Colin Davidson RUA (b.1968) LATE AFTERNOON, ARDGLASS, 1998 oil on board signed lower right; inscribed with title and dated on reverse; with Taylor Gallery [Belfast] label also on reverse 3 by 36in. (7.62 by 91.44cm) Colin Davidson is a contemporary artist, living and working near Belfast, Northern Ireland. Since graduating with a first class honours degree from the Art and Design Faculty at the University of Ulster in 1991, Davidson has exhibited extensively in London, New York, Milan and across Ireland. He has been shown regularly at the Royal Hibernian Academy Annual Exhibition, where he has twice won awards, and has been an Academician of the Royal Ulster Academy since 2006, having won the R.U.A. Gold Medal three times and the Silver Medal twice.Colin Davidson`s work is in public and corporate collections across Ireland, including the Arts Council for Northern Ireland, the BBC, the National Self-Portrait Collection of Ireland, Limerick, the Office of Public Works Collection, the Law Society of Ireland and Queen`s University, Belfast. A selection of portraits of writers and actors from his latest body of work is presently on display in the newly-reopened Lyric Theatre, Belfast.
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![[Gessner, C. F. und J. G. Hager], Die so nöthig als nützliche Buchdruckerkunst und Schriftgießerey, mit ihren Schriften,](http://lot-images.atgmedia.com/SR/1958/2906668/56-201411719125_468x382.jpg)
[Gessner, C. F. und J. G. Hager], Die so nöthig als nützliche Buchdruckerkunst und Schriftgießerey, mit ihren Schriften, Formaten und allen dazugehörigen Instrumenten abgebildet und klärlich beschrieben. Bd. I-II (von 4). Mit 1 doppelblattgr. Titelkupfer, 4 Falttafeln mit Schriftproben und 98 tlw. gefalt. Kupfertafeln . Leipzig, Gessner 1740. Zeitgenöss. Pgt. 8vo.Erste Ausgabe. - Die ersten beiden Bände dieses umfassenden und reich illustrierten Kompendiums der Druckkunst. Es wird zumeist unter dem Namen des Verlegers Christian Fr. Gessner geführt, dürfte aber zu einem beträchtlichen Teil von J. G. Hager verfaßt worden sein. - Koll.: 14 Bll., 140, 259 S., 1 Bl. (`Bericht an den Buchbinder`), 4 Bll. (`Calender-Zeichen`); 6 Bll., 224 S., 74 Bll., 60 S. - Enthalten ist u. a. auch ein Kapitel mit Reichsabschieden und Buchdrucker-Verordnungen sowie ein umfassendes Wörterbuch der Fachbegriffe. - Nur tlw. etw. fleckig und gebräunt, vereinzelt eng beschnitten. Insges. gutes Exemplar.Bigmore/Wyman I, 265.First edition. With 1 double-page engraved title, 4 folded plates with lettering samples and 98 copper plates (some folded). Contemporary vellum. 8vo. The first two volumes of the encyclopaedical and richly illustrated compendium of the art of printing. - Only in parts somewhat stained and browned, occasionally cropped close. All in all nice copy.
Sonia Rodrigues Sabharwal (1968-) Indian Contemporary Art Oil on canvas with sgraffito ' The Green Horse ' Signed lower right and ascribed verso 10 7/8 x 10 3/8" CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Sonia Rodrigues Sabharwal (1968-) Indian Contemporary Art Oil on canvas with sgraffito ' Onward Journey 1 ' Signed lower right and ascribed verso 10 7/8 x 10 3/8" CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Paresh Hazra XX Indian Contemporary Art Old - Egg Tempera on canvas board Image of Jesus wearing the Crown of Thorns 1996 Signed and dated lower right in red and bears artist label verso 22 1/2 x 18 1/4" Prov. It was bought Bangalore , India approximately 10 years ago, at a cost of £800 CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Sonia Rodrigues Sabharwal (1968-) Indian Contemporary Art Oil on canvas with sgraffito ' The Protecter ' Signed lower right and ascribed verso 10 7/8 x 10 3/8" CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Sonia Rodrigues Sabharwal (1968-) Indian Contemporary Art Oil on canvas with sgraffito ' Woman in Red ' Signed and dated '95' lower right and ascribed verso 10 7/8 x 10 3/8" CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Bernie Taupin George and Christian 40in x 27.5in Legendary songwriter and performer Bernie Taupin is best known as the long-standing writing partner of Sir Elton John. They started working together in 1967 and have collaborated on over 30 albums to date. Bernie is also an acclaimed contemporary painter, using geometric shapes and vibrant colour to create his stunning works of art. Inherently creative and consistently innovative, he has used photography and paint to create his impressive representation of the iconic 'lion man' George Adamson and the famous 'Christian'.
* WILL MACLEAN MBE RSA RSE Hon D.Litt (SCOTTISH b.1941 - ), 2ND PORPOISE PAINTING oil on canvas, signed and dated `72, titled and dated in the artist`s hand verso 95.5cm x 70.5cm Framed Note: Maclean has exhibited widely since 1967. Solo exhibitions have included The Ring-Net, Third Eye Centre, Glasgow and tour (1978); Runkel-Hue-Williams, London (1990); Retrospective Exhibition, Talbot Rice Gallery, Edinburgh and tour (1992) with accompanying monograph Symbols of Survival; a major solo show, Driftworks at Dundee Contemporary Arts, 2001, and exhibitions with Art First, London, since 1994. His work is in public collections including Arts Council of Great Britain; The British Museum; Dundee, Edinburgh, and Glasgow City Art Galleries; Fitzwilliam Museum, Cambridge; Scottish Arts Council; Scottish National Gallery of Modern Art; McMaster Museum, Canada; Yale Centre for British Art, New Haven, Connecticut, USA.
* HUGH GERARD BYARS, THE GLASGOW STREET oil on canvas, signed 92cm x 92cm Framed. Note: Byars trained at The Glasgow School of Art and then at The Royal College of Art in London. In 2001 he received a major award from the Pollock-Krasner Foundation (USA). Nineteen examples of his work are recorded within notable public collections including City of London Corporation, The Peoples Palace (Glasgow), MOMA (Wales), The Fleming Collection (London), Guildhall Art Gallery, Cheltenham Art Gallery and Glasgow Museums and Art Galleries. Hugh lives and works in Glasgow. He is a contemporary of Howson and of the same school as Campbell and Currie, and like them concentrates on the human form, and scenes from his local city. He often takes his inspiration from the derelicts and dossers in his native Glasgow. These are his Partick people who he paints with sympathy, graphic simplicity and powerful humanity. Hugh is one of the ``New Glasgow Boys`` school of painters.
* GORDON K MITCHELL RSA RSW RGI,LIFE GUARDIANS oil on canvas, signed, titled and dated `92 verso88cm x 119.5cm (36 x 48 inches)FramedThe typical gallery price for a Gordon Mitchell of this size is approx £11,000.Note: Prizes and Awards include: Borders Biennial Exhibition; First Prize, City Arts Centre, Open Exhibition; First Prize, Educational Institute for Scotland; Purchase Prize, Glasgow Mayfest Award, Royal Scottish Academy Award; First Prize, Royal Scottish Society of Painters in Watercolour; William Gillies Award, Scottish Drawing Competition, Paisley; Second Prize, Royal Scottish Academy; J. Murray Thompson Award, Scottish Artists and Artist Craftsmen; Arts Club Prize, Scottish Artists and Artist Craftsmen; Whyte & Mackay Award, Scottish Artists and Artist Craftsmen; Scottish Provident Award, Scottish Artists and Artist Craftsmen; Dunfermline Building Society Prize,Scottish Artists and Artist Craftsmen; SSWA Special Award.Solo Exhibitions : Dorothy Quinn Gallery, St. Andrews, Henderson Gallery, Edinburgh, Old City Art Gallery, Jerusalem, Traverse Theatre, Edinburgh, Open Eye Gallery, Edinburgh (biannually since 1992), Roger Billcliffe Fine Art, Glasgow (biannually since 1993), Atholl Gallery, Dunkeld (1993)Albemarle Gallery (biannually since 1997). Represented in Group Exhibitions in the United Kingdom, including:Allan Park Gallery, Stirling, Atholl Gallery, Dunkeld, Borders Biennial Exhibition, City Arts Centre, Edinburgh, Contemporary British Art Show, London, Contemporary Fine Art Gallery, Fine Art Society Galleries, Glasgow, Gracefield Art Centre, Dumfries, Hilton Hotel, Hong Kong, John Martin of London, Kirkcaldy Art Gallery, Mall Galleries, London, Morrison Scottish Portrait ExhibitionOpen Eye Gallery, Edinburgh, Paisley Art Institute, Portland Gallery, London, Richard Demarco Gallery, Edinburgh, Roger Billcliffe Fine Art, Glasgow, Royal Glasgow Institute, Royal Scottish Academy, Edinburgh, Royal Scottish Society of Painters in Watercolour, Scottish Arts Club, Edinburgh, Scottish Arts Council Gallery, Smith Art Gallery & Museum, Society of Scottish ArtistsSociety of Scottish Artists and Artist Craftsmen, Stirling Gallery, Talbot Rice Gallery, EdinburghGroup Exhibitions held abroad: Through the `Old City Gallery` Jerusalem, paintings have been included in group exhibitions in Israel, Australia, Canada, U.S.A. and Sweden. Blue and White Gallery, Jerusalem, Contemporary Scottish Art 1994, Hilton Hotel, Hong KongCollections:Works held in a great many private and public collections, including; Alliance & Leicester Building Society, Edinburgh Distillers Co. Ltd, Edinburgh College of Art, Educational Institute for Scotland, Johnny Walker Whisky Co, Kansas City Art Institute, Macfarlane Group Plc, National Westminster Bank, Paisley Art Institute, Scottish Arts Council, Scottish Brewers Limited, Slottseal Forthside Limited, The Knesset, Israel, University of Edinburgh, Welcome Inns, Whyte & Mackay Group.
* LOUISE RITCHIE, BLUESCAPE oil on canvas, 213cm x 213cm Unframed, as intended Note: Louise Ritchie gained a fine art degree and post graduate diploma in drawing & painting from Duncan of Jordanstone College of Art & Design, Dundee. She has won several major awards including the Glasgow Art Club Fellowship, RGI (1998), the Scottish Art Club Award (1997), and the Millar Homes Paris Scholarship Citie Des Artes (1990). She has exhibited widely, including a solo show `Land Light Vision` at Glasgow`s Compass Gallery (1996), and at the London and Glasgow Art Fairs. Louise was also nominated for the Millar Homes Young Artist of the Year Award (1990 & 1991), and has work in several major collections including, the Mirror Group, London, Dundee District Council and Fife Regional Arts. She was elected to serve on the Council of the SSA, the Society of Scottish Artists in 1998, and has taught in academic institutions in Glasgow and Dundee. Louise was invited to perform within the installation `Killing Time`, a collaboration between artist Graham Fagen and Suspect Cultures Graham Eatough at Dundee Contemporary Arts (2006).
* WILL MACLEAN MBE RSA RSE Hon D.Litt (SCOTTISH b.1941 - ), 2ND PORPOISE PAINTING oil on canvas, signed and dated `72, titled and dated in the artist`s hand verso 95.5cm x 70.5cm Framed Note: Maclean has exhibited widely since 1967. Solo exhibitions have included The Ring-Net, Third Eye Centre, Glasgow and tour (1978); Runkel-Hue-Williams, London (1990); Retrospective Exhibition, Talbot Rice Gallery, Edinburgh and tour (1992) with accompanying monograph Symbols of Survival; a major solo show, Driftworks at Dundee Contemporary Arts, 2001, and exhibitions with Art First, London, since 1994. His work is in public collections including Arts Council of Great Britain; The British Museum; Dundee, Edinburgh, and Glasgow City Art Galleries; Fitzwilliam Museum, Cambridge; Scottish Arts Council; Scottish National Gallery of Modern Art; McMaster Museum, Canada; Yale Centre for British Art, New Haven, Connecticut, USA.
GEORGE VAN DER MIJN (1723-1763) "The masquerade", a study of revellers in a courtyard, oil on panel, signed and dated 1759 bottom right, bears old label verso inscribed in pen "Rijks-Museum Amsterdam G Van Der Mijn 1723-1763 the eldest of the sons of H Van Der Mijn, was born 1723, painted chiefly in London. His subjects were portraits of ladies as shepherdesses and other subjects after the manner of contemporary French art ..." , 61 cm x 45.7 cm.
Andy Warhol, American (1928-1987) ""Campbell`s Soup Can on a Shopping Bag"" Screenprint in color on paper bag, 1966, published by the Institute of Contemporary Art, Boston; Unsigned. Toning from Age, Creases or in Good Condition. Framed Under Glass. Bag: 16-3/4 Inches by 24 Inches, Frame Measures 28-1/4 x 21 Inches. Shipping $145.00
Green onyx Elliott mantel clock signed W.H. May, Nottingham on the square silvered chapter ring, within an Art Deco rounded case, 5.25" high; also a Looping contemporary mantel clock with three subsidiary dials and a moon phase aperture, within a brushed brass swivelling case, 7.75" high and a Vega mantel timepiece, 2.75" silvered dial within a faux green marble and brushed steel case, 8.5" high (3)
PATERIK KIEVO-PECHESKIY, A COMPILATION OF STORIES ABOUT THE FOUNDING OF THE KIEVO-PECHERSK MONASTERY AND THE LIVES OF ITS FIRST INHABITANTS, Paterik Kievo-Pecherskiy [The Kiev-Pechersk Patericon]. 1810. 385 x 235 mm. In a contemporary mottled full leather binding, the recto and verso with gilt decorated borders, and the spine gilted as well. All edges gilt and decoratively embossed. With beautiful engraved illustrations, headpieces, tailpieces, and borders to the text throughout, including a rare scene depiciting holy icon painters (pictured here).EXHIBITED The Museum of Biblical Art, Ukrainian Icons, New York, June 18 - September 12, 2010.
Jon Art Contemporary Art Glass Basket Vase, the goblet shape body on a circular spread base in frosted white to lilac glass, the rim in transparent purple, the elongated handle similar with a light amber glass trail twisted around it to one side, extending down onto the body; etched `Jon Art` to upper base
Björn Stern (1969 -) Pair of Contemporary studies `High Descriptional Taste` and `Show Thou Book and Beauties Ware`, Pate-de-verre, each signed in pencil, titled verso, each framed 19.5" x 15.5" Björn trained as an artist at Orrefors Glasskola in Sweden and later continued his studies at West Surrey College of art and design. His art has been owned by some of Sweden`s wealthiest families Crafoord and has sold at the big auction houses Bukowski`s and Stockholms auktionsverk
Martyn Barratt Leaf bench II Marble and stainless steel Signed Unique 50cm.; 19½ins high by 180cm.; 71ins wide by 70cm.; 27½ins deep Barratt studied wood and stone carving and gilding at London Art School, and an MA in architecture at East London University. Much of his work is contemporary in concept and content, and his practice owes much to the skills he learnt in his early trades as a carver and restorer. He works in a number of mediums, including studio glass, wood and marble. His work has been exhibited internationally, and has completed commissions for many prestigious clients including the BBC and the Palace of Westminster. He was elected to the Royal Society of British Sculptors in 1993, and director for the Burghley Sculpture Garden in 1997.
The Eye is in The Window of the Soul Watercolour by John Cleal: Dark but powerful image of an African with only one Eye showing having the typography of the title to the one side Mounted Framed and Glazed (image size 51 x 35). Pembrokeshire National Park, Workshop Wales Gallery is a powerful and moving place to see Art. The Gallery was founded in 1970 by John and Lel Cleal and has been at the forefront of the contemporary Art scene in Wales ever since. John was a well-recognised and acclaimed Artist in his own right, and set the very high standards that have become synonymous with Workshop Wales. In 1997 after 26 years of running the business, John and Lel retired leaving the Business to their son Mitchell, also an Artist, who has carried on the tradition of showing highly skilled original works of Art. Throughout the 40 or so year’s history, the family run Gallery has been influential in promoting and stimulating the awareness and creativity of Art
The Eye is in The Window of the Soul Watercolour by John Cleal: Dark but powerful image of an African with only one Eye showing having the typography of the title to the one side Mounted Framed and Glazed (image size 51 x 35). Pembrokeshire National Park, Workshop Wales Gallery is a powerful and moving place to see Art. The Gallery was founded in 1970 by John and Lel Cleal and has been at the forefront of the contemporary Art scene in Wales ever since. John was a well-recognised and acclaimed Artist in his own right, and set the very high standards that have become synonymous with Workshop Wales. In 1997 after 26 years of running the business, John and Lel retired leaving the Business to their son Mitchell, also an Artist, who has carried on the tradition of showing highly skilled original works of Art. Throughout the 40 or so year’s history, the family run Gallery has been influential in promoting and stimulating the awareness and creativity of Art
FRANCE, GOLD ESSAI 10 FRANCS, 5th Republic, Paris, 1974, 6h. Edge A. KM E116. Of the highest rarity, only 9 specimens struck. None on CoinArchives. PCGS SP66. Former Georges Mathieu (1921-2012) collection Georges Mathieu was a French painter in the style of Tachisme and Lyrical Abstraction. He gained an international reputation in the 1950s as a leading Abstract Expressionist. His paintings are related to American Lyrical Abstraction and to Art informel as well. This coin is acknowledged by collectors, to be a numismatic translation of a change of concerns in the country, now turned more towards modernity than tradition, with a contemporary design representing energy and technology. Starting Price: €2000
... Rossi - a pair of aqua tints of 18th Century style, figures in chateau gardens and grounds, gallery lable verso for the Goupil Gallery, Boussod Valedon & Co, publishers to Her Majesty dealers in pictures, engravings, art books etc, 5 Regent Street, Pall Mall, London SW, 33 cm x 24 cm in contemporary flora gilt moulded frames; another similar print (3)
Elizabeth I, silver oval portrait medal by Simon de Passe, circa 1616, oval silver portrait medal, by Simon de Passe, in imitation of engraving, signed "Si: Pas. f", in narrow border at top of obverse, bust of Elizabeth three-quarters right, her eyes turned to the viewer, wearing small crown, her hair richly jewelled, high ruff collar and her "Armada" dress (after the miniature by Isaac Oliver), rev., crowned Royal shield within Garter, Lion and Unicorn supporters, DIEV ET MON DROIT on ribbon above, Latin epigram on tablet below, QVI LEO DE IVDA EST ET FLOS DE IESSE LEONES PROTEGAT ET FLORES ELIZABETHA TVOS, 61 x 49.5 mm (MI 183/187; Farquhar 138). Extremely fine with dark-toned, extremely rare. MI attributes the epigram to a "Westminster scholar" whilst also attributing the contemporary translation to another, "May Juda`s lyon and the root of Jesse / Protect thy lyons and thy flowers, Sweet Bess". This legend was re-used on a commemorative medal for the 450th anniversary of the founding of Westminster School in 2010. A specimen in gold was presented to Queen Elizabeth II. The "Armada" dress was that worn to the service of Thanksgiving at St. Paul`s Cathedral. Simon de Passe (c. 1574-c.1644), the youngest son of Crispin Passe, an eminent artist from Utrecht, who taught him the art of engraving. He came to England in about 1613, living here some 10 years mostly in the employment of Nicholas Hillard to engrave counters of the Royal Family of England. He later moved to the service of the King of Denmark. Provenance: Morton & Eden, 20-21 May, 2003 (lot 1116 - described as un-signed); ex Rt. Hon. Erik Alexander, 5th Earl of Caledon Collection, Christie`s, 4 April 1967 (lot 137, there un-named). Eleven examples recorded in the Falkiner Index (please note: it is feasible that the Index may have duplicated recordings for this and other de Passe oval medals and just as feasible that some examples may have been missed). The Caledon Collection was commenced in the 17th century by James Butler of Amberley Castle, whose eldest daughter Catherine married Sir Thomas Pope Blount (b. 1670) in 1695. Thence by descent.
Elizabeth I, silver oval portrait medal by Simon de Passe, circa 1616, oval silver portrait medal, by Simon de Passe, in imitation of engraving, signed "Si: Pas. f", in narrow border at top of obverse, bust of Elizabeth three-quarters right, her eyes turned to the viewer, wearing small crown, her hair richly jewelled, high ruff collar and her "Armada" dress (after the miniature by Isaac Oliver), rev., crowned Royal shield within Garter, Lion and Unicorn supporters, DIEV ET MON DROIT on ribbon above, Latin epigram on tablet below, QVI LEO DE IVDA EST ET FLOS DE IESSE LEONES PROTEGAT ET FLORES ELIZABETHA TVOS, 61 x 49.5 mm (MI 183/187; Farquhar 138). Extremely fine with dark-toned, extremely rare. MI attributes the epigram to a "Westminster scholar" whilst also attributing the contemporary translation to another, "May Juda`s lyon and the root of Jesse / Protect thy lyons and thy flowers, Sweet Bess". This legend was re-used on a commemorative medal for the 450th anniversary of the founding of Westminster School in 2010. A specimen in gold was presented to Queen Elizabeth II. The "Armada" dress was that worn to the service of Thanksgiving at St. Paul`s Cathedral. Simon de Passe (c. 1574-c.1644), the youngest son of Crispin Passe, an eminent artist from Utrecht, who taught him the art of engraving. He came to England in about 1613, living here some 10 years mostly in the employment of Nicholas Hillard to engrave counters of the Royal Family of England. He later moved to the service of the King of Denmark. Provenance: Morton & Eden, 20-21 May, 2003 (lot 1116 - described as un-signed); ex Rt. Hon. Erik Alexander, 5th Earl of Caledon Collection, Christie`s, 4 April 1967 (lot 137, there un-named). Eleven examples recorded in the Falkiner Index (please note: it is feasible that the Index may have duplicated recordings for this and other de Passe oval medals and just as feasible that some examples may have been missed). The Caledon Collection was commenced in the 17th century by James Butler of Amberley Castle, whose eldest daughter Catherine married Sir Thomas Pope Blount (b. 1670) in 1695. Thence by descent.
A quantity of military ephemera etc, including sundry post WWII training manuals, including Light Machine Gun, Machine Carbine, 2? and 3? mortar, etc; WWII period maps of Germany; a contemporary coloured chart showing WWII Divisional signs; a letter detailing how to make a sandbag, dated July 1915; a telegram dated 4th August 1914 to the Headquarters D Coy, Yorkshire Regiment from the Adjutant with the one word ?Mobilize?; a pair of brass box spurs; several small items of trench art; an Afghanistan medal, 1878-80 (naming erased and edge rounded); and a pair of WWII German brass 37mm(?) brass shell cases with dummy aluminium heads. Various conditions, contained in a wooden box (lid AF)
A quantity of military ephemera etc, including sundry post WWII training manuals, including Light Machine Gun, Machine Carbine, 2” and 3” mortar, etc; WWII period maps of Germany; a contemporary coloured chart showing WWII Divisional signs; a letter detailing how to make a sandbag, dated July 1915; a telegram dated 4th August 1914 to the Headquarters D Coy, Yorkshire Regiment from the Adjutant with the one word “Mobilize”; a pair of brass box spurs; several small items of trench art; an Afghanistan medal, 1878-80 (naming erased and edge rounded); and a pair of WWII German brass 37mm(?) brass shell cases with dummy aluminium heads. Various conditions, contained in a wooden box (lid AF)
AFTER CHRISTOPHER PENNY "St. Julitta Church with cattle in foreground", etching and aquatint, limited edition No'd. 17/150, titled and signed in pencil bottom right, bears "Christie's Contemporary Art" labels verso, together with AFTER STAN ROSENTHAL "Porthgain", seriegraph, limited edition No'd. 25/250, signed in pencil and another "Poppy Cottage", limited edition No'd. 23/250, signed in pencil (2)
AFTER FELIKS TOPOLSKI "Trooping the Colour", colour print, limited edition No'd. A78/100, signed in pencil, bears "Christie's Contemporary Art" label verso, together with LINDA KITSON "Card game RAF San Carlos 10-12pm June 5th 1982", mixed media, and AFTER KATHLEEN CADDICK "Snow on the Pennines", etching, limited edition No'd. 293/350, titled, numbered and signed by the artist in pencil CONDITION REPORTS Light general wear and dirt. Scratches to frames. Overall appear in reasonably good condition.
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