist and curator based in London, UK. The main focus of Andras' practice is unpicking the aspirations and ambivalences within his masculinity through the symbolism of armours as a link between painterly, emotional and conceptual dichotomies. The aesthetic of Andras' armours are narrative, in some cases pseudo-folkloric, however they do not need to be read as armours as they are the results of an intuitive design process, an embodied sensemaking approach that is based on Andras' imagination and memories. They are gestures, edges, shapes, colours, patterns, paint, materials with a conscience enveloping figurative moments, interactions between body parts, characters, groups, anthropomorphic multiheaded beings that float between cultures and identities, folklore and sci-fi. Andras has recently had his first solo exhibition at Fest; Tisztit Gallery in Budapest, Hungary and is the co-runner of ongoing initiative "project hu", which created a collaborative residency, artist talks and a touring exhibition over the past four years.   Education   2019-2022, MFA Fine Art Painting, Slade School of Fine Art, UK 2015-2018, BA (Hons) Fine Art, Newcastle University, UK   Select Exhibitions/Awards   Solo Exhibitions   Feb. 2022, Bizz bennem/Trust me, Fest; Tisztit Gallery, Budapest, HU Sept. 2020, Narrow Boat Exhibition, Narrow Gallery, London Mar. 2018, Studies, Culture Lab, Newcastle   Selected Group Exhibitions   Apr. 2022 Emergence, The Room, London Feb. 2022, Dream Baby Dream, The Fitzrovia Gallery, London Feb. 2022, I'll Be Your Mirror, Boisdale of Bishopgate, London Jan. 2022, Why Don't You Dance, ASC Gallery, London Jan. 2022, Assemble, VO Curations, London Dec. 2021, Paint Talk presentsWith Love II, online Aug. 2021, Flirting with the Border Guards, Terrace Gallery, London Nov. 2020, Paint Talk presents With Love, online Nov. 2020, ING Discerning Eye Exhibition, online due to COVID-19 Aug. 2020, Material Figures, with Grace Mattingly and Lindsey Jean McLean, VO Curations, London Jan. 2020, Slade Runner, ASC Gallery, London Feb. 2019, hu, Hungarian Traveling Exhibition, White Conduit Projects, London Jan. 2019, hu, Hungarian Traveling Exhibition, Abject Gallery, Newcastle Nov. 2018, hu, Hungarian Traveling Exhibition, GENERATORporjects, Dundee Nov. 2018, Young Contemporary Talent 2018, Ingram Collection, The Cello Factory, London Sep. 2018, Art & Liberation, The Holy Biscuit, Newcastle Aug. 2018, Newcastle University Printmakers, R.K. Burts Gallery, London Jun., Jul. 2018 Newcastle University Degree Show, Newcastle University and Unit 8 at Copeland Park, London Mar. 2018, Newcastle University Printmakers, Long Gallery, Newcastle University, Newcastle Mar. 2018, Your Space, Jane Doe Gallery, Newcastle University, Newcastle (group) June 2017, Page 1, Marjorie Robinson Library, Newcastle Apr. 2017, Something Black, Cultivate Gallery and Organ Thing, Online Mar. 2017, Fancy a Cuppa?, Vane Gallery, Newcastle Dec. 2016, The Parade, Newcastle University, Newcastle May 2016 Narrative, Newbridge Project, Newcastle May 2016, Testing Grounds, Hoults Yard, Newcastle   Statement about AOAP Submitted Artwork   "Facing forward" is an abstract shape. It is part of an ongoing series that anthropomorphize elements of car designs, while remaining non-figurative, results of an intuitive process. "Stick together" is a more narrative piece, on the verge of figuration. It deals with questions around companionship and identity. "Keep the band back together" is a painting about losing parts of ourselves and fetishizing them. "Don't get stuck, but go deep" is a drawing that deals with wanting to become something bigger than ourselves.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Adam Dix Untitled (3), 2022 Ink and Oil Glaze on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.)   About   The work of Adam Dix (b.1967) explores the history of transmission, and wrestles with components of contemporary communication. His work brings together a world depicting community and ritual, whilst traversing the landscape of analogue and digital medias through a blend of traditional folk customs, religious ceremony and contemporary communication.   Coupling the contemporary instant-ness of a screen shot, with the slower historic ghostly feel of lithography, Adam Dix's work is concerned with communication through the ages, the constant effort of humanity to come together, share, inspire, pass on our narratives. Humanity has communicated for millennia through illustrations, rituals, customs, choreography, music, writing, religion and symbolism in an attempt to understand one another. Pilgrimages to sites both known and unexpected are suggested in Dix's paintings, religious ceremony is referenced. Costume, disguise and the borrowing and interpretation of symbols are prevalent. Timeframes are indistinct, in Dix's work the present assimilates the residue of the past, we are left contemplating whether a scene is contemporary or historic.   Education   2009 - M.A. Fine Art Wimbledon College of Art 1990 - B.A. (Hons) Graphics and Illustration. Middlesex Polytechnic   SELECTED RECENT EXHIBITIONS AND ART FAIRS: 2020 - bo.lee gallery at London Art Fair 2020, bo.lee gallery Papyrophylia, Charlie Smith Gallery 2019 - bo.lee gallery at London Art Fair 2020, bo.lee gallery   2018 - In Search of the Author, Zedes Gallery, Brussels bo.lee gallery at London Art Fair 2020, bo.lee gallery 2016 - New Paintings, Slete Gallery, Los Angeles All are Welcome, Eleven, London Yesterday's Prophets, Eleven, London   SELECTED GROUP EXHIBITIONS   2017 - In Residence, Griffin Gallery, London Relics from the De-Crypt, Gossamer Fog, London   2016 - Telling Tales, Colleyer Bristow, London   2015 - BFAMI Contemporary Art Auction, Sotheby's, London The Mdina Biennale, Malta Strange Cities, Onassis Cultural Centre, Athens and New York London Art Fair Project Space, The Contemporary London, London   2014 - 100 Painters of Tomorrow, Christies and Beers Contemporary, London So Long and Thanks for All the Fish, Lawrie Shabbi, Dubai   2013 - Salon 10. Marine Contemporary, Los Angeles Ici Londres, Galierie Silin, Paris News From The Sun, Phoenix Art Centre, Exeter 2012 - Editions, Other Criteria, London Programming Myth, Sumarria Lunn, London Unobtrusive Measures, Kunstpavillion, Munich On The Horizon, New Generation of British Painters, Marine Contemporary, Los Angeles   2011 - Fraternise, Beaconsfield Gallery, London Exam, Transition Gallery, London   2010 - Transmission, Haunch of Venison, London Keep Me Posted, Julia Royse, London   2009 - Black Dog Yellow House, Trolley Gallery, London   Gallery Representation   Candida Stevens Gallery in the UK, Zedes Art Gallery in Belgium and Obsolete in Los Angeles. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Rachel Isabel Mukendi Untitled Waves III, 2022 Mixed Media Collage Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Rachel is a multidisciplinary artist, born in Kinshasa, raised in London. Graduated from Chelsea College of Arts London in 2017, and is currently studying Contemporary Art History at Goldsmiths. Her work explores blackness, femininity and being soft using mediums such as digital collage, illustration, film and poetry to unpack these themes.   Education   Chelsea College of Arts 2017   Select Exhibitions/Awards   POW WOW Black History Month Group Show WAW Studios, London 2021   Statement about AOAP Submitted Artwork   I wanted to be play more with this work. I recycled pervious artwork to make these pieces. Water is a consistent feature in my work and I want to expand the flow with yarn. The process was an integral part of the work and required a delicate touch and care. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Chris Daniels Machbands Study XX, 2002 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Born 1981, Harrogate, UK. Lives and works in London   Education   Royal Academy Schools 2005-2008 Post Graduate Diploma in Fine Art Loughborough University 2001-2004 BA Hons Fine Art Painting, 2.1   Selected Group Exhibitions Summer Reflection, JGM Gallery, London, June to October 2020. Wells Art Contemporary, Bishop's Palace, Wells, October 2018 - Awarded Jgm Gallery Prize. Approximated Sunlight, Tannery Arts Project Space, London, October to November 2017. Tannery Arts Group Show, Tannery Arts Project Space, London, January - February 2017. Saturation Point Open Studio, Acme Studios, London, September 2016. Marmite Prize For Painting V, Block 336, London, June-july 2016 And Highlanes Gallery, Drogheda, Ireland, July-september 2016. Union Of Voices, Horatio Jr, London, December 2014 Electric Moon Candy, The Other Art Fair, London, April 2013 Artworks Open 2012, Artworks Project Space, London, August-september 2012 Smaller Than A Lemon, Angelica, High Wycombe, April 2011 Paperview, John Jones Project Space, London, May-july 2009 Royal Academy Show, Dover Arts Club, London, August 2008 Light Pollution, Chris Daniels And James Ryan, Rod Barton Invites, London, May 2008 On/Off, Burlington Gardens, Royal Academy Of Arts, London, February 2008 Influx, Nolia's Gallery, London, April 2007 Premiums, Royal Academy Of Arts, London, February 2007 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2006 Graduate Show, Stroud House Gallery, Stroud, May 2005 Quartet, JGM Gallery, London, January to March 2019. Inside Job, Tate Modern Level 5, London, March 2018. Precision of Thought, Se9 Container Gallery, London, April to May 2017. Imperfect Reverse, Camberwell Space, London, October - November 2016, and Ruskin Gallery, Cambridge, November 2016 - January 2017. Summer Mix, Turps Gallery, London, July 2016. London Painting Survey, Blackhorse Lane Project Space, London, September 2015. Julian Brown And Chris Daniels, The Mayor's Parlour, London, September - October 2013 National Open 2012, Motorcade/Flashparade, Bristol, December 2012 Creekside Open 2011, Selected By Phyllida Barlow/Dexter Dalwood, June 2011 Blood Orange, Art Daegu, Daegu, South Korea, June 201 Salon 08, Vinespace, London, December 2008 Royal Academy Schools Show, Royal Academy Of Arts, London, June 2008 Ma Show, The Atkinson Gallery, Somerset, Februry-march 2008 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2007 Awarded The British Institute Awar Straight Edge, La Viande Gallery, London, February 2007 La Viande Christmas Show, La Viande Gallery, London, December 2006 Mercury Music Art Prize, Hospital Gallery, London, April 2006 Shortlisted Prize   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Chris Daniels Machbands Study XXI, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Born 1981, Harrogate, UK. Lives and works in London   Education   Royal Academy Schools 2005-2008 Post Graduate Diploma in Fine Art Loughborough University 2001-2004 BA Hons Fine Art Painting, 2.1   Selected Group Exhibitions Summer Reflection, JGM Gallery, London, June to October 2020. Wells Art Contemporary, Bishop's Palace, Wells, October 2018 - Awarded Jgm Gallery Prize. Approximated Sunlight, Tannery Arts Project Space, London, October to November 2017. Tannery Arts Group Show, Tannery Arts Project Space, London, January - February 2017. Saturation Point Open Studio, Acme Studios, London, September 2016. Marmite Prize For Painting V, Block 336, London, June-july 2016 And Highlanes Gallery, Drogheda, Ireland, July-september 2016. Union Of Voices, Horatio Jr, London, December 2014 Electric Moon Candy, The Other Art Fair, London, April 2013 Artworks Open 2012, Artworks Project Space, London, August-september 2012 Smaller Than A Lemon, Angelica, High Wycombe, April 2011 Paperview, John Jones Project Space, London, May-july 2009 Royal Academy Show, Dover Arts Club, London, August 2008 Light Pollution, Chris Daniels And James Ryan, Rod Barton Invites, London, May 2008 On/Off, Burlington Gardens, Royal Academy Of Arts, London, February 2008 Influx, Nolia's Gallery, London, April 2007 Premiums, Royal Academy Of Arts, London, February 2007 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2006 Graduate Show, Stroud House Gallery, Stroud, May 2005 Quartet, JGM Gallery, London, January to March 2019. Inside Job, Tate Modern Level 5, London, March 2018. Precision of Thought, Se9 Container Gallery, London, April to May 2017. Imperfect Reverse, Camberwell Space, London, October - November 2016, and Ruskin Gallery, Cambridge, November 2016 - January 2017. Summer Mix, Turps Gallery, London, July 2016. London Painting Survey, Blackhorse Lane Project Space, London, September 2015. Julian Brown And Chris Daniels, The Mayor's Parlour, London, September - October 2013 National Open 2012, Motorcade/Flashparade, Bristol, December 2012 Creekside Open 2011, Selected By Phyllida Barlow/Dexter Dalwood, June 2011 Blood Orange, Art Daegu, Daegu, South Korea, June 201 Salon 08, Vinespace, London, December 2008 Royal Academy Schools Show, Royal Academy Of Arts, London, June 2008 Ma Show, The Atkinson Gallery, Somerset, Februry-march 2008 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2007 Awarded The British Institute Awar Straight Edge, La Viande Gallery, London, February 2007 La Viande Christmas Show, La Viande Gallery, London, December 2006 Mercury Music Art Prize, Hospital Gallery, London, April 2006 Shortlisted Prize   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wendy Jacob Turkish Coffee, 2022 Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   A Royal Watercolour Society Member since 2003, Wendy Jacob exhibits regularly in their shows at Bankside Gallery.   Education   Hammersmith College of Art now part of UCA   Select Exhibitions/Awards   RA Summer Exhibition, Discerning Eye , Sunday Times Competition.   Gallery Representation   Cambridge Contemporary Art   Statement about AOAP Submitted Artwork   These very small still life paintings are typical of my current work.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Chris Daniels Machbands (Chroma) Study, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Born 1981, Harrogate, UK. Lives and works in London   Education   Royal Academy Schools 2005-2008 Post Graduate Diploma in Fine Art Loughborough University 2001-2004 BA Hons Fine Art Painting, 2.1   Selected Group Exhibitions Summer Reflection, JGM Gallery, London, June to October 2020. Wells Art Contemporary, Bishop's Palace, Wells, October 2018 - Awarded Jgm Gallery Prize. Approximated Sunlight, Tannery Arts Project Space, London, October to November 2017. Tannery Arts Group Show, Tannery Arts Project Space, London, January - February 2017. Saturation Point Open Studio, Acme Studios, London, September 2016. Marmite Prize For Painting V, Block 336, London, June-july 2016 And Highlanes Gallery, Drogheda, Ireland, July-september 2016. Union Of Voices, Horatio Jr, London, December 2014 Electric Moon Candy, The Other Art Fair, London, April 2013 Artworks Open 2012, Artworks Project Space, London, August-september 2012 Smaller Than A Lemon, Angelica, High Wycombe, April 2011 Paperview, John Jones Project Space, London, May-july 2009 Royal Academy Show, Dover Arts Club, London, August 2008 Light Pollution, Chris Daniels And James Ryan, Rod Barton Invites, London, May 2008 On/Off, Burlington Gardens, Royal Academy Of Arts, London, February 2008 Influx, Nolia's Gallery, London, April 2007 Premiums, Royal Academy Of Arts, London, February 2007 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2006 Graduate Show, Stroud House Gallery, Stroud, May 2005 Quartet, JGM Gallery, London, January to March 2019. Inside Job, Tate Modern Level 5, London, March 2018. Precision of Thought, Se9 Container Gallery, London, April to May 2017. Imperfect Reverse, Camberwell Space, London, October - November 2016, and Ruskin Gallery, Cambridge, November 2016 - January 2017. Summer Mix, Turps Gallery, London, July 2016. London Painting Survey, Blackhorse Lane Project Space, London, September 2015. Julian Brown And Chris Daniels, The Mayor's Parlour, London, September - October 2013 National Open 2012, Motorcade/Flashparade, Bristol, December 2012 Creekside Open 2011, Selected By Phyllida Barlow/Dexter Dalwood, June 2011 Blood Orange, Art Daegu, Daegu, South Korea, June 201 Salon 08, Vinespace, London, December 2008 Royal Academy Schools Show, Royal Academy Of Arts, London, June 2008 Ma Show, The Atkinson Gallery, Somerset, Februry-march 2008 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2007 Awarded The British Institute Awar Straight Edge, La Viande Gallery, London, February 2007 La Viande Christmas Show, La Viande Gallery, London, December 2006 Mercury Music Art Prize, Hospital Gallery, London, April 2006 Shortlisted Prize   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Chris Daniels Machbands (Chroma) Study II, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Born 1981, Harrogate, UK. Lives and works in London   Education   Royal Academy Schools 2005-2008 Post Graduate Diploma in Fine Art Loughborough University 2001-2004 BA Hons Fine Art Painting, 2.1   Selected Group Exhibitions Summer Reflection, JGM Gallery, London, June to October 2020. Wells Art Contemporary, Bishop's Palace, Wells, October 2018 - Awarded Jgm Gallery Prize. Approximated Sunlight, Tannery Arts Project Space, London, October to November 2017. Tannery Arts Group Show, Tannery Arts Project Space, London, January - February 2017. Saturation Point Open Studio, Acme Studios, London, September 2016. Marmite Prize For Painting V, Block 336, London, June-july 2016 And Highlanes Gallery, Drogheda, Ireland, July-september 2016. Union Of Voices, Horatio Jr, London, December 2014 Electric Moon Candy, The Other Art Fair, London, April 2013 Artworks Open 2012, Artworks Project Space, London, August-september 2012 Smaller Than A Lemon, Angelica, High Wycombe, April 2011 Paperview, John Jones Project Space, London, May-july 2009 Royal Academy Show, Dover Arts Club, London, August 2008 Light Pollution, Chris Daniels And James Ryan, Rod Barton Invites, London, May 2008 On/Off, Burlington Gardens, Royal Academy Of Arts, London, February 2008 Influx, Nolia's Gallery, London, April 2007 Premiums, Royal Academy Of Arts, London, February 2007 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2006 Graduate Show, Stroud House Gallery, Stroud, May 2005 Quartet, JGM Gallery, London, January to March 2019. Inside Job, Tate Modern Level 5, London, March 2018. Precision of Thought, Se9 Container Gallery, London, April to May 2017. Imperfect Reverse, Camberwell Space, London, October - November 2016, and Ruskin Gallery, Cambridge, November 2016 - January 2017. Summer Mix, Turps Gallery, London, July 2016. London Painting Survey, Blackhorse Lane Project Space, London, September 2015. Julian Brown And Chris Daniels, The Mayor's Parlour, London, September - October 2013 National Open 2012, Motorcade/Flashparade, Bristol, December 2012 Creekside Open 2011, Selected By Phyllida Barlow/Dexter Dalwood, June 2011 Blood Orange, Art Daegu, Daegu, South Korea, June 201 Salon 08, Vinespace, London, December 2008 Royal Academy Schools Show, Royal Academy Of Arts, London, June 2008 Ma Show, The Atkinson Gallery, Somerset, Februry-march 2008 Royal Academy Summer Show, Royal Academy Of Arts, London, June - August 2007 Awarded The British Institute Awar Straight Edge, La Viande Gallery, London, February 2007 La Viande Christmas Show, La Viande Gallery, London, December 2006 Mercury Music Art Prize, Hospital Gallery, London, April 2006 Shortlisted Prize   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Marina Abramović My Skin, 2022 Unique Pigment Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Since the beginning of her career in Belgrade during the early 1970s, Marina Abramović has pioneered performance as a visual art form. She created some of the most important early works in this practice, including Rhythm 0 (1974), in which she offered herself as an object of experimentation for the audience, as well as Rhythm 5 (1974), where she lay in the centre of a burning five-point star to the point of losing consciousness. These performances married concept with physicality, endurance with empathy, complicity with loss of control, passivity with danger. They pushed the boundaries of self-discovery, both of herself and her audience. They also marked her first engagements with time, stillness, energy, pain, and the resulting heightened consciousness generated by long durational performance. The body has always been both her subject and medium. Exploring her physical and mental limits in works that ritualise the simple actions of everyday life, she has withstood pain, exhaustion and danger in her quest for emotional and spiritual transformation. From 1975-88, Abramović and the German artist Ulay performed together, dealing with relations of duality. She returned to solo performances in 1989 and for The Artist Is Present (2010) she sat motionless for at least eight hours per day over three months, engaged in silent eye-contact with hundreds of strangers one by one.   Select Exhibitions/Awards   Abramović was one of the first performance artists to become formally accepted by the institutional museum world with major solo shows taking place throughout Europe and the US over a period of more than 25 years. Her first European retrospective 'The Cleaner' was presented at Moderna Museet in Stockholm, Sweden in 2017, followed by presentations at the Louisiana Museum of Modern Art in Copenhagen, Denmark, Henie Onstad, Sanvika, Norway (2017), Bundeskunsthalle, Bonn, Germany (2018), Centre of Contemporary Art, Torun (2019), and Museum of Contemporary Art Belgrade, Serbia (2019). The artist's operatic project '7 Deaths of Maria Callas' debuted at the Bayerische Staatsoper, Munich, Germany in 2020, and toured to Palais Garnier, Paris, France and the Greek National Opera, Athens, Greece in 2021. Further performances are scheduled for spring 2022 at Deutsche Oper Berlin, Germany (8-10 April) and Teatro di San Carlo, Naples, Italy (13-15 May). In 2023, Abramović will be the first female artist to host a major solo exhibition in the Main Galleries of the Royal Academy of Arts in London. Select solo exhibitions include 'Akış / Flux', Sakıp Sabancı Museum, Istanbul, Turkey (2020); 'As One', NEON + MAI, Benaki Museum, Athens, Greece (2017); 'The Space In Between Marina Abramović and Brazil', SXSW, Austin, Texas, USA (2016); 'Terra Comunal - Marina Abramović + MAI', SESC, Pompeia, São Paulo, Brazil (2015); '512 Hours', Serpentine Gallery, London, UK (2014); 'Holding Emptiness', Contemporary Art Center, Malaga, Spain (2014); ''The Life and Death of Marina Abramović' (with Robert Wilson), Park Avenue Armory, New York, NY, USA (2013); 'Balkan Stories', Kunsthalle Wien, Vienna, Austria (2012); 'The Abramović Method', Padiglione d'Arte Contemporanea, Milan, Italy (2012); 'The Artist Is Present', Garage Center for Contemporary Culture, Moscow, Russia (2011); 'The Artist is Present', Museum of Modern Art, New York, NY, USA (2010); and 'Seven Easy Pieces' at the Guggenheim Museum, New York, NY, USA (2005). Abramović has participated in many large-scale international exhibitions including the Venice Biennale (1976, 1997) and Documenta VI, VII and IX, Kassel, Germany (1977, 1982 and 1992). She has also established the MAI (Marina Abramović Institute) to support the future exploration and promotion of performance art.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wendy Jacob Courgette Seedlings, 2022 Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   A Royal Watercolour Society Member since 2003, Wendy Jacob exhibits regularly in their shows at Bankside Gallery.   Education   Hammersmith College of Art now part of UCA   Select Exhibitions/Awards   RA Summer Exhibition, Discerning Eye , Sunday Times Competition.   Gallery Representation   Cambridge Contemporary Art   Statement about AOAP Submitted Artwork   These very small still life paintings are typical of my current work.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Andrew Graves Mr (1), 2022 Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Andrew Graves studied at Kingston University (Ba Hons) and Middlesex University (MA), where he completed his PhD (examined by Iain Kiear and Sonia Boyce) in 2016. His Doctorate 'A User's Guide for Painters and Cyclists: Very Abstract Painting and Serious Cycling' explores contemporary painterly abstraction specifically in the context of European and mid-century American painting and uses the racing cyclist as model for practice. He has exhibited widely including Switzerland, Belgium, France, USA, South Korea and the UK. He has been included in a three person show at Ana Cristea Gallery, New York and is included in the Peacock Space (Aberdeen) Simply Painting exhibition - a group show focusing on the language of abstract painting. In 2009 he was awarded the Jerwood's Galleries New Contemporary painting prize and in 2005 selected for the Bloomberg New Contemporaries exhibition at The Curve, Barbican.   Education   2009 PhD Fine Art 2016 Doctor of Arts Middlesex University, London Internal Examiner: Sonia Boyce External Examiner: Ian Kiaer 2005 MA Fine Art Distinction Middlesex University, London 2002 PGCE Art and Design Middlesex University, London   1990 BA (Hons) Fine Art First Class Kingston University, Surrey   Select Exhibitions/Awards   Solo Exhibitions 2017 Andrew Graves HSBC Collection, HSBC Tower, London 2012 Andrew Graves Studio 1.1 Gallery, London 2008 The Solo Project Art Basel, Switzerland 2007 All Falls Down Galerie Kusseneers, Antwerp, Belgium 2006 24 Hours Galerie Gana-Beaubourg, Paris, France 2005 Most Things Worked Out Galerie Kusseneers, Antwerp, Belgium   Selected Group Shows 2019 Creekside Open 2019 ATP Gallery, London. Selected by Sacha Craddock Of course, I haven't forgotten Andrew Graves Gabriela Giroletti B Chehayeb Ben Walker. Warbling Collective, Dulwich, London. 2017 Mix Painting Show Talar Aghbashian Rachel Birkett Gareth Cadwallader, Chris Daniels Sarah Dwyer EC Freya Guest Turps Gallery, London 2015 Simply Painting Andrew Graves Vanessa Jackson Jon Thompson Rosa Lee. Inverness Museum and Art Gallery, Scotland. (IMAG) 2014 Spool Andrew Graves Neil Rumming and Marco Palmeiri Ana Cristea Gallery, New York 2013 Summer Show Phillip Allen Kiera Bennett Simon Bill Juan Bolivar Claudia Böse Andrew Graves Lion and Lamb Gallery, London 2012 The Curator's Egg, Altera Pars Anthony Reynolds Gallery, Londo The Perfect Nude curated by Phillip Allen and Dan Coombs. Wimlbledon Space (touring to Phoenix Gallery, Exeter) 2011 Memory of a Hope Andrew Graves Angus Braithwaite Anthony Shapland Antoine L'Heureux Bedwyr Williams Clare Kenny Dan Ford Doug Jones Eleanor Moreton Ceri Hand Gallery, Liverpool Mind's Matters Leigh Clarke, Andrew Graves Bob & Roberta Smith Marilou van Lierop and Wim Wauman Gallery Kusseneers Antwerp, Belgium Fade Away Transition Gallery, London (touring to Gallery North, Newscastle) 2010 Standing on the Shoulder of Giants Andrew Graves Curtis Mann Bob and Roberta Smith Wim Wauman The Temporary Gallery, Cologne, curated by Caren Jones Between the Possible and the Real - 4 British Abstract Painters Jon Thompson Ben Ravenscroft Andrew Graves Andrew Bick Galerie Kusseneers, Antwerp, Belgium 2009 Jerwood Contemporary Painters Prize, Jerwood Space, London (touring to PSL, Leeds, Norwich Gallery, Norwich and New Pitville Gallery, Cheltenham) 2006 Wandering Star (Contemporary British Art Show) Mark Wallinger Andrew Graves Muzi Quawson Jon Thompson Sam Porrit Phyllida Barlow and others Curator Jeremy Akerman Gana Gallery Seoul. South Korea 2005 Bloomberg New Contemporaries, Barbican, London (touring to Spike Island, Bristol, Cornerhouse, Manchester) 2004 Unique Sensationalle, Factor 44, Antwerp, Belgium   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Andrew Graves Mr (2), 2022 Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Andrew Graves studied at Kingston University (Ba Hons) and Middlesex University (MA), where he completed his PhD (examined by Iain Kiear and Sonia Boyce) in 2016. His Doctorate 'A User's Guide for Painters and Cyclists: Very Abstract Painting and Serious Cycling' explores contemporary painterly abstraction specifically in the context of European and mid-century American painting and uses the racing cyclist as model for practice. He has exhibited widely including Switzerland, Belgium, France, USA, South Korea and the UK. He has been included in a three person show at Ana Cristea Gallery, New York and is included in the Peacock Space (Aberdeen) Simply Painting exhibition - a group show focusing on the language of abstract painting. In 2009 he was awarded the Jerwood's Galleries New Contemporary painting prize and in 2005 selected for the Bloomberg New Contemporaries exhibition at The Curve, Barbican.   Education   2009 PhD Fine Art 2016 Doctor of Arts Middlesex University, London Internal Examiner: Sonia Boyce External Examiner: Ian Kiaer 2005 MA Fine Art Distinction Middlesex University, London 2002 PGCE Art and Design Middlesex University, London   1990 BA (Hons) Fine Art First Class Kingston University, Surrey   Select Exhibitions/Awards   Solo Exhibitions 2017 Andrew Graves HSBC Collection, HSBC Tower, London 2012 Andrew Graves Studio 1.1 Gallery, London 2008 The Solo Project Art Basel, Switzerland 2007 All Falls Down Galerie Kusseneers, Antwerp, Belgium 2006 24 Hours Galerie Gana-Beaubourg, Paris, France 2005 Most Things Worked Out Galerie Kusseneers, Antwerp, Belgium   Selected Group Shows 2019 Creekside Open 2019 ATP Gallery, London. Selected by Sacha Craddock Of course, I haven't forgotten Andrew Graves Gabriela Giroletti B Chehayeb Ben Walker. Warbling Collective, Dulwich, London. 2017 Mix Painting Show Talar Aghbashian Rachel Birkett Gareth Cadwallader, Chris Daniels Sarah Dwyer EC Freya Guest Turps Gallery, London 2015 Simply Painting Andrew Graves Vanessa Jackson Jon Thompson Rosa Lee. Inverness Museum and Art Gallery, Scotland. (IMAG) 2014 Spool Andrew Graves Neil Rumming and Marco Palmeiri Ana Cristea Gallery, New York 2013 Summer Show Phillip Allen Kiera Bennett Simon Bill Juan Bolivar Claudia Böse Andrew Graves Lion and Lamb Gallery, London 2012 The Curator's Egg, Altera Pars Anthony Reynolds Gallery, Londo The Perfect Nude curated by Phillip Allen and Dan Coombs. Wimlbledon Space (touring to Phoenix Gallery, Exeter) 2011 Memory of a Hope Andrew Graves Angus Braithwaite Anthony Shapland Antoine L'Heureux Bedwyr Williams Clare Kenny Dan Ford Doug Jones Eleanor Moreton Ceri Hand Gallery, Liverpool Mind's Matters Leigh Clarke, Andrew Graves Bob & Roberta Smith Marilou van Lierop and Wim Wauman Gallery Kusseneers Antwerp, Belgium Fade Away Transition Gallery, London (touring to Gallery North, Newscastle) 2010 Standing on the Shoulder of Giants Andrew Graves Curtis Mann Bob and Roberta Smith Wim Wauman The Temporary Gallery, Cologne, curated by Caren Jones Between the Possible and the Real - 4 British Abstract Painters Jon Thompson Ben Ravenscroft Andrew Graves Andrew Bick Galerie Kusseneers, Antwerp, Belgium 2009 Jerwood Contemporary Painters Prize, Jerwood Space, London (touring to PSL, Leeds, Norwich Gallery, Norwich and New Pitville Gallery, Cheltenham) 2006 Wandering Star (Contemporary British Art Show) Mark Wallinger Andrew Graves Muzi Quawson Jon Thompson Sam Porrit Phyllida Barlow and others Curator Jeremy Akerman Gana Gallery Seoul. South Korea 2005 Bloomberg New Contemporaries, Barbican, London (touring to Spike Island, Bristol, Cornerhouse, Manchester) 2004 Unique Sensationalle, Factor 44, Antwerp, Belgium   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Andrew Graves Mr (3), 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Andrew Graves studied at Kingston University (Ba Hons) and Middlesex University (MA), where he completed his PhD (examined by Iain Kiear and Sonia Boyce) in 2016. His Doctorate 'A User's Guide for Painters and Cyclists: Very Abstract Painting and Serious Cycling' explores contemporary painterly abstraction specifically in the context of European and mid-century American painting and uses the racing cyclist as model for practice. He has exhibited widely including Switzerland, Belgium, France, USA, South Korea and the UK. He has been included in a three person show at Ana Cristea Gallery, New York and is included in the Peacock Space (Aberdeen) Simply Painting exhibition - a group show focusing on the language of abstract painting. In 2009 he was awarded the Jerwood's Galleries New Contemporary painting prize and in 2005 selected for the Bloomberg New Contemporaries exhibition at The Curve, Barbican.   Education   2009 PhD Fine Art 2016 Doctor of Arts Middlesex University, London Internal Examiner: Sonia Boyce External Examiner: Ian Kiaer 2005 MA Fine Art Distinction Middlesex University, London 2002 PGCE Art and Design Middlesex University, London   1990 BA (Hons) Fine Art First Class Kingston University, Surrey   Select Exhibitions/Awards   Solo Exhibitions 2017 Andrew Graves HSBC Collection, HSBC Tower, London 2012 Andrew Graves Studio 1.1 Gallery, London 2008 The Solo Project Art Basel, Switzerland 2007 All Falls Down Galerie Kusseneers, Antwerp, Belgium 2006 24 Hours Galerie Gana-Beaubourg, Paris, France 2005 Most Things Worked Out Galerie Kusseneers, Antwerp, Belgium   Selected Group Shows 2019 Creekside Open 2019 ATP Gallery, London. Selected by Sacha Craddock Of course, I haven't forgotten Andrew Graves Gabriela Giroletti B Chehayeb Ben Walker. Warbling Collective, Dulwich, London. 2017 Mix Painting Show Talar Aghbashian Rachel Birkett Gareth Cadwallader, Chris Daniels Sarah Dwyer EC Freya Guest Turps Gallery, London 2015 Simply Painting Andrew Graves Vanessa Jackson Jon Thompson Rosa Lee. Inverness Museum and Art Gallery, Scotland. (IMAG) 2014 Spool Andrew Graves Neil Rumming and Marco Palmeiri Ana Cristea Gallery, New York 2013 Summer Show Phillip Allen Kiera Bennett Simon Bill Juan Bolivar Claudia Böse Andrew Graves Lion and Lamb Gallery, London 2012 The Curator's Egg, Altera Pars Anthony Reynolds Gallery, Londo The Perfect Nude curated by Phillip Allen and Dan Coombs. Wimlbledon Space (touring to Phoenix Gallery, Exeter) 2011 Memory of a Hope Andrew Graves Angus Braithwaite Anthony Shapland Antoine L'Heureux Bedwyr Williams Clare Kenny Dan Ford Doug Jones Eleanor Moreton Ceri Hand Gallery, Liverpool Mind's Matters Leigh Clarke, Andrew Graves Bob & Roberta Smith Marilou van Lierop and Wim Wauman Gallery Kusseneers Antwerp, Belgium Fade Away Transition Gallery, London (touring to Gallery North, Newscastle) 2010 Standing on the Shoulder of Giants Andrew Graves Curtis Mann Bob and Roberta Smith Wim Wauman The Temporary Gallery, Cologne, curated by Caren Jones Between the Possible and the Real - 4 British Abstract Painters Jon Thompson Ben Ravenscroft Andrew Graves Andrew Bick Galerie Kusseneers, Antwerp, Belgium 2009 Jerwood Contemporary Painters Prize, Jerwood Space, London (touring to PSL, Leeds, Norwich Gallery, Norwich and New Pitville Gallery, Cheltenham) 2006 Wandering Star (Contemporary British Art Show) Mark Wallinger Andrew Graves Muzi Quawson Jon Thompson Sam Porrit Phyllida Barlow and others Curator Jeremy Akerman Gana Gallery Seoul. South Korea 2005 Bloomberg New Contemporaries, Barbican, London (touring to Spike Island, Bristol, Cornerhouse, Manchester) 2004 Unique Sensationalle, Factor 44, Antwerp, Belgium   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Andrew Graves Mr (4), 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Andrew Graves studied at Kingston University (Ba Hons) and Middlesex University (MA), where he completed his PhD (examined by Iain Kiear and Sonia Boyce) in 2016. His Doctorate 'A User's Guide for Painters and Cyclists: Very Abstract Painting and Serious Cycling' explores contemporary painterly abstraction specifically in the context of European and mid-century American painting and uses the racing cyclist as model for practice. He has exhibited widely including Switzerland, Belgium, France, USA, South Korea and the UK. He has been included in a three person show at Ana Cristea Gallery, New York and is included in the Peacock Space (Aberdeen) Simply Painting exhibition - a group show focusing on the language of abstract painting. In 2009 he was awarded the Jerwood's Galleries New Contemporary painting prize and in 2005 selected for the Bloomberg New Contemporaries exhibition at The Curve, Barbican.   Education   2009 PhD Fine Art 2016 Doctor of Arts Middlesex University, London Internal Examiner: Sonia Boyce External Examiner: Ian Kiaer 2005 MA Fine Art Distinction Middlesex University, London 2002 PGCE Art and Design Middlesex University, London   1990 BA (Hons) Fine Art First Class Kingston University, Surrey   Select Exhibitions/Awards   Solo Exhibitions 2017 Andrew Graves HSBC Collection, HSBC Tower, London 2012 Andrew Graves Studio 1.1 Gallery, London 2008 The Solo Project Art Basel, Switzerland 2007 All Falls Down Galerie Kusseneers, Antwerp, Belgium 2006 24 Hours Galerie Gana-Beaubourg, Paris, France 2005 Most Things Worked Out Galerie Kusseneers, Antwerp, Belgium   Selected Group Shows 2019 Creekside Open 2019 ATP Gallery, London. Selected by Sacha Craddock Of course, I haven't forgotten Andrew Graves Gabriela Giroletti B Chehayeb Ben Walker. Warbling Collective, Dulwich, London. 2017 Mix Painting Show Talar Aghbashian Rachel Birkett Gareth Cadwallader, Chris Daniels Sarah Dwyer EC Freya Guest Turps Gallery, London 2015 Simply Painting Andrew Graves Vanessa Jackson Jon Thompson Rosa Lee. Inverness Museum and Art Gallery, Scotland. (IMAG) 2014 Spool Andrew Graves Neil Rumming and Marco Palmeiri Ana Cristea Gallery, New York 2013 Summer Show Phillip Allen Kiera Bennett Simon Bill Juan Bolivar Claudia Böse Andrew Graves Lion and Lamb Gallery, London 2012 The Curator's Egg, Altera Pars Anthony Reynolds Gallery, Londo The Perfect Nude curated by Phillip Allen and Dan Coombs. Wimlbledon Space (touring to Phoenix Gallery, Exeter) 2011 Memory of a Hope Andrew Graves Angus Braithwaite Anthony Shapland Antoine L'Heureux Bedwyr Williams Clare Kenny Dan Ford Doug Jones Eleanor Moreton Ceri Hand Gallery, Liverpool Mind's Matters Leigh Clarke, Andrew Graves Bob & Roberta Smith Marilou van Lierop and Wim Wauman Gallery Kusseneers Antwerp, Belgium Fade Away Transition Gallery, London (touring to Gallery North, Newscastle) 2010 Standing on the Shoulder of Giants Andrew Graves Curtis Mann Bob and Roberta Smith Wim Wauman The Temporary Gallery, Cologne, curated by Caren Jones Between the Possible and the Real - 4 British Abstract Painters Jon Thompson Ben Ravenscroft Andrew Graves Andrew Bick Galerie Kusseneers, Antwerp, Belgium 2009 Jerwood Contemporary Painters Prize, Jerwood Space, London (touring to PSL, Leeds, Norwich Gallery, Norwich and New Pitville Gallery, Cheltenham) 2006 Wandering Star (Contemporary British Art Show) Mark Wallinger Andrew Graves Muzi Quawson Jon Thompson Sam Porrit Phyllida Barlow and others Curator Jeremy Akerman Gana Gallery Seoul. South Korea 2005 Bloomberg New Contemporaries, Barbican, London (touring to Spike Island, Bristol, Cornerhouse, Manchester) 2004 Unique Sensationalle, Factor 44, Antwerp, Belgium   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wendy Jacob Two Pears, 2022 Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   A Royal Watercolour Society Member since 2003, Wendy Jacob exhibits regularly in their shows at Bankside Gallery.   Education   Hammersmith College of Art now part of UCA   Select Exhibitions/Awards   RA Summer Exhibition, Discerning Eye , Sunday Times Competition.   Gallery Representation   Cambridge Contemporary Art   Statement about AOAP Submitted Artwork   These very small still life paintings are typical of my current work.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wendy Jacob Stag's Horn Fern, 2022 Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   A Royal Watercolour Society Member since 2003, Wendy Jacob exhibits regularly in their shows at Bankside Gallery.   Education   Hammersmith College of Art now part of UCA   Select Exhibitions/Awards   RA Summer Exhibition, Discerning Eye , Sunday Times Competition.   Gallery Representation   Cambridge Contemporary Art   Statement about AOAP Submitted Artwork   These very small still life paintings are typical of my current work.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Rod Kitson Gold is Green, 2022 Linocut and Oil Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Rod Kitson is an artist based in London whose work is concerned with the experiential and developmental elements of a daily practice. His temporal projects have taken in life-size painted recreations of his live-in workspace, portraiture and mythologised figure drawing. Select Exhibitions/Awards   Wells Art Contemporary, ING Discerning Eye 2021   Statement about AOAP Submitted Artwork   "I wanted to explore the push and pull of various techniques and their effect on the visual impact of an image. The start point of the postcards was large-scale charcoal life drawings, which I embellished with imagery in ink and oil. Then I played with them in Procreate before coming back to analogue and cutting in lino and colouring."   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action  

Rod Kitson Moura Encantada, 2022 Linocut and Oil Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Rod Kitson is an artist based in London whose work is concerned with the experiential and developmental elements of a daily practice. His temporal projects have taken in life-size painted recreations of his live-in workspace, portraiture and mythologised figure drawing. Select Exhibitions/Awards   Wells Art Contemporary, ING Discerning Eye 2021   Statement about AOAP Submitted Artwork   "I wanted to explore the push and pull of various techniques and their effect on the visual impact of an image. The start point of the postcards was large-scale charcoal life drawings, which I embellished with imagery in ink and oil. Then I played with them in Procreate before coming back to analogue and cutting in lino and colouring."   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action  

Rod Kitson Need an Axe to Break the Ice, 2022 Linocut and Oil Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Rod Kitson is an artist based in London whose work is concerned with the experiential and developmental elements of a daily practice. His temporal projects have taken in life-size painted recreations of his live-in workspace, portraiture and mythologised figure drawing. Select Exhibitions/Awards   Wells Art Contemporary, ING Discerning Eye 2021   Statement about AOAP Submitted Artwork   "I wanted to explore the push and pull of various techniques and their effect on the visual impact of an image. The start point of the postcards was large-scale charcoal life drawings, which I embellished with imagery in ink and oil. Then I played with them in Procreate before coming back to analogue and cutting in lino and colouring."   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action  

Rod Kitson The Red Weather, 2022 Linocut and Oil Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Rod Kitson is an artist based in London whose work is concerned with the experiential and developmental elements of a daily practice. His temporal projects have taken in life-size painted recreations of his live-in workspace, portraiture and mythologised figure drawing. Select Exhibitions/Awards   Wells Art Contemporary, ING Discerning Eye 2021   Statement about AOAP Submitted Artwork   "I wanted to explore the push and pull of various techniques and their effect on the visual impact of an image. The start point of the postcards was large-scale charcoal life drawings, which I embellished with imagery in ink and oil. Then I played with them in Procreate before coming back to analogue and cutting in lino and colouring."   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action  

Preslav Kostov Rotation of Ben 1, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Preslav Kostov CBPP (b.1998, Ruse, Bulgaria) is a figurative painter and elected member of The Contemporary British Portrait Society. His work explores psychological narratives, trauma and its manifestations initially within domestic settings and currently through metaphysical scenes in liminal spaces.   Education   Royal College of Art (2021 - 2023) Leeds Arts University (2017 - 2020) Royal Drawing School (2016 - 2017)   Select Exhibitions/Awards   Annual Exhibition - Royal Society of Portrait Painters, Mall Galleries (2022) Proserpina - Apiary Studios (2022) RAW - Soho Revue (2022) Figurative Art Now - Federation of British Artist x Mall Galleries (2021) Ruth Borchard Self Portrait Award - Virtual Exhibition (Longlisted) (2021) Small Pleasures - All Mouth Gallery x The Auction Collective (2021) Annual Exhibition - Royal Society of Portrait Painters, Mall Galleries (2021)   Statement about AOAP Submitted Artwork   Rotations of Ben is a series exploring the tropes of seclusion and introspection whilst focusing on the vulnerability, or lack there of, during repeated observation. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Preslav Kostov Rotation of Ben 2, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Preslav Kostov CBPP (b.1998, Ruse, Bulgaria) is a figurative painter and elected member of The Contemporary British Portrait Society. His work explores psychological narratives, trauma and its manifestations initially within domestic settings and currently through metaphysical scenes in liminal spaces.   Education   Royal College of Art (2021 - 2023) Leeds Arts University (2017 - 2020) Royal Drawing School (2016 - 2017)   Select Exhibitions/Awards   Annual Exhibition - Royal Society of Portrait Painters, Mall Galleries (2022) Proserpina - Apiary Studios (2022) RAW - Soho Revue (2022) Figurative Art Now - Federation of British Artist x Mall Galleries (2021) Ruth Borchard Self Portrait Award - Virtual Exhibition (Longlisted) (2021) Small Pleasures - All Mouth Gallery x The Auction Collective (2021) Annual Exhibition - Royal Society of Portrait Painters, Mall Galleries (2021)   Statement about AOAP Submitted Artwork   Rotations of Ben is a series exploring the tropes of seclusion and introspection whilst focusing on the vulnerability, or lack there of, during repeated observation. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Alexander James Henry, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.)   About   Alexander James is a British born multimedia artist. His practice spans diverse media, including painting, sculpture, video and installation. Alexander James graduated with a Bachelor of Arts degree from Camberwell College of Arts in London where he studied illustration from 2012 to 2015. He has exhibited his works in London, Berlin, Paris and New York.   Education   2012 - 2015 Camberwell College of Arts, Illustration, London, UK. 2011-2012 Leeds College of Art, Art Foundation Course, Yorkshire, UK.   Select Exhibitions/Awards   Recent exhibitions include: Analogous, Daniel Benjamin Gallery, London, 2022 (Duo); Love is the Devil: Studies after Francis Bacon, Marborough Gallery, London, 2022 (Group); Grand Opening, Super Zoom, Paris, 2022 (Group); Before the Night Was Through, Be Advisors, 2022 (Solo); Its Not Just a Portrait, Badr El Jundi Gallery, 2021 (group), Benahavis; A'NICA residency, Milan, 2021; Dancing on Lava In A Moment of Decadence, Roman Road, London, 2020 (solo); Look What The Cat Dragged In, Roman Road, London, 2020 (solo); Elms Painting Rooms, London, 2020 (Group); I Loved Your Gestures, Galerie Joseph, Paris, 2019 (Solo); Sharper Than Razor Blades, Softer Than Leather, The Face Apartment, NY, 2019 (Solo); Winter Show, Harlesden High Street Gallery, London, 2019 (Group); Deccan Traps, Aindrea Contemporary, London, 2019 (Group); Art Without Borders, Zilliard Art, Herrick Gallery, London, 2019 (Group); Inhabiting the Dome, Working Projects, Whiteleys, London, 2019 (Group); Hyperbolised Tropic, Outset Art Foundation, 39 Baker Street, London, 2018 (Group); I, Science, The Blyth Gallery Imperial College, London, 2018 (Group) You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Jonni Cheatwood I'm Baby 1, 2022 Oil and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Jonni Cheatwood is a Brazilian-American visual artist working across many different disciplines including painting, photography, graphic design and textile art. Cheatwood's work describes the broad visual ideas stemming from still life, abstraction and minimalism, but his approach is a wonderful amalgam of his artistic disciplines in which veritable scraps of canvas are hand-sewn together before his idiosyncratic mark-making is thereafter applied to the newly created surface.   Select Exhibitions/Awards   2022 The Juice Is Loose, Over the Influence, Los Angeles, CA, USA 2021 It Might Be Me, MAKASIINI CONTEMPORARY, Turku, Finland Live! From Therapy, BEERS London, London, UK 2020 Fresh Out of Fiddles, MAKASIINI CONTEMPORARY, Turku, Finland 2019 Tyger Tyger, Urban Spree, Berlin, Germany That's Dallas Baby, Artual Gallery, Beirut, Lebanon 2018 Dressed Up For the Letdown, Over the Influence, Hong Kong She's Heavy on the Razzmatazz, MAKASIINI CONTEMPORARY, Turku, Finland   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Jonni Cheatwood I'm Baby 2, 2022 Oil and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Jonni Cheatwood is a Brazilian-American visual artist working across many different disciplines including painting, photography, graphic design and textile art. Cheatwood's work describes the broad visual ideas stemming from still life, abstraction and minimalism, but his approach is a wonderful amalgam of his artistic disciplines in which veritable scraps of canvas are hand-sewn together before his idiosyncratic mark-making is thereafter applied to the newly created surface.   Select Exhibitions/Awards   2022 The Juice Is Loose, Over the Influence, Los Angeles, CA, USA 2021 It Might Be Me, MAKASIINI CONTEMPORARY, Turku, Finland Live! From Therapy, BEERS London, London, UK 2020 Fresh Out of Fiddles, MAKASIINI CONTEMPORARY, Turku, Finland 2019 Tyger Tyger, Urban Spree, Berlin, Germany That's Dallas Baby, Artual Gallery, Beirut, Lebanon 2018 Dressed Up For the Letdown, Over the Influence, Hong Kong She's Heavy on the Razzmatazz, MAKASIINI CONTEMPORARY, Turku, Finland   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Jonni Cheatwood I'm Baby 3, 2022 Oil and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Jonni Cheatwood is a Brazilian-American visual artist working across many different disciplines including painting, photography, graphic design and textile art. Cheatwood's work describes the broad visual ideas stemming from still life, abstraction and minimalism, but his approach is a wonderful amalgam of his artistic disciplines in which veritable scraps of canvas are hand-sewn together before his idiosyncratic mark-making is thereafter applied to the newly created surface.   Select Exhibitions/Awards   2022 The Juice Is Loose, Over the Influence, Los Angeles, CA, USA 2021 It Might Be Me, MAKASIINI CONTEMPORARY, Turku, Finland Live! From Therapy, BEERS London, London, UK 2020 Fresh Out of Fiddles, MAKASIINI CONTEMPORARY, Turku, Finland 2019 Tyger Tyger, Urban Spree, Berlin, Germany That's Dallas Baby, Artual Gallery, Beirut, Lebanon 2018 Dressed Up For the Letdown, Over the Influence, Hong Kong She's Heavy on the Razzmatazz, MAKASIINI CONTEMPORARY, Turku, Finland   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Jane Courquin Ben's Pomegranates, 2022 Mixed Media on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About   Jane Courquin is a contemporary artist registered with la Maison des Artistes, Paris living and working in France as an Artiste-peintre since 2003. She has an Art, Languages and Drama background. She has completed several urban art commissions in Brighton, Uk and in la Charente, France. Her paintings are held in numerous private art collections worldwide.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Charlie Chesterman Trees With Fireworks 1, 2022 Oil, Collage and Glitter on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.)   About   Charlie Chesterman (b.1996, UK) lives and works in South London. He explores through his works aspects of popular culture and everyday life to satirise contemporary rituals or occurrences. The narrative of the work tends to celebrate a subject while simultaneously condemning it. Chesterman has increasingly approached paintings as reliefs, collage can be used not only as an addition to a piece, but simultaneously as a withdrawal of what was previously underneath, a hierarchy of layering. The use of rich and generous oil paint in areas often represents the greed of the subjects. Chesterman is captivated by dramatic visual art, works that employ immediate impact.   Education   2016-2019 Central Saint Martins 2015-2016 Leeds College of Art   Select Exhibitions/Awards   Solo exhibitions 2018 Recent Works, Chelsea Arts Club, Chelsea, London. Group exhibitions 2017 MUD, Doomed Gallery, Dalston, London. LIL, Safe house, Peckham, London. 2018 I'm not here, Camden Arts Centre, London. Untitiled (Close to Now), at the Lever Gallery, Clerkenwell, London. 2019: Talking Point, Lethaby Gallery, Kings Cross, London. Degree Show One, Central Saint Martins, Kings Cross, London. Aucart lab, Baker Street, London. Murmurations, Candid Arts Trust, Islington, London. Floorrmagazine Online Exhibition, EXH 1, https://www.floorronlineexhibition.com/exh-01 Clyde & Co Art Award, Aldgate, London. Young Contemporaries, Aubergine Gallery, Wimbledon, London.   Statement about AOAP Submitted Artwork   I see my paintings as inquests into extravagance, for these postcards I wanted to return to the subject of fireworks. Fireworks are consistently replacing and covering each other in the exact same place. The process of my work is quite similar in which there is a consistent layering of paint and collage until the display is finished. Most importantly fireworks are a celebration and I wanted to celebrate a great initiative. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Charlie Chesterman Trees With Fireworks 2, 2022 Oil, Glitter, Acrylic, Glue and Collage on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   About   Charlie Chesterman (b.1996, UK) lives and works in South London. He explores through his works aspects of popular culture and everyday life to satirise contemporary rituals or occurrences. The narrative of the work tends to celebrate a subject while simultaneously condemning it. Chesterman has increasingly approached paintings as reliefs, collage can be used not only as an addition to a piece, but simultaneously as a withdrawal of what was previously underneath, a hierarchy of layering. The use of rich and generous oil paint in areas often represents the greed of the subjects. Chesterman is captivated by dramatic visual art, works that employ immediate impact.   Education   2016-2019 Central Saint Martins 2015-2016 Leeds College of Art   Select Exhibitions/Awards   Solo exhibitions 2018 Recent Works, Chelsea Arts Club, Chelsea, London. Group exhibitions 2017 MUD, Doomed Gallery, Dalston, London. LIL, Safe house, Peckham, London. 2018 I'm not here, Camden Arts Centre, London. Untitiled (Close to Now), at the Lever Gallery, Clerkenwell, London. 2019: Talking Point, Lethaby Gallery, Kings Cross, London. Degree Show One, Central Saint Martins, Kings Cross, London. Aucart lab, Baker Street, London. Murmurations, Candid Arts Trust, Islington, London. Floorrmagazine Online Exhibition, EXH 1, https://www.floorronlineexhibition.com/exh-01 Clyde & Co Art Award, Aldgate, London. Young Contemporaries, Aubergine Gallery, Wimbledon, London.   Statement about AOAP Submitted Artwork   I see my paintings as inquests into extravagance, for these postcards I wanted to return to the subject of fireworks. Fireworks are consistently replacing and covering each other in the exact same place. The process of my work is quite similar in which there is a consistent layering of paint and collage until the display is finished. Most importantly fireworks are a celebration and I wanted to celebrate a great initiative. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Charlie Chesterman Trees With Fireworks 3, 2022 Oil, Glitter, Collage and Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   About   Charlie Chesterman (b.1996, UK) lives and works in South London. He explores through his works aspects of popular culture and everyday life to satirise contemporary rituals or occurrences. The narrative of the work tends to celebrate a subject while simultaneously condemning it. Chesterman has increasingly approached paintings as reliefs, collage can be used not only as an addition to a piece, but simultaneously as a withdrawal of what was previously underneath, a hierarchy of layering. The use of rich and generous oil paint in areas often represents the greed of the subjects. Chesterman is captivated by dramatic visual art, works that employ immediate impact.   Education   2016-2019 Central Saint Martins 2015-2016 Leeds College of Art   Select Exhibitions/Awards   Solo exhibitions 2018 Recent Works, Chelsea Arts Club, Chelsea, London. Group exhibitions 2017 MUD, Doomed Gallery, Dalston, London. LIL, Safe house, Peckham, London. 2018 I'm not here, Camden Arts Centre, London. Untitiled (Close to Now), at the Lever Gallery, Clerkenwell, London. 2019: Talking Point, Lethaby Gallery, Kings Cross, London. Degree Show One, Central Saint Martins, Kings Cross, London. Aucart lab, Baker Street, London. Murmurations, Candid Arts Trust, Islington, London. Floorrmagazine Online Exhibition, EXH 1, https://www.floorronlineexhibition.com/exh-01 Clyde & Co Art Award, Aldgate, London. Young Contemporaries, Aubergine Gallery, Wimbledon, London.   Statement about AOAP Submitted Artwork   I see my paintings as inquests into extravagance, for these postcards I wanted to return to the subject of fireworks. Fireworks are consistently replacing and covering each other in the exact same place. The process of my work is quite similar in which there is a consistent layering of paint and collage until the display is finished. Most importantly fireworks are a celebration and I wanted to celebrate a great initiative. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Charlie Chesterman Trees With Fireworks 4, 2022 Oil, Glitter and Collage on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.)   About   Charlie Chesterman (b.1996, UK) lives and works in South London. He explores through his works aspects of popular culture and everyday life to satirise contemporary rituals or occurrences. The narrative of the work tends to celebrate a subject while simultaneously condemning it. Chesterman has increasingly approached paintings as reliefs, collage can be used not only as an addition to a piece, but simultaneously as a withdrawal of what was previously underneath, a hierarchy of layering. The use of rich and generous oil paint in areas often represents the greed of the subjects. Chesterman is captivated by dramatic visual art, works that employ immediate impact.   Education   2016-2019 Central Saint Martins 2015-2016 Leeds College of Art   Select Exhibitions/Awards   Solo exhibitions 2018 Recent Works, Chelsea Arts Club, Chelsea, London. Group exhibitions 2017 MUD, Doomed Gallery, Dalston, London. LIL, Safe house, Peckham, London. 2018 I'm not here, Camden Arts Centre, London. Untitiled (Close to Now), at the Lever Gallery, Clerkenwell, London. 2019: Talking Point, Lethaby Gallery, Kings Cross, London. Degree Show One, Central Saint Martins, Kings Cross, London. Aucart lab, Baker Street, London. Murmurations, Candid Arts Trust, Islington, London. Floorrmagazine Online Exhibition, EXH 1, https://www.floorronlineexhibition.com/exh-01 Clyde & Co Art Award, Aldgate, London. Young Contemporaries, Aubergine Gallery, Wimbledon, London.   Statement about AOAP Submitted Artwork   I see my paintings as inquests into extravagance, for these postcards I wanted to return to the subject of fireworks. Fireworks are consistently replacing and covering each other in the exact same place. The process of my work is quite similar in which there is a consistent layering of paint and collage until the display is finished. Most importantly fireworks are a celebration and I wanted to celebrate a great initiative. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Natalia González Martín Some Heart Did Break, 2022 Pencil and Pen on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Natalia González Martín   About   (B. 1995, Madrid) Lives and works in London, England.   Education   2017, BA Fine Art Painting at City & Guilds of London Art School, London, UK   Select Exhibitions/Awards   Solo and Duo Shows 2022 A Change (Would Do You Good), Solo show, Hannah Barry Gallery, May, London, UK Las Soledades, Solo show, Steve Turner, February, LA, USA 2021 Artissima Fair, alongside Lydia Pettit, Sebastien Bertrand Galerie, November -Torino, Italy I saw Something Else Under The Sun, Solo show at Sebastien Bertrand Galerie, September -Geneva, Switzerland I Am Unsure As To If It Is Still Alive, Duo show alongside Davinia Ann Robinson, Quench Gallery - March, Margate, UK   Group Exhibitions 2022 Expo Chicago, Steve Turner Gallery, April - Chicago, USA Art Geneve 2022, Sebastien Bertrand Galerie, March - Geneve, Switzerland An Ode To Orlando, Pi Artworks - February, London, UK 2021 Run With The Wolves, Lawrie Shabibi Galerie - November, Dubai, UAE Tree and Leaf, Hannah Barry Gallery - November, London, UK A New Artworld, Guts Gallery - July, London, UK Les Dances Nocturnes, East Contemporary - July, Entrevaux, France Old Friends, New Friends, Collective Ending - March, London, UK 2020 Pending..., San Mei Gallery - December, London, UK Always Winter, Brooke Benington Gallery - December, London, UK Rooms- Curator - April, London, UK The Potion Room - Curator - January, London, UK 2019 Absinthe #3 by Collective Ending - September - London, UK Artsy x AucArt: Best New Now - September - Online   Residencies CobXPLOP, September - October, London, UK, 2021 AucArt Lab Residency, May - June - London, UK, 2019   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Ishbel Myerscough Me, 2022 Oil Paint on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About   Ishbel Myerscough is recognised for her highly detailed and meticulously observed portrayal of her subject matter, which over the past three decades has primarily included herself, her close friend and fellow artist Chantal Joffe, and their families. Myerscough combines a focused study of youth and coming-of-age with adult experiences of parenthood, desire and bereavement, evoking the complex cycle of human experience. Myerscough studied at Glasgow and the Slade Schools of Art, and works in London. In 1995 she won the National Portrait Gallery's annual BP Portrait Award competition and as a result was commissioned to paint Helen Mirren's portrait for the collection and subsequently Sir Willard White. Her portrait Two Girls (1991), was displayed in the exhibition Self at the Turner Contemporary, Margate, UK in 2015 and at the National Portrait Gallery, London, until November 2016. Her work was presented in a joint display Friendship Portraits: Chantal Joffe and Ishbel Myerscough at the National Portrait Gallery in 2015, capturing their very particular artistic collaboration; and was included in the exhibitions Only Connect, Royal Academy of Arts, Keeper's House, London; and Relating Narratives - A Common World of Women, The Horse Hospital, London, 2018.   Education   1987-91 Glasgow School of Art 1993-95 Slade School of Art, London   Select Exhibitions/Awards   2020 Grief, Longing and Love, Flowers Gallery, Cork Street, London 2016 Up Close, Flowers, New York 2011 Life, Flowers Central, London 2000 Drawings, Anthony Mould Contemporary, London Ishbel Myerscough, Anthony Mould, Cork Street, London 1996 A Second View, Anthony Mould Contemporary, London 1992 A First View, Anthony Mould Contemporary, London 1995-6 Robert and Susan Summers Residency, Connecticut, USA 1995 Hopkins Rootstein Foundation Travel Scholarship to New York National Portrait Gallery, BP Portrait Award, First prize   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Natalia González Martín How Much She Desired, 2022 Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Natalia González Martín   About   (B. 1995, Madrid) Lives and works in London, England.   Education   2017, BA Fine Art Painting at City & Guilds of London Art School, London, UK   Select Exhibitions/Awards   Solo and Duo Shows 2022 A Change (Would Do You Good), Solo show, Hannah Barry Gallery, May, London, UK Las Soledades, Solo show, Steve Turner, February, LA, USA 2021 Artissima Fair, alongside Lydia Pettit, Sebastien Bertrand Galerie, November -Torino, Italy I saw Something Else Under The Sun, Solo show at Sebastien Bertrand Galerie, September -Geneva, Switzerland I Am Unsure As To If It Is Still Alive, Duo show alongside Davinia Ann Robinson, Quench Gallery - March, Margate, UK   Group Exhibitions 2022 Expo Chicago, Steve Turner Gallery, April - Chicago, USA Art Geneve 2022, Sebastien Bertrand Galerie, March - Geneve, Switzerland An Ode To Orlando, Pi Artworks - February, London, UK 2021 Run With The Wolves, Lawrie Shabibi Galerie - November, Dubai, UAE Tree and Leaf, Hannah Barry Gallery - November, London, UK A New Artworld, Guts Gallery - July, London, UK Les Dances Nocturnes, East Contemporary - July, Entrevaux, France Old Friends, New Friends, Collective Ending - March, London, UK 2020 Pending..., San Mei Gallery - December, London, UK Always Winter, Brooke Benington Gallery - December, London, UK Rooms- Curator - April, London, UK The Potion Room - Curator - January, London, UK 2019 Absinthe #3 by Collective Ending - September - London, UK Artsy x AucArt: Best New Now - September - Online   Residencies CobXPLOP, September - October, London, UK, 2021 AucArt Lab Residency, May - June - London, UK, 2019   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wolfgang Grinschgl Head 01, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education   HTBLA Ortweinschule/Abteilung Grafik - Design   Select Exhibitions/Awards   2018: Ausstellungsbeteiligung Dean Borghi Fine Arts New York City Ausstellungsbeteiligung „Portrait" RAUMSECHS Düsseldorf Ausstellungsbeteiligung „Not Dark Yet" Kunsthaus Mürzzuschlag 2019: Art Vienna galerie Galerie Ausstellungsbeteiligung „Realität ins Bild bringen" NöArt Contemporary Basel Challery Kunstdinner Performance Galerie Kandlhofer Wien Austellungsbeteiligung „land" Rondell Gallery Schwanberg mit Herbert Brandl, Erwin Lackner, Ronald Kodritsch, Petra Sterry, Bruno Wildbach, Markus Wilfling Ausstellung „Auf Augenhöhe" Galerie Heimo Bachlechner Graz 2020: Art Austria Highlights Galerie Heimo Bachlechner 2021: Parallel Editions Galerie Heimo Bachlechner Ausstellung „Zweischneidig" Galerie Heimo Bachlechner 2022: Galerie Roland Puschitz Vienna Kunsthalle Graz Part of the Game   Gallery Representation   Galerie Heimo Bachlechner Artdepot Innsbruck Galerie Lisa Kandlhofer RAUMSECHS Roland Puschitz   Statement about AOAP Submitted Artwork   The Individual is build by Reality and reflects a new reality back to the viewer You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wolfgang Grinschgl Head 02, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education   HTBLA Ortweinschule/Abteilung Grafik - Design   Select Exhibitions/Awards   2018: Ausstellungsbeteiligung Dean Borghi Fine Arts New York City Ausstellungsbeteiligung „Portrait" RAUMSECHS Düsseldorf Ausstellungsbeteiligung „Not Dark Yet" Kunsthaus Mürzzuschlag 2019: Art Vienna galerie Galerie Ausstellungsbeteiligung „Realität ins Bild bringen" NöArt Contemporary Basel Challery Kunstdinner Performance Galerie Kandlhofer Wien Austellungsbeteiligung „land" Rondell Gallery Schwanberg mit Herbert Brandl, Erwin Lackner, Ronald Kodritsch, Petra Sterry, Bruno Wildbach, Markus Wilfling Ausstellung „Auf Augenhöhe" Galerie Heimo Bachlechner Graz 2020: Art Austria Highlights Galerie Heimo Bachlechner 2021: Parallel Editions Galerie Heimo Bachlechner Ausstellung „Zweischneidig" Galerie Heimo Bachlechner 2022: Galerie Roland Puschitz Vienna Kunsthalle Graz Part of the Game   Gallery Representation   Galerie Heimo Bachlechner Artdepot Innsbruck Galerie Lisa Kandlhofer RAUMSECHS Roland Puschitz   Statement about AOAP Submitted Artwork   The Individual is build by Reality and reflects a new reality back to the viewer You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wolfgang Grinschgl Head 03, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education   HTBLA Ortweinschule/Abteilung Grafik - Design   Select Exhibitions/Awards   2018: Ausstellungsbeteiligung Dean Borghi Fine Arts New York City Ausstellungsbeteiligung „Portrait" RAUMSECHS Düsseldorf Ausstellungsbeteiligung „Not Dark Yet" Kunsthaus Mürzzuschlag 2019: Art Vienna galerie Galerie Ausstellungsbeteiligung „Realität ins Bild bringen" NöArt Contemporary Basel Challery Kunstdinner Performance Galerie Kandlhofer Wien Austellungsbeteiligung „land" Rondell Gallery Schwanberg mit Herbert Brandl, Erwin Lackner, Ronald Kodritsch, Petra Sterry, Bruno Wildbach, Markus Wilfling Ausstellung „Auf Augenhöhe" Galerie Heimo Bachlechner Graz 2020: Art Austria Highlights Galerie Heimo Bachlechner 2021: Parallel Editions Galerie Heimo Bachlechner Ausstellung „Zweischneidig" Galerie Heimo Bachlechner 2022: Galerie Roland Puschitz Vienna Kunsthalle Graz Part of the Game   Gallery Representation   Galerie Heimo Bachlechner Artdepot Innsbruck Galerie Lisa Kandlhofer RAUMSECHS Roland Puschitz   Statement about AOAP Submitted Artwork   The Individual is build by Reality and reflects a new reality back to the viewer You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Wolfgang Grinschgl Head 04, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education   HTBLA Ortweinschule/Abteilung Grafik - Design   Select Exhibitions/Awards   2018: Ausstellungsbeteiligung Dean Borghi Fine Arts New York City Ausstellungsbeteiligung „Portrait" RAUMSECHS Düsseldorf Ausstellungsbeteiligung „Not Dark Yet" Kunsthaus Mürzzuschlag 2019: Art Vienna galerie Galerie Ausstellungsbeteiligung „Realität ins Bild bringen" NöArt Contemporary Basel Challery Kunstdinner Performance Galerie Kandlhofer Wien Austellungsbeteiligung „land" Rondell Gallery Schwanberg mit Herbert Brandl, Erwin Lackner, Ronald Kodritsch, Petra Sterry, Bruno Wildbach, Markus Wilfling Ausstellung „Auf Augenhöhe" Galerie Heimo Bachlechner Graz 2020: Art Austria Highlights Galerie Heimo Bachlechner 2021: Parallel Editions Galerie Heimo Bachlechner Ausstellung „Zweischneidig" Galerie Heimo Bachlechner 2022: Galerie Roland Puschitz Vienna Kunsthalle Graz Part of the Game   Gallery Representation   Galerie Heimo Bachlechner Artdepot Innsbruck Galerie Lisa Kandlhofer RAUMSECHS Roland Puschitz   Statement about AOAP Submitted Artwork   The Individual is build by Reality and reflects a new reality back to the viewer You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Daisy Richardson Choices, Like Wilde Rivers, 2022 Collage and Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Born 1975, Edinburgh. I work across drawing, painting, sculpture and collage.   Education   MA Painting, Royal College of Art (2007) BA (HONS) Fine Art, Glasgow School of Art (1997)   Select Exhibitions/Awards   2022 Contemporary Painting Prize Exhibition, Studio 1 Gallery Workshop, London These Times, Making Space, London Entheos, RGI Kelly Gallery, Glasgow 2021 Contemporary British Painting Prize, Huddersfield Art Gallery, Huddersfield I Didn't Lick it, Bruton Museum, Bruton 2018 BYOB: Bring Your Own Beamer, The Lighthouse, Glasgow 2017 Dividing Time, Glasgow Project Room, Glasgow (solo exhibition) 2014 WE, Latitude 53, Edmonton WIN: JD Fergusson Award Winners, Perth Museum, Perth 2013 WE, Haight Gallery, Calgary The Owl Service, Transition Gallery, London 2011 Terrestrial Objects, Glasgow Project Room, Glasgow (solo exhibition) 2009 Shapeshifting, Kusseneers Gallery, Antwerp (solo exhibition) Visual Artist and Craft Maker Award, 2018 Open Project Funding from Creative Scotland, 2016 Flora Wood Award, 2012 Jerwood Drawing Prize student prize, 2007 Red Mansion Foundation Art Prize, 2007 Anna Miller Trust Scholarship, 2004 JD Fergusson Travel Award, 2002   Statement about AOAP Submitted Artwork   Inspired by a phrase of the song 'Choices, Like Wide Rivers' by James Yorkston and The Second Hand Orchestra, I was thinking about the choices that we make that affect our lives and the decisions that parents have to make for their children that will determine their futures. I wanted the rock to appear slightly confusing and threatening. I imagined the world flowing by the room like a river with the water eddying around your chair as you tried to make the correct move while not getting washed away. Although there are no figures in my work, it's always about people and lived experience. The ideas are shown through the lens of geology, time, space and the minutiae of landscape. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Natalia González Martín Gratitude, 2022 Pencil and Pen on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Natalia González Martín   About   (B. 1995, Madrid) Lives and works in London, England.   Education   2017, BA Fine Art Painting at City & Guilds of London Art School, London, UK   Select Exhibitions/Awards   Solo and Duo Shows 2022 A Change (Would Do You Good), Solo show, Hannah Barry Gallery, May, London, UK Las Soledades, Solo show, Steve Turner, February, LA, USA 2021 Artissima Fair, alongside Lydia Pettit, Sebastien Bertrand Galerie, November -Torino, Italy I saw Something Else Under The Sun, Solo show at Sebastien Bertrand Galerie, September -Geneva, Switzerland I Am Unsure As To If It Is Still Alive, Duo show alongside Davinia Ann Robinson, Quench Gallery - March, Margate, UK   Group Exhibitions 2022 Expo Chicago, Steve Turner Gallery, April - Chicago, USA Art Geneve 2022, Sebastien Bertrand Galerie, March - Geneve, Switzerland An Ode To Orlando, Pi Artworks - February, London, UK 2021 Run With The Wolves, Lawrie Shabibi Galerie - November, Dubai, UAE Tree and Leaf, Hannah Barry Gallery - November, London, UK A New Artworld, Guts Gallery - July, London, UK Les Dances Nocturnes, East Contemporary - July, Entrevaux, France Old Friends, New Friends, Collective Ending - March, London, UK 2020 Pending..., San Mei Gallery - December, London, UK Always Winter, Brooke Benington Gallery - December, London, UK Rooms- Curator - April, London, UK The Potion Room - Curator - January, London, UK 2019 Absinthe #3 by Collective Ending - September - London, UK Artsy x AucArt: Best New Now - September - Online   Residencies CobXPLOP, September - October, London, UK, 2021 AucArt Lab Residency, May - June - London, UK, 2019   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

Tim Muddiman People's Steeple, 2022 Unique Giclée Print Signed on Front and Verso 15 x 10cm (5¾ x 3¾ in.) About   Tim Muddiman is an English artist and musician. His work is an exploration of human experience on Planet Earth through contrasts; strength and fragility, depth and height, bold colour and monochrome - always seeking to cast an abstract lens on the familiar, the concrete and abstract environments. With disciplines in structure and controlled expressionism, his style has been described as 'hard-edged, abstract and contemporary'. 'Harnessing and preserving the innocent beauty of a subconscious vision is key to my work. While my paintings are often conceptual and abstract, the process is my own continuation of individuation within imagination'. Muddiman has contributed articles to a range of publications including The Independent and the Huffington Post, and served as a longtime member of Gary Numan's band.   Select Exhibitions/Awards   One Planet One Chance, Koppel Project. Bond Street. 2nd June 2022.   Gallery Representation   Zebra One Gallery, Perrin's Court, 73a Hampstead High St, London NW3 1QX   Statement about AOAP Submitted Artwork   I feel privileged to have my artwork included in the summer auction of Art On A Postcard and to try and help The Hep C Trust expand awareness and possibly raise funds to help in some way. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.    

Aidan Myers Banana Leaf Forms XII, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Aidan Myers is an early career artist based in Cardiff, Wales working between painting and drawing. He studied Fine Art at Cardiff School of Art and Design graduating in 2014; subsequently he worked at the art school's 'Inc Space' for a 2-year studio placement. Myers was a recipient of the Artist Support Pledge - Surfaces Award in 2021 leading to being selected for a group show at Hastings Contemporary, his first museum exhibition. Notably in 2018 Myers travelled to India for a 3-month artist residency at the Aamir Art House in Goa, which has formed the direction to his most recent work. In 2017 Myers achieved first prize at the Oriel CRiC Open Art Prize in Wales. Myers has exhibited in group shows in the UK and held solo shows in Cardiff (2021, 2018 & 2016) and Stroud (2016).   Education   BA Hons Fine Art at Cardiff School of Art & Design, 2011-14   Select Exhibitions/Awards   SOLO 2021 Cardiff M.A.D.E, 'Encounters', Cardiff, Wales, UK (Cambium) 2018 The Sustainable Studio, 'Labyrinth', Cardiff, Wales, UK 2017 Waterloo Gardens Teahouse, 'Small Works', Cardiff, Wales, UK Line Gallery - Stroud Visual Arts, 'New Matter', Stroud UK 2016 Cardiff M.A.D.E, 'Manoeuvred Matter', Cardiff, Wales, UK Group Selected 2022 Terrace Gallery, 'Wish You Were Here', London, UK 2021 Hastings Contemporary, 'A Generous Space', Hastings, UK The Godown, 'BUKA BUKA' (Open Books), Kuala Lumpur, Malaysia 2019 Fringe Arts Bath Festival, 'SELF', Bath, UK 2018 The National Eisteddfod of Wales, CAV/UHL, Cardiff, Wales, UK 2017 Oriel CRiC, 'Crickhowell Open Art', Crickhowell, Wales, UK 2016 Curious Duke Gallery, 'Insert Art Here', London, UK 2015 Cardiff M.A.D.E, 'MADE from the Museum', Cardiff, Wales, UK 2014 Elysium Gallery, 'A Portrait of the Artist as...' BEEP Painting Prize, Swansea, Wales   Gallery Representation   Rise Art Singulart   Statement about AOAP Submitted Artwork   My practice is painting and drawing based. Different outlooks on landscape form my process including: environmental climate concerns; the benefits and hopeful outlook of landscape through re-wilding; rhythms and cycles of landscape seasons and the co-existence of humans within the environment. These images are formed around the motif of the banana plant, which has been a recurring subject within my work since travelling to India in 2018. I found a lasting connection with the banana plant form; it has taken on the resonance of a figure within my compositions, playing a central focus in the images. Their forms are delicate, somewhat abstracted, spiralling from a central column to produce these dominant, distinct structures. They describe fragility of living as much as the opportunity of prospering. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.  

Nick Grindrod Striplights I, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Nick Grindrod is a British artist based in Sheffield. He studied Fine Art at the University of Derby and Sheffield College. He has shown widely in the UK, USA and Poland, and has work in numerous private collections. Nick sells through Smithson Gallery and Afternyne Contemporary in the UK, and 19 Karen in Australia. Boldly abstract in nature, Grindrod's paintings skillfully layer strict geometric forms with gestural painterly handling. Working in intense bursts of activity, initial sketches are adapted and reformed in an instinctive, immediate process. Much of the aesthetic decision making is done in the moment - intuitively working with the paintings in 'real time'. Consequentially, removal of paint and erasure of marks play just as important a role as the application of paint and this is abundantly clear when we look at the finished works.   Select Exhibitions/Awards   UPCOMING SHOWS & EVENTS Geometry & Gesture 25 February - 19 March 2022 - Bloc Projects, Sheffield UK Affordable Art Fair New York 23 - 27 March 2022 - Metropolitan Pavilions, New York USA (Afternyne Contemporary Stand) Solo Show 22 - 29 September 2022 - 15 Bateman Street, London UK   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.    

Nick Grindrod Striplights II, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Nick Grindrod is a British artist based in Sheffield. He studied Fine Art at the University of Derby and Sheffield College. He has shown widely in the UK, USA and Poland, and has work in numerous private collections. Nick sells through Smithson Gallery and Afternyne Contemporary in the UK, and 19 Karen in Australia. Boldly abstract in nature, Grindrod's paintings skillfully layer strict geometric forms with gestural painterly handling. Working in intense bursts of activity, initial sketches are adapted and reformed in an instinctive, immediate process. Much of the aesthetic decision making is done in the moment - intuitively working with the paintings in 'real time'. Consequentially, removal of paint and erasure of marks play just as important a role as the application of paint and this is abundantly clear when we look at the finished works.   Select Exhibitions/Awards   UPCOMING SHOWS & EVENTS Geometry & Gesture 25 February - 19 March 2022 - Bloc Projects, Sheffield UK Affordable Art Fair New York 23 - 27 March 2022 - Metropolitan Pavilions, New York USA (Afternyne Contemporary Stand) Solo Show 22 - 29 September 2022 - 15 Bateman Street, London UK   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.    

Nick Grindrod Untitled, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Nick Grindrod is a British artist based in Sheffield. He studied Fine Art at the University of Derby and Sheffield College. He has shown widely in the UK, USA and Poland, and has work in numerous private collections. Nick sells through Smithson Gallery and Afternyne Contemporary in the UK, and 19 Karen in Australia. Boldly abstract in nature, Grindrod's paintings skillfully layer strict geometric forms with gestural painterly handling. Working in intense bursts of activity, initial sketches are adapted and reformed in an instinctive, immediate process. Much of the aesthetic decision making is done in the moment - intuitively working with the paintings in 'real time'. Consequentially, removal of paint and erasure of marks play just as important a role as the application of paint and this is abundantly clear when we look at the finished works.   Select Exhibitions/Awards   UPCOMING SHOWS & EVENTS Geometry & Gesture 25 February - 19 March 2022 - Bloc Projects, Sheffield UK Affordable Art Fair New York 23 - 27 March 2022 - Metropolitan Pavilions, New York USA (Afternyne Contemporary Stand) Solo Show 22 - 29 September 2022 - 15 Bateman Street, London UK   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.    

Nick Grindrod Cornerstone, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Nick Grindrod is a British artist based in Sheffield. He studied Fine Art at the University of Derby and Sheffield College. He has shown widely in the UK, USA and Poland, and has work in numerous private collections. Nick sells through Smithson Gallery and Afternyne Contemporary in the UK, and 19 Karen in Australia. Boldly abstract in nature, Grindrod's paintings skillfully layer strict geometric forms with gestural painterly handling. Working in intense bursts of activity, initial sketches are adapted and reformed in an instinctive, immediate process. Much of the aesthetic decision making is done in the moment - intuitively working with the paintings in 'real time'. Consequentially, removal of paint and erasure of marks play just as important a role as the application of paint and this is abundantly clear when we look at the finished works.   Select Exhibitions/Awards   UPCOMING SHOWS & EVENTS Geometry & Gesture 25 February - 19 March 2022 - Bloc Projects, Sheffield UK Affordable Art Fair New York 23 - 27 March 2022 - Metropolitan Pavilions, New York USA (Afternyne Contemporary Stand) Solo Show 22 - 29 September 2022 - 15 Bateman Street, London UK   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.    

Valerie Savchits Fresh Dialogue, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Born in Riga, Latvia in 1993, Valerie Savchits is a multidisciplinary artist living and working in Brighton, UK. Her body of work primarily consists of mixed media paintings as well as readymade installations and sculptures made of a vast array of materials including but not limited to: clay, raw minerals and metal. The artist strings her stories, feelings and fragments of memory from then and now just like pearls onto a thread to create her own mythological system. The inspiration for Savchits' work comes from different mythologies and cosmic symbolism that play an important role in forming her visual language. The textures, lines, shapes and even colour palette found in surrounding landscapes influenced her style and manner, both in sculpture and painting.   Education 2022 Master of Arts, Fine Art, University of Brighton, Brighton, UK 2016 Bachelor of Arts, Visual Arts, University of Salford, Manchester, UK (First)   Select Exhibitions/Awards 2022 Eastbourne Open, VOLT Gallery, Eastbourne, UK Synthesis, Delphian Gallery x Saatchi Gallery, London, UK Unlimited Space: Reality And Fantasy Collide, Edward Street Gallery, Brighton, UK 2021 Realities, Artistellar, London, UK The Dinner Table, San Mei Gallery, London, UK Between Here & There, Edward Street Gallery, Brighton, UK Regnum Lúminis, Eve Leibe Gallery, Virtual exhibition Ellipsis Prints: Billboard Takeover, Well's Terrace, London, UK An Artists' Dozen, The Artists Contemporary & Procrastinarting, Online auction Where She Is Now, Dorset Place Gallery, Brighton, UK Becoming Habits: Chapter 3, Studi0.Art, St Moritz, Switzerland In Praise Of Darkness, PIERMARQ, Sydney, Australia 2020 December Charity Auction, All Mouth Gallery + Bowes Parris Gallery, London, UK Pending, San Mei Gallery, London, UK The Tales We Tell Ourselves, Purslane, Online Delphian Gallery: Antisocial Isolation, Saatchi Gallery, London, UK Full list: valeriesavchits.com/exhibitions   Statement about AOAP Submitted Artwork The postcard was inspired by a painting of mine 'Fresh Dialogue' (2021) - an honest conversation between human and nature. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.

Janet Golphin Still Life with Lilies, 2022 Mixed Water Based Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Member of the Royal Watercolour Society since 1992 Vice President of the Royal Watercolour Society 1996-99 Works mainly in mixed Water-based media on a paper support Lives & works in West Yorkshire   Education   Leeds College of Art Bradford School of Arts & Media 1st Class (Hons)Degree Contemporary Surface Design & Textiles   Select Exhibitions/Awards   £1000 Jeffrey Archer Award Royal Watercolour Society Open 1992 Widely exhibited at RA, Summer Exhibition, Royal Scottish Academy Summer Exhibition Sunday Time Watercolour Exhibition and galleries around the UK Works in collections in the UK Germany and New York   Gallery Representation   The Russell Gallery. Putney Bankside Gallery Blackfriars London The Walker Galleries Harrogate   Statement about AOAP Submitted Artwork   My Art on a Postcard Summer 22 Collection are representational of still life paintings often produced but on a much smaller scale. Composition & juxtaposition of colour & shapes being key. My intention being for the viewer to visually engage and experience a physical connection to my work. The invitation to produce 4 postcards gave me a reason to test my intentions on a much smaller scale, a valuable process of creativity giving me much food for thought to take forward. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.  

Janet Golphin Blue Stripes, 2022 Mixed Water Based Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Member of the Royal Watercolour Society since 1992 Vice President of the Royal Watercolour Society 1996-99 Works mainly in mixed Water-based media on a paper support Lives & works in West Yorkshire   Education   Leeds College of Art Bradford School of Arts & Media 1st Class (Hons)Degree Contemporary Surface Design & Textiles   Select Exhibitions/Awards   £1000 Jeffrey Archer Award Royal Watercolour Society Open 1992 Widely exhibited at RA, Summer Exhibition, Royal Scottish Academy Summer Exhibition Sunday Time Watercolour Exhibition and galleries around the UK Works in collections in the UK Germany and New York   Gallery Representation   The Russell Gallery. Putney Bankside Gallery Blackfriars London The Walker Galleries Harrogate   Statement about AOAP Submitted Artwork   My Art on a Postcard Summer 22 Collection are representational of still life paintings often produced but on a much smaller scale. Composition & juxtaposition of colour & shapes being key. My intention being for the viewer to visually engage and experience a physical connection to my work. The invitation to produce 4 postcards gave me a reason to test my intentions on a much smaller scale, a valuable process of creativity giving me much food for thought to take forward. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.  

Janet Golphin Pot of Peonies, 2022 Mixed Water Based Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Member of the Royal Watercolour Society since 1992 Vice President of the Royal Watercolour Society 1996-99 Works mainly in mixed Water-based media on a paper support Lives & works in West Yorkshire   Education   Leeds College of Art Bradford School of Arts & Media 1st Class (Hons)Degree Contemporary Surface Design & Textiles   Select Exhibitions/Awards   £1000 Jeffrey Archer Award Royal Watercolour Society Open 1992 Widely exhibited at RA, Summer Exhibition, Royal Scottish Academy Summer Exhibition Sunday Time Watercolour Exhibition and galleries around the UK Works in collections in the UK Germany and New York   Gallery Representation   The Russell Gallery. Putney Bankside Gallery Blackfriars London The Walker Galleries Harrogate   Statement about AOAP Submitted Artwork   My Art on a Postcard Summer 22 Collection are representational of still life paintings often produced but on a much smaller scale. Composition & juxtaposition of colour & shapes being key. My intention being for the viewer to visually engage and experience a physical connection to my work. The invitation to produce 4 postcards gave me a reason to test my intentions on a much smaller scale, a valuable process of creativity giving me much food for thought to take forward. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.  

Salomé Wu Bled, 2022 Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Salomé Wu b. 1996, is a multi-disciplinary artist whose practice involves oil painting, printing on silk, installations, and performance. As a teenager, Salomé admired a teacher who encouraged her to pursue training in calligraphy and painting. Her work examines otherworldliness through translations and ever-evolving reinterpretations of a mythology, formed from her observation of time, fragility, and the interplay between reality and the unseen. Understanding herself primarily as a global citizen, Salomé works to keep her art devoid of contemporary models of identification and taxonomy, relying on obliquely biomorphic figures and depictions of universal emotions to populate her work. Across mediums, she presents a nonlinear journey, weaving together seemingly disparate moments to unveil previously concealed narratives. Salomé lives and works in London, UK.   Education   Royal College of Arts, London (MA Painting), 2022-2024 Camberwell College of Arts, London (MA Printmaking), 2019-2020 Chelsea College of Arts, London (BA Hons. Textiles Design & Print Plus), 2016-2019 Central Saint Martins, London (Foundation Diploma in Art & Design), 2015-2016   Select Exhibitions/Awards   There Are No Strangers Here, Canopy Collections x Modernity, London Synthesis, Saatchi Gallery, London (curated by Delphian Gallery) An Arcadian Kind of Love, Soho Revue, London The Reality In Whytch You Create, Studio West, London 2021 The Artists Contemporary Atelier, London (solo) When Shit Hits the Fan Again, Guts Gallery, London Opening Exhibition, Changing Room Gallery, London Underpinned by the Movements of Freighters, The Florence Trust, London (curated by Joe Moss) Les Danses Nocturnes, East Contemporary Gallery, Entrevaux, France A New Art World, Guts Gallery, London Open Call Winners 2021, Delphian Gallery, London Ambrosia, Purslane Gallery, London In a New Light, Art City Works, London Dandelion, Delphian Gallery, Basel She Curates X CloverMill Artist Residency Open Call Exhibition, Wilder Gallery, London With Love II, Paint Talk, London 2020 Ode to Oaths, Guts Gallery, London (solo) The Tales We Tell Ourselves. Virtual Gallery, Purslane Gallery, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Salomé Wu New Life Emerges, 2022 Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Salomé Wu b. 1996, is a multi-disciplinary artist whose practice involves oil painting, printing on silk, installations, and performance. As a teenager, Salomé admired a teacher who encouraged her to pursue training in calligraphy and painting. Her work examines otherworldliness through translations and ever-evolving reinterpretations of a mythology, formed from her observation of time, fragility, and the interplay between reality and the unseen. Understanding herself primarily as a global citizen, Salomé works to keep her art devoid of contemporary models of identification and taxonomy, relying on obliquely biomorphic figures and depictions of universal emotions to populate her work. Across mediums, she presents a nonlinear journey, weaving together seemingly disparate moments to unveil previously concealed narratives. Salomé lives and works in London, UK.   Education   Royal College of Arts, London (MA Painting), 2022-2024 Camberwell College of Arts, London (MA Printmaking), 2019-2020 Chelsea College of Arts, London (BA Hons. Textiles Design & Print Plus), 2016-2019 Central Saint Martins, London (Foundation Diploma in Art & Design), 2015-2016   Select Exhibitions/Awards   There Are No Strangers Here, Canopy Collections x Modernity, London Synthesis, Saatchi Gallery, London (curated by Delphian Gallery) An Arcadian Kind of Love, Soho Revue, London The Reality In Whytch You Create, Studio West, London 2021 The Artists Contemporary Atelier, London (solo) When Shit Hits the Fan Again, Guts Gallery, London Opening Exhibition, Changing Room Gallery, London Underpinned by the Movements of Freighters, The Florence Trust, London (curated by Joe Moss) Les Danses Nocturnes, East Contemporary Gallery, Entrevaux, France A New Art World, Guts Gallery, London Open Call Winners 2021, Delphian Gallery, London Ambrosia, Purslane Gallery, London In a New Light, Art City Works, London Dandelion, Delphian Gallery, Basel She Curates X CloverMill Artist Residency Open Call Exhibition, Wilder Gallery, London With Love II, Paint Talk, London 2020 Ode to Oaths, Guts Gallery, London (solo) The Tales We Tell Ourselves. Virtual Gallery, Purslane Gallery, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.      

Sharon McPhee Mary Mary, 2022 Acrylic Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education   CSM Fine Art 2008 BA H0NS 1st class   Select Exhibitions/Awards   Threadneedle prize 2009 , BEEP Painting Prize 2020, A Generous Space - Hastings Contemporary 2021, A Room of Her Own Irving Contemporary 2022   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Sharon McPhee The Sun From My Heart, 2022 Acrylic Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education   CSM Fine Art 2008 BA H0NS 1st class   Select Exhibitions/Awards   Threadneedle prize 2009 , BEEP Painting Prize 2020, A Generous Space - Hastings Contemporary 2021, A Room of Her Own Irving Contemporary 2022   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Josh Rowell Gratitude on Pink, 2022 Acrylic Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Josh Rowell generates his artistic vision by focusing on technological advances that shape our contemporary lives, communicating our increasingly mediated human interactions within the confines of visual art. The artist balances analogue techniques with the instantaneous nature of the digital age. This juxtaposition produces a language that explores and reshapes information, and celebrates the hand-made in a time that is increasingly being enveloped by the virtual. Since his emergence as an abstract painter, Rowell has expanded to sculpture, mixed media, and often times working with light, video, and sound installations. Despite these disparate media, everything is underpinned by a coding system, "everything can be reduced to a molecular binarism where all systems can be simplified to yes/no decisions," the artist explains.   Education   MFA Fine Art: Kingston University, 1st Class with Distinction Art Criticism: Central Saint Martins, Short Course Ba Hons Degree Fine Art: Kingston University, 1st Class with Distinction   Select Exhibitions/Awards   2022 Breaking Boundaries - (TWO PERSON), Firetti Contemporary, Dubai, UAE Arte Bergamo - Atipografia, Bergamo, Italy Volta New York - Blond Contemporary, New York City, USA (UPCOMING) London Art Fair - Blond Contemporary, London, UK (UPCOMING) Solo Exhibition - Tsivrikos Shake Gallery, London, UK (UPCOMING) Solo Exhibition - Atipografia, Arzignano, Italy (UPCOMING) 2021 Mythologies - Group Exhibition, Kopple Projects, Neon Gallery, London, UK NFT | IRL - Group Exhibition, Firetti Contemporary x Morrrow Collective, Dubai, UAE Metamorphosis - Group Exhibition, Neon Gallery, London, UK Volta Basel - Blond Contemporary, Basel, Switzerland Art Verona - Atipografia, Verona, Italy WOP Art - Atipografia, Lugano, Switzerland 2020 False Memory - Group Exhibition, Rugby Town Art Museum, Rugby, UK Salon Acme - (SOLO) Daniel Benjamin Gallery, Mexico City, Mexico Dentons Art Prize - (JOINT WINNER) Private Exhibition, London, UK The Freud/Jung Letters - (SOLO) Moyshen Gallery, San Miguel De Allende, Mexico Kinesis - Group Exhibition, Kopple Projects, Neon Gallery, London, UK Virtual Room II - (ONLINE SOLO) Daniel Benjamin Gallery, London, UK Reset, Tales From The Vanguard - (ONLINE) Group Exhibition, Programa Taide with Colección Aldebarán Arte Verona - (ONLINE) Atipografia, Verona, Italy WOP Art - (ONLINE) Atipografia, Lugano, Switzerland   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.