* HAMISH MACDONALD DA PAI (SCOTTISH 1935 - 2008), SUMMER, LOCH LOMOND limited edition giclee print on paper, signed and titledframed and under glassimage size 17cm x 25cm, overall size 29cm x 37cm Note: Hamish MacDonald was born in Glasgow in 1935. He studied at Glasgow School of Art between 1963 and 1967. From 1968 he successfully combined painting with teaching and also guest lectured throughout Scotland. In 1991 he retired from his post as an Art Department Principal to concentrate fully on the development of his painting. Much of his work was inspired by the Scottish Colourist movement, but MacDonald preserved an individuality which marks him out as both a vibrant and important artist. Throughout his career he succeeded in capturing dramatic scenes with his own passionately innovative palette. Hamish MacDonald is now widely regarded as one of Scotland's most successful contemporary artists. From 1964, Hamish staged numerous solo exhibitions in Scotland and Cornwall. He also participated in group shows with prominent galleries in London and throughout the UK. His works can be found in many major collections throughout the world.
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* JOHN CUNNINGHAM RGI D LITT (SCOTTISH 1926 - 1998), GLASGOW CITYSCAPE oil on canvas, signed framed image size 81cm x 128cm, overall size 98cm x 143cm Note: The artist's long obituary in The Glasgow Herald in 1998 began "Dr John Cunningham's death at the age of 72 robs Glasgow of one of its most endearing, well-known and colourful art-world stalwarts". Born in Lanarkshire in 1926, Cunningham attended Glasgow School of Art (GSA) in 1953. From 1967 to 1985, he was a Senior Lecturer at GSA, thus having close contact with several generations of young painters for two decades. John lived in a magnificent and spacious studio flat in the centre of Glasgow which was designed by Sir John Burnett expressly for the use of an artist, and which had previously been owned by other artists including John McGhie and David Gauld. The vision of his paintings was an expression of the man. John Cunningham was a large, charismatic character who loved life abundantly and whose paintings reflected his joy and passion for vibrant colour and contrast, displaying bold, confident brush-strokes along with subtle sensitivity. This gives his work a wonderful freshness and vitality with the immediacy of the moment captured. In 1980 he was elected to the Royal Glasgow Institute of the Fine Arts (RGI) and in 1990 he was awarded an Honorary Doctorate from the University of Strathclyde. He received numerous prestigious awards during his long career. He exhibited throughout the UK also in New York and Hong Kong, and his work is in many public (including Glasgow Galleries & Museums and The Hunterian), corporate and private collections.In The Scottish Contemporary Art Auction of 28th March 2024, lot 32, "Sanna Bay, Ardnamurchan" , a 66 x 111cm oil on canvas (by Cunningham) sold for £13000 (hammer).
* JAMES HARRIGAN (SCOTTISH b. 1937), SUMMER MORNING (VIEW TO ARRAN) oil on board, signed, titled versoframed and under glass image size 51cm x 77cm, overall size 71cm x 96cm Exhibition label verso.Note: James Harrigan is a graduate of Glasgow School of Art where he studied Painting and Printmaking between 1956 and 1961. He was born in Ayr in 1937 and has continued to live in Ayrshire all his life. He taught Art for many years and was an inspiring teacher with many of his pupils going on themselves to develop successful careers as artists. In recent years James has spent time in the West Indies and in Brazil but he never tires of painting the landscape and coastline around his Ayrshire home and elsewhere in Scotland. He is known mainly as a landscape artist but his landscapes are almost invariably informed by a human presence and day to day activities, a sense of life being lived. This may be actual figures or it may be a suggestion of human life through buildings, gardens, boats.... He is an expressive painter working mainly in oils, using the rich, luscious quality of the paint to great effect. He exhibits widely and has work in many collections including those of the House of Lords, Glasgow University, P & O Cruises, Wigtownshire Education Trust and the Maclaurin Gallery. He is a past winner of the prestigious Laing Landscape Competition and the Scotsman Art Competition. In The Scottish Contemporary Art Auction of 10th November 2022, lot 52 "Girvan Harbour" a 48 x 58cm oil on board (dated 1998) by James Harrigan sold for £2200 (hammer). Since then "Sailing at Elie" a 50 x 75cm oil (by James Harrigan) sold in our auction of 13th December 2023 (lot 10) for £2400 (hammer).
* ALEXANDRA STEELE (SCOTTISH b. 1946), LOW TIDE, ARISAIG oil on canvas, signed, titled label versoframed image size 60cm x 60cm, overall size 76cm x 76cmLabel verso: The Contemporary Fine Art Gallery, Eton.Note: Alexandra Steele was born and educated in Scotland. She lives in central Scotland and for over 25 years was a visiting specialist art teacher to many primary schools in the area. She gave up teaching in 2001 and is now painting fulltime. Her family are originally from the north of Scotland and it was here, on her grandparents croft that she spent most of her childhood. She is especially drawn to the luminescent skies and seas of the West Coast where the colours and light continue to inspire, challenge and delight. From June to September she visits the Highlands & Islands, where she sketches and takes hundreds of photographs. In the winter months she paints almost exclusively with a palette knife in her studio, where she tries to capture these lonely places. Her style has been influenced by French Impressionism and by the Scottish Colourists, particularly Peploe. With these influences she has developed a personal style generally using multiple layers of paint. She considers herself a very fortunate person, spending her time doing what she enjoys most.
* GORDON K MITCHELL RSA RSW RGI (SCOTTISH b. 1952), TABLE WITH STRINGED INSTRUMENTS oil on canvas, signedframed and under glassimage size 102cm x 122cm, overall size 117cm x 137cm Note: Prizes and Awards include: Borders Biennial Exhibition; First Prize, City Arts Centre, Open Exhibition; First Prize, Educational Institute for Scotland; Purchase Prize, Glasgow Mayfest Award, Royal Scottish Academy Award; First Prize, Royal Scottish Society of Painters in Watercolour; William Gillies Award, Scottish Drawing Competition, Paisley; Second Prize, Royal Scottish Academy; J. Murray Thompson Award, Scottish Artists and Artist Craftsmen; Arts Club Prize, Scottish Artists and Artist Craftsmen; Whyte & Mackay Award, Scottish Artists and Artist Craftsmen; Scottish Provident Award, Scottish Artists and Artist Craftsmen; Dunfermline Building Society Prize, Scottish Artists and Artist Craftsmen; SSWA Special Award. Solo Exhibitions include Dorothy Quinn Gallery, St. Andrews, Henderson Gallery, Edinburgh, Old City Art Gallery, Jerusalem, Traverse Theatre, Edinburgh, Open Eye Gallery, Edinburgh (biannually since 1992), Roger Billcliffe Fine Art, Glasgow (biannually since 1993), Atholl Gallery, Dunkeld (1993) Albemarle Gallery (biannually since 1997). Represented in Group Exhibitions in the United Kingdom, including:Allan Park Gallery, Stirling, Atholl Gallery, Dunkeld, Borders Biennial Exhibition, City Arts Centre, Edinburgh, Contemporary British Art Show, London, Contemporary Fine Art Gallery, Fine Art Society Galleries, Glasgow, Gracefield Art Centre, Dumfries, Hilton Hotel, Hong Kong, John Martin of London, Kirkcaldy Art Gallery, Mall Galleries, London, Morrison Scottish Portrait ExhibitionOpen Eye Gallery, Edinburgh, Paisley Art Institute, Portland Gallery, London, Richard Demarco Gallery, Edinburgh, Roger Billcliffe Fine Art, Glasgow, Royal Glasgow Institute, Royal Scottish Academy, Edinburgh, Royal Scottish Society of Painters in Watercolour, Scottish Arts Club, Edinburgh, Scottish Arts Council Gallery, Smith Art Gallery & Museum, Society of Scottish ArtistsSociety of Scottish Artists and Artist Craftsmen, Stirling Gallery, Talbot Rice Gallery, Edinburgh Group Exhibitions held abroad: Through the `Old City Gallery` Jerusalem, paintings have been included in group exhibitions in Israel, Australia, Canada, U.S.A. and Sweden. Blue and White Gallery, Jerusalem, Contemporary Scottish Art 1994, Hilton Hotel, Hong Kong Collections: Works held in a great many private and public collections, including; Alliance & Leicester Building Society, Edinburgh Distillers Co. Ltd, Edinburgh College of Art, Educational Institute for Scotland, Johnny Walker Whisky Co, Kansas City Art Institute, Macfarlane Group Plc, National Westminster Bank, Paisley Art Institute, Scottish Arts Council, Scottish Brewers Limited, Slottseal Forthside Limited, The Knesset, Israel, University of Edinburgh, Welcome Inns, Whyte & Mackay Group, William Teacher & Sons (Whisky). One of the most recent examples of Gordon Mitchell's paintings we've offered was "Castaway" a 73 x 98cm oil on canvas which sold in The Scottish Contemporary Art Auction of 24th January 2021 for £8000 (hammer) setting a new auction world record for a work by the artist.Condition of the picture is good overall, with no visible or known issues.
* HAMISH MACDONALD DA PAI (SCOTTISH 1935 - 2008), TWO LIMITED EDITION PRINTS FARM HENS, SKYE and SUILVEN AND LOCH INVERlimited edition lithographic prints on paper, each signed, titled and numberedeach mounted, framed and under glassimage size 27cm x 34cm and 26cm x 30cm, overall size 44cm x 49cm and 49cm x 51cm Note: Hamish MacDonald was born in Glasgow in 1935. He studied at Glasgow School of Art between 1963 and 1967. From 1968 he successfully combined painting with teaching and also guest lectured throughout Scotland. In 1991 he retired from his post as an Art Department Principal to concentrate fully on the development of his painting. Much of his work was inspired by the Scottish Colourist movement, but MacDonald preserved an individuality which marks him out as both a vibrant and important artist. Throughout his career he succeeded in capturing dramatic scenes with his own passionately innovative palette. Hamish MacDonald is now widely regarded as one of Scotland's most successful contemporary artists. From 1964, Hamish staged numerous solo exhibitions in Scotland and Cornwall. He also participated in group shows with prominent galleries in London and throughout the UK. His works can be found in many major collections throughout the world.
CATRIONA MILLAR, PAULA oil on canvas, initialled, titled and dated 2024 versounframedoverall size 41cm x 31cm Note: Catriona Millar's work takes its inspiration from the stories that lie at the heart of the human condition, and the sparkle of a narrative behind the eyes of her subjects hints at everything from longing to melancholy. Her work often juxtaposes human characters with a variety of animal confidants, with some seeming physically present in the composition while others take on a talismanic quality. Born in Glasgow, Catriona Millar studied at Harrogate School of Art and Grays School of Art, Aberdeen. Since the success of her sell-out 2005 degree show she has exhibited across the UK including the Royal Scottish Academy, Edinburgh. In October 2006 she came to the attention of Charles Saatchi with her first solo exhibition at the Dundas Street Gallery, Edinburgh. Catriona Millar now lives and paints in the southeast of England. Catriona Millar is listed in the 2012 edition of Who's Who in Scotland. In the Scottish Contemporary Art Auction of 3rd May 2015 lot 2138 "The Agency" by Millar sold for £2800 (hammer).
* HAMISH MACDONALD DA PAI (SCOTTISH 1935 - 2008), STAFFA, FINGAL'S CAVE limited edition print on paper, signed, titled and numbered 559/800mounted, framed and under glassimage size 34cm x 57cm, overall size 57cm x 78cm Note: Hamish MacDonald was born in Glasgow in 1935. He studied at Glasgow School of Art between 1963 and 1967. From 1968 he successfully combined painting with teaching and also guest lectured throughout Scotland. In 1991 he retired from his post as an Art Department Principal to concentrate fully on the development of his painting. Much of his work was inspired by the Scottish Colourist movement, but MacDonald preserved an individuality which marks him out as both a vibrant and important artist. Throughout his career he succeeded in capturing dramatic scenes with his own passionately innovative palette. Hamish MacDonald is now widely regarded as one of Scotland's most successful contemporary artists. From 1964, Hamish staged numerous solo exhibitions in Scotland and Cornwall. He also participated in group shows with prominent galleries in London and throughout the UK. His works can be found in many major collections throughout the world.
* GEORGINA MCMASTER (SCOTTISH b. 1980), UNTITLED oil on canvas, signedframed and under glassimage size 60cm x 60cm, overall size 80cm x 80cmNote: In The Scottish Contemporary Art Auction of 6th March 2022, "Camouflage" (lot 206, a 91 x 121cm oil on canvas) by Georgina McMaster sold for £4400 (hammer) setting another UK auction record price for one of Scotland's most notable young artists.
* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018), BETWEEN MONTEJAQUE AND ZAHARA 13.09.01 oil on board, signed and dated 2001 framed and under glass image size 38cm x 48cm, overall size 57cm x 66cm Note 1: Titled verso in the artist's hand but obscured by the backboard. Note 2: Sheila Macnab Macmillan was born in Glasgow in 1928. She attained a degree in Geography at Glasgow University and went on to train as a teacher. However, she had always painted and her talent was strongly encouraged by her uncle the distinguished Iain Macnab RE ROI (1890 - 1967) who persuaded Sheila to come to London and train under him. Iain Macnab had been Principal at Heatherley's Art School (1925 - 1940) and then went on to be founding Principal of the hugely influential Grosvenor School of Modern Art. Sheila's London influences and Glasgow School foundations evolved into a distinctive and individual style. She usually worked "en plein air" and her work is semi-abstract. She focused mainly on landscape where her training as a geographer, allowed her to use her understanding of land formation, the delicate balance of the seasons and the interaction between Man and the environment. Her uncle's concept of "rhythm" is evident in Sheila's work and remained a constant throughout her career. She painted in Scotland, Spain. France and Italy and exhibited widely, especially in Glasgow, Edinburgh, London and Newcastle. Her work appeared frequently at the Royal Scottish Academy, Royal Glasgow Institute, Paisley Art Institute annual exhibitions and at the Royal Academy Summer Exhibition (London). She won numerous awards and prizes over a long and distinguished career. In recent times we have offered a growing number of Sheila Macmillan's paintings with several achieving more than £1000. The current leading price is £1700 (hammer) for "Ronda, Spain", a 45 x 48cm oil on board (lot 510A, The Scottish Contemporary Art Auction 24th October 2021).
* HAMISH MACDONALD DA PAI (SCOTTISH 1935 - 2008), AUTUMN, PERTHSHIRE limited edition print on paper, signed, titled and numbered 125/650mounted, framed and under glassimage size 41cm x 60cm, overall size 63cm x 81cm Note: Hamish MacDonald was born in Glasgow in 1935. He studied at Glasgow School of Art between 1963 and 1967. From 1968 he successfully combined painting with teaching and also guest lectured throughout Scotland. In 1991 he retired from his post as an Art Department Principal to concentrate fully on the development of his painting. Much of his work was inspired by the Scottish Colourist movement, but MacDonald preserved an individuality which marks him out as both a vibrant and important artist. Throughout his career he succeeded in capturing dramatic scenes with his own passionately innovative palette. Hamish MacDonald is now widely regarded as one of Scotland's most successful contemporary artists. From 1964, Hamish staged numerous solo exhibitions in Scotland and Cornwall. He also participated in group shows with prominent galleries in London and throughout the UK. His works can be found in many major collections throughout the world.
* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), BOAT IN HARBOUR oil on canvas, signed framed image size 122cm x 152cm, overall size 139cm x 169cm Comment: A spectacular and large (48 x 60 inches) example. Provenance: Private collection Monaco. Note: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficullt to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer) and in our auction of 9th November, lot 92, "Harbour" a 90 x 120cm oil by Bellany sold for £11000 (hammer). Most recently, "The Players" lot 50 in our auction of 28th March 2024 sold for £30000 (hammer).
CATRIONA MILLAR, PRINCESS AND FREDDIE oil on canvas, initialledunframedoverall size 41cm x 31cm Note: Catriona Millar's work takes its inspiration from the stories that lie at the heart of the human condition, and the sparkle of a narrative behind the eyes of her subjects hints at everything from longing to melancholy. Her work often juxtaposes human characters with a variety of animal confidants, with some seeming physically present in the composition while others take on a talismanic quality. Born in Glasgow, Catriona Millar studied at Harrogate School of Art and Grays School of Art, Aberdeen. Since the success of her sell-out 2005 degree show she has exhibited across the UK including the Royal Scottish Academy, Edinburgh. In October 2006 she came to the attention of Charles Saatchi with her first solo exhibition at the Dundas Street Gallery, Edinburgh. Catriona Millar now lives and paints in the southeast of England. Catriona Millar is listed in the 2012 edition of Who's Who in Scotland. In the Scottish Contemporary Art Auction of 3rd May 2015 lot 2138 "The Agency" by Millar sold for £2800 (hammer).
* GEORGINA MCMASTER (SCOTTISH b. 1980), SAL oil on canvas, signedframedimage size 100cm x 50cm, overall size 120cm x 70cm Note: In The Scottish Contemporary Art Auction of 6th March 2022, "Camouflage" (lot 206, a 91 x 121cm oil on canvas) by Georgina McMaster sold for £4400 (hammer) setting another UK auction record price for one of Scotland's most notable young artists.
* JAMES ORR (SCOTTISH 1931 - 2019), MONTROSE BEACH oil on board, titled versoframed and under glassimage size 31cm x 35cm, overall size 47cm x 52cmNote: James Orr was a regular and successful contributor to The Scottish Contemporary Art Auctions. A modest man when it came to his own achievements, his work is held in the collection of HRH The Late Duke of Edinburgh and in many private collections across the world. He won several awards for his work, including the RGI’s Royal College of Physicians & Surgeons of Glasgow Award. His paintings have given and continue to give great pleasure to many people. Renowned for his kindness and generosity, he also nurtured many budding artists and gave his time generously through artist demonstrations for many art clubs across Scotland.Condition of the picture is good overall, with no visible or known issues.
* MURIEL BARCLAY, SUMMER SALES oil on canvas, signedframedimage size 41cm x 35cm, overall size 63cm x 58cm Note: In the inaugural Scottish Contemporary Art Auction staged by McTear's on 22nd November 2008, "Pink Tutu Tune" by Muriel Barclay sold for £7475 (premium) which was widely reported to be a record price for any maiden painting at public auction by a Scottish artist (past or present). Muriel Barclay is one of Scotland's most successful living artists and her exhibiting history is impressive. Her paintings are enthusiastically collected around the UK and auction appearances of her larger paintings, such as "Leg Pulling", are extremely rare. Collections include: Sir Arnold Clark, Lord Harris, The Sultan of Brunei, Alex McLeish, Sir Jack Harvey, HBOS, Biggart Baillie, Arisaig Partners, Ernie Els (golfer) and numerous other prestigious corporate and private collections worldwide. In The Scottish Contemporary Art Auction of 13th December 2020 "Peace Delegation" (a 77 x 87cm oil, lot 612) by Barclay, sold for £5500 (hammer) and in The Scottish Contemporary Art Auction of 24th October 2021 lot 836 "Venice" by Muriel Barclay sold for £6000 (hammer).
* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), THE ITALIAN GIRL oil on canvas, signed, titled and dated 1994 exhibition label versoframed image size 76cm x 61cm, overall size 93cm x 78cm Exhibition label verso: Viva L'Italia 1994, The Scottish Gallery, Edinburgh. Private collection, Monaco.Note: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficullt to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer) and in our auction of 9th November, lot 92, "Harbour" a 90 x 120cm oil by Bellany sold for £11000 (hammer). Most recently, "The Players" lot 50 in our auction of 28th March 2024 sold for £30000 (hammer).Condition of the picture is good overall, with no visible or known issues.
CATRIONA MILLAR, ELSA oil on canvas, initialled, titled and dated 2024 versounframedoverall size 41cm x 31cm Note: Catriona Millar's work takes its inspiration from the stories that lie at the heart of the human condition, and the sparkle of a narrative behind the eyes of her subjects hints at everything from longing to melancholy. Her work often juxtaposes human characters with a variety of animal confidants, with some seeming physically present in the composition while others take on a talismanic quality. Born in Glasgow, Catriona Millar studied at Harrogate School of Art and Grays School of Art, Aberdeen. Since the success of her sell-out 2005 degree show she has exhibited across the UK including the Royal Scottish Academy, Edinburgh. In October 2006 she came to the attention of Charles Saatchi with her first solo exhibition at the Dundas Street Gallery, Edinburgh. Catriona Millar now lives and paints in the southeast of England. Catriona Millar is listed in the 2012 edition of Who's Who in Scotland. In the Scottish Contemporary Art Auction of 3rd May 2015 lot 2138 "The Agency" by Millar sold for £2800 (hammer).
* DAVY BROWN (SCOTTISH b. 1950), STILL LIFE oil on canvas, signedframed and under glassimage size 30cm x 30cm, overall size 51cm x 51cm Note: Davy Brown was born in Kilmarnock in 1950. As a young Scottish artist Davy studied at the Glasgow School of Art under David Donaldson and Duncan Shanks. In 1975 he won a modern art scholarship from the Institute of Cultural Affairs in Chicago. This enabled Davy to travel extensively in the USA and Canada. When he returned from his travels he successfully taught contemporary art in Scottish schools. Throughout this time he continued to paint and exhibit his paintings along with other leading Scottish artists in both Scottish art galleries and modern British art galleries further afield. Davy left teaching in 2002 to concentrate on his painting full time. Over the years his paintings, with their very distinctive style, have consistently grown in popularity. For much of this time Davy Brown paintings have been inspired by his love of the Scottish landscapes.
* ROBERT KELSEY DA MUniv PAI FRSA (SCOTTISH b. 1949), ISLAND LANDSCAPE oil on board, signed, titled label versoframed and under glassimage size 22cm x 21cm, overall size 35cm x 35cm Label verso: The Rowan Gallery, Drymen.Note: Robert Kelsey is one of Scotland's most prominent landscape painters working today. Born in Glasgow in 1949, Robert studied painting at the Glasgow School of Art from 1966-70 under David Donaldson, James Robertson, and Alexander Goudie. Kelsey went on to teach art until 1995, at which point he left education to paint full time. Since then, Robert Kelsey has developed a reputation as one of Scotland's finest and in-demand painters, particularly for his stunning coastlines. Lot 48 "Portree Bay, Skye" by Robert Kelsey from the same private collection as "Yacht In The Sound of Iona" sold in The Scottish Contemporary Art Auction of 17th August 2023 sold for £2200 (hammer). Known collections include: Paisley Art Gallery, Lord Macfarlane of Bearsden, , Frances Shand Kydd, The Fleming Collection, Cairn Energy PLC, Credit Lyonnaise Bank, Turnberry Hotel, Taylor Woodrow, Lord Smith of Kelvin, His Grace The Duke of Bedford, Anthony Shaffer, Highland Spring Water, Scottish Property Services, Arisaig Partners (Asia) Ltd, Enterprise Oil, Scottish Friendly Assurance.Condition of the picture is good overall, with no visible or known issues.
* ETHEL WALKER (SCOTTISH b. 1941), THE JAPANESE VASE gouache on paper, signed, titled label versomounted, framed and under glassimage size 54cm x 48cm, overall size 78cm x 71cm Label verso: The Rowan Gallery, Drymen.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer) and in our December 2021 auction "The Lace Cloth" achieved £3000 (hammer).
* GLEN SCOULLER RSW RGI DA (SCOTTISH b. 1950), HEN + DOG KENNELL II watercolour on paper, signed, titled label versomounted, framed and under glassimage size 14cm x 14cm, overall size 45cm x 43cm Artist's label verso.Note: Glen Scouller is a contemporary Scottish artist, known for his vibrant and expressive landscapes and still lifes, which showcase his interest in bold colours and the movement of light. Scouller was born in Glasgow in 1950 and studied at Glasgow School of Art from 1968-73. As a student, he won the Royal Scottish Academy Painting Award and in 1973, was awarded the Post Graduate Study Award, the WO Hutcheson Prize for Drawing and Travelling Scholarship to Greece. In the following years, Scouller won more awards for his work, including the Lauder Award, Glasgow Art Club and Scottish Amicable Award, Royal Glasgow Institute of Fine Arts. He regularly exhibits at the Royal Scottish Academy, The Royal Glasgow Institute of Fine Arts and the Royal Scottish Society of Painters in Watercolour. In 1989, he was elected a member of the Royal Glasgow Institute of the Fine Arts, followed by the Royal Scottish Society of Painters in Watercolour in 1997.Since 1977, Scouller has had over 40 solo exhibitions across Scotland and internationally. His works are held by both public and private collections worldwide, including The Scottish Office in Edinburgh, De Beers and the First National Bank of South Africa.Condition of the picture is good overall, with no visible or known issues.
General, Royal College of Art, a silver award medal, unsigned (by W. Gardner), crowned cypher, rev. named (Awarded to Peter Arthur Bucknell for Special Distinction in the School of Design 1946), 50mm, 78.20g. Extremely fine and very rare £100-£120 --- The following excerpt from the Royal Mint Annual Report for 1939 was kindly sourced by Dr. Kevin Clancy, Director of the Royal Mint Museum. “The Royal College of Art instituted a medal for award to a few students distinguished in the Diploma examination each year. The medal was designed and modelled by Mr William M. Gardner, a student of the college from whose plaster-casts the dies were produced and the medal struck by the Mint. The obverse of the medal consists of the initials R.C.A. upon a knot, surmounted by a crown and encircled by the inscription Royal College of Art. On the reverse is engraved an inscription embodying the name of the recipient, the subject in which distinction had been gained and the date. The first five medals were presented to the selected students by Mr. Kenneth Lindsay M.P., Parliamentary Secretary to the Board of Education, on the 14th of July 1939”. William Gardner went on to do design work for the Royal Mint over the next three decades. His work included the reverses of the 1953 brass Threepence and of the 1982 Twenty Pence. Peter Arthur Bucknell was an expert on fashion and author of the standard reference book ‘Evolution of Fashion’. His co-author and illustrator was Margot Hamilton Hill (Daniels), a contemporary at the RCA, who, as well as an illustrator was also a theatre designer and lecturer on the history of fashion and theatre.
FRANCE, L’Intransigeant, 1925, an Art Deco bronze award medal by G. Contaux after Cassandre, futuristic head right with mouth open wide, rev. wreath and pillars, unnamed, 60mm (cf. Baudey/Bricher 1992, 128; cf. DNW 40, 780). A significant and rare Art Deco medal, extremely fine and nicely patinated; in contemporary case [of issue?] £100-£150 --- Adolphe-Jean-Marie Mouron, aka. Cassandre (1901-68), graphic artist, stage designer and painter; his design was chosen for the official poster publicising the 1925 Paris Expo. The medal was sponsored by L’Intransigeant, a newspaper
1856 National Department of Science and Art silver prize medal awarded to Mary E. Butler (Eimer 1511). Obverse: left-facing diademed portrait of Queen Victoria after William Wyon, 'VICTORIA BY THE GRACE OF GOD QVEEN' around with 'MDCCCLVI' (1856) below. Reverse: reads 'NATIONAL MEDAL FOR SVCCESS IN ART AWARDED BY THE SCIENCE AND ART DEPARTMENT'. Edge: plain. Weight: 93.50g. Packaging: contemporary box with 'SCIENCE AND ART DEPARTMENT' in gold on the lid. Possibly associated with Mary E. Butler (1845-1937), a watercolour painter and woodcut artist. These medals were awarded for several years from 1856.
Susan Conway (British, Contemporary), "Autumn, Waggoners Wells" (East Hampshire), signed and dated "86" lower right, mixed media textile laid on canvas, 88 x 189cm. (Notes: Susan Conway is a local artist whose pieces are inspired by her extensive work on textiles, art, and culture in Thailand and Burma. Her pieces are featured in collections in London, New York and Sydney, and at Imperial College London and Wolfson College, Oxford. She is currently a Research Associate at the Institute of Development Studies at Sussex University, having previously been at the School of Oriental and African Studies, London)
François Pompon(1855 Saulieu - 1933 Paris) nachEisbärBronze, dunkel patiniert. Posthumer, zeitgenössischer Guss, Anfang 21. Jh.; Darstellung eines nach rechts schreitenden Bären. In moderner Weise stilisierte Bronzeplastik nach der berühmten Marmorskulptur Pompons "Ours blanc", welche als sein vollendetes Werk gilt und mit der ihm 1922 auf dem Pariser Salon der Durchbruch gelang - Exemplare hiervon befinden sich im Museum of Modern Art in New York und im Musée d´Orsay in Paris. Pompon war im Atelier Auguste Rodins und Camille Claudels tätig, nach 1905 widmete er sich ausschließlich der Tierdarstellung. H. 45 cm; L. ca. 85 cm.After François Pompon (1855 - 1933). Dark patinated bronze. Posthumous, contemporary cast, early 21st C.
Zeitgenössischer Bildhauer(Tätig 20./21. Jh.)"Nana" als Hommage an Niki de Saint PhalleKunststoff, schwarz lackiert und polychrom bemalt; schwarzer Steinsockel. Große, vollplastische, stilisierte Figur einer fröhlich tanzenden Frau, deren Lebenslust ihr Kleid mit Herzen- und Blumendessin entspricht. Diese ist durch die berühmten "Nana"-Plastiken der französischen Künstlerin Niki de Saint Phalle (1930 - 2002) inspiriert, welche seit Mitte der 1960er Jahren die Bildersprache der Pop Art auf sinnliche, farbenfroh gestaltete, weibliche, oft tanzende Figuren mit voluminösem Körper anwandte. Im Oktober 1965 stellte sie eine erste "Nana" in Paris aus, 1966 folgte eine riesige, erotisch konnotierte "Nana" vor dem Stockholmer Moderna Museet. Ihre 1974 in Hannover am Leibnizufer der Leine aufgestellten "Nanas" führten seinerzeit zu Proteststürmen. Ges.-H. 143 cm.Contemporary sculptor active 20th/21st C.; Painted plastic sculpture on stone base.
Bentley & Trimen, Medicinal Plants, Bently, Robert, & Trimen, Henry, Medicinal Plants: being descriptions with original figures of the Principal Plants Employed in Medicine, Printed London, J. & A. Churchill, New Burlington Stree, 1880, in 4 Vols, contemporary half calf with gilt lettering, with 306 botanical plates, each meticulously hand-colored with some extending across double pages, Robert Bentley, born in 1821, distinguished himself as an English botanist and pharmacologist whose contributions significantly impacted the fields of botany and pharmacy. His academic journey led him to become a professor in botany at King's College in 1859, where he imparted knowledge and inspired future generations. In recognition of his expertise and dedication, Bentley attained the prestigious status of a Fellow of the Royal Pharmaceutical Society in 1874. His legacy endures through his influential teachings and his notable contributions to the intersection of botany and pharmacology. Henry Trimen, born in London in 1843, emerged as a notable botanist whose impact reached the lush landscapes of Ceylon, present-day Sri Lanka. Serving as the director of the Royal Botanic Gardens in Ceylon from 1879 to 1895, Trimen played a pivotal role in shaping the botanical landscape of the region. His profound knowledge and passion for flora culminated in the publication of "The Flora of Ceylon" in 1893, a testament to his dedication to botanical research. Trimen's legacy extends beyond borders, leaving an enduring mark on the rich biodiversity of the Royal Botanic Gardens in Ceylon. David Blair, born in 1820, etched his name into the annals of botanical artistry and lithography during the 19th century. His creative talents found expression in various notable works, including contributions to the "Transactions of the Linnean Society" in 1875. Blair's artistic flair further adorned publications such as Berthold Carl Seemann and James Britten's "Journal of Botany, British and Foreign" (1872-8), James Britten's "European Ferns" (1880), and Lena Lowis' "Familiar Indian Flowers" (1881). A skilled botanical illustrator, Blair left an indelible mark on scientific publications, enriching the visual appeal of botanical knowledge. The exact year of his passing remains uncertain, but his artistic legacy lives on in the detailed and exquisite renderings that continue to captivate enthusiasts of both art and botany.
KHALED AL-JADIR (IRAQI 1924-1988) MARKET SCENE, RABAT, MOROCCOsigned in Arabic Khaled Aljadir lower leftoil on board33 x 36.5cm; 13 x 14 1/4in (unframed)Painted in 1987Property from a Private Collection, LondonProvenanceAcquired from the artist by the present ownerKhaled Al-Jadir is seen as a precursor to modern abstract art in Iraq. He was part of the 'Pioneers Group,' founded by Faik Hassan in 1941, and considered to be one of Iraq's most important artistic cultural voices. Al-Jadir successfully developed a unique realistic-expressionist style resulting from his persistent, experimental work that he undertook in Iraq before his departure to Paris to study at the Ecole des Beaux Arts in 1949. The artist was undoubtedly influenced by European arts, yet he was able to create his own Iraqi style, which remained constant and unchanged until his very last sketch.In his obituary of Al-Jadir, Shaker Hassan Al Sa’eed, the Iraqi painter and one of top art critics in the Arab world said: 'He was truly, incontestably the precursor of contemporary expressionist art in Iraq'.
ABLADE GLOVER (GHANAIAN B.1934) UNTITLEDsigned Glo lower rightoil on canvas102 x 152cm; 40 x 59 3/4in106 x 156.5cm; 41 3/4 x 61 1/2in (framed)Property from a Private Collection, LondonGlover is an artist and educator who has exhibited his art internationally, building a reputation over several decades as a significant artist and icon on the contemporary West African art scene. He graduated from the Kumasi University of Science and Technology in teacher training education, the Central School of Art and Design in London in textile design (1959-62), and the University of Newcastle on Tyne (1964-65) in art education. He continued his artistic studies in the United States, earning an MFA at Kent State University (1971-72), and a PhD in Fine Arts at Ohio State University (1972-74). After his PhD, Glover taught at the College of Art at Kumasi University until 1998 where he became the Head of Department and Dean of the School of Fine Arts. Glover’s fascination with movement and colourful energy is evident in the palette knife application of thick impasto layers. In his abstraction of the crowd scenes, Glover draws the eye to the gestures of jagged movements accentuated by bursts of colour. He explores the theme of crowds in his body of work, within various scenes at marketplaces, city centres, beaches, bus stations and busy streets.Glover has been honoured with numerous awards for his artistic excellence and contributions to the growth of the Ghanaian art scene, including the Flagstar Award from the Arts Critics and Reviewers Association of Ghana (1998), the Alumni Award from the African-American Institute in New York (1998), the Order of the Volta in Ghana (2007), and the Millennium Excellence Award in 2010. He is a permanent member of the Royal Society of Arts in London. His works have been featured in many exhibitions internationally and esteemed collections worldwide, from the Royal Collection of Prince and Princess Takamado in Tokyo, Japan, to the UNESCO Headquarters in Paris, France.
ABU SUBHI AL TINAWI (SYRIAN 1888-1973) ABLA & SHEIBOUBsigned in Arabic lower centremixed media on unstretched canvas pasted onto board60 x 69cm; 24 x 27 1/4in64.5 x 72.5cm; 25 3/4 x 28 1/2in (framed)executed circa 1950s/1960sProperty from a Private Collection, LondonProvenanceCollection of a Diplomat, DubaiAcquired from the above by the present ownerBorn in Damascus, Abu Subhi Al Tinawi is one of the most well-known Syrian folk artists of his time. Originally named Muhammad Harb, it was when he opened his shop in Damascus that he began signing all of his artworks Abu Subhi Al Tinawi, a familiar Arabic way of calling someone after their eldest son.Hailing from a family of reverse glass-painters and tapestry artisans, Al Tinawi made his own paint using the traditional technique of combining natural pigments with Arabic gum. He became known for reverse glass painting, a technique which, having originated in Europe and popularised in Central and Eastern Asia in the 17th century, was already fading in the Levant by Al Tinawi’s time. Continuing his work on glass and other media, such as metallic paper or cloth, he became known for his use of bright colours and simple representations of characters with straightforward expressions. Fascinated by traditional verses and stories, Al Tinawi’s oeuvre explores folk epics, historical events and religious themes. Over the decades, his prolific depictions made him a spectacular visual storyteller who was able to express the emotions of his community through popular concepts.By the time of his death, Al Tinawi had accumulated unexpected fame. Though he never left his shop to see the exhibitions of his work, pieces had travelled to Europe and beyond. Rumoured to be one of the first Arab artists to participate in an exhibition showing Picasso in Paris, his work was acquired internationally by individuals and art institutions, including the Louvre. Al Tinawi’s work has greatly influenced contemporary Arab artists and has also found its way into numerous publications and films.
‡ KAMAL YOUSSEF (EGYPTIAN 1923-2019) TRADITIONsigned and dated KAMAL 70 lower rightoil on canvas116.21 x 76.84cm; 45 1/4 x 30 1/4in118.27 x 80.33cm; 46 9/16 x 31 5/8in (framed)Property of the Kamal E Youssef Family TrustExhibitedSharjah, Sharjah Art Foundation, Kamal Youssef: Egyptian Surrealism's Time Capsule, 2016LiteratureHoor Al Qasimi and Salah Hassan, Kamal Youssef: Egyptian Surrealism's Time Capsule, 2016, p. 85, illus.During his teenage years, Youssef underwent rigorous training in art under a number of prominent artists known for their engagement with Egyptian Surrealism. In 1939, he joined the Art and Liberty Group, one of the most prominent art movements of the time and in 1946, he was a founding member of the Contemporary Art Group and played a crucial role in the development of Egypt's modern art movement. After the 1952 revolution, Youssef made his home in Paris before moving to the US where he worked as an engineer for 20 years. His work has been shown in numerous solo and group exhibitions, including The Sharjah Art Foundation (2016); Southern Alleghenies Museum of Art, Loretto, USA (2014); Bakersfield Museum of Art, USA (2008); Westmoreland Museum of Art, Greensburg, USA (1993); Pittsburgh Center for the Arts, USA (1962); Mediterranean Biennale, Alexandria, Egypt (1955); Museum of Modern Art, Cairo (1952); São Paulo Biennale (1952) and Venice Biennale (1950). Kamal also participated in the 1939 exhibition organised by the Art and Liberty Group, and in several of the Contemporary Art Group’s collective exhibitions between 1946 and 1954.
⊕ LARISSA SANSOUR (PALESTINIAN B.1973) OLIVE TREE 2012Lambda print on Fuji Matt paper60 x 120cm; 23.6 x 47.2in(unframed)edition 5/5To be sold with a Certificate of AuthenticityProperty from a Private Collection, LondonProvenanceLawrie Shabibi Gallery, Dubai, 2014Larissa Sansour is a Danish-Palestinian artist, born in East Jerusalem, she studied Fine Arts in Copenhagen, London and New York. She is a visual artist who combines video, photography, experimental documentary, new media, the book form and the internet. Her work has been exhibited worldwide in galleries, museums and film festivals. Some of these include Tate Modern, London; the Reina Sofia, Madrid; and the Arken Museum of Modern Art in Denmark.Sansour's works represent the essence, the reality and the intricacy of life in Palestine and the Middle East using visual elements associated with entertainment and televised leisure activities. She uses humorous scenes such as references to science-fiction or spaghetti westerns that she always contrasts with scenes from the current situation in Palestine and the Middle East.Larissa Sansour has represented Denmark at the 58th Venice Biennale and her recent solo exhibitions have been at the Whitworth Gallery, Manchester, Dar-El Nimer, Beirut, KINDL, Berlin and Copenhagen Contemporary.
TOLA WEWE (NIGERIAN B.1959) (i) MAN & WOMAN; (ii) WOMAN OF SUBSTANCE - A PAIR(i) signed and dated tola wewe / 2008 lower rightboth acrylic on canvaseach 16 x 16cm; 6 1/4 x 6 1/4ineach 45 x 45cm; 17 3/4 x 17 3/4in (framed)(2)Property from a Private Collection, LondonBorn in Okitipupa, Ondo State, Nigeria, Wewe graduated in Fine Art from the University of Ife in 1983 and obtained a MA in African Visual Arts from University of Ibadan, Oyo State in 1986. Wewe's style draws from the Ona symbols of the Yoruba and his themes project traditional folklore and the myths of his native Yoruba culture. He is a founding member of the Ona movement, (established in February 1989), comprising a group of artists committed to pursuing artistic excellence through the adaptation and interpretation of traditional materials and methods, using forms and styles of contemporary Yoruba art and design. During his early career, Wewe's work was characterised by three principal influences: first, his formal academic training at Ife, second, his master's research into the Ijaw water spirit mask, and finally the Yoruba society. Wewe describes himself more as a witness than an author, 'communicating with the spirits of the ancestors, and drawing out the invisible spirits - the anjonnu, emere and the ebora - who make the art works…I am the vehicle, and they are the drivers. We go on these strange journeys to the most remote ends of imaginative experience'.
ROBERT CARVER (C. 1730-91) A Capriccio Landscape based on Dunmoe Castle, County Meath Oil on canvas, 62 x 102cmDunmoe Castle, County Meath, started by Hugh de Lacy, captured by the Irish in 1641, attacked by Cromwell and restored under James II, was a site much visited by artists and antiquarians in the eighteenth century. Its proximity to Slane Castle, home of William Burton Conyngham (1733-1796), the collector and improver, no doubt encouraged its depiction and when a view of the castle by Thomas Roberts (1748-1777) was engraved for Francis Grose’s Antiquities it was described as ‘taken from an original in the collection of the Right Hon. William Conyngham’. As Peter Harbison has so ably demonstrated, Burton Conyngham was a collector and patron of rare judgment for eighteenth century Ireland who, almost single-handed, encouraged artists to consider the native ruins of Ireland as a subject for their landscapes which were compositionally often inspired by Claudean prototypes. His support of of young artists is most apparent in his collecting of drawings for various antiquarian enterprises. He provided financial and other support to a group of draughtsmen most notably Austin Cooper and Gabriel Beranger, as well as Angelo Maria Bigari and John James Barralet. In 1779, for example, Beranger and Bigari conducted a tour of Connacht at Burton’s behest, which has been characterised as ‘the most extensive archaeological survey undertaken in Ireland before the Ordnance Survey’. Burton’s patronage resulted in his ownership of what was described in 1787 as ‘the finest collection [of antiquarian drawings] made by excellent artists anywhere to be found’. Two views of Slane Abbey, copied by Beranger after originals by Jonathan Fisher (1735-1809) may have been a Conyngham commission, with Harbison suggesting that Fisher probably drew them while staying at Slane Castle. Roberts drawing of Dunmoe was engraved by Sparrow and also copied by Gabriel Bernager who inscribed his version with the proviso: ‘Compared on the spot 1779 and I found it exact except the colour which is blueish and not brown’.While Robert Carver was not one of Conyngham’s ‘young artists’, he was closely connected with several of The Dublin Group who were, notably Roberts – they both seem to have taught James Coy (c.1750-80) and were both intimate associates of George Mullins (fl. c.1756-c.1786). Roberts later re-used his sketch of Dunmoe Castle in an imaginary landscape (private collection) in just the same way that Carver does here, ‘illustrating how the antiquarianism of Burton’s circle was creatively adapted by the artists he patronised and how the reuse of elements of Ireland’s antiquities give…a distinctively Irish flavor to Roberts art.’ Exactly the same can be said in relation to Carver’s capriccio landscape sold here, where Dunmoe’s setting above the River Boyne is augmented with a typically Irish tower house on one bank of the river and a substantial red-brick structure and small church, on either side of a bridge, on the other. Carver, like other artists, responded to the setting with the castle ‘magnificently sited high above a bend in the Boyne’ (Casey and Rowan, The Buildings of Ireland, North Leinster, 225).Together with George Barret, Robert Carver was the leading landscape artist in Dublin in the 1750s and ’60s. He followed Barret to London in 1769 where he found fame, for his much-admired designs for the theatre, and status, as the President of Society of Artists. Although of an older generation, he was also closely connected with the talented coterie of artists who came to prominence in the 1760s and ‘70s and who, with Carver, can be seen as a closely interlocked ‘Dublin Group’ of landscape painters. No doubt his ‘generous and companionable qualities’ made him a mentor to younger painters. Carver’s easel paintings are rare and mostly date from his period in Ireland – the present work seems to be unique in including Irish architectural, or antiquarian remains. However, as more of them are identified his ability becomes apparent and the reasons become obvious for the contemporary praise which was showered on his productions. Here, the red dress of the reclining woman in the foreground provides an effective chromatic highlight at the centre of the composition, while the busy few inches of the paint surface including the figures and animals contrasts with the unbroken sheen of the river with long reflections cast by the late afternoon sun adding a slightly elegiac touch to the romantic, umbrageous Boyne landscape. Picturesque travellers in the foreground add a bucolic touch. The picture is painted in Carver’s early and tighter style, before his touch became free, and occasionally loose, from his experience of scene painting. An almost exact parallel can be found in the precise, almost schematic, rendering of light effects on the different facades on the brick building and on a mill in a River Landscape with Figures (Gorry Gallery, Exhibition, 19 May 2010).We are grateful to William Laffan for his assistance in cataloguing this lot.
Shepard Fairey is a contemporary American street artist, graphic designer, activist, and illustrator. He first gained attention for his "Andre the Giant Has a Posse" sticker campaign in the late 1980s, which evolved into the iconic "Obey Giant" street art campaign. Fairey's work often incorporates elements of social and political commentary, and he is known for his use of bold colors, striking imagery, and graphic design techniques.One of Fairey's most famous works is his "Hope" poster featuring Barack Obama, which became an iconic image during Obama's 2008 presidential campaign. This poster contributed significantly to Fairey's rise to international prominence.In addition to his street art and graphic design work, Fairey has created artwork for numerous music albums, political campaigns, and social causes. He continues to be a prominent figure in the contemporary art world, exhibiting his work in galleries and museums worldwide.Fairey's art often explores themes such as power, propaganda, consumerism, and the role of art in society. He remains an influential and controversial figure in both the art world and the realm of social and political activism.Measures 24 x 36.Pencil signed.
Shepard Fairey is a contemporary American street artist, graphic designer, activist, and illustrator. He first gained attention for his ""Andre the Giant Has a Posse"" sticker campaign in the late 1980s, which evolved into the iconic ""Obey Giant"" street art campaign. Fairey's work often incorporates elements of social and political commentary, and he is known for his use of bold colors, striking imagery, and graphic design techniques.One of Fairey's most famous works is his ""Hope"" poster featuring Barack Obama, which became an iconic image during Obama's 2008 presidential campaign. This poster contributed significantly to Fairey's rise to international prominence.In addition to his street art and graphic design work, Fairey has created artwork for numerous music albums, political campaigns, and social causes. He continues to be a prominent figure in the contemporary art world, exhibiting his work in galleries and museums worldwide.Fairey's art often explores themes such as power, propaganda, consumerism, and the role of art in society. He remains an influential and controversial figure in both the art world and the realm of social and political activism.Measures 24 x 36.Pencil signed.
Malick Sidibe was a renowned Malian photographer known for his powerful black-and-white images that captured the vibrancy and spirit of Mali's youth culture during the 1960s and 1970s. His work has had a profound influence on African photography and contemporary art. Here's an overview of his life and contributions:**Early Life and Education:**1. **Birth:** Malick Sidibé was born on March 25, 1936, in Soloba, a village in French Sudan (now Mali).2. **Photographic Training:** He initially worked as an apprentice in a photography studio in the capital city of Bamako, where he learned the technical aspects of photography.**Photographic Career:**3. **Studio and Portraiture:** Sidibé eventually opened his own studio in Bamako, where he gained recognition for his portrait photography. He became known for his ability to capture the personalities and aspirations of his subjects.4. **Youth Culture:** What sets Sidibé apart is his documentation of the vibrant youth culture in Bamako during the 1960s and 1970s. He captured the exuberance of dance parties, celebrations, and social gatherings, reflecting the changing cultural landscape in post-independence Mali.5. **Black-and-White Photography:** Sidibé primarily worked with black-and-white film, and his images are characterized by their stark contrast and intimate, candid style.6. **Recognition:** His work gained international acclaim, and he received numerous awards and honors for his contributions to photography and art.**Legacy:**7. **Influence:** Malick Sidibé's photographs are celebrated for their ability to convey the joy, hope, and sense of identity of his subjects. His work has had a significant influence on contemporary African photography and global visual culture.8. **Museum Exhibitions:** His photographs have been exhibited in major museums and galleries worldwide, including the Museum of Modern Art (MoMA) in New York City.9. **Collector's Items:** Sidibé's original prints have become highly sought-after collector's items, reflecting the enduring value and importance of his work.**Passing:**10. **Death:** Malick Sidibé passed away on April 14, 2016, in Bamako, Mali, leaving behind a rich photographic legacy.Malick Sidibé's photographs continue to be celebrated for their ability to capture the spirit of a transformative era in Mali's history. His work remains a source of inspiration for photographers and artists, highlighting the power of photography to document and celebrate culture and identity.Measures 6 x 6.
Sol LeWitt (1928–2007) was an American artist known for his pioneering work in conceptual art and minimalism. He was a central figure in the development of both movements and is renowned for his geometric, grid-based wall drawings and sculptures.Born in Hartford, Connecticut, LeWitt studied art at Syracuse University before serving in the Korean War. After his military service, he moved to New York City, where he became associated with the burgeoning art scene of the 1960s.LeWitt's early work was influenced by the minimalist movement, which emphasized simplicity, geometry, and industrial materials. He began creating his signature wall drawings in the late 1960s, which consisted of precise, geometric shapes arranged in intricate patterns on gallery walls.One of LeWitt's most famous series is his "Paragraphs on Conceptual Art" (1967), a series of short essays in which he outlined his ideas about art as a conceptual rather than a physical object. LeWitt believed that the idea or concept behind a work of art was more important than its execution, and he often created instructions or diagrams for his wall drawings that could be executed by assistants or even by viewers themselves.In addition to his wall drawings, LeWitt also created sculptures, prints, and drawings, all of which explored themes of repetition, variation, and seriality. He was known for his rigorous approach to art-making and his commitment to exploring the possibilities of geometric abstraction.LeWitt's work had a profound impact on the development of contemporary art, and he is celebrated for his contributions to conceptual art, minimalism, and the broader field of contemporary art practice. His wall drawings can be found in museums and galleries around the world, and his ideas continue to influence artists working today.Edition of 1500.Measures 8 x 8.1984.
Robert Rauschenberg (1925–2008) was an American artist who profoundly influenced the course of 20th-century art with his groundbreaking work in painting, sculpture, printmaking, photography, and performance. He is widely celebrated for his innovative approaches to materials, techniques, and concepts, as well as his pioneering role in bridging the gap between Abstract Expressionism and Pop Art.Born Milton Ernest Rauschenberg in Port Arthur, Texas, Rauschenberg studied at the Kansas City Art Institute and the Académie Julian in Paris before attending Black Mountain College in North Carolina, where he studied under renowned artists such as Josef Albers and John Cage. It was at Black Mountain College that Rauschenberg began to develop his interdisciplinary approach to art-making, which would become a hallmark of his career.Rauschenberg's early works challenged traditional notions of painting by incorporating found objects and unconventional materials into his compositions. He famously created his "Combines" series, which blurred the boundaries between painting and sculpture by combining painted canvases with everyday objects such as tires, stuffed animals, and household appliances.In the 1960s, Rauschenberg turned his attention to printmaking, collaborating with master printers to create innovative works that pushed the boundaries of the medium. He also experimented with performance art, collaborating with choreographer Merce Cunningham and composer John Cage to create groundbreaking works that combined dance, music, and visual art.Throughout his career, Rauschenberg continued to push the boundaries of artistic expression, exploring themes such as technology, politics, and the environment. He embraced new technologies and materials, incorporating elements such as photography, digital imaging, and industrial processes into his work.Rauschenberg's influence on contemporary art is immeasurable, and his work continues to be celebrated for its innovation, experimentation, and boundless creativity. He received numerous awards and honors throughout his lifetime, including the National Medal of Arts and the Golden Lion at the Venice Biennale.Today, Rauschenberg's work is held in major museum collections around the world, and his legacy lives on through the countless artists he inspired and the ongoing exploration of his revolutionary ideas and techniques in contemporary art.
Miami, Florida, is a bustling coastal city renowned for its vibrant culture, stunning beaches, and diverse population. Situated on the southeastern tip of the United States, Miami boasts a unique blend of tropical climate, cosmopolitan atmosphere, and rich history.The city's iconic South Beach area is famous for its vibrant nightlife, art deco architecture, and pristine sandy shores. Visitors flock to South Beach to soak up the sun, explore the trendy boutiques and cafes along Ocean Drive, and admire the colorful lifeguard stands that dot the coastline.Beyond the beaches, Miami is home to a thriving arts and cultural scene, with world-class museums, galleries, and performing arts venues. The Wynwood Arts District, known for its vibrant street art and galleries, is a must-visit for art enthusiasts, while the Pérez Art Museum Miami showcases contemporary and international art in a stunning waterfront setting.Miami's diverse population lends itself to a rich tapestry of culinary offerings, with an abundance of international cuisines to savor. From authentic Cuban cuisine in Little Havana to fresh seafood in Coconut Grove, the city's dining scene offers something to tantalize every palate.In addition to its cultural attractions, Miami is a hub for business, finance, and trade, with a growing tech sector and a strong presence in industries such as healthcare, hospitality, and real estate. The city's strategic location as a gateway to Latin America and the Caribbean makes it a vital center for international commerce and investment.With its year-round sunshine, vibrant culture, and diverse attractions, Miami offers a unique and unforgettable experience for visitors and residents alike. Whether relaxing on the beach, exploring the city's cultural landmarks, or indulging in its culinary delights, Miami captivates with its energy, warmth, and endless possibilities.Backed by canvas.Measures 33 x 24.
Shepard Fairey is a contemporary American street artist, graphic designer, activist, and illustrator. He first gained attention for his ""Andre the Giant Has a Posse"" sticker campaign in the late 1980s, which evolved into the iconic ""Obey Giant"" street art campaign. Fairey's work often incorporates elements of social and political commentary, and he is known for his use of bold colors, striking imagery, and graphic design techniques.One of Fairey's most famous works is his ""Hope"" poster featuring Barack Obama, which became an iconic image during Obama's 2008 presidential campaign. This poster contributed significantly to Fairey's rise to international prominence.In addition to his street art and graphic design work, Fairey has created artwork for numerous music albums, political campaigns, and social causes. He continues to be a prominent figure in the contemporary art world, exhibiting his work in galleries and museums worldwide.Fairey's art often explores themes such as power, propaganda, consumerism, and the role of art in society. He remains an influential and controversial figure in both the art world and the realm of social and political activism.Measures 24 x 36.Pencil signed.
Alex Colville (1920–2013) was a Canadian painter known for his meticulously detailed and enigmatic works, which often depicted scenes of everyday life imbued with a sense of mystery and tension. He is considered one of Canada's most renowned artists of the 20th century and a master of magic realism.Born in Toronto, Canada, Colville studied fine art at Mount Allison University in New Brunswick and later served as a war artist during World War II. His experiences during the war profoundly influenced his art, and themes of conflict, isolation, and existential unease are recurrent in his work.Colville's paintings are characterized by their precise draftsmanship, carefully composed scenes, and muted color palette. He often depicted ordinary people engaged in mundane activities—such as swimming, fishing, or sitting in a living room—but rendered them in a way that imbued them with a sense of mystery and ambiguity.One of Colville's most famous paintings is "Horse and Train" (1954), which depicts a powerful black horse charging down a railroad track toward an oncoming train. The painting is often interpreted as a metaphor for the struggle between nature and technology, as well as a meditation on mortality and the passage of time.In addition to his paintings, Colville also worked as a printmaker and created a series of iconic designs for Canadian coins, including the popular centennial penny in 1967.Colville's work received international acclaim, and he represented Canada at the Venice Biennale in 1966. His paintings are held in major museums and collections around the world, and he is celebrated for his ability to capture the quiet drama and underlying tension of everyday life.Alex Colville's legacy as one of Canada's greatest artists endures to this day. His works continue to fascinate and intrigue viewers with their haunting beauty and enigmatic narratives, and he remains a revered figure in the world of contemporary art.Measures 37.7 x 37.7.
Gerhard Richter, born in 1932 in Dresden, Germany, is a highly influential and internationally renowned contemporary artist known for his diverse and experimental approach to painting. He is considered one of the most significant artists of the post-war era and has made significant contributions to various artistic movements, including abstract art, photo-realism, and conceptual art.Richter's work is characterized by its versatility, encompassing a wide range of styles, techniques, and subject matters. He explores themes of memory, perception, and representation, often blurring the boundaries between figuration and abstraction. His paintings reflect an ongoing investigation into the nature of painting itself and challenge traditional notions of artistic practice.One of Richter's notable bodies of work is his photo-painting series. Using photographs as source material, Richter creates paintings that often appear almost indistinguishable from the original photographs. This technique blurs the line between painting and photography, raising questions about the nature of image-making and the role of representation in art.Richter's abstract paintings are also highly regarded. He employs a variety of techniques, such as scraping, smearing, and layering paint, to create complex and textured surfaces. His abstract works often evoke a sense of ambiguity and invite viewers to engage with the interplay of colors, forms, and textures.In addition to his paintings, Richter has created installations, sculptures, and glass works. He has also explored the medium of printmaking, producing a significant body of prints throughout his career. Richter's versatility and willingness to experiment with different mediums and techniques have solidified his reputation as a boundary-pushing and innovative artist.Richter's contributions to the art world have been widely recognized. He has received numerous awards and honors, including the Golden Lion at the Venice Biennale in 1997 and the Praemium Imperiale in 1997. His work is held in prestigious museum collections around the world, and his exhibitions continue to draw large audiences.Gerhard Richter's artistic practice embodies a relentless pursuit of artistic exploration and intellectual inquiry. His ability to constantly reinvent his approach to painting, challenge conventions, and create works of profound depth and beauty has established him as a leading figure in contemporary art. Richter's impact on the art world is immeasurable, and his legacy as an innovative and influential artist continues to inspire generations of artists and art enthusiasts alike.Measures 40 x 21.5.
Robert Mapplethorpe (1946–1989) was an American photographer known for his provocative and often controversial black-and-white images that explored themes of sexuality, identity, and classical aesthetics. Born on November 4, 1946, in Floral Park, New York, Mapplethorpe gained prominence in the 1970s and 1980s as a prominent figure in the contemporary art world.Mapplethorpe's work often featured stylized and meticulously composed photographs, ranging from portraits of celebrities and artists to floral still lifes. He became particularly known for his explicit depictions of the male nude and BDSM subculture, which sparked debates around issues of censorship and artistic freedom.One of Mapplethorpe's most famous series is the "X Portfolio," which includes explicit and homoerotic images. Another notable series is his floral still lifes, where he applied the same meticulous attention to form and composition.In addition to his contributions to photography, Mapplethorpe was a central figure in the New York City art scene, collaborating with musicians, writers, and other artists. He also explored themes of race, gender, and the human body, pushing the boundaries of what was considered acceptable in mainstream art.Robert Mapplethorpe passed away on March 9, 1989, due to complications from AIDS. Despite the controversies surrounding his work, he is widely recognized for his significant impact on contemporary photography and the broader discourse on art, censorship, and sexuality. His legacy is preserved through exhibitions, publications, and ongoing discussions about the boundaries of art and expression.Measures 12 x 10.8.
Shepard Fairey is a contemporary American street artist, graphic designer, activist, and illustrator. He first gained attention for his "Andre the Giant Has a Posse" sticker campaign in the late 1980s, which evolved into the iconic "Obey Giant" street art campaign. Fairey's work often incorporates elements of social and political commentary, and he is known for his use of bold colors, striking imagery, and graphic design techniques.One of Fairey's most famous works is his "Hope" poster featuring Barack Obama, which became an iconic image during Obama's 2008 presidential campaign. This poster contributed significantly to Fairey's rise to international prominence.In addition to his street art and graphic design work, Fairey has created artwork for numerous music albums, political campaigns, and social causes. He continues to be a prominent figure in the contemporary art world, exhibiting his work in galleries and museums worldwide.Fairey's art often explores themes such as power, propaganda, consumerism, and the role of art in society. He remains an influential and controversial figure in both the art world and the realm of social and political activism.Measures 30 x 25.Pencil signed.
Robert Mapplethorpe (1946–1989) was an American photographer known for his provocative and often controversial black-and-white images that explored themes of sexuality, identity, and classical aesthetics. Born on November 4, 1946, in Floral Park, New York, Mapplethorpe gained prominence in the 1970s and 1980s as a prominent figure in the contemporary art world.Mapplethorpe's work often featured stylized and meticulously composed photographs, ranging from portraits of celebrities and artists to floral still lifes. He became particularly known for his explicit depictions of the male nude and BDSM subculture, which sparked debates around issues of censorship and artistic freedom.One of Mapplethorpe's most famous series is the "X Portfolio," which includes explicit and homoerotic images. Another notable series is his floral still lifes, where he applied the same meticulous attention to form and composition.In addition to his contributions to photography, Mapplethorpe was a central figure in the New York City art scene, collaborating with musicians, writers, and other artists. He also explored themes of race, gender, and the human body, pushing the boundaries of what was considered acceptable in mainstream art.Robert Mapplethorpe passed away on March 9, 1989, due to complications from AIDS. Despite the controversies surrounding his work, he is widely recognized for his significant impact on contemporary photography and the broader discourse on art, censorship, and sexuality. His legacy is preserved through exhibitions, publications, and ongoing discussions about the boundaries of art and expression.Measures 9.25 x 9.5.
Robert Longo, a prominent American artist known for his large-scale drawings, sculptures, and multimedia works, has made significant contributions to contemporary art with his powerful and thought-provoking creations. Born in 1953, Longo's art often engages with themes of culture, politics, and the human condition.Longo's artistic legacy can be encapsulated as follows:1. **Hyperrealistic Drawings**: Longo gained recognition for his hyperrealistic charcoal drawings, which meticulously replicate photographs but also add layers of emotion, symbolism, and commentary. His "Men in the Cities" series, featuring contorted figures, is particularly iconic.2. **Multimedia Exploration**: In addition to drawings, Longo has explored sculpture, photography, film, and other mediums. His multidisciplinary approach reflects a dynamic engagement with the evolving possibilities of contemporary art.3. **Cultural Critique**: Longo's art often delves into cultural critique, addressing social, political, and technological issues. His works raise questions about power dynamics, consumerism, violence, and the impact of media on society.4. **Monumental Scale**: Many of Longo's drawings are executed on a monumental scale, intensifying their impact and inviting viewers to immerse themselves in the details and emotions he conveys.5. **Art and Music**: Longo has also made connections with the music world, directing music videos for artists like New Order and R.E.M. This collaboration underscores his ability to merge visual and auditory elements to create immersive experiences.6. **Challenging Visual Language**: Longo's art often challenges traditional visual language, blurring the lines between representation and abstraction, realism and interpretation. His ability to imbue everyday subjects with emotional weight encourages viewers to engage critically with his work.7. **Enduring Influence**: Longo's influence extends to both contemporary art and popular culture. His ability to capture the zeitgeist and address pressing societal concerns has resonated with audiences beyond the art world.Robert Longo's legacy as an artist who merges technical mastery with conceptual depth continues to shape the trajectory of contemporary art. His thought-provoking creations encourage reflection on the complexities of modern existence, the role of imagery in society, and the capacity of art to provoke meaningful conversations about our world.Measures 44.0 x 79.0
Robert Longo, a prominent American artist known for his large-scale drawings, sculptures, and multimedia works, has made significant contributions to contemporary art with his powerful and thought-provoking creations. Born in 1953, Longo's art often engages with themes of culture, politics, and the human condition.Longo's artistic legacy can be encapsulated as follows:1. **Hyperrealistic Drawings**: Longo gained recognition for his hyperrealistic charcoal drawings, which meticulously replicate photographs but also add layers of emotion, symbolism, and commentary. His "Men in the Cities" series, featuring contorted figures, is particularly iconic.2. **Multimedia Exploration**: In addition to drawings, Longo has explored sculpture, photography, film, and other mediums. His multidisciplinary approach reflects a dynamic engagement with the evolving possibilities of contemporary art.3. **Cultural Critique**: Longo's art often delves into cultural critique, addressing social, political, and technological issues. His works raise questions about power dynamics, consumerism, violence, and the impact of media on society.4. **Monumental Scale**: Many of Longo's drawings are executed on a monumental scale, intensifying their impact and inviting viewers to immerse themselves in the details and emotions he conveys.5. **Art and Music**: Longo has also made connections with the music world, directing music videos for artists like New Order and R.E.M. This collaboration underscores his ability to merge visual and auditory elements to create immersive experiences.6. **Challenging Visual Language**: Longo's art often challenges traditional visual language, blurring the lines between representation and abstraction, realism and interpretation. His ability to imbue everyday subjects with emotional weight encourages viewers to engage critically with his work.7. **Enduring Influence**: Longo's influence extends to both contemporary art and popular culture. His ability to capture the zeitgeist and address pressing societal concerns has resonated with audiences beyond the art world.Robert Longo's legacy as an artist who merges technical mastery with conceptual depth continues to shape the trajectory of contemporary art. His thought-provoking creations encourage reflection on the complexities of modern existence, the role of imagery in society, and the capacity of art to provoke meaningful conversations about our world.Measures 44.0 x 79.0
Richard Misrach is a contemporary American photographer known for his large-scale photographs of the American landscape. Born on February 25, 1949, in Los Angeles, California, Misrach began his career in the 1970s and has since become renowned for his captivating and thought-provoking images.One of Misrach's most notable bodies of work is titled "Desert Cantos," a series that explores the vast desert landscapes of the American West. These photographs depict the interplay between human presence and the natural environment, often highlighting the impact of human activity on these seemingly untouched spaces. Through his meticulous compositions and use of color, Misrach prompts viewers to contemplate issues related to ecology, politics, and the intersection of nature and civilization.Another significant project by Misrach is "The Golden Gate," a series of photographs focusing on the Golden Gate Bridge in San Francisco. These images capture the iconic landmark from various angles and distances, showcasing its beauty and symbolic importance within the urban landscape.Misrach's work has been widely exhibited in galleries and museums around the world. His photographs are held in numerous prestigious collections, including the Museum of Modern Art (MoMA) in New York, the National Gallery of Art in Washington, D.C., and the San Francisco Museum of Modern Art (SFMOMA).Over the course of his career, Richard Misrach has received numerous awards and honors for his contributions to the field of photography. His work continues to inspire and provoke discussions about the relationship between humans and the natural world. Measures 11.5 x 14.0.
Shanghai is a bustling metropolis and one of China's most dynamic and vibrant cities, situated on the eastern coast of the country. Renowned for its stunning skyline, modern architecture, and rich history, Shanghai is a melting pot of cultures and influences, offering visitors a unique blend of old-world charm and contemporary innovation.The city's iconic waterfront area, known as the Bund, features a striking collection of historic buildings from the early 20th century, including grand banks, trading houses, and consulates. Across the Huangpu River lies the futuristic skyline of Pudong, home to the Shanghai Tower, the Oriental Pearl Tower, and other iconic skyscrapers that illuminate the night sky with dazzling light shows.Shanghai's cultural scene is equally impressive, with a wealth of museums, galleries, and performing arts venues showcasing both traditional and contemporary Chinese art and culture. The Shanghai Museum, located in People's Square, houses a vast collection of ancient Chinese artifacts, while the Shanghai Grand Theatre hosts world-class opera, ballet, and theater performances.The city's historic neighborhoods, such as the French Concession and Old Town, offer a glimpse into Shanghai's storied past, with narrow alleyways, traditional tea houses, and ancient temples nestled among modern skyscrapers. Visitors can wander through bustling markets, sample street food delicacies, and explore hidden gems tucked away in the city's labyrinthine streets.Shanghai is also a culinary paradise, with a diverse array of dining options ranging from Michelin-starred restaurants to humble noodle shops. The city's cuisine reflects its cosmopolitan character, drawing inspiration from both traditional Chinese flavors and international influences. From mouthwatering dim sum and spicy Sichuan hot pot to delicate xiaolongbao (soup dumplings) and savory Shanghai-style braised pork, Shanghai offers a culinary adventure for every palate.In addition to its cultural and culinary attractions, Shanghai is a thriving center of commerce, finance, and innovation, with a rapidly growing technology sector and a vibrant startup ecosystem. The city's dynamic energy, entrepreneurial spirit, and forward-thinking mindset make it a magnet for ambitious professionals and creative minds from around the world.Overall, Shanghai's blend of old and new, East and West, makes it a captivating destination for travelers seeking to experience the pulse of modern China while immersing themselves in its rich cultural heritage. With its endless opportunities for exploration, discovery, and adventure, Shanghai offers a truly unforgettable experience that leaves a lasting impression on all who visit.Measures 33 x 24.Backed by linen.
‡ DAVID WOODFORD (b.1938) large, fine exhibition quality oil on canvas - Llyn Llydaw, Eryri (Snowdonia) with clouds and shaft of sunlight inscribed verso, 82 x 118cmsProvenance: private collection West Midlands, smaller version of this scene illustrated as Plate 32, 'The Art of David Woodford - Mountains and Memories' by Tom Dutton (Gwasg Carreg Gwalch) 2016Auctioneer's Note (Dr Harry Heuser): rooted in the experience of nature and its close observation, David Woodford’s paintings are at once monumental and of the moment. Ranging from pochades (or pocket-size plein-air sketches) of arresting immediacy to sublime large-scale canvases, such as this example, on which the artist keeps working in his studio for as long as ten years, these landscapes are as much concerned with the eternal as they are with the evanescent.Woodford captures the distinctive features of the rugged Welsh countryside, with special focus on the grandeur of Eryri (Snowdonia), where the Shropshire-born artist has been living for over half a century. More than achieving topographical transcripts of the land, however, his paintings captivate us with their intentness on the atmosphere and the mercurial temperament of the elements – the ‘fugitive … moods’ of nature, as Woodford puts it – that make startlingly new and revelatory what we might assume to be unchanging.A Royal Cambrian Academician who trained at West Sussex College of Art and, as a mature student returning to college after a five-year period of teaching, at the Royal Academy Schools in London, Woodford has been committed to a sustained engagement with nature since the late 1960s. At a time when drawing and painting were being challenged by conceptualism, when academic and curatorial attention was diverted from traditional methods and materials to new media, Woodford set out rigorously to pursue the essentials that many practitioners and educators temporarily and, in some cases, permanently abandoned. As Woodford acknowledges, his practice has benefitted greatly from the instruction and insights he received in his schooling from ‘painters who taught, not teachers who painted.’Woodford’s works have been exhibited widely in England and Wales; a major retrospective featuring over 200 paintings and drawings was staged in 2023 at Oriel Môn. The subject of books including The Art of David Woodford (2016), his works are in the collections of The Arts Council, The National Library of Wales, and the National Museum of Wales.Woodford’s landscapes are only gaining in relevance. They are increasingly resonant in an age in which human interventions into nature threaten what we thought would not only take care of itself but continue to sustain us. Anticipating contemporary debates, Woodford has long presented us with a world without people, a world that, he says, ‘will survive without them.’ Contemplative, studious and unwavering, his art, both singly and collectively, brings home how rewarding a lifelong creative process of discovery can be.Dr Harry Heuser, curator, art writer and researcher, co-author of Welsh artist biographiesComments: framed, ready to hangDelivery: complimentary delivery can be arranged for all purchases over £4000 in this Welsh Sale auction (England and Wales only) please contact brj@rjauctions.co.uk for further detailsLATER NOTE: location of scene corrected since the printing of the hardcopy catalogue
‡ HYWEL HARRIES (1921-1990) oil on board - entitled verso, 'Salem Revisited', signed and dated '73, 59 x 75cmsProvenance: the Welsh art collection of award-winning television producer, the late Pat Llewellyn (1962-2017), by descentAuctioneer's Note (Prof. Robert Meyrick):Hywel Harries’ Salem Re-visited is an interpretation of Salem, a 1908 watercolour by Sydney Curnow Vosper. It is a reminder of the historic significance of chapel-going in Wales and the centrality of Nonconformist Christianity in Wales. An art teacher, painter and cartoonist, Harries understood the cultural reference in Vosper’s painting, which shows the interior of Capel Salem Cefncymerau near Harlech. Purchased by industrialist William Hesketh Lever, the image became familiar through mass-circulated reproductions advertising Sunlight Soap.In October 2019, Rogers Jones successfully brokered the purchase by the National Library of Wales of Vosper’s second version of the painting. Vosper painted Salem in the wake the 1904-05 Welsh Revival, which saw a resurgence of religion. Once a national icon, emblematic of religious piety among the rural poor in Wales, Salem’s ubiquity depended on that context. In the intervening years it was distributed through Urdd Gobaith Cymru, reproduced as covers for Cymru Fydd calendars, and used by nationalists and Welsh language activists. As art historian Peter Lord points out, framed prints of Salem are nowadays consigned to ‘folk memory,’ a curious relic of times past. Carmarthenshire born, Harries trained at Llanelli School of Art until 1941, when his studies were interrupted by RAF service. After resuming his studies at Cardiff Technical College in 1947, he held teaching posts at Ealing and Machynlleth before his 1954 appointment as Head of Art at Ardwyn Grammar School (later Penglais Comprehensive School) at Aberystwyth, a position he held until his retirement in 1981.Harries is best known for his paintings of Aberystwyth townscapes and the landscape of Ceredigion. He developed a distinctive handling of layered dry paint using a soft warm palette. His landscapes often explored spatial effects and the decorative flattening of interlocking planes of colour, pattern and form, while his townscapes deploy a narrower tonal range and muted colours. Harries’ Salem Re-visited paintings were a rare dalliance with abstraction. Fellow Welshman Ceri Richards had likewise sought contemporary responses to familiar subjects when he made paintings after Rubens’ The Rape of the Sabine Women in the National Gallery, London, in 1946. Harries would also have been aware of Pablo Picasso’s abstracted translations of paintings by Cranach, Velázquez, and Ingres.Salem portrays the 71-year-old widow Siân Owen Tŷ’n y Fawnog taking her pew before the start of a service. Even in 1908 the scene depicted by Vosper was something of an anachronism. Stove-pipe hats were rarely worn then; in fact, only one such hat could be sourced for the women to model. In 1938, Vosper recalled the names of his sixpence-an-hour models; among them were a local carpenter, farmer, shopkeeper and a tailor’s dummy he named Leusa Jones. In Salem Re-visited, Harries has lettered their names on or alongside each character. The popular belief is that the devil lies in the detail of the folds of Siân Owen’s richly patterned paisley shawl, even though Vosper refuted that the likeness was intentional. There is no ambiguity in Harries’ flat monochrome rendering of the shawl as the profile of a demonic face in contrast to its colourful surroundings. Uncharacteristically for Harries, the act of painting appears on this occasion to be more important than representation or narrative. The illusion of pictorial space being abandoned, the relative position of the congregation becomes unclear. The jigsaw arrangement of overlapping shapes allude to the fragmentary nature of appearances in momentary glances. Peter Lord described this approach as a ‘Cubist-cum-patchwork quilt oil painting.’For Harries, there was an additional resonance in Vosper’s Salem. He was himself a man of faith and a staunch chapel-goer. He was an elder at Capel Salem (later to become Capel Morfa) in Aberystwyth. Always smartly presented in jacket, collar and tie, there was nothing bohemian about him. Indeed, Harries looked every bit the chapel deacon. Founding Ceredigion Art Society in 1963, Harries placed his knowledge, experience and enthusiasm for art into the service of the community. He was Vice-President of the Royal Cambrian Academy and chaired the Art and Craft Committee of the Council of the National Eisteddfod. In retirement, he authored several books, among them Cymru’r Cynfas: Pymtheg Artist Cyfoes [Wales on Canvas: Fifteen Contemporary Artists] (1983).Prof. Robert Meyrick, art historian, curator and educator, until recently Professor, Head of Aberystwyth University’s School of Art and Keeper of the School of Art Museum and Galleries. Comments: framed, ready to hangDelivery: complimentary delivery can be arranged for all purchases over £4000 in this Welsh Sale auction (England and Wales only) please contact brj@rjauctions.co.uk for further details
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