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Lola Luk I Am Fine Sculpture/Resin Approx. 15 x 5cm About Through years I explored various fields in different creative industries, developed skills and found a passion for wide range of design techniques which led me to become an independent artist.   Education London University of Arts (Set Design for stage and Screen) Select Exhibitions/Awards 2021 The Other Art Fair Virtual Edition Brooklyn Expo Centre 2021 Affordable Art Fair Amsterdam, Netherlands Platform Project 2021 The Other Art Fair London, Truman Brewery 2021 Affordable Art Fair, Battersea, London (bestseller artist) 2020 Affordable Art Fair, Battersea, London (bestseller artist) 2019 Affordable Art Fair, Battersea, London 2018 Affordable Art Fair, Battersea, London 2017 Affordable Art Fair, Battersea, London 2017 The Old Truman Brewery, Brick Lane, Group Exhibition 2013 Group Show, Orange Revolution, Arsenal Centre, Kiev Ukraine Press: Domino, May 2021   Gallery Representation Gallery 040 Hamburg   Statement about AOAP Submitted Artwork I put a lot of personal statements in the flavours of the lollies, which some of them are emotional expressions / double meaning pun, some combinations of real ice-cream names twisted with contemporary slang and humour, most of them reflects everyday life that we all share, referencing music, movies and books, some pieces are the combination of the visual and verbal context hovering between comedy and tragedy.

Lola Luk Vanilla Fuck Them All Sculpture/Resin Approx. 15 x 5cm About Through years I explored various fields in different creative industries, developed skills and found a passion for wide range of design techniques which led me to become an independent artist.   Education London University of Arts (Set Design for stage and Screen) Select Exhibitions/Awards 2021 The Other Art Fair Virtual Edition Brooklyn Expo Centre 2021 Affordable Art Fair Amsterdam, Netherlands Platform Project 2021 The Other Art Fair London, Truman Brewery 2021 Affordable Art Fair, Battersea, London (bestseller artist) 2020 Affordable Art Fair, Battersea, London (bestseller artist) 2019 Affordable Art Fair, Battersea, London 2018 Affordable Art Fair, Battersea, London 2017 Affordable Art Fair, Battersea, London 2017 The Old Truman Brewery, Brick Lane, Group Exhibition 2013 Group Show, Orange Revolution, Arsenal Centre, Kiev Ukraine Press: Domino, May 2021   Gallery Representation Gallery 040 Hamburg   Statement about AOAP Submitted Artwork I put a lot of personal statements in the flavours of the lollies, which some of them are emotional expressions / double meaning pun, some combinations of real ice-cream names twisted with contemporary slang and humour, most of them reflects everyday life that we all share, referencing music, movies and books, some pieces are the combination of the visual and verbal context hovering between comedy and tragedy.

Lola Luk Pink. Try Me Bitch. Sculpture/Resin Approx. 15 x 5cm About Through years I explored various fields in different creative industries, developed skills and found a passion for wide range of design techniques which led me to become an independent artist.   Education London University of Arts (Set Design for stage and Screen) Select Exhibitions/Awards 2021 The Other Art Fair Virtual Edition Brooklyn Expo Centre 2021 Affordable Art Fair Amsterdam, Netherlands Platform Project 2021 The Other Art Fair London, Truman Brewery 2021 Affordable Art Fair, Battersea, London (bestseller artist) 2020 Affordable Art Fair, Battersea, London (bestseller artist) 2019 Affordable Art Fair, Battersea, London 2018 Affordable Art Fair, Battersea, London 2017 Affordable Art Fair, Battersea, London 2017 The Old Truman Brewery, Brick Lane, Group Exhibition 2013 Group Show, Orange Revolution, Arsenal Centre, Kiev Ukraine Press: Domino, May 2021   Gallery Representation Gallery 040 Hamburg   Statement about AOAP Submitted Artwork I put a lot of personal statements in the flavours of the lollies, which some of them are emotional expressions / double meaning pun, some combinations of real ice-cream names twisted with contemporary slang and humour, most of them reflects everyday life that we all share, referencing music, movies and books, some pieces are the combination of the visual and verbal context hovering between comedy and tragedy.

Sally McLaren RE Today Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Exhibited worldwide, work in many collections including Cabo Frio Print Collection, Brazil, Ashmolean Museum, Oxford, New York Public Library, Skopje Museum of Contemporary Art Fitzwilliam Museum, Cambridge. Government Art collection. Scottish Arts Council Fellow of the Royal Society of Painter Printmakers   Education Ruskin School of Fine Art, Oxford 1956/59 Central School of Art, London,1959/61. SW Hayter, Atelier 17, Paris 1961/62. French Government Scholarship   Select Exhibitions/Awards The Bankside Gallery, London. In Search of Stillness 2016. The Art Stable, the Passage of Time, 2020. Sladers Yard, West Bay, Bridport, Dorset, 2022 Radiance Publication. In Search of Stillness, available from the artist. A retrospective illustrated book of a lifetime of paintings and prints and an essay by Mel Gooding.   Gallery Representation The Bankside Gallery, London. The Art Stable, Child Okeford, Dorset. Sladers Yard, West Bay Dorset.   Statement about AOAP Submitted Artwork Touching on the joy of landscape

Sally McLaren RE Beyond Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Exhibited worldwide, work in many collections including Cabo Frio Print Collection, Brazil, Ashmolean Museum, Oxford, New York Public Library, Skopje Museum of Contemporary Art Fitzwilliam Museum, Cambridge. Government Art collection. Scottish Arts Council Fellow of the Royal Society of Painter Printmakers   Education Ruskin School of Fine Art, Oxford 1956/59 Central School of Art, London,1959/61. SW Hayter, Atelier 17, Paris 1961/62. French Government Scholarship   Select Exhibitions/Awards The Bankside Gallery, London. In Search of Stillness 2016. The Art Stable, the Passage of Time, 2020. Sladers Yard, West Bay, Bridport, Dorset, 2022 Radiance Publication. In Search of Stillness, available from the artist. A retrospective illustrated book of a lifetime of paintings and prints and an essay by Mel Gooding.   Gallery Representation The Bankside Gallery, London. The Art Stable, Child Okeford, Dorset. Sladers Yard, West Bay Dorset.   Statement about AOAP Submitted Artwork Touching on the joy of landscape

Sally McLaren RE Rythm Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Exhibited worldwide, work in many collections including Cabo Frio Print Collection, Brazil, Ashmolean Museum, Oxford, New York Public Library, Skopje Museum of Contemporary Art Fitzwilliam Museum, Cambridge. Government Art collection. Scottish Arts Council Fellow of the Royal Society of Painter Printmakers   Education Ruskin School of Fine Art, Oxford 1956/59 Central School of Art, London,1959/61. SW Hayter, Atelier 17, Paris 1961/62. French Government Scholarship   Select Exhibitions/Awards The Bankside Gallery, London. In Search of Stillness 2016. The Art Stable, the Passage of Time, 2020. Sladers Yard, West Bay, Bridport, Dorset, 2022 Radiance Publication. In Search of Stillness, available from the artist. A retrospective illustrated book of a lifetime of paintings and prints and an essay by Mel Gooding.   Gallery Representation The Bankside Gallery, London. The Art Stable, Child Okeford, Dorset. Sladers Yard, West Bay Dorset.   Statement about AOAP Submitted Artwork Touching on the joy of landscape

Caroline Pool Rhiannon Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Caroline grew up in Bangkok, Thailand before moving to England where she gained her Foundation Diploma in Art & Design at Central St Martin's, London in 2004 and her BA (HONS) Illustration degree at Brighton University in 2007. After graduating and working full time in set design for feature films such as Ridley Scott's, 'Robin Hood' and Alfonso Cuaron's, 'Gravity,' Caroline followed her instincts and returned to painting. Predominantly a portrait Artist, she enjoys combining her more analytical approach to the human form with a contemporary illustrative quality to the silhouette and composition. Since Covid, she has been applying this same approach to other subject matter including the local environments around her.   Education 2004 Foundation Diploma in Art & Design, Central St Martin's, London, UK 2007 BA(HONS) Illustration, University of Brighton, Brighton, UK   Select Exhibitions/Awards 2021 Royal Academy Summer Exhibition, RA, London, UK 2021 Trinity Buoy Wharf Drawing Prize, TBW, London, UK 2021 Ludlow Fringe, Nina & Co, Ludlow, UK 2021 IBPC21, Wausau Museum of Contemporary Art, Wisconsin, US 2021 Royal Society of Portrait Painters Annual Exhibition, Mall Galleries, London, UK 2021 Royal Society of British Artists Annual Exhibition, Mall Galleries, London, UK Awards; 2021 Finalist, Holly Bush Painting Prize, London, UK 2018 2nd Prize, Liquitex Emerging Artist, Delusional Art Comp, Jonathan Levine Gallery, New Jersey, US 2018 Winner, The de Laszlo Foundation Prize, RBA, Mall Galleries, London, UK 2018 Finalist, Jacksons Open Painting Prize, Jacksons Art, London, UK 2017 Finalist, 'The Artist's Magazine's Annual Art Exhibition', The Artist's Magazine, USA Statement about AOAP Submitted Artwork I have been working on an ongoing series that explores and celebrates older generations who are often overlooked in society. By collecting strangers' portraits on the streets, I'm hoping to create a platform of the ageing bold and the beautiful that encourages people to pay attention to a forgotten but integral demographic in society. 'Rhiannon' stopped me in my tracks in Ludlow, Shropshire in the way that she dressed and carried herself and I hoped to capture her elegant playfulness paying homage to the idea that age is not a deterrent to living fully but rather a venture for exploration conveying a sense of liberation where an adolescents playfulness and freedom to dream complements the wisdom of age.

Jess Allen Book Lines (The Penguin Series No 1) Oil on Card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Jess Allen is a figurative painter, currently based in Cornwall. Much of her recent work has been focused on simple everyday objects such as boxes and books. Her works are contemplative and mindful, with a spareness which emphasises the importance of taking time to consider a subject. Her practice could be seen as a metaphor for finding simplicity and space in our lives.   Education She studied a BA Fine Art degree at Falmouth University.   Select Exhibitions/Awards Jess Allen has had three Solo exhibitions, most recent in London in November 2021 at Blue Shop Cottage. Last year she was selected to exhibit in an exhibition called 'Postcards' which was curated by Brit Pruiksma @mothflower_ at the Magnis Karlsson Gallery in Sweden. She has been a Discerning Eye Exhibitor, three times, and in 2021 she was the recipient of the Discerning Eye Parker Harris Mentoring Award. Currently she is showing at The Contemporary Six Gallery, in Manchester, in a group show called 'Habitat'.   Gallery Representation Blue Shop Cottage, London @blueshopcottage   Statement about AOAP Submitted Artwork I was initially inspired to paint books because of the pleasure I have always had, when observing the coloured spines of books on shelves, or in stacks. I so love the almost abstract patterns created by them when grouped together. These Penguin Classic books, with their bold and simple design, are a perfect example of this.

Jess Allen Book Lines (The Penguin Series No 2) Oil on Card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Jess Allen is a figurative painter, currently based in Cornwall. Much of her recent work has been focused on simple everyday objects such as boxes and books. Her works are contemplative and mindful, with a spareness which emphasises the importance of taking time to consider a subject. Her practice could be seen as a metaphor for finding simplicity and space in our lives.   Education She studied a BA Fine Art degree at Falmouth University.   Select Exhibitions/Awards Jess Allen has had three Solo exhibitions, most recent in London in November 2021 at Blue Shop Cottage. Last year she was selected to exhibit in an exhibition called 'Postcards' which was curated by Brit Pruiksma @mothflower_ at the Magnis Karlsson Gallery in Sweden. She has been a Discerning Eye Exhibitor, three times, and in 2021 she was the recipient of the Discerning Eye Parker Harris Mentoring Award. Currently she is showing at The Contemporary Six Gallery, in Manchester, in a group show called 'Habitat'.   Gallery Representation Blue Shop Cottage, London @blueshopcottage   Statement about AOAP Submitted Artwork I was initially inspired to paint books because of the pleasure I have always had, when observing the coloured spines of books on shelves, or in stacks. I so love the almost abstract patterns created by them when grouped together. These Penguin Classic books, with their bold and simple design, are a perfect example of this.

Jess Allen Book Lines (The Penguin Series No 3) Oil on Card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Jess Allen is a figurative painter, currently based in Cornwall. Much of her recent work has been focused on simple everyday objects such as boxes and books. Her works are contemplative and mindful, with a spareness which emphasises the importance of taking time to consider a subject. Her practice could be seen as a metaphor for finding simplicity and space in our lives.   Education She studied a BA Fine Art degree at Falmouth University.   Select Exhibitions/Awards Jess Allen has had three Solo exhibitions, most recent in London in November 2021 at Blue Shop Cottage. Last year she was selected to exhibit in an exhibition called 'Postcards' which was curated by Brit Pruiksma @mothflower_ at the Magnis Karlsson Gallery in Sweden. She has been a Discerning Eye Exhibitor, three times, and in 2021 she was the recipient of the Discerning Eye Parker Harris Mentoring Award. Currently she is showing at The Contemporary Six Gallery, in Manchester, in a group show called 'Habitat'.   Gallery Representation Blue Shop Cottage, London @blueshopcottage   Statement about AOAP Submitted Artwork I was initially inspired to paint books because of the pleasure I have always had, when observing the coloured spines of books on shelves, or in stacks. I so love the almost abstract patterns created by them when grouped together. These Penguin Classic books, with their bold and simple design, are a perfect example of this.

Adelaide Cioni Go Easy On Me - One Blue with Yellow Stick Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Adelaide Cioni works at the intersection of textile, painting, and performance. The constant elements at the core of her practice are drawing and an absence of narration. Her research plays with physical perception and mnemonic reactions, to question the conventions that are built around the body and the difficulty to cope with having a specific sex, and to consider what it might mean to translate ourselves beyond our bodies. Cioni's work also utilises decorative patterns to engage with a form of shared non-verbal communication that has existed throughout human history. Education Studied drawing at UCLA, Los Angeles, and holds a BA in Sculpture from the Academy of Fine Arts in Rome (2015). With an MA in contemporary history and a master's degree in Literary Translation, for ten years she translated American literature (John Cheever, David Foster Wallace, Lydia Davis, among others).   Select Exhibitions/Awards Her recent projects include: Io dico io (I say I), Galleria Nazionale, Rome; And the flowers too, Museo orto botanico, Rome; 141. Un secolo di disegno in Italia, Fondazione del Monte di Bologna e Ravenna, Bologna; Painting stone, Villa Lontana, Rome; Tout court. Un aperçu de l'art italien, Istituto Italiano di Cultura, Paris; Dante. Un'epopea pop, MAR, Ravenna; Mirabilia, Casa Italia, XXXII Olimpycs, Tokyo; (all 2021); Ab ovo, solo stand for P420 in the curated section, Pittura XXI, Artefiera, Bologna (2020); Shape, color, taste, smell and sound, double solo show with Guy Mees, P420; Six or seven, Madonna del Pozzo, Spoleto (both 2019). She is currently in residence at Gasworks, London. Some of her works will been on view in the upcoming group show "An incomplete A to Z for Art & Poetry", curated by Rachael Allen and Guy Robertson, 30 Burlington Street, London W1S 3AP running February 11th to 27th Gallery Representation P420, Bologna, Italy   Statement about AOAP Submitted Artwork These are drawings from two series, "Go Easy on Me" and "To Be Naked". They both are linked with my personal belief that art has nothing to do with being righteous, and all to do with being human. And being human involves a lot of contradiction and desire.

Adelaide Cioni To Be Naked - Breasts Mixed Media on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Adelaide Cioni works at the intersection of textile, painting, and performance. The constant elements at the core of her practice are drawing and an absence of narration. Her research plays with physical perception and mnemonic reactions, to question the conventions that are built around the body and the difficulty to cope with having a specific sex, and to consider what it might mean to translate ourselves beyond our bodies. Cioni's work also utilises decorative patterns to engage with a form of shared non-verbal communication that has existed throughout human history. Education Studied drawing at UCLA, Los Angeles, and holds a BA in Sculpture from the Academy of Fine Arts in Rome (2015). With an MA in contemporary history and a master's degree in Literary Translation, for ten years she translated American literature (John Cheever, David Foster Wallace, Lydia Davis, among others).   Select Exhibitions/Awards Her recent projects include: Io dico io (I say I), Galleria Nazionale, Rome; And the flowers too, Museo orto botanico, Rome; 141. Un secolo di disegno in Italia, Fondazione del Monte di Bologna e Ravenna, Bologna; Painting stone, Villa Lontana, Rome; Tout court. Un aperçu de l'art italien, Istituto Italiano di Cultura, Paris; Dante. Un'epopea pop, MAR, Ravenna; Mirabilia, Casa Italia, XXXII Olimpycs, Tokyo; (all 2021); Ab ovo, solo stand for P420 in the curated section, Pittura XXI, Artefiera, Bologna (2020); Shape, color, taste, smell and sound, double solo show with Guy Mees, P420; Six or seven, Madonna del Pozzo, Spoleto (both 2019). She is currently in residence at Gasworks, London. Some of her works will been on view in the upcoming group show "An incomplete A to Z for Art & Poetry", curated by Rachael Allen and Guy Robertson, 30 Burlington Street, London W1S 3AP running February 11th to 27th Gallery Representation P420, Bologna, Italy   Statement about AOAP Submitted Artwork These are drawings from two series, "Go Easy on Me" and "To Be Naked". They both are linked with my personal belief that art has nothing to do with being righteous, and all to do with being human. And being human involves a lot of contradiction and desire.

Sally Muir Dog Monotype on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sally Muir is an artist and portrait painter of dogs, humans, and landscapes, as well as the occasional rodent and bird. For years, Muir focused on her knitwear business Muir & Osborne as both designer and author.   Education Bath School of Art and Design   Select Exhibitions/Awards Royal Academy Summer Exhibition, Discerning Eye, Wells Art Contemporary, Society of Women's Artists   Gallery Representation Cricket Fine Art, Churchgate Gallery, Fotheringham Gallery   Statement about AOAP Submitted Artwork This is a monotype of a dog, on gouache.

Sonia Barton Jug and Pomegranate Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Contemporary artist working mainly in the Still Life genre. I have moved many times and these memories constantly resurface through the study of remembered or collected objects. Often explored through a muted or limited palette, with flattened perspective and a naïve distortion of the objects. Many layers of paint are added, areas are scraped back, leaving traces of their previous existence.   Education BA(Hons) Fine Art - Staffordshire University Post Graduate Diploma in Fine Art (highest grade of Honours) - Brighton University   Select Exhibitions/Awards 2021 Spring, Summer and Christmas Exhibitions - Eastwood Fine Art 'Flowers' Exhibition - Fotheringham Gallery, Scotland AAF Battersea, London (Carina Haslam Gallery) Christmas Exhibition - Carina Haslam Gallery Winter Exhibition - Fotheringham Gallery 2020 'Not the Glasgow Art Fair' - Fotheringham Gallery, Scotland Spring and Summer Shows, Christmas Exhibition - Eastwood Fine Art Winter Show - Padstow Gallery Gallery Representation Carina Haslam Gallery Fotheringham Gallery Eastwood Fine Art Jerram Gallery Padstow Gallery   Statement about AOAP Submitted Artwork These paintings reflect the everyday through still life. My thoughts, memories and observations are interwoven through each piece. An interest in aged and worn surfaces, pattern and textures are also evident, with the layering of paint and scratched marks.

Mandy Hudson Daisies Oil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am a painter who lives and works in Kent & London. My work is mainly still life. I'm interested in the space between abstraction and figuration, drawing subject matter from accidental arrangements of objects I come across. These can be boxes in a corner shop, furniture left in the street or a plant in a distant window. My work has been predominantly urban in character but recently having moved to along the Thames estuary I have also found inspiration in the natural world, marsh plants growing on the shore and detritus washed up from the river. It is the singular and peculiar qualities of things which hold my interest.   Education 1986 - 1989 BA (Hons) Degree, Maidstone College of Art, Kent Institute 1985 - 1986 Foundation Course in Art & Design, Cambridge College of Arts & Technology   Select Exhibitions/Awards 2021 Flowers of Romance III, White Conduit Projects, London 2021 Turner Contemporary Open, Margate 2020 Every Day, Terrace Gallery at the William the Fourth, London 2019 Trinity Buoy Wharf Drawing Prize exhibition, London and touring 2019 Re-Assemble, Collyer Bristow Gallery, London 2017 Simmering, White Conduit Projects, London 2019 Solitudes and Seasons, Art at ARB, University of Cambridge 2016 Marmite Painting Prize, 336 Gallery, London & Highlanes Gallery, Ireland 2016 Things, Solo show, Dalston Cafe Project, London 2014 The Distance Between, Zeitgeist Art Projects, London 2013 MK Calling, Milton Keynes Gallery 2012 New Foragers, Collyer Bristow Gallery, London 2011 Souvenirs, Fieldgate at Angus-Hughes Gallery, London 2011 Creekside Open, Selected by Phyllida Barlow, APT Gallery, London 2007 Art Futures, Contemporary Art Society, Bloomberg Space, London   Gallery Representation I am not represented by a gallery but exhibit most frequently with White Conduit Projects, London   Statement about AOAP Submitted Artwork I made four individual paintings for Art on a Postcard. Each is a still life using photographs I have taken as a starting point. Shelves of books in a charity shop, lights in a dark display window, daisies in a tangle of leaves and a random rail of clothes in a factory outlet. These show the range of subject matter that I am currently working on.

Mandy Hudson Light Shop Watercolour, Gouache and Coloured Pencil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am a painter who lives and works in Kent & London. My work is mainly still life. I'm interested in the space between abstraction and figuration, drawing subject matter from accidental arrangements of objects I come across. These can be boxes in a corner shop, furniture left in the street or a plant in a distant window. My work has been predominantly urban in character but recently having moved to along the Thames estuary I have also found inspiration in the natural world, marsh plants growing on the shore and detritus washed up from the river. It is the singular and peculiar qualities of things which hold my interest.   Education 1986 - 1989 BA (Hons) Degree, Maidstone College of Art, Kent Institute 1985 - 1986 Foundation Course in Art & Design, Cambridge College of Arts & Technology   Select Exhibitions/Awards 2021 Flowers of Romance III, White Conduit Projects, London 2021 Turner Contemporary Open, Margate 2020 Every Day, Terrace Gallery at the William the Fourth, London 2019 Trinity Buoy Wharf Drawing Prize exhibition, London and touring 2019 Re-Assemble, Collyer Bristow Gallery, London 2017 Simmering, White Conduit Projects, London 2019 Solitudes and Seasons, Art at ARB, University of Cambridge 2016 Marmite Painting Prize, 336 Gallery, London & Highlanes Gallery, Ireland 2016 Things, Solo show, Dalston Cafe Project, London 2014 The Distance Between, Zeitgeist Art Projects, London 2013 MK Calling, Milton Keynes Gallery 2012 New Foragers, Collyer Bristow Gallery, London 2011 Souvenirs, Fieldgate at Angus-Hughes Gallery, London 2011 Creekside Open, Selected by Phyllida Barlow, APT Gallery, London 2007 Art Futures, Contemporary Art Society, Bloomberg Space, London   Gallery Representation I am not represented by a gallery but exhibit most frequently with White Conduit Projects, London   Statement about AOAP Submitted Artwork I made four individual paintings for Art on a Postcard. Each is a still life using photographs I have taken as a starting point. Shelves of books in a charity shop, lights in a dark display window, daisies in a tangle of leaves and a random rail of clothes in a factory outlet. These show the range of subject matter that I am currently working on.

Mandy Hudson Clothes Rail Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am a painter who lives and works in Kent & London. My work is mainly still life. I'm interested in the space between abstraction and figuration, drawing subject matter from accidental arrangements of objects I come across. These can be boxes in a corner shop, furniture left in the street or a plant in a distant window. My work has been predominantly urban in character but recently having moved to along the Thames estuary I have also found inspiration in the natural world, marsh plants growing on the shore and detritus washed up from the river. It is the singular and peculiar qualities of things which hold my interest.   Education 1986 - 1989 BA (Hons) Degree, Maidstone College of Art, Kent Institute 1985 - 1986 Foundation Course in Art & Design, Cambridge College of Arts & Technology   Select Exhibitions/Awards 2021 Flowers of Romance III, White Conduit Projects, London 2021 Turner Contemporary Open, Margate 2020 Every Day, Terrace Gallery at the William the Fourth, London 2019 Trinity Buoy Wharf Drawing Prize exhibition, London and touring 2019 Re-Assemble, Collyer Bristow Gallery, London 2017 Simmering, White Conduit Projects, London 2019 Solitudes and Seasons, Art at ARB, University of Cambridge 2016 Marmite Painting Prize, 336 Gallery, London & Highlanes Gallery, Ireland 2016 Things, Solo show, Dalston Cafe Project, London 2014 The Distance Between, Zeitgeist Art Projects, London 2013 MK Calling, Milton Keynes Gallery 2012 New Foragers, Collyer Bristow Gallery, London 2011 Souvenirs, Fieldgate at Angus-Hughes Gallery, London 2011 Creekside Open, Selected by Phyllida Barlow, APT Gallery, London 2007 Art Futures, Contemporary Art Society, Bloomberg Space, London   Gallery Representation I am not represented by a gallery but exhibit most frequently with White Conduit Projects, London   Statement about AOAP Submitted Artwork I made four individual paintings for Art on a Postcard. Each is a still life using photographs I have taken as a starting point. Shelves of books in a charity shop, lights in a dark display window, daisies in a tangle of leaves and a random rail of clothes in a factory outlet. These show the range of subject matter that I am currently working on.

Mandy Hudson Books Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am a painter who lives and works in Kent & London. My work is mainly still life. I'm interested in the space between abstraction and figuration, drawing subject matter from accidental arrangements of objects I come across. These can be boxes in a corner shop, furniture left in the street or a plant in a distant window. My work has been predominantly urban in character but recently having moved to along the Thames estuary I have also found inspiration in the natural world, marsh plants growing on the shore and detritus washed up from the river. It is the singular and peculiar qualities of things which hold my interest.   Education 1986 - 1989 BA (Hons) Degree, Maidstone College of Art, Kent Institute 1985 - 1986 Foundation Course in Art & Design, Cambridge College of Arts & Technology   Select Exhibitions/Awards 2021 Flowers of Romance III, White Conduit Projects, London 2021 Turner Contemporary Open, Margate 2020 Every Day, Terrace Gallery at the William the Fourth, London 2019 Trinity Buoy Wharf Drawing Prize exhibition, London and touring 2019 Re-Assemble, Collyer Bristow Gallery, London 2017 Simmering, White Conduit Projects, London 2019 Solitudes and Seasons, Art at ARB, University of Cambridge 2016 Marmite Painting Prize, 336 Gallery, London & Highlanes Gallery, Ireland 2016 Things, Solo show, Dalston Cafe Project, London 2014 The Distance Between, Zeitgeist Art Projects, London 2013 MK Calling, Milton Keynes Gallery 2012 New Foragers, Collyer Bristow Gallery, London 2011 Souvenirs, Fieldgate at Angus-Hughes Gallery, London 2011 Creekside Open, Selected by Phyllida Barlow, APT Gallery, London 2007 Art Futures, Contemporary Art Society, Bloomberg Space, London   Gallery Representation I am not represented by a gallery but exhibit most frequently with White Conduit Projects, London   Statement about AOAP Submitted Artwork I made four individual paintings for Art on a Postcard. Each is a still life using photographs I have taken as a starting point. Shelves of books in a charity shop, lights in a dark display window, daisies in a tangle of leaves and a random rail of clothes in a factory outlet. These show the range of subject matter that I am currently working on.

Sonia Barton Flower Jug and Pear Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Contemporary artist working mainly in the Still Life genre. I have moved many times and these memories constantly resurface through the study of remembered or collected objects. Often explored through a muted or limited palette, with flattened perspective and a naïve distortion of the objects. Many layers of paint are added, areas are scraped back, leaving traces of their previous existence.   Education BA(Hons) Fine Art - Staffordshire University Post Graduate Diploma in Fine Art (highest grade of Honours) - Brighton University   Select Exhibitions/Awards 2021 Spring, Summer and Christmas Exhibitions - Eastwood Fine Art 'Flowers' Exhibition - Fotheringham Gallery, Scotland AAF Battersea, London (Carina Haslam Gallery) Christmas Exhibition - Carina Haslam Gallery Winter Exhibition - Fotheringham Gallery 2020 'Not the Glasgow Art Fair' - Fotheringham Gallery, Scotland Spring and Summer Shows, Christmas Exhibition - Eastwood Fine Art Winter Show - Padstow Gallery Gallery Representation Carina Haslam Gallery Fotheringham Gallery Eastwood Fine Art Jerram Gallery Padstow Gallery   Statement about AOAP Submitted Artwork These paintings reflect the everyday through still life. My thoughts, memories and observations are interwoven through each piece. An interest in aged and worn surfaces, pattern and textures are also evident, with the layering of paint and scratched marks.

Jo Bradford Portal: Sky Cameraless Photography Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Jo Bradford was born in Hertfordshire, UK, and raised in South Africa. She now lives on Dartmoor, UK with her two children. Jo has worked with experimental, alternative process and cameraless photographs in her colour darkroom for over two decades. Jo has exhibited widely and has works in public and private collections around the world. Her work is created using only the primary tools of analogue photography, with precisely timed flashes of light captured on light sensitive paper in utter darkness. These detailed working methods produce in essence a kind of pure photography - not representational of the external physical world, but acutely resonant of something entirely more abstract and possibly internal. Whatever the resonance, there is a subversion, or inversion of the photographic process as it's commonly understood.   Education Master's Degree (Distinction) in Photography: Critical Practice from University College Falmouth in 2004   Select Exhibitions/Awards Exhibitions Photo London. Gas Gallery - Somerset House, The Strand, London, UK. 2021 Expo Chicago. NFP Editions with the Tate and Whitechapel Gallery - Navy Pier, Chicago USA. 2019 Women In Colour: Anna Atkins, Colour Photography and Those Struck by Light - Galerie Miranda, Paris, France. 2019 The Armory Show. Field Editions / NFP Editions; with the Tate - Piers 90, 92, and 94, New York, USA. 2019 Fotofever Art Fair - Paris, France. 2018 Expo Chicago. Field Editions / NFP Editions with the Tate and the Royal Academy et al - Navy Pier, Chicago USA. 2018 NADA New York. Field Editions - Skylight Clarkson Square, New York, USA. 2018 NADA Miami. Field Editions at NADA PROJECTS - Miami Beach, Miami, Florida, USA. 2017 Expo Chicago. Field Editions at Expo Editions - Navy Pier, Chicago USA. 2017 London Art Fair. Eyestorm Gallery - Islington, London, UK. 2017 Lutyens - Showing 22 works by Bradford at 85 Fleet Street, London, UK. 2016 Facing Changes - Guys Hospital, London, UK. 2015 Bristol Festival of Photography - Bristol, UK. 2014 The Photocopy Club presents Space is Ace - Doomed Gallery, Dalston, London, UK. 2014 Photogram - Urmson Burnett Gallery, Salisbury, UK. 2014 Beautiful Science at the Imperial Science Festival - London, UK. 2013 Beautiful Science - Brick Lane Gallery, London, UK. 2012 NASA Space Shuttle Endeavour STS-134 - Launched 16th May 2011, docked with the international space station, orbited for 16 days and 16 million miles around earth, returned to earth. Cliché Verre in the Digital Age - Jenkins Johnson Gallery, San Francisco, USA. 2011. Photo Alchemy - 23 Sandy Gallery, Portland, Oregon, USA. 2011 The Museum of Contemporary Art, Chicago, Illinois, USA. 2011 Facing Changes - Gordon Museum, London, UK. 2011 Low Tech - Center for Fine Art Photography, Fort Collins, Colorado, USA. 2010 Urban - Stramash Space, Glasgow, UK. 2010 Kennedy Space Centre, Florida, USA. 2010 Fort Worth Art Centre, Texas, USA. 2010 Light! Colour! - Madera Design Studio, Downtown, Los Angeles, USA. 2009 La Galerie D'Art - Atelier Mandarine, Brest, France. 2007 Indications of the Infinite - Out Of Place Gallery, Porthtowan, Cornwall, UK. 2007 Heart Of A Garden - Great Oak Hall, Westonbirt National Arboretum, UK. 2007 Cream Of The Crop - Custard Factory, Birmingham, UK. 2003 Homegrown - Millennium Point, Birmingham, UK. 2002 Out Of Bounds - Wallsworth Hall, Gloucestershire, UK. 2000   Awards 2016 - Arts Council England - Grants for the Arts Award. 2015 - DNPA 'Your Dartmoor Fund' Grant - Project Funding Award. 2010 - AA2A - Artist in Residence Scheme - Plymouth College of Art. 2008 - Saatchi Gallery & Harper Collins Publishers - Finalist -Book Cover Design. 2006 - Unlocking Cornish Potential - Graduate Placement Award. 2004 - Fenton Arts Trust Grant - Project Funding Award. 2003 - Arts Council England - Creative Development Award. 2003 - West Midlands Arts - Funding Award. 2002 - Arts Council England - Creative Development Award. 2002 - West Midlands Arts - Funding Award   Gallery Representation Gina Cross Art + Design Eyestorm Gallery Miranda   Statement about AOAP Submitted Artwork My photography begins in the absence of light. Undertaken in a completely black darkroom, in a time-consuming process requiring decades of practiced hand movements to mask light exposures and with continuous precise adjustments made to an array of dials and buttons not visible to the eye my work begins. Combining this with an understanding of the way colours mix in light to create primary and tertiary colours, and through a lot of trial and error and endless patience, hands and masks are used to create areas of shadow, which alter the path of light on its way to the paper during the brief flashes of light exposure. This non-figurative work subverts the established fidelity of the photograph as a record of an object, referring only to itself, without seeking to illustrate or represent anything. In a sense, it is a self-portrait made of photography, whereby the photographic means becomes the object and the medium becomes the subject.

Bunmi Agusto Aruaro (In Blue and Green) Pastel Pencil on Sandpaper, Ink and Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Bunmi Agusto's practice follows the inhabitants of a surrealist wonderland in her mind called Within. The indigenous inhabitants of this world are hybrids whose human form is combined with elements she finds integral to her sense of self and cultural consciousness. Non-Hybrid humans are also present in Within as family members, friends and passersby in the artist's waking life are subsumed into the world through encounters and begin to occupy the role of immigrants into her mind. Her works therefore explore cultural theory and the evolution of selfhood through the lens of fantasy. She cites stories such as Amos Tutuola's The Palm Wine Drinkard, Lewis Carroll's Alice In Wonderland and the Marvel Cinematic Universe as major influences. She also works predominantly with pastel pencils and mixed media. Education MA History of Art & Archaeology, SOAS University BA Fine Art, Central Saint Martins Erasmus Exchange, Royal Academy of Art, The Hague Select Exhibitions/Awards   Solo Exhibitions: Kenneth Ize SS22, Palais de Tokyo, Paris (2021) Escape To Within, DADA Gallery, London (2021) Group Exhibitions: 1-54 Contemporary African Art Fair, DADA Gallery, London (2021) Art X Lagos, DADA Gallery, Lagos (2021) Redefining The Trend- Histories In The Making, Christie's, London (2021) Now, Now, TAFETA, London (2021) London Grads Now, Saatchi Gallery, London (2020) Awards: Cass Art Prize, UAL Graduate Showcase (2020) Cass Art Prize, Xhibit (2019) Gallery Representation DADA Gallery Statement about AOAP Submitted Artwork This artwork features a member of Agusto's fictional Aruaro clan. This clan is known for their unique tribal marks in which lie a second set of eyes that allows them to tap into a more insightful ancestral perspective. However, in this piece, the Aruaro hides all four of their eyes as they engage in conversation leisurely.

Anna Woodward Swarming In Oil on Gesso Primed Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Anna Woodward's practice investigates utopian and dystopian states in relation to how the natural world is undergoing a period of change and destruction. Woodward's creates post-human environments where ambiguous plants and insects have been left to grow free and exist beyond human intervention. Classical depictions of flora and fauna influence her practice and technique, reminiscent of works by Hieronymus Bosch, the 16th century Dutch painter.   Education Ba in Fine and Art and Masters in Fine Art City and Guilds of London Art School   Select Exhibitions/Awards The Reality in Whytch you create, group show alongside Sholto Blissett, Lydia Makin, Alfie Rouy, Salome Wu and Anna Woodward, Studio West With Love, II, online exhibition by Paint Talk, curated by Mark Connoly Into the Cosmere, 188 Shoreditch High Street by Jack Trodd Reframing, Rebuilding at Sevenoaks Kaleiodscope Hera with The Auction Collective and The Artists Contemporary, Timed and Live, in support of Action Aid UK The Podcast by The Artists Contemporary at Hackney Downs Studios Euphoric, Online group show by Josephine Bailey (@procrastinarting) City and Guilds Of London Art School 2020 Graduates Exhibition at The Oxo Tower Barge House Chelsea and Kensington Art Week, exhibited at Sheridans, Kings Road Life on Venus, Landscape, Organic, Human, curated by Tub Hackney x The Auction Collective Domesticity and The Feminine, curated by Josephine Bailey at https://josephinemaybailey.com The Freelands Foundation Painting Prize 2020   Statement about AOAP Submitted Artwork I made the works as a part of my recent series of works exploring utopian spaces and that is inhabited by organic forms beyond our own realm.

Anna Woodward The Lost Valley In Bloom Oil on Gesso Primed Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Anna Woodward's practice investigates utopian and dystopian states in relation to how the natural world is undergoing a period of change and destruction. Woodward's creates post-human environments where ambiguous plants and insects have been left to grow free and exist beyond human intervention. Classical depictions of flora and fauna influence her practice and technique, reminiscent of works by Hieronymus Bosch, the 16th century Dutch painter.   Education Ba in Fine and Art and Masters in Fine Art City and Guilds of London Art School   Select Exhibitions/Awards The Reality in Whytch you create, group show alongside Sholto Blissett, Lydia Makin, Alfie Rouy, Salome Wu and Anna Woodward, Studio West With Love, II, online exhibition by Paint Talk, curated by Mark Connoly Into the Cosmere, 188 Shoreditch High Street by Jack Trodd Reframing, Rebuilding at Sevenoaks Kaleiodscope Hera with The Auction Collective and The Artists Contemporary, Timed and Live, in support of Action Aid UK The Podcast by The Artists Contemporary at Hackney Downs Studios Euphoric, Online group show by Josephine Bailey (@procrastinarting) City and Guilds Of London Art School 2020 Graduates Exhibition at The Oxo Tower Barge House Chelsea and Kensington Art Week, exhibited at Sheridans, Kings Road Life on Venus, Landscape, Organic, Human, curated by Tub Hackney x The Auction Collective Domesticity and The Feminine, curated by Josephine Bailey at https://josephinemaybailey.com The Freelands Foundation Painting Prize 2020   Statement about AOAP Submitted Artwork I made the works as a part of my recent series of works exploring utopian spaces and that is inhabited by organic forms beyond our own realm.

Ella Devi Dabysing The Lingerie of Liberation Series I Digital Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education BA FINE ART & ART HISTORY - MANCHESTER SCHOOL OF ART ART FOUNDATION DIPLOMA - KINGSTON SCHOOL OF ART   Select Exhibitions/Awards 2021 | Named Space - Grateful for Co Ve, Mar House 2021 | KingDom - The Feathers of Deadalus Circus @Art Hub Studios 2020 | Virtual Exhibition - The Little Pink Gallery 2020 | ATA RODO LONDON @Deptford does Art 2019 | Woke Women London - Her Truth @EartH 2019 | City of Secrets, Bristol @Liberty House 2019 | NASTY WOMEN, Portugal @Galeria Monumental 2019 | The Primary Movement - The Divine Feminine @Georgia State University 2018 | Manchester Artist Collective - Under One Roof @Sandbar 2018 | Inkbigstudent - Voices without Limits @Mile End 2018 | Tech Your Time @BBB, London 2018 | Mania - Simple Life @AATMA 2018 | J Luna - First Showcase @The Crypt Gallery 2017 | L Southgate - Between @Kosmonaut 2017 | Final Year Degree Show @Manchester School of Art 2017 | Three & A Half Indians Collective @Revolution, Manchester 2016 | Course Fundraiser @Manchester School of Art 2016 | Second Year Show @Manchester School of Art 2015 | First Year Show @Manchester School of Art   Gallery Representation TRiCERA Artist Support Iamfy   Statement about AOAP Submitted Artwork Ella's current practice looks into portraying women in an abstract, natural and contemporary light. By reverting away from preconceived conceptions that we have been led to believe throughout art history; her work takes a sincere and revised approach to capturing what is real. Through various life drawing sessions, conversations, drawing studies and readings, she has adapted a style that taps into drawing from these women's interior rather than exterior in an abstract way. Everything about Ella's work goes against the norm and traditional standards, making the viewer question the constructs that women face and why they haven't been able to be seen in a truer light such as this. Ella has created an intimate, and playful series for Art on a Postcard's International Women's Day Auction; these women are dressed in 'delicate' lingerie, but stand strong because they are a force to be reckoned with.

Ella Devi Dabysing The Lingerie of Liberation Series II Digital Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education BA FINE ART & ART HISTORY - MANCHESTER SCHOOL OF ART ART FOUNDATION DIPLOMA - KINGSTON SCHOOL OF ART   Select Exhibitions/Awards 2021 | Named Space - Grateful for Co Ve, Mar House 2021 | KingDom - The Feathers of Deadalus Circus @Art Hub Studios 2020 | Virtual Exhibition - The Little Pink Gallery 2020 | ATA RODO LONDON @Deptford does Art 2019 | Woke Women London - Her Truth @EartH 2019 | City of Secrets, Bristol @Liberty House 2019 | NASTY WOMEN, Portugal @Galeria Monumental 2019 | The Primary Movement - The Divine Feminine @Georgia State University 2018 | Manchester Artist Collective - Under One Roof @Sandbar 2018 | Inkbigstudent - Voices without Limits @Mile End 2018 | Tech Your Time @BBB, London 2018 | Mania - Simple Life @AATMA 2018 | J Luna - First Showcase @The Crypt Gallery 2017 | L Southgate - Between @Kosmonaut 2017 | Final Year Degree Show @Manchester School of Art 2017 | Three & A Half Indians Collective @Revolution, Manchester 2016 | Course Fundraiser @Manchester School of Art 2016 | Second Year Show @Manchester School of Art 2015 | First Year Show @Manchester School of Art   Gallery Representation TRiCERA Artist Support Iamfy   Statement about AOAP Submitted Artwork Ella's current practice looks into portraying women in an abstract, natural and contemporary light. By reverting away from preconceived conceptions that we have been led to believe throughout art history; her work takes a sincere and revised approach to capturing what is real. Through various life drawing sessions, conversations, drawing studies and readings, she has adapted a style that taps into drawing from these women's interior rather than exterior in an abstract way. Everything about Ella's work goes against the norm and traditional standards, making the viewer question the constructs that women face and why they haven't been able to be seen in a truer light such as this. Ella has created an intimate, and playful series for Art on a Postcard's International Women's Day Auction; these women are dressed in 'delicate' lingerie, but stand strong because they are a force to be reckoned with.

Ella Devi Dabysing The Lingerie of Liberation Series III Digital Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education BA FINE ART & ART HISTORY - MANCHESTER SCHOOL OF ART ART FOUNDATION DIPLOMA - KINGSTON SCHOOL OF ART   Select Exhibitions/Awards 2021 | Named Space - Grateful for Co Ve, Mar House 2021 | KingDom - The Feathers of Deadalus Circus @Art Hub Studios 2020 | Virtual Exhibition - The Little Pink Gallery 2020 | ATA RODO LONDON @Deptford does Art 2019 | Woke Women London - Her Truth @EartH 2019 | City of Secrets, Bristol @Liberty House 2019 | NASTY WOMEN, Portugal @Galeria Monumental 2019 | The Primary Movement - The Divine Feminine @Georgia State University 2018 | Manchester Artist Collective - Under One Roof @Sandbar 2018 | Inkbigstudent - Voices without Limits @Mile End 2018 | Tech Your Time @BBB, London 2018 | Mania - Simple Life @AATMA 2018 | J Luna - First Showcase @The Crypt Gallery 2017 | L Southgate - Between @Kosmonaut 2017 | Final Year Degree Show @Manchester School of Art 2017 | Three & A Half Indians Collective @Revolution, Manchester 2016 | Course Fundraiser @Manchester School of Art 2016 | Second Year Show @Manchester School of Art 2015 | First Year Show @Manchester School of Art   Gallery Representation TRiCERA Artist Support Iamfy   Statement about AOAP Submitted Artwork Ella's current practice looks into portraying women in an abstract, natural and contemporary light. By reverting away from preconceived conceptions that we have been led to believe throughout art history; her work takes a sincere and revised approach to capturing what is real. Through various life drawing sessions, conversations, drawing studies and readings, she has adapted a style that taps into drawing from these women's interior rather than exterior in an abstract way. Everything about Ella's work goes against the norm and traditional standards, making the viewer question the constructs that women face and why they haven't been able to be seen in a truer light such as this. Ella has created an intimate, and playful series for Art on a Postcard's International Women's Day Auction; these women are dressed in 'delicate' lingerie, but stand strong because they are a force to be reckoned with.

Ella Devi Dabysing The Lingerie of Liberation Series IV Digital Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education BA FINE ART & ART HISTORY - MANCHESTER SCHOOL OF ART ART FOUNDATION DIPLOMA - KINGSTON SCHOOL OF ART   Select Exhibitions/Awards 2021 | Named Space - Grateful for Co Ve, Mar House 2021 | KingDom - The Feathers of Deadalus Circus @Art Hub Studios 2020 | Virtual Exhibition - The Little Pink Gallery 2020 | ATA RODO LONDON @Deptford does Art 2019 | Woke Women London - Her Truth @EartH 2019 | City of Secrets, Bristol @Liberty House 2019 | NASTY WOMEN, Portugal @Galeria Monumental 2019 | The Primary Movement - The Divine Feminine @Georgia State University 2018 | Manchester Artist Collective - Under One Roof @Sandbar 2018 | Inkbigstudent - Voices without Limits @Mile End 2018 | Tech Your Time @BBB, London 2018 | Mania - Simple Life @AATMA 2018 | J Luna - First Showcase @The Crypt Gallery 2017 | L Southgate - Between @Kosmonaut 2017 | Final Year Degree Show @Manchester School of Art 2017 | Three & A Half Indians Collective @Revolution, Manchester 2016 | Course Fundraiser @Manchester School of Art 2016 | Second Year Show @Manchester School of Art 2015 | First Year Show @Manchester School of Art   Gallery Representation TRiCERA Artist Support Iamfy   Statement about AOAP Submitted Artwork Ella's current practice looks into portraying women in an abstract, natural and contemporary light. By reverting away from preconceived conceptions that we have been led to believe throughout art history; her work takes a sincere and revised approach to capturing what is real. Through various life drawing sessions, conversations, drawing studies and readings, she has adapted a style that taps into drawing from these women's interior rather than exterior in an abstract way. Everything about Ella's work goes against the norm and traditional standards, making the viewer question the constructs that women face and why they haven't been able to be seen in a truer light such as this. Ella has created an intimate, and playful series for Art on a Postcard's International Women's Day Auction; these women are dressed in 'delicate' lingerie, but stand strong because they are a force to be reckoned with.

Emma Cousin Travelling Inside My Head Gouache, Tipex and Pen on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Emma Cousin was born in Yorkshire in 1986. Her practice is rooted in drawing, and works on paper form an important part of her thinking and making. She makes paintings that explore the ways in which relationships and communication between the self and others are structured. She is interested in exploring the normative tensions within contemporary society and ideas of the post-human body, and employs a darkly comic parade of female and androgynous characters to do this. Her works respond to the limitations of language when used to articulate the complexities of human experience and emotions in order to consider how we might interact without it, in pre- or post-linguistic states. She lives and works in London.   Education Ruskin School of Drawing and Fine Art, Oxford University 2004-2007 Skowhegan School of Art 2018   Select Exhibitions/Awards Recent solo exhibitions include Game face, Niru Ratnam Gallery, London, Knock Knock, White Cube (2021); New Dirt, Goldsmiths CCA, London (2020); Milton Keynes Art Centre, UK (2019); Lewisham Arthouse, London (2018); Edel Assanti, UK (2018); and Dolph Projects, London (2017). Recent group exhibitions include She came to stay, Andrea Festa Fine Art, Italy; Superbloom, Brooke Bennington Gallery, Milan, Italy; Soft Bodies, Castlefield Gallery, Manchester, (2020); Ridiculous, Elephant West, London (2020); Jerwood Arts exhibition Survey, at Baltic Centre for Contemporary Art, Gateshead, The Bluecoat, Liverpool, and G39, Cardiff, UK (2019); and Ultra, J Hammond Projects, London (2019). Her work is in the Zuzeum Museum Riga, The Samandi Art Foundation, Bangladesh, Aishti Foundation, Lebanon and Azman Museum, Malaysia.   Statement about AOAP Submitted Artwork Responding to the format of the postcard I thought about travelling, and the idea of a postcard taking you somewhere through descriptions and depictions. I used figures to explore this. Imagining the transportations in the mind/head, the figures are travelling in their minds to find new views, which seemed particularly funny when we have depended on this notion over lockdowns.

Mary Webb January I Collage Using Painted Papers Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About 1939 Born London. 1958-63 Fine Art Department University of Newcastle. 1962-63 Hatton Scholarship. 1963 Postgraduate course Chelsea school of Art. 1964-66 Head of Foundation Studies Harrogate School of Art. 1966-73 Part time lecturer in painting. 1973-90 Senior lecturer in painting. Norwich School of Art. Lives and works in Suffolk.   Select Exhibitions/Awards 1974 Serpentine Summer Show 2. 1974 John Moores. 1984 The Showroom Bethnal Green (solo show). 1991 Selected by Tim Hilton for The Discerning Eye. The Mall Galleries. 2002 Five Abstract Printmakers Flowers East. 1990/1/7/8/9/0/2/3/4/5/7 Royal Academy Summer Show. 2008 Constructed. 40 years of the UEA Collection of constructivist work. Sainsbury Centre UEA. Commissioned to design poster to commemorate exhibition. 2009 Kings Lynn Art Centre. The Fermoy Gallery (solo show). 2009 Northern Print Biennale Hatton Gallery Newcastle University. 2011/12 Journeys in colour solo show Sainsbury Centre for Visual Arts UEA Norwich. 2012 Royal Academy Summer Show. 2012/13 Journeys in Colour, Hatton Gallery, Dept of Fine Art, University of Newcastle. 2013 East Contemporary Art: A collection of 21st Century Practise. University Campus Suffolk. 2013 2Q13 Women Collectors, Woman Artists. Lloyds Club, London. 2014 Small is Beautiful XXX1 - Who is afraid of Red Yellow and Blue? Flowers, London. 2014 Contemporary British Painting solo show at St.Marylebone Church Crypt London. 2015 Solo show at The Cut, Halesworth, Suffolk. 2015 Small is Beautiful Exhibition Flowers Gallery Cork Street London. 2016 Selected by Sacha Craddock for The Discerning Eye. The Mall Galleries. 2016 Small is Beautiful Exhibition Flowers Gallery Cork Street London. 2018 Reverie, Hales Gallery, 7 Bethnal Green Road, London E1 6LA 2020 Landings - Hales New York 2021 To Situations New - Lamb Gallery, London 2021 Extended Square, Hales Gallery, 7 Bethnal Green Road, London E1 6LA CURRENT Constructivist Art in Britain since 1951 at Sainsbury Centre until 17 July 1970 Northern Arts Print Award 1984 Eastern Arts Award 1991 £3000 Painting Award Wingfield Arts and Music 1997 Eastern Arts Award for travel and research in Portugal 2004 Arts Council Award for travel and research in Italy

Mary Webb January II Collage Using Painted Papers Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About 1939 Born London. 1958-63 Fine Art Department University of Newcastle. 1962-63 Hatton Scholarship. 1963 Postgraduate course Chelsea school of Art. 1964-66 Head of Foundation Studies Harrogate School of Art. 1966-73 Part time lecturer in painting. 1973-90 Senior lecturer in painting. Norwich School of Art. Lives and works in Suffolk.   Select Exhibitions/Awards 1974 Serpentine Summer Show 2. 1974 John Moores. 1984 The Showroom Bethnal Green (solo show). 1991 Selected by Tim Hilton for The Discerning Eye. The Mall Galleries. 2002 Five Abstract Printmakers Flowers East. 1990/1/7/8/9/0/2/3/4/5/7 Royal Academy Summer Show. 2008 Constructed. 40 years of the UEA Collection of constructivist work. Sainsbury Centre UEA. Commissioned to design poster to commemorate exhibition. 2009 Kings Lynn Art Centre. The Fermoy Gallery (solo show). 2009 Northern Print Biennale Hatton Gallery Newcastle University. 2011/12 Journeys in colour solo show Sainsbury Centre for Visual Arts UEA Norwich. 2012 Royal Academy Summer Show. 2012/13 Journeys in Colour, Hatton Gallery, Dept of Fine Art, University of Newcastle. 2013 East Contemporary Art: A collection of 21st Century Practise. University Campus Suffolk. 2013 2Q13 Women Collectors, Woman Artists. Lloyds Club, London. 2014 Small is Beautiful XXX1 - Who is afraid of Red Yellow and Blue? Flowers, London. 2014 Contemporary British Painting solo show at St.Marylebone Church Crypt London. 2015 Solo show at The Cut, Halesworth, Suffolk. 2015 Small is Beautiful Exhibition Flowers Gallery Cork Street London. 2016 Selected by Sacha Craddock for The Discerning Eye. The Mall Galleries. 2016 Small is Beautiful Exhibition Flowers Gallery Cork Street London. 2018 Reverie, Hales Gallery, 7 Bethnal Green Road, London E1 6LA 2020 Landings - Hales New York 2021 To Situations New - Lamb Gallery, London 2021 Extended Square, Hales Gallery, 7 Bethnal Green Road, London E1 6LA CURRENT Constructivist Art in Britain since 1951 at Sainsbury Centre until 17 July 1970 Northern Arts Print Award 1984 Eastern Arts Award 1991 £3000 Painting Award Wingfield Arts and Music 1997 Eastern Arts Award for travel and research in Portugal 2004 Arts Council Award for travel and research in Italy

Madeleine De Angelis A Walk In My Imagination Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education Harrow School of Art (2 years), Eastbourne College of Art & Design (3 years)   Select Exhibitions/Awards ONCA Gallery Brighton Capital Gallery London Flux Arts Magazine (double page feature of my artworks) Premier Vision Paris Sussex University commission for a painting now on permanent display Visionary Art Collective exhibition Splash, Drip, Throw. Tebbs Contemporary Gallery (upcoming artist of the week)   Statement about AOAP Submitted Artwork 'A Walk In My Imagination' is a sultry summers afternoon deep in the country. Heat rising from the ground as an oak tree offers the possibility of respite from the sun.

Madeleine De Angelis Infinity Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) Education Harrow School of Art (2 years), Eastbourne College of Art & Design (3 years)   Select Exhibitions/Awards ONCA Gallery Brighton Capital Gallery London Flux Arts Magazine (double page feature of my artworks) Premier Vision Paris Sussex University commission for a painting now on permanent display Visionary Art Collective exhibition Splash, Drip, Throw. Tebbs Contemporary Gallery (upcoming artist of the week)   Statement about AOAP Submitted Artwork 'Infinity', this painting was inspired by the sea where I live in Brighton, the constant changing of light and movement across the surface.

Allison Katz Study for Milk Glass Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   Education Columbia University MFA 2008   Select Exhibitions/Awards Camden Art Centre 2022 Nottingham Contemporary 2021   Gallery Representation Luhring Augustine New York

Marcelina Amelia Moonlight Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'

Marcelina Amelia My Fire Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'

Marcelina Amelia Grounding Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'

Marcelina Amelia My Big Small Fire Watercolour and Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Marcelina Amelia is a contemporary artist, based between the UK and Poland, working with mixed media approaches to print, painting and drawing. She often draws inspirations from her Polish heritage, looking to religious iconography and folk tales, as well as childhood memories, the power of dreams, spirituality, sexuality, and the human condition. According to her Mum, Marcelina started drawing before she could properly speak. She has been featured in publications including Booooooom, Bomb, Art Maze, Create Magazine, Digital Arts, Vogue, Refinery29, The NY Times, Der Spiegel and Ballad Of Magazine and is also a founder of art-brand Mesh Studio. She exhibits work throughout the UK as well as internationally and was a featured artist at the 2017 edition of the London Illustration Fair and led The Big Draw sketch walk for Apple. In 2018 Marcelina was Saatchi Art's featured 'Artist in Spotlight' at The Other Art Fair in Bristol and her artwork adorned thousands of tote bags promoting the fair. This year Marcelina was also a featured artist at the Affordable Art Fair Battersea's Live Art event. Added to that her work was displayed at Boxpark Croydon, made an appearance at 2018 London Fashion Week and she has been invited to take part in the infamous 'Art on a Postcard' secret auction alongside some big names in the art world. Rebecca Wilson, the chief curator at Saatchi Art, highlighted Marcelina as an artist to invest in at her talk at The Other Art Fair in London in 2018. In addition, Saatchi curator Monty Preston said she was "unquestionably an artist on the rise" Marcelina says, 'I like to play at the tense borders between lust and innocence; joy and sadness; fun and pain. My interest in juxtaposition comes from my origins and fascination with East European culture which was eloquently described by Grayson Perry as 'nowhere else could such horrific grief be met with such fairly-tale romanticism'. I tend to utilise nature as a metaphor for everyday feelings and headaches. My recent work also dwells into themes of self acceptance, body positivity, representations of the female sexuality, gender, migration, and society. Although some of the subjects I take on are often quite dark I like to think that there is some humour and light in my finished artwork.'

Kate Milsom Difficult Girls Oil and Mixed Media on Fabriano Watercolour Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kate Milsom (SWA) works from her studio on the Welsh Borders creating elaborate mixed media pieces. She is endlessly fascinated with how and why society functions, what 'rules' we accept to live by, where they are subverted and who among us is brave enough to pay them no heed. Working in series, her paintings often investigate socio-political themes using historical comparisons to highlight contemporary issues. Using the form of narrative portraiture the images are intended to ask of the viewer "Where do I fit in?" and subsequently "Where do you?" and ultimately "Are we all sitting comfortably?". Her work has been described as "subversive, heretical, beautiful, chaotic, surprising, highly weird, spontaneous, and deeply joyful all at the same time." In addition to her own work she is the curator of The Kilvert Gallery, a collection of art work predominantly produced in the past 70 years by a variety of Welsh border artists, and in 2021 was elected a full member of The Society of Women Artists. Education Fine Art BA (Hons) at Oxford Brookes University and the School of the Art Institute of Chicago.   Select Exhibitions/Awards   EXHIBITIONS 2021 Society of Women Artists 2021 Oriel Y Bont | University of South Wales 2020 Society of Women Artists 2020 Battersea Affordable Art Fair 2019 Royal West of England Academy, Bristol 2018 7 Painters, GalaFineArt , Bristol 2018 Royal West of England Academy, Bristol 2018 Vis-à-Vis Oriel Y Bont | University of South Wales. 2018 Solo Show, Martin Tinney, Cardiff AWARDS Society of Women Artists Special Fine Art Award 2020 the Princess Michael of Kent Award 2020 Oxford Brookes University Travel Scholarship 1991 Art Institute of Chicago Extended Study Scholarship 1992   Gallery Representation The Martin Tinney Gallery, Cardiff Gala Fine Art, Bristol saatchiart.com singulart.com   Statement about AOAP Submitted Artwork These postcards were created with International Women's Day very much at the forefront of my mind. Two issues of "Ladies Home Journal - the magazine women believe in" from 1948/49 provided not only a wealth of 'femmage' material, but also a chance to ponder on how far the perceived role of women has progressed (or not) over three generations. Peppered with adverts about how to feed your baby more meat whilst keeping yourself as fresh and trim as the day you married, I found them simultaneously highly amusing and deeply unsettling. The resulting images parody the absurdity of stereotypical gender roles in a healthy society.

Kate Milsom Modern Mark Oil and Mixed Media on Fabriano Watercolour Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kate Milsom (SWA) works from her studio on the Welsh Borders creating elaborate mixed media pieces. She is endlessly fascinated with how and why society functions, what 'rules' we accept to live by, where they are subverted and who among us is brave enough to pay them no heed. Working in series, her paintings often investigate socio-political themes using historical comparisons to highlight contemporary issues. Using the form of narrative portraiture the images are intended to ask of the viewer "Where do I fit in?" and subsequently "Where do you?" and ultimately "Are we all sitting comfortably?". Her work has been described as "subversive, heretical, beautiful, chaotic, surprising, highly weird, spontaneous, and deeply joyful all at the same time." In addition to her own work she is the curator of The Kilvert Gallery, a collection of art work predominantly produced in the past 70 years by a variety of Welsh border artists, and in 2021 was elected a full member of The Society of Women Artists. Education Fine Art BA (Hons) at Oxford Brookes University and the School of the Art Institute of Chicago.   Select Exhibitions/Awards   EXHIBITIONS 2021 Society of Women Artists 2021 Oriel Y Bont | University of South Wales 2020 Society of Women Artists 2020 Battersea Affordable Art Fair 2019 Royal West of England Academy, Bristol 2018 7 Painters, GalaFineArt , Bristol 2018 Royal West of England Academy, Bristol 2018 Vis-à-Vis Oriel Y Bont | University of South Wales. 2018 Solo Show, Martin Tinney, Cardiff AWARDS Society of Women Artists Special Fine Art Award 2020 the Princess Michael of Kent Award 2020 Oxford Brookes University Travel Scholarship 1991 Art Institute of Chicago Extended Study Scholarship 1992   Gallery Representation The Martin Tinney Gallery, Cardiff Gala Fine Art, Bristol saatchiart.com singulart.com   Statement about AOAP Submitted Artwork These postcards were created with International Women's Day very much at the forefront of my mind. Two issues of "Ladies Home Journal - the magazine women believe in" from 1948/49 provided not only a wealth of 'femmage' material, but also a chance to ponder on how far the perceived role of women has progressed (or not) over three generations. Peppered with adverts about how to feed your baby more meat whilst keeping yourself as fresh and trim as the day you married, I found them simultaneously highly amusing and deeply unsettling. The resulting images parody the absurdity of stereotypical gender roles in a healthy society.

Kate Milsom You're The Best Oil and Mixed Media on Fabriano Watercolour Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kate Milsom (SWA) works from her studio on the Welsh Borders creating elaborate mixed media pieces. She is endlessly fascinated with how and why society functions, what 'rules' we accept to live by, where they are subverted and who among us is brave enough to pay them no heed. Working in series, her paintings often investigate socio-political themes using historical comparisons to highlight contemporary issues. Using the form of narrative portraiture the images are intended to ask of the viewer "Where do I fit in?" and subsequently "Where do you?" and ultimately "Are we all sitting comfortably?". Her work has been described as "subversive, heretical, beautiful, chaotic, surprising, highly weird, spontaneous, and deeply joyful all at the same time." In addition to her own work she is the curator of The Kilvert Gallery, a collection of art work predominantly produced in the past 70 years by a variety of Welsh border artists, and in 2021 was elected a full member of The Society of Women Artists. Education Fine Art BA (Hons) at Oxford Brookes University and the School of the Art Institute of Chicago.   Select Exhibitions/Awards   EXHIBITIONS 2021 Society of Women Artists 2021 Oriel Y Bont | University of South Wales 2020 Society of Women Artists 2020 Battersea Affordable Art Fair 2019 Royal West of England Academy, Bristol 2018 7 Painters, GalaFineArt , Bristol 2018 Royal West of England Academy, Bristol 2018 Vis-à-Vis Oriel Y Bont | University of South Wales. 2018 Solo Show, Martin Tinney, Cardiff AWARDS Society of Women Artists Special Fine Art Award 2020 the Princess Michael of Kent Award 2020 Oxford Brookes University Travel Scholarship 1991 Art Institute of Chicago Extended Study Scholarship 1992   Gallery Representation The Martin Tinney Gallery, Cardiff Gala Fine Art, Bristol saatchiart.com singulart.com   Statement about AOAP Submitted Artwork These postcards were created with International Women's Day very much at the forefront of my mind. Two issues of "Ladies Home Journal - the magazine women believe in" from 1948/49 provided not only a wealth of 'femmage' material, but also a chance to ponder on how far the perceived role of women has progressed (or not) over three generations. Peppered with adverts about how to feed your baby more meat whilst keeping yourself as fresh and trim as the day you married, I found them simultaneously highly amusing and deeply unsettling. The resulting images parody the absurdity of stereotypical gender roles in a healthy society.

Kate Milsom Brain Salt Oil and Mixed Media on Fabriano Watercolour Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kate Milsom (SWA) works from her studio on the Welsh Borders creating elaborate mixed media pieces. She is endlessly fascinated with how and why society functions, what 'rules' we accept to live by, where they are subverted and who among us is brave enough to pay them no heed. Working in series, her paintings often investigate socio-political themes using historical comparisons to highlight contemporary issues. Using the form of narrative portraiture the images are intended to ask of the viewer "Where do I fit in?" and subsequently "Where do you?" and ultimately "Are we all sitting comfortably?". Her work has been described as "subversive, heretical, beautiful, chaotic, surprising, highly weird, spontaneous, and deeply joyful all at the same time." In addition to her own work she is the curator of The Kilvert Gallery, a collection of art work predominantly produced in the past 70 years by a variety of Welsh border artists, and in 2021 was elected a full member of The Society of Women Artists. Education Fine Art BA (Hons) at Oxford Brookes University and the School of the Art Institute of Chicago.   Select Exhibitions/Awards   EXHIBITIONS 2021 Society of Women Artists 2021 Oriel Y Bont | University of South Wales 2020 Society of Women Artists 2020 Battersea Affordable Art Fair 2019 Royal West of England Academy, Bristol 2018 7 Painters, GalaFineArt , Bristol 2018 Royal West of England Academy, Bristol 2018 Vis-à-Vis Oriel Y Bont | University of South Wales. 2018 Solo Show, Martin Tinney, Cardiff AWARDS Society of Women Artists Special Fine Art Award 2020 the Princess Michael of Kent Award 2020 Oxford Brookes University Travel Scholarship 1991 Art Institute of Chicago Extended Study Scholarship 1992   Gallery Representation The Martin Tinney Gallery, Cardiff Gala Fine Art, Bristol saatchiart.com singulart.com   Statement about AOAP Submitted Artwork These postcards were created with International Women's Day very much at the forefront of my mind. Two issues of "Ladies Home Journal - the magazine women believe in" from 1948/49 provided not only a wealth of 'femmage' material, but also a chance to ponder on how far the perceived role of women has progressed (or not) over three generations. Peppered with adverts about how to feed your baby more meat whilst keeping yourself as fresh and trim as the day you married, I found them simultaneously highly amusing and deeply unsettling. The resulting images parody the absurdity of stereotypical gender roles in a healthy society.

Nicole Rose Breeze 1 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work, as an artist and designer, explores my emotional response to the natural world around me. I primarily create abstract paintings based on the landscape. Using layers of oil colour and a sweeping brush technique the finished paintings take on an ethereal quality. Alongside my paintings I also create complementary prints that are at once a reflection of the original painting - and a new perspective on it. Focusing on a photographed section of a finished painting, I work in Photoshop to reimagine and rebalance, creating a run of limited-edition giclée prints that are both a part of the original works - and a fresh response to the landscape in their own right. My current selection of paintings and prints have been created following visits to nature reserves where I records sights, sounds, colours and routes taken, to remember and work from in my studio. I graduated from Central St Martins School of Art in 1992 with a BA in Graphic Design. I have had a successful career as a Creative Director, running my own commercial design studio for many years, and now work from my art studio in North London. Education Central St Martins BA (Hons) Graphic Design 1992   Select Exhibitions/Awards The Other Art Fair July 2021, October 2021, March 2022. Woolwich Contemporary Print Fair November 2021. Shortlisted for the Boodle Hatfield Fair Print Prize 2022. Award ceremony later in the year.   Gallery Representation Rise Art, The Artling - both online platforms   Statement about AOAP Submitted Artwork The Breeze collection of postcards follow the same technique as I apply to my larger canvas paintings. They were created following a visit to my local nature reserve as a remembered visual recording to the surroundings.

Nicole Rose Breeze 2 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work, as an artist and designer, explores my emotional response to the natural world around me. I primarily create abstract paintings based on the landscape. Using layers of oil colour and a sweeping brush technique the finished paintings take on an ethereal quality. Alongside my paintings I also create complementary prints that are at once a reflection of the original painting - and a new perspective on it. Focusing on a photographed section of a finished painting, I work in Photoshop to reimagine and rebalance, creating a run of limited-edition giclée prints that are both a part of the original works - and a fresh response to the landscape in their own right. My current selection of paintings and prints have been created following visits to nature reserves where I records sights, sounds, colours and routes taken, to remember and work from in my studio. I graduated from Central St Martins School of Art in 1992 with a BA in Graphic Design. I have had a successful career as a Creative Director, running my own commercial design studio for many years, and now work from my art studio in North London. Education Central St Martins BA (Hons) Graphic Design 1992   Select Exhibitions/Awards The Other Art Fair July 2021, October 2021, March 2022. Woolwich Contemporary Print Fair November 2021. Shortlisted for the Boodle Hatfield Fair Print Prize 2022. Award ceremony later in the year.   Gallery Representation Rise Art, The Artling - both online platforms   Statement about AOAP Submitted Artwork The Breeze collection of postcards follow the same technique as I apply to my larger canvas paintings. They were created following a visit to my local nature reserve as a remembered visual recording to the surroundings.

Nicole Rose Breeze 3 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work, as an artist and designer, explores my emotional response to the natural world around me. I primarily create abstract paintings based on the landscape. Using layers of oil colour and a sweeping brush technique the finished paintings take on an ethereal quality. Alongside my paintings I also create complementary prints that are at once a reflection of the original painting - and a new perspective on it. Focusing on a photographed section of a finished painting, I work in Photoshop to reimagine and rebalance, creating a run of limited-edition giclée prints that are both a part of the original works - and a fresh response to the landscape in their own right. My current selection of paintings and prints have been created following visits to nature reserves where I records sights, sounds, colours and routes taken, to remember and work from in my studio. I graduated from Central St Martins School of Art in 1992 with a BA in Graphic Design. I have had a successful career as a Creative Director, running my own commercial design studio for many years, and now work from my art studio in North London. Education Central St Martins BA (Hons) Graphic Design 1992   Select Exhibitions/Awards The Other Art Fair July 2021, October 2021, March 2022. Woolwich Contemporary Print Fair November 2021. Shortlisted for the Boodle Hatfield Fair Print Prize 2022. Award ceremony later in the year.   Gallery Representation Rise Art, The Artling - both online platforms   Statement about AOAP Submitted Artwork The Breeze collection of postcards follow the same technique as I apply to my larger canvas paintings. They were created following a visit to my local nature reserve as a remembered visual recording to the surroundings.

Nicole Rose Breeze 4 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work, as an artist and designer, explores my emotional response to the natural world around me. I primarily create abstract paintings based on the landscape. Using layers of oil colour and a sweeping brush technique the finished paintings take on an ethereal quality. Alongside my paintings I also create complementary prints that are at once a reflection of the original painting - and a new perspective on it. Focusing on a photographed section of a finished painting, I work in Photoshop to reimagine and rebalance, creating a run of limited-edition giclée prints that are both a part of the original works - and a fresh response to the landscape in their own right. My current selection of paintings and prints have been created following visits to nature reserves where I records sights, sounds, colours and routes taken, to remember and work from in my studio. I graduated from Central St Martins School of Art in 1992 with a BA in Graphic Design. I have had a successful career as a Creative Director, running my own commercial design studio for many years, and now work from my art studio in North London. Education Central St Martins BA (Hons) Graphic Design 1992   Select Exhibitions/Awards The Other Art Fair July 2021, October 2021, March 2022. Woolwich Contemporary Print Fair November 2021. Shortlisted for the Boodle Hatfield Fair Print Prize 2022. Award ceremony later in the year.   Gallery Representation Rise Art, The Artling - both online platforms   Statement about AOAP Submitted Artwork The Breeze collection of postcards follow the same technique as I apply to my larger canvas paintings. They were created following a visit to my local nature reserve as a remembered visual recording to the surroundings.

Twinkle Troughton Windows Are The Eyes (Thanet) Oil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born in Coventry, Twinkle studied Fine Art (BA Hons) at Kingston University, spending 18 years in London before heading to Margate where she now lives. Working primarily with oil on paper, Twinkle's paintings are inspired by landscapes, narrative and myth. Recent solo shows include Paper Gallery in Manchester, Haeckles Home in Margate and Studio 1 Gallery in Wandsworth. Other previous solo shows include The Pure Evil Gallery in Old Street, London and Bristol's Steal From Work, and for two years Twinkle was represented by the Stella Dore Gallery in Old St London until it closed in 2009. As well as exhibiting widely in the UK, Twinkle has also exhibited internationally. In 2013 Twinkle was invited to exhibit and participate in an artist residency with Tinsel Edwards at Galerie Michaela Stock in Vienna, and in 2010 was selected to exhibit as part of an emerging British Artist show at Redbull's prestigious Hangar-7 Gallery in Salzburg. She has also exhibited at LA's Orange County Centre of Contemporary Art (OCCCA). Other exhibition highlights include Jealous Gallery in East London, PS Mirabel's 'Paint' exhibition in Manchester, Hay Hill Gallery on London's Cork St and a joint show with her dad David Troughton in Leamington Spa's Gallery150. Her work has been featured in-store in Selfridges on Oxford St and at The Affordable Art fair with Jamm Gallery. Twinkle has also been a Celeste Art prize finalist and an Aesthetic Art Prize Longlister. Collaborations include public art performances with Tinsel Edwards, and co-curating exhibitions at Gallery 64a in Whitstable, Vyner Street's Cultivate Gallery and Redchurch Street's Outside World gallery. Twinkle has also curated exhibitions, including; Dulwich College in London, Gallery 64a in Whitstable, LIMBO Arts, Joseph Wales Studio and Resort Studios in Margate and The Outside World on Redchurch St, London. She is also the Art and Culture editor and writes for the Margate Mercury magazine. Daimon Dash, Howard Marks and Rupert Grint all own Twinkle paintings. Her work is also in the collection of Dietrich Mateschitz (owner of Redbull). She also has work in a private collection in Malibu alongside Ed Ruscha and Rauschenberg.   Education A History Of British Art, City Lit College, Holborn - 2011 The Age Of Reason: Art and culture in the 18th century, City Lit College, Holborn - 2010 Art and Politics: A Change Must Come, City Lit College, Holborn - 2010 BA Hons Fine Art Intermedia, Kingston University, Greater London 1998 - 2001   Select Exhibitions/Awards   Upcoming: 5th - 15th March 2020, 'Oh Bondage, Up Yours!' Resort Studios Margate as part of POW! Thanet (group show curated by myself) 1st - 14th August 2020 'Silent Disco' Summer exhibition curated by Graham Crowley, Wickham Market, Suffolk Selected Solo Shows: 2018 'Landscapes for a Lonely Wolf' Gallery 64a, Whitstable, Kent 'Landscapes for a Lonely Wolf' Urchins, Margate Kent UK 2017 'Citizens of Nowhere' Studio 1 Gallery, London 2016 'The Frogs Who Desired a King' Hantverk & Found, Margate, Kent UK 2013 'Affluence and Avarice' by Twinkle and Tinsel, Galerie Michaela Stock, Vienna, Austria 2012 'A Mini Retrospective' by Twinkle and Tinsel, A-Side B-Side Gallery, Hackney 2010 Twinkle and Tinsel's 'It Was the Best of Times, It Was the Worst of Times' Headspace Gallery Liverpool 2009 Tinsel and Twinkle's 'It Was the Best of Times, It Was the Worst of Times' The Long Arm Gallery, Bristol 2008 'Never Shall Be Slaves' Solo show at The Pure Evil Gallery, Old St, London 2007 'Cor Blighty!' Solo show at The Dragon Bar, Old St, London 2006 'An Urban Myth' TomTom Gallery, Covent Garden, London 2005 'It's Only Rock n Roll' Solo show at Selfridges, Oxford St, London 'It's Only Rock n Roll' Solo show at Exposure Gallery, London

Molly Bounds Adam's Bench Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Molly Bounds (b. 1990) is a painter and printmaker currently living in Los Angeles. Born in Texas and raised in Colorado, she received her BFA in Printmaking from Metropolitan State University of Denver in 2014. After her solo exhibition at the Denver Museum of Contemporary Art in 2016, she completed a two year residency At Redline Contemporary Art Center. She has since exhibited work in Oakland, Denver, Portland, Marfa, Los Angeles, Chicago, and Australia.   Education BFA Metropolitan State University of Denver   Gallery Representation Part 2 Gallery, Oakland California   Statement about AOAP Submitted Artwork Through psychological portraiture, Bounds highlights the complexities of internal dialogue surrounding notions of agency. Vacillating between possibility and limitation, figures seem to have reached a stasis. Reminiscent of images out of a self-help book, the figures perform arbitrary tasks on the path to activation.

Molly Bounds Adam's Chair Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Molly Bounds (b. 1990) is a painter and printmaker currently living in Los Angeles. Born in Texas and raised in Colorado, she received her BFA in Printmaking from Metropolitan State University of Denver in 2014. After her solo exhibition at the Denver Museum of Contemporary Art in 2016, she completed a two year residency At Redline Contemporary Art Center. She has since exhibited work in Oakland, Denver, Portland, Marfa, Los Angeles, Chicago, and Australia.   Education BFA Metropolitan State University of Denver   Gallery Representation Part 2 Gallery, Oakland California   Statement about AOAP Submitted Artwork Through psychological portraiture, Bounds highlights the complexities of internal dialogue surrounding notions of agency. Vacillating between possibility and limitation, figures seem to have reached a stasis. Reminiscent of images out of a self-help book, the figures perform arbitrary tasks on the path to activation.

Shannon Bono I Am Here Acrylic, Spray Paint and Image Transfer on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Shannon Bono's (b. 1995, London) paintings embody an afrofemcentrist consciousness, sharing muted narratives and projecting the black women's lived experiences. She is invested in producing layered, figurative, compositions embedded with symbols and scientific metaphors that centralise black womanhood as a source of knowledge and understanding. Enamoured by African spiritually, Christian iconography and renaissance art she employs its purpose of cultural impact, liturgy and instruction for an improved society within her works. Shannon explores the internal body as well as the external, by merging the design of notable fabrics from Africa with biological structures and chemical processes in living organisms for the backgrounds of her works and using the anatomy as a second canvas in the foreground. She views the body as a powerful signifier that provokes dialogue, playing with pose, gesture and the gaze to challenge reality.   Education Bono received her MA in Art and Science from Central Saint Martin's University (2019) and a Postgraduate Certificate in from University of the Arts London (2021).   Select Exhibitions/Awards In 2021, Bono presented her first solo exhibition titled "The hands that hold you," at the Anderson Contemporary, London and she has been selected for Bloomberg New Contemporaries award 2021 showing at Firstsite and The South London Gallery. Recent exhibitions include "Love is the Devil: Studies after Francis Bacon" presented at Marlborough Gallery (2022), "Bold Black British," presented at Christie's (2021), "Reclaiming Magic" Royal Academy Summer exhibition and 'WOP' Avant Arte x WOAW Gallery Hong Kong (2021-2022). Other notable exhibitions she has participated in include The Lee Alexander McQueen Sarabande Foundation, Workplace Gallery and the Copeland Gallery. Shannon has been featured in Dazed Magazine and online press by Elephant magazine, Wallpaper magazine, Bustle, i-D and Soho house.   Statement about AOAP Submitted Artwork 'I AM HERE' was inspired by an inspirational and informative conversation I had with Julia the National female prison coordinator of the HepC trust. Julia shared with me the amazing and important work the trust are doing and emphasised the importance of reducing the stigma of HepC and aftercare for these women. I wanted the piece to speak to the strength of the women and their journeys those in prison and the women offering support working with the trust. The background design is based on the viral structure of Hep C and the hybrid female figure symbolises the strength of the women. I titled the piece after a poem I read in the I AM magazine which was created for the women in lockdown.

Sofia Echa Thinking Of You Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sofia Echa was born in 1992 in Vladivostok, Russia and settled in New York City in 2013 to continue her pursuit of a career in art after she received a bachelor degree in Economics and Japanese studies at Federal University of Vladivostok, Russia. She graduated from the National Academy School in New York. Before that, Sofia studied fine arts in Art School in Vladivostok and in Cambridge School of Visual & Performing Arts, Cambridge, UK. Her works are in private collections in the United States and Russia. She is honored to have donated work to the 2015 National Academy Gala auction honoring National Academician, Eric Fischl, with a Lifetime Achievement Award, and to the Bailey House Auction in 2016, 2017, and 2020. In September 2015, she had her first solo show in the Center of Contemporary Art Sol' in Vladivostok, Russia, and in 2017 - the first solo show in New York (Sonia Gechtoff gallery, National Academy Museum and School). In September 2018 her work was auctioned off at the Phillips auction house in New York.   Education BA in Japanese studies, Federal University of Vladivostok, Russia Cambridge School of Visual & Performing Arts, Cambridge, UK Studio Intensive Diploma Program, National Academy School, New York   Select Exhibitions/Awards   Solo Exhibitions 2018 Illusions of reflection, Oyster Bay Gallery, Oyster Bay, NY 2017 Traversing a Space, Sonia Gechtoff Gallery, National Academy Museum & School, New York, NY 2015 Fluidity, Sol' Center for Contemporary Art (Artetage Museum of Modern Art), Vladivostok, Russia   Selected Group Exhibitions 2020 Spring pop-up show, Oakcliff Sailing Center, Oyster Bay, NY Bailey House auction, New York, NY 2019 Treat America Project, Foley Gallery, New York, NY Treat America project, Satellite Art show, The Museum of Human Achievement, Austin, TX Pop-in/Poppin, pop-up show,198 Allen St., New York, NY 2018 New Now, Phillips auction, New Nork, NY Friends of the border, The Border project space, Brooklyn NY LANDSCAPE: Representation of where we inhabit, Experimental Space gallery, Reis Studios, Queens, NY 2017 Memories of Our Town, Maritime Garage Gallery, Norwalk, CT Creative Mischief, National Academy Museum, New York, NY 2014 Year-End Exhibition Prize, National Academy School of Fine Arts Gallery Representation Arti NYC Gallery

Mafalda Figueiredo Running After Fire Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Mafalda Figueiredo (b.1991, Lisbon) is a figurative painter. As a child she always felt constrained and observed. This incited within her a desire to create, in order to live the freedom she longed for, through drawings and paintings she produced obsessively. These feelings were intensified in adolescence as the artist became increasingly aware of the gaze of the opposite gender, the objectification of that very look, and the need to either shield from it or accept it. Figueiredo is interested in intuition, self-analysis and self-observation and believes every involuntary idea that comes to mind has meaning and comes as a message from the subconscious. She interprets spontaneous ideas as one interprets dreams: through a process of signification, looking at the visual elements as symbols and decoding their meaning according to the context and experience of the dreamer. Through figurative painting, Figueiredo attempts to project this thought process into images. She portrays figures looking out of the painting as if they are struck by the realization of being observed. She's interested in transitioning states, constantly questioning where and when one moves from the position of object of observation to observer, and the imaginary time and space between these two states. Education Bachelors in Painting at the Fine Arts University of Lisbon   Select Exhibitions/Awards 2019 - Paper Positions Art Fair, Berlin, Germany 2019 - Volta Basel Art Fair, Basel, Switzerland 2019 - "Bonum et Malum" (Group exhibition), Berlin, Germany 2019 - Positions Berlin, Berlin, Germany
2020 - "Hold still, Look out" (Solo exhibition), Maus Contemporary, Birmingham, USA 2020 - "In Response" (Group exhibition), The Viewing Room, London, UK 2020 - "Aurelia Arts Festival" (Group exhibition), Aurelia Arts, London, UK 2021 - Women's Aid Auction, Berntson Bhattacharjee, London, UK 2021 -" The Veil that Unveils the Moon" (Solo exhibition) , Liminal Gallery, London, UK

Victoria Cantons Change is the Natural Order Watercolour and Archival Ink on Paper Signed on Front and Verso 15 x 10cm (5¾ x 3¾ in.) About Victoria Cantons is an artist who happens to be a woman, transgender, and gay. As a trans woman she is keenly aware of limitations and stigmas, which leads her to question how much freedom we have and where our boundaries lie. Cantons wants to understand as much as she can about what it means to be human. She believes that what we as individuals present to the world is multifaceted and not always visible; a continuous evolution in response to experience, and in relationship to each other. The human condition and questions of identity are central to her work. Cantons is interested in themes of power, identity, and male and female perceptions of each other. She says "These aspects connect us all and yet we are also unique individuals". Cantons' painting is figurative and she could be described as a colourist. She is interested in the dialogue between painting's contemporary iterations and its histories. Cantons uses drawing and written notes combined with found and made photographs to navigate between intuitive, intellectual, and aesthetic content informed by a multinational, -cultural and -religious background. An interest in the internal-external dichotomy manifests in an attention to scale, to how shadows form, and to where absences appear. Memories of being different suggest the need to use masks and camouflage as protection, while influencing the paintings as they evolve in an exploration of identity, self, and representation.   Education 2018 - 21 MFA Painting (Distinction), Slade School of Art, University College London 2017 - 18 Painters Studio Programme, Turps Art School, London 2014 - 17 BA (Hons) Fine Art: Painting, Wimbledon College of Arts, University of the Arts London 2013. . . . Summer Foundation Course, Slade School of Art, University College London 1995 - 97 Drama Studies, Academy of Live and Recorded Arts (ALRA South), London

Victoria Cantons Hope is Everything Watercolour and Archival Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Victoria Cantons is an artist who happens to be a woman, transgender, and gay. As a trans woman she is keenly aware of limitations and stigmas, which leads her to question how much freedom we have and where our boundaries lie. Cantons wants to understand as much as she can about what it means to be human. She believes that what we as individuals present to the world is multifaceted and not always visible; a continuous evolution in response to experience, and in relationship to each other. The human condition and questions of identity are central to her work. Cantons is interested in themes of power, identity, and male and female perceptions of each other. She says "These aspects connect us all and yet we are also unique individuals". Cantons' painting is figurative and she could be described as a colourist. She is interested in the dialogue between painting's contemporary iterations and its histories. Cantons uses drawing and written notes combined with found and made photographs to navigate between intuitive, intellectual, and aesthetic content informed by a multinational, -cultural and -religious background. An interest in the internal-external dichotomy manifests in an attention to scale, to how shadows form, and to where absences appear. Memories of being different suggest the need to use masks and camouflage as protection, while influencing the paintings as they evolve in an exploration of identity, self, and representation.   Education 2018 - 21 MFA Painting (Distinction), Slade School of Art, University College London 2017 - 18 Painters Studio Programme, Turps Art School, London 2014 - 17 BA (Hons) Fine Art: Painting, Wimbledon College of Arts, University of the Arts London 2013. . . . Summer Foundation Course, Slade School of Art, University College London 1995 - 97 Drama Studies, Academy of Live and Recorded Arts (ALRA South), London

Jackie Berridge Little Angel Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Jackie Berridge lives and works from a home studio in the small town of Southwell in Nottinghamshire   Education 2018-19 Turps Banana Correspondence Course 2007 MA Children's Book Illustration, Cambridge School of Art 1995 Fine Art at Nottingham Trent University   Select Exhibitions/Awards Royal Academy Summer Exhibition, 2010, 2016, 2017, 2021 Trinity Buoy Wharf Drawing Prize, 2019, 2021 London Group Open, 2017 Selected Solo Exhibitions The Angelus Gallery, Winchester College 2019, Rabley Contemporary Gallery 2016, Lakeside Arts, Nottingham 2014, Derby Museum and Art Gallery 2002 Selected Group Exhibitions Platforms Projects, Athens Greece 2021, Reliance Centre, Baroda, India 2019, Enia Gallery, Athens 2018, Lawrence Alkin Gallery London 2016 Gallery Representation Enia Gallery, Piraeus, Athens, Greece Rhodes Gallery, London Tarpey Gallery, Castle Donington, Leics   Statement about AOAP Submitted Artwork My work explores loneliness and aloneness. These drawings are inspired by people I know whilst offering no likeness to their physical appearance. Rather, this work focuses on an interior/exterior space where the viewer can interpret the scenario according to their own experiences.

Penny Goring For Better Or Worser Ink and Felt Tip Pen on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Penny Goring is a London-based artist and poet who makes sculptures, drawings, paintings, videos and poems that are explorations of the contemporary state of emergency.   Education Kingston University, BA (Hons) Fine Art (Painting), 1994. London College of Fashion, Fashion Writing, 1981.   Select Exhibitions/Awards Selected gallery exhibitions include: Tate St. Ives, UK, Museum of Modern Art, Warsaw, Campoli Presti, Paris, and Arcadia Missa, London. Goring has performed her poetry at many venues, including: South London Gallery, London, Pogo Bar/KW Institute, Berlin. Upcoming solo exhibition: ICA, London, June - September 2022.   Gallery Representation Arcadia Missa   Statement about AOAP Submitted Artwork For AOAP Goring created a unique version of a drawing from her ART HELL series, 2019-20, which is comprised of 55 ART HELL drawings.

Eleanor May Watson And Outside It's Winter I Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Eleanor Watson is a visual artist working primarily in paint and print based between London and Kent. Creating images of home and domesticity in which to contemplate memory, longing, desire and belonging.   Education 2018 - 2019 City and Guilds, MA Fine Art 2015 - 2016 The Royal Drawing School, the Drawing Year 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design Select Exhibitions/Awards   Selected Solo and Joint Exhibitions 2022 - Curtains Drawn, Wilder Gallery, London 2021 - Un | Veiled, two person show with Tanaka Mazivanhanga, curated by Mollie Barnes from She Curates and Lizzie Glendinning, Brocket Gallery, London 2017 - Dear Reader, Derby Museum and Art Gallery Selected Group Exhibitions 2021 - A Strange Kind of Knowing, Arusha Gallery, curated by Olivia Penrose Punnett This is Where We Meet, curated by Tim Patrick, Carousel Space, London 2019 - Tender with The Violet Hour 2018 - Art Basel Miami with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's 2015 - Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil Selected Awards 2021 - Woolwich Contemporary Print Fair Eames Fine Art Award 2019 - ACS City and Guilds of London Art School Studio Award 2019 - Slaughterhaus Print Prize 2016 - The Jonathan Vickers Fine Art Award - winner Gallery Representation Brocket London   Statement about AOAP Submitted Artwork Warm, intimate, very personal depictions of small moments at home. In which to contemplate feelings of contentment, solace, desire, belonging. Overwhelmingly, gratitude.

Eleanor May Watson And Outside It's Winter II Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Eleanor Watson is a visual artist working primarily in paint and print based between London and Kent. Creating images of home and domesticity in which to contemplate memory, longing, desire and belonging.   Education 2018 - 2019 City and Guilds, MA Fine Art 2015 - 2016 The Royal Drawing School, the Drawing Year 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design Select Exhibitions/Awards   Selected Solo and Joint Exhibitions 2022 - Curtains Drawn, Wilder Gallery, London 2021 - Un | Veiled, two person show with Tanaka Mazivanhanga, curated by Mollie Barnes from She Curates and Lizzie Glendinning, Brocket Gallery, London 2017 - Dear Reader, Derby Museum and Art Gallery Selected Group Exhibitions 2021 - A Strange Kind of Knowing, Arusha Gallery, curated by Olivia Penrose Punnett This is Where We Meet, curated by Tim Patrick, Carousel Space, London 2019 - Tender with The Violet Hour 2018 - Art Basel Miami with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's 2015 - Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil Selected Awards 2021 - Woolwich Contemporary Print Fair Eames Fine Art Award 2019 - ACS City and Guilds of London Art School Studio Award 2019 - Slaughterhaus Print Prize 2016 - The Jonathan Vickers Fine Art Award - winner Gallery Representation Brocket London   Statement about AOAP Submitted Artwork Warm, intimate, very personal depictions of small moments at home. In which to contemplate feelings of contentment, solace, desire, belonging. Overwhelmingly, gratitude.

Eleanor May Watson And Inside It's Spring Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Eleanor Watson is a visual artist working primarily in paint and print based between London and Kent. Creating images of home and domesticity in which to contemplate memory, longing, desire and belonging.   Education 2018 - 2019 City and Guilds, MA Fine Art 2015 - 2016 The Royal Drawing School, the Drawing Year 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design Select Exhibitions/Awards   Selected Solo and Joint Exhibitions 2022 - Curtains Drawn, Wilder Gallery, London 2021 - Un | Veiled, two person show with Tanaka Mazivanhanga, curated by Mollie Barnes from She Curates and Lizzie Glendinning, Brocket Gallery, London 2017 - Dear Reader, Derby Museum and Art Gallery Selected Group Exhibitions 2021 - A Strange Kind of Knowing, Arusha Gallery, curated by Olivia Penrose Punnett This is Where We Meet, curated by Tim Patrick, Carousel Space, London 2019 - Tender with The Violet Hour 2018 - Art Basel Miami with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's 2015 - Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil Selected Awards 2021 - Woolwich Contemporary Print Fair Eames Fine Art Award 2019 - ACS City and Guilds of London Art School Studio Award 2019 - Slaughterhaus Print Prize 2016 - The Jonathan Vickers Fine Art Award - winner Gallery Representation Brocket London   Statement about AOAP Submitted Artwork Warm, intimate, very personal depictions of small moments at home. In which to contemplate feelings of contentment, solace, desire, belonging. Overwhelmingly, gratitude.

Eleanor May Watson Lightly and Drowsily Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Eleanor Watson is a visual artist working primarily in paint and print based between London and Kent. Creating images of home and domesticity in which to contemplate memory, longing, desire and belonging.   Education 2018 - 2019 City and Guilds, MA Fine Art 2015 - 2016 The Royal Drawing School, the Drawing Year 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design Select Exhibitions/Awards   Selected Solo and Joint Exhibitions 2022 - Curtains Drawn, Wilder Gallery, London 2021 - Un | Veiled, two person show with Tanaka Mazivanhanga, curated by Mollie Barnes from She Curates and Lizzie Glendinning, Brocket Gallery, London 2017 - Dear Reader, Derby Museum and Art Gallery Selected Group Exhibitions 2021 - A Strange Kind of Knowing, Arusha Gallery, curated by Olivia Penrose Punnett This is Where We Meet, curated by Tim Patrick, Carousel Space, London 2019 - Tender with The Violet Hour 2018 - Art Basel Miami with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's 2015 - Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil Selected Awards 2021 - Woolwich Contemporary Print Fair Eames Fine Art Award 2019 - ACS City and Guilds of London Art School Studio Award 2019 - Slaughterhaus Print Prize 2016 - The Jonathan Vickers Fine Art Award - winner Gallery Representation Brocket London   Statement about AOAP Submitted Artwork Warm, intimate, very personal depictions of small moments at home. In which to contemplate feelings of contentment, solace, desire, belonging. Overwhelmingly, gratitude.

Elisabeth Deane Untitled Gold Leaf, Platinum Leaf, Natural Pigments and Arabic Gum, Lapis Lazuli, Carmine, Spinel Black, Zinc White and Orange Gouache Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Elisabeth Deane is a painter who uses ancient traditional techniques to make work with an entirely contemporary aesthetic. Elisabeth's colours and detailed brushwork are inspired by Islamic geometry and the miniature painting traditions of India and Iran.   Education Elisabeth learnt much of her craft at the Prince's Foundation School of Traditional Arts where she completed an MA in 2017. She also learnt painting techniques from Master miniature painters in Rajasthan, India. Elisabeth has obtained degrees in History of Art (BA), and the Arts of Africa, Oceania and the Americas (MA) from the University of East Anglia and a PGCE in Art & Design from the University of Cambridge.   Select Exhibitions/Awards While studying at The Prince's Foundation School of Traditional Arts, Elisabeth became an Albukhary Foundation scholar and was also awarded a bursary from The Temple Gallery, London. In 2018, she was a finalist in the 'Asian Art in London' Emerging Artist Award. Elisabeth had her first solo show at Grosvenor Gallery, London in November 2019. She has exhibited in a number of group exhibitions nationally and internationally including the Royal Academy Summer Exhibition 2021. Elisabeth will be exhibiting some new works with Grosvenor Gallery at Art Dubai this year at the Madinat Jumeirah (9-13 March 2022).   Gallery Representation Grosvenor Gallery, London   Statement about AOAP Submitted Artwork In my AOAP pieces, I have used seven colours that repeat. These are gold leaf (23ct), platinum leaf, orange gouache, lapis lazuli, carmine, spinel black and zinc white. Most of my paints are handmade - hand ground with a binder. These pigments are minerals in rock form (lapis lazuli), pigments from plants or from the animal kingdom (e.g. cochineal from insects, also known as carmine - that crazy beautiful red!). My aim is to yield delight and joy through the geometric arrangement of colour. I am interested in intricate patterns and colour relationships. Natural pigments are beautiful. I'm aiming for that right combination of colours which when brought together create vibrations, ones that sing.