We found 16093 price guide item(s) matching your search

Sue Munson (British). '5 of Hearts', mixed media on card. Signed verso. 28.5 x 19cm. The preparation of the support I am working on is very much part of the whole. I go into my studio find canvas, paper or board, mix my paint, and with sketch book open I go for it. I start putting down random marks, scraping back, and layering until I reach the point when my mind takes over and I start editing and making deliberate marks. This process prepares my work for the final stage.I have largely been influenced by the artistic movement of the 20th Century which comprised diverse styles and techniques with the emphasis on the artists freedom to convey attitude and emotions through non traditional means. During the eighties and nineties I studied Contemporary art and textile embroidery in Canada and the United States. I contributed to magazines of the day and formed my own Company producing beautiful needlework kits based on 19th century Berlin Wool Work. On returning to England I continued studying at Guildford College. During the the mid 90’s the switch was made to art. I have found the principles of design helped tremendously in making art my principal discipline. Over the years I have continued to study and experiment with my work at St.Ives School of Art, The Royal Academy, and Chelsea College of Art. All of these fine institutions have fed my passion for experimental work and continuous learning, for which I am a great advocate. www.suemunson.com. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

Grayson Perry CBE RA (British, b.1960). 'Queen of Diamonds', limited edition digital print on Giclee Hahnemuhle Pearl paper. Signed and numbered 1/2. From an addition size of 2. Sheet size 61 x 42.5cm."Grayson Perry is an English contemporary artist. He is known for his ceramic vases, tapestries and cross-dressing, as well as his observations of the contemporary arts scene, and for dissecting British ""prejudices, fashions and foibles"".Perry's vases have classical forms and are decorated in bright colours, depicting subjects at odds with their attractive appearance. There is a strong autobiographical element in his work, in which images of Perry as "Claire", his female alter-ego, and ""Alan Measles"", his childhood teddy bear, often appear.Perry has had solo exhibitions at Stedelijk Museum Amsterdam, at the Barbican Centre, the British Museum and Serpentine Gallery in London, at The Andy Warhol Museum in Pittsburgh, and at the 21st Century Museum of Contemporary Art, Kanazawa, Japan. His work is held in the permanent collections of the British Council and Arts Council, Crafts Council, Stedelijk Museum Amsterdam, Tate and Victoria and Albert Museum, London.He was awarded the Turner Prize in 2003. In 2008 he was ranked number 32 in The Daily Telegraph's list of the "100 most powerful people in British culture". In 2012, Perry was among the British cultural icons selected by artist Peter Blake to appear in a new version of his most famous artworkthe Beatles' Sgt. Pepper's Lonely Hearts Club Band album coverto celebrate the British cultural figures of his life.Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

Soraya French (Iranian, b.1957). '8 of Hearts / Lilies on Threadbare Indian Cloth'. Mixed media on card. Signed with intials lower left. Image size 42 x 30cm. Award winning contemporary artist Soraya French combines a successful exhibiting career with writing books as well as contributing articles to the UK's leading art publication 'The Artist' magazine and carrying out occasional experimental workshops both at home and abroad. The success of her art books commissioned by HarperCollins and Batsford have brought her international acclaim. Soraya's publications to date include, 30 minute Acrylics, Dynamic Acrylics, Expressive Painting in Mixed Media, Contemporary Landscapes in Mixed Media and Learn Acrylics Quickly.Soraya is currently the president of The Society of Women Artists and curates their annual exhibition at the prestigious Mall Galleries in London.Soraya works in all painting media but is particularly known for her expressive and colourful mixed media paintings. Use of vibrant colours, light and expressive textures are prominent features of her work. The ambiguity and evocative quality in her paintings leaves something for the viewer's imagination. She has been the recipient of a number of prestigious art awards in the last few years and her work is held in many private and public collections both at home and abroad.Soraya's studio is located at Project Workshops (www.project-workshop.co.uk) in Quarley Hampshire, where she works and runs occasional two day experimental workshops. A selection of her paintings and prints can be viewed at the studio gallery by appointment and at their two open studio weekends in May and December. For details of workshops and forthcoming events and exhibitions please visit www.sorayafrench.com. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

Nana Shiomi RE (Japanese / British, b.1956). 'Two of Diamonds / Girls are Diamonds - Dedicated to the all Runaway Girls'. Limited edition woodcut print. Signed, titled and numbered 13/30. Image size 82 x 58cm. Folded and rolled. I started painting in oils at the age of fourteen, and soon developed an interest in contemporary art when I attended a seminar on Marcel Duchamp at Tama Art University, Tokyo. The concepts of Duchamp's work such as- art can be multiple, art can be ready-made, art and language and art as performance, seemed to me to be the very essence of contemporary art. I was profoundly attracted to pop artists such as Andy Warhol and Jasper Jones. And at the age of 20, I grew interested in the concept of hanga (prints). A prerequisite of prints is the fact that plate and print are always opposite configurations. I soon encountered dualistic principles everywhere, such as- right and left, top and bottom, East and West, man and woman and so on. It is no mere coincidence that since then most of my work is composed of two opposing sides, right and left. I also instinctively chose to work in water-based woodcuts. The fact that I chose the traditional woodcut technique- using the baren to spread the water-based ink and let it soak into the Japanese paper- as the means with which to communicate my intent was an integral element in determining my style. www.nanashiomi.com. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

Jennie Jewitt-Harris (British, b.1962). '9 of Hearts', acrylic and oil on canvas, signed. Image size 41.5 x 29cm. Jennie Jewitt-Harris gained her PhD in Fine Art from Brighton University/UCA and her Medical degree at King’s College, London. Jennie had two artworks selected for the 250th Royal Academy Summer Exhibition 2018, completed a residency at Watts Artists Village, and her works are in private collections nationwide. Her solo exhibitions include In Residence at Watts Contemporary Gallery, Fideles Oculi at C&C Gallery, London; Time and Vision at One Paved Court, London and Anything But the Eyes at James Hockey Gallery, Farnham (this exhibition moves to The Mirror Gallery at South Hill Park in February 2021). She has exhibited in many group exhibitions, including at the London Art Fair and Affordable Art Fair, at the Cultural Olympiad in 2012, and as a duo with Aimee Jewitt-Harris at Blah Blah and Tandem at the Poly Gallery Falmouth. Jennie uses her knowledge of psychology and medicine to inform her practice which considers our relationship with time, connection with others and what makes us who we are, using a variety of media mainly collage and painting. She has appeared with her artworks on Great British Railway Journeys and has permanent photographic works on display at Guys Hospital and The Royal Free Hospital. Her artworks have been published by the British Medical Journal, The Psychologist and The Ophthalmologist magazines. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.Jennie combines her art practice with her role as Founder and CEO of Transplant Links. www.jenniejh.co.uk.

George Underwood (British, b.1947). 'King of Clubs', oil on canvas. Signed and dated 2020, painting size 88 x 63cm. Framed. George Underwood was born in 1947. George joined Beckenham Art School in 1963.At art school George Underwood became more and more interested in music. As a result he pursued a career in the music world. Along with life long friend David Bowie he made one record (The King Bees ) and also a solo record under the name Calvin James.After deciding that the music business was not for him, George returned to art studies and then worked in design studios as an illustrator. Initially he specialised in fantasy, horror and science fiction book covers.Many of George Underwood's colleagues in the music business asked him to do various art works for them. This led to George becoming a freelance artist. Art work for the first T Rex album and later David Bowie’s Hunky Dory and Ziggy Stardust album covers established him as a leading and creative art illustrator. Over this period George produced literally hundreds of book covers, LP and CD covers, advertisements, portraits and drawings.At the start of the 1970’s George Underwood started painting in oils. His paintingswere influenced at first by the Viennese School of Fantastic Realism –artists which includedErnst Fuchs, Rudolph Hausner and Eric Brauer. George regarded them as contemporary visionaries like Bruegel and Bosch. He was fascinated by their imaginative visions.Imagination is the key word in George's paintings. He rarely uses live models nowadays, prefering to invent people who inhabit their own personal world.George Underwood paintings are held in many private art collections. One of his art collectors, David Bowie, said: ‘George has, over the years, refined his work to the point where I would put him among the top figurative painters coming out of the UK right now. There’s a sublime isolation surrounding his subjects that really touches the viewer, the figures being both heroic and vulnerable simultaneously. There’s a timeless element in the choice of subject matter that overlaps with the mythical world of Odd Nerdrum, say. Now that a huge shift to painting is taking place, I would expect to see George’s name pushed further and further to the front’. www.georgeunderwood.com. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

Jennie Jewitt-Harris (British, b.1962). '6 of Clubs'. Paint and collage on board. Signed. Image size 57.5 x 42cm. Jennie Jewitt-Harris gained her PhD in Fine Art from Brighton University/UCA and her Medical degree at King’s College, London. Jennie had two artworks selected for the 250th Royal Academy Summer Exhibition 2018, completed a residency at Watts Artists Village, and her works are in private collections nationwide. Her solo exhibitions include In Residence at Watts Contemporary Gallery, Fideles Oculi at C&C Gallery, London; Time and Vision at One Paved Court, London and Anything But the Eyes at James Hockey Gallery, Farnham (this exhibition moves to The Mirror Gallery at South Hill Park in February 2021). She has exhibited in many group exhibitions, including at the London Art Fair and Affordable Art Fair, at the Cultural Olympiad in 2012, and as a duo with Aimee Jewitt-Harris at Blah Blah and Tandem at the Poly Gallery Falmouth. Jennie uses her knowledge of psychology and medicine to inform her practice which considers our relationship with time, connection with others and what makes us who we are, using a variety of media mainly collage and painting. She has appeared with her artworks on Great British Railway Journeys and has permanent photographic works on display at Guys Hospital and The Royal Free Hospital. Her artworks have been published by the British Medical Journal, The Psychologist and The Ophthalmologist magazines. Jennie combines her art practice with her role as Founder and CEO of Transplant Links. www.jenniejh.co.uk. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

Chris Gilvan-Cartwright (British). 'Jack of Spades'. Acrylic on cardboard. Signed, titled and dated verso. 44.5 x 34cm. A graduate from Central Saint Martins (BaHons first class), Academy Fine Art Cracow Poland ( Painting under Prof. Nowosielski) and University of Brighton (MA Fine Art). Winner of the Royal Overseas league Travel scholarship where he painted in India and Nepal. On his return he was commissioned to design the BBC Proms logos for two seasons. He has exhibited widely and performed at the Towner Museum of Contemporary Art and Jerwood Gallery Hastings. He is currently on the Turps Studio Painting programme at Turps Banana, London. For me painting operates as a hermetic portal between an instinctive inner and outer reality as if operating as a pineal body. The act of making a painting is important, one decision leads to another as the work becomes realised by applying paint directly wet into wet. I draw out the subject using whats at hand, brushes, charcoal, rags and fingers twisting and turning the paintings until images reveal a cliff edge or a space containing bathos and absurdity something both divine and decrepit. I invent painted narratives involving corporeal figures occupying preternatural landscapes and stage sets. They are falling or about to fall apart often in a state of transformation, reverie or catatonic breakdown referencing holy men or hermits drawn from northern european medieval painting.I have also performed as The Baron Gilvan. ‘A dispossessed Mitteleuropa aristocrat, landed up on the shores of Blighty clutching only his paintings and his hopes, The Baron is concerned with only the intensity of life itself, and the beauty of the ideal. He is raw, unflinching, and utterly sincere, a compact of all that is magnificent’.The Baron was originally conceived as a conduit for my own creativity, a governor of all of my works, the character through which it all must flow.www.thebarongilvan.com. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

Robert Fitzmaurice (British, b.1960). 'Joker (et in Arcadia Ego)'. Acrylic on aluminium, unsigned with artists label verso. 28.2 x 12.1cm. My art involves figuration and abstraction to question ideas of power, gender roles & identity. The figures I create comply with pictorial rather than anatomical truth and represent archetypes rather than individual characters. The frontality of the figure and the shallow theatrical space in which it operates reflect my interest in the expressive shorthand that is found in votive art of all cultures. These factors contribute to a highly personalised pictorial language that despite being tethered to past traditions serves to destabilise meaning. Only the art of the past could use the human figure to personify a concept that was singular and undisputed. Today the relationships between a motif, meaning and its audience are in constant flux. By working with the formal potency of these compromised systems I arrive at visual statements where meaning is deferred to the viewer. This tension, between certainty and flux, provides me with a conceptual framework to process contemporary issues and site specific, socio-political histories. The exhibitions ‘Soldier’ (2018) and ‘No Eden’ (2019) both considered histories of conflict. ‘No Eden’ was held at the former USAF base at Greenham Common Control Tower and my research into the peace camps of the 1980s exposed me to the gendered power dynamics of militarism and feminism. These bodies of work considered ideas of the hero, the warrior, the childish man, and of the boy as both victim and perpetrator, as exemplified by ‘Little Boy’ the nuclear bomb dropped on Hiroshima. Since then I have continued to make work that presents the male child as a problematic agent, suggesting innocence and hope for the future but also the potential for aggression. Alongside this body of work I am developing a new series of monochrome paintings where repeating figures are placed on a grid a specific number of times. The significance of this number is derived from the subject contained in the title. After adjusting the tone and contour of each these elements a larger figure, related to the smaller versions, take shape. These works embrace broader themes of identity, individualism and community. They also reflect my growing interest in contemporary discourse around the indexicality of painting and concepts of difference and repetition. www.fitzmaurice.works. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

Christine Stark (British). '7 of Diamonds'. Mixed media on board. Signed, titled and dated 2020 verso. 17 x 12cm. Christine Stark is a painter who lives and works in London. She studied at Chelsea College of Art and Design. Exhibitions include The Royal Academy summer Exhibition, The Contemporary Art Society and The Creekside Open. Her work is in numerous private collections in the UK and abroad. www.christinestarkpainter.com. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

John Nolan (Irish). '10 of Hearts'. Acrylic on board, signed, titled and dated 2020 verso. 45.3 x 30cm. John Nolan was born in Dublin in 1958 and lives and works in Dublin. He is a second-generation artist, having been exposed to art from an early age by his father. Over the past 35 years John has established himself as an international artist whose work is characterized by his use of vibrant colour. As an artist he has worked with fellow artists, poets, musicians, designers, on various commissioned artworks.In 2016 he started working, and continues to do so, with a fashion designer in Canada, with his stylised motifs being reproduced on their fabrics.An international river cruise company commissioned his artwork for one of their ships which was launched in June 2016 on the Danube. The same company has now re-engaged John to provide artwork to adorn their latest vessel, which will be the largest river cruiser in the world, due for launch in May 2019.John shares his passion for painting with many. In addition to teaching adult painting classes, John also participates in special projects at several elementary schools in the area. His work is easily recognizable, and is known throughout Ireland and internationally, having been exhibited in many countries.In 2003, he won the distinguished honour of representing Ireland at the Biennale Internazionale Dell ‘Arte Contemporanea in Florence, Italy. His work is in many public and private collections throughout the world. The subject of John’s work is colour. He explores colour through his stylized/ pop art, contemporary and abstract styles. In 2008 he started a series of stylised paintings – Paying Homage – this is a work in progress which pays homage to the great masters. His paintings have been inspired by many artists. His father, in particular, was a huge influence on and source of inspiration for his work. John’s paintings transmit a positive, upbeat feeling to the viewer.For John, art is a visual language, an important means of communication. He creates each piece as a unique experience. “Art is for everyone. www.nolanart.com. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

Katie Ponder (British). '5 of Clubs'. Digital print on paper, signed and dated November 2020 in pencil to margin. Sheet size 40 x 29.5cm. Katie Ponder has developed a unique style that is both fresh and contemporary but with references to art deco and with a touch of Gothic inspiration also. Ballet, tarot cards, mythology and patchwork quilts have all been key sources of inspiration behind Katie’s work.Katie’s work is developed digitally but to create a hand made quality she applies different textures from printing, collage and media experiments to create a rich and tactile look to her images. Recently Katie has enjoyed working with silkscreen printing and making limited edition prints.Katie attended Falmouth University where she received a 1st class with honours degree in illustration. On graduating from Falmouth Katie was the winner of the ‘AOI Book Award for New Talent’. In 2017 She was winner of the second prize for ‘Folio Society Book Illustration Competition’ and winner of the ‘House of Illustration People’s Choice Award’. Katie has also been the winner of the ‘Glyndebourne Tour Art Competition’. Currently living in South London with her cat Poppy. Katie can often be found at her desk making pictures, whilst drinking tea, eating vegan snacks and listening to Joni Mitchel. www.katieponderillustration.com. Katie’s list of clients include: Dorling Kindersley, Penguin, Simon and Schuster, Oh Comely Magazine, Glyndebourne, Canterbury Cathedral and her work has been exhibited at Somerset House.Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

David Mach RA (British, b.1956). 'King of Diamonds'. Collage on board, signed and titled verso. 29.7 x 19cm. David Mach is one of the UK’s most successful and respected artists, known for his dynamic and imaginative large scale collages, sculptures and installations using diverse media, including coat hangers, matches, magazines and many other materials. The Scotsman describes his work as ‘big on gesture and big in proportion, it demands your attention and gets it’. Mach’s first solo exhibition was held at the Lisson Gallery, London in 1982. His international reputation was quickly established and he has exhibited in solo and group exhibitions around the world including London, New York, Los Angeles, Melbourne, Hong Kong, Hakone, Tel Aviv and Warsaw. Public commissions include the tumbling telephone boxes, “Out of Order” in Kingston, “Train” in Darlington; “Big Heids”, visible from the M8 between Glasgow and Edinburgh; “It Takes Two”, sited North of Paris and in Marseille, Likeness Guaranteed commissioned by McMaster Museum of Art, Hamilton, and most recently, “Giants” in Vinadio, Italy and “Phantom”, commissioned by Morrisons supermarket for the Promenade in Kirkcaldy, Fife. Born in 1956 in Fife, David Mach attended Duncan of Jordanstone College of Art where he chose to specialise in sculpture because he thought it was the most demanding, intellectually and physically. Following a postgraduate year, Mach won a scholarship to attend Art College in Warsaw. As Martial Law had been declared in Poland, he was unable to take up his place but instead was invited to do his MA at the Royal College of Art.Mach became a part-time lecturer in the Sculpture School, Kingston University from 1982 to 1986 and was a lecturer at the Contemporary Art Summer School, Kitakyushu, Japan from 1987 to 1991. In 1988 he was nominated for the Turner Prize and four years later won Glasgow’s Lord Provost Prize. He became a Royal Academician in 1998. In 2000 he was appointed Professor of Sculpture at the Royal Academy Schools, London. He received an honorary Doctor of Laws from the University of Dundee in 2002. In 2003 his “Arm’s Length” sculpture of a woman made in coat hangers won The Jack Goldhill Award for sculpture at the Royal Academy Summer Exhibition. In 2004 he was elected an honorary member of the Royal Scottish Academy and the same year, the University of Dundee appointed him Professor of Inspiration and Discovery. From 2006-2010 he became a Trustee of the National Portrait Gallery. In 2011 Mach was awarded the Bank of Scotland Herald Angel Award for his exhibition “Precious Light”, a daring contemporary interpretation of the King James Bible in the form of large-scale collage and sculpture. The same year, he also won the Glenfiddich Spirit of Scotland Award for Art. David Mach currently works from his studio based in London. www.davidmach.com. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

JOSEF LADA 1887 - 1957: WINTER 1941 Ink, watercolour, gouache on cardboard In frame 37,5 x 59 cm Signed: Upper right "Jos. Lada 41" Josef Lada established himself as undoubtedly one of the most important painters of the Czech countryside. Recognized as a typical figuralist in the 1940s, Lada also more often focused on village motifs with almost or no figural staff and sought the optimal position of expression between drawing and painting. Josef Lada sticks to his linear stylization and translates landscape motifs into simple characters, from which he composes a new pictorial reality. Lada's original painting, in which he fully applied his drawing experience, significantly enriched the expressive register of contemporary Czech landscape painting. The artistic conception of the presented work, characterized by particularly fine contours and a more pronounced application of the painter's handwriting, is characteristic of the period of the 1940s, when Lada's painting reached its peak phase. The arrangement of the composition, the drawing stylization, the method of coloring and the type of signature coincide with the documented originals from the given period. Thanks to his uniqueness of the manuscript, Josef Lada became one of the icons of Czech fine art, and the Czech winter in the countryside is often referred to as "Ladovská."The work comes from the restitution of the National Gallery and an expert assessment is written on itby PhDr. Pavla Pečinková, CSc.Published: Olič, J .: Lada, Slovart 2008, p. 499. Exhibited by: NG - Heritage of Folk Art in Czech and Slovak Painting, in the Karlovy Vary Art Gallery, inventory label of the National Gallery K33910.

MILOSLAV HÁJEK 1927 - 2010: NUDE 1959 Oil on canvas 117 x 63 cm Signed: Lower left "M. Hájek 59" Miloslav Hájek was a Czech sculptor and painter. From 1945 to 1951 he studied at the Academy of Arts, Architecture and Design in Prague, in the studio of Professor Josef Wagner. He was a member of the Free Association of Cheerful Artists and the Czech Fine Arts Fund. He belonged to the group of visual artists May 57, which brought together the pioneers of contemporary modern art. Its artists were based on the modernist traditions of Czech and world art, but especially the French current until 1948. The group thus maintained the continuity of modern Czech art even in the times of the toughest Stalinism.

PATRIK HÁBL 1975: WHITE WATTERFALL 2000 - 2016 Acrylics, oil, canvas 130 x 90 cm Signed: On revers "Patrik Hábl" The primordialimage of White Waterfall was created as a direct inspiration after returning from Asia. The waterfall becomes the center of the universe, as does the Mountain. In the following years, thanks to this painting, Hábl developed his technique in spatial realizations in public spaces, such as Galerie Deska in Ústí nad Labem, or this year as part of the Landscape Festival at a 40m apartment building on Olšanské náměstí in Prague. Hábl's Waterfall has also become a permanent part of architecture (Palmovka IV Park, architects J. Fišer and J.Aulík, or at Veleslavín Doupě, Arch. S. Fiala). Patrik Hábl is one of the most prominent faces of contemporary Czech painting working with painting and its spatial location: a solo exhibition at the Dox Center for Contemporary Art, the Beijing Biennale and an exhibition in Kyoto, 2015. He created a number of entrances to important historical buildings: 15m installation ; an installation for the AJG permanent exhibition and a 100 m2 painting, which was part of his exhibition entitled In the Architecture of Painting, 2016; 10m Lent Canvas for the oldest church Leechkirche in Graz; in the Small Fortress of the Terezín Ghetto, he surrounded the perimeter of cell no. 41 with a painting consisting of 600 figures, 2017; a solo exhibition entitled Re-construction in Villa Pellé, 2018; monumental realization on the road connecting Ostrava to the center and the area of ​​lower Vítkovice, 2019 and this year Waterfall on a 40m apartment building in Žižkov. This year and last year, he was included in the world selection in London's Sothebys 3 times, where he again broke his auction record. He is currently teaching at the Academy of Arts, Architecture and Design in Prague, where his habilitation procedure for the associate professor took place this year.Exhibited: 2016 První krkonošská výstava, Morzin Gallery, Vrchlabí. 2017 Lenten, QL Gallery, Graz, Austria, 2017 Installation in the Abbey Nymphenburg, Munchen. 2018 Re: konstrukce, Villa Pelle, Prague. 2019 Patrik Hábl, JTB, Prague. Group exhibitions: 2017 Ahoj 2017, Spitalkirche, Neunburg. 2018 Landschaften, Kalt Gallery, München, Germany.

Horowitz Michael Andy Warhol Photographie, Pigmentdruck Signiert rechts unten, betitelt mittig unten und nummeriert links unten: 19/30 Blattgröße: 59,5 x 42 cm / Plattengröße: 45 x 22,8 cm Horowitz Fotografien zeichnen sich durch ihre empathische Sichtweise, ihre klare Bildsprache und ihr Gespür für ausdrucksstarke Momente aus. Der Schwerpunkt liegt auf dem Wiener Kulturleben und zeigt zahlreiche Reportagen und Porträts bekannter Persönlichkeiten aus dem öffentlichen Leben. Die Albertina präsentierte von Februar bis September 2020 eine Personale über Horowitz und zeigt unter anderem auch die Aufnahme von Kiki Kogelnik. Seine Art von Fotografie ist dokumentierte Zeitgeschichte. Horowitz Michael Andy Warhol Photography, pigment print Signed lower right, titled lower center and numbered lower left: 19/30 Sheet Size: 23,4 x 16,5 in / Plate Size: 17,7 x 9 in Horowitz’s Photographs are characterized by their empathic perspective, their clear visual language and their sense of expressive moments. The focus is on Vienese cultural life and shows numerous reports and portraits of well-known personalities from public life. In 2020, the Albertina presented a monographic exhibition on Horowitz, incuding the image of Kiki Kogelnik. His kind of photography is documented contemporary history.

Horowitz Michael Hauser und Tschirtner Photographie, Pigmentdruck Signiert rechts unten, links unten mit EA. (Epreuve d'Artiste) gekennzeichnet Blattgröße: 59,5 x 42 cm / Plattengröße: 35 x 20,8 cm Horowitz Fotografien zeichnen sich durch ihre empathische Sichtweise, ihre klare Bildsprache und ihr Gespür für ausdrucksstarke Momente aus. Der Schwerpunkt liegt auf dem Wiener Kulturleben und zeigt zahlreiche Reportagen und Porträts bekannter Persönlichkeiten aus dem öffentlichen Leben. Die Albertina präsentierte von Februar bis September 2020 eine Personale über Horowitz und zeigt unter anderem auch die Aufnahme von Kiki Kogelnik. Seine Art von Fotografie ist dokumentierte Zeitgeschichte. Horowitz Michael Hauser and Tschirtner Photography, pigment print Signed lower right, labelled with EA. (Epreuve d'Artiste) lower left Sheet Size: 23,4 x 16,5 in / Plate Size: 13,8 x 8,2 in Horowitz’s Photographs are characterized by their empathic perspective, their clear visual language and their sense of expressive moments. The focus is on Vienese cultural life and shows numerous reports and portraits of well-known personalities from public life. In 2020, the Albertina presented a monographic exhibition on Horowitz, incuding the image of Kiki Kogelnik. His kind of photography is documented contemporary history.

Horowitz Michael Leherb / Profohs Photographie, Pigmentdruck Signiert rechts unten, betitelt mittig unten und nummeriert links unten: 17/31 Blattgröße: 59,5 x 42 cm / Plattengröße: 35 x 25,2 cm Horowitz Fotografien zeichnen sich durch ihre empathische Sichtweise, ihre klare Bildsprache und ihr Gespür für ausdrucksstarke Momente aus. Der Schwerpunkt liegt auf dem Wiener Kulturleben und zeigt zahlreiche Reportagen und Porträts bekannter Persönlichkeiten aus dem öffentlichen Leben. Die Albertina präsentierte von Februar bis September 2020 eine Personale über Horowitz und zeigt unter anderem auch die Aufnahme von Kiki Kogelnik. Seine Art von Fotografie ist dokumentierte Zeitgeschichte. Horowitz Michael Leherb / Profohs Photography, pigment print Signed lower right, titled lower center and numbered lower left: 17/31 Sheet Size: 23,4 x 16,5 in / Plate Size: 13,8 x 9,9 in Horowitz’s Photographs are characterized by their empathic perspective, their clear visual language and their sense of expressive moments. The focus is on Vienese cultural life and shows numerous reports and portraits of well-known personalities from public life. In 2020, the Albertina presented a monographic exhibition on Horowitz, incuding the image of Kiki Kogelnik. His kind of photography is documented contemporary history.

A contemporary silver bangle with Blue John in the Art Nouveau style. 6.5cm wide. (1)Condition: In good overall condition. 

Browne, John. The Mirrour of Architecture: Or the Ground-Rules of the Art of Building, Exactly laid down by Vincent Scamozzi, Mr. Builder of Venice, by Joachim Schuym of Amsterdam, Translated out of Dutch by W. F., London: Printed for William Fisher, 1669. Title; four-page dedication 'To the Lovers of Architecture'; engraved plate showing Tuscana and Composita; two-page description of scale; 24-page Description of the Five Orders of Architecture; 40 numbered copper-engraved plates; title for The Description and Use of an Ordinary Joynt-Rule Fitted with Lines, by John Browne, London: William Fisher, 1669; 29-page description of Joynt-Rule (including table and one tipped-in engraved plate showing angles). Small quarto, full contemporary leather binding. Occasional ink inscriptions and marginalia, some owner inscriptions crossed through. Contents with heavy toning, handling marks, wear to page edges; loss to corner of first page Description; leather binding worn with loss, upper board detached, as found. Very scarce

JOHN RUSKIN: 2 titles: THE ART OF ENGLAND, LECTURES GIVEN IN OXFORD, Orpington, Kent, George Allen, 1884, 4to, contemporary half calf worn; THE STORM CLOUD OF THE NINETEENTH CENTURY TWO LECTURES DELIVERED AT THE LONDON INSTITUTION, Orpington, Kent, George Allen, 1884, 1st edition, 4to, contemporary half calf worn, uniform with first work (2)

WILLIAM SHIPLEY: A TRUE TREATISE ON THE ART OF FLY-FISHING, TROLLING ETC..., ed Edward Fitzgibbon, London, Simpkin, Marshall & Co, 1838, 1st edition, 12mo, contemporary blind stamped cloth worn + HENRY PHILLIPS: THE TRUE ENJOYMENT OF ANGLING, London, William Pickering, 1843, 1st edition, original blind stamped cloth gilt worn and soiled + IZAAC WALTON & CHARLES COTTON: THE COMPLETE ANGLER..., ed James Rennie, Manchester, Thomas Johnson [1849], reissue of the Edinburgh edition of 1833, original blind stamped cloth, spine decorative gilt + ERIC PARKER & OTHERS: FINE ANGLING FOR COARSE FISH, London, Seeley Service, 1930, 1st edition, Lonsdale Library vol 4, original cloth, d/w (4)

Catlin, George. Letters and Notes on the Manners, Customs and Condition of the North American Indians, third edition, in two volumes, London: Tilt & Bogue, 1842. Octavo, contemporary half-calf lettered in gilt with marbled boards, two maps (one folding), one chart, numerous engraved plates (some in the wrong order, and some evidently lacking). Bookplates for Joseph J. Alardice, and loosely inserted letter to the same from Stanley Clarke, 18 March 1899, on headed paper (Science and Art Department, South Kensington), thanking him for loan of the books. Contents generally good with light toning and some light staining and handling marks in places; sympathetically rebacked with original spines laid down; some light rubbing to boards and wear to extremities

CONTINENTAL IRON AND BRASS CURULE CHAIR 19TH CENTURY with brass flattened knop finials, with a distressed red velvet cushion with tassel trim(71cm wide, 82cm high, 42cm deep)Footnote: Note: The Thrie Estaits was an emporium of wonders. Set up by Peter Powell in Edinburgh in the early 1980s, the shop in Dundas Street was a treasure trove of the eclectic, the beautiful and the quirky. It was hard to find a shop like it, and for nearly forty years it was the go-to for extraordinary works of art. Peter trained in silversmithing at Glasgow School of Art in the late 1960s and after graduating worked at Elders in Charing Cross. Elders were pioneers in Glasgow in the promotion of contemporary design, especially the Scandinavian and Italian designers, appealing to Peter’s eye for the unusual. From Elders, he graduated to the Dovecot Studios in Edinburgh to work on their range of tiles. The studio was set up by the Marquis of Bute predominantly as a studio for weaving tapestry although the tile-making offshoot was given a space in the studio. Peter continued making tiles when the Dovecot Studios closed their tile-making operation, but he also started to buy and sell antique tiles and other small objects too. He finally bought his own shop in Dundas Street Edinburgh where he was able to expand into other disciplines and where larger items could be displayed. Peter named the shop The Thrie Estaits after the 16th century satirical play of the same name by Sir David Lindsay – a commentary on the church, the state and the common man and a reflection too of the variety of the stock. Before long the shop became known around the country for its interesting and eclectic contents. One customer describes how his visits “felt like entering an antique shop in Spain or Portugal, filled with a miscellany of desirable objects, a number of which I then acquired and scattered throughout my home. Their emporium had two enticing windows set back from the street - one of the windows involved standing over a pierced cast iron grille, always hoping it wouldn’t give way, but worth the risk! A few steps down to enter another world and at the back, beyond where Peter sat, lay a further room with a window and it too was laden with treasures.……”. Certainly the shop could be described as small but absolutely packed with things, though always displayed with thoughtful care and some verve, wherever possible! Peter and his long-standing partner Walter Gordon often benefitted from the cheerful help of Roger Cave, a wizard on the internet. They dealt with clients ranging from museums and institutions to dealers such as Roger Warner at Burford and Gretchen Andersen at the Lacquer Chest in London, amongst other tastemakers drawn to the shop. More recently Peter moved The Thrie Estaits to East Lothian where he has traded successfully for a number of years at Fenton Barns. After over 40 years he has made the difficult decision to close and to turn full circle, returning to collecting, restoring and selling objects on a smaller scale.

GERNEGROß, FALK GERNEGROß, FALK 1973 Marienberg Titel: Keule. Datierung: 2006. Technik: Öl auf Leinwand. Maße: 60 x 80cm. Bezeichnung: Signiert und datiert verso auf Leinwand: GERNEGROSS 2006. Bezeichnet auf Keilrahmen: Gg 2004. Rahmen/Sockel: Rahmen. Das Gemälde ist auf der offiziellen Internetseite des Künstlers aufgeführt (www.falkgernegross.de). Erläuterungen zum Katalog Falk Gernegroß Deutschland Figurative Malerei Zeitgenössische Kunst Unikate 2000er Figur / Figuren Gemälde Öl Mann GERNEGROß, FALK GERNEGROß, FALK 1973 Marienberg Title: Keule. Date: 2006. Technique: Oil on canvas. Measurement: 60 x 80cm. Notation: Signed and dated verso on canvas: GERNEGROSS 2006. Inscribed on the stretcher: Gg 2004. Frame/Pedestal: Framed. The painting is listed on the official website of the artist (www.falkgernegross.de). Explanations to the Catalogue Falk Gernegroß Germany Figurative Painting Contemporary Art 2000s Figure / Figures Painting Oil Man

DAHMEN, KARL FRED DAHMEN, KARL FRED 1917 Stolberg - 1981 Preinersdorf Titel: Ohne Titel (Preinersdorf). Datierung: 1980. Technik: Mischtechnik auf Papier. Maße: 65 x 58,5cm. Bezeichnung: Bezeichnet und signiert oben Mitte und links: Preinersdorf Dahmen. Sowie datiert oben rechts: 1980. Rahmen/Sockel: Rahmen. Prov.: Nachlass Karl Fred Dahmen. VAN HAM Art Estate vertritt seit 2013 den künstlerischen und schriftlichen Nachlass von Karl Fred Dahmen. Erläuterungen zum Katalog Karl Fred Dahmen Deutschland Informel Nachkriegskunst Post War Unikate 1980er Abstrakt Papierarbeit Mischtechnik DAHMEN, KARL FRED DAHMEN, KARL FRED 1917 Stolberg - 1981 Preinersdorf Title: Untitled (Preinersdorf). Date: 1980. Technique: Mixed media on paper. Measurement: 65 x 58,5cm. Notation: Inscribed and signed upper centre and left. Preinsersdorf Dahmen. As well as dated upper right: 1980. Frame: Framed. Prov.: Karl Fred Dahmen estate. VAN HAM Art Estate represents since 2013 the artistic and written estate of Karl Fred Dahmen. Explanations to the Catalogue Karl Fred Dahmen Germany Informel Post-War Art Post War 1980s Abstract Works on paper Mixed media

HOFMANN, OTTO HOFMANN, OTTO 1907 Essen - 1996 Pompeiana/Ligurien Titel: "Abgeschlossene Welten". Datierung: 1948. Technik: Öl auf Holz. Maße: 25,5 x 37cm. Bezeichnung: Signiert und datiert unten rechts: otto hofmann 48. Zweifach signiert und datiert verso: otto hofmann 1948. Hier zudem betitelt. Rahmen/Sockel: Rahmen. Erläuterungen zum Katalog Otto Hofmann Deutschland Surrealismus Abstraktion Bauhaus Nachkriegskunst Unikate 1940er Abstrakt Gemälde Öl HOFMANN, OTTO HOFMANN, OTTO 1907 Essen - 1996 Pompeiana/Ligurian Title: "Abgeschlossene Welten". Date: 1948. Technique: Oil on wood. Measurement: 25,5 x 37cm. Notation: Signed and dated lower right: otto hofmann 48. Twice signed and dated verso: otto hofmann 1948. Here additionally titled. Frame/Pedestal: Framed. Explanations to the Catalogue Otto Hofmann Germany Surrealism Abstraction Bauhaus Post-War Art Post War 1940s Abstract Painting Oil

DROESE, FELIX DROESE, FELIX 1950 Singen/Hohentwiel Titel: "Herbstanfang". Datierung: 1994. Technik: Bemalter Pappkarton mit zwei Glasscherben auf Maße: 34 x 46cm. 4,5Bezeichnung: Signiert und datiert verso: Felix Droese 1994 3. Oktober. Hier zudem betitelt: Herbstanfang. Ausstellungen: Stiftung Museum Kunstpalast, Düsseldorf 2007 (Speditionsaufkleber). Erläuterungen zum Katalog Felix Droese Deutschland Nachkriegskunst Objekte 1990er Schiffe Collage Mischtechnik Jahreszeiten DROESE, FELIX DROESE, FELIX 1950 Singen/Hohentwiel Title: "Herbstanfang". Date: 1994. Technique: Painted cardboard with two glass shards on Measurement: 34 x 46cm. 4,5Notation: Signed and dated verso: Felix Droese 1994 3. Oktober. Here additionally titled: Herbstanfang. Exhibitions: Stiftung Museum Kunstpalast, Düsseldorf 2007 (shipping label). Explanations to the Catalogue Felix Droese Germany Post-War Art Sculptures 1990s Ships Collage Mixed media Four Seasons

VEDOVA, EMILIO VEDOVA, EMILIO Venedig 1919 - 2006 Titel: Ohne Titel. Datierung: 1990. Technik: Monotypie auf Karton. Maße: 57 x 77cm. Bezeichnung: Signiert und datiert unten rechts: Vedova 90. Nochmals signiert, datiert und bezeichnet verso: Vedova 90, Venezia. Darunter bezeichnet: GT/EV 8-90 W44. Dazu unleserlich bezeichnet. Rahmen/Sockel: Modellrahmen. Erläuterungen zum Katalog Emilio Vedova Italien Informel Nachkriegskunst Unikate 1990er Abstrakt Papierarbeit Monotypie VEDOVA, EMILIO VEDOVA, EMILIO Venice 1919 - 2006 Title: Untitled. Date: 1990. Technique: Monotype on card. Measurement: 57 x 77cm. Notation: Signed and dated lower right: Vedova 90. Once more signed, dated and inscribed verso: Vedova 90, Venezia. Beneath this inscribed: GT/EV 8-90 W44. Additionally illegibly inscribed. Frame/Pedestal: Craftman's frame. Explanations to the Catalogue Emilio Vedova Informel Post-War Art Post War 1990s Abstract Works on paper Monotype

SCHWARZER, BERND SCHWARZER, BERND 1954 Weimar Titel: "Vulkan, Blau Gold - Rot Schwarz". Untertitel: Deutsch-Europäischer Vulkan. Datierung: 1973-1975. Technik: Öl auf Leinwand. Maße: 30 x 25cm. Bezeichnung: Signiert und datiert verso: Bernd Schwarzer 1973-75. Hier zudem betitelt. Rahmen/Sockel: Rahmen. Erläuterungen zum Katalog Bernd Schwarzer Deutschland Abstraktion Nachkriegskunst Unikate 1970er Abstrakt Gemälde Öl SCHWARZER, BERND SCHWARZER, BERND 1954 Weimar Title: "Vulkan, Blau Gold - Rot Schwarz". Subtitle: German-European volcano. Date: 1973-1975. Technique: Oil on canvas. Measurement: 30 x 25cm. Notation: Signed and dated. Frame: Framed. Explanations to the Catalogue Bernd Schwarzer Germany Abstraction Post-War Art Post War 1970s Abstract Painting Oil

IRMER, MICHAEL IRMER, MICHAEL 1955 Duisburg - 1996 Düsseldorf Titel: Ohne Titel. Datierung: 1994. Technik: Bronze, braun patiniert. Maße: 23,5 x 3 x 3cm. Bezeichnung: Nummeriert auf der linken Seitenfläche der Plinthe: 9/20. Daneben Gießerstempel: KITTL DÜSSELDORF. Exemplar: 9/20. Sockel/Rahmen: Auf Holzsockel (3 x 5 x 5cm, Gesamthöhe: 26,5cm). Prov.: Galerie Rothe, Frankfurt; Privatsammlung Hessen. Erläuterungen zum Katalog Michael Irmer Deutschland Figurative Malerei Figurative Kunst Zeitgenössische Kunst Objekte 1990er Figur / Figuren Skulptur Bronze IRMER, MICHAEL IRMER, MICHAEL 1955 Duisburg - 1996 Düsseldorf Title: Untitled. Date: 1994. Technique: Bronze, patinated brown. Measurement: 23,5 x 3 x 3cm. Notation: Numbered on the left side of the plinth: 9/20. Next to this the foundry mark: KITTL DÜSSELDORF. Number: 9/20. Frame/Pedestal: On wooden base (3 x 5 x 5cm, total height: 26,5cm). Prov.: Galerie Rothe, Frankfurt; Private collection Hesse. Explanations to the Catalogue Michael Irmer Germany Figurative Painting Figurative Art Contemporary Art Sculptures 1990s Figure / Figures Sculpture Bronze

DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spanien 1904 - 1989 Titel: Portrait de Marguerite. Untertitel: Aus: Faust (La Nuit de Walpurgis). Datierung: 1968/69. Technik: Radierung, blau aquarelliert mit Goldauflage auf Japon nacré mit dem Prägestempel "Dali". Montierung: Auf Passepartout aufgezogen. Darstellungsmaß: 32 x 23,5cm. Blattmaß: 37 x 28cm. Bezeichnung: Bezeichnet und nummeriert. Herausgeber: Graphik Europa Anstalt Robbe (Hrsg.). Exemplar: 75/145. Rahmen: Rahmen. Zustand: Umlaufend minimaler Lichtrand. Blatt fest im Passepartout aufgezogen. Ansonsten in sehr gutem Zustand. WVZ. Michler/Löpsinger, Nr. 298. Erläuterungen zum Katalog Salvador Dalí Spanien Surrealismus Moderne Kunst Grafik 1960er Porträt Papierarbeit Radierung DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spain 1904 - 1989 Title: Portrait de Marguerite. Subtitle: From: Faust (La Nuit de Walpurgis). Date: 1968/69. Techinque: Etching, blue watercolour with gold plating on Japon nacré with the blind stamp "Dali". Mounting: Matted. Depiction Size: 32 x 23,5cm. Sheet Size: 37 x 28cm. Notation: Inscribed and numbered. Publisher: Graphik Europa Anstalt Robbe (publisher). Number: 75/145. Frame: Framed. Condition: Circumferential minimal light-edge. Sheet permanently matted. Otherwise in very good condition. Cat. rais. Michler/Löpsinger, no. 298. Explanations to the Catalogue Salvador Dalí Spain Surrealism Modern Art Prints 1960s Portrait Works on paper Etching

FUSSMANN, KLAUS FUSSMANN, KLAUS 1938 Velbert Titel: Ohne Titel (Rapsfeld). Datierung: 1995. Technik: Mischtechnik auf Maschinenbütten. Maße: 15 x 22,5cm. Bezeichnung: Monogrammiert und datiert unten rechts: Fu I 95. Rahmen/Sockel: Rahmen. Erläuterungen zum Katalog Klaus Fussmann Deutschland Figurative Malerei Nachkriegskunst Unikate 1990er Landschaft Papierarbeit Mischtechnik Felder FUSSMANN, KLAUS FUSSMANN, KLAUS 1938 Velbert Title: Untitled (Rape Field). Date: 1995. Technique: Mixed media on wove paper. Measurement: 15 x 22,5cm. Notation: Monogrammed and dated lower right: Fu I 95. Frame/Pedestal: Framed. Explanations to the Catalogue Klaus Fussmann Germany Figurative Painting Post-War Art Post War 1990s Landscape Works on paper Mixed media Cornfield

JONIAK, JULIUSZ JONIAK, JULIUSZ 1925 Liwi/Ukraine Titel: Ohne Titel. Datierung: 1990. Technik: Öl. LeinwandMaße: 71 x 60,5 x Bezeichnung: Signiert und datiert oben rechts: Joniak 90. Sockel/Rahmen: Modellrahmen. Erläuterungen zum Katalog Juliusz Joniak Polen Figurative Malerei Nachkriegskunst Unikate 1990er Stillleben Gemälde Öl Obst JONIAK, JULIUSZ JONIAK, JULIUSZ 1925 Livi/Ukrainian Title: Untitled. Date: 1990. Technique: Oil. canvasMeasurement: 71 x 60,5 x Notation: Signed and dated upper right: Joniak 90. Frame/Pedestal: Craftman's frame. Explanations to the Catalogue Juliusz Joniak Poland Figurative Painting Post-War Art Modern Art 1990s Still Life Painting Oil Fruits

FUSSMANN, KLAUS FUSSMANN, KLAUS 1938 Velbert Titel: Ohne Titel. Datierung: 2008. Technik: Mischtechnik auf Büttenkarton. Maße: 57,5 x 38cm. Bezeichnung: Datiert und signiert unten rechts: 1.08 Fussmann. Rahmen/Sockel: Rahmen. Erläuterungen zum Katalog Klaus Fussmann Deutschland Figurative Malerei Nachkriegskunst Unikate 2000er Figur / Figuren Papierarbeit Mischtechnik See FUSSMANN, KLAUS FUSSMANN, KLAUS 1938 Velbert Title: Untitled. Date: 2008. Technique: Mixed media on laid card. Measurement: 57,5 x 38cm. Notation: Dated and signed lower right: 1.08 Fussmann. Frame/Pedestal: Framed. Explanations to the Catalogue Klaus Fussmann Germany Figurative Painting Post-War Art Post War 2000s Figure / Figures Works on paper Mixed media Lake

WERNER, THEODOR WERNER, THEODOR 1886 Jettenburg - 1969 München Titel: 24/1952. Datierung: 1952. Technik: Mischtechnik auf Velin. Montierung: Auf Leinwand aufgezogen. Maße: 50 x 69,5cm. Bezeichnung: Signiert und datiert unten rechts: Theodor Werner 1952. Rahmen/Sockel: Rahmen. Prov: Galerie Elke und Werner Zimmer, Düsseldorf (Aufkleber); Privatsammlung Hessen. WVZ. Lohkamp, Nr.342. Erläuterungen zum Katalog Theodor Werner Deutschland Informel Nachkriegskunst Unikate 1950er Abstrakt Papierarbeit Mischtechnik WERNER, THEODOR WERNER, THEODOR 1886 Jettenburg - 1969 Munich Title: 24/1952. Date: 1952. Technique: Mixed media on vellum. Mounting: Laid down on canvas. Measurement: 50 x 69,5cm. Notation: Signed and dated lower right: Theodor Werner 1952. Frame/Pedestal: Framed. Prov: Galerie Elke und Werner Zimmer, Düsseldorf (label); Private collection Hesse. Cat. rais. Lohkamp, no.342. Explanations to the Catalogue Theodor Werner Germany Informel Post-War Art Post War 1950s Abstract Works on paper Mixed media

SCHINK, HANS-CHRISTIAN SCHINK, HANS-CHRISTIAN 1961 Erfurth Titel: A38, Brücke Schkortleben (2). Datierung: 1999. Technik: C-Print auf Kodak Professional. Darstellungsmaß: 94,5 x 119cm. Blattmaß: 120 x 143cm. Bezeichnung: Zweifach signiert, datiert, betitelt und nummeriert (Rahmenrückseite). Exemplar: 1/5. Rahmen: Rahmen. Aus der Serie "Verkehrsobjekt", 1993-2003. Prov.: Galerie Bodo Niemann, Berlin; Privatsammlung; Christie's 2006; Unternehmenssammlung Deutschland. Erläuterungen zum Katalog Hans-Christian Schink Deutschland Fotografie Nachkriegskunst 1990er Bauwerk Fotografie C-Print SCHINK, HANS-CHRISTIAN SCHINK, HANS-CHRISTIAN 1961 Erfurth Title: A38, Brücke Schkortleben (2). Date: 1999. Technique: C-Print on Kodak Professional. Depiction Size: 94,5 x 119cm. Sheet Size: 120 x 143cm. Notation: Twice signed, dated, titled and numbered (back of the frame). Number: 1/5. Frame: Framed. From the series "Verkehrsobjekt", 1993-2003. Prov.: Galerie Bodo Niemann, Berlin; Private collection; Christie's 2006; Corporate collection Germany. Explanations to the Catalogue Hans-Christian Schink Germany Photographs Post-War Art 1990s Building Photography C-print

SCHULTZE, BERNARD SCHULTZE, BERNARD 1915 Schneidemühl - 2005 Köln Titel: "Königs-Migof". Datierung: 1986. Technik: Bleistift auf Papier. Maße: 98 x 68cm. Bezeichnung: Datiert, signiert und betitelt unten rechts: 86 Bernard Schultze Königs-Migof. Außerdem bezeichnet verso: Timm Gierig Frankfurt. Rahmen/Sockel: Rahmen. Im Rahmen beschrieben. Prov.: Nachlass Bernhard Schultze und Ursula Schultze-Bluhm; Folkwang Museumsverein e.V., Essen VAN HAM Art Estate vertritt seit 2018 den künstlerischen Teilnachlass von Bernard Schultze des Folkwang-Museumsvereins e.V., Essen. Erläuterungen zum Katalog Bernard Schultze Deutschland Informel Nachkriegskunst Post War Unikate 1980er SCHULTZE, BERNARD SCHULTZE, BERNARD 1915 Schneidemühl - 2005 Cologne Title: "Königs-Migof". Date: 1986. Technique: Pencil on paper. Measurement: 98 x 68cm. Notation: Dated, signed and titled lower right. 86 Bernard Schultze Königs-Migof. Additionally inscribed verso: Timm Gierig Frankfurt lower right: 86 Bernard Schultze Königs-Migof. Außerdem bezeichnet verso: Timm Gierig Frankfurt. Frame/Pedestal: Framed. Not examined out of the frame. Prov.: Estate Bernhard Schultze and Ursula Schultze-Bluhm; Folkwang Museumsverein e.V., Essen VAN HAM Art Estate represents, since 2018, the artistic estate of Bernard Schultze of the Folkwang-Museumsverein e.V., Essen. Explanations to the Catalogue Bernard Schultze Germany Informel Post-War Art Post War 1980s

HELBIG, THOMAS HELBIG, THOMAS 1967 Rosenheim Titel: Ohne Titel. Datierung: 2006. Technik: Öl auf Karton, auf Faserplatte aufgezogen. Maße: 73 x 65cm. Bezeichnung: Signiert und datiert verso: T. Helbig 06. Rahmen/Sockel: Rahmen. Erläuterungen zum Katalog Thomas Helbig Deutschland Figurative Kunst Abstraktion Zeitgenössische Kunst Unikate 2000er Abstrakt Gemälde Öl HELBIG, THOMAS HELBIG, THOMAS 1967 Rosenheim Title: Untitled. Date: 2006. Technique: Oil on card, laid down on hardboard. Measurement: 73 x 65cm. Notation: Signed and dated verso: T. Helbig 06. Frame/Pedestal: Framed. Explanations to the Catalogue Thomas Helbig Germany Figurative Art Abstraction Contemporary Art 2000s Abstract Painting Oil

HÖCKELMANN, ANTONIUS HÖCKELMANN, ANTONIUS 1937 Oelde - 2000 Köln Titel: Ohne Titel (Windsurferin). Datierung: 1992. Technik: Mischtechnik auf Velin. Maße: Ca. 50 x 70cm. Bezeichnung: Signiert und datiert unten links: Antonius Höckelmann 1992. Rahmen/Sockel: Rahmen. Im Rahmen beschrieben. Erläuterungen zum Katalog Antonius Höckelmann Deutschland Figurative Malerei Nachkriegskunst Unikate 1990er Sport Papierarbeit Mischtechnik Wasser HÖCKELMANN, ANTONIUS HÖCKELMANN, ANTONIUS 1937 Oelde - 2000 Cologne Title: Untitled (Female Windsurfer). Date: 1992. Technique: Mixed media on vellum. Measurement: Ca. 50 x 70cm. Notation: Signed and dated lower left: Antonius Höckelmann 1992. Frame/Pedestal: Framed. Not examined out of the frame. Explanations to the Catalogue Antonius Höckelmann Germany Figurative Painting Post-War Art Post War 1990s Sports Works on paper Mixed media Water

ANATOL ANATOL 1931 Insterburg/Ostpreußen - 2019 Moers Titel: "Die Mutter". Datierung: 1998. Technik: Ausgefräste Stahlplatten, braun patiniert, auf Sackleinen in Holzkasten mit Eisenwinkeln auf Darstellungsmaß: 132,5cm Blattmaß: 132cm. 12Bezeichnung: Signiert und datiert. unten auf HolzkastenAnatol 1998. Hier zudem betitelt Erläuterungen zum Katalog Anatol Deutschland Nachkriegskunst Objekte 1990er Mutter und Kind Objekt Mischtechnik Figur / Figuren ANATOL ANATOL (KARL HEINZ HERZFELD) 1931 Insterburg/East Prussia - 2019 Moers Title: "Die Mutter". Date: 1998. Techinque: Milled steel plates, brown patinated, on hessian in wooden box with iron angles on Depiction Size: 132,5cm. Sheet Size: 132cm. 12Notation: Signed and dated. bottom of wooden boxAnatol 1998. Here additionally titled Explanations to the Catalogue Anatol (Karl Heinz Herzfeld) Germany Post-War Art Sculptures 1990s Mother and child Object Mixed media Figure / Figures

FEINSTEIN, PAVEL FEINSTEIN, PAVEL 1960 Moskau Titel: Ohne Titel. Datierung: 1988. Technik: Öl. LeinwandMaße: 73 x 60 x Bezeichnung: Signiert und datiert unten links: PAVEL 88. Verso bezeichnet: 301. Sockel/Rahmen: Modellrahmen. Erläuterungen zum Katalog Pavel Feinstein Zeitgenössische Kunst Unikate 1980er Porträt Gemälde Öl Frau FEINSTEIN, PAVEL FEINSTEIN, PAVEL 1960 Moscow Title: Untitled. Date: 1988. Technique: Oil. canvasMeasurement: 73 x 60 x Notation: Signed and dated lower left: PAVEL 88. Verso inscribed: 301. Frame/Pedestal: Craftman's frame. Explanations to the Catalogue Pavel Feinstein Contemporary Art Post War 1980s Portrait Painting Oil Woman

STAUDT, KLAUS STAUDT, KLAUS 1932 Otterndorf Titel: "Duett". Datierung: 2008. Technik: Polystyrol auf Plexiglasscheiben, in Plexiglaskastenrahmen auf Maße: 58 x 30cm. Bezeichnung: Betitelt, datiert, nummeriert und signiert auf einer der inneren Plexiglasscheiben (geritzt): Duett 2 2008 4/5 Staudt 08. Erläuterungen zum Katalog Klaus Staudt Deutschland Konkrete Kunst Nachkriegskunst Objekte 2000er Abstrakt Objekt PVC Formen STAUDT, KLAUS STAUDT, KLAUS 1932 Otterndorf Title: "Duett". Date: 2008. Technique: Polystyrene on Plexiglass panes, in Plexiglass box frame on Measurement: 58 x 30cm. Notation: Titled, dated, numbered and signed on one of the inner Plexiglass panes (incised): Duett 2 2008 4/5 Staudt 08. Explanations to the Catalogue Klaus Staudt Germany Concrete Art Post-War Art Sculptures 2000s Abstract Object Shapes

MORONTI, MARIO MORONTI, MARIO 1950 Rieti/Italien Titel: Ohne Titel. Datierung: 1991. Technik: Mischtechnik auf Leinwand. Maße: 141 x 120cm. Bezeichnung: Signiert und datiert verso: Moronti 1991. Erläuterungen zum Katalog Mario Moronti Italien Abstraktion Nachkriegskunst Unikate 1990er Abstrakt Gemälde Mischtechnik MORONTI, MARIO MORONTI, MARIO 1950 Rieti/Italy Title: Untitled. Date: 1991. Technique: Mixed media on canvas. Measurement: 141 x 120cm. Notation: Signed and dated verso: Moronti 1991. Explanations to the Catalogue MArio Moronti Abstraction Post-War Art Post War 1990s Abstract Painting Mixed media

GLEICHMANN, OTTO GLEICHMANN, OTTO 1887 Mainz - 1963 Hannover Titel: Kopf einer Greisin. Datierung: 1924. Technik: Aquarell und Tempera auf leichtem Karton (Trockenstempel). Maße: 47,5 x 31,5cm. Bezeichnung: Mit Werknummern versehen, signiert und datiert unten: No 393 No 44 O. Gleichmann 1924. Rahmen/Sockel: Rahmen. Das Aquarell wird in das von Frau Petra Wenzel, Isernhagen, bearbeitete Werkverzeichnis aufgenommen. Prov.: Nachlass des Künstlers; Galerie Brusberg, Berlin; Galerie Remmert und Barth, Düsseldorf; Sammlung Prof. Dr. Eggers, Essen Ausst.: Galerie Wolfgang Ketterer, München 1966; Sprengel Museum, Hannover 1987, . Erläuterungen zum Katalog Otto Gleichmann Deutschland Expressionismus Moderne Kunst Unikate 1920er Figur / Figuren Papierarbeit Mischtechnik Frau GLEICHMANN, OTTO GLEICHMANN, OTTO 1887 Mainz - 1963 Hanover Title: Kopf einer Greisin. Date: 1924. Technique: Watercolour and tempera on thin card (blind stamp). Measurement : 47,5 x 31,5cm. Notation: Equipped with work numbers, signed and dated at the bottom: No 393 No 44 O. Gleichmann 1924. Frame/Pedestal: Framed. The watercolour will be included in the catalogue raisonné edited by Petra Wenzel, Isernhagen. Prov.: Artist's estate; Galerie Brusberg, Berlin; Galerie Remmert und Barth, Düsseldorf Exhb.: Galerie Wolfgang Ketterer, Munich 1966; Sprengel Museum, Hannover 1987, cat. no. 68, ill. p. 62. Explanations to the Catalogue Otto Gleichmann Germany Modern Art 1920s Figure / Figures Works on paper Mixed media Woman

VASARELY, VICTOR VASARELY, VICTOR 1906 Pécs/Ungarn - 1997 Paris Titel: Ohne Titel. Technik: Farbserigrafie auf Velin. Darstellungsmaß: 56 x 40cm. Blattmaß: 75 x 57cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Edition Denise René, Paris (Hrsg.). Exemplar: 138/250. Rahmen/Sockel: Rahmen. Zustand: In den Randbereichen minimale Druckspuren rahmungsbedingt. Ecken minimal bestoßen und zum Teil mit weißen Farbspuren. An der rechten Blattkante mit einzelnen Bestoßungen.. Mit dem Trockenstempel des Herausgebers versehen. Erläuterungen zum Katalog Victor Vasarely Frankreich Op Art Nachkriegskunst Grafik Druckgrafik VASARELY, VICTOR VASARELY, VICTOR 1906 Pécs/Hungary - 1997 Paris Title: Untitled. Technique: Colour silkscreen on vellum. Depiction Size: 56 x 40cm. Sheet Size: 75 x 57cm. Notation: Signed and numbered. Publisher: Edition Denise René, Paris (publisher). Number: 138/250. Frame/Pedestal: Framed. Condition: In the margins minimal pressure marks due to mounting. Corners minimally bumped and partly with white paint traces. At the right sheet edge with occasional bumpings. Provided with the blind stamp of the publisher. Explanations to the Catalogue Victor Vasarely OP Art Post-War Art Prints Print

DOBERAUER, ANKE DOBERAUER, ANKE 1962 Bad Homburg vor der Höhe Titel: Tom. Datierung: 1991. Technik: Öl auf Nessel. Darstellungsmaß: 210cm. Blattmaß: 124,5cm. Bezeichnung: Bezeichnet. Prov.: MAI 36 Galerie, Zürich (Aufkleber); Privatsammlung Italien. Ausst.: HBK Galerie, Braunschweig 1991; Castello di Rivara, Turin 1998. Erläuterungen zum Katalog Anke Doberauer Deutschland Figurative Malerei Zeitgenössische Kunst Unikate 1990er Akte Gemälde Öl Mann DOBERAUER, ANKE DOBERAUER, ANKE 1962 Bad Homburg vor der Höhe Title: Tom. Date: 1991. Technique: Oil on untreated cotton. Depiction Size: 210cm. Sheet Size: 124,5cm. Notation: Inscribed. Prov.: MAI 36 Galerie, Zurich (label); Private collection Italy. Exh.: HBK Galerie, Braunschweig 1991; Castello di Rivara, Turin 1998. Explanations to the Catalogue Anke Doberauer Germany Figurative Painting Contemporary Art 1990s Nudes Painting Oil Man

CELEBONOVIC, MARKO CELEBONOVIC, MARKO 1902 Belgrad - 1986 Saint-Tropez Titel: Paysage forestier. Datierung: 1970er. Technik: Öl auf Leinwand. Maße: 73 x 92cm. Bezeichnung: Signiert unten rechts: MARKO C. Rahmen/Sockel: Rahmen. Erläuterungen zum Katalog Marko Celebonovic Serbien Figurative Malerei Moderne Kunst Unikate 1970er Landschaft Gemälde Öl Wald CELEBONOVIC, MARKO CELEBONOVIC, MARCO 1902 Belgrad - 1983 Saint-Tropez Title: Paysage forestier. Date: 1970s. Technique: Oil on canvas. Measurement : 73 x 92cm. Notation: Signed lower right: MARKO C. Frame/Pedestal: Framed. Explanations to the Catalogue Marco Celebonovic Serbia Figurative Painting Modern Art 1970s Landscape Painting Oil Forest

GÖTZ, KARL OTTO GÖTZ, KARL OTTO 1914 Aachen - 2017 Wolfenacker Titel: Ohne Titel. Datierung: 1954. Technik: Gouache auf Postkarte. Montierung: Verso montiert. Maße: 10,5 x 14,5cm. Bezeichnung: Signiert und datiert unten links: Götz 54. Rahmen/Sockel: Rahmen. Die Gouache hat Götz auf einer Postkarte seines früheren Meta-Verlages, Frankfurt a.M., gemalt. Wir danken Herrn Joachim Lissmann, K.O. Götz und Rissa-Stiftung, Niederbreitbach-Wolfenacker, für die freundliche, wissenschaftliche Unterstützung. Erläuterungen zum Katalog Karl Otto Götz Deutschland Informel CoBrA Nachkriegskunst Unikate 1950er Abstrakt Papierarbeit Gouache GÖTZ, KARL OTTO GÖTZ, KARL OTTO 1914 Aachen - 2017 Wolfenacker Title: Untitled. Date: 1954. Technique: Gouache on postcard. Mounting: Mounted verso. Measurement: 10,5 x 14,5cm. Notation: Signed and dated lower left: Götz 54. Frame/Pedestal: Framed. Götz painted the gouache on a postcard from his former Meta-Verlag, Frankfurt a.M. We thank Joachim Lissmann, K.O. Götz and Rissa-Foundation, Niederbreitbach-Wolfenacker, for the kind, scientific support. Explanations to the Catalogue Karl Otto Götz Germany Informel CoBrA Post-War Art Post War 1950s Abstract Works on paper Gouache

BERNER, BERND BERNER, BERND 1930 Hamburg - 2002 Stuttgart Titel: Flächenraum-Störung. Dekade: 1990er Datierung: 1997. Technik: Öl und Acryl LeinwandMaße: 85 x 65 x Bezeichnung: Signiert, betitelt, datiert und bezeichnet verso: bernd berner flächenraum-störung 1997 perles. Hier zudem die Angabe der Werk-Nr. 1376. Rahmen/Sockel: Rahmen. Prov.: Nachlass Bernd Berner. Die Arbeit ist auf der offiziellen Internetseite des Künstlers unter der WVZ.-Nr. 1376 aufgeführt. VAN HAM Art Estate vertritt seit 2016 den künstlerischen Nachlass von Bernd Berner und hat das Online-Werkverzeichnis unter www.bernd-berner.de erstellt. Erläuterungen zum Katalog Bernd Berner Deutschland Abstraktion SYN Nachkriegskunst Post War Unikate 1990er Abstrakt Öl auf Leinwand Mischtechnik Raum BERNER, BERND BERNER, BERND 1930 Hamburg - 2002 Stuttgart Title: Flächenraum-Störung. Date: 1997. Technique: Oil and acrylic. canvas85x 65cm. Notation: Signed, titled, dated and inscribed verso: bernd berner flächenraum-störung 1997 perles. Here additionally information on the work no. 1376Frame/Pedestal: Framed. Prov.: Bernd Berner estate. The work is listed on the official website of the artist under the cat. rais. no. 1376. VAN HAM Art Estate has represented since 2016 the artistic estate from Bernd Berner and has created the online-catalogue raisonné under www.bernd-berner.de. Explanations to the Catalogue Bernd Berner Germany Abstraction SYN Post-War Art Post War 1990s Abstract Mixed media Space

MAN RAY (EMANUEL RADNITZKY) MAN RAY (EMANUEL RADNITZKY) 1890 Philadelphia - 1976 Paris Titel: Fisherman Idol. Datierung: 1975 (Entwurf). Technik: Bronze, braungold patiniert. Maße: 14,5 x 4,5 x 4,5cm. Bezeichnung: Signiert und nummeriert auf einer der unteren Seitenflächen: Man Ray 13/1000. Edition Artcurial, Paris (Hrsg.). Exemplar: 13/1000. Sockel/Rahmen: Auf Kunststoffsockel (6 x 4,5 x 4,5cm, Gesamthöhe: 20cm). Die Skulptur trägt den Schriftzug des Herausgebers. Prov.: art club frederic gollong, Saint-Paul-De-Vence; Privatsammlung Hessen. Erläuterungen zum Katalog Man Ray (Emanuel Radnitzky) Klassische Fotografie Objekte 1970er Figur / Figuren Skulptur Bronze MAN RAY (EMANUEL RADNITZKY) MAN RAY (EMANUEL RADNITZKY) 1890 Philadelphia - 1976 Paris Title: Fisherman Idol. Date: 1975 (draft). Technique: Bronze, patinated brown gold. Measurement: 14,5 x 4,5 x 4,5cm. Notation: Signed and numbered on one of the bottom sides: Man Ray 13/1000. Edition Artcurial, Paris (publisher). Number: 13/1000. Frame/Pedestal: On plastic base (6 x 4,5 x 4,5cm, total height: 20cm). The scultpure has the signature of the publisher. Prov.: art club frederic gollong, Saint-Paul-De-Vence; Private collection Hesse. Explanations to the Catalogue Man Ray (Emanuel Radnitzky) Classic Photography Sculptures 1970s Figure / Figures Sculpture Bronze

PISTOLETTO, MICHELANGELO PISTOLETTO, MICHELANGELO 1933 Biella/Italien Titel: Amare. Datierung: 2006. Technik: Farbserigrafie auf hochglanzpoliertem Stahl auf Maße: 25 x 114cm. Bezeichnung: Signiert und nummeriert verso: Pistoletto VI/X. Rahmen/Sockel: In originalem Karton (7 x 117 x 29cm). Zustand: Vereinzelte minimale Korrosionsflecken auf der Spiegeloberfläche. Untere linke Ecke ein kleiner Farbverlust.. Außerhalb der Auflage von 40 signierten und arabisch nummerierten Exemplaren. Erläuterungen zum Katalog Michelangelo Pistoletto Italien Arte Povera Zeitgenössische Kunst Objekte 2000er Wort Multiple Mischtechnik Spiegel PISTOLETTO, MICHELANGELO PISTOLETTO, MICHELANGELO 1933 Biella/Italy Title: Amare. Date: 2006. Technique: Colour silkscreen on highly polished steel on Measurement : 25 x 114cm. Notation: Signed and numbered verso: Pistoletto VI/X. Frame/Pedestal: In original card (7 x 117 x 29cm). Condition: Occasional minimal corrosion stains on the mirror surface. Lower left corner a small loss of paint. Outside the edition of 40 signed and Arabic numbered copies. Explanations to the Catalogue Michelangelo Pistoletto Arte Povera Contemporary Art Sculptures 2000s Word Multiple Mixed media Mirror

KOKOSCHKA, OSKAR KOKOSCHKA, OSKAR 1886 Pöchlarn - 1980 Montreux Titel: Gelbe und violette Iris. Datierung: 1960. Technik: Farblithografie über gelblichen Fond auf Velin. Darstellungsmaß: 60 x 39,5cm Blattmaß: 65 x 50cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Grafos-Verlag, Vaduz (Hrsg.). Exemplar: 68/85. Rahmen: Rahmen. Zustand: Blatt unter ehemaligen Passepartoutausschnitt gebräunt. Ecken minimal bestoßen. Verso Reste alter Papiermontierung. WVZ. Wingler/Welz, Nr. 528. Lithografie nach einem Aquarell. Erläuterungen zum Katalog Oskar Kokoschka Österreich Expressionismus Moderne Kunst Grafik 1960er Stillleben Druckgrafik Lithografie Blumen KOKOSCHKA, OSKAR KOKOSCHKA, OSKAR 1886 Pöchlarn - 1980 Montreux Title: Gelbe und violette Iris. Date: 1960. Techinque: Colour lithograph over yellow-ish ground on vellum. Depiction Size: 60 x 39,5cm. Sheet Size: 65 x 50cm. Notation: Signed and numbered. Publisher: Grafos-Verlag, Vaduz (publisher). Number: 68/85. Frame: Framed. Condition: Sheet discoloured under former mat window. Corners with minimal bumping. Verso remains of an old paper mounting. Cat. rais. Wingler/Welz, no. 528. Lithograph after a watercolour. Explanations to the Catalogue Oskar Kokoschka Modern Art Prints 1960s Still Life Print Lithograph Flowers

BAUERMEISTER, MARY BAUERMEISTER, MARY 1934 Frankfurt a.M. Titel: Ohne Titel. Datierung: 1959. Technik: Pastell auf schwarzem Tonkarton. Montierung: Im Passepartout montiert. Maße: 50 x 64,5cm. Bezeichnung: Signiert und datiert unten rechts: M. Bauermeister 1959. Rahmen/Sockel: Rahmen. Wir danken Mary Bauermeister und Simon Stockhausen für die freundliche Unterstützung. Prov.: Sammlung Prof. Dr. Kurt Herberts, Wuppertal (Stempel); Privatsammlung Nordrhein-Westfalen. Erläuterungen zum Katalog Mary Bauermeister Deutschland Fluxus Konzeptkunst Abstraktion Nachkriegskunst Unikate 1950er Abstrakt Papierarbeit Pastell BAUERMEISTER, MARY BAUERMEISTER, MARY 1934 Frankfurt a.M. Title: Untitled. Date: 1959. Technique: Pastel on black card. Mounting: Matted. Measurement: 50 x 64.5cm. Notation: Signed and dated lower right: M. Bauermeister 1959. Frame/Pedestal: Framed. We thank Mary Bauermeister and Simon Stockhausen for the kind support. Prov.: Collection Prof. Dr. Kurt Herberts, Wuppertal (stamp); Private collection North Rhine-Westphalia. Explanations to the Catalogue Mary Bauermeister Germany Fluxus Conceptual Art Abstraction Post-War Art Post War 1950s Abstract Works on paper Pastel

ZANGS, HERBERT ZANGS, HERBERT Krefeld 1924 - 2003 Titel: Ohne Titel. Untertitel: Wandobjekt. Technik: Acryl über quadratischen Bierdeckeln auf Holz. Darstellungsmaß: 62cm. Blattmaß: 19,5cm. Bezeichnung: Signiert. Zu diesem Werk liegt ein Fotozertifikat von Emmy de Martelaere, Paris, vom Oktober 2020 vor. Prov.: Zeitkunstgalerie, Köln; Privatsammlung Nordrhein-Westfalen. Erläuterungen zum Katalog Herbert Zangs Deutschland Zero Zeitgenössische Kunst Objekte Abstrakt Collage Mischtechnik ZANGS, HERBERT ZANGS, HERBERT Krefeld 1924 - 2003 Title: Untitled. Subtitle: Wall object. Technique: Acrylic over square beer coasters on wood. Depiction Size: 62cm. Sheet Size: 19,5cm. Notation: Signed. Enclosed with this work is a photo certificate by Emmy de Martelaere, Paris, dated October 2020. Prov.: Zeitkunstgalerie, Cologne; Private collection North Rhine-Westphalia. Explanations to the Catalogue Herbert Zangs Germany ZERO Contemporary Art Sculptures Abstract Collage Mixed media

WARHOL, ANDY WARHOL, ANDY 1928 Pittsburgh, PA/USA - 1987 New York nach Titel: Elvis - platin. Untertitel: Wandobjekt. Datierung: 2007. Serigrafie auf Aluminiumfolie auf Porzellanplatte, in schwarzem Holzrahmen. 51 x 51 x 2,5cm. Drucksignatur unten rechts: Andy Warhol. Unten links gedruckte Manufaktur-Marke "Rosenthal studio-line" und Copyrightvermerk. Stempelnummerierung verso auf Editionsetikett: 47/49. In originaler Holzkiste: 59 x 59 10cm. Rosenthal studio-line (Hrsg.). Ex. 47/49 . Porzellanobjekt aus der Serie "Andy Warhol Collection". Dem Objekt liegt ein Zertifikat bei. Erläuterungen zum Katalog Andy Warhol USA Pop Art Fotografie Nachkriegskunst Grafik 2000er Musiker Multiple Mischtechnik Mann WARHOL, ANDY WARHOL, ANDY 1928 Pittsburgh, PA/USA - 1987 New York afterTitle: Elvis - platin. Subtitle: Wall object. Date: 2007. Silkscreen on aluminium foil on porcelain plate, in black wooden frame. 51 x 51 x 2,5cm. Embossed signature lower right: Andy Warhol. Lower left printed manufacture mark "Rosenthal studio-line" and copyright notice. Stamp numbering verso on edition label: 47/49. In original wooden box: 59 x 59 10cm. Rosenthal studio-line (publisher). Number 47/49 . Porcelain object from the series "Andy Warhol Collection". Enclosed with the object is a certificate. Explanations to the Catalogue Andy Warhol USA Pop Art Photographs Post-War Art Prints 2000s Musician Multiple Mixed media Man

SPROTTE, SIEGWARD SPROTTE, SIEGWARD 1913 Potsdam - 2004 Kampen/Sylt Titel: Stachelginster XXVIII. Technik: Öl. LeinwandMaße: 28,5 x 42 x Bezeichnung: Signiert unten rechts: S Sprotte. Bezeichnet auf Rahmenrückwand: Stachelginster XXVIII E. Sockel/Rahmen: Rahmen. Erläuterungen zum Katalog Siegward Sprotte Deutschland Karlsruher Malerschule Nachkriegskunst Unikate Landschaft Gemälde Öl Pflanzen SPROTTE, SIEGWARD SPROTTE, SIEGWARD 1913 Potsdam - 2004 Kampen/Sylt Titel: Stachelginster XXVIII. Technique: Oil. canvasMeasurement: 28,5 x 42 x Notation: Signed lower right: S Sprotte. Inscribed on frame rear panel: Stachelginster XXVIII E. Frame/Pedestal: Framed. Explanations to the Catalogue Siegward Sprotte Germany Karlsruher Malerschule Post-War Art Post War Landscape Painting Oil Plants

UHLIG, MAX UHLIG, MAX 1937 Dresden Titel: Ohne Titel (Landschaft). Datierung: 1983. Technik: Tusche auf Japan. Maße: 52 x 96cm. Bezeichnung: Signiert und datiert unten rechts: Uhlig 83. Erläuterungen zum Katalog Max Uhlig Deutschland Abstraktion Nachkriegskunst Unikate 1980er Landschaft Papierarbeit Tusche Abstrakt UHLIG, MAX UHLIG, MAX 1937 Dresden Title: Untitled (Landscape). Date: 1983. Technique: India ink on Japan. Measurement: 52 x 96cm. Notation: Signed and dated lower right: Uhlig 83. Explanations to the Catalogue Max Uhlig Germany Abstraction Post-War Art Post War 1980s Landscape Works on paper India ink Abstract

HOEHME, GERHARD HOEHME, GERHARD 1920 Greppin/Dessau - 1989 Düsseldorf Titel: Ohne Titel. Datierung: 1962. Technik: Tusche auf Papier. Maße: 70 x 50cm. Bezeichnung: Signiert und datiert unten rechts: G.Hoehme. Erläuterungen zum Katalog Gerhard Hoehme Deutschland Informel Nachkriegskunst Unikate 1960er Linie Papierarbeit Tusche Abstrakt HOEHME, GERHARD HOEHME, GERHARD 1920 Greppin/Dessau - 1989 Düsseldorf Title: Untitled. Date: 1962. Technique: India ink on paper. Measurement: 70 x 50cm. Notation: Signed and dated lower right: G.Hoehme. Explanations to the Catalogue Gerhard Hoehme Germany Informel Post-War Art Post War 1960s Line Works on paper India ink Abstract