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A pair of assemblages believed to have been created by Dennis Hopper, from a metal sign, one on a board.Though better known for his photography and paintings, Hopper was deeply influenced by assemblage artists such as George Herms, and created and exhibited assemblages of his own making in addition to his photographs and paintings. Writing for Vogue in 1965, Terry Southern explained: “I asked Frank O’Hara, Associate Curator of Painting and Sculpture of the Museum of Modern Art, what he thought of Hopper’s [contemporary art] collection. “Excellent,” he said, “but that’s not surprising because so is his own work,” referring to the myriad collages, assemblages, and photo-abstractions done by the collector himself—the bulk of which, as it turns out, was destroyed in the big Bel Air fire of 1961, along with some six hundred manuscript pages of poetry.”PROVENANCE Property from the Life and Career of Dennis Hopper

A pair of painted metal lid collages, believed to have been created by Dennis Hopper.Though better known for his photography and paintings, Hopper was deeply influenced by assemblage artists such as George Herms, and created and exhibited assemblages of his own making in addition to his photographs and paintings. Writing for Vogue in 1965, Terry Southern explained: “I asked Frank O’Hara, Associate Curator of Painting and Sculpture of the Museum of Modern Art, what he thought of Hopper’s [contemporary art] collection. “Excellent,” he said, “but that’s not surprising because so is his own work,” referring to the myriad collages, assemblages, and photo-abstractions done by the collector himself—the bulk of which, as it turns out, was destroyed in the big Bel Air fire of 1961, along with some six hundred manuscript pages of poetry.”19 inches (diameter, largest)PROVENANCE Property from the Life and Career of Dennis Hopper

A collection of correspondence (c. 1970s) between Dennis Hopper and polyglot contemporary artist Bruce Conner: various flyers, brochures, and signed notes and letters with original envelopes, including short and personal missives (a note on Conner's notepaper that reads "Dennis - Don't cut your hair"), a torn out Graham Wilson comic with arrows designating two characters sitting atop a tank as "Bruce" and "Dennis," and invitations to give guest lectures and attend exhibits at schools where Conner was teaching.Hopper often cited Conner as an influence on his art-making practices, from his work with assemblages to his photography and filmmaking. The pair shared a warm creative bond that persisted throughout both of their lives.14 x 9 inches (largest)PROVENANCE Property from the Life and Career of Dennis Hopper

A pair of contemporary art catalogs from the personal collection of Dennis Hopper.Includes one Parke-Bernet Galleries catalog (1970) with various figures and notes written on each lot and one German Christie's catalog (1973) with various figures written on the cover, as well as "Lot 33, 35, 37, 39" (works by Edward Kienholz, James Rosenquist, and Andy Warhol).10.75 x 7.5 x 1 inches (overall)PROVENANCE Property from the Life and Career of Dennis Hopper

A group of three mixed media assemblages (paper, buttons, ribbons, fuzz), two of which are double-sided, believed to have been created by Dennis Hopper.Though better known for his photography and paintings, Hopper was deeply influenced by assemblage artists such as George Herms, and created and exhibited assemblages of his own making in addition to his photographs and paintings. Writing for Vogue in 1965, Terry Southern explained: “I asked Frank O’Hara, Associate Curator of Painting and Sculpture of the Museum of Modern Art, what he thought of Hopper’s [contemporary art] collection. “Excellent,” he said, “but that’s not surprising because so is his own work,” referring to the myriad collages, assemblages, and photo-abstractions done by the collector himself—the bulk of which, as it turns out, was destroyed in the big Bel Air fire of 1961, along with some six hundred manuscript pages of poetry.”17 x 12 inches (largest)PROVENANCE Property from the Life and Career of Dennis Hopper

An original two-sided assemblage art piece created by Dennis Hopper. One side features paint on cardboard and two paper plates and the other side features a painted wooden board.Though better known for his photography and paintings, Hopper was deeply influenced by assemblage artists such as George Herms, and created and exhibited assemblages of his own making in addition to his photographs and paintings. Writing for Vogue in 1965, Terry Southern explained: “I asked Frank O’Hara, Associate Curator of Painting and Sculpture of the Museum of Modern Art, what he thought of Hopper’s [contemporary art] collection. “Excellent,” he said, “but that’s not surprising because so is his own work,” referring to the myriad collages, assemblages, and photo-abstractions done by the collector himself—the bulk of which, as it turns out, was destroyed in the big Bel Air fire of 1961, along with some six hundred manuscript pages of poetry.”26 x 21.25 inchesPROVENANCE Property from the Life and Career of Dennis Hopper

Two painted board collages, believed to have been created by Dennis Hopper.Though better known for his photography and paintings, Hopper was deeply influenced by assemblage artists such as George Herms, and created and exhibited assemblages of his own making in addition to his photographs and paintings. Writing for Vogue in 1965, Terry Southern explained: “I asked Frank O’Hara, Associate Curator of Painting and Sculpture of the Museum of Modern Art, what he thought of Hopper’s [contemporary art] collection. “Excellent,” he said, “but that’s not surprising because so is his own work,” referring to the myriad collages, assemblages, and photo-abstractions done by the collector himself—the bulk of which, as it turns out, was destroyed in the big Bel Air fire of 1961, along with some six hundred manuscript pages of poetry.”18 x 20 inches (largest)PROVENANCE Property from the Life and Career of Dennis Hopper

A group of ten contemporary art exhibit posters from the personal collection of Dennis Hopper: two advertising Hopper's own shows and seven from various other artists including Dennis Oppenheim, Ralph Hamilton, Robert Rauschenberg, Martial Raysse, George Herms, Cristos Gianaoks, and multi-artist exhibits at the Robert Fraser Gallery and Texas Gallery.28 x 22 inches (overall)PROVENANCE Property from the Life and Career of Dennis Hopper

ANCIENT GREEK DIADEM EASTERN MEDITERRANEAN, CIRCA 3RD - 4TH CENTURY B.C. bronze wire, adorned with gilded traces on the bronze ivy leaves, among them are delicate bronze strands securing white terracotta berries painted with white gesso Dimensions:24cm diameter Provenance:Provenance:Private collection, GermanyRoyal-Athena Galleries, New YorkIan Colverson (1940-2022) Collection, UK, acquired from the above on the 4 May 2009Ian Colverson was a Postwar & Contemporary printmaker whose works are held in many museums and galleries worldwide, including the Tate Gallery, London and the Museum of Modern Art, New York Note: Note:Cf. The Museum of Fine Arts Boston, cf. M. Constock and C. Vermeule Greek, Etruscan and Roman bronzes in the Museum of Fine Arts Boston, 1972, pp.199-200).

Three contemporary art prints depicting dancers, after Monica Stewart, all framed and glazed, 100.5cm x 80.5cm and 65cm x 85.5cm.

6th century A.D.. Of Hines's Group X with two discs on the headplate in a rectangular frame surrounded by a frieze of facing human masks, and another mask placed centrally above the junction with the bow; shallow bow with three ribs; curved horse-head lappets flanking a vertical shank with facing mask detailing, discoid lobes and an inverted mask below; pin-lugs to the reverse and solder-scar where the catchplate was attached. Cf. Hines, J., A New Corpus of Anglo-Saxon Great Square-Headed Brooches, London, 1997, pl. 101(a); Franceschi, G., Jorn, A. & Magnus, B., Mennesker, Guder og Masker i Nordisk Jernalderkunst, vol.1, Borgen, 2005; Mortimer, P., Woden's Warriors - Warriors and warfare in 6th-7th century Northern Europe, Ely, 2011. 128 grams, 14 cm (5 1/2 in.). Found near Grimsby, Humberside, UK, circa 2010.This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11899-204377. The brooch has many of the characteristics of Hines's Group X but also bears a strong resemblance to an unclassified example from Barrington A, Cambridgeshire (Hines, 1997, pl.101). The frieze of facing masks which forms the border to the headplate has echoes of contemporary motifs found on the headplate of the brooch from Fridaythorpe (Hines, 1997, pl.8(b)) and the crests of helmets such as Valsgarde mounds 5 and 7 (Sweden) - see Mortimer, 2011, p.32-35). The inverted mask on the finial echoes the 7th century shield-fitting from Vall, Gotland (Franceschi et al, 2005, pl.209). The significance of the mask motifs has been discussed in the cited works of Franceschi et al and Mortimer. A link to generations of deified ancestors is one possibility. [A video of this lot is available to view on Timeline Auctions Website]

English School Early 18th Century Portrait of a boy, half-length, wearing a blue coat with his dog Oil on canvas 76.4 x 61.6cm; 30 x 24¼in Provenance: Property from Stradey Castle, Wales LOTS 238- 245 PROPERTY FROM STRADEY CASTLE, WALESThe large Neo-Tudor house at Stradey one mile north west of Llanelli, Carmarthenshire was built by Edward Haycock of Shrewsbury from 1847 to 1855 for the solicitor David Lewis. His family had inherited the mineral rich estate which once included virtually all of the present day town of Llanelli from the Mansel family in 1808. His son Charles William Mansel Lewis (1845-1931), a distinguished amateur painter, aggrandized the interior and added a massive tower and link in the 1870s containing his studio.Charles William Mansel Lewis, a regular exhibitor at the Royal Academy knew many British contemporary artists including Briton Riviere and Sir Edwin Landseer but was particularly friendly with Sir Hubert von Herkomer (1849-1914) the society portraitist and social realist painter who painted his family and with whom he travelled on sketching tours in North Wales. Mansel Lewis was a promoter of art in Wales and the Welsh Eisteddfod for which he commissioned Herkomer to design some of the regalia. Mansel Lewis also was a great collector of pictures by contemporary and earlier artists and the lots in this sale were almost certainly purchased by him for his home Stradey Castle.

Thomas Sewell Robins (1810-1880) Beating to windward off Upnor Castle on the River Medway, with Chatham Dockyard in the distance Signed and dated TS Robins/65 (lower right) Pencil and watercolour heightened with white 43.7 x 75.6cm; 7¼ x 29¾in Provenance: Property from Stradey Castle, Wales LOTS 238- 245 PROPERTY FROM STRADEY CASTLE, WALESThe large Neo-Tudor house at Stradey one mile north west of Llanelli, Carmarthenshire was built by Edward Haycock of Shrewsbury from 1847 to 1855 for the solicitor David Lewis. His family had inherited the mineral rich estate which once included virtually all of the present day town of Llanelli from the Mansel family in 1808. His son Charles William Mansel Lewis (1845-1931), a distinguished amateur painter, aggrandized the interior and added a massive tower and link in the 1870s containing his studio.Charles William Mansel Lewis, a regular exhibitor at the Royal Academy knew many British contemporary artists including Briton Riviere and Sir Edwin Landseer but was particularly friendly with Sir Hubert von Herkomer (1849-1914) the society portraitist and social realist painter who painted his family and with whom he travelled on sketching tours in North Wales. Mansel Lewis was a promoter of art in Wales and the Welsh Eisteddfod for which he commissioned Herkomer to design some of the regalia. Mansel Lewis also was a great collector of pictures by contemporary and earlier artists and the lots in this sale were almost certainly purchased by him for his home Stradey Castle.

Thomas Sewell Robins (1810-1880) Shipping in choppy coastal waters Signed and dated T S Robins/1866 (lower left) Pencil and watercolour heightened with white 45.6 x 71.1cm; 18 x 28in Provenance: Property from Stradey Castle, Wales LOTS 238- 245 PROPERTY FROM STRADEY CASTLE, WALESThe large Neo-Tudor house at Stradey one mile north west of Llanelli, Carmarthenshire was built by Edward Haycock of Shrewsbury from 1847 to 1855 for the solicitor David Lewis. His family had inherited the mineral rich estate which once included virtually all of the present day town of Llanelli from the Mansel family in 1808. His son Charles William Mansel Lewis (1845-1931), a distinguished amateur painter, aggrandized the interior and added a massive tower and link in the 1870s containing his studio.Charles William Mansel Lewis, a regular exhibitor at the Royal Academy knew many British contemporary artists including Briton Riviere and Sir Edwin Landseer but was particularly friendly with Sir Hubert von Herkomer (1849-1914) the society portraitist and social realist painter who painted his family and with whom he travelled on sketching tours in North Wales. Mansel Lewis was a promoter of art in Wales and the Welsh Eisteddfod for which he commissioned Herkomer to design some of the regalia. Mansel Lewis also was a great collector of pictures by contemporary and earlier artists and the lots in this sale were almost certainly purchased by him for his home Stradey Castle.

Ernest Griset (French 1844-1907) The boar hunt Ten, eight signed Ernest Griset, one signed Griset (lower left) Each pen and ink, and watercolour Largest 19.9 x 32.7cm; 7¾ x 12¾in; Smallest 13.8 x 29.3cm; 5½ x 11½in, framed as two (10) Provenance: The Fine Art Society, London; Property from Stradey Castle, Wales LOTS 238- 245 PROPERTY FROM STRADEY CASTLE, WALESThe large Neo-Tudor house at Stradey one mile north west of Llanelli, Carmarthenshire was built by Edward Haycock of Shrewsbury from 1847 to 1855 for the solicitor David Lewis. His family had inherited the mineral rich estate which once included virtually all of the present day town of Llanelli from the Mansel family in 1808. His son Charles William Mansel Lewis (1845-1931), a distinguished amateur painter, aggrandized the interior and added a massive tower and link in the 1870s containing his studio.Charles William Mansel Lewis, a regular exhibitor at the Royal Academy knew many British contemporary artists including Briton Riviere and Sir Edwin Landseer but was particularly friendly with Sir Hubert von Herkomer (1849-1914) the society portraitist and social realist painter who painted his family and with whom he travelled on sketching tours in North Wales. Mansel Lewis was a promoter of art in Wales and the Welsh Eisteddfod for which he commissioned Herkomer to design some of the regalia. Mansel Lewis also was a great collector of pictures by contemporary and earlier artists and the lots in this sale were almost certainly purchased by him for his home Stradey Castle.

Ernest Griset (French 1844-1907) The birth of a stork; comprising How much longer are you going to stop in that egg sir?; I'm coming father!; What long legs you've got father!; Come and be introduced to your mother! Four, each signed Ernest Griset (lower left) Each pen and ink and watercolour Largest 24.6 x 19.8cm; 9¾ x 7¾in; Smallest 24.6 x 14.4cm; 9¾ x 5¾in, framed as one (4) Provenance: The Fine Art Society, London; Property from Stradey Castle, Wales LOTS 238- 245 PROPERTY FROM STRADEY CASTLE, WALESThe large Neo-Tudor house at Stradey one mile north west of Llanelli, Carmarthenshire was built by Edward Haycock of Shrewsbury from 1847 to 1855 for the solicitor David Lewis. His family had inherited the mineral rich estate which once included virtually all of the present day town of Llanelli from the Mansel family in 1808. His son Charles William Mansel Lewis (1845-1931), a distinguished amateur painter, aggrandized the interior and added a massive tower and link in the 1870s containing his studio.Charles William Mansel Lewis, a regular exhibitor at the Royal Academy knew many British contemporary artists including Briton Riviere and Sir Edwin Landseer but was particularly friendly with Sir Hubert von Herkomer (1849-1914) the society portraitist and social realist painter who painted his family and with whom he travelled on sketching tours in North Wales. Mansel Lewis was a promoter of art in Wales and the Welsh Eisteddfod for which he commissioned Herkomer to design some of the regalia. Mansel Lewis also was a great collector of pictures by contemporary and earlier artists and the lots in this sale were almost certainly purchased by him for his home Stradey Castle.

James Ward RA (1769-1859) Village scene with figures outside cottages and a sow and her litter in the foreground Signed JWARD (in ligature, lower left) Oil on panel 75 x 113.5cm; 29½ x 44¾in Provenance: Provenance: Charles Mansel Lewis (1845-1931); And by family descent; Property from Stradey Castle, Wales Literature: C. Reginald Grundy, James Ward, R.A. His Life and Works (London, 1909), p.54, no. 858 Exhibited: London, Royal Academy, Winter Exhibition, 1885, no.33 LOTS 238- 245 PROPERTY FROM STRADEY CASTLE, WALESThe large Neo-Tudor house at Stradey one mile north west of Llanelli, Carmarthenshire was built by Edward Haycock of Shrewsbury from 1847 to 1855 for the solicitor David Lewis. His family had inherited the mineral rich estate which once included virtually all of the present day town of Llanelli from the Mansel family in 1808. His son Charles William Mansel Lewis (1845-1931), a distinguished amateur painter, aggrandized the interior and added a massive tower and link in the 1870s containing his studio.Charles William Mansel Lewis, a regular exhibitor at the Royal Academy knew many British contemporary artists including Briton Riviere and Sir Edwin Landseer but was particularly friendly with Sir Hubert von Herkomer (1849-1914) the society portraitist and social realist painter who painted his family and with whom he travelled on sketching tours in North Wales. Mansel Lewis was a promoter of art in Wales and the Welsh Eisteddfod for which he commissioned Herkomer to design some of the regalia. Mansel Lewis also was a great collector of pictures by contemporary and earlier artists and the lots in this sale were almost certainly purchased by him for his home Stradey Castle.

TRIBAL ART; an iron sculpture of inverted spade form, mounted on contemporary base, height 153cm.

A contemporary resin model of an Art Deco woman. Positioned in a dancing pose, mounted on a circular marble base, H37.5cm

John Piper, fifteen books, booklets & exhibition catalogues by or relating to John Piper and associated contemporary artists, including 'Piper's Places. John Piper in England and Wales', London, Chatto & Windus/Hogarth Press, 1983, 1st edition, original cloth, dust wrapper, 'To John Piper on his Eightieth Birthday', L, The Stourton Press, 1983, 1st edition, limited edition (900), orig. pictorial cloth, Walter de la Mare: 'The Traveller', L, Faber, 1946, 1st edition, 4 colour lithograph plates by Piper as called for, orig. cloth, d/w, Frances Spalding: 'John Piper - Myfanwy Piper: Lives in Art', OUP, 2009, 3rd impression, orig. cloth, d/w, J.M. Richards: 'The Castles on the Ground', L, Architectural Press, 1946, 1st edition, 8 lithograph plates by John Piper as called for, original cloth, d/w by Piper, Myfanwy Piper: 'Sea Poems', L, Muller, 1944, 1st edition, 16 lithograph plates by Mona Moore as called for, orig. pictorial cloth & dust wrapper by Mona Moore, Kenneth Clark: 'Landscape into Art', John Murray, 1949, numerous plates, orig. cloth, pictorial dust wrapper by Graham Sutherland, 'Poetry London X', L, Nicholson & Watson/Editions Poetry London, Dec. 1944, 3 full page colour lithograph plates by Gerald Wilde (of which 1 double page) + 8 b/w plates by Mervyn Peake etc, original cloth gilt, 'Roy Campbell: 'The Gum Trees', ill. David Jones, Ariel Poems No. 30, orig. pictorial wraps (detached but present), 'David Jones', Tate Gallery, 1981, orig. cloth lettered in silver, dust wrapper, 'Unknown Colour - Paintings, Letters, Writings by Winifred Nicholson', 1987, 1st edition, orig. cloth, d/w, 'The Rape of Lucretia - a symposium by Benjamin Britten...John Piper...Angus McBean', L, 1948, 1st edition, 8 colour plates by John Piper (of which 3 folding) + 5 full page ills. from photos by Angus McBean as called for, orig. cloth gilt, d/w, etc etc (21)

Thomas Chippendale: 'The Gentleman and Cabinet Maker’s Director: being a large collection of the most elegant and useful designs of household furniture in the Gothic, Chinese and modern taste...and other ornaments', London, J. Haberkorn for the author and others, 1754, 1st edition, lacking leaves before pp. vii (i.e. half title, title page printed, and engraved dedication), but else complete, with [4]pp list of subscribers (pp. vii-x), 27pp letterpress (being a list of the plates with corresponding descriptions), plus 161 engraved plates as called for (two plates are numbered xxv), some plates with moderate foxing, slightly heavier and with some waterstaining to leaves at end, plate xxiv "Chinese Chairs" with area of surface wear (not affecting illustration itself), else leaves/plates complete and generally VGC commensurate with age, the plates dated 1753, and engraved by engraved by Tobias Müller (fl. 1754-90), Matthew Darly (fl. 1754-1778), Butler Clowes (d. 1782), Isaac I. Taylor (1730-1807), Edward Rooker (1711-1774), Johann Sebastian Müller (1715-1785), William Foster? (d. 1812), James Hulett (d. 1771) and Hemerick, Folio (45.5 x 28 cm), rebacked contemporary reverse calf very worn, part of original leather title label to spine, replenished end papers. Chippendale's breakthrough furniture design book. The Director was the most extensive pattern book to be created by a craftsperson and the first to have a wider audience outside tradesmen. The immense popularity of the 1754 first edition and subsequent reissues increased commissions for Chippendale's firm and cemented his position as one of the most premier 18th-century cabinetmakers. It was The Gentleman and Cabinet Maker’s Director, first published in 1754, that made his name and reputation. A talented draughtsman, Chippendale completed the drawings himself (many of them now in the Metropolitan Museum of Art) that were engraved for printing by Matthias Darly.While a handful of furniture designs had been printed before, The Director was the first publication on such a large scale. The 160 plates were either bound at £1.14 shillings or loose at £1.10 shillingsThe first edition of The Director attracted 308 subscribers, 49 of them members of the gentry, but the majority were fellow craftsmen (including the Affleck family in Philadelphia) who used it to inform their own work.The book was reprinted in two further editions with the third in 1762 including updates to the styles of furniture as neoclassicism became the fashion of the day. All of Chippendale’s known commissions (with the exception of one) date from after the appearance of The Director: clearly the catalogue had its intended effect on stimulating his career.

(Agriculture, Farming, Veterinary), Gervase Markham: 'Cheape and good husbandry for the well-ordering of all beasts and fowles, and for the generall cure of their diseases', [1648], 7th edition, a/f defective, lacks title page and some preliminiary leaves at front, first few leaves comprising table of contents before main body of text loose and very worn, main body of text p1-188 complete, leaves toned and with stab holes to margins, binding a/f leaves/gatherings loose, but else main body of text complete, contemporary calf very worn, lacks backstrip; Thomas Gisborne: 'Essays on Agriculture', L, Murray, 1854, inscribed by the editor on half title, xiv,[2],255pp, rebacked original printed wraps worn; S.G. Finney: 'Hints to Landlords, Tenants, and Labourers...with the Agriculutural Balance Sheet', L, James Ridgway, 1860, 4 plates (1 folding), original cloth gilt; Great Britain. Parliament (pub.): 'Reports of special assistant to the Poor Law Commissioners on the employment of women and children in agriculture.', L, HMSO, 1843, a/f, ends abruptly at p.360 (of 378pp), contemporary cloth gilt; Dr. John Trusler: 'Practical husbandry, or, The art of farming with a certainty of gain : as practised by judicious farmers in this country : the result of experience and long observation', L, J. Brockwell, 1799, 4th edition, 123pp, 4 leaves misbound at end, ex library, old paper wraps (worn); C. Hillyard: 'Practical Farming and Grazing', Northampton, T.E. Dicey, 1840, 3rd edition, engraved frontis, 8pp ads at end, original cloth gilt; Thomas Tusser; William Mavor: 'Five Hundred Points of Good Husbandry', L, Lackington, 1812, new edition, 338pp, rebound quarter calf gilt; 'Cullyer's Tables, for the use of Gentlemen, Farmers, Corn Merchants, Millers, Thatchers, and others', 1809, 6th edition, 150pp + [4]pp ads at end, contemp. calf worn, boards detached bu present; 'The Cow Doctor...', L, Richardson, c.1844, added engraved title, 16mo, contemporary cloth gilt (9)

(Horses, Veterinary Medecine), William Gibson: 'The Farriers Dispensatory', London, W. Taylor, 1721, 1st edition, [12], 306, [18]pp, contemporary calf gilt, rebacked retaining contemporary backstrip; James White: 'A Compendium of the Veterinary Art; containing an accurate description of all the diseases to which the horse is liable', Canterbury, J. Badcock, 1802, 1st edition, 15 plates of which 4 coloured, contemporary manuscript veterinary cure/remedy to verso of one of the plates and at top margin of facing text page and at end, 232pp, rebound quarter calf gilt (2)

(Japan), a Japanese woodblock printing illustrated book, modern pencil and pen notes on leaf loosely inserted state the book to be 'Bumpo Gafu', c.1813, woodblocks by Inoue Jihei, publishers Chojiya Genjiro and Kochiya Kihei, m/s pen notes beneath "Notes by British Museum Asian expert made at the Museum Prints & Drawings Dept 21.10.80. The book was described as being in very good condition...", [72] pages of illustrations, original decorative stitched wraps, housed in modern slipcase; together with 3 other 19th Century illustrated books of Japanese woodblock prints, housed together in modern slipcase; plus 'Choice masterpieces of Korin and Kenzan', [edited by Shungo Murayama], Tokyo, The Kokka Company, 1906, 1st edition, title page, preface and contents followed by 11pp text in English language, 2 b/w ilustrations in text, preceding 11 mounted colour plates depicting artwork, lacquer and ceramics produced by the two brothers Korin and Kenzan Ogata, all accompanied by guard sheets with descriptive letterpress in Japanese and English, folio (45 x 31cm), original decorative cloth covered boards very worn, lacks lower board, string ties, together with a similar circa early 20th Century Japanese work in 2 volumes, 30 double page chromolitho plates of Japanese art and antiquities, architecture etc, including Samurai swords, jewellery, bronze dishes, lacquer box, fabrics, houses, beds?, text in Japanese language, folio (35 x 25cm), uniform original decorative cloth, printed title labels in Japanese mounted to covers; plus Lafcadio Hearn, 2 titles: 'Kotto: Being Japanese Curios, with Sundry Cobwebs', New York, Macmillan, 1902, 1st edition, 1st issue (with title page illustration printed upside down), illustrations by Genjiro Yeto throughout, original pictorial cloth gilt, top edge gilt, 'Kwaidan: Stories and Studies of Strange Things', London, Kegan Paul, 1904, 1st edition, 2 plates as called for, original cloth gilt. Two titles on Japanese folklore, mythology, supernatural tales, social and religious life and customs, by Patrick Lafcadio Hearn (1850-1904), Irish-Greek-Japanese writer, translator, and teacher who introduced the culture and literature of Japan to the West; Yoshio Markino: 'A Japanese Artist in London', L, C & W, 1919, 5th impression, signed & inscribed by the author/artist in English and Japanese on FFEP, 8 colour plates + 4 b/w plates as called for, original decorative cloth gilt, dust wrapper; 'Hanasaki Jiji [The Old Man Who Made the Dead Trees Blossom]', Tokyo, Kobunsha, c.1885, illustrated colour woodblock book, in French language, [18]pp, original pictorial wraps (18 x 12.5cm); Kazunori Ishibashi (illustrated); William N. Porter (translated): 'A Year of Japanese Epigrams', OUP, 1911, colour frontis + 12 b/w plates for each month of the year as called for, some contemporary manuscript to verso of half title and verso of last leaf of introduction, orig. cloth gilt; Ernest Adolphus Sturge: 'The Spirit of Japan', [Tokyo] : Sturge Zenshu Kankokai, [1934], 2nd edition, 44 colour & b/w plates as called for, in English language, original cloth gilt, printed card slipcase; together with 2 early 20th Century German titles on Japan by Emil Schiller and Otto Kumel, plus two mid 20th Century similar by Klabund [i.e. Alfred Henschke], plus 2 others (19)

(London), a collection of 16 volumes, including Ernest Rhys (ed.): 'The Hampstead Annual 1897, 1898, 1899, 1900', London, Sydney C. Mayle, 1897-1900, 4 volumes, numerous full page plates as called for, each 4to, original cloth, printed paper labels to spines; 'The Picture of London, for 1810; Being a Correct Guide for all the Curiosities, Amusements, Exhibitions...in and near London', L, Richard Phillips, 1810, 11th edition, folding map of the environs of London, folding plan of East & West India Docks, folding panorama of the curiosities of London, a/f, lacking majority of another folding map facing p.372, three leaves before contents at front excised, inner joints split, some leaves/gatherings loose, 12mo, old half calf; a composite bound volume of 8 late 19th Century London art museum and exhibition catalogues, including 'A Guide to the Works of Art and Science collected by Captain His Royal Highness The Duke of Edinburgh, During his ...Cruise Round the World in HMS Galatea (1867-1871) and Lent for Exhibition in The South Kensington Museum. February, 1872', [1872], 2nd edition, folding map + 1 plate, 74,[3]pp, original top wrap bound in; plus others Doré Gallery, New Bond Street; BEthnal Green Branch Museum; RA Works of Landseer Winter Exhibition 1874; Catalogue of Maps, Plans and Views of London collected by the late Mr Frederick Crace, lent for exhibition South Kensington Museum', etc, contemporary cloth gilt; Edward Walford: 'Greater London', L, Cassell, c.1900, 2 volumes, 4to, uniform half calf gilt; plus others Cripplegate Ward, The Thames, The Booklovers London; The London Nobody Knows, etc etc (16)

DAVID WILKINSON Daffodils, aquatint, no.113 of 225, sold by Christie's Contemporary Art, 61 x 76 cms

Mariah Robertson, American b.1975 - Gladiola Window RGB #3, 2007;C-print,from an edition of 1/5 +2 APs,sheet: 47.5 x 59 cm(mounted) (framed)(VAT charged on hammer price)Provenance: Guild & Greyshkul, New York; acquired from the above by the previous owner, 2007; Sotheby's, London, Contemporary Art Day Auction, 8th March 2018, lot 287 (unsold)Exhibited: Nudes, Still Lives and Landscapes, Guild & Greyshkul, New York, November 3 - December8, 2007; Out of Focus: Photography, The Saatchi Gallery, London, 24 Sept - 4 Nov 2012Literature: Ewing, W.A (2012) Out of Focus: Photography. London: Booth – Clibborn / Saatchi Gallery. Pp: MR. 1-22 (Illustrated in colour) ISBN: 978-1-86154-331-8

Zeitgenössische Kunst - - Karin Kneffel (  (1957 Marl). Sammlung von 4 Arbeiten. Je Vierfarben-Serigraphie auf festem, glattem Velin. 1999. Je 91,8 x 91,8 cm (96 x 96 cm). Jeweils mit typographischer Bezeichnung, mit Werk- und Editionsangaben. - Ein Blatt verso mit punktueller, sehr blasser Oberflächenbereibung, insgesamt sehr gut und tadellos schön. Durchweg prachtvolle Drucke in ausgesprochener Farbintensität und -kontrast mit schmalem Rand. Je eines von 500 Exemplaren. - Enthält Kirschen I, Pfirsische I, Trauben I, Äpfel I. - Hrsg. v. Kunstverlag Schumacher-Edition Fils, Düsseldorf. - Der Durchbruch der Meisterschülerin Gerhard Richters gelingt ihr bereits im Frühwerk der 1990er Jahre mit realistischen Darstellungen von überdimensionierten Früchten. In perfekter Illusion der Wirklichkeit, wählt Kneffel extreme Ausschnitte und ein wechselvolles Spiel von Nah und Fern für ihre Bildräume. Gleichwohl das Früchtestilleben eine langwährende kunstgeschichtliche Tradition aufweist - meist opulent drapiert auf Tischen symbolisieren Früchte Wohlstand, Üppigkeit und auch Vergänglichkeit - und in seinem Narrativ bereits ausgeschöpft zu sein scheint, rückt Kneffel dieses Genre bewusst in den Fokus ihres Schaffens und gibt ihm innerhalb der Zeitgenössischen Kunst eine neue Daseinsberechtigung. Indem sie sich auf einen kleinen Bildausschnitt konzentriert und diesen in ein überlebensgroßes Format überträgt, erreicht sie eine subtile Verfremdung des in beeindruckender fotorealistischer Präzision geschilderten Objekts.   Collection of 4 prints. Each four-colour silk-screen on strong, smooth wove paper. Each with typographical inscription, with work- and edition information. - One print with isolated, very faint surface abrasion on the verso, all in all very good and impeccably nice. Throughout splendid impressions in distinct colour intensity and -contrast, with narrow margins. - Each one of 500 copies. - With works as mentioned above. - The breakthrough of the master student of Gerhard Richter already came in her early work of the 1990s with realistic depictions of oversized fruits. In a perfect illusion of reality Kneffel chooses extreme details and an alternating play of near and far for her pictorial spaces. Although the fruit still life has a long tradition in art history - mostly opulently draped on tables, fruits symbolise prosperity, opulence and also transience - and seems to be exhausted in its narrative, Kneffel deliberately moves this genre into the focus of her work and gives it a new raison d'être within contemporary art. By concentrating on a small section of the image and transferring it to a larger-than-life format she achieves a subtle alienation of the object depicted in impressive photorealistic precision.

Frank Bowling is a British artist known for his abstract paintings that explore color, texture, and the boundaries of the medium. He is recognized for his innovative techniques and contributions to the field of abstract art. Here are some key points about Frank Bowling:1. Early Life and Education: Frank Bowling was born on February 29, 1936, in Bartica, British Guiana (now Guyana). In 1953, he moved to London, England, to study at the Royal College of Art, where he later became the first Black artist to graduate with a master's degree.2. Abstract Expressionism and Color Field Painting: Bowling was influenced by the Abstract Expressionist and Color Field painting movements that emerged in the United States during the mid-20th century. He embraced the use of abstraction to convey emotions and ideas, exploring the power of color, form, and gesture in his artworks.3. Diverse Techniques and Materials: Bowling is known for his experimentation with various materials and techniques in his paintings. He often employs acrylic paint, spraying, pouring, and layering it onto canvas. He has also incorporated other materials, such as found objects and collaged elements, to add texture and depth to his works.4. Exploration of Identity and History: Bowling's art addresses themes of identity, race, and history. His work often reflects his personal experiences as a Black artist and his engagement with socio-political issues. He has explored the African diaspora, colonialism, and his own cultural heritage through his art.5. Recognition and Exhibitions: Bowling's art has been exhibited extensively in the United Kingdom, the United States, and internationally. He has participated in major exhibitions, including the Venice Biennale and Documenta, and his work is held in significant collections, such as the Tate Modern, the Museum of Modern Art (MoMA), and the Whitney Museum of American Art.6. Awards and Honors: Bowling has received several awards and honors throughout his career. In 2005, he was appointed a Commander of the British Empire (CBE) for his services to art. In 2008, he was elected as a Royal Academician, becoming the first Black artist to be elected as a Royal Academician in the history of the Royal Academy of Arts.7. Legacy and Influence: Bowling's contributions to the field of abstract art and his exploration of identity have had a significant impact on subsequent generations of artists. He has inspired and influenced many artists with his use of color, experimentation with materials, and his commitment to addressing social and cultural issues through his art.Frank Bowling's innovative approach to abstract painting, his exploration of identity and history, and his contributions to the art world have solidified his place as a prominent figure in contemporary art. His ongoing experimentation and dedication to pushing the boundaries of the medium continue to inspire and engage audiences globally.Measures 29.2 x x 21.6.

Hilma af Klint (1862-1944) was a Swedish artist and pioneer of abstract art. Here are some key points about Hilma af Klint and her artistic contributions:1. Early Life and Training: Hilma af Klint was born on October 26, 1862, in Stockholm, Sweden. She received formal artistic training at the Royal Academy of Fine Arts in Stockholm, where she studied traditional painting techniques.2. Theosophy and Spiritual Influences: Af Klint's art was deeply influenced by spiritualism, theosophy, and esoteric philosophies. She was part of a group of artists called "The Five" (De Fem), who held séances and explored spiritual and philosophical concepts.3. Abstract Art and the Paintings for the Temple: Af Klint is best known for her abstract paintings, which she referred to as the "Paintings for the Temple." These works, created between 1906 and 1915, predate the more well-known abstract art movements of the early 20th century.4. Symbolism and Geometry: Af Klint's paintings often incorporated symbolic imagery, geometric shapes, and vibrant colors. She believed that her art was a means of communicating with higher realms and exploring the spiritual dimensions of existence.5. Unrecognized during Her Lifetime: Af Klint's abstract art was far ahead of its time and did not receive significant recognition during her lifetime. She left instructions in her will that her work should not be exhibited publicly until 20 years after her death, fearing that it would not be understood or appreciated.6. Posthumous Recognition and Legacy: Af Klint's work gained wider recognition in the 1980s and has since been exhibited in major art museums around the world. Her groundbreaking contributions to abstract art have been acknowledged, and she is now considered one of the pioneers of the movement.7. The Hilma af Klint Foundation: The Hilma af Klint Foundation was established in 2016 to preserve, research, and promote the work of Hilma af Klint. The foundation has been instrumental in organizing exhibitions, publishing catalogues, and furthering the understanding of her art and spiritual practice.Hilma af Klint's abstract paintings, created with a deep connection to spirituality and esoteric knowledge, have captivated audiences with their innovative and visionary qualities. Her exploration of abstract forms and symbolic imagery has left a lasting impact on the development of abstract art and continues to inspire contemporary artists today.Measures 1 x 1.Enamel.

The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.

Robert Longo is an American artist known for his large-scale, hyperrealistic drawings, sculptures, and installations. He emerged as a prominent figure in the 1980s during the Neo-Expressionist movement and has continued to create influential and thought-provoking artworks. Here are some key points about Robert Longo:1. Early Life and Education: Robert Longo was born on January 7, 1953, in Brooklyn, New York. He studied at the State University of New York at Buffalo, where he pursued a degree in sculpture. It was during this time that he developed a passion for drawing, which would become his primary medium.2. Hyperrealistic Drawings: Longo's signature style involves creating large-scale, highly detailed drawings that capture everyday scenes, portraits, and powerful imagery. His drawings often feature dramatic contrasts of light and shadow, capturing a sense of tension and emotional intensity.3. Influences and Subjects: Longo draws inspiration from a variety of sources, including film, photography, and pop culture. He often references iconic images and figures from politics, history, and mass media, creating artworks that reflect on the complexities of contemporary society and the human condition.4. "Men in the Cities" Series: One of Longo's most well-known bodies of work is the "Men in the Cities" series, created in the early 1980s. These drawings depict sharply dressed men and women in contorted poses, capturing a sense of dynamic movement and psychological intensity. The series explores themes of alienation, anxiety, and the human struggle.5. Sculpture and Installations: In addition to his drawings, Longo has also ventured into sculpture and installations. His sculptures often incorporate a sense of movement and play with scale, while his installations create immersive environments that engage the viewer in a multisensory experience.6. Music Videos and Film: Longo has also directed music videos for various artists, including New Order and R.E.M. His background in film and music influences his artistic practice, evident in his ability to capture cinematic moments and create visually striking compositions.7. Exhibitions and Recognition: Longo's artworks have been exhibited in major museums and galleries worldwide. He has had solo exhibitions at institutions such as the Museum of Contemporary Art, Los Angeles, and the Whitney Museum of American Art. His contributions to the art world have been recognized with awards and honors, including the National Printmaking Award from the Brooklyn Museum and a Guggenheim Fellowship.Robert Longo's artworks continue to captivate viewers with their meticulous detail, emotive power, and social commentary. Through his hyperrealistic drawings, sculptures, and installations, he explores the complexities of contemporary life and challenges our perception of reality. His influential contributions to the art world have solidified his place as a significant artist of our time.Measures 79 x 44.

The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.

Yayoi Kusama is a renowned Japanese contemporary artist known for her distinctive and avant-garde artworks, particularly her immersive installations, polka-dot motifs, and exploration of themes such as infinity and the self. Here are some key points about Yayoi Kusama:1. Early Life and Influences: Yayoi Kusama was born on March 22, 1929, in Matsumoto, Nagano, Japan. She grew up in a traditional Japanese family and began creating art at a young age. Kusama's artistic development was influenced by her experiences with hallucinations and her lifelong struggles with mental health.2. Move to the United States: In 1957, Kusama moved to the United States, settling in New York City. She became an active participant in the avant-garde art scene of the 1960s, collaborating with artists such as Donald Judd, Claes Oldenburg, and Andy Warhol. During this time, she developed her signature artistic style and began experimenting with immersive installations.3. Polka Dots and Infinity: One of the most recognizable features of Kusama's artwork is her frequent use of polka dots. She incorporates them into various mediums, including paintings, sculptures, installations, and even her own attire. Kusama sees polka dots as a representation of the infinite and uses them as a way to explore ideas of repetition, pattern, and the dissolution of the self.4. Infinity Mirror Rooms: Kusama's Infinity Mirror Rooms are among her most celebrated works. These mirrored installations feature a room filled with various objects covered in polka dots, with mirrored walls creating a sense of infinite space. Viewers are immersed in a visually overwhelming experience that plays with perceptions of space, light, and reflections.5. Performance Art: Kusama's practice also includes performance art, where she often incorporates her body and costumes into her creative expressions. She staged a series of provocative and politically charged happenings and events during the 1960s, using her body as a canvas to address issues such as feminism, consumerism, and the Vietnam War.6. International Recognition: Kusama's artworks have gained significant international recognition and have been exhibited in major museums and galleries around the world. She represented Japan at the Venice Biennale in 1993 and has received numerous awards and honors for her contributions to contemporary art.7. Legacy and Influence: Yayoi Kusama's unique artistic vision and groundbreaking approach to art have had a profound impact on contemporary art practices. Her exploration of themes like infinity, the subconscious mind, and identity continues to inspire and resonate with artists, curators, and art enthusiasts globally.Yayoi Kusama's bold artistic expressions, use of polka dots, and immersive installations have made her a prominent figure in contemporary art. Her willingness to confront personal struggles and use art as a form of therapy has contributed to her distinct voice and has cemented her legacy as an influential artist of our time.Measures 12 x 18.Mounted to archival quality paper.Verso is blank.

Cy Twombly was an American artist known for his distinctive and influential body of work that combined elements of painting, drawing, and writing. Here are some key points about Cy Twombly and his artistic achievements:1. Early Life and Education: Cy Twombly was born on April 25, 1928, in Lexington, Virginia. He studied art at the School of the Museum of Fine Arts, Boston, and later attended the Black Mountain College in North Carolina, where he was influenced by the teachings of Josef Albers and Robert Motherwell.2. Style and Themes: Twombly's work is characterized by its gestural and expressive quality, often featuring scribbles, loops, and scrawled text. He drew inspiration from a wide range of sources, including classical mythology, history, literature, and personal experiences. His paintings and drawings often evoke a sense of emotion, poetry, and personal reflection.3. Use of Materials: Twombly used a variety of materials in his artwork, including oil-based house paint, crayons, and pencils. He often worked on large-scale canvases or created monumental wall-sized installations that enveloped the viewer in an immersive experience.4. Writing and Language: Text and writing played a significant role in Twombly's work. He incorporated fragments of poetry, historical references, and personal notes into his compositions, blurring the boundaries between visual art and language. The written elements often added layers of meaning and ambiguity to his pieces.5. Influence and Legacy: Twombly's work had a profound impact on contemporary art. His abstract, gestural style and the incorporation of text and symbolism influenced subsequent generations of artists. He is considered one of the key figures in the transition from abstract expressionism to a more conceptual and poetic approach to painting.6. Major Series: Twombly produced several notable series throughout his career. These include the "Nine Discourses on Commodus," "Lepanto," "Bacchus," and "Untitled (Roses)" series, among others. Each series explored different themes and motifs, showcasing his versatility and evolving artistic vision.7. Recognition and Exhibitions: Cy Twombly's work has been widely exhibited and celebrated. He participated in numerous international exhibitions, including the Venice Biennale and documenta in Kassel, Germany. His artwork can be found in major museum collections around the world.Cy Twombly's artistic practice was characterized by a unique blend of emotional intensity, intellectual depth, and poetic sensibility. His expressive brushwork, incorporation of text, and ability to evoke complex emotions through abstraction have made him an enduring and influential figure in contemporary art.Measures 30 x 22.5.

The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.

Frank Bowling is a British artist known for his abstract paintings that explore color, texture, and the boundaries of the medium. He is recognized for his innovative techniques and contributions to the field of abstract art. Here are some key points about Frank Bowling:1. Early Life and Education: Frank Bowling was born on February 29, 1936, in Bartica, British Guiana (now Guyana). In 1953, he moved to London, England, to study at the Royal College of Art, where he later became the first Black artist to graduate with a master's degree.2. Abstract Expressionism and Color Field Painting: Bowling was influenced by the Abstract Expressionist and Color Field painting movements that emerged in the United States during the mid-20th century. He embraced the use of abstraction to convey emotions and ideas, exploring the power of color, form, and gesture in his artworks.3. Diverse Techniques and Materials: Bowling is known for his experimentation with various materials and techniques in his paintings. He often employs acrylic paint, spraying, pouring, and layering it onto canvas. He has also incorporated other materials, such as found objects and collaged elements, to add texture and depth to his works.4. Exploration of Identity and History: Bowling's art addresses themes of identity, race, and history. His work often reflects his personal experiences as a Black artist and his engagement with socio-political issues. He has explored the African diaspora, colonialism, and his own cultural heritage through his art.5. Recognition and Exhibitions: Bowling's art has been exhibited extensively in the United Kingdom, the United States, and internationally. He has participated in major exhibitions, including the Venice Biennale and Documenta, and his work is held in significant collections, such as the Tate Modern, the Museum of Modern Art (MoMA), and the Whitney Museum of American Art.6. Awards and Honors: Bowling has received several awards and honors throughout his career. In 2005, he was appointed a Commander of the British Empire (CBE) for his services to art. In 2008, he was elected as a Royal Academician, becoming the first Black artist to be elected as a Royal Academician in the history of the Royal Academy of Arts.7. Legacy and Influence: Bowling's contributions to the field of abstract art and his exploration of identity have had a significant impact on subsequent generations of artists. He has inspired and influenced many artists with his use of color, experimentation with materials, and his commitment to addressing social and cultural issues through his art.Frank Bowling's innovative approach to abstract painting, his exploration of identity and history, and his contributions to the art world have solidified his place as a prominent figure in contemporary art. His ongoing experimentation and dedication to pushing the boundaries of the medium continue to inspire and engage audiences globally.Measures 18.8 x x 31.4.

Francesco Clemente is an Italian contemporary artist known for his eclectic and diverse body of work. Here are some key points about Francesco Clemente:1. Varied Styles and Subjects: Clemente's artwork encompasses a wide range of styles, including painting, drawing, printmaking, and sculpture. He often incorporates elements of surrealism, symbolism, and spiritualism into his works. His subject matter varies from portraits and self-portraits to mythological and religious themes, as well as explorations of the human body.2. Collaboration with Writers and Poets: Clemente has collaborated extensively with writers and poets, including Allen Ginsberg, Robert Creeley, and J.M. Coetzee. These collaborations often involve combining visual art with poetic texts, resulting in richly layered and interdisciplinary works.3. Influences from Eastern Philosophy and Mysticism: Clemente's interest in Eastern philosophy and mysticism is evident in his artwork. He has spent considerable time in India, which has deeply influenced his artistic practice. Concepts of spirituality, transcendence, and the exploration of the self are recurrent themes in his work.4. Symbolic and Dreamlike Imagery: Clemente's paintings often feature symbolic and dreamlike imagery. He incorporates elements such as animals, plants, religious iconography, and personal symbols into his compositions. These elements contribute to the enigmatic and poetic quality of his artworks.5. Use of Color and Texture: Clemente's use of color is vibrant and expressive. He employs a wide palette, ranging from rich and bold hues to delicate pastels. His artworks also exhibit a varied texture, combining areas of loose brushwork with finely detailed elements.6. International Recognition: Clemente's artwork has been exhibited in prestigious museums and galleries worldwide. He has participated in major international exhibitions, including the Venice Biennale, Documenta, and the Whitney Biennial. His works are held in significant collections, such as the Metropolitan Museum of Art in New York and the Tate Gallery in London.7. Blending of Cultures: Clemente's art reflects his interest in blending diverse cultural influences. He draws inspiration from both Western and Eastern artistic traditions, merging elements of Italian Renaissance art with Indian iconography and spirituality. This fusion of cultural references adds a unique dimension to his artwork.Francesco Clemente's multidisciplinary approach, exploration of spirituality, and incorporation of diverse cultural influences have made him a highly regarded and influential figure in contemporary art. His thought-provoking and visually captivating works continue to resonate with viewers around the world.Measures 10.25 x 10.25.Mounted to archival quality paper.

Jean-Michel Basquiat was an American artist known for his influential and groundbreaking work in the 1980s. He was born on December 22, 1960, in Brooklyn, New York, and tragically passed away on August 12, 1988, at the age of 27.Basquiat began his artistic career as a street artist, using the pseudonym SAMO (Same Old Shit). His graffiti and street art, characterized by bold and expressive brushwork, often featured enigmatic and thought-provoking statements. Basquiat's work caught the attention of the art world, and he transitioned from street art to become one of the most prominent figures in the Neo-Expressionist movement.Basquiat's paintings are characterized by their raw energy, vibrant colors, and dynamic compositions. He drew inspiration from a variety of sources, including African art, jazz, hip-hop culture, history, and his personal experiences as a Black artist in America. Basquiat's art often tackled themes of racism, identity, social commentary, and the human condition.His paintings incorporated a mix of imagery, symbols, and text, combining words, phrases, and fragmented sentences with bold brushstrokes and intense colors. Basquiat's distinctive style and his ability to communicate complex ideas through his art made a significant impact on the contemporary art scene.Basquiat's career skyrocketed in the 1980s, and he gained international recognition and acclaim. He collaborated with renowned artists such as Andy Warhol, and his works were exhibited in prestigious galleries and museums around the world.Despite his tragically short life and career, Basquiat's influence on contemporary art remains profound. His artworks continue to be highly sought after, and his legacy as a pioneering artist, particularly in addressing social and political issues, continues to inspire artists and resonate with audiences today.Measures 24 x 36.

Yayoi Kusama is a renowned Japanese contemporary artist known for her distinctive and avant-garde artworks, particularly her immersive installations, polka-dot motifs, and exploration of themes such as infinity and the self. Here are some key points about Yayoi Kusama:1. Early Life and Influences: Yayoi Kusama was born on March 22, 1929, in Matsumoto, Nagano, Japan. She grew up in a traditional Japanese family and began creating art at a young age. Kusama's artistic development was influenced by her experiences with hallucinations and her lifelong struggles with mental health.2. Move to the United States: In 1957, Kusama moved to the United States, settling in New York City. She became an active participant in the avant-garde art scene of the 1960s, collaborating with artists such as Donald Judd, Claes Oldenburg, and Andy Warhol. During this time, she developed her signature artistic style and began experimenting with immersive installations.3. Polka Dots and Infinity: One of the most recognizable features of Kusama's artwork is her frequent use of polka dots. She incorporates them into various mediums, including paintings, sculptures, installations, and even her own attire. Kusama sees polka dots as a representation of the infinite and uses them as a way to explore ideas of repetition, pattern, and the dissolution of the self.4. Infinity Mirror Rooms: Kusama's Infinity Mirror Rooms are among her most celebrated works. These mirrored installations feature a room filled with various objects covered in polka dots, with mirrored walls creating a sense of infinite space. Viewers are immersed in a visually overwhelming experience that plays with perceptions of space, light, and reflections.5. Performance Art: Kusama's practice also includes performance art, where she often incorporates her body and costumes into her creative expressions. She staged a series of provocative and politically charged happenings and events during the 1960s, using her body as a canvas to address issues such as feminism, consumerism, and the Vietnam War.6. International Recognition: Kusama's artworks have gained significant international recognition and have been exhibited in major museums and galleries around the world. She represented Japan at the Venice Biennale in 1993 and has received numerous awards and honors for her contributions to contemporary art.7. Legacy and Influence: Yayoi Kusama's unique artistic vision and groundbreaking approach to art have had a profound impact on contemporary art practices. Her exploration of themes like infinity, the subconscious mind, and identity continues to inspire and resonate with artists, curators, and art enthusiasts globally.Yayoi Kusama's bold artistic expressions, use of polka dots, and immersive installations have made her a prominent figure in contemporary art. Her willingness to confront personal struggles and use art as a form of therapy has contributed to her distinct voice and has cemented her legacy as an influential artist of our time.Measures 12 x 18.Mounted to archival quality paper.Verso is blank.

Christopher Wool is an American artist known for his distinctive and influential contributions to contemporary art. Born on September 16, 1955, in Chicago, Illinois, Wool emerged in the 1980s as part of the New York art scene, where he gained recognition for his abstract paintings and text-based works.Wool's early works often featured bold, black stenciled letters or words on a white or monochromatic background. These text-based paintings challenged traditional notions of art-making and questioned the boundaries between image and language. The words or phrases used in his works were often fragmented, repeated, or obscured, creating a sense of ambiguity and inviting viewers to interpret and engage with the art.In addition to his text-based works, Wool also experimented with various painting techniques and materials. He explored gestural brushstrokes, drips, and splatters, often incorporating elements of chance and spontaneity in his compositions. His paintings often had a raw and gritty aesthetic, reflecting the energy and urban environment of New York City.Wool's artistic practice extends beyond painting. He has also worked with photography, printmaking, and mixed media, constantly pushing the boundaries of his chosen mediums and exploring new ways of expression.Throughout his career, Wool has received critical acclaim for his contributions to contemporary art. His works have been exhibited in major galleries and museums worldwide, and he has been the subject of several solo exhibitions. His art has influenced subsequent generations of artists and continues to be celebrated for its innovative approach, conceptual depth, and visual impact.Christopher Wool's artistic legacy lies in his ability to challenge artistic conventions, blur the boundaries between art and language, and create visually compelling and thought-provoking works. His exploration of text, materials, and techniques has left an indelible mark on contemporary art, contributing to ongoing conversations about the nature of art and its relationship to the world around us.Measures 24 x 36.

Frank Bowling is a British artist known for his abstract paintings that explore color, texture, and the boundaries of the medium. He is recognized for his innovative techniques and contributions to the field of abstract art. Here are some key points about Frank Bowling:1. Early Life and Education: Frank Bowling was born on February 29, 1936, in Bartica, British Guiana (now Guyana). In 1953, he moved to London, England, to study at the Royal College of Art, where he later became the first Black artist to graduate with a master's degree.2. Abstract Expressionism and Color Field Painting: Bowling was influenced by the Abstract Expressionist and Color Field painting movements that emerged in the United States during the mid-20th century. He embraced the use of abstraction to convey emotions and ideas, exploring the power of color, form, and gesture in his artworks.3. Diverse Techniques and Materials: Bowling is known for his experimentation with various materials and techniques in his paintings. He often employs acrylic paint, spraying, pouring, and layering it onto canvas. He has also incorporated other materials, such as found objects and collaged elements, to add texture and depth to his works.4. Exploration of Identity and History: Bowling's art addresses themes of identity, race, and history. His work often reflects his personal experiences as a Black artist and his engagement with socio-political issues. He has explored the African diaspora, colonialism, and his own cultural heritage through his art.5. Recognition and Exhibitions: Bowling's art has been exhibited extensively in the United Kingdom, the United States, and internationally. He has participated in major exhibitions, including the Venice Biennale and Documenta, and his work is held in significant collections, such as the Tate Modern, the Museum of Modern Art (MoMA), and the Whitney Museum of American Art.6. Awards and Honors: Bowling has received several awards and honors throughout his career. In 2005, he was appointed a Commander of the British Empire (CBE) for his services to art. In 2008, he was elected as a Royal Academician, becoming the first Black artist to be elected as a Royal Academician in the history of the Royal Academy of Arts.7. Legacy and Influence: Bowling's contributions to the field of abstract art and his exploration of identity have had a significant impact on subsequent generations of artists. He has inspired and influenced many artists with his use of color, experimentation with materials, and his commitment to addressing social and cultural issues through his art.Frank Bowling's innovative approach to abstract painting, his exploration of identity and history, and his contributions to the art world have solidified his place as a prominent figure in contemporary art. His ongoing experimentation and dedication to pushing the boundaries of the medium continue to inspire and engage audiences globally.Measures 27.7 x x 21.6.

Hilma af Klint (1862-1944) was a Swedish artist and pioneer of abstract art. Here are some key points about Hilma af Klint and her artistic contributions:1. Early Life and Training: Hilma af Klint was born on October 26, 1862, in Stockholm, Sweden. She received formal artistic training at the Royal Academy of Fine Arts in Stockholm, where she studied traditional painting techniques.2. Theosophy and Spiritual Influences: Af Klint's art was deeply influenced by spiritualism, theosophy, and esoteric philosophies. She was part of a group of artists called "The Five" (De Fem), who held séances and explored spiritual and philosophical concepts.3. Abstract Art and the Paintings for the Temple: Af Klint is best known for her abstract paintings, which she referred to as the "Paintings for the Temple." These works, created between 1906 and 1915, predate the more well-known abstract art movements of the early 20th century.4. Symbolism and Geometry: Af Klint's paintings often incorporated symbolic imagery, geometric shapes, and vibrant colors. She believed that her art was a means of communicating with higher realms and exploring the spiritual dimensions of existence.5. Unrecognized during Her Lifetime: Af Klint's abstract art was far ahead of its time and did not receive significant recognition during her lifetime. She left instructions in her will that her work should not be exhibited publicly until 20 years after her death, fearing that it would not be understood or appreciated.6. Posthumous Recognition and Legacy: Af Klint's work gained wider recognition in the 1980s and has since been exhibited in major art museums around the world. Her groundbreaking contributions to abstract art have been acknowledged, and she is now considered one of the pioneers of the movement.7. The Hilma af Klint Foundation: The Hilma af Klint Foundation was established in 2016 to preserve, research, and promote the work of Hilma af Klint. The foundation has been instrumental in organizing exhibitions, publishing catalogues, and furthering the understanding of her art and spiritual practice.Hilma af Klint's abstract paintings, created with a deep connection to spirituality and esoteric knowledge, have captivated audiences with their innovative and visionary qualities. Her exploration of abstract forms and symbolic imagery has left a lasting impact on the development of abstract art and continues to inspire contemporary artists today.Measures 1 x 1.6.Enamel.

The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.

Frank Bowling is a British artist known for his abstract paintings that explore color, texture, and the boundaries of the medium. He is recognized for his innovative techniques and contributions to the field of abstract art. Here are some key points about Frank Bowling:1. Early Life and Education: Frank Bowling was born on February 29, 1936, in Bartica, British Guiana (now Guyana). In 1953, he moved to London, England, to study at the Royal College of Art, where he later became the first Black artist to graduate with a master's degree.2. Abstract Expressionism and Color Field Painting: Bowling was influenced by the Abstract Expressionist and Color Field painting movements that emerged in the United States during the mid-20th century. He embraced the use of abstraction to convey emotions and ideas, exploring the power of color, form, and gesture in his artworks.3. Diverse Techniques and Materials: Bowling is known for his experimentation with various materials and techniques in his paintings. He often employs acrylic paint, spraying, pouring, and layering it onto canvas. He has also incorporated other materials, such as found objects and collaged elements, to add texture and depth to his works.4. Exploration of Identity and History: Bowling's art addresses themes of identity, race, and history. His work often reflects his personal experiences as a Black artist and his engagement with socio-political issues. He has explored the African diaspora, colonialism, and his own cultural heritage through his art.5. Recognition and Exhibitions: Bowling's art has been exhibited extensively in the United Kingdom, the United States, and internationally. He has participated in major exhibitions, including the Venice Biennale and Documenta, and his work is held in significant collections, such as the Tate Modern, the Museum of Modern Art (MoMA), and the Whitney Museum of American Art.6. Awards and Honors: Bowling has received several awards and honors throughout his career. In 2005, he was appointed a Commander of the British Empire (CBE) for his services to art. In 2008, he was elected as a Royal Academician, becoming the first Black artist to be elected as a Royal Academician in the history of the Royal Academy of Arts.7. Legacy and Influence: Bowling's contributions to the field of abstract art and his exploration of identity have had a significant impact on subsequent generations of artists. He has inspired and influenced many artists with his use of color, experimentation with materials, and his commitment to addressing social and cultural issues through his art.Frank Bowling's innovative approach to abstract painting, his exploration of identity and history, and his contributions to the art world have solidified his place as a prominent figure in contemporary art. His ongoing experimentation and dedication to pushing the boundaries of the medium continue to inspire and engage audiences globally.Measures 31.4 x x 17.1.

"Donald Sultan is a contemporary American artist known for his distinct style and use of industrial materials. He was born on April 27, 1951, in Asheville, North Carolina, United States. Sultan gained recognition in the 1980s for his large-scale still-life paintings featuring everyday objects like flowers, fruits, and other mundane items. Sultan's works often incorporate bold and simplified forms with rich textures, achieved through the use of materials like tar, enamel, and vinyl tiles. He employs a limited color palette, predominantly black, red, and white, creating a graphic and impactful visual language. Throughout his career, Donald Sultan has exhibited his works internationally and has been featured in numerous solo and group exhibitions. His art can be found in various prestigious collections, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York, among others. Measures 7.75 x 7.74 Printed circa 1980sVerso is blank.Mounted to archival quality paper.

"Hiroshi Sugimoto (born 1948) is a Japanese photographer and architect known for his minimalist and conceptual photographic works. He was born and raised in Tokyo, Japan, and later moved to the United States to pursue his artistic career. Sugimoto's photography often explores themes of time, memory, and the perception of reality. He is renowned for his ongoing series titled ""Seascapes,"" in which he captures vast seascapes with a long-exposure technique, resulting in images that have a serene and ethereal quality. Through this series, Sugimoto seeks to evoke a sense of timelessness and transcendence. Another notable series by Sugimoto is ""Theaters,"" in which he photographs movie theaters and drive-ins using a large-format camera and long exposure. These images capture the duration of an entire film screening in a single photograph, reducing the cinematic experience to a single frame. Throughout his career, Sugimoto has also explored other subjects, such as architectural landmarks, museum dioramas, and Buddhist sculptures. His work often blurs the boundaries between photography, sculpture, and installation art, and his meticulous attention to composition and technical precision is a hallmark of his style. Sugimoto's photography has been exhibited internationally and is part of numerous public and private collections. He has received numerous awards and honors for his contributions to the field of contemporary photography, and his work continues to be highly influential and widely celebrated in the art world. Measures 6.52 x 8.24 Printed circa Verso is blank.Mounted to archival quality paper. "

"""Cecil Beaton was a British photographer, costume designer, and socialite who was highly regarded for his work in various artistic fields. He was born on January 14, 1904, in Hampstead, London, and passed away on January 18, 1980. Beaton first gained recognition as a fashion and portrait photographer in the 1920s and 1930s. He captured images of notable figures in high society, including members of the British royal family, celebrities, and artists. Beaton's photographs often exhibited a sense of elegance, sophistication, and theatricality, characterized by his meticulous attention to detail and creative composition. In addition to his photography, Beaton was also a renowned costume designer for theater and film. He won multiple Academy Awards for his work on films such as Gigi (1958) and My Fair Lady (1964), and he collaborated with esteemed directors like George Cukor and Vincente Minnelli. Beaton's contributions to the arts extended beyond photography and costume design. He was an accomplished diarist, writer, and illustrator, publishing several books throughout his career. His memoir, The Wandering Years, offers insights into his life and experiences in the worlds of art, fashion, and society. Cecil Beaton's artistic endeavors and unique style made him one of the most influential and celebrated figures in the cultural landscape of the 20th century. His work continues to inspire and influence contemporary photographers and artists, and his legacy remains significant in the fields of photography, fashion, and costume design. Measures 5.27 x 7.27 Printed circa 1950sVerso is blank.Mounted to archival quality paper.

Robert Mapplethorpe was an American photographer known for his provocative and controversial black-and-white images, often exploring themes of sexuality, identity, and the human body. He was born on November 4, 1946, in Floral Park, New York, and passed away on March 9, 1989, in Boston, Massachusetts. Mapplethorpe initially studied painting and sculpture before turning to photography in the 1970s. He gained recognition for his work documenting the New York City art scene, capturing portraits of artists, musicians, and celebrities. However, Mapplethorpe is perhaps best known for his explicit and highly stylized photographs that pushed the boundaries of eroticism and explored the beauty of the human form. His subjects included both male and female nudes, BDSM imagery, and homoerotic compositions. Mapplethorpe's photographs were often characterized by their precise lighting, meticulous composition, and a sense of both beauty and transgression. His images challenged societal norms and confronted taboos, sparking debates around censorship and artistic freedom. Mapplethorpe's work became a lightning rod for controversies, especially during the 1980s when his photographs were exhibited in prominent galleries and museums. His inclusion of explicit sexual content led to heated debates about public funding for the arts and issues of obscenity. Despite the controversies, Mapplethorpe's artistic vision and technical mastery were widely acknowledged. In addition to his controversial works, Mapplethorpe also captured still lifes, flowers, and portraits, demonstrating his versatility as a photographer. His portraits often depicted notable figures from the worlds of art, fashion, and celebrity, and he employed a similar sense of precision and formalism in these images. Mapplethorpe's career was tragically cut short due to complications from HIV/AIDS, and his death at the age of 42 had a profound impact on the art world. His legacy as a provocative and boundary-pushing artist endures, and his photographs continue to be exhibited and discussed in the context of contemporary art and the exploration of human sexuality and identity. Measures 10 x10Printed circa 1950sVerso is blank.Mounted to archival quality paper.

Nobuyoshi Araki is a Japanese photographer known for his provocative and controversial work. He was born on May 25, 1940, in Tokyo, Japan. Araki is widely recognized for his exploration of themes such as eroticism, bondage, and death in his photography. Araki's career spans several decades, and he has produced an extensive body of work. He gained international recognition in the 1990s for his series titled "Kinbaku," which depicted Japanese rope bondage known as shibari. These photographs often featured explicit and explicit imagery and explored themes of power, sexuality, and vulnerability. Beyond his controversial subject matter, Araki is also renowned for his prolific output. He has published hundreds of books throughout his career, earning him the nickname "the most published photographer in the world." His work encompasses various genres, including street photography, portraits, and still lifes, but his exploration of sexuality and the human body remains a prominent theme. Araki's photography has been exhibited worldwide, and he has received numerous awards and accolades for his contributions to the art world. While his work has generated both praise and criticism for its explicit nature, Araki is considered one of the most influential and important photographers in contemporary Japanese photography. Measures 7 x 8.26 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Cy Twombly was an American painter, sculptor, and photographer. He was born on April 25, 1928, in Lexington, Virginia, and passed away on July 5, 2011, in Rome, Italy. Twombly is known for his distinctive abstract and gestural style, characterized by spontaneous and expressive marks, scribbles, and text. Twombly's early artistic training began at the School of the Museum of Fine Arts, Boston, and continued at the Art Students League of New York. He later studied at the renowned Black Mountain College in North Carolina, where he was influenced by teachers such as Josef Albers and Robert Motherwell. Twombly's work emerged in the 1950s and gained prominence in the 1960s as part of the post-Abstract Expressionism movement. His paintings often featured large-scale canvases with a raw, almost childlike quality. He employed a range of materials, including oil-based house paint, crayon, graphite, and collage elements, to create his distinctive compositions. One of Twombly's most recognizable motifs is his use of scribbles, scrawls, and loops, reminiscent of handwriting or graffiti. His compositions often incorporated fragmented words, phrases, or references to classical mythology and literature, reflecting his deep interest in history and culture. Throughout his career, Twombly's work evolved and encompassed various series, including Nine Discourses on Commodus,The Rose, and Bacchus. His art was characterized by a blend of abstraction and poetic symbolism, evoking emotions and ideas rather than representing recognizable subjects. Cy Twombly's work has been widely exhibited in major galleries and museums around the world. His unique approach to painting has influenced subsequent generations of artists, and he is considered one of the most significant figures in contemporary art. Measures 7.52 x 8.27 Verso is blank.Mounted to archival quality paper. """""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""

Daido Moriyama is a renowned Japanese photographer known for his distinct and gritty black-and-white images capturing urban life and street scenes. He was born on October 10, 1938, in Ikeda, Osaka, Japan, and is considered one of the most influential photographers of the post-war era. Moriyama emerged in the 1960s during the Provoke movement, a Japanese photography movement that sought to challenge conventional notions of photography and explore new forms of expression. His work embodies the movement's experimental and confrontational spirit, pushing the boundaries of photography as an art form. Moriyama's photography often features blurred, grainy, and high-contrast images that reflect the raw and chaotic nature of the city. He frequently captures the energy, contradictions, and isolation of urban environments, presenting a fragmented and subjective view of reality. His subject matter ranges from anonymous faces in the crowd and seedy nightlife scenes to everyday objects and abstract forms found in the urban landscape. Moriyama's images are marked by their spontaneity and a sense of voyeurism, as if he is capturing fleeting moments and hidden aspects of urban life. Throughout his career, Moriyama has published numerous photobooks, which have become highly regarded for their visual impact and groundbreaking style. Some of his notable works include "Japan: A Photo Theater" (1968), "Farewell Photography" (1972), and "Tales of Tono" (2012). Daido Moriyama's photographs have been exhibited worldwide and are held in prestigious collections. He has received several awards and honors for his contributions to photography, including the Infinity Award for Lifetime Achievement from the International Center of Photography in 2019. Moriyama's work continues to inspire and influence photographers globally, and his unique visual language has left an indelible mark on the field of contemporary photography. His captivating and provocative images invite viewers to experience the complexity and beauty found within the urban landscape. Measures 6.26 x 9.5 Verso is blank.Mounted to archival quality paper.

Jim Dine is an American contemporary artist known for his contributions to the Pop Art movement. He was born on June 16, 1935, in Cincinnati, Ohio. Dine gained prominence in the 1960s for his unique artistic style, which combined elements of traditional painting, sculpture, and assemblage. Dine's work often incorporates everyday objects, such as tools, hearts, bathrobes, and skulls, which he uses as symbolic motifs. He is particularly recognized for his series of "happenings," which were interactive art events that blurred the boundaries between art and life. Throughout his career, Dine has explored a variety of mediums, including painting, drawing, printmaking, sculpture, and photography. He has experimented with different techniques and materials, including collage, assemblage, and incorporating found objects into his artwork. Dine's work has been exhibited extensively in galleries and museums around the world, and he has received numerous awards and honors for his contributions to the art world. His art is represented in major collections, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. Jim Dine's artistic career spans several decades, and he continues to create and exhibit his work to this day. His unique style and innovative approach to art have made him an influential figure in contemporary art history. Measures 9.27 x 9.01 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Robert Adams is an American photographer and environmentalist known for his influential work in the field of landscape photography. He was born on May 8, 1937, in Orange, New Jersey. Adams is recognized for his poignant and thought-provoking images that explore the impact of human activity on the natural world. Adams began his photography career in the late 1960s and early 1970s, primarily capturing the landscapes of the American West, particularly in Colorado and Oregon. His photographs often depicted scenes of suburban development, industrial sites, and the encroachment of human presence on pristine natural landscapes. Adams's work is characterized by its quiet contemplation and a sense of environmental awareness. He captures the beauty and tranquility of nature while also highlighting the ways in which human intervention has altered the landscape. Through his photographs, Adams raises important questions about the balance between human progress and the preservation of the environment. Throughout his career, Robert Adams has published numerous books featuring his photography, including "The New West" (1974), "What We Bought: The New World" (1995), and "The Place We Live" (2010). His work has been exhibited and collected by major museums and institutions worldwide, cementing his status as a significant figure in contemporary photography. In addition to his photography, Adams has also been involved in environmental activism and has written extensively on the subjects of art, photography, and the environment. He has received numerous awards for his contributions to photography and has had a profound impact on the field, inspiring many photographers to explore the intersection of nature, human presence, and environmental concerns in their work. Measures 6.24 x 5.99 Printed circa 1980sVerso is blank.Mounted to archival quality paper.

Nobuyoshi Araki is a Japanese photographer known for his provocative and controversial work. He was born on May 25, 1940, in Tokyo, Japan. Araki is widely recognized for his exploration of themes such as eroticism, bondage, and death in his photography. Araki's career spans several decades, and he has produced an extensive body of work. He gained international recognition in the 1990s for his series titled "Kinbaku," which depicted Japanese rope bondage known as shibari. These photographs often featured explicit and explicit imagery and explored themes of power, sexuality, and vulnerability. Beyond his controversial subject matter, Araki is also renowned for his prolific output. He has published hundreds of books throughout his career, earning him the nickname "the most published photographer in the world." His work encompasses various genres, including street photography, portraits, and still lifes, but his exploration of sexuality and the human body remains a prominent theme. Araki's photography has been exhibited worldwide, and he has received numerous awards and accolades for his contributions to the art world. While his work has generated both praise and criticism for its explicit nature, Araki is considered one of the most influential and important photographers in contemporary Japanese photography. Measures 7 x 8.26 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Zhang Huan is a Chinese contemporary artist known for his performance art, sculpture, and photography. He was born on January 3, 1965, in Anyang, Henan Province, China. Zhang Huan gained international recognition in the 1990s for his provocative and often physically demanding performances. In his early career, Zhang Huan was associated with a group of artists in Beijing known as the Beijing East Village artists. This group emerged in the late 1980s and early 1990s, and their work was characterized by its critical engagement with China's social and political realities. Zhang Huan's performances often involved extreme bodily actions, such as covering himself in honey and fish oil and sitting in a public toilet or having his body pierced with arrows. These performances were intended to challenge cultural and societal norms and explore themes of identity, spirituality, and the human condition. In addition to his performance art, Zhang Huan has also worked with sculpture and photography. His sculptures often employ unconventional materials and techniques, and they reflect his interest in Buddhist philosophy and Chinese history. His photography explores themes of memory, history, and the body. Zhang Huan's work has been exhibited internationally, and he has received numerous awards and accolades for his contributions to contemporary art. He has had solo exhibitions at prestigious institutions such as the Solomon R. Guggenheim Museum in New York, the Shanghai Art Museum, and the Hayward Gallery in London. His thought-provoking and visually striking artworks have made him one of the most influential and celebrated Chinese artists working today. Measures 9.50 x 10.99 Printed circa 1980sVerso is blank.Mounted to archival quality paper.

Larry Clark is an American filmmaker, photographer, and writer, born on January 19, 1943, in Tulsa, Oklahoma. He is best known for his controversial and raw depictions of youth culture, often focusing on themes of drug use, violence, and sexual exploration. Clark began his artistic career as a photographer in the 1960s, capturing the lives of his friends and acquaintances in Tulsa. His photographs, collected in the book """"Tulsa"""" (1971), gained attention for their gritty and unflinching portrayal of drug addiction and aimless youth. The book became a cult classic and established Clark as a prominent figure in photography. In the 1990s, Clark transitioned into filmmaking. His directorial debut came with the controversial and highly influential film """"Kids"""" (1995), which depicted a group of sexually active and drug-abusing teenagers in New York City. The film garnered both critical acclaim and controversy due to its explicit content and the candid way in which it tackled sensitive subjects. Following """"Kids, Clark continued to explore similar themes in his subsequent films, such as """"Bully"""" (2001) and """"Ken Park"""" (2002). His work often blurs the line between fiction and documentary, incorporating non-professional actors and drawing from real-life experiences. Throughout his career, Larry Clark's work has been both praised for its authenticity and criticized for its explicit and confrontational nature. He has been a polarizing figure, challenging societal taboos and provoking discussions about youth culture, sexuality, and the darker aspects of adolescence. His photography and films have had a significant impact on contemporary art and cinema, and he remains an influential and controversial figure in the artistic world. Measures 5.51 x 8.27 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

"Bridget Riley is a British artist known for her pioneering contributions to Op art, short for Optical art. She was born on April 24, 1931, in London, England. Riley's works are characterized by their geometric patterns, precise compositions, and optical illusions that create a sense of movement and visual vibrations. In the early 1960s, Riley emerged as a prominent figure in the Op art movement, which explored the visual effects of optical illusions and perceptual phenomena. She experimented with various techniques, such as contrasting black and white lines, repetition, and color interactions, to create mesmerizing visual experiences.Riley's paintings often employ simple geometric shapes, such as squares, rectangles, and circles, arranged in intricate patterns. These patterns produce optical effects that can create the illusion of movement, depth, or pulsation, captivating the viewer's perception. Her groundbreaking work challenged traditional notions of painting and perception, emphasizing the viewer's active engagement with the artwork. Riley's art aimed to elicit an immediate and visceral response, exploring the dynamic relationship between color, form, and visual perception. Over the years, Riley's work has expanded to include a variety of media, including prints, murals, and even architectural commissions. She has received numerous awards and honors for her contributions to art, including the International Prize for Painting at the Venice Biennale in 1968 and the Praemium Imperiale in Painting in 2003. Bridget Riley's art continues to be exhibited worldwide, and her influence on contemporary art and the Op art movement is widely recognized. Her works can be found in major museums and collections around the world, and she is regarded as one of the most important and influential artists of the 20th and 21st centuries. Measures 9.26 x 9.24Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Jim Dine is an American contemporary artist known for his contributions to the Pop Art movement. He was born on June 16, 1935, in Cincinnati, Ohio. Dine gained prominence in the 1960s for his unique artistic style, which combined elements of traditional painting, sculpture, and assemblage. Dine's work often incorporates everyday objects, such as tools, hearts, bathrobes, and skulls, which he uses as symbolic motifs. He is particularly recognized for his series of "happenings," which were interactive art events that blurred the boundaries between art and life. Throughout his career, Dine has explored a variety of mediums, including painting, drawing, printmaking, sculpture, and photography. He has experimented with different techniques and materials, including collage, assemblage, and incorporating found objects into his artwork. Dine's work has been exhibited extensively in galleries and museums around the world, and he has received numerous awards and honors for his contributions to the art world. His art is represented in major collections, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris. Jim Dine's artistic career spans several decades, and he continues to create and exhibit his work to this day. His unique style and innovative approach to art have made him an influential figure in contemporary art history. Measures 9.27 x 9.01 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

"Hiroshi Sugimoto (born 1948) is a Japanese photographer and architect known for his minimalist and conceptual photographic works. He was born and raised in Tokyo, Japan, and later moved to the United States to pursue his artistic career. Sugimoto's photography often explores themes of time, memory, and the perception of reality. He is renowned for his ongoing series titled ""Seascapes,"" in which he captures vast seascapes with a long-exposure technique, resulting in images that have a serene and ethereal quality. Through this series, Sugimoto seeks to evoke a sense of timelessness and transcendence. Another notable series by Sugimoto is ""Theaters,"" in which he photographs movie theaters and drive-ins using a large-format camera and long exposure. These images capture the duration of an entire film screening in a single photograph, reducing the cinematic experience to a single frame. Throughout his career, Sugimoto has also explored other subjects, such as architectural landmarks, museum dioramas, and Buddhist sculptures. His work often blurs the boundaries between photography, sculpture, and installation art, and his meticulous attention to composition and technical precision is a hallmark of his style. Sugimoto's photography has been exhibited internationally and is part of numerous public and private collections. He has received numerous awards and honors for his contributions to the field of contemporary photography, and his work continues to be highly influential and widely celebrated in the art world. Measures 5.52 x 9.5Printed circa Verso is blank.Mounted to archival quality paper. "