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Contemporary art Tox, Tox 09, Print, Signed and numbered 50/75, 56 cm x 75 cm, water damaged

Contemporary art Mighty Mo, Monkey Blue in Pink, Print, Signed and numbered 20/50, 59 cm x 58 cm, water damaged, together with POW tissue paper

Elizabeth Rivers (1903-1964) BULLY BOYS oil on board with artist's estate studio label on reverse Estate of the artist;Estate of Judge Desmond Windle 'Elizabeth Rivers Exhibition', Frederick Gallery, Dublin, October 1996, no. 34 The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 10.50 by 19.25in. (26.7 by 48.9cm)

Charles Brady HRHA (1926-1997) SHOE BOX oil on canvas laid on board signed upper right; signed and inscribed with title, date, medium and dimensions on Taylor Gallery label on reverse Taylor Gallery, Dublin;Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 13.50 by 22in. (34.3 by 55.9cm)

John Behan RHA (b.1938) BIRD bronze on stone base with fossilised fish Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 28 by 20 by 30.50in. (71.1 by 50.8 by 77.5cm)

Gwen O'Dowd (b.1957) URBAN III oil on paper with artist's label on reverse Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 47.50 by 68in. (120.7 by 172.7cm)

Maurice Canning Wilks RUA ARHA (1910-1984) MEN OF THE WEST oil on canvas signed lower left; titled on reverse Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 19.50 by 25.50in. (49.5 by 64.8cm)

William Conor OBE RHA RUA ROI (1881-1968) QUEEN'S BRIDGE, BELFAST watercolour signed lower right; titled erroneously ["The Binns Bridge"] on reverse; with Victor Waddington Galleries label preserved on reverse Estate of Judge Desmond Windle possibly exhibited at the Belfast Art Society, 1925, no. 22, 'Queen's Bridge, Belfast', wc [£10-10-0] Another work of the same subject was shown by the artist at the RHA in 1926 [no. 254, £12-12-0].The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 10.50 by 14.75in. (26.7 by 37.5cm)

George Campbell RHA (1917-1979) WESTERN LANDSCAPE oil on board signed lower right Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 14 by 17.50in. (35.6 by 44.5cm)

Diana Copperwhite ARHA (b.1969) BULLSEYE, 1998 oil on canvas signed, titled and dated on reverse Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 54 by 54in. (137.2 by 137.2cm)

Charles Brady HRHA (1926-1997) UNTITLED [STILL LIFE] oil on canvas laid on board signed upper right Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 15 by 17in. (38.1 by 43.2cm)

Letitia Marion Hamilton RHA (1878-1964) MISTY DAY, PORTMARNOCK, COUNTY DUBLIN oil on board signed with initials lower right; titled on reverse Estate of Judge Desmond Windle Presented in original frame.The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 4.75 by 6.50in. (12.1 by 16.5cm)

John Behan RHA (b.1938) OARBOAT, 2006 bronze signed and dated Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 18.50 by 9 by 24in. (47 by 22.9 by 61cm)

Patrick Graham (b.1943) SET KEEL TO BREAKERS, 1994 watercolour with acrylic, pencil, glitter and collage element on paper inscribed with pencil right, centre; inscribed [No. 1] on reverse Estate of Judge Desmond Windle 'Set Keel to Breakers - An Exhibition of New Works by Patrick Graham', Hallward Gallery, Dublin, 28 September to 15 October 1994 The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 31.50 by 43.50in. (80 by 110.5cm)

Pauline Bewick RHA (b.1935) CAT IN JINKS ink on paper on panel signed and dated lower right; inscribed with artist's name and title on Dawson Gallery label on reverse; inscribed with title in pencil on reverse also Dawson Gallery, Dublin;Private collection;Adam's, 13 May 1992, lot 82;Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 21.75 by 29.75in. (55.2 by 75.6cm)

Gerard Dillon (1916-1971) BROWN, BLUE AND SILVER gouache and silver paint with collage on board signed lower left; titled on Dawson Gallery exhibition label on reverse Dawson Gallery, Dublin;Collection of Mrs Mervyn Wall;Estate of Judge Desmond Windle 'Gerard Dillon: New Collages, Dawson Gallery, Dublin, 1-17 May 1969, catalogue no. 31 Mervyn Wall (1908-1997) was an Irish writer and Secretary of the Arts Council from 1957-1975. His wife, Frances Feehan, was a theatre and music critic.Presented in original Dawson Gallery frame.The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 15.50 by 9in. (39.4 by 22.9cm)

Neil Shawcross RHA RUA (b.1940) STILL LIFE WITH BLUE BOTTLE, 1998 watercolour and acrylic signed and dated lower right Whyte's, 25 Ferbruary 2008, lot 6;Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 21.50 by 28.50in. (54.6 by 72.4cm)

Brian Maguire (b.1951) SELF PORTRAIT, 1981 oil on paper signed lower left; dated [August] lower right Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 29 by 21.25in. (73.7 by 54cm)

John Behan RHA (b.1938) ARCHER bronze on black marble base with Carroll Gallery [Longford] label on base Carroll Gallery, Longford;Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 25 by 9 by 20in. (63.5 by 22.9 by 50.8cm)

Nevill Johnson (1911-1999) STILL LIFE - THREE APPLES, 1991 oil on board signed and dated lower left deVeres, 11 October 1994, lot 35;Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 13 by 14.50in. (33 by 36.8cm)

Harry Kernoff RHA (1900-1974) WOMAN WALKING A COW IN FOR MILKING, 1943 watercolour signed and dated lower left Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 10.25 by 14.25in. (26 by 36.2cm)

Brian Maguire (b.1951) LONG SAD DRAWING, 1979 oil, ink and pencil on paper signed, titled and date [Dec 79] lower right Estate of Judge Desmond Windle The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 14 by 10in. (35.6 by 25.4cm)

George Campbell RHA (1917-1979) PORTRAIT OF A MAN oil on board signed lower right The Art Collection of Desmond P.H. Windle (1933-2014) Whyte’s are proud to present the collection of pictures and sculpture formed by Desmond Windle, a distinguished lawyer and art lover. Desmond’s life-long interest in art developed as a young solicitor in 1950s Dublin, inspired by his aunt’s (Molly Matthews) love of art. A regular attendee at galleries and studios, he collected modern and contemporary Irish art for over 60 years. He supported many young emerging artists and, in the early days, acquired some paintings by way of barter in exchange for legal advice to the frequently impecunious artists being threatened with eviction. Invariably their tenancy was secured. He never stopped collecting and decorated all available wall space in his home with a diverse collection of works and, thereafter, most available floor space. Favourites included works by Patrick Collins, John Behan, Michael Kane, Gerald Davis, Felim Egan, Robert Ballagh, Charles Brady, Charles Harper, George Campbell, Bernadette Madden and Seán McSweeney. Works from this wonderful collection, included in this 2 October 2017 sale, are lots 2, 5, 10, 15, 20, 26, 35, 48, 50, 53, 54, 56, 58, 59, 62, 66, 67, 91, 92, 94, 102, 103, 111, 112, 116, 120, 121, 122, 124 and 169. Further selections from this extensive collection will be offered in future auctions at Whyte’s. 11.50 by 9in. (29.2 by 22.9cm)

GILBERT BROWNE (born 1954) Two etchings 'Mooring - Little Venice' & 'Calm Waters - Little Venice' Both signed, inscribed & editioned in pencil, both with Christie's contemporary art certificates Both 21.5" x 15.75"

GILBERT BROWNE (born 1954) Pair of etchings 'River Way I & II' Both signed, inscribed & editioned in pencil, both with Christie's contemporary art certificates Both 9.5" x 12.75"

Louis Le Brocquy HRHA (1916-2012)DelacroixWatercolour, 60 x 44cm (23½ x 17¼'')Signed, inscribed 'For Anne in admiration and friendship' and dated 10th November 1981Provenance: A gift from the artist to Anne Crookshank, 10/11/1981 and thence by family descent.Louis le Brocquy’s (1916 - 2012) many series of portraits of celebrities both historic and contemporary were widely known and admired during his lifetime. However his small group of watercolour sketches of the 19th century French artist Eugene Delacroix are little known and rarely reproduced. Yet, they have a significance far beyond their recognisability because it was to the Delacroix Autoportrait dit au gilet vert in the Louvre in Paris, that le Brocquy owed his own ventures into self-portraiture.In Louis le Brocquy, Portrait Heads, A Celebration of the Artist's Ninetieth Birthday, (catalogue of the exhibition of the same name at the NGI in 2007), le Brocquy is quoted as saying that he resisted pressure to paint his own face from his wife, the painter Anne Madden and others, ‘because my interest was always in painting the other, ….my immediate stimulus happened to be a couple of studies in watercolour I made from Delacroix’s curiously moving self-portrait in the Louvre’. Despite this remark however, le Brocquy is also cited in the same publication, as saying that, ‘An artist tends to paint his self-portrait all the time, since even with a subject before him - what he tries to draw up from the depths of the paper or the canvas, lies really somewhere in his own head.’ That suggests that even though this watercolour sketch of Delacroix is a telling likeness of the great French Romantic as known from many portraits and photographs of him, there is an element of the self-portrait here too. It is of interest that le Brocquy did not attempt a series in oils of Delacroix but shifted his focus, instead, to his own face.This watercolour sketch of Delacroix comes from the collection of Anne Crookshank, the inaugural Head of the History of Art department in Trinity College who died late last year. Anne Crookshank had been a friend of the artist’s since the 1950s when she bought his work, and the work of other emerging contemporary artists, notably William Scott, for the collection at the Ulster Museum in Belfast. An inscription by the artist , dedicates the Delacroix portrait to her ‘in admiration and love’. Elsewhere le Brocquy recorded his great regard for her achievements in Ulster and her unfailing support for living artists through her work for the Rosc exhibitions and her teaching. The painting of Delacroix, connected as it is to an important development in le Brocquy’s own career, was a fitting gift to the country’s leading art historian and a friend whom le Brocquy thought of as ‘a great Irishwoman’. Catherine MarshallAugust 2017

Paul Henry RHA (1877-1958)A Connemara Cottage 1925-30Oil on board, 35.5 x 40.5cm (14 x 16)Signed. Inscribed with title versoProvenance: Originally acquired directly from the artist in February 1931 by a contemporary of Paul Henry’s at Methodist College, Belfast and thence by descent to the present ownerLiterature: S. B. Kennedy, Paul Henry: with a catalogue of the Paintings, Drawings, Illustrations, Yale University Press, Newhaven & London, 2007, catalogue number 640, p. 229, reproducedExhibited: Four Irish Artists: J. Humbert Craig, Paul Henry, E. L. Lawrenson, J. Crampton Walker, Fine Art Society, Bond Street, London, November 1930, catalogue number 14The original owner of this picture was a contemporary of Paul Henry at Methodist College, Belfast. A label on the reverse reads: ‘18. A CONNEMARA COTTAGE’, written in the artist’s hand. There is another label of James Bourlet on the reverse with the inscription ‘No. A47155’.There is moderate impasto, briskly executed. The Blue Lake (771, Kennedy, 2007), writing of the latter picture-which is virtually identical in composition to this one-Henry enclosed a photograph of the picture. On the back of the photograph he noted: ‘This is a very good thing and a favourite of mine but you can judge better than I of what you want. The photograph I regret to say does not give much idea of the colour which is warm and rich’. This painting dates from shortly after Henry left Achill Island to settle with his second wife, Mabel Young, at Carigoona Cottage in County Wicklow. After the trauma of leaving Achill, this was a very happy time for Henry, who often toured to the West in these years and made sketches for future paintings, ‘little notes’, as he called them. While it is a fine picture, it is not possible to identify the setting.Dr SB Kennedy, August 2017

Charleton (T.W.) The Art of Fishing. A Poem, The Art of Fishing. A Poem, first edition, ink ownership inscription, errata slip, handsome contemporary red straight grained morocco gilt [Westwood & Satchell, p.206], North Shields, Printed for the Author, 1819 § Smith (Arthur) The Thames Angler, second edition, engraved frontispiece, pictorial engraved title, woodcut illustrations, contemporary half calf, spine gilt incorporating fish devices, [Westwood & Satchell, p.195], 1860 § Bailey (William) The Angler's Instructor. A Treatise on the Best Modes of Angling in English Rivers, Lakes, and Ponds and On the Habits of the Fish, third edition, original cloth, gilt, [Westwood & Satchell, p.20], 1866 § Pritt (Thomas Evan) North-Country Flies, second edition, 12 lithographed plates (11 hand-coloured), bookplate of John McKinley, original cloth, gilt, spin ends and corners bumped, dust-jacket, chipped and browned, t.e.g., 1886 § Ronalds (Alfred) The Fly-Fisher's Entomology, second edition, half-title, 20 hand-coloured engraved plates, original embossed cloth, spine ends and corners a little bumped, [Westwood & Satchell, p.178], 1839; and 2 others, angling, both with Alan Jarvis' book label, 8vo (7)

Matisse (Henri).- Verve: Revue Artistique et Littéraire/An Artistic and Literary Quarterly, edited by E.Tériade, nos.1-17/18, 21/22, 23 & 24 (of 38) in 16 vol., nos.1, 2-4, 5/6 & 8 in English, the rest French, with numerous original colour lithographs as called for by Matisse, Léger, Miro, Kandinsky, Bonnard and others (see below), some double-page, many printed on both sides of sheet, numerous other plates and illustrations, many colour, some tipped in, very occasional spotting, mostly to text, most original pictorial wrappers or boards (many original lithographs), some with glacine wrappers, rubbed, some spines frayed, one or two slightly defective, no,1 contemporary cloth with original covers by Matisse bound in, nos.2-4 bound in 1 vol. in cloth with duplicates of some Indian plates loosely inserted, no.5/6 broken and loose, 4to, Paris & London, lithographs printed by Mourlot Frères, 1937-50. ⁂ A good set of this important French art magazine including most of the issues with contributions by Matisse and with all those relating to illuminated manscripts, comprising: No.1 Lithographs by Léger, Miro, Rattner & Borès, cover by Matisse. No.2 Lithographs by Kandinsky (2) & Masson (2), cover by Braque. No.3 Lithographs by Chagall, Miro, Rattner & Klee, cover by Bonnard. No.4 Lithographs by Matisse (4, one double-page of La Danse) & Derain (4), cover by Rouault. No.5/6 Lithographs by Guys (4), Braque, Rouault, Derain (2), Léger, Bonnard (2), Matisse (2) & Klee, cover by Maillol. No.7 Les Très Riches Heures du Duc de Berry: Le Calendrier par Pol de Limbourg & Jean Colombe. No.8 Lithograph by Bonnard, cover by Matisse. With plate 'Hands' by Matisse and introduction by Julien Cain not found in French edition. No.9 Les Fouquet de la Bibliothèque Nationale. No.10 Les Très Riches Heures du Duc de Berry: Images de la Vie de Jésus par Pol de Limbourg & Jean Colombe. No.11 Les Fouquet de Chantilly. Les Heures d'Étienne Chevalier: Vie de Jésus par Jean Fouquet. No.12 Les Fouquet de Chantilly. Les Heures d'Étienne Chevalier: La Vierge et les Saints par Jean Fouquet. No.13 Matisse. De la Couleur, 2 lithographs and cover by Matisse. No.14/15 Jean Bourdichon: Les Heures d'Anne de Bretagne. No.16 René d'Anjou: Traité de la Forme et Devis d'un Tournoi. No.17/18 Couleur de Bonnard, lithograph and cover by Bonnard. No.21/22 Matisse. Vence 1944-48, lithograph title and cover by Matisse. No.23 Le Livre du Coeur d'Amour Épris du Roi René, cover by Matisse. No.24 Contes de Boccace: Peintures du Manuscrit des Ducs de Bourgogne, Bibliothèque de l'Arsenal, cover by Chagall.

Rawstorne (Lawrence) Gamonia: or, the Art of Preserving Game; and an improved method of making Plantations and Covers..., first edition, half-title, 15 finely hand-coloured aquatint plates by J.T.Rawlins heightened with gum arabic, errata slip at end, light foxing to tissue guards and some text leaves, plates generally clean and bright, contemporary olive green morocco with elaborate gilt-tooled border, g.e., slightly faded, spine ends and corners rubbed, [Abbey, Life 392; Tooley 393], 8vo, R.Ackermann, 1837.

Cook (Captain James).- Webber (John) and Marie Catherina Prestel. Four views in the South Seas: 'A View in Annamooka, one of the Friendly Isle's'; 'View in Ulietea'; 'A View in Matavai, Otaheite'; 'A View in Pulo Condore', monochrome etchings and aquatints "au lavis", on cream laid paper, two sheets with indistinct text-based watermarks [not Whatman], platemarks each approx. 304 x 430 mm. (12 x 16 7/8 in), sheets approx. 400 x 570 mm. (15 3/4 x 22 1/2 in), some minor spotting and browning, mainly to margins, published by the artist, [circa 1787-1788], [bound with] Cook (Capt. James) [Atlas to accompany Captain James Cook's account of his voyages to the Pacific Ocean in the years 1776-1780], including two maps and 58 plates (of 61), without title and lacking plate nos. 27-29, without text leaves, engravings, on various laid papers, each sheet approx. 400 x 570 mm. (15 3/4 x 22 1/2 in), the front and back flyleaf watermarked 'J. Whatman 1821', occasional spotting and browning, some minor loss to margins in corners, bound in contemporary half-calf, spine gilt lettered, elephant folio, [circa 1784-1821]. Literature: [the four views] Joppien, Rüdiger and Smith, Bernard 'The Art of Captain Cook's Voyages', Yale, 1988, see nos. 3.44b; 3.157b; 3.120c; 3.397c ⁂ A very scarce set of Webber's "unpublished" aquatint views. Presumably bound together by an early collector, the four views in the present volume were Webber's first foray into the aquatint process and were separate from his later publication, Views in the South Seas. Only one of the four plates appears in this later publication, A View in Pulo Condore, but notably the buffalo driver is positioned differently, the lettering has changed, and it is printed in colour rather than monochrome; the variant states suggests that the present group of four are from an earlier printing, before the plate was re-worked, and before it appeared in Boydell's publication circa 1808-1820. Joppien and Smith record 3 or 4 other known impressions of these plates, with all but one or two in public collections (see The British Museum; Alexander Turnbull Library, Wellington; National Library of Australia), and at the time of publication they wrote of two of the plates: "The subject was not included in the later series of Webber's 'Views'. No other versions are known to exist." [Joppien, op. cit., nos. 3.120c and 3.157b]

Graham Bannister (20th/21st century) - Venetian reflections, signed and dated 1983, oil on canvas, 42" x 36" *Provenance - The Nevill Gallery (Fine Contemporary Art), 2a York street, Bath

1- Rackham, A (ill.): Sigfried and the Twilight of the Gods. Heinemann, 1911, 1st. edn. Covers little soiled; one plate loose; 2- Pietsch, L: Contemporary German Art.. Two volumes in One. G. Bell, 1888. 4to. Cont. full leather; hinges cracked; 3- Austen, John (ill): SIX TITLES- Don Juan, 1926; The Gods are Athirst, 1927; Tristram Shandy, 1928; The Red Lily, 1930; Moll Flanders, 1929 with dw; Madame Bovary, dw. All first edns. except for the last. Plus 8 others. (17)

A contemporary mirrored console table in the Art Deco taste, H:79cm W:122cm D:42cm

A contemporary console table having an Art Deco burr walnut top with three drawers and raised on steel spindle legs, H:82cm W:106cm D:48cm

SIMON LAURIE RSW RGI, CUBIST TABLE acrylic on board, signed 73.5cm x 79cm Framed and under glass. Note: Public collections include: Aberdeen Art Gallery, Contemporary Arts Society, London; Feren Art Gallery, Hull; Freshfields, London;Leicestershire Education Committee; Lillie Art Gallery, Milngavie; Nationwide Building Society, London; Royal Bank of Scotland; T.S.B Headquarters, London; Unilever PLC; William Teacher and Sons Ltd; Wyse Group; Walter Scott Investments Ltd, Edinburgh; Biggart Baillie; Aberdeen Asset Management; The Whisky Society, Edinburgh; Adam and Co Bank; Provident Financial; The Scottish Arts Club, Edinburgh.

* KEN PALMER (SCOTTISH 1944 - 2009),PIERCED CIRCUITacrylic on canvas50cm x 40cmUnframed, as intended.Note: Ken Palmer was regular and successful contributor to The Scottish Contemporary Art Auctions until his untimely death in 2009.

* KEN HOWARD OBE RA (BRITISH b 1932 - ),CONTINENTAL STREET SCENEoil on canvas board, signed24.5cm x 29cmFramed.Note: Ken Howard was born in 1932. He studied art at Hornsey School of Art from 1949 to 1953. Ken then did his National Service with the Royal Marines before returning to study at the Royal College of Art from 1955 to 1958. Howard then went on to win a British Council Art Scholarship to Florence from 1958 to 1959. The first Ken Howard one-man show was held at the Plymouth Art Centre in 1955. Subsequent art exhibitions were held in 1966 and 1968 at the John Whibley Gallery. From then on Ken Howard exhibited extensively, both nationally and internationally, particularly with the New Grafton Art Gallery from the early 1970s. Ken Howard was given a retrospective exhibition in 1972 at the Plymouth City Art Gallery. In 1979 Ken Howard was appointed by the Imperial War Museum as official British artist in Northern Ireland. He also worked with the British Army in Germany, Cyprus, Oman, Hong Kong, Nepal, Norway, Canada, Belize and Brunei from 1973 to 1982. Ken Howard is a master at capturing light in both oil and watercolour paintings. Today Howard is known as one of the leading British artists for his ability to fuse light and atmosphere in his contemporary paintings. The subjects for Ken Howard contemporary paintings range from studio nudes to Venetian scenes and Cornish beaches. Ken Howard was elected a member of: the New English Art Club in 1962; the Royal Institute of Oil Painters in 1966; the Royal Society of Painters in Watercolours in 1979; the Royal West of England Academy 1981; Honorary Member of the Royal Society of British Artists in 1988; Royal Academician in 1991; and President of the New English Art Club in 1998. His numerous art awards include: First Prize in the Lord Mayor's Art Award in 1966; a Prize Winner in the John Moores Art Exhibition, Liverpool in 1978; first prize in the Hunting Group Art Awards; and the Critics Prize at Sparkasse Karlsruhe in 1985. He now lives and works in London or at the Ken Howard artist studio in Venice. Ken Howard contemporary paintings are found in many British and International private, corporate and public art collections.

* CATRIONA MILLAR,THE OLD MAIDoil on canvas, signed with initials80cm x 100cmFramedNote: Ever since Catriona Millar's 2005 Degree Show at Gray's School of Art in Aberdeen sold out within hours her unique and highly distinctive figurative oil paintings have captivated and delighted art collectors. The Sunday Herald newspaper has ranked Catriona Millar in the top five most collectable Scottish artists and her work is admired and collected throughout Europe, the Far East and America. She has won the respect and acclaim of collectors, critics and leading galleries while her stunning works continue to enjoy a special place amongst the contemporary art buying public. Catriona Millar's paintings speak a universal language to all ages and over recent years many schools around the world have studied her work. See Scottish Television (STV) report at: https://vimeo.com/34197015 Catriona Millar is listed in the 2012 edition of Who's Who in Scotland.

* SAM MACDONALD, BONELESS pewter, gold leaf and beaten copper, signed and titled verso 102cm x 82cm Unframed, as intended. Note:Sam grew up on the Isle of Lewis and, after 4 years at Camberwell School of Arts and Crafts training in Silversmithing and Metalwork, lived on Orkney for 19 years. This enabled his love of fishing, diving and the sea to combine with his developing skills in metalwork. Sam uses old, traditional metal work techniques to produce contemporary and unique works. He creates impressions of fish, using the tactile effects that metal, its processes and techniques have to offer. Travelling internationally to fly fish has opened up new inspiration for Sam. Fishing in Venezuela, the Bahamas, and the Dominican Republic for bonefish, permit, tarpon and barracuda have been the source of inspiration for many recent pieces. As has salmon and trout fishing in Iceland and Pakistan. Sam is a Signature Member of The Society of Animal Artists USA and a member of the Redspot Artist Group. He has been featured on BBC 2's 'Coast' programme and has featured in Wildlife Art Journal and X-ray International Diving Magazine. Work has been acquired for private collections all over the world and Sam has recently installed a large salmon piece in the prestigious West Ranga Lodge in Iceland. In 2012 Sam had a large solo show in The Gallery, Cork Street, London. He has also shown at various group exhibitions in galleries including the House of Bruar, CLA Game Fairs, the Royal Scottish Academy, The Wykeham Gallery and Visions West Gallery, Montana.

* JOAN GILLESPIE, THE RED TOPoil on board, signed78.5cm x 53cmFramed and under glassLabel verso: Duncan Campbell Fine Art, 17 Thackeray Street, Kensington Square, London. Provenance: Private collection, London.Note: Born in Dundee in 1954, Joan Gillespie studied painting at Duncan of Jordanstone College of Art, Dundee and completed her Diploma course at Edinburgh College of Art. Over the years she has found affinity with the works of some of the Impressionists, the Nabis, the Newlyn School, the Glasgow Boys and the Scottish Colourists. Composition, paint quality and colour distribution in painting are very important to her. Her works are in the collection of Lord McFarlane of Bearsden, Trinity International Holdings and in private collections in Spain, Australia and USA.Joan Gillespie has exhibited in galleries throughout Scotland since 1987 including the Macaulay Gallery in East Lothian, The Open Eye and Flying Colours Galleries in Edinburgh, the Atholl Gallery in Dunkeld and the Contemporary Fine Art Gallery in Eton. Her paintings have been hung in the Royal Scottish Academy, The Royal Glasgow Institute, The Royal Scottish Society of Painters in Watercolours and the Society of Scottish Artists and Artist Craftsmen. She was a finalist in the Morrison Portrait Competition 1991 at the Royal Scottish Academy in Edinburgh as well as a finalist in the Laing Landscape Competition 1992 at the Mall Galleries, London.This is unquestionably the finest private collection of Joan Gillespie paintings to be offered at auction.

WALL ART MIRROR, Contemporary, silver framed, 67cm x 67cm.

17th-19th century AD. A mixed group comprising: a silver ring with flat-section hoop, stepped shoulders with chevron detailing, square bezel; a hammered shilling coin of Charles I (1625-1649 AD) showing his bust and arms, the legends almost absent due to contemporary clipping of the flan. 7.19 grams total, 20-24mm (3/4 - 1"). Ex Stratford collection, Suffolk, UK; acquired on the UK art market after 2000. [2, No Reserve] Fine condition; the coin fair.

A contemporary Moorcroft single handled jug, having stylized Art Nouveau decoration on a blue ground, printed and impressed marks to base, dated 2006, 24cm.

•STEVEN CAMPBELL (Scottish 1953 - 2007) MAN WITH A SPIRAL TREE Oil on paper laid on board, signed and dated 1983, 206 x 122cm (81 x 48") William Hardie Gallery label and inscribed with title, signed and dated 1983, verso Steven Campbell studied at Glasgow School of Art 1978-1982. He was awarded the Bram Stoker gold medal and a Fulbright Scholarship. He studied at the Pratt Institute New York and his first solo show was held at the Barbara Toll Gallery, New York in 1983. His work appeared in exhibitions throughout the US and Europe with major museums acquiring his paintings. Along with Ken Currie, Peter Howson and Adrian Wiszniewski, Campbell was an important figure in the renaissance of Scottish art in the 1980's which saw Glasgow become one of the major international centres for contemporary art at that time with the emergence of the New Glasgow Boys. He is represented in many important private and public collections including Tate Modern London, Tate Liverpool, Scottish National Gallery of Modern Art, Glasgow Art Gallery and Museum, Metropolitan Museum of Art New York, Arts Council of Great Britain, and Art Institute of Chicago.

Various prints, including The Waterloo Banquet at Apsley House June 18, 1836, a group of John Brunsdon etchings, Christie's Contemporary Art certificates verso, assorted military, sporting and other prints (qty) Condition report Report by GHThe Waterloo Banquet engraving has some staining and browning.The engraving is signed William Salter to the bottom left.In total there are around 34 pictures in the lot.

Commemorative Medals, Sweden - Book: Johann Carl Hedlinger (1691-1771): Merchel, Chrétien de, Oeuvre du Chevalier Hedlinger, ou Recueil des médailles de çe celebre artiste, gravées en taille douce, accompagnées d’une explication historique et critique, et précédées de la vie de l’auteur, Basle, 1776, folio, engraved title and dedication [to the King of Sweden], 40 engraved plates, + 64pp, the engraved armorial ‘ex-libris’ of the collector and art connoisseur, politician and MP for Evesham, Baron Northwick [John Rushout, 1st Baron Northwick (1738–1800)] on inside cover contemporary leather binding, spine with five raised bands, lettered in gilt and decorated in blind; marbled endpapers; in modern slip-case, some slight browning to the end papers but internally clean, a superb copy of this rare first (and only) edition Merchel, Chrétien de (1737-1817). The Swiss-born Johann Carl Hedlinger (1691-1771) became the 18th century’s foremost medallic artist, moving to Sweden in 1718 where, with some interruptions, he was active until 1746. The Alan Irvine Collection of Historical and Artistic Medals

Commemorative Medals, Italy, Vatican, Clement XI (1649-1700-1721), Giovanni Francesco Albani, a superb large uniface cast bronze medallic plaquette, 1706-07, by Charles Claude Dubut, bust r., wearing robes and tiara, CLEMENS: XI: :PONT: MAX: AN: VII, raised border, 131.5mm. (Miselli pp. 74-5, 64a: Roma Resurgens 148), a superb medal, with a contemporary suspension loop attached through rim, good very fine and well patinated with age Charles Claude Dubut (1687-1742) was a sculptor, stuccoer, medallist and wax modeller. He was educated in Paris and Rome and later worked at the Dresden court, then Berlin, before he settled in Munich. See also, Arne R. Flaten, Medals and Plaquettes in the Ulrich Middeldorf Collection at the Indiana University Art Museum, Bloomington, Indiana, 2012. The Alan Irvine Collection of Historical and Artistic Medals

A large piece of contemporary textile art by Anne Raphael entitled 'What Will Survive of Us' together with four further framed pieces of work by the same artist, etc.

A large piece of contemporary textile art entitled 'In the Forest' produced by Anne Raphael comprising a tree design intricately stitched with textiles and coloured paper, etc., together with two smaller examples of work by the same artist and a collection of folders and portfolios containing research, information and experimental pieces of work.

A large piece of contemporary style art in the form of a female torso with intricately machine stitched background and hand couched rolls of fabric for the main body, produced by Anne Raphael together with some further examples of work by this artist in mainly paper collages.

A contemporary Hoglund (New Zealand) Art glass vase of ovoid form having blue and amber internal decoration, by Ola Hoglund, signed to base and bears original label, height 11cm, together with a similar unmarked bowl, length 19cm. CONDITION REPORT: Vase in good condition with no damage, bowl with bruise to one end, light scratches to base

Contemporary bronze of an Art Deco lady. Stands 43cm

A group of Wedgwood blue Jasperware, glass, framed articles, a brass mounted oak tantalus, contemporary African tribal art, a collection of LPs etc

WILLOW PATTERNby Julia Brooker1450 mm long x 920 mm high x 700 mm deep, 36 kgThis design is based on the famous Willow pattern that was first produced in Stoke on Trent in the 1780s and was very fashionable in Jane Austen's time. Once can imagine Jane enjoying her tea from a fine china cup decorated with a love story.Julia BrookerJulia went to art college when her teenage son left home as she had always wanted to be a painter. Her paintings are usually on aluminium panels because she loves the way light can reflect through transparent layers of colours.Julia set up her studio in Cardiff in 2000. Since then she has built an international reputation. Her contemporary paintings have been exhibited worldwide and are in the collections of private and corporate collectors including GlaxoSmithKline, Barclays Bank and Johnson & Johnson.

JANE TALKby Jenny Leonard1450 mm long x 920 mm high x 700 mm deep, 36 kg This modern graphic art style design uses popular quotes from Jane Austen that are just as applicable today as 200 years ago. The artist has designed the BookBench in a modern and contemporary comic/graphic art style to capture the imagination of the younger audience. It uses a series of popular and famous Jane Austen quotes scattered throughout the piece of inspire people to read the novels and engage with the art piece.Jenny Leonard Jenny is a community driven commission artist always pursuing collaborative art projects that bring people together. She currently delivers creative art workshops for schools and businesses. Jenny specialises in murals, scenic painting and site specific public art for the community. Her work has been commissioned by British Airways, Transport for London and Westminster City Council. She currently exhibits painted sculptures on public art trails with Wild in Art and her work has raised over £80,000 for partnering charities. In 2016 a record breaking Elephant sold for £15,000 for Sheffield's 'Herd of Sheffield' Art Trail. She currently lives and works in London.

FEMALE POWERby Fatima Pantoja1450 mm long x 920 mm high x 700 mm deep, 36 kg This colourful BookBench depicts Jane Austen working at her desk with a scroll of never-ending paper and colours that reflect her strength and the vibrancy of her ideas. Fatima PantojaFatima is a Spanish artist who moved to the UK to learn English six years ago, and currently works as a freelance artist and art teacher. Her artwork style and techniques change all the time, and she tries to push her own boundaries while avoiding being classified. As an artist Fatima wants to be able to make people see the beauty and wonder of every day apparent routine, to enjoy the colours, the light and brush strokes. Although Fatima knew Jane Austen's work she finds it hard to believe that Jane is not a contemporary as she writes in such a strong and independent manner. Her design puts Jane working in her studio, with never ending paper, and the landscape with fountain pen tree talk about her ability to create manuscripts. The colours reflect her strength and the vibrancy of her ideas clashing with the epoque's archetypes. The plants, some of them cactus blooms, represent her sharp and concise personality.

•ANTHONY STERN (b.1944): A CONTEMPORARY OPAQUE ART GLASS VASE of tall cylindrical form with flared rim, decorated with swirls in tones of purple and brown, signed marks, 11.75" high

An 18ct gold necklace by contemporary jeweller Paul Preston, composed of spectacle set discs of yellow or white gold, varying sizes and of rough textured finish, joined by short lengths of small circular links with a larger central link and suspending from the front the largest disc, to an 'S' hook clasp; Birmingham hallmarks 1976 and with maker's 'PP' stamp, four further discs with crown and 750 punches, and another with a double chevron in a cushion outline assumed to be an early signature; length 64cm, weight 16.76g Paul Preston was born in 1943, trained as an architect (double first from Oxford Poly, now Oxford Brooks), but soon abandoned that career; and while supporting himself by diving for crayfish and scrap from wrecks off the Cornish coast, became a self-taught craftsman jeweller. He lived with his family in a former nudist camp in Pembrokeshire, and with the alter ego of the Red Mole, created jewellery in precious metals, sometimes alloys of his own invention, and gemstones: one-off, detailed and sometimes emotive pieces inspired by the natural world, the art of Breon O'Casey and craftsmanship of Bernard Leech. He stopped work in 1997 for some years, suffering from clinical depression, but has taken up his unique creative baton again in the last few years; he has exhibited at galleries at home and abroad and his jewellery is in the permanent collection of the V&A (a gold and ruby brooch dated 2007 depicting 'A Charm of Goldfinches'), and his work is currently available in a number of commercial art galleries from Edinburgh to St Ives in Cornwall, including Primavera in Cambridge.

Miscellaneous - The Gallery of Engravings, Edited by The Rev. G.N. Wright, M.A. [and later] C.H. Timperley, three-volume set, Fisher, Son, & Co., London [c. 1846], illustrated throughout with engravings after Old Masters, portraits and further genre pictures, contemporary quarter-leather and marbled boards, period ink MS owner's inscription, 4to; Tyrell (Henry), The History of the War With Russia [...], Illustrated by a Series of Steel Engravings, volumes I & III only, The London Printing and Publishing Company (Limited), London [1856], contemporary quarter-leather and marbled boards, 4to; Owne's New Book of Roads; Or, A Description of The Roads of Great Britain [...], A New Edition: Corrected and Greatly Improved, Printed (by Assignment from W. Owen) [...], London 1817, the last leaf bound with a two-page leaflet on Ashby-de-la-Zouch Fairs, contemporary calf, 12mo; Exempla Minora: Or, New English Examples, To Be Rendered Into Latin [...], E. Williams, Eton 1836, contemporary calf, 16mo; The Museum of Science & Art, edited by Dionysius Lardner, D.C.L., volumes I, II, V, VI, XI and XII only, bound as three, Walton and Maberly, London 1854-1856, illustrated by wood engravings throughout, quarter-leather and marbled boards, 12mo; etc