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Zara Matthews Mesh (Study-Dark Blue), 2022 Gesso and Pigment on Watercolour Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Zara Matthews is an artist working in Painting, Printmaking and Photography. She lives and works in London and has also spent considerable amounts of time living and working in Italy and France. Since the mid-1980's Matthews has shown extensively in the UK, and also Europe and USA. Her current work concentrates on the auras of objects, and their sense of presence and history. Education Zara Matthews studied at Goldsmiths College from 1979 - 1980, Kingston Polytechnic from 1980 - 1983 and The Royal College of Art from 1997 - 1999. Select Exhibitions/Awards Most recently in 2022 Zara Matthews has been invited to show in 'Small is Beautiful', Flowers Gallery, Cork Street, She has had a 3 person show titled (RE)Configured at The Mall Galleries, and exhibited in the Royal Academy Summer Exhibition 2022. She was long-listed for Future Now - 125 Artist from The Aesthetica Art Prize 2021, selected for 100 Contemporary Artists, Aesthetica Magazine 2020, shortlisted for The Trinity Buoy Wharf Drawing Prize in 2019, and nominated for The 6th Max Mara Art Prize for Women 2016-17. She was awarded The Wapping Project Berlin Residency in 2015 and during 2023 she has been invited to spend 2 months on an artist residency in Pouch Cove, Newfoundland, Canada. Statement about AOAP Submitted Artwork The 4 postcards are small studies for larger paintings that depict, or include, the stretchy netting often used to protect fruit, including papayas. These polystyrene sleeves protect vulnerable fruit as they travel around the globe, but are a single use plastic that damages the planet.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.      

Gavin Turk 4 Eggs, 2022 Photograph on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Gavin Turk (b 1967) is a British born, international artist. He has pioneered many forms of contemporary British sculpture now taken for granted, including the painted bronze, the waxwork, the recycled art-historical icon and the use of rubbish in art. Turk's installations and sculptures deal with issues of authorship, authenticity and identity. Concerned with the 'myth' of the artist and the 'authorship' of a work, Turk's engagement with this modernist, avant-garde debate stretches back to the ready-mades of Marcel Duchamp. In 1991, the Royal College of Art refused Turk a degree on the basis that his final show, 'Cave', consisted of a whitewashed studio space containing only a blue heritage plaque commemorating his presence 'Gavin Turk worked here 1989-91'. Instantly gaining notoriety through this installation, Turk was spotted by Charles Saatchi and was included in several YBA exhibitions. Turk's work has since been collected and exhibited by many major museums and galleries throughout the world. Prestel published Turk's first major monograph in 2013, showcasing more than two decades of his work and in 2014 Trolley Books published 'This Is Not A Book About Gavin Turk' which playfully explores themes associated with the artist's work via thirty notable contributors. Turk has recently been commissioned to make several public sculptures including L'Âge d'Or (2016), sited on the south corner of the Press Centre building in the Olympic Park and Nail, a 12-meter sculpture at One New Change, next to St Paul's cathedral, London, England.   Education   1989 -1991 Royal College of Art 1986 -1989 Chelsea School of Art   Awards   2010 Honorary Doctorate in Arts, University of East London 2007 Charles Wollaston Award, Royal Academy of Arts 2001 Jack Goldhill Sculpture Prize, Royal Academy of Arts Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Lois Wallace Field of Fire, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lois Wallace is a contemporary painter who trained at the Slade School of Art.   Education   B.A Fine Art (Painting) Coventry Polytechnic. HDFA The Slade School of Art, University College London.   Select Exhibitions/Awards   Recent selected solo exhibitions 2022 Silent fire PS Mirabel gallery, Manchester, 2020 Small worlds The Old Lock up gallery, 2019 Perfect Day International project space Birmingham, 2019 Other Places Tarpey Gallery. Selected Group Shows Royal Academy Summer exhibition 2022, 2017, 2016 and 2015; Beep Painting Biennial, 2022; New Light touring exhibition 2020-21. Other exhibitions include The Discerning Eye 2018 and the Columbia Threadneedle competition where she was awarded a finalist prize. .   Gallery Representation   Raab Gallery Berlin. Saul Hay Gallery. McAllister Thomas Fine Art.   Statement about AOAP Submitted Artwork   Blaze and Field of fire are paintings of imagined places that depict fragility and disquiet through the tonality of light and atmosphere. The paintings are located within the genre of the sublime and are aligned to the tradition of English landscape painting. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Lois Wallace Blaze, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lois Wallace is a contemporary painter who trained at the Slade School of Art.   Education   B.A Fine Art (Painting) Coventry Polytechnic. HDFA The Slade School of Art, University College London.   Select Exhibitions/Awards   Recent selected solo exhibitions 2022 Silent fire PS Mirabel gallery, Manchester, 2020 Small worlds The Old Lock up gallery, 2019 Perfect Day International project space Birmingham, 2019 Other Places Tarpey Gallery. Selected Group Shows Royal Academy Summer exhibition 2022, 2017, 2016 and 2015; Beep Painting Biennial, 2022; New Light touring exhibition 2020-21. Other exhibitions include The Discerning Eye 2018 and the Columbia Threadneedle competition where she was awarded a finalist prize. .   Gallery Representation   Raab Gallery Berlin. Saul Hay Gallery. McAllister Thomas Fine Art.   Statement about AOAP Submitted Artwork   Blaze and Field of fire are paintings of imagined places that depict fragility and disquiet through the tonality of light and atmosphere. The paintings are located within the genre of the sublime and are aligned to the tradition of English landscape painting. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

James Springall Movers and Shakers, 2022 Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France.   Select Exhibitions/Awards   LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016   Gallery Representation   LIE Gallery (UK). Don't Walk, Walk Gallery (UK).   Statement about AOAP Submitted Artwork   These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

James Springall Foot, 2022 Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France.   Select Exhibitions/Awards   LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016   Gallery Representation   LIE Gallery (UK). Don't Walk, Walk Gallery (UK).   Statement about AOAP Submitted Artwork   These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

James Springall Magic Tip, 2022 Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France.   Select Exhibitions/Awards   LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016   Gallery Representation   LIE Gallery (UK). Don't Walk, Walk Gallery (UK).   Statement about AOAP Submitted Artwork   These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

James Springall Adverse Conditions, 2022 Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France.   Select Exhibitions/Awards   LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016   Gallery Representation   LIE Gallery (UK). Don't Walk, Walk Gallery (UK).   Statement about AOAP Submitted Artwork   These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Gethin Evans Rose Dawn Swimmers, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in Maesteg, South Wales. Figurative painter who lives and works in London. Studio is part of Space Studios complex in the East End. The paintings are often large scale compositions primarily dealing with light, colour, space and image and sourced from memories of figures and city spaces and travel experiences. Works are oil and acrylic on both paper and canvas.   Education   1978 - 1980 - Slade School of Fine Art, HDFA 1975 - 1978 - Camberwell School of Arts and Crafts BA (Homs) Painting 1974 - 1975 - Byam Shaw School of Art Foundation Course   Select Exhibitions/Awards   2022 - Royal Academy Summer Exhibition ASSEMBLE 20 - Tregony Gallery 2021 - ING Discerning Eye Exhibition Battersea Art Fair with Lucinda Dalton Gallery 2020 - Meeting Points - two person show with Sharon Beavan at the Royal Drawing School Shoreditch Gallery 2019 - Creekside Open Exhibition- APT Gallery 2018 - CASHE - group exhibition at Angus Hughes Gallery, London 2017 - Wall, Window, World - group exhibition at Tregony Gallery, Cornwall 2015 - ALIGNMENTS- group exhibition at espacio gallery, London 2013 - Zeitgeist Art Projects Open Exhibition- ASC Studios, London 2012 - COMPASS - group exhibition of five artists - Street Road Gallery, Pennsylvania, USA TERRITORIES - group exhibition at Galerie Windkracht , Den Helder, Holland 2007 - Celeste Art Prize Exhibition 2002 - Small is Beautiful- Flowers East Gallery 1994 - The Whitechapel Open 1989 - QUEST - group exhibition at New York Stufio School   Gallery Representation   Tregony Gallery, Cornwall Lucinda Dalton Gallery, London Oakham Contemporary (online)   Statement about AOAP Submitted Artwork   Two images of early morning swimmers. I wanted to capture a sense of light and colour specific to a particular space, time, and place. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Gethin Evans Golden Dawn Swimmer, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in Maesteg, South Wales. Figurative painter who lives and works in London. Studio is part of Space Studios complex in the East End. The paintings are often large scale compositions primarily dealing with light, colour, space and image and sourced from memories of figures and city spaces and travel experiences. Works are oil and acrylic on both paper and canvas.   Education   1978 - 1980 - Slade School of Fine Art, HDFA 1975 - 1978 - Camberwell School of Arts and Crafts BA (Homs) Painting 1974 - 1975 - Byam Shaw School of Art Foundation Course   Select Exhibitions/Awards   2022 - Royal Academy Summer Exhibition ASSEMBLE 20 - Tregony Gallery 2021 - ING Discerning Eye Exhibition Battersea Art Fair with Lucinda Dalton Gallery 2020 - Meeting Points - two person show with Sharon Beavan at the Royal Drawing School Shoreditch Gallery 2019 - Creekside Open Exhibition- APT Gallery 2018 - CASHE - group exhibition at Angus Hughes Gallery, London 2017 - Wall, Window, World - group exhibition at Tregony Gallery, Cornwall 2015 - ALIGNMENTS- group exhibition at espacio gallery, London 2013 - Zeitgeist Art Projects Open Exhibition- ASC Studios, London 2012 - COMPASS - group exhibition of five artists - Street Road Gallery, Pennsylvania, USA TERRITORIES - group exhibition at Galerie Windkracht , Den Helder, Holland 2007 - Celeste Art Prize Exhibition 2002 - Small is Beautiful- Flowers East Gallery 1994 - The Whitechapel Open 1989 - QUEST - group exhibition at New York Stufio School   Gallery Representation   Tregony Gallery, Cornwall Lucinda Dalton Gallery, London Oakham Contemporary (online)   Statement about AOAP Submitted Artwork   Two images of early morning swimmers. I wanted to capture a sense of light and colour specific to a particular space, time, and place. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks Waitrose Flat Peaches, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Michael Dawson Working Class Fireflies, 2022 Chinagraph Pencil and Crayon on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   I mainly make vibrant images on paper, wood, and canvas in an expressionist, graphic and romantic style. The work has been called 'outsider'; I take that as a compliment! I use a combination of elements to make paintings - acrylic paint and oil sticks, colour and text, historical references, contemporary culture, social commentary, abstraction and figuration, to create deliberate enigmas, mysterious kaleidoscopes! Education   Self taught artist (BA HONS English)   Select Exhibitions/Awards   Jul - Aug 2022 The Royal Academy of Arts Summer Exhibition May 2018 National Galleries of Scotland 'Artists at Work' (Group Show) 2014 - 2016 Scottish Royal Academy Open Exhibition, Edinburgh UK (2016 Recipient of Royal Scottish Academy Open Exhibition Award, Summerhall Prize)   Statement about AOAP Submitted Artwork   The four A6 pieces are made in a loose, fast automatic style. I combine colour and text as an oblique, enigmatic commentary on my life and society as I find them. They are an expressionistic frozen moment, the lid is lifted and what is there escapes!   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Archie Franks Ghost Train, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks Village Cricket Featuring Cows, 2022 Oil Pastel and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks M&S Pie, 2022 Oil Pastel and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mary Romer Smouldering August, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mary's childhood was spent in India, Southern Yemen and East Africa. Born in 1952 in Dar-es-Salaam, Tanzania. Her early years where the vast landscapes of Africa contrasted with the vibrant colours in India were a formative influence. Educated in India, England and France. In 1972 she moved to London taking advantage of the cultural events, attending exhibitions, art lectures at the V & A and life drawing classes at Chelsea College of Art. Over the years she travelled often to France and Italy visiting the major art exhibitions and studying the early frescos of Masaccio in Florence. After marrying and having two sons, she enrolled as a mature student to study art at Anglia Ruskin College, Cambridge. She holds a BA in Fine Art (Contemporary Practice). 2015 she was selected and completed an intensive 3-week course at The Slade, UCL Her work has been exhibited in London and East Anglia, with solo shows as well as being selected for mixed shows. Her work is in private and public collections worldwide.   Education   England and France Anglia Ruskin College, Cambridge - BA Fine Art (Contemporary Practice) Selected 3 week residency at The Slade, UCL   Select Exhibitions/Awards   Eastern Open Kings Lynne - 2004, 2005, 2006 One Church Street Gallery, Amersham selected Winter Open - 2012 Cambridge Artworks - 2013 Cambridge Artworks - 2014 The Lacey Gallery - selected for Summer Exhibition Prize 2016 The Sentinel Gallery - Wivenhoe selected for The Summer Show - 2017 Cobbold & Judd - selected for Winter Show - 2017 Contemporary British Painting, The Crypt, Marylebone, London - 2019 The London Ultra - The Barge House - Free Painters & Sculptors - 2019 The Muse Gallery, Notting Hill, London - Encounters 2021 The Fry Art Gallery, Saffron Walden - 2021 The Royal Academy of The Arts, London, IndiaSummer Exhibition - 2022 AWARDS The Bank House Postcard Award - 2006 Highly Commended - The Orangery, Holland Park - 2011   Gallery Representation   The Muse Gallery, Notting Hill, London The Angela Mellor Gallery, - Ely   Statement about AOAP Submitted Artwork   The Red Dust Vapour paintings are a multi-layered response. Using a palette of pinks and earth-reds became a meditation, recollecting colours used in Renaissance painting, yet pertinent to concerns reflecting the increasing desertificaton of Africa and dust storms that covered streets and cars across Europe. In this series of paintings, I am able to link both process as well as concept. Preparing colour solutions of heavily diluted paint, I begin saturating the surface with water, leaving certain areas dry. The fusion of pigment and water pooling on the surface helps achieve the veils and skeins of tinted colour, expressing sensations of light, vapour and mist as seen in the skies above. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mary Romer Red Dust Vapour II, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mary's childhood was spent in India, Southern Yemen and East Africa. Born in 1952 in Dar-es-Salaam, Tanzania. Her early years where the vast landscapes of Africa contrasted with the vibrant colours in India were a formative influence. Educated in India, England and France. In 1972 she moved to London taking advantage of the cultural events, attending exhibitions, art lectures at the V & A and life drawing classes at Chelsea College of Art. Over the years she travelled often to France and Italy visiting the major art exhibitions and studying the early frescos of Masaccio in Florence. After marrying and having two sons, she enrolled as a mature student to study art at Anglia Ruskin College, Cambridge. She holds a BA in Fine Art (Contemporary Practice). 2015 she was selected and completed an intensive 3-week course at The Slade, UCL Her work has been exhibited in London and East Anglia, with solo shows as well as being selected for mixed shows. Her work is in private and public collections worldwide.   Education   England and France Anglia Ruskin College, Cambridge - BA Fine Art (Contemporary Practice) Selected 3 week residency at The Slade, UCL   Select Exhibitions/Awards   Eastern Open Kings Lynne - 2004, 2005, 2006 One Church Street Gallery, Amersham selected Winter Open - 2012 Cambridge Artworks - 2013 Cambridge Artworks - 2014 The Lacey Gallery - selected for Summer Exhibition Prize 2016 The Sentinel Gallery - Wivenhoe selected for The Summer Show - 2017 Cobbold & Judd - selected for Winter Show - 2017 Contemporary British Painting, The Crypt, Marylebone, London - 2019 The London Ultra - The Barge House - Free Painters & Sculptors - 2019 The Muse Gallery, Notting Hill, London - Encounters 2021 The Fry Art Gallery, Saffron Walden - 2021 The Royal Academy of The Arts, London, IndiaSummer Exhibition - 2022 AWARDS The Bank House Postcard Award - 2006 Highly Commended - The Orangery, Holland Park - 2011   Gallery Representation   The Muse Gallery, Notting Hill, London The Angela Mellor Gallery, - Ely   Statement about AOAP Submitted Artwork   The Red Dust Vapour paintings are a multi-layered response. Using a palette of pinks and earth-reds became a meditation, recollecting colours used in Renaissance painting, yet pertinent to concerns reflecting the increasing desertificaton of Africa and dust storms that covered streets and cars across Europe. In this series of paintings, I am able to link both process as well as concept. Preparing colour solutions of heavily diluted paint, I begin saturating the surface with water, leaving certain areas dry. The fusion of pigment and water pooling on the surface helps achieve the veils and skeins of tinted colour, expressing sensations of light, vapour and mist as seen in the skies above. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sue Bryan Sunset With Trees, 2022 Charcoal and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   A native of Ireland, Sue is primarily self-trained. After studying briefly in the School of Visual Arts in New York in the mid 90's, she continued to work independently, finding most influential the works of Inness, Blakelock, Turner and Corot. Her work has been selected for several juried and invitational exhibitions throughout Ireland and the US, including the Bradley International Print and Drawing Exhibition in 2011 and 2015. She has exhibited in many galleries and group shows, including the Fort Wayne Museum of Art, the Florence Academy of Art, and the National Arts Club in New York. She has exhibited annually in the Royal Hibernian Academy's Summer Exhibition since 2014. She is the recipient of many awards, including an Award of Distinction at the 5th Annual Drawing Discourse, an international exhibition of contemporary drawing held at the University of North Carolina, Asheville.   Gallery Representation   Carrie Haddad Gallery, New York; Galerie Felli, Paris, France; GBS Fine Art, UK   Statement about AOAP Submitted Artwork   My work is drawing based. My process is one of building up tones and textures using a method of charcoal, carbon and graphite combined, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. As a native of Ireland, the landscape there has certainly shaped and influenced my work. Many of my drawings are of places that have a deep personal association for me; an endeavour perhaps to stay connected to my roots. The work is not just about particular places however, but an attempt to find meaning in my response to the natural world, a way of looking beyond and beneath what I see. As the climate continues to change, there is added poignancy in the gloaming. I look for it now more than ever.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Salvatore Fiorello Cloud Lake, 2022 Gouache and Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Salvatore's work deals with perceptions of time, memory and place. He makes paintings that depict often overlooked sections of suburbia, edgelands and semi/rural landscapes reminiscent of faded snapshots. Creeping shadows and spectral forms denote odd or uncanny scenes, like recollected memories or nostalgic day dreams. Salvatore graduated with an MA in Painting from the Royal College of Art in 2000. He lives and works in London. Education   1998-2000 M.A. Painting, Royal College of Art, London. 1995-1998 B.A. (Hons) Fine Art, Painting, U.C.E. in Birmingham Select Exhibitions/Awards   2022 'Wales Contemporary', Waterfront Gallery, Milford Haven. 'Think Of Me With Kindness', Gage Gallery, KIAC, Sheffield. Royal Academy of Arts, 254th Summer Exhibition, London. Royal Scottish Academy, 196th Annual Exhibition, Edinburgh, Scotland. 2021 'ING Discerning Eye', The Mall Galleries, London. 'SFSA Painting Open' no format Gallery, Deptford, London. 'Popup pickup' Lübeck, Germany. Royal Scottish Academy, 195th Annual Exhibition, Edinburgh, Scotland. 'Momentum' Hackney Downs Studios, London. 2020 Royal Scottish Academy, 194th Annual Exhibition, Edinburgh, Scotland. 2019 'SFSA Painting Open' no format Gallery, Deptford, London. 'Art on a Postcard', Annual Secret Auction, WeWork, London. 'The WSA Open' Williamson Art Gallery, Birkenhead. Royal Academy of Arts, 251st Summer Exhibition, London.   Statement about AOAP Submitted Artwork   The submitted postcard works are studies for possible future paintings. Both images were taken during a recent trip to Blenheim Palace. 'Pale House' features an out building on the grounds that had undergone recent restoration work. The unusually clean façade took on an ephemeral ghost like appearance, this along with the walled perimeter and falling shadows helped conjure a sense of the uncanny which drew me in. The second painting; 'Cloud Lake' features a view of the artificial lake created by Capability Brown in the 1760s. The foreboding sky and dark silhouetted tree line reminded me of earlier oil sketch landscapes painted during the era. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Salvatore Fiorello Pale House, 2022 Gouache and Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Salvatore's work deals with perceptions of time, memory and place. He makes paintings that depict often overlooked sections of suburbia, edgelands and semi/rural landscapes reminiscent of faded snapshots. Creeping shadows and spectral forms denote odd or uncanny scenes, like recollected memories or nostalgic day dreams. Salvatore graduated with an MA in Painting from the Royal College of Art in 2000. He lives and works in London. Education   1998-2000 M.A. Painting, Royal College of Art, London. 1995-1998 B.A. (Hons) Fine Art, Painting, U.C.E. in Birmingham Select Exhibitions/Awards   2022 'Wales Contemporary', Waterfront Gallery, Milford Haven. 'Think Of Me With Kindness', Gage Gallery, KIAC, Sheffield. Royal Academy of Arts, 254th Summer Exhibition, London. Royal Scottish Academy, 196th Annual Exhibition, Edinburgh, Scotland. 2021 'ING Discerning Eye', The Mall Galleries, London. 'SFSA Painting Open' no format Gallery, Deptford, London. 'Popup pickup' Lübeck, Germany. Royal Scottish Academy, 195th Annual Exhibition, Edinburgh, Scotland. 'Momentum' Hackney Downs Studios, London. 2020 Royal Scottish Academy, 194th Annual Exhibition, Edinburgh, Scotland. 2019 'SFSA Painting Open' no format Gallery, Deptford, London. 'Art on a Postcard', Annual Secret Auction, WeWork, London. 'The WSA Open' Williamson Art Gallery, Birkenhead. Royal Academy of Arts, 251st Summer Exhibition, London.   Statement about AOAP Submitted Artwork   The submitted postcard works are studies for possible future paintings. Both images were taken during a recent trip to Blenheim Palace. 'Pale House' features an out building on the grounds that had undergone recent restoration work. The unusually clean façade took on an ephemeral ghost like appearance, this along with the walled perimeter and falling shadows helped conjure a sense of the uncanny which drew me in. The second painting; 'Cloud Lake' features a view of the artificial lake created by Capability Brown in the 1760s. The foreboding sky and dark silhouetted tree line reminded me of earlier oil sketch landscapes painted during the era. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Elise Ansel Esther II, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Elise Ansel was born and raised in New York City. Ansel received a BA in Comparative Literature from Brown University in 1984. While at Brown, she studied art at both Brown and the Rhode Island School of Design. She worked briefly in the film industry before deciding to make painting her first order medium. Ansel has exhibited her work throughout the United States and in Europe. Her works are held in the permanent collections of the Museum of Contemporary Art in Krakow, the Bowdoin College Museum of Art and the Evansville Museum of Arts and Sciences. She was represented by Danese/Corey in NYC until they closed in April 2020. She now works with Miles McEnery Gallery and Auxier/Kline in New York City and Cadogan Contemporary in London.   Education   Brown University   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS: 2023 Cadogan Contemporary, Recent Work, Milan, Italy (forthcoming) 2023 Cadogan Contemporary, Recent Work, London, UK (forthcoming) 2023 Cover Street Arts, Recent Work, Portland, Maine (forthcoming) 2023 Miles McEnery Gallery, Recent Work, New York, New York (forthcoming) 2022 Auxier/Kline, "Time and Materials," New York, New York 2022 Michael S. Currier Center at the Putney School, "Space Between Angels," Putney, Vermont 2021 Cadogan Contemporary, "Polarity," London, UK 2021 Carol Corey Fine Art, "The Women," Kent, Connecticut 2021 The Schoolhouse Gallery, "Ocean," Provincetown, MA 2020 Carol Corey Fine Art, "Flower of the Mountain," Kent, Connecticut 2020 David Klein Gallery, "Palimpsest," Detroit, Michigan 2019 Cadogan Contemporary, "yes I said Yes," London, UK 2018 Danese/Corey, "Time Present," New York, NY 2017 Cadogan Contemporary, "Amber and Ebony," London, UK 2017 Danese/Corey, "Dialogue," New York, NY Gallery Representation   Miles McEnery Gallery; Cadogan Contemporary; AB NY Gallery; Carol Corey Fine Art   Statement about AOAP Submitted Artwork   My work involves translating Old Master paintings into a contemporary pictorial language. I examine shifting respresenations of the spiritual in art. I try to give voice to the female characters that have been for so long depicted by men Abstraction allows me to interrupt this one sided narrative and transform it into sensually capacious non-narrative form of visual communication that embraces multiple points of view. The Esther watercolors are studies for a series of larger oil paintings. They spring from Esther Before Ahasuerus, ca. 1758 by Lorenzo de Caro,which is the permanent collection of the Detroit Institute of the Arts Museum. I often begin with a series of small improvisational studies. Allowing the constant discovery of one state to give rise to another, I use the small studies as points of departure for larger works. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Elise Ansel Esther III, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Elise Ansel was born and raised in New York City. Ansel received a BA in Comparative Literature from Brown University in 1984. While at Brown, she studied art at both Brown and the Rhode Island School of Design. She worked briefly in the film industry before deciding to make painting her first order medium. Ansel has exhibited her work throughout the United States and in Europe. Her works are held in the permanent collections of the Museum of Contemporary Art in Krakow, the Bowdoin College Museum of Art and the Evansville Museum of Arts and Sciences. She was represented by Danese/Corey in NYC until they closed in April 2020. She now works with Miles McEnery Gallery and Auxier/Kline in New York City and Cadogan Contemporary in London.   Education   Brown University   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS: 2023 Cadogan Contemporary, Recent Work, Milan, Italy (forthcoming) 2023 Cadogan Contemporary, Recent Work, London, UK (forthcoming) 2023 Cover Street Arts, Recent Work, Portland, Maine (forthcoming) 2023 Miles McEnery Gallery, Recent Work, New York, New York (forthcoming) 2022 Auxier/Kline, "Time and Materials," New York, New York 2022 Michael S. Currier Center at the Putney School, "Space Between Angels," Putney, Vermont 2021 Cadogan Contemporary, "Polarity," London, UK 2021 Carol Corey Fine Art, "The Women," Kent, Connecticut 2021 The Schoolhouse Gallery, "Ocean," Provincetown, MA 2020 Carol Corey Fine Art, "Flower of the Mountain," Kent, Connecticut 2020 David Klein Gallery, "Palimpsest," Detroit, Michigan 2019 Cadogan Contemporary, "yes I said Yes," London, UK 2018 Danese/Corey, "Time Present," New York, NY 2017 Cadogan Contemporary, "Amber and Ebony," London, UK 2017 Danese/Corey, "Dialogue," New York, NY Gallery Representation   Miles McEnery Gallery; Cadogan Contemporary; AB NY Gallery; Carol Corey Fine Art   Statement about AOAP Submitted Artwork   My work involves translating Old Master paintings into a contemporary pictorial language. I examine shifting respresenations of the spiritual in art. I try to give voice to the female characters that have been for so long depicted by men Abstraction allows me to interrupt this one sided narrative and transform it into sensually capacious non-narrative form of visual communication that embraces multiple points of view. The Esther watercolors are studies for a series of larger oil paintings. They spring from Esther Before Ahasuerus, ca. 1758 by Lorenzo de Caro,which is the permanent collection of the Detroit Institute of the Arts Museum. I often begin with a series of small improvisational studies. Allowing the constant discovery of one state to give rise to another, I use the small studies as points of departure for larger works. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Florent Stosskopf Flowers Jungle, 2022 Acrylic and Markers on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   FLORENT STOSSKOPF (1989, Rennes, France) is currently based in Brittany, France. The self-taught young artist.Stosskopf's work deftly blends traditional themes and archetypes through a contemporary perspective   Education   BA in Web and Graphic Design and an Advanced Technician Diploma in Communication from L'école Multimedia   Select Exhibitions/Awards   Beers London Gallery in London (2021) "Eternal Flowers" Durand Mashaal Gallery (2022) at Future Fair (New-York City) "Master of botanical"   Gallery Representation   Beers London - Durand Mashaal Gallery - Over The Influence   Statement about AOAP Submitted Artwork   Some flowers in a perspective view Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.  

Elise Ansel Esther IV, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Elise Ansel was born and raised in New York City. Ansel received a BA in Comparative Literature from Brown University in 1984. While at Brown, she studied art at both Brown and the Rhode Island School of Design. She worked briefly in the film industry before deciding to make painting her first order medium. Ansel has exhibited her work throughout the United States and in Europe. Her works are held in the permanent collections of the Museum of Contemporary Art in Krakow, the Bowdoin College Museum of Art and the Evansville Museum of Arts and Sciences. She was represented by Danese/Corey in NYC until they closed in April 2020. She now works with Miles McEnery Gallery and Auxier/Kline in New York City and Cadogan Contemporary in London.   Education   Brown University   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS: 2023 Cadogan Contemporary, Recent Work, Milan, Italy (forthcoming) 2023 Cadogan Contemporary, Recent Work, London, UK (forthcoming) 2023 Cover Street Arts, Recent Work, Portland, Maine (forthcoming) 2023 Miles McEnery Gallery, Recent Work, New York, New York (forthcoming) 2022 Auxier/Kline, "Time and Materials," New York, New York 2022 Michael S. Currier Center at the Putney School, "Space Between Angels," Putney, Vermont 2021 Cadogan Contemporary, "Polarity," London, UK 2021 Carol Corey Fine Art, "The Women," Kent, Connecticut 2021 The Schoolhouse Gallery, "Ocean," Provincetown, MA 2020 Carol Corey Fine Art, "Flower of the Mountain," Kent, Connecticut 2020 David Klein Gallery, "Palimpsest," Detroit, Michigan 2019 Cadogan Contemporary, "yes I said Yes," London, UK 2018 Danese/Corey, "Time Present," New York, NY 2017 Cadogan Contemporary, "Amber and Ebony," London, UK 2017 Danese/Corey, "Dialogue," New York, NY Gallery Representation   Miles McEnery Gallery; Cadogan Contemporary; AB NY Gallery; Carol Corey Fine Art   Statement about AOAP Submitted Artwork   My work involves translating Old Master paintings into a contemporary pictorial language. I examine shifting respresenations of the spiritual in art. I try to give voice to the female characters that have been for so long depicted by men Abstraction allows me to interrupt this one sided narrative and transform it into sensually capacious non-narrative form of visual communication that embraces multiple points of view. The Esther watercolors are studies for a series of larger oil paintings. They spring from Esther Before Ahasuerus, ca. 1758 by Lorenzo de Caro,which is the permanent collection of the Detroit Institute of the Arts Museum. I often begin with a series of small improvisational studies. Allowing the constant discovery of one state to give rise to another, I use the small studies as points of departure for larger works. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Toby Holmes Rizla Girl, 2022 Unique Giclèe Print Signed verso 15 x 10cm (5¾ x 3¾ in.) About   As an Artist & Designer I like to create playful and hopefully humorous 'Pop-Surrealist' sculptures and prints combining images drawn from a huge variety of sources from classical art to contemporary packaging & advertising. I like to combine disparate imagery and materials to create eclectic, playful and amusing pieces. Often using discarded children's toys, packaging etc to generally achieve a wholly disarming effect, one that he likes to think belies the quiet and contemplative aesthetic with which I hope his work is ultimately underlined by. Working as both an artist and graphic designer he's interested in the overlap of both disciplines.   Education   Latymer Upper School Kingston University - Arts Foundation course Chelsea School of Arts BA   Select Exhibitions/Awards   RA Summer Exhibition 2022 Wells Contemporary Art Exhibtion Woolwich Contemporary Print Show Black Swan Open Gallery Representation   Artrepublic   Statement about AOAP Submitted Artwork   A couple of pieces from a larger series entitles 'The Product Placement Project', combining classical portraits with contemporary and 20thC packaging. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Toby Holmes Allsorts, 2022 Unique Giclèe Print Signed verso 15 x 10cm (5¾ x 3¾ in.) About   As an Artist & Designer I like to create playful and hopefully humorous 'Pop-Surrealist' sculptures and prints combining images drawn from a huge variety of sources from classical art to contemporary packaging & advertising. I like to combine disparate imagery and materials to create eclectic, playful and amusing pieces. Often using discarded children's toys, packaging etc to generally achieve a wholly disarming effect, one that he likes to think belies the quiet and contemplative aesthetic with which I hope his work is ultimately underlined by. Working as both an artist and graphic designer he's interested in the overlap of both disciplines.   Education   Latymer Upper School Kingston University - Arts Foundation course Chelsea School of Arts BA   Select Exhibitions/Awards   RA Summer Exhibition 2022 Wells Contemporary Art Exhibtion Woolwich Contemporary Print Show Black Swan Open Gallery Representation   Artrepublic   Statement about AOAP Submitted Artwork   A couple of pieces from a larger series entitles 'The Product Placement Project', combining classical portraits with contemporary and 20thC packaging. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mit Senoj Jubilee, 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mit Senoj has an MA from Manchester Metropolitan University. Senoj is the winner of the prestigious Jerwood Drawing Prize 2009, the UK's leading award in drawing. Senoj has previously exhibited at Castlefield Gallery, Cornerhouse and Paul Stolper Gallery. His work is held in private collections across the UK and internationally.   Education   1999-2001 MA TEXTILES, (Pass), Manchester Metropolitan University 1989-1992 BA(Hons) ILLUSTRATION (1st class), Manchester Polytechnic   Select Exhibitions/Awards   2016 Summer Exhibition, Paul Stolper Gallery, London UK 2014 LONDON 14 Olympia LONDON Art Fair LA Art Show Susie Hamilton / Georgia Hayes / Mit Senoj, Paul Stolper Gallery, London UK 2013 Art Basel, Miami IFPDA Print Fair Park Avenue, New York Works on Paper, Gallerie Sardac, Gascony SW France Multiplied, Christie's London, Contemporary Prints London Original Print Fair, Royal Academy, London ART 13, London Olympia The Silence Between, Paul Stolper Gallery, London IFPDA Los Angeles Print Fair 2012 International Exhibition of Contemporary Drawing, Place Suisse des arts, Lausseane, Switzerland IFPDA print fair New York Park Avenue, NY Put Your Money Where Your Eyes Are, Castlefield Gallery, Manchester The Man Don't Give a Fuck, Curated by Mermaid & Monster, Bristol A PRIVATE AFFAIR, Harris Museum & Art Gallery, Preston 2011 Wild Thing Barnaby Festival Industry & Idleness, Contemporary Art Society, London THE MANCHESTER CONTEMPORARY 2010 Naturalis, Bureau Gallery, Manchester Show Residency, Manchester Art Gallery. UNSTRUNG AA2A, Righton Gallery, Manchester. US, Christ Church, Macclesfield, Cheshire Skins, Bureau Gallery, Manchester The Burton Gallery, Devon Summerfield Gallery, Cheltenham 2009 The Ruskin Gallery, Cambridge BP Atrium Gallery, Aberdeen BayArt, Cardiff THE MANCHESTER CONTEMPORARY 1st Prize Winner JERWOOD DRAWING PRIZE 2009, London 2007 Bitmapping,Cornerhouse, Manchester THIS IS ME!, Styal Prison. Cheshire 2005 A Haunting, The Univesity of Manchester & The Manchester Museum 2004 Peep Show, Open Art Gallery Manchester (Another Product) Autumn Collection, Debanemms Manchester. (Comme Ca) Dog and Partridge, Castlefield Gallery, Manchester (Curator) 2003 Priceless, Withy Grove, Manchester (Oval Productions) Versus, Castlefield Gallery Manchester 2002 Out Of The Bag, Holden Gallery, Manchester Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Mit Senoj Slapped, 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mit Senoj has an MA from Manchester Metropolitan University. Senoj is the winner of the prestigious Jerwood Drawing Prize 2009, the UK's leading award in drawing. Senoj has previously exhibited at Castlefield Gallery, Cornerhouse and Paul Stolper Gallery. His work is held in private collections across the UK and internationally.   Education   1999-2001 MA TEXTILES, (Pass), Manchester Metropolitan University 1989-1992 BA(Hons) ILLUSTRATION (1st class), Manchester Polytechnic   Select Exhibitions/Awards   2016 Summer Exhibition, Paul Stolper Gallery, London UK 2014 LONDON 14 Olympia LONDON Art Fair LA Art Show Susie Hamilton / Georgia Hayes / Mit Senoj, Paul Stolper Gallery, London UK 2013 Art Basel, Miami IFPDA Print Fair Park Avenue, New York Works on Paper, Gallerie Sardac, Gascony SW France Multiplied, Christie's London, Contemporary Prints London Original Print Fair, Royal Academy, London ART 13, London Olympia The Silence Between, Paul Stolper Gallery, London IFPDA Los Angeles Print Fair 2012 International Exhibition of Contemporary Drawing, Place Suisse des arts, Lausseane, Switzerland IFPDA print fair New York Park Avenue, NY Put Your Money Where Your Eyes Are, Castlefield Gallery, Manchester The Man Don't Give a Fuck, Curated by Mermaid & Monster, Bristol A PRIVATE AFFAIR, Harris Museum & Art Gallery, Preston 2011 Wild Thing Barnaby Festival Industry & Idleness, Contemporary Art Society, London THE MANCHESTER CONTEMPORARY 2010 Naturalis, Bureau Gallery, Manchester Show Residency, Manchester Art Gallery. UNSTRUNG AA2A, Righton Gallery, Manchester. US, Christ Church, Macclesfield, Cheshire Skins, Bureau Gallery, Manchester The Burton Gallery, Devon Summerfield Gallery, Cheltenham 2009 The Ruskin Gallery, Cambridge BP Atrium Gallery, Aberdeen BayArt, Cardiff THE MANCHESTER CONTEMPORARY 1st Prize Winner JERWOOD DRAWING PRIZE 2009, London 2007 Bitmapping,Cornerhouse, Manchester THIS IS ME!, Styal Prison. Cheshire 2005 A Haunting, The Univesity of Manchester & The Manchester Museum 2004 Peep Show, Open Art Gallery Manchester (Another Product) Autumn Collection, Debanemms Manchester. (Comme Ca) Dog and Partridge, Castlefield Gallery, Manchester (Curator) 2003 Priceless, Withy Grove, Manchester (Oval Productions) Versus, Castlefield Gallery Manchester 2002 Out Of The Bag, Holden Gallery, Manchester Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Florent Stosskopf Vase Flowers Still Life, 2022 Acrylic and Markers on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   FLORENT STOSSKOPF (1989, Rennes, France) is currently based in Brittany, France. The self-taught young artist.Stosskopf's work deftly blends traditional themes and archetypes through a contemporary perspective   Education   BA in Web and Graphic Design and an Advanced Technician Diploma in Communication from L'école Multimedia   Select Exhibitions/Awards   Beers London Gallery in London (2021) "Eternal Flowers" Durand Mashaal Gallery (2022) at Future Fair (New-York City) "Master of botanical"   Gallery Representation   Beers London - Durand Mashaal Gallery - Over The Influence   Statement about AOAP Submitted Artwork   Some flowers in a perspective view Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Mit Senoj Dance, 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Mit Senoj has an MA from Manchester Metropolitan University. Senoj is the winner of the prestigious Jerwood Drawing Prize 2009, the UK's leading award in drawing. Senoj has previously exhibited at Castlefield Gallery, Cornerhouse and Paul Stolper Gallery. His work is held in private collections across the UK and internationally.   Education   1999-2001 MA TEXTILES, (Pass), Manchester Metropolitan University 1989-1992 BA(Hons) ILLUSTRATION (1st class), Manchester Polytechnic   Select Exhibitions/Awards   2016 Summer Exhibition, Paul Stolper Gallery, London UK 2014 LONDON 14 Olympia LONDON Art Fair LA Art Show Susie Hamilton / Georgia Hayes / Mit Senoj, Paul Stolper Gallery, London UK 2013 Art Basel, Miami IFPDA Print Fair Park Avenue, New York Works on Paper, Gallerie Sardac, Gascony SW France Multiplied, Christie's London, Contemporary Prints London Original Print Fair, Royal Academy, London ART 13, London Olympia The Silence Between, Paul Stolper Gallery, London IFPDA Los Angeles Print Fair 2012 International Exhibition of Contemporary Drawing, Place Suisse des arts, Lausseane, Switzerland IFPDA print fair New York Park Avenue, NY Put Your Money Where Your Eyes Are, Castlefield Gallery, Manchester The Man Don't Give a Fuck, Curated by Mermaid & Monster, Bristol A PRIVATE AFFAIR, Harris Museum & Art Gallery, Preston 2011 Wild Thing Barnaby Festival Industry & Idleness, Contemporary Art Society, London THE MANCHESTER CONTEMPORARY 2010 Naturalis, Bureau Gallery, Manchester Show Residency, Manchester Art Gallery. UNSTRUNG AA2A, Righton Gallery, Manchester. US, Christ Church, Macclesfield, Cheshire Skins, Bureau Gallery, Manchester The Burton Gallery, Devon Summerfield Gallery, Cheltenham 2009 The Ruskin Gallery, Cambridge BP Atrium Gallery, Aberdeen BayArt, Cardiff THE MANCHESTER CONTEMPORARY 1st Prize Winner JERWOOD DRAWING PRIZE 2009, London 2007 Bitmapping,Cornerhouse, Manchester THIS IS ME!, Styal Prison. Cheshire 2005 A Haunting, The Univesity of Manchester & The Manchester Museum 2004 Peep Show, Open Art Gallery Manchester (Another Product) Autumn Collection, Debanemms Manchester. (Comme Ca) Dog and Partridge, Castlefield Gallery, Manchester (Curator) 2003 Priceless, Withy Grove, Manchester (Oval Productions) Versus, Castlefield Gallery Manchester 2002 Out Of The Bag, Holden Gallery, Manchester Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ceal Warnants Teenage Kicks (Khaki), 2022 Unique Digital Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating.   Education   2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking)   Select Exhibitions/Awards   2022 'JEALOUS NEEDS YOU' - JEALOUS GALLERY 'CHOOSE LOVE X THE PRINT CLUB' - ROYAL ALBERT HALL 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' 2021 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS 'CHOOSE LOVE' SOHO REVUE GALLERY, LONDON WITH THE PRINT CLUB 'ART CAR BOOT FAIR' WITH JEALOUS GALLERY 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' 2020 "HOUSE OF VANS COMMUNITY MARKET" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON. 2019 'NOTICE THE SMALL THINGS" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON. 2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH "COCO FENNELL" FOR SS18 COLLECTION #COCOXCEAL 2017 COLLABORATION WITH "THE BIG ISSUE" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON. 2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON. 2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON. 2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON. 2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE. 2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD. 2011 'EXAM.' - TRANSITION GALLERY, LONDON. 2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS. 2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON. 2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON. COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION PRIVATE COLLECTIONS WORLDWIDE COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER   Gallery Representation   Jealous Gallery, Gas Gallery, Chappell Contemporary   Statement about AOAP Submitted Artwork   "Teenage Kicks (Khaki)" is a clash of old and new and the dual meaning of "Kicks". "Are teenage dreams so hard to beat? Everytime she walks down the street Another girl in the neighbourhood Wish she was mine, she looks so good" The Undertones - "Teenage Kicks" Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Bronwen Malcolm Black Pond, 2022 Watercolour and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Bronwen Malcolm works in central London. Trained at St Martins, Malcolm had her first exhibition in her second year of her degree. The show sold out. On graduation Malcolm continued to develop her own style, constantly reassessing her own visual language. Her paintings are largely narratives, drawing on her vivid imagination. Her love of drawing led to a series of large nude and horse studies in 1987. These were produced by blowing and brushing graphite powder onto damped paper. The resulting work was shown at a one man show at the Diorama Gallery. Following four months travelling in India and Nepal in 1990, Malcolm produced a body of work based on her travels and the people she had met. By 1993 Malcolm was being represented by the Thackeray Gallery in London, who showed her work extensively both in the UK and the USA. In 2003 Malcolm began a series of paintings based loosely on the lives of the saints. The work was a tapestry of research into not just the saints, but the cults and superstitions that have grown around them. Some of the renderings were based on real people often in contemporary settings, often satirical. Weaving the anecdotal with symbols and often bizarre facts about the saints, the works explored stories that are largely unfamiliar today. The exhibition was at Gallery 286. Since then Malcolm has been experimenting with a new pictorial language that is much looser than her early work. She has had recent success at the Discerning Eye and Royal Academy.   Education   Wimbledon School of Art 1981-82, St Martins School of Art 1982-85   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   They are from a series of work I'm building. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Bronwen Malcolm Squirrels, 2022 Watercolour and Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Bronwen Malcolm works in central London. Trained at St Martins, Malcolm had her first exhibition in her second year of her degree. The show sold out. On graduation Malcolm continued to develop her own style, constantly reassessing her own visual language. Her paintings are largely narratives, drawing on her vivid imagination. Her love of drawing led to a series of large nude and horse studies in 1987. These were produced by blowing and brushing graphite powder onto damped paper. The resulting work was shown at a one man show at the Diorama Gallery. Following four months travelling in India and Nepal in 1990, Malcolm produced a body of work based on her travels and the people she had met. By 1993 Malcolm was being represented by the Thackeray Gallery in London, who showed her work extensively both in the UK and the USA. In 2003 Malcolm began a series of paintings based loosely on the lives of the saints. The work was a tapestry of research into not just the saints, but the cults and superstitions that have grown around them. Some of the renderings were based on real people often in contemporary settings, often satirical. Weaving the anecdotal with symbols and often bizarre facts about the saints, the works explored stories that are largely unfamiliar today. The exhibition was at Gallery 286. Since then Malcolm has been experimenting with a new pictorial language that is much looser than her early work. She has had recent success at the Discerning Eye and Royal Academy.   Education   Wimbledon School of Art 1981-82, St Martins School of Art 1982-85   Select Exhibitions/Awards   Statement about AOAP Submitted Artwork   They are from a series of work I'm building. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tomàs Morell The Spanish English Lady, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tomàs Morell was born in Barcelona, 1964, and moved to Germany with his family in 1974, where he attended university, and subsequently lived in Nurnberg, Erlangen, Berlin, Cologne, Frankfurt. He currently lives between Barcelona and Albons (Empordà), Spain.   Education   Morell graduated from the "Kunst Akademie", Nuremberg, Germany, with a Fine Arts degree in 1990. He subsequently studied graphic design and communication in the "Escola Massana", Barcelona, Spain, where he graduated in 1994.   Select Exhibitions/Awards   Solo exhibitions: 2021- "Pirouettes for beginners", Art Enllà Gallery, Barcelona, Spain. 2020- "Déjà-vu", Erlanger Kunstverein, Germany. 2014- "Ecce Homo, How to become Who You Are", Galerie Steiner, Berlin, Germany. 2018- Painting, Enigma and Desire 2", Experimental Centre for the Arts, Vallgrassa, Begues. 2017- "Painting, Enigma and Desire" H2O Gallery, Barcelona. Group exhibitions: 2022- "Polychromy", Artualgallery, Beirut, Libanon. 2022- "Offline Exhibition", Tinimini Room, Dordrecht, NL. 2021- "Needful things", Uxval Gochez Gallery, Barcelona. 2020- "Mira Barcelona", Pfaffenhofener Kunstverein, Germany. 1998- "The Partnaire Symptom", Gallery Maeght, Barcelona. 1997- "Painting" and 1996- "Affinita", Castello di Rivara, Turin, curated by Franz Paludetto and Carolin Lindig.   Gallery Representation   Uxval Gochez Gallery, Barcelona, Spain.   Statement about AOAP Submitted Artwork   The work that Tomàs Morell presents at Art on a Postcard is a collection of four miniature paintings made in the summer of 2022. He is interested in exploring ideas related to the identity of women and femininity, using contemporary stereotypical imagery, interwoven with memories and personal experiences. The invented scenes are humorous as they allude to the debate surrounding gender identity, and while emphasizing irony in order to approach the human condition, the paintings are testimonies of a deep admiration and love for the feminine. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tomàs Morell Femme Fatale With Red Hair, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tomàs Morell was born in Barcelona, 1964, and moved to Germany with his family in 1974, where he attended university, and subsequently lived in Nurnberg, Erlangen, Berlin, Cologne, Frankfurt. He currently lives between Barcelona and Albons (Empordà), Spain.   Education   Morell graduated from the "Kunst Akademie", Nuremberg, Germany, with a Fine Arts degree in 1990. He subsequently studied graphic design and communication in the "Escola Massana", Barcelona, Spain, where he graduated in 1994.   Select Exhibitions/Awards   Solo exhibitions: 2021- "Pirouettes for beginners", Art Enllà Gallery, Barcelona, Spain. 2020- "Déjà-vu", Erlanger Kunstverein, Germany. 2014- "Ecce Homo, How to become Who You Are", Galerie Steiner, Berlin, Germany. 2018- Painting, Enigma and Desire 2", Experimental Centre for the Arts, Vallgrassa, Begues. 2017- "Painting, Enigma and Desire" H2O Gallery, Barcelona. Group exhibitions: 2022- "Polychromy", Artualgallery, Beirut, Libanon. 2022- "Offline Exhibition", Tinimini Room, Dordrecht, NL. 2021- "Needful things", Uxval Gochez Gallery, Barcelona. 2020- "Mira Barcelona", Pfaffenhofener Kunstverein, Germany. 1998- "The Partnaire Symptom", Gallery Maeght, Barcelona. 1997- "Painting" and 1996- "Affinita", Castello di Rivara, Turin, curated by Franz Paludetto and Carolin Lindig.   Gallery Representation   Uxval Gochez Gallery, Barcelona, Spain.   Statement about AOAP Submitted Artwork   The work that Tomàs Morell presents at Art on a Postcard is a collection of four miniature paintings made in the summer of 2022. He is interested in exploring ideas related to the identity of women and femininity, using contemporary stereotypical imagery, interwoven with memories and personal experiences. The invented scenes are humorous as they allude to the debate surrounding gender identity, and while emphasizing irony in order to approach the human condition, the paintings are testimonies of a deep admiration and love for the feminine. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tomàs Morell Women With Curls, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tomàs Morell was born in Barcelona, 1964, and moved to Germany with his family in 1974, where he attended university, and subsequently lived in Nurnberg, Erlangen, Berlin, Cologne, Frankfurt. He currently lives between Barcelona and Albons (Empordà), Spain.   Education   Morell graduated from the "Kunst Akademie", Nuremberg, Germany, with a Fine Arts degree in 1990. He subsequently studied graphic design and communication in the "Escola Massana", Barcelona, Spain, where he graduated in 1994.   Select Exhibitions/Awards   Solo exhibitions: 2021- "Pirouettes for beginners", Art Enllà Gallery, Barcelona, Spain. 2020- "Déjà-vu", Erlanger Kunstverein, Germany. 2014- "Ecce Homo, How to become Who You Are", Galerie Steiner, Berlin, Germany. 2018- Painting, Enigma and Desire 2", Experimental Centre for the Arts, Vallgrassa, Begues. 2017- "Painting, Enigma and Desire" H2O Gallery, Barcelona. Group exhibitions: 2022- "Polychromy", Artualgallery, Beirut, Libanon. 2022- "Offline Exhibition", Tinimini Room, Dordrecht, NL. 2021- "Needful things", Uxval Gochez Gallery, Barcelona. 2020- "Mira Barcelona", Pfaffenhofener Kunstverein, Germany. 1998- "The Partnaire Symptom", Gallery Maeght, Barcelona. 1997- "Painting" and 1996- "Affinita", Castello di Rivara, Turin, curated by Franz Paludetto and Carolin Lindig.   Gallery Representation   Uxval Gochez Gallery, Barcelona, Spain.   Statement about AOAP Submitted Artwork   The work that Tomàs Morell presents at Art on a Postcard is a collection of four miniature paintings made in the summer of 2022. He is interested in exploring ideas related to the identity of women and femininity, using contemporary stereotypical imagery, interwoven with memories and personal experiences. The invented scenes are humorous as they allude to the debate surrounding gender identity, and while emphasizing irony in order to approach the human condition, the paintings are testimonies of a deep admiration and love for the feminine. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Tomàs Morell Femme Avec Des Boucles Au Bord De La Mer, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tomàs Morell was born in Barcelona, 1964, and moved to Germany with his family in 1974, where he attended university, and subsequently lived in Nurnberg, Erlangen, Berlin, Cologne, Frankfurt. He currently lives between Barcelona and Albons (Empordà), Spain.   Education   Morell graduated from the "Kunst Akademie", Nuremberg, Germany, with a Fine Arts degree in 1990. He subsequently studied graphic design and communication in the "Escola Massana", Barcelona, Spain, where he graduated in 1994.   Select Exhibitions/Awards   Solo exhibitions: 2021- "Pirouettes for beginners", Art Enllà Gallery, Barcelona, Spain. 2020- "Déjà-vu", Erlanger Kunstverein, Germany. 2014- "Ecce Homo, How to become Who You Are", Galerie Steiner, Berlin, Germany. 2018- Painting, Enigma and Desire 2", Experimental Centre for the Arts, Vallgrassa, Begues. 2017- "Painting, Enigma and Desire" H2O Gallery, Barcelona. Group exhibitions: 2022- "Polychromy", Artualgallery, Beirut, Libanon. 2022- "Offline Exhibition", Tinimini Room, Dordrecht, NL. 2021- "Needful things", Uxval Gochez Gallery, Barcelona. 2020- "Mira Barcelona", Pfaffenhofener Kunstverein, Germany. 1998- "The Partnaire Symptom", Gallery Maeght, Barcelona. 1997- "Painting" and 1996- "Affinita", Castello di Rivara, Turin, curated by Franz Paludetto and Carolin Lindig.   Gallery Representation   Uxval Gochez Gallery, Barcelona, Spain.   Statement about AOAP Submitted Artwork   The work that Tomàs Morell presents at Art on a Postcard is a collection of four miniature paintings made in the summer of 2022. He is interested in exploring ideas related to the identity of women and femininity, using contemporary stereotypical imagery, interwoven with memories and personal experiences. The invented scenes are humorous as they allude to the debate surrounding gender identity, and while emphasizing irony in order to approach the human condition, the paintings are testimonies of a deep admiration and love for the feminine. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eugenia Cuellar Pensive, 2022 Watercolour and Pencil on Arches Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eugenia Cuellar's paintings are mainly focused on women and the challenges they have to face in a contemporary world. Women interacting with men and women, in different settings and situations, in non-places, subjected to other people and to social and cultural norms. Sourced from own images, collages or mass media imagery, the people depicted in her compositions are either real or imagined. Her work can oscillate from painful or abusive situations to idyllic ones that make up a kind of parallel world that surround us. A world of beauty and pleasure that create a new unreachable standard, an unavoidable mirror in which to look oneself at.   Education   Turps Banana Art School CC 2017/2022. Master in Fine Arts 2015/2017 (MIAC) Complutense Unversity Madrid (UCM) Fine Arts, 2010/2015, Complutense University Madrid . Degree in Law, Santiago de Compostela University and La Coruña University.   Select Exhibitions/Awards 2022 Bloomberg New Contemporaries BN22: Hull, HumberStreetGallery & FerensArtGallery and SouthLondonGallery 2022 Dream on Dreamer, Riana Raouna Gallery, Limassol Cyprus (upcoming) 2022 Royal Academy Summer Exhibition, London. 2020 Royal West Academy 168th Annual Open Exhibition. 2020 Wells Art Contemporary, (catalogue). 2019 MOSTYN Open 21, Wales. 2018 Royal Scottish Academy of Art and Architecture, Open Exhibition of Art 2018. 2018 Fe/Male. Air Gallery, (UK) 2017 Peter Scott Gallery, Lancaster Arts, Rabley Drawing Centre, Marlborough, Black Swan Arts, Frome , The Drawing Studios. Plymouth College of Art (Sketch Open ) 2017 Masters Salon Painting. KoMask. Antwerp (BEL). 2017 Royal Ulster Academy, 135th Annual Exhibition 2016 BEEP Wales International Painting prize 2015 7th Annual Passion for Freedom Art Festival, Mall Galleries, London. 2015 The Open West 2015, The Wilson, Cheltenham Art gallery and Museum.   Gallery Representation   Riana Raouna Gallery   Statement about AOAP Submitted Artwork   Both works submitted belong to the realm of fantasy. They are a product of pure imagination. Pomeline and Louis are little lambs that belong to Marie Antoinette and graze happily in the Petit Trianon gardens, completely unaware of their owner's fatal destiny. Equally, the woman in red is absorbed in her thoughts, imagining ways of changing things. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Eugenia Cuellar Pomeline and Louis, 2022 Watercolour and Pencil on Arches Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Eugenia Cuellar's paintings are mainly focused on women and the challenges they have to face in a contemporary world. Women interacting with men and women, in different settings and situations, in non-places, subjected to other people and to social and cultural norms. Sourced from own images, collages or mass media imagery, the people depicted in her compositions are either real or imagined. Her work can oscillate from painful or abusive situations to idyllic ones that make up a kind of parallel world that surround us. A world of beauty and pleasure that create a new unreachable standard, an unavoidable mirror in which to look oneself at.   Education   Turps Banana Art School CC 2017/2022. Master in Fine Arts 2015/2017 (MIAC) Complutense Unversity Madrid (UCM) Fine Arts, 2010/2015, Complutense University Madrid . Degree in Law, Santiago de Compostela University and La Coruña University.   Select Exhibitions/Awards 2022 Bloomberg New Contemporaries BN22: Hull, HumberStreetGallery & FerensArtGallery and SouthLondonGallery 2022 Dream on Dreamer, Riana Raouna Gallery, Limassol Cyprus (upcoming) 2022 Royal Academy Summer Exhibition, London. 2020 Royal West Academy 168th Annual Open Exhibition. 2020 Wells Art Contemporary, (catalogue). 2019 MOSTYN Open 21, Wales. 2018 Royal Scottish Academy of Art and Architecture, Open Exhibition of Art 2018. 2018 Fe/Male. Air Gallery, (UK) 2017 Peter Scott Gallery, Lancaster Arts, Rabley Drawing Centre, Marlborough, Black Swan Arts, Frome , The Drawing Studios. Plymouth College of Art (Sketch Open ) 2017 Masters Salon Painting. KoMask. Antwerp (BEL). 2017 Royal Ulster Academy, 135th Annual Exhibition 2016 BEEP Wales International Painting prize 2015 7th Annual Passion for Freedom Art Festival, Mall Galleries, London. 2015 The Open West 2015, The Wilson, Cheltenham Art gallery and Museum.   Gallery Representation   Riana Raouna Gallery   Statement about AOAP Submitted Artwork   Both works submitted belong to the realm of fantasy. They are a product of pure imagination. Pomeline and Louis are little lambs that belong to Marie Antoinette and graze happily in the Petit Trianon gardens, completely unaware of their owner's fatal destiny. Equally, the woman in red is absorbed in her thoughts, imagining ways of changing things. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Godfried Donkor Financial Times Race 1722, 2022 Collage on Paper Signed recto, further signed verso 10 x 15cm (3¾ x 5¾ in.) About   Godfried Donkor is a British-Ghanaian artist employing contemporary painting, mixed media collages, video and printmaking, to explore the iconography of mass culture. Mixing styles and imagery from various periods throughout history, Donkor's work emphasis creolisation as a creative force emerging from the reciprocity of language, culture and social interaction. Donkor's work is included in selected international collections such as: National Gallery of Botswana. National Collection of Senegal. Nirox Foundation collection. Studio Museum, Harlem. Stedelijk Museum, Amsterdam. Smithsonian Museum of African Art - Washington D.C. Whitworth Art Gallery, Manchester. Spanish Sports Council Collection. University of Helsinki. Selected group and solo exhibitions include David Adjaye: Making Memory, Design Museum, London 2019. Battle Royale I, last man standing, Gallery 1957, Accra. The First Day of the Yam Custom: 1817, Gallery 1957, Accra ,2017. Afriques Capitales, Parc de la Villiette, Paris 2017 and Still the Barbarians, EVA International Ireland's Biennial, Limerick 2016. Speaking of people, Ebony Jet and contemporary Art, Studio Museum in Harlem, USA ,2014. In 2010 Donkor was approached by Puma sports to design a new football kit for the Ghana National Football team. Godfried Donkor is a fellow of visual arts at the Rockerfeller Foundation Bellagio artist in residence fellowship, 2018 2021, Camberwell Adinkra, Denmark Hill station.   Education   BA Fine Art Painting (1989) St Martin's school of art, Post Graduate Studies Painting (1992) Escolla Massana, MA History of African Art (1996) SOAS   Select Exhibitions/Awards   Solo Exhibitions 2021 A Collection on Works on Paper, Gallery 1957, London, UK 2019 Battle Royale - The Last Man Standing - Part I, Gallery 1957, Gallery II, Accra, Ghana 2017 The First Day of the Yam Custom: 1817, Gallery 1957, Accra, Ghana 2011 People of Utopia, Artco Gallery, London, UK 2010 The Fives Court, Fred Gallery, London, UK 2009 The Olympians and Muses, Afronova Gallery, Johannesburg, South Africa Story of a London township, Space, London, UK 2008 State of the Union, T1 + 2 Gallery, London, UK Once upon a time in the west, there was lace, Wollaton Hall Nottingham, UK 2007 Financial Times, Gorre Festival, Gorre Island, Senegal Abolition 07, Hackney Museum, London, UK 2006 The Sable Venus and the Black Madonna, Gallerie 23, Amsterdam, Holland Jamestown Masquerade, Walsh metal works, St Croix, USVI 2005 Concerto in light and Darkness no 1, National Museum, Ghana 2004 Godfried Donkor, Pascal Polar Gallery, Brussels, Belgium Financial Times, Ecole Regionale des beaux Artes, Nantes, France 2003 The Fancy, Stephen Lawrence Gallery, London, UK Godfried Donkor, Recent works, The Scene Gallery, NY, USA 2002 Godfried Donkor, Albrecht Durer Kunstverein, Nuremberg, Germany 2001 Handel and Hogarth at Vauxhall pleasure gardens, St Peters Church, London, UK 2000 Whose Africa, Horniman Museum, London, UK Wrestling and Mysticism, Dak'Art 2000 Dakar, Senegal 1999 Slave to Champ, E M A C A, Nottingham, UK   Gallery Representation   Gallery 1957   Statement about AOAP Submitted Artwork   The financial times race series for this postcard's edition starts from 1722 - 2022 and reminds us of the constant race for humanity to improve and achieve despite all or any obstacles. This is a test for a larger series of paintings and collages in the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Godfried Donkor Financial Times Race 1822, 2022 Collage on Paper Signed recto, further signed verso 10 x 15cm (3¾ x 5¾ in.) About   Godfried Donkor is a British-Ghanaian artist employing contemporary painting, mixed media collages, video and printmaking, to explore the iconography of mass culture. Mixing styles and imagery from various periods throughout history, Donkor's work emphasis creolisation as a creative force emerging from the reciprocity of language, culture and social interaction. Donkor's work is included in selected international collections such as: National Gallery of Botswana. National Collection of Senegal. Nirox Foundation collection. Studio Museum, Harlem. Stedelijk Museum, Amsterdam. Smithsonian Museum of African Art - Washington D.C. Whitworth Art Gallery, Manchester. Spanish Sports Council Collection. University of Helsinki. Selected group and solo exhibitions include David Adjaye: Making Memory, Design Museum, London 2019. Battle Royale I, last man standing, Gallery 1957, Accra. The First Day of the Yam Custom: 1817, Gallery 1957, Accra ,2017. Afriques Capitales, Parc de la Villiette, Paris 2017 and Still the Barbarians, EVA International Ireland's Biennial, Limerick 2016. Speaking of people, Ebony Jet and contemporary Art, Studio Museum in Harlem, USA ,2014. In 2010 Donkor was approached by Puma sports to design a new football kit for the Ghana National Football team. Godfried Donkor is a fellow of visual arts at the Rockerfeller Foundation Bellagio artist in residence fellowship, 2018 2021, Camberwell Adinkra, Denmark Hill station.   Education   BA Fine Art Painting (1989) St Martin's school of art, Post Graduate Studies Painting (1992) Escolla Massana, MA History of African Art (1996) SOAS   Select Exhibitions/Awards   Solo Exhibitions 2021 A Collection on Works on Paper, Gallery 1957, London, UK 2019 Battle Royale - The Last Man Standing - Part I, Gallery 1957, Gallery II, Accra, Ghana 2017 The First Day of the Yam Custom: 1817, Gallery 1957, Accra, Ghana 2011 People of Utopia, Artco Gallery, London, UK 2010 The Fives Court, Fred Gallery, London, UK 2009 The Olympians and Muses, Afronova Gallery, Johannesburg, South Africa Story of a London township, Space, London, UK 2008 State of the Union, T1 + 2 Gallery, London, UK Once upon a time in the west, there was lace, Wollaton Hall Nottingham, UK 2007 Financial Times, Gorre Festival, Gorre Island, Senegal Abolition 07, Hackney Museum, London, UK 2006 The Sable Venus and the Black Madonna, Gallerie 23, Amsterdam, Holland Jamestown Masquerade, Walsh metal works, St Croix, USVI 2005 Concerto in light and Darkness no 1, National Museum, Ghana 2004 Godfried Donkor, Pascal Polar Gallery, Brussels, Belgium Financial Times, Ecole Regionale des beaux Artes, Nantes, France 2003 The Fancy, Stephen Lawrence Gallery, London, UK Godfried Donkor, Recent works, The Scene Gallery, NY, USA 2002 Godfried Donkor, Albrecht Durer Kunstverein, Nuremberg, Germany 2001 Handel and Hogarth at Vauxhall pleasure gardens, St Peters Church, London, UK 2000 Whose Africa, Horniman Museum, London, UK Wrestling and Mysticism, Dak'Art 2000 Dakar, Senegal 1999 Slave to Champ, E M A C A, Nottingham, UK   Gallery Representation   Gallery 1957   Statement about AOAP Submitted Artwork   The financial times race series for this postcard's edition starts from 1722 - 2022 and reminds us of the constant race for humanity to improve and achieve despite all or any obstacles. This is a test for a larger series of paintings and collages in the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Godfried Donkor Financial Times Race 1922, 2022 Collage on Paper Signed recto, further signed verso 10 x 15cm (3¾ x 5¾ in.) About   Godfried Donkor is a British-Ghanaian artist employing contemporary painting, mixed media collages, video and printmaking, to explore the iconography of mass culture. Mixing styles and imagery from various periods throughout history, Donkor's work emphasis creolisation as a creative force emerging from the reciprocity of language, culture and social interaction. Donkor's work is included in selected international collections such as: National Gallery of Botswana. National Collection of Senegal. Nirox Foundation collection. Studio Museum, Harlem. Stedelijk Museum, Amsterdam. Smithsonian Museum of African Art - Washington D.C. Whitworth Art Gallery, Manchester. Spanish Sports Council Collection. University of Helsinki. Selected group and solo exhibitions include David Adjaye: Making Memory, Design Museum, London 2019. Battle Royale I, last man standing, Gallery 1957, Accra. The First Day of the Yam Custom: 1817, Gallery 1957, Accra ,2017. Afriques Capitales, Parc de la Villiette, Paris 2017 and Still the Barbarians, EVA International Ireland's Biennial, Limerick 2016. Speaking of people, Ebony Jet and contemporary Art, Studio Museum in Harlem, USA ,2014. In 2010 Donkor was approached by Puma sports to design a new football kit for the Ghana National Football team. Godfried Donkor is a fellow of visual arts at the Rockerfeller Foundation Bellagio artist in residence fellowship, 2018 2021, Camberwell Adinkra, Denmark Hill station.   Education   BA Fine Art Painting (1989) St Martin's school of art, Post Graduate Studies Painting (1992) Escolla Massana, MA History of African Art (1996) SOAS   Select Exhibitions/Awards   Solo Exhibitions 2021 A Collection on Works on Paper, Gallery 1957, London, UK 2019 Battle Royale - The Last Man Standing - Part I, Gallery 1957, Gallery II, Accra, Ghana 2017 The First Day of the Yam Custom: 1817, Gallery 1957, Accra, Ghana 2011 People of Utopia, Artco Gallery, London, UK 2010 The Fives Court, Fred Gallery, London, UK 2009 The Olympians and Muses, Afronova Gallery, Johannesburg, South Africa Story of a London township, Space, London, UK 2008 State of the Union, T1 + 2 Gallery, London, UK Once upon a time in the west, there was lace, Wollaton Hall Nottingham, UK 2007 Financial Times, Gorre Festival, Gorre Island, Senegal Abolition 07, Hackney Museum, London, UK 2006 The Sable Venus and the Black Madonna, Gallerie 23, Amsterdam, Holland Jamestown Masquerade, Walsh metal works, St Croix, USVI 2005 Concerto in light and Darkness no 1, National Museum, Ghana 2004 Godfried Donkor, Pascal Polar Gallery, Brussels, Belgium Financial Times, Ecole Regionale des beaux Artes, Nantes, France 2003 The Fancy, Stephen Lawrence Gallery, London, UK Godfried Donkor, Recent works, The Scene Gallery, NY, USA 2002 Godfried Donkor, Albrecht Durer Kunstverein, Nuremberg, Germany 2001 Handel and Hogarth at Vauxhall pleasure gardens, St Peters Church, London, UK 2000 Whose Africa, Horniman Museum, London, UK Wrestling and Mysticism, Dak'Art 2000 Dakar, Senegal 1999 Slave to Champ, E M A C A, Nottingham, UK   Gallery Representation   Gallery 1957   Statement about AOAP Submitted Artwork   The financial times race series for this postcard's edition starts from 1722 - 2022 and reminds us of the constant race for humanity to improve and achieve despite all or any obstacles. This is a test for a larger series of paintings and collages in the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Godfried Donkor Financial Times Race 2022, 2022 Collage on Paper Signed recto, further signed verso 10 x 15cm (3¾ x 5¾ in.) About   Godfried Donkor is a British-Ghanaian artist employing contemporary painting, mixed media collages, video and printmaking, to explore the iconography of mass culture. Mixing styles and imagery from various periods throughout history, Donkor's work emphasis creolisation as a creative force emerging from the reciprocity of language, culture and social interaction. Donkor's work is included in selected international collections such as: National Gallery of Botswana. National Collection of Senegal. Nirox Foundation collection. Studio Museum, Harlem. Stedelijk Museum, Amsterdam. Smithsonian Museum of African Art - Washington D.C. Whitworth Art Gallery, Manchester. Spanish Sports Council Collection. University of Helsinki. Selected group and solo exhibitions include David Adjaye: Making Memory, Design Museum, London 2019. Battle Royale I, last man standing, Gallery 1957, Accra. The First Day of the Yam Custom: 1817, Gallery 1957, Accra ,2017. Afriques Capitales, Parc de la Villiette, Paris 2017 and Still the Barbarians, EVA International Ireland's Biennial, Limerick 2016. Speaking of people, Ebony Jet and contemporary Art, Studio Museum in Harlem, USA ,2014. In 2010 Donkor was approached by Puma sports to design a new football kit for the Ghana National Football team. Godfried Donkor is a fellow of visual arts at the Rockerfeller Foundation Bellagio artist in residence fellowship, 2018 2021, Camberwell Adinkra, Denmark Hill station.   Education   BA Fine Art Painting (1989) St Martin's school of art, Post Graduate Studies Painting (1992) Escolla Massana, MA History of African Art (1996) SOAS   Select Exhibitions/Awards   Solo Exhibitions 2021 A Collection on Works on Paper, Gallery 1957, London, UK 2019 Battle Royale - The Last Man Standing - Part I, Gallery 1957, Gallery II, Accra, Ghana 2017 The First Day of the Yam Custom: 1817, Gallery 1957, Accra, Ghana 2011 People of Utopia, Artco Gallery, London, UK 2010 The Fives Court, Fred Gallery, London, UK 2009 The Olympians and Muses, Afronova Gallery, Johannesburg, South Africa Story of a London township, Space, London, UK 2008 State of the Union, T1 + 2 Gallery, London, UK Once upon a time in the west, there was lace, Wollaton Hall Nottingham, UK 2007 Financial Times, Gorre Festival, Gorre Island, Senegal Abolition 07, Hackney Museum, London, UK 2006 The Sable Venus and the Black Madonna, Gallerie 23, Amsterdam, Holland Jamestown Masquerade, Walsh metal works, St Croix, USVI 2005 Concerto in light and Darkness no 1, National Museum, Ghana 2004 Godfried Donkor, Pascal Polar Gallery, Brussels, Belgium Financial Times, Ecole Regionale des beaux Artes, Nantes, France 2003 The Fancy, Stephen Lawrence Gallery, London, UK Godfried Donkor, Recent works, The Scene Gallery, NY, USA 2002 Godfried Donkor, Albrecht Durer Kunstverein, Nuremberg, Germany 2001 Handel and Hogarth at Vauxhall pleasure gardens, St Peters Church, London, UK 2000 Whose Africa, Horniman Museum, London, UK Wrestling and Mysticism, Dak'Art 2000 Dakar, Senegal 1999 Slave to Champ, E M A C A, Nottingham, UK   Gallery Representation   Gallery 1957   Statement about AOAP Submitted Artwork   The financial times race series for this postcard's edition starts from 1722 - 2022 and reminds us of the constant race for humanity to improve and achieve despite all or any obstacles. This is a test for a larger series of paintings and collages in the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Kirsty Harris Totem, 2022 Oil on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Harris explores nuclear explosions as cultural, historical and iconic symbols in her practice. Referencing the scale, beauty and abhorrent nature of the atom bomb she delves into the periphery of the subject, the myths, characters and surrounding evidence. She works across a wide range of media from vast oil paintings, tapestries & projections to delicate paintings on glass and ceramics you could hold in your hand. She is fascinated by the beauty and awe of the disrupted landscape, the dust, the glow. The violent & repellent force of the explosion.   Education   BA/Hons Fine Art - Cass School of Art, London, 2001   Select Exhibitions/Awards   SOLO EXHIBITIONS AND TWO MAN SHOWS 2023 THAT LETHAL CLOUD, Studio KIND, Devon, UK. 2019 A FOUL AND AWESOME DISPLAY, Vane Gallery, Newcastle Upon Tyne, UK. 2017 PARADICE LOST (sic), Plymouth Art Weekender, Plymouth School of Creative Arts. 2016 HOW I LEARNED TO STOP WORRYING (1945-2016), CFCCA, Manchester. SELECTED GROUP EXHIBITIONS 2023 TWO PLUS TWO MAKES FOUR, Auxiliary, Middlesbrough, UK. 2022 ROYAL ACADEMY SUMMER EXHIBITION 2022, London, UK. 2022 ONCE UPON AN INSTANT, University of Applied Sciences HTW, Berlin, Germany. 2022 HORIZON (LANDSCAPE AND BEYOND), Cello Factory, London, UK. 2021 ABSENT AUTHORS, APT Gallery, London, UK. 2020 CONTEMPORARY BRITISH PAINTING PRIZE, ASC Gallery, London, UK. 2019 LOVE& RAGE, Barbican Arts trust, London, UK. RESIDENCIES AND AWARDS 2022 Artist Residency at Karst Gallery & Studios, Plymouth, UK. 2019 Contemporary British Painting Prize - Shortlisted. Statement about AOAP Submitted Artwork   I wanted to experiment using oil paints on prepared paper, in thin washes, almost like watercolours. The painting depicts a British atmospheric nuclear test, called Totem, which took place at Emu Field in South Australia in October 1953. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zara Matthews Mesh (Study-Orange), 2022 Gesso and Pigment on Cartridge Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Zara Matthews is an artist working in Painting, Printmaking and Photography. She lives and works in London and has also spent considerable amounts of time living and working in Italy and France. Since the mid-1980's Matthews has shown extensively in the UK, and also Europe and USA. Her current work concentrates on the auras of objects, and their sense of presence and history. Education Zara Matthews studied at Goldsmiths College from 1979 - 1980, Kingston Polytechnic from 1980 - 1983 and The Royal College of Art from 1997 - 1999. Select Exhibitions/Awards Most recently in 2022 Zara Matthews has been invited to show in 'Small is Beautiful', Flowers Gallery, Cork Street, She has had a 3 person show titled (RE)Configured at The Mall Galleries, and exhibited in the Royal Academy Summer Exhibition 2022. She was long-listed for Future Now - 125 Artist from The Aesthetica Art Prize 2021, selected for 100 Contemporary Artists, Aesthetica Magazine 2020, shortlisted for The Trinity Buoy Wharf Drawing Prize in 2019, and nominated for The 6th Max Mara Art Prize for Women 2016-17. She was awarded The Wapping Project Berlin Residency in 2015 and during 2023 she has been invited to spend 2 months on an artist residency in Pouch Cove, Newfoundland, Canada. Statement about AOAP Submitted Artwork The 4 postcards are small studies for larger paintings that depict, or include, the stretchy netting often used to protect fruit, including papayas. These polystyrene sleeves protect vulnerable fruit as they travel around the globe, but are a single use plastic that damages the planet.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.  

Grant Watson Hotel, 2022 Oil on Fabriano Tela Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Grant Watson is a painter based in London. He has exhibited widely in the UK and abroad. He will be showing at Flowers Gallery, Cork street, in 'Small is Beautiful' at the end of the year.   Education   BA Fine Art, Portsmouth Polytechnic MA Fine Art, Eastern Illinois University Advanced studies in drawing, Antonio Ratti Foundation, under Karel Appel and Eric Fischl   Select Exhibitions/Awards   Recent exhibitions include Summer Exhibition, Royal Academy of Arts, London, 2002, 2003, 2004, 2006, 2009, 2014, 2017, 2019, 2022 Creekside Open, APT Gallery, London, 2015 and 2019, selected by Richard Deacon and Brian Griffiths Paper Cuts, Saatchi Gallery, London, 2018, curated by Kris Day The Just, Aleph Contemporary, London, 2020 Matthew Collings Helen Blake Grant Watson, Three Works, Scarborough, 2020 The Castlegate Prize, Castlegate House Gallery, Cumbria, 2020 Wells Art Contemporary, Wells Cathedral, 2020 September Select, Andelli Gallery, Wells, 2021 10 + 1, Contemporary Six Gallery, Manchester, 2021 Stand Close And Breathe me in, Oceans Apart Gallery, Salford, 2021 The Discerning Eye, Mall Galleries, London, 2021 The Smoke, Terrace Gallery, London, 2022 A Generous Space 2, The New Gallery Walsall, 2022 Beep Painting Prize, Elysium Gallery, Swansea, 2022 Art At Kings Oak, Kings Oak Gallery, Pennsylvania, 2022 Small is beautiful, Flowers Gallery, London, 2022 Statement about AOAP Submitted Artwork   The work echoes my experience of everyday life, places, events and memories. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grant Watson Clapham Common, 2022 Oil on Fabriano Tela Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Grant Watson is a painter based in London. He has exhibited widely in the UK and abroad. He will be showing at Flowers Gallery, Cork street, in 'Small is Beautiful' at the end of the year.   Education   BA Fine Art, Portsmouth Polytechnic MA Fine Art, Eastern Illinois University Advanced studies in drawing, Antonio Ratti Foundation, under Karel Appel and Eric Fischl   Select Exhibitions/Awards   Recent exhibitions include Summer Exhibition, Royal Academy of Arts, London, 2002, 2003, 2004, 2006, 2009, 2014, 2017, 2019, 2022 Creekside Open, APT Gallery, London, 2015 and 2019, selected by Richard Deacon and Brian Griffiths Paper Cuts, Saatchi Gallery, London, 2018, curated by Kris Day The Just, Aleph Contemporary, London, 2020 Matthew Collings Helen Blake Grant Watson, Three Works, Scarborough, 2020 The Castlegate Prize, Castlegate House Gallery, Cumbria, 2020 Wells Art Contemporary, Wells Cathedral, 2020 September Select, Andelli Gallery, Wells, 2021 10 + 1, Contemporary Six Gallery, Manchester, 2021 Stand Close And Breathe me in, Oceans Apart Gallery, Salford, 2021 The Discerning Eye, Mall Galleries, London, 2021 The Smoke, Terrace Gallery, London, 2022 A Generous Space 2, The New Gallery Walsall, 2022 Beep Painting Prize, Elysium Gallery, Swansea, 2022 Art At Kings Oak, Kings Oak Gallery, Pennsylvania, 2022 Small is beautiful, Flowers Gallery, London, 2022 Statement about AOAP Submitted Artwork   The work echoes my experience of everyday life, places, events and memories. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grant Watson Swan Study, 2022 Oil on Fabriano Tela Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Grant Watson is a painter based in London. He has exhibited widely in the UK and abroad. He will be showing at Flowers Gallery, Cork street, in 'Small is Beautiful' at the end of the year.   Education   BA Fine Art, Portsmouth Polytechnic MA Fine Art, Eastern Illinois University Advanced studies in drawing, Antonio Ratti Foundation, under Karel Appel and Eric Fischl   Select Exhibitions/Awards   Recent exhibitions include Summer Exhibition, Royal Academy of Arts, London, 2002, 2003, 2004, 2006, 2009, 2014, 2017, 2019, 2022 Creekside Open, APT Gallery, London, 2015 and 2019, selected by Richard Deacon and Brian Griffiths Paper Cuts, Saatchi Gallery, London, 2018, curated by Kris Day The Just, Aleph Contemporary, London, 2020 Matthew Collings Helen Blake Grant Watson, Three Works, Scarborough, 2020 The Castlegate Prize, Castlegate House Gallery, Cumbria, 2020 Wells Art Contemporary, Wells Cathedral, 2020 September Select, Andelli Gallery, Wells, 2021 10 + 1, Contemporary Six Gallery, Manchester, 2021 Stand Close And Breathe me in, Oceans Apart Gallery, Salford, 2021 The Discerning Eye, Mall Galleries, London, 2021 The Smoke, Terrace Gallery, London, 2022 A Generous Space 2, The New Gallery Walsall, 2022 Beep Painting Prize, Elysium Gallery, Swansea, 2022 Art At Kings Oak, Kings Oak Gallery, Pennsylvania, 2022 Small is beautiful, Flowers Gallery, London, 2022 Statement about AOAP Submitted Artwork   The work echoes my experience of everyday life, places, events and memories. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grant Watson Fish Painting, 2022 Oil on Fabriano Tela Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Grant Watson is a painter based in London. He has exhibited widely in the UK and abroad. He will be showing at Flowers Gallery, Cork street, in 'Small is Beautiful' at the end of the year.   Education   BA Fine Art, Portsmouth Polytechnic MA Fine Art, Eastern Illinois University Advanced studies in drawing, Antonio Ratti Foundation, under Karel Appel and Eric Fischl   Select Exhibitions/Awards   Recent exhibitions include Summer Exhibition, Royal Academy of Arts, London, 2002, 2003, 2004, 2006, 2009, 2014, 2017, 2019, 2022 Creekside Open, APT Gallery, London, 2015 and 2019, selected by Richard Deacon and Brian Griffiths Paper Cuts, Saatchi Gallery, London, 2018, curated by Kris Day The Just, Aleph Contemporary, London, 2020 Matthew Collings Helen Blake Grant Watson, Three Works, Scarborough, 2020 The Castlegate Prize, Castlegate House Gallery, Cumbria, 2020 Wells Art Contemporary, Wells Cathedral, 2020 September Select, Andelli Gallery, Wells, 2021 10 + 1, Contemporary Six Gallery, Manchester, 2021 Stand Close And Breathe me in, Oceans Apart Gallery, Salford, 2021 The Discerning Eye, Mall Galleries, London, 2021 The Smoke, Terrace Gallery, London, 2022 A Generous Space 2, The New Gallery Walsall, 2022 Beep Painting Prize, Elysium Gallery, Swansea, 2022 Art At Kings Oak, Kings Oak Gallery, Pennsylvania, 2022 Small is beautiful, Flowers Gallery, London, 2022 Statement about AOAP Submitted Artwork   The work echoes my experience of everyday life, places, events and memories. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Stephen Earl Rogers Please Turn Left/Right, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Stephen Earl Rogers is an artist whose work is held in collections across the world. He is a highly sought-after portrait painter whose clients include major, international art collectors, public institutions, private individuals and families. Working mainly in oils, he creates striking contemporary portraits through a highly collaborative process. His work brings together a deep understanding of the traditions of portraiture with a very broad range of cultural references. His clients are drawn to a vivid sense of character and atmosphere and the clarity of colour and light present in all his paintings. In addition to his portrait work he creates paintings, in series, based around a common theme; these include 'What To Do In An Emergency' and the ongoing 'Stirchley Twitcher'. Education   BA Hons Fine Art University of Derby.   Select Exhibitions/Awards   RA Summer Show 2022; 'What to do in an Emergency', Ikon Gallery 2011; BP Portrait Award 2016/09/07/06/05/04/02/01; Sunday Times Watercolour Competition 2017; 'Walls have Ears' 400 years of Change, Arts Council Collection, Aston Hall, Birmingham 2018.   Gallery Representation   Fine Art Commissions, Quantum Contemporary Art, Colley Ison gallery   Statement about AOAP Submitted Artwork   Please Turn Left/Right: I sometimes make paintings using archive photographic material. In 'Please Turn Left/Right' the archive image held an appeal because it contained a number of symbols (the policeman, stop sign) and a gesture that was a simultaneously a symbol and instruction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Stephen Earl Rogers Life Drawing Class x4, 2022 Pencil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Stephen Earl Rogers is an artist whose work is held in collections across the world. He is a highly sought-after portrait painter whose clients include major, international art collectors, public institutions, private individuals and families. Working mainly in oils, he creates striking contemporary portraits through a highly collaborative process. His work brings together a deep understanding of the traditions of portraiture with a very broad range of cultural references. His clients are drawn to a vivid sense of character and atmosphere and the clarity of colour and light present in all his paintings. In addition to his portrait work he creates paintings, in series, based around a common theme; these include 'What To Do In An Emergency' and the ongoing 'Stirchley Twitcher'. Education   BA Hons Fine Art University of Derby.   Select Exhibitions/Awards   RA Summer Show 2022; 'What to do in an Emergency', Ikon Gallery 2011; BP Portrait Award 2016/09/07/06/05/04/02/01; Sunday Times Watercolour Competition 2017; 'Walls have Ears' 400 years of Change, Arts Council Collection, Aston Hall, Birmingham 2018.   Gallery Representation   Fine Art Commissions, Quantum Contemporary Art, Colley Ison gallery   Statement about AOAP Submitted Artwork Life Drawing Class x4: I run a weekly life drawing class and thought it would make for an interesting image if I combined a drawing of my own with that of three of my students. The viewer can form their own view as to who, tutor or student, is responsible for the different drawings.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Boo Saville Untitled Study (Series) (1), 2022 Digital Print and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Boo Saville has - since 2014 - been producing large-scale abstracts, made up of flawlessly gradating shades. Saville, whose work investigates mortality and the nature of perception, applies up to forty layers of paint to achieve this extraordinary effect, erasing any suggestion of her own mark-making in spite of the emotional tenor of the works. The colour fields are inextricably linked to her black and white canvases, the subjects of the latter - sparingly painted so as to retain the appearance of the canvas weave - resulting from internet searches that occur to her whilst working on the abstracts. She notes: "The black and white paintings are purely about the surface of momentary thought and the colour fields are about the depth and vault of emotion and memory layered on top of each other. Her focus is also the texture and surface of drawing, harnessed through her intuitive use of simple biros and pens: fine details of flowers or bones and hair are coupled with layer upon layer of shaded lines to produce tones and depths that resonate these resounding details, and disorientating linear constructions, culminating in a true mastery of penmanship. Boo Saville was born in Norwich in 1980. She graduated from the Slade School of Fine Art, London, in 2004. Saville was a nominee for the Sovereign Painting Prize in both 2007 and 2011, and in 2008 she worked on a residency at the Cité Internationale des Arts, Paris. Saville's solo exhibitions include 'Laid Bare', Martin Summers Fine Art, London (2008), 'Idolum', Studio Giangaleazzo Visconti, Milan (2010) and 'Chimera', Davidson Contemporary, New York (2017). She has received four separate solo shows at TJ Boulting, London, including 'Polycephaly' (2014), and was included in the group exhibition 'Simulation/Skin' and 'True Colours' at Newport Street Gallery in London. Saville's work has been acquired by collections including the Museum of New and Old Art, Tazmania, Wadsworth Atheneum Museum of Art, Murderme, Soho House and Maramotti collection. She featured in Francesca Gavin's books 'Hell Bound: New Gothic Art' (2008) and '100 New Artists' (2011), and published an edition of etchings, 'Ghost', with Other Criteria in 2009. Her most recent edition of prints 'Contact, Merge,Void' were made in collaboration with Manifold Editions in London and are available here. She lives and works in Margate. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Boo Saville Untitled Study (Series) (2), 2022 Digital Print and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Boo Saville has - since 2014 - been producing large-scale abstracts, made up of flawlessly gradating shades. Saville, whose work investigates mortality and the nature of perception, applies up to forty layers of paint to achieve this extraordinary effect, erasing any suggestion of her own mark-making in spite of the emotional tenor of the works. The colour fields are inextricably linked to her black and white canvases, the subjects of the latter - sparingly painted so as to retain the appearance of the canvas weave - resulting from internet searches that occur to her whilst working on the abstracts. She notes: "The black and white paintings are purely about the surface of momentary thought and the colour fields are about the depth and vault of emotion and memory layered on top of each other. Her focus is also the texture and surface of drawing, harnessed through her intuitive use of simple biros and pens: fine details of flowers or bones and hair are coupled with layer upon layer of shaded lines to produce tones and depths that resonate these resounding details, and disorientating linear constructions, culminating in a true mastery of penmanship. Boo Saville was born in Norwich in 1980. She graduated from the Slade School of Fine Art, London, in 2004. Saville was a nominee for the Sovereign Painting Prize in both 2007 and 2011, and in 2008 she worked on a residency at the Cité Internationale des Arts, Paris. Saville's solo exhibitions include 'Laid Bare', Martin Summers Fine Art, London (2008), 'Idolum', Studio Giangaleazzo Visconti, Milan (2010) and 'Chimera', Davidson Contemporary, New York (2017). She has received four separate solo shows at TJ Boulting, London, including 'Polycephaly' (2014), and was included in the group exhibition 'Simulation/Skin' and 'True Colours' at Newport Street Gallery in London. Saville's work has been acquired by collections including the Museum of New and Old Art, Tazmania, Wadsworth Atheneum Museum of Art, Murderme, Soho House and Maramotti collection. She featured in Francesca Gavin's books 'Hell Bound: New Gothic Art' (2008) and '100 New Artists' (2011), and published an edition of etchings, 'Ghost', with Other Criteria in 2009. Her most recent edition of prints 'Contact, Merge,Void' were made in collaboration with Manifold Editions in London and are available here. She lives and works in Margate. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Boo Saville Untitled Study (Series) (3), 2022 Digital Print and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Boo Saville has - since 2014 - been producing large-scale abstracts, made up of flawlessly gradating shades. Saville, whose work investigates mortality and the nature of perception, applies up to forty layers of paint to achieve this extraordinary effect, erasing any suggestion of her own mark-making in spite of the emotional tenor of the works. The colour fields are inextricably linked to her black and white canvases, the subjects of the latter - sparingly painted so as to retain the appearance of the canvas weave - resulting from internet searches that occur to her whilst working on the abstracts. She notes: "The black and white paintings are purely about the surface of momentary thought and the colour fields are about the depth and vault of emotion and memory layered on top of each other. Her focus is also the texture and surface of drawing, harnessed through her intuitive use of simple biros and pens: fine details of flowers or bones and hair are coupled with layer upon layer of shaded lines to produce tones and depths that resonate these resounding details, and disorientating linear constructions, culminating in a true mastery of penmanship. Boo Saville was born in Norwich in 1980. She graduated from the Slade School of Fine Art, London, in 2004. Saville was a nominee for the Sovereign Painting Prize in both 2007 and 2011, and in 2008 she worked on a residency at the Cité Internationale des Arts, Paris. Saville's solo exhibitions include 'Laid Bare', Martin Summers Fine Art, London (2008), 'Idolum', Studio Giangaleazzo Visconti, Milan (2010) and 'Chimera', Davidson Contemporary, New York (2017). She has received four separate solo shows at TJ Boulting, London, including 'Polycephaly' (2014), and was included in the group exhibition 'Simulation/Skin' and 'True Colours' at Newport Street Gallery in London. Saville's work has been acquired by collections including the Museum of New and Old Art, Tazmania, Wadsworth Atheneum Museum of Art, Murderme, Soho House and Maramotti collection. She featured in Francesca Gavin's books 'Hell Bound: New Gothic Art' (2008) and '100 New Artists' (2011), and published an edition of etchings, 'Ghost', with Other Criteria in 2009. Her most recent edition of prints 'Contact, Merge,Void' were made in collaboration with Manifold Editions in London and are available here. She lives and works in Margate. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Aidan Myers Banana Leaf Forms XIII, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   b. 1992 Stoke On Trent, UK Aidan Myers is an early career artist based in Cardiff, Wales working between painting and drawing. He studied Fine Art at Cardiff School of Art and Design graduating in 2014; subsequently he worked at the Art School's 'Inc Space' for a 2-year studio placement. In 2021 Myers was a recipient of the Artist Support Pledge 'Surfaces Award', which led to being part of a group show at Hastings Contemporary, his first museum exhibition. Notably in 2018 Myers travelled to India for a 3-month artist residency at the Aamir Art House in Goa, which has formed the direction to his most recent work. In 2017 Myers won first prize at the Oriel CRiC Open in Wales. Myers has held solo shows in Cardiff (2021, 2018 & 2016) and Stroud (2016).   Education   2011-14 - BA Hons Fine Art, Cardiff School of Art & Design, Wales (First Class with honours)   Select Exhibitions/Awards   Solo: 2021 Cardiff M.A.D.E, 'Encounters', Cardiff, Wales, UK (Cambium) 2018 The Sustainable Studio, 'Labyrinth', Cardiff, Wales, UK 2017 Waterloo Gardens Teahouse, 'Small Works', Cardiff, Wales, UK Line Gallery - Stroud Visual Arts, 'New Matter', Stroud UK 2016 Cardiff M.A.D.E, 'Manoeuvred Matter', Cardiff, Wales, UK Group Selected: 2023 Ty Pawb, 'Horizon Garden', Wrexham, Wales, UK 2022 Terrace Gallery, 'Wish You Were Here', London, UK 2021 Hastings Contemporary, 'A Generous Space', Hastings, UK The Godown, 'BUKA BUKA' (Open Books), Kuala Lumpur, Malaysia 2019 Fringe Arts Bath Festival, 'SELF', Bath, UK 2018 The National Eisteddfod of Wales, CAV/UHL, Cardiff, Wales, UK 2017 Oriel CRiC, 'Crickhowell Open Art', Crickhowell, Wales, UK 2016 Curious Duke Gallery, 'Insert Art Here', London, UK 2015 Cardiff M.A.D.E, 'MADE from the Museum', Cardiff, Wales, UK 2014 Elysium Gallery, 'A Portrait of the Artist as...' BEEP Painting Prize, Swansea, Wales Gallery Representation   Rise Art Singulart   Statement about AOAP Submitted Artwork   My practice is painting and drawing based. Different outlooks on landscape form my process including: environmental climate concerns; the benefits and hopeful outlook of landscape through re-wilding; rhythms and cycles of landscape seasons and the co-existence of humans within the environment. These images are formed around the motif of the banana plant, which has been a re-occurring subject within my work since travelling to India in 2018. I found a lasting connection with the banana plant form; it has taken on the resonance of a figure within my compositions, playing a central focus in the images. Their forms are delicate, somewhat abstracted, spiralling from a central column to produce these dominant, distinct structures. They describe fragility of living as much as the opportunity of prospering. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Aidan Myers Banana Leaf Forms XIV, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   b. 1992 Stoke On Trent, UK Aidan Myers is an early career artist based in Cardiff, Wales working between painting and drawing. He studied Fine Art at Cardiff School of Art and Design graduating in 2014; subsequently he worked at the Art School's 'Inc Space' for a 2-year studio placement. In 2021 Myers was a recipient of the Artist Support Pledge 'Surfaces Award', which led to being part of a group show at Hastings Contemporary, his first museum exhibition. Notably in 2018 Myers travelled to India for a 3-month artist residency at the Aamir Art House in Goa, which has formed the direction to his most recent work. In 2017 Myers won first prize at the Oriel CRiC Open in Wales. Myers has held solo shows in Cardiff (2021, 2018 & 2016) and Stroud (2016).   Education   2011-14 - BA Hons Fine Art, Cardiff School of Art & Design, Wales (First Class with honours)   Select Exhibitions/Awards   Solo: 2021 Cardiff M.A.D.E, 'Encounters', Cardiff, Wales, UK (Cambium) 2018 The Sustainable Studio, 'Labyrinth', Cardiff, Wales, UK 2017 Waterloo Gardens Teahouse, 'Small Works', Cardiff, Wales, UK Line Gallery - Stroud Visual Arts, 'New Matter', Stroud UK 2016 Cardiff M.A.D.E, 'Manoeuvred Matter', Cardiff, Wales, UK Group Selected: 2023 Ty Pawb, 'Horizon Garden', Wrexham, Wales, UK 2022 Terrace Gallery, 'Wish You Were Here', London, UK 2021 Hastings Contemporary, 'A Generous Space', Hastings, UK The Godown, 'BUKA BUKA' (Open Books), Kuala Lumpur, Malaysia 2019 Fringe Arts Bath Festival, 'SELF', Bath, UK 2018 The National Eisteddfod of Wales, CAV/UHL, Cardiff, Wales, UK 2017 Oriel CRiC, 'Crickhowell Open Art', Crickhowell, Wales, UK 2016 Curious Duke Gallery, 'Insert Art Here', London, UK 2015 Cardiff M.A.D.E, 'MADE from the Museum', Cardiff, Wales, UK 2014 Elysium Gallery, 'A Portrait of the Artist as...' BEEP Painting Prize, Swansea, Wales Gallery Representation   Rise Art Singulart   Statement about AOAP Submitted Artwork   My practice is painting and drawing based. Different outlooks on landscape form my process including: environmental climate concerns; the benefits and hopeful outlook of landscape through re-wilding; rhythms and cycles of landscape seasons and the co-existence of humans within the environment. These images are formed around the motif of the banana plant, which has been a re-occurring subject within my work since travelling to India in 2018. I found a lasting connection with the banana plant form; it has taken on the resonance of a figure within my compositions, playing a central focus in the images. Their forms are delicate, somewhat abstracted, spiralling from a central column to produce these dominant, distinct structures. They describe fragility of living as much as the opportunity of prospering. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Daniel MacCarthy Little Boy Lost, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About The intersection of the man-made with the natural world form the basis of my work. Negative capability; the capacity to accept mystery and doubt rather than the demand for certainty, provides a useful insight into my approach to painting. In allegorical motifs or more oblique atmospheres, the work seeks to capture a place where uncomfortable realities seep in; a search for belonging, a presentiment of loss, anxiety and entropy. Hope too is evident; nature, redemptive if indifferent, is cherished for all its tangled complexity.   Education   TURPS Studio Programme - 2019 - 2020 Royal Drawing School - Post-Grad Diploma - 2009 - 2011 Sussex University - BA - Modern History - 2005 - 2008   Select Exhibitions/Awards   Solo 04/2022 The Peace of Wild Things, The Sidney Nolan Trust, Wales 09/21 Things are in the Saddle - Galera San Soda, Milan, Italy Group 09/2022 - ALL THE LIVES WE EVER LIVED, Canopy COLLECTIONS at Cromwell Place 08/2022 - BEEP painting Biennial, Elysium Gallery, Swansea 05/2022 - Paintings made recently in Wales, curated by LLE, Bay Art Cardiff 03/2022 - The Front Room show, D Contemporary, Mayfair 03/2022 - Royal Watercolour Soc. open, Bankside Gallery, London 02/2022 - Dream baby Dream, Curated by painttalk, Fitzrovia Gallery 11/2021 - A Generous Space, Curated by Matt Buroughs, Hastings Contemporary   Gallery Representation   Canopy Collections Otomys Gallery (Australia)   Statement about AOAP Submitted Artwork   These works are all watercolour or ink on paper. Studies like this are how I often get ideas for larger paintings. The characters can be seen as a cast of imagined figures who in occupying my inner landscapes act as a kind of conduit for my thoughts and emotions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Daniel MacCarthy The Night Gardener, 2022 Watercolour on Gloss Paper Signed verso 14 x 10cm (5½ x 3¾ in.) About The intersection of the man-made with the natural world form the basis of my work. Negative capability; the capacity to accept mystery and doubt rather than the demand for certainty, provides a useful insight into my approach to painting. In allegorical motifs or more oblique atmospheres, the work seeks to capture a place where uncomfortable realities seep in; a search for belonging, a presentiment of loss, anxiety and entropy. Hope too is evident; nature, redemptive if indifferent, is cherished for all its tangled complexity.   Education   TURPS Studio Programme - 2019 - 2020 Royal Drawing School - Post-Grad Diploma - 2009 - 2011 Sussex University - BA - Modern History - 2005 - 2008   Select Exhibitions/Awards   Solo 04/2022 The Peace of Wild Things, The Sidney Nolan Trust, Wales 09/21 Things are in the Saddle - Galera San Soda, Milan, Italy Group 09/2022 - ALL THE LIVES WE EVER LIVED, Canopy COLLECTIONS at Cromwell Place 08/2022 - BEEP painting Biennial, Elysium Gallery, Swansea 05/2022 - Paintings made recently in Wales, curated by LLE, Bay Art Cardiff 03/2022 - The Front Room show, D Contemporary, Mayfair 03/2022 - Royal Watercolour Soc. open, Bankside Gallery, London 02/2022 - Dream baby Dream, Curated by painttalk, Fitzrovia Gallery 11/2021 - A Generous Space, Curated by Matt Buroughs, Hastings Contemporary   Gallery Representation   Canopy Collections Otomys Gallery (Australia)   Statement about AOAP Submitted Artwork   These works are all watercolour or ink on paper. Studies like this are how I often get ideas for larger paintings. The characters can be seen as a cast of imagined figures who in occupying my inner landscapes act as a kind of conduit for my thoughts and emotions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Daniel MacCarthy Lakeside, 2022 Watercolour and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About The intersection of the man-made with the natural world form the basis of my work. Negative capability; the capacity to accept mystery and doubt rather than the demand for certainty, provides a useful insight into my approach to painting. In allegorical motifs or more oblique atmospheres, the work seeks to capture a place where uncomfortable realities seep in; a search for belonging, a presentiment of loss, anxiety and entropy. Hope too is evident; nature, redemptive if indifferent, is cherished for all its tangled complexity.   Education   TURPS Studio Programme - 2019 - 2020 Royal Drawing School - Post-Grad Diploma - 2009 - 2011 Sussex University - BA - Modern History - 2005 - 2008   Select Exhibitions/Awards   Solo 04/2022 The Peace of Wild Things, The Sidney Nolan Trust, Wales 09/21 Things are in the Saddle - Galera San Soda, Milan, Italy Group 09/2022 - ALL THE LIVES WE EVER LIVED, Canopy COLLECTIONS at Cromwell Place 08/2022 - BEEP painting Biennial, Elysium Gallery, Swansea 05/2022 - Paintings made recently in Wales, curated by LLE, Bay Art Cardiff 03/2022 - The Front Room show, D Contemporary, Mayfair 03/2022 - Royal Watercolour Soc. open, Bankside Gallery, London 02/2022 - Dream baby Dream, Curated by painttalk, Fitzrovia Gallery 11/2021 - A Generous Space, Curated by Matt Buroughs, Hastings Contemporary   Gallery Representation   Canopy Collections Otomys Gallery (Australia)   Statement about AOAP Submitted Artwork   These works are all watercolour or ink on paper. Studies like this are how I often get ideas for larger paintings. The characters can be seen as a cast of imagined figures who in occupying my inner landscapes act as a kind of conduit for my thoughts and emotions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Daniel MacCarthy The Winter of Our Lives, 2022 Watercolour on Gloss Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About The intersection of the man-made with the natural world form the basis of my work. Negative capability; the capacity to accept mystery and doubt rather than the demand for certainty, provides a useful insight into my approach to painting. In allegorical motifs or more oblique atmospheres, the work seeks to capture a place where uncomfortable realities seep in; a search for belonging, a presentiment of loss, anxiety and entropy. Hope too is evident; nature, redemptive if indifferent, is cherished for all its tangled complexity.   Education   TURPS Studio Programme - 2019 - 2020 Royal Drawing School - Post-Grad Diploma - 2009 - 2011 Sussex University - BA - Modern History - 2005 - 2008   Select Exhibitions/Awards   Solo 04/2022 The Peace of Wild Things, The Sidney Nolan Trust, Wales 09/21 Things are in the Saddle - Galera San Soda, Milan, Italy Group 09/2022 - ALL THE LIVES WE EVER LIVED, Canopy COLLECTIONS at Cromwell Place 08/2022 - BEEP painting Biennial, Elysium Gallery, Swansea 05/2022 - Paintings made recently in Wales, curated by LLE, Bay Art Cardiff 03/2022 - The Front Room show, D Contemporary, Mayfair 03/2022 - Royal Watercolour Soc. open, Bankside Gallery, London 02/2022 - Dream baby Dream, Curated by painttalk, Fitzrovia Gallery 11/2021 - A Generous Space, Curated by Matt Buroughs, Hastings Contemporary   Gallery Representation   Canopy Collections Otomys Gallery (Australia)   Statement about AOAP Submitted Artwork   These works are all watercolour or ink on paper. Studies like this are how I often get ideas for larger paintings. The characters can be seen as a cast of imagined figures who in occupying my inner landscapes act as a kind of conduit for my thoughts and emotions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising