We found 16019 price guide item(s) matching your search

Triegel, Michael1968 Erfurt"Fortuna". 1995. Line etching, aquatint etching and vernis mou on laid paper. 19.5 x 11cm (39.5 x 30.5cm). Signed, dated, titled and inscribed. Printed by Rössler (blind stamp). Number e.a. from an edition of 100 + XXV. The work is in excellent condition. Provenance:- Galerie Schwind, Leipzig/Frankfurt am Main/Berlin. Erläuterungen zum KatalogMichael Triegel Germany Contemporary Art Prints 1990s Woman Print Etching GreeceTriegel, Michael1968 Erfurt"Fortuna". 1995. Strichätzung, Aquatintaradierung und Vernis mou auf Bütten. 19,5 x 11cm (39,5 x 30,5cm). Signiert, datiert, betitelt und bezeichnet. Gedruckt bei Rössler (Trockenstempel). Ex. e.a. aus einer Auflage von 100 + XXV. - Das Werk befindet sich in tadellosem Zustand. Provenienz:- Galerie Schwind, Leipzig/Frankfurt am Main/Berlin. Erläuterungen zum KatalogMichael Triegel Deutschland Zeitgenössische Kunst Grafik 1990er Frau Druckgrafik Radierung Griechenland- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Tübke, Werner1929 Schönebeck - 2004 LeipzigAustralien. Study to the murals "Die Fünf Kontinente" in the Leipzig hotel "Astoria" from 1958. Pen, washed on paper. Mounted on card. 23.5 x 14.5cm. Inscribed (illegibly) lower right.Framed. Not examined out of the frame. Provenance:- Galerie Schwind, Leipzig/Frankfurt am Main/Berlin. Erläuterungen zum KatalogWerner Tübke Germany Leipzig School - GDR Socialist realism Post-War Art Contemporary Art 1950s Interior Works on paper Feather FamiliesTübke, Werner1929 Schönebeck - 2004 LeipzigAustralien. Studie zu den Wandbildern "Die Fünf Kontinente" im Leipziger Hotel "Astoria" von 1958. Feder, laviert auf Papier. Auf Karton montiert. 23,5 x 14,5cm. Bezeichnet (unleserlich) unten rechts. Rahmen. Im Rahmen beschrieben. Provenienz:- Galerie Schwind, Leipzig/Frankfurt am Main/Berlin. Erläuterungen zum KatalogWerner Tübke Deutschland Leipziger Schule - DDR Sozialistischer Realismus Nachkriegskunst Unikate 1950er Interieur Papierarbeit Feder Familien- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Tübke, Werner1929 Schönebeck - 2004 LeipzigKreuzigungsszene. 1995. Ballpoint pen on advertising leaflet of the Deutsche Bahn. 23 x 12cm. Signed and dated and inscribed upper centre: Tübke 1995 Inri. Minimal crease upper left. Upper right and lower left small brown stain. Otherwise the work is in very good condition. Provenance:- Galerie Schwind, Leipzig/Frankfurt am Main/Berlin. Erläuterungen zum KatalogWerner Tübke Germany Leipzig School - GDR Socialist realism Post-War Art Contemporary Art 1990s Old Testament Works on paper Ballpoint pen Life of ChristTübke, Werner1929 Schönebeck - 2004 LeipzigKreuzigungsszene. 1995. Kugelschreiber auf Werbeprospekt der Deutschen Bahn. 23 x 12cm. Signiert, datiert und bezeichnet oben mittig: Tübke 1995 Inri. Provenienz:- Galerie Schwind, Leipzig/Frankfurt am Main/Berlin. Erläuterungen zum KatalogWerner Tübke Deutschland Leipziger Schule - DDR Sozialistischer Realismus Nachkriegskunst Unikate 1990er Altes Testament Papierarbeit Kugelschreiber Leben Christi- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Tübke, Werner1929 Schönebeck - 2004 LeipzigKreuz in der Bucht. 1990. Pen drawing on chamois-coloured vellum. 21.5 x 19.5cm. Signed and dated lower right: Tübke. As well as dated upper centre: 1990. Provenance:- Galerie Schwind, Leipzig/Frankfurt am Main/Berlin. Erläuterungen zum KatalogWerner Tübke Germany Leipzig School - GDR Socialist realism Post-War Art Contemporary Art 1990s Landscape Works on paper Pen drawing Figure / FiguresTübke, Werner1929 Schönebeck - 2004 LeipzigKreuz in der Bucht. 1990. Federzeichnung auf chamoisfarbenem Velin. 21,5 x 19,5cm. Signiert und datiert unten rechts: Tübke. Sowie datiert oben mittig: 1990. Provenienz:- Galerie Schwind, Leipzig/Frankfurt am Main/Berlin. Erläuterungen zum KatalogWerner Tübke Deutschland Leipziger Schule - DDR Sozialistischer Realismus Nachkriegskunst Unikate 1990er Landschaft Papierarbeit Federzeichnung Figur / Figuren- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Thiele, Kathrin1980 Wolfen"Landung". 2008. Acrylic on canvas. 81.5 x 63cm. Signed, dated and titled verso: Landung / Kathrin Thiele / 2008. Provenance:- LFN - laden fuer nichts, Leipzig. Erläuterungen zum KatalogKathrin Thiele Germany Contemporary Art 2000s Landscape Painting Acrylic SkyThiele, Kathrin1980 Wolfen"Landung". 2008. Acryl auf Leinwand. 81,5 x 63cm. Signiert, datiert und betitelt verso: Landung / Kathrin Thiele / 2008. Provenienz:- LFN - laden fuer nichts, Leipzig. Erläuterungen zum KatalogKathrin Thiele Deutschland Zeitgenössische Kunst Unikate 2000er Landschaft Gemälde Acryl Himmel- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Uglow, Geoff1978 Cornwall"Capit". 2012. Oil on wood. 30 x 40cm. Signed, dated and titled verso: CAPIT Uglow XII. Provenance:- Beck & Eggeling International Fine Art, Düsseldorf/Vienna. Erläuterungen zum KatalogGeoff Uglow Contemporary Art 2010s Abstract Painting Oil ColourUglow, Geoff1978 Cornwall"Capit". 2012. Öl auf Holz. 30 x 40cm. Signiert, datiert und betitelt verso: CAPIT Uglow XII. Provenienz:- Beck & Eggeling International Fine Art, Düsseldorf/Wien. Erläuterungen zum KatalogGeoff Uglow Großbritannien Zeitgenössische Kunst Unikate 2010er Abstrakt Gemälde Öl Farbe- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Uhr, Markus1974 Baar ZGSize does matter. 2012. Rubber tyres. Gold plated with gold leaf. 20.5 x Ø 60.5cm. Provenance:- LFN - laden fuer nichts, Leipzig (label)Exhibitions:- Auf AEG (Halle 20), Nuremberg 2015. Explanations to the CatalogueMarkus Uhr Switzerland Contemporary Art Sculptures 2010s Objects Object Gold CarUhr, Markus1974 Baar ZGSize does matter. 2012. Gummi-Reifen, vergoldet mit Blattgold. 20,5 x Ø 60,5cm. Provenienz:- LFN - laden fuer nichts, Leipzig(Stempel)Ausstellungen:- Auf AEG (Halle 20), Nürnberg 2015. Erläuterungen zum KatalogMarkus Uhr Schweiz Zeitgenössische Kunst Objekte 2010er Gegenstände Objekt Gold Automobil- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Viezens, Steve1981 ChemnitzDie Kunst des Lächelns. 2014. Oil and egg tempera on canvas. 100 x 120cm. Signed and dated lower left and right: VIEZENS 14. Provenance:- Galerie Kleindienst, LeipzigExhibitions:- Auf AEG (Halle 20), Nuremberg 2015. Erläuterungen zum KatalogSteve Viezens Germany Contemporary Art 2010s Landscape Painting Oil ManViezens, Steve1981 ChemnitzDie Kunst des Lächelns. 2014. Öl und Eitempera auf Leinwand. 100 x 120cm. Signiert und datiert unten links und rechts: VIEZENS 14. Provenienz:- Galerie Kleindienst, LeipzigAusstellungen:- Auf AEG (Halle 20), Nürnberg 2015. Erläuterungen zum KatalogSteve Viezens Deutschland Zeitgenössische Kunst Unikate 2010er Landschaft Gemälde Öl Mann- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Viezens, Steve1981 ChemnitzUntitled (Hand). 2010. Oil and rhinestone on synthetic material. 10.5 x 7.5cm. Signed and dated verso: Viezens 2010. Wooden base (9 x 16.5 x 13.5cm). Provenance:- Galerie Kleindienst, Leipzig. Erläuterungen zum KatalogSteve Viezens Germany Contemporary Art 2010s Hand Painting Oil BodyViezens, Steve1981 ChemnitzOhne Titel (Hand). 2010. Öl und Strassstein auf Kunststoff. 10,5 x 7,5cm. Signiert und datiert verso: Viezens 2010. Holzsockel (9 x 16,5 x 13,5cm). Provenienz:- Galerie Kleindienst, Leipzig. Erläuterungen zum KatalogSteve Viezens Deutschland Zeitgenössische Kunst Unikate 2010er Hand Gemälde Öl Körper- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Vlaming, Miriam1971 DüsseldorfCandy. 1997. Egg tempera on paper. Mounted on cardboard. 140 x 99.5cm. Signed and dated lower left: M. Vlaming 97. Framed. Not examined out of the frame. Provenance:- Maerzgalerie GmbH & Co. KG, Leipzig. Erläuterungen zum KatalogMiriam Vlaming Contemporary Art 1990s Figure / Figures Works on paper Tempera Child / ChildrenVlaming, Miriam1971 DüsseldorfCandy. 1997. Eitempera auf Papier. Auf Karton montiert. 140 x 99,5cm. Signiert und datiert unten links: M. Vlaming 97. Rahmen. Im Rahmen beschrieben. Provenienz:- Maerzgalerie GmbH & Co. KG, Leipzig. Erläuterungen zum KatalogMiriam Vlaming Niederlande Zeitgenössische Kunst Unikate 1990er Figur / Figuren Papierarbeit Tempera Kind / Kinder- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Volkmann, Herbert1954 Berlin - 2014"Dr. Hannenlotters mob". 2003. Oil and ballpoint pen on two joined sheets of paper. Mounted on card. 125 x 100cm. Titled (hardly legible) upper centre: Dr. Hannenlotters mob. As well as signed, dated and titled lower left: "Dr. Hannenlotters mob" 12.05.03 H. Volkmann. Framed. Not examined out of the frame. Provenance:- Galerie DIEHL, Berlin. Erläuterungen zum KatalogHerbert Volkmann Contemporary Art 2000s Figure / Figures Works on paper Oil BodyVolkmann, Herbert1954 Berlin - 2014"Dr. Hannenlotters mob". 2003. Öl und Kugelschreiber auf zwei aneinandergefügten Bögen Papier. Auf Karton montiert. 125 x 100cm. Betitelt (schwer leserlich) oben mittig: Dr. Hannenlotters mob. Sowie signiert, datiert und betitelt unten links: "Dr. Hannenlotters mob" 12.05.03 H. Volkmann. Rahmen. Im Rahmen beschrieben. Provenienz:- Galerie DIEHL, Berlin. Erläuterungen zum KatalogHerbert Volkmann Unikate 2000er Figur / Figuren Papierarbeit Öl Körper- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Volkmann, Herbert1954 Berlin - 2014Clemens. 2008. Oil on canvas. 155 x 120.5cm. Signed lower right: H. Volkmann. Depicted is the German writer Clemens Mayer (1977 Halle/Saale).Provenance:- LFN - laden fuer nichts, LeipzigExhibitions:- Auf AEG (Halle 20), Nuremberg 2015. Erläuterungen zum KatalogHerbert Volkmann Contemporary Art 2000s Portrait Painting Oil ManVolkmann, Herbert1954 Berlin - 2014Clemens. 2008. Öl auf Leinwand. 155 x 120,5cm. Signiert unten rechts: H. Volkmann. Abgebildet ist der deutsche Schriftsteller Clemens Mayer (1977 Halle/Saale).Provenienz:- LFN - laden fuer nichts, LeipzigAusstellungen:- Auf AEG (Halle 20), Nürnberg 2015. Erläuterungen zum KatalogHerbert Volkmann Unikate 2000er Porträt Gemälde Öl Mann- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Weischer, Matthias1973 Elte/WestphaliaUntitled. 2014. Silkscreen on pulp painting on laid paper. 96 x 67cm (100 x 71.5cm). Signed, dated and inscribed below the depiction. Number e.a. The work is in excellent condition. The work is listed on the official website of the artist (www.matthiasweischer.de). Erläuterungen zum KatalogMatthias Weischer Germany Contemporary Art Prints 2010s Colour Print Silkscreen Architectural ElementWeischer, Matthias1973 Elte/WestfalenOhne Titel. 2014. Siebdruck auf Pulp Painting auf Bütten. 96 x 67cm (100 x 71,5cm). Signiert, datiert und bezeichnet unterhalb der Darstellung. Ex. e.a. - Das Werk befindet sich in tadellosem Zustand. Das Werk ist auf der offiziellen Internetseite des Künstlers aufgeführt (www.matthiasweischer.de). Erläuterungen zum KatalogMatthias Weischer Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2010er Farbe Druckgrafik Siebdruck Architekturelement- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Weischer, Matthias1973 Elte/WestphaliaUntitled. 2013. Silkscreen on pulp painting on laid paper. 51 x 89cm (55.5 x 94.5cm). Signed, dated and inscribed below the depiction. Number e.a. The sheet is in excellent condition. The work is listed on the official website of the artist (www.matthiasweischer.de). Erläuterungen zum KatalogMatthias Weischer Germany Contemporary Art Prints 2010s Interior Print Silkscreen SpaceWeischer, Matthias1973 Elte/WestfalenOhne Titel. 2013. Siebdruck auf Pulp Painting auf Bütten. 51 x 89cm (55,5 x 94,5cm). Signiert, datiert und bezeichnet unterhalb der Darstellung. Ex. e.a. - Das Blatt befindet sich in tadellosem Zustand. Das Werk ist auf der offiziellen Internetseite des Künstlers aufgeführt (www.matthiasweischer.de). Erläuterungen zum KatalogMatthias Weischer Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2010er Interieur Druckgrafik Siebdruck Raum- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Weischer, Matthias1973 Elte/WestphaliaUntitled (Landschaft 3). 2009. Etching on Hahnemühle (watermark). 21 x 24cm (50 x 42cm). Signed, dated and numbered. Number 1/12. Upper left corner with small crease. Otherwise the work is in very good condition. Provenance:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Germany Contemporary Art Prints 2000s Landscape Print Etching NatureWeischer, Matthias1973 Elte/WestfalenOhne Titel (Landschaft 3). 2009. Radierung auf Hahnemühle (Wasserzeichen). 21 x 24cm (50 x 42cm). Signiert, datiert und nummeriert. Ex. 1/12. - Die Ecke oben links mit kleiner Knickfalte. Ansonsten befindet sich das Werk in sehr gutem Zustand. Provenienz:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2000er Landschaft Druckgrafik Radierung Natur- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Weischer, Matthias1973 Elte/WestphaliaUntitled (Landschaft 4). 2009. Etching on Hahnemühle (watermark). 16.5 x 17.5cm (47.5 x 37.5cm). Signed, dated and numbered. Number 1/12. The work is in excellent condition. Provenance:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Germany Contemporary Art Prints 2000s Landscape Print Etching NatureWeischer, Matthias1973 Elte/WestfalenOhne Titel (Landschaft 4). 2009. Radierung auf Hahnemühle (Wasserzeichen). 16,5 x 17,5cm (47,5 x 37,5cm). Signiert, datiert und nummeriert. Ex. 1/12. - Das Werk befindet sich in tadellosem Zustand. Provenienz:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2000er Landschaft Druckgrafik Radierung Natur- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Weischer, Matthias1973 Elte/WestphaliaUntitled (Innenraum 1). 2009. Etching on Hahnemühle (watermark). 15 x 19.5cm (48.5 x 39.5cm). Signed, dated and numbered. Number 1/12. Small crease on bottom left edge. The bottom right corner with small crease. Upper right corner slightly discoloured. Otherwise the work is in good condition. Provenance:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Germany Contemporary Art Prints 2000s Space Print Etching InteriorWeischer, Matthias1973 Elte/WestfalenOhne Titel (Innenraum 1). 2009. Radierung auf Hahnemühle (Wasserzeichen). 15 x 19,5cm (48,5 x 39,5cm). Signiert, datiert und nummeriert. Ex. 1/12. - Unten am Rand kleine Knickfalte. Die Ecke unten rechts mit kleinem Knick. Die Ecke oben rechts leicht verfärbt. Ansonsten befindet sich das Werk in gutem Zustand. Provenienz:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2000er Raum Druckgrafik Radierung Interieur- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Weischer, Matthias1973 Elte/WestphaliaUntitled (Innenraum 2). 2009. Etching on Hahnemühle (watermark). 20.5 x 15.5cm (50 x 37.5cm). Signed, dated and numbered. Number 1/12. Upper left corner with small crease. Otherwise the work is in very good condition. Provenance:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Germany Contemporary Art Prints 2000s Space Print Etching InteriorWeischer, Matthias1973 Elte/WestfalenOhne Titel (Innenraum 2). 2009. Radierung auf Hahnemühle (Wasserzeichen). 20,5 x 15,5cm (50 x 37,5cm). Signiert, datiert und nummeriert. Ex. 1/12. - Die Ecke oben links mit kleiner Knickfalte. Ansonsten befindet sich das Werk in sehr gutem Zustand. Provenienz:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2000er Raum Druckgrafik Radierung Interieur- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Weischer, Matthias1973 Elte/Westphalia"Sammlung". 2007. Linocut on laid paper. 30 x 33.5cm (45 x 55cm). Signed, dated, titled and inscribed. Number e.a. Two slight creases on the left sheet half. Otherwise the work is in very good condition. Provenance:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Germany Contemporary Art Prints 2000s Still Life Print Linoprint AbstractWeischer, Matthias1973 Elte/Westfalen"Sammlung". 2007. Linoldruck auf Bütten. 30 x 33,5cm (45 x 55cm). Signiert, datiert, betitelt und bezeichnet. Ex. e.a. - Auf der linken Blattseite zwei leichte Knickspuren. Ansonsten befindet sich das Blatt in sehr gutem Zustand. Provenienz:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2000er Stillleben Druckgrafik Linoldruck Abstrakt- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Ydanez, Santiago1969 Puente de GénaveUntitled (Portrait). 2010. Oil on canvas. 100 x 100cm. Signed and dated verso: I. (?) Ydánez 2010. Framed. Not examined out of the frame. Provenance:- Galerie Martin Mertens, Berlin. Erläuterungen zum KatalogSantiago Ydanez Spain Contemporary Art 2010s Face Painting Oil ManYdanez, Santiago1969 Puente de GénaveOhne Titel (Porträt). 2010. Öl auf Leinwand. 100 x 100cm. Signiert und datiert verso: I. (?) Ydánez 2010. Rahmen. Im Rahmen beschrieben. Provenienz:- Galerie Martin Mertens, Berlin. Erläuterungen zum KatalogSantiago Ydanez Spanien Zeitgenössische Kunst Unikate 2010er Gesicht Gemälde Öl Mann- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Ziervogel, Ralf1975 Clausthal-ZellerfeldUntitled. From: Every Adidas Got Its Story. 2011. Ink on paper. Mounted on cardboard in two places. 24.5 x 10.5cm. Signed and dated verso: RALF ZIERVOGEL 2011. Framed. The work includes an envelope with embossing verso: EVERY ADIDAS GOT ITS STORY.Provenance: - Contemporary Fine Arts Galerie, Berlin. Erläuterungen zum KatalogRalf Ziervogel Germany Contemporary Art 2010s Figure / Figures Works on paper India ink ViolenceZiervogel, Ralf1975 Clausthal-ZellerfeldOhne Titel. Aus: Every Adidas Got Its Story. 2011. Tinte auf Papier. An zwei Punkten auf Karton montiert. 24,5 x 10,5cm. Signiert und datiert verso: RALF ZIERVOGEL 2011. Rahmen. Zu dem Werk gehört ein Briefumschlag mit rückseitiger Prägung: EVERY ADIDAS GOT ITS STORY.Provenienz: - Contemporary Fine Arts Galerie, Berlin. Erläuterungen zum KatalogRalf Ziervogel Deutschland Zeitgenössische Kunst Unikate 2010er Figur / Figuren Papierarbeit Tusche Gewalt- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Ziervogel, Ralf1975 Clausthal-Zellerfeld"unrealistisch wie die Sesamstrasse". From: Every Adidas Got Its Story. 2011. Ink on paper. Mounted on cardboard in two places. 24.5 x 10.5cm. Signed, dated and titled verso: UNREALISTISCH WIE DIE SESAMSTRASSE RALF ZIERVOGEL 2011. Framed. Not examined out of the frame. This work includes an envelope with embossing verso: EVERY ADIDAS GOT ITS STORY.The work is listed on the official webpage of the artist (www.ralfziervogel.com).Provenance:- Contemporary Fine Arts Galerie, Berlin. Erläuterungen zum KatalogRalf Ziervogel Germany Contemporary Art 2010s Figure / Figures Works on paper India ink ViolenceZiervogel, Ralf1975 Clausthal-Zellerfeld"unrealistisch wie die Sesamstrasse". Aus: Every Adidas Got Its Story. 2011. Tinte auf Papier. An zwei Punkten auf Karton montiert. 24,5 x 10,5cm. Signiert, datiert und betitelt verso: UNREALISTISCH WIE DIE SESAMSTRASSE RALF ZIERVOGEL 2011. Rahmen. Im Rahmen beschrieben. Zu dem Werk gehört ein Briefumschlag mit rückseitiger Prägung: EVERY ADIDAS GOT ITS STORY.Das Werk ist auf der offiziellen Internetseite des Künstlers aufgeführt (www.ralfziervogel.com).Provenienz:- Contemporary Fine Arts Galerie, Berlin. Erläuterungen zum KatalogRalf Ziervogel Deutschland Zeitgenössische Kunst Unikate 2010er Figur / Figuren Papierarbeit Tusche Gewalt- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Ziervogel, Ralf1975 Clausthal-Zellerfeld"Tow". From: Every Adidas Got Its Story. 2011. Ink on paper. Mounted on cardboard in two places. 24.5 x 10.5cm. Signed, dated and titled verso: TOW RALF ZIERVOGEL 2011. Framed. Not examined out of the frame. This work includes an envelope with embossing verso: EVERY ADIDAS GOT ITS STORY.Provenance:- Contemporary Fine Arts Galerie, Berlin. Erläuterungen zum KatalogRalf Ziervogel Germany Contemporary Art 2010s Figure / Figures Works on paper India ink ViolenceZiervogel, Ralf1975 Clausthal-Zellerfeld"Tow". Aus: Every Adidas Got Its Story. 2011. Tinte auf Papier. An zwei Punkten auf Karton montiert. 24,5 x 10,5cm. Signiert, datiert und betitelt verso: TOW RALF ZIERVOGEL 2011. Rahmen. Im Rahmen beschrieben. Zu dem Werk gehört ein Briefumschlag mit rückseitiger Prägung: EVERY ADIDAS GOT ITS STORY.Provenienz:- Contemporary Fine Arts Galerie, Berlin. Erläuterungen zum KatalogRalf Ziervogel Deutschland Zeitgenössische Kunst Unikate 2010er Figur / Figuren Papierarbeit Tusche Gewalt- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Pechstein, Hermann Max1881 Zwickau - 1955 BerlinKüstenlandschaft mit Dorf. 1950. Watercolour on vellum. 50 x 65cm. Signed and dated lower right: HMPechstein (initials patinated) 1953. Framed. Provenance:- Private collection Baden-Wuerttemberg. Explanations to the CatalogueHermann Max Pechstein Germany Modern Art 1950s Landscape Works on paper Watercolour LakePechstein, Hermann Max1881 Zwickau - 1955 BerlinKüstenlandschaft mit Dorf. 1950. Aquarell auf Velin. 50 x 65cm. Signiert und datiert unten rechts: HMPechstein (Initialen ligiert) 1953. Rahmen. Provenienz:- Privatsammlung Baden-Württemberg. Erläuterungen zum KatalogHermann Max Pechstein Deutschland Expressionismus Die Brücke Moderne Kunst Unikate 1950er Landschaft Papierarbeit Aquarell See- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Pechstein, Hermann Max1881 Zwickau - 1955 BerlinHecht in Seeuferlandschaft. 1936. Watercolour and gouache over pencil on watercolour laid paper. 52.5 x 70cm. Signed and dated lower right: M Pechstein 1936. Framed. On the back of this work there is another depiction done in gouache.Provenance:- Private collection North Rhine-Westphalia. Explanations to the CatalogueHermann Max Pechstein Germany Modern Art 1930s Fish Works on paper Watercolour LakePechstein, Hermann Max1881 Zwickau - 1955 BerlinHecht in Seeuferlandschaft. 1936. Aquarell und Gouache über Bleistift auf Aquarellbütten. 52,5 x 70cm. Signiert und datiert unten rechts: M Pechstein 1936. Rahmen. Auf der Rückseite der Arbeit befindet sich eine weitere, als Gouache ausgeführte Darstellung.Provenienz:- Privatsammlung Nordrhein-Westfalen. Erläuterungen zum KatalogHermann Max Pechstein Deutschland Expressionismus Die Brücke Moderne Kunst Unikate 1930er Fische Papierarbeit Aquarell See- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsFemme nue à la jambe pliée. 1931. Etching on vellum. 31.3 x 22cm (45 x 33.5cm). Signed. Edition Vollard, Paris (publisher). Framed. The present work is sheet 8 from the well-known "Suite Vollard". It was published in an edition of 260 copies. The sheet is equipped with the watermark of the artist.Provenance:- Private collection North Rhine-WestphaliaLiterature: - Baer, Brigitte: Picasso Peintre-Graveur, vol. I, Catalogue Raisonné de l'oeuvre grave et lithographié et des monotypes, 1899-1931, Bern 1990, cat.rais.-no. 15, ill.- Bloch, Georges: Pablo Picasso, Catalogue de l'oeuvre gravé et lithographié, vol. 1, 1904-1967, Bern 1971, cat.rais.-no. 141, ill. Explanations to the CataloguePablo Picasso Spain Modern Art Prints 1930s Woman Print Etching Figure / FiguresPicasso, Pablo1881 Malaga - 1973 MouginsFemme nue à la jambe pliée. 1931. Radierung auf Velin. 31,3 x 22cm (45 x 33,5cm). Signiert. Edition Vollard, Paris (Hrsg.). Rahmen. Es handelt sich um Blatt 8 aus der bekannten "Suite Vollard". Es erschien innnerhalb einer Auflage von 260 Exemplaren. Das Blatt ist mit dem Wasserzeichen des Künstlers versehen.Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur: - Baer, Brigitte: Picasso Peintre-Graveur, Bd. I, Catalogue Raisonné de l'oeuvre grave et lithographié et des monotypes, 1899-1931, Bern 1990, WVZ.-Nr. 15, Abb.- Bloch, Georges: Pablo Picasso, Catalogue de l'oeuvre gravé et lithographié, Bd. 1, 1904-1967, Bern 1971, WVZ.- Nr. 141, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Grafik 1930er Frau Druckgrafik Radierung Figur / Figuren- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsTête de Taureau, tournée à gauche. 1948. Lithograph on vellum. 65 x 50cm Signed and numbered. Number 43/50. Framed. Not examined out of the frame. Provenance:- Galerie Orangerie Reinz, Cologne- Corporate collection GermanyLiterature:- Bloch, Georges (ed.): Pablo Picasso, Catalogue de l'oeuvre gravé et lithographié, vol. 1, 1904-1967, Bern 1971, cat.rais.-no. 574, ill. Explanations to the CataloguePablo Picasso Spain Modern Art Prints 1940s Portrait Print Lithograph ManPicasso, Pablo1881 Malaga - 1973 MouginsTête de Taureau, tournée à gauche. 1948. Lithografie auf Velin. 65 x 50cm Signiert und nummeriert. Ex. 43/50. Rahmen. Im Rahmen beschrieben. Provenienz:- Galerie Orangerie Reinz, Köln- Unternehmenssammlung DeutschlandLiteratur:- Bloch, Georges (Hrsg.): Pablo Picasso, Catalogue de l'oeuvre gravé et lithographié, Bd. 1, 1904-1967, Bern 1971, WVZ.-Nr. 574, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Grafik 1940er Porträt Druckgrafik Lithografie Mann- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Dalí, SalvadorFigueras/Spain 1904 - 1989Tristan et Iseult. German edition. 1969. Book with 21 coloured drypoint etchings on BFK RIVES (watermark). Each: 40 x 26cm (45.5 x 64cm, central fold). Cover sheet signed and inscribed (artist's proof), all remaining sheets monogrammed. In the imprint with the copy number: A. With it is a complete suite on BFK RIVES (watermark). Each: 45 x 26cm (45 x 32cm). Inscribed (Signature and artist's proof). Suite and book (each in portfolios) in original box (49 x 37 x 8.5cm). Orangerie-Verlag, Cologne (publisher). Number artist's proof. Each sheet with the blind stamp of the publisher. The present book is one of three Hors de Commerce-copies (inscribed A-C). The numbered total edition was published with an amount of 200 copies.Provenance:- Collection Gerhard F. Reinz, CologneLiterature:- Sahli, Charles: Salvador Dalí - 257 editions originales 1964-1985, New York/Paris/Cologne/Bern 1985, cat.rais.-no. 138-158, ill.- Michler, Ralf/Löpsinger, Lutz W. (eds.): Salvador Dali - Das druckgraphische Werk 1924-1980, Oeuvrekatalog der Radierungen und Mixed-Media-Graphiken, Munich 1994, cat.rais.-no. 406-426, ill. Explanations to the CatalogueSalvador Dalí Spain Modern Art Prints 1960s Literary theme Print Drypoint etching Figure / FiguresDalí, SalvadorFigueras/Spanien 1904 - 1989Tristan et Iseult. Deutsche Ausgabe. 1969. Buch mit 21 farbigen Kaltnadelradierungen auf BFK RIVES (Wasserzeichen). Jeweils: 40 x 26cm (45,5 x 64cm, mittig gefalzt). Titelblatt signiert und bezeichnet (E.A.), alle übrigen Blätter monogrammiert. Im Impressum mit der Exemplarangabe: A. Dazu eine komplette Suite auf BFK RIVES (Wasserzeichen). Jeweils: 45 x 26cm (45 x 32cm). Bezeichnet (Namenszug und E.A). Suite und Buch (jeweils in Mappen) in originaler Kassette (49 x 37 x 8,5cm). Orangerie-Verlag, Köln (Hrsg.). Ex. E.A. Jedes Blatt ist mit dem Trockenstempel des Herausgebers versehen. Das vorliegende Buch ist eines von drei Hors de Commerce-Exemplaren (bezeichnet A-C). Die nummerierte Gesamtauflage erschien in einer Höhe von 200 Exemplaren.Provenienz:- Sammlung Gerhard F. Reinz, KölnLiteratur:- Sahli, Charles: Salvador Dalí - 257 editions originales 1964-1985, New York/Paris/Köln/Bern 1985, WVZ.-Nr. 138-158, Abb.- Michler, Ralf/Löpsinger, Lutz W. (Hrsg.): Salvador Dali - Das druckgraphische Werk 1924-1980, Oeuvrekatalog der Radierungen und Mixed-Media-Graphiken, München 1994, WVZ.-Nr. 406-426, Abb.Gerhard F. Reinz, der Herausgeber der Arbeit, liebt und schätzt Richard Wagner sehr. In Salvador Dalí findet er einen Gleichgesinnten und so hören die beiden oft während der "Signier-Stunden" im New Yorker oder Pariser Hotelzimmer die Musik des deutschen Komponisten. Wohl bei einer dieser Sitzungen entsteht die Idee zu einer Zusammenarbeit für den Radierzyklus "Tristan und Isolde". In der 21-teiligen Suite zu den Texten von André Mary gestaltet Dalí eine seiner vielen Interpretationen der populären Geschichte aus dem 12. Jahrhundert über Romantik und Tragödie. Reinz, der 1964 erstmals die Festspiele in Bayreuth besucht und dort die Familie Wagner kennenlernt, durfte zur Eröffnung der Eremitage 1969 eine Ausstellung mit Dalís Zyklus zeigen. Sie ist die erste Ausstellung von weiteren, die Reinz während der folgenden Festspiele einrichtet. Erläuterungen zum KatalogSalvador Dalí Spanien Surrealismus Moderne Kunst Grafik 1960er Literarische Themen Druckgrafik Kaltnadelradierung Figur / Figuren- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsFace. 1955. White earthenware clay, polychromed, glazed inside. 30 x 9.5 x 11cm. Inscribed underneath: EDITION PICASSO MADOURA. As well as stamp: MADOURA PLEIN FEU EDITION PICASSO. From an edition of 500 copies.Provenance:- Private collection North Rhine-WestphaliaLiterature:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works 1947-1971, Paris 1988,cat.rais.-no. 288, ill. Explanations to the CataloguePablo Picasso Spain Modern Art Sculptures 1950s Face Object EarthenwarePicasso, Pablo1881 Malaga - 1973 MouginsFace. 1955. Weißes Steingut, farbig gefasst, innen glasiert. 30 x 9,5 x 11cm. Bezeichnet auf der Unterseite: EDITION PICASSO MADOURA. Sowie Stempel: MADOURA PLEIN FEU EDITION PICASSO. Aus einer Auflage von 500 Exemplaren.Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works 1947-1971, Paris 1988,WVZ.-Nr. 288, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Gesicht Objekt Steingut- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsVase with bunch. 1956. White earthenware clay, partly oxidised, polychromed and glazed. 25 x 24.5 x 2.5cm. Numbered underneath: 28/200. As well as stamped: MADOURA PLEIN FEU, EMPREINTE ORIGINALE DE PICASSO. Number 28/200. Provenance:- Private collection HesseLiterature:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works, 1947-1971, Vallauris 1988, cat.rais.-no. 304, ill. Explanations to the CataloguePablo Picasso Spain Modern Art Sculptures 1950s Flowers Ceramic Earthenware Still LifePicasso, Pablo1881 Malaga - 1973 MouginsVase with bunch. 1956. Weißes Steingut, partiell oxidiert, farbig gefasst und glasiert. 25 x 24,5 x 2,5cm. Nummeriert auf der Unterseite: 28/200. Sowie Stempel: MADOURA PLEIN FEU, EMPREINTE ORIGINALE DE PICASSO. Ex. 28/200. Provenienz: - Privatsammlung Hessen Literatur:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works, 1947-1971, Vallauris 1988, WVZ.-Nr. 304, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Blumen Keramik Steingut Stillleben- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsHen subject. 1955. White earthenware clay, polychromed and glazed. 12.5 x 10 x 17.5cm. Inscribed underneath: EDITION PICASSO MADOURA. As well as stamp: MADOURA PLEIN FEU EDITION PICASSO. From an edition of 500 copies.Provenance:- Private collection North Rhine-WestphaliaLiterature:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works 1947-1971, Paris 1988,cat.rais.-no. 250, ill. Explanations to the CataloguePablo Picasso Spain Modern Art Sculptures 1950s Animal Object EarthenwarePicasso, Pablo1881 Malaga - 1973 MouginsHen subject. 1955. Weißes Steingut, farbig gefasst und glasiert. 12,5 x 10 x 17,5cm. Bezeichnet auf der Unterseite: EDITION PICASSO MADOURA. Sowie Stempel: MADOURA PLEIN FEU EDITION PICASSO. Aus einer Auflage von 500 Exemplaren.Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works 1947-1971, Paris 1988,WVZ.-Nr. 250, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Tier Objekt Steingut- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsPicador. 1953. White earthenware clay, partly polychromed and glazed. Ø 22.5 x 2.5cm. Inscribed and numbered underneath: K 112, 170/300. As well as stamp: MADOURA PLEIN FEU and EMPREINTE ORIGINALE PICASSO. Number 170/300. Provenance:- Private collection HesseLiterature:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works, 1947-1971, Vallauris 1988, cat.rais.-no. 305, with colour ill. Explanations to the CataloguePablo Picasso Spain Modern Art Sculptures 1950s Figure / Figures Ceramic Earthenware BullsPicasso, Pablo1881 Malaga - 1973 MouginsPicador. 1953. Weißes Steingut, partiell farbig gefasst und glasiert. Ø 22,5 x 2,5cm. Bezeichnet und nummeriert auf der Unterseite: K 112, 170/300. Sowie Stempel: MADOURA PLEIN FEU und EMPREINTE ORIGINALE PICASSO. Ex. 170/300. Provenienz: - Privatsammlung HessenLiteratur:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works, 1947-1971, Vallauris 1988, WVZ-Nr. 305, mit Farbabb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Figur / Figuren Keramik Steingut Stiere- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsGoat's head in profile. 1950. White earthenware clay, polychromed and partly glazed. 2.5 x diameter 25.5cm. Numbered underneath: 149/200. As well as inscribed: K 113. Above this the stamps : MADOURA PLEIN FEU and EMPREINTE ORIGINALE DE PICASSO. Number 149/200. Provenance:- Private collection North Rhine-WestphaliaLiterature:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works 1947-1971, Paris 1988, cat.rais.-no. 112, ill. Explanations to the CataloguePablo Picasso Spain Modern Art Sculptures 1950s Animal Object PorcelainPicasso, Pablo1881 Malaga - 1973 MouginsGoat's head in profile. 1950. Weißes Steingut, farbig gefasst und partiell glasiert. 2,5 x Durchmesser 25,5cm. Nummeriert auf der Unterseite: 149/200. Sowie bezeichnet: K 113. Darüber die Stempel: MADOURA PLEIN FEU und EMPREINTE ORIGINALE DE PICASSO. Ex. 149/200. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works 1947-1971, Paris 1988, WVZ.-Nr. 112, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Tier Objekt Porzellan- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsBull's profile. 1956. White earthenware clay, partly oxidised and glazed. 25 x 25 x 2.5cm. Stamped underneath: MADOURA PLEIN FEU, EMPREINTE ORIGINALE DE PICASSO. From an edition of 450 copies.Provenance:- Private collection HesseLiterature:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works, 1947-1971, Vallauris 1988, cat.rais.-no. 317, ill. Explanations to the CataloguePablo Picasso Spain Modern Art Sculptures 1950s Bulls Ceramic Earthenware AnimalsPicasso, Pablo1881 Malaga - 1973 MouginsBull's profile. 1956. Weißes Steingut, partiell oxidiert und glasiert. 25 x 25 x 2,5cm. Gestempelt auf der Unterseite: MADOURA PLEIN FEU, EMPREINTE ORIGINALE DE PICASSO. Aus einer Auflage von 450 Exemplaren.Provenienz: - Privatsammlung Hessen Literatur:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works, 1947-1971, Vallauris 1988, WVZ.-Nr. 317, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Stiere Keramik Steingut Tiere- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsLittle face no. 12. 1963. White earthenware clay, partly polychromed and glazed (underneath). 2 x Ø 25cm. Inscribed and numbered underneath: No 12 EDITION PICASSO 72/150 MADOURA. Number 72/150. Provenance:- Private collection North Rhine-WestphaliaLiterature: - Ramié, Alain: Picasso - Catalogue of the edited ceramic works 1947-1971, Paris 1988, cat.rais.-no. 460, ill. Explanations to the CataloguePablo Picasso Spain Modern Art Sculptures 1960s Face Ceramic EarthenwarePicasso, Pablo1881 Malaga - 1973 MouginsLittle face no. 12. 1963. Weißes Steingut, partiell farbig gefasst und glasiert (Unterseite). 2 x Ø 25cm. Bezeichnet und nummeriert auf der Unterseite: No 12 EDITION PICASSO 72/150 MADOURA. Ex. 72/150. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur: - Ramié, Alain: Picasso - Catalogue of the edited ceramic works 1947-1971, Paris 1988, WVZ.-Nr. 460, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1960er Gesicht Keramik Steingut- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsFace no. 46. 1963. White earthenware clay, partly polychromed and partly glazed. 2 x Ø 25.5cm. Inscribed and numbered underneath: No 46 EDITION PICASSO 114/150 MADOURA. Number 114/150. Literature: - Ramié, Alain: Picasso - Catalogue of the edited ceramic works 1947-1971, Paris 1988, cat.rais.-no. 466, ill. Explanations to the CataloguePablo Picasso Spain Modern Art Sculptures 1960s Face Ceramic EarthenwarePicasso, Pablo1881 Malaga - 1973 MouginsFace no. 46. 1963. Weißes Steingut, partiell farbig gefasst und partiell glasiert. 2 x Ø 25,5cm. Bezeichnet und nummeriert auf der Unterseite: No 46 EDITION PICASSO 114/150 MADOURA. Ex. 114/150. Literatur: - Ramié, Alain: Picasso - Catalogue of the edited ceramic works 1947-1971, Paris 1988, WVZ.-Nr. 466, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1960er Gesicht Keramik Steingut- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsPicador. 1953. White earthenware clay, partly polychromed, partly glazed. 2.5 x Ø 22cm. Numbered underneath: 70/200. As well as stamp: MADOURA PLEIN FEU and EMPREINTE ORIGINALE DE PICASSO. Number 70/200. Literature: - Ramié, Alain: Picasso - Catalogue of the edited ceramic works 1947-1971, Paris 1988, cat.rais.-no. 201, ill. Explanations to the CataloguePablo Picasso Spain Modern Art Sculptures 1950s Bulls Ceramic EarthenwarePicasso, Pablo1881 Malaga - 1973 MouginsPicador. 1953. Weißes Steingut, partiell farbig gefasst, partiell glasiert. 2,5 x Ø 22cm. Nummeriert auf der Unterseite: 70/200. Sowie Stempel: MADOURA PLEIN FEU und EMPREINTE ORIGINALE DE PICASSO. Ex. 70/200. Literatur: - Ramié, Alain: Picasso - Catalogue of the edited ceramic works 1947-1971, Paris 1988, WVZ.-Nr. 201, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Stiere Keramik Steingut- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsPicador and bull. 1953. White earthenware clay, partly oxidised/enamelled. 25.5 x 25 x 2cm. Stamped underneath: MADOURA PLEIN FEU, EMPREINTE ORIGINALE DE PICASSO. From an edition of 200 copies.Literature:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works, 1947-1971, Vallauris 1988, cat.rais.-no. 194, ill. Explanations to the CataloguePablo Picasso Spain Modern Art Sculptures 1950s Bulls Ceramic Earthenware Figure / FiguresPicasso, Pablo1881 Malaga - 1973 MouginsPicador and bull. 1953. Weißes Steingut, partiell oxidiert/emailliert. 25,5 x 25 x 2cm. Gestempelt auf der Unterseite: MADOURA PLEIN FEU, EMPREINTE ORIGINALE DE PICASSO. Aus einer Auflage von 200 Exemplaren.Provenienz: - Privatsammlung Hessen Literatur:- Ramié, Alain: Picasso - Catalogue of the edited ceramic works, 1947-1971, Vallauris 1988, WVZ.-Nr. 194, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Objekte 1950er Stiere Keramik Steingut Figur / Figuren- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Rohlfs, Christian1849 Niendorf - 1938 HagenBaum am Hang. 1921. Tempera on laid card. 62 x 51.5cm. Monogrammed and dated lower right: CR 21. Inscribed on verso: Dr. Jacobsohn, Erfurt. Framed. Provenance:- Private collection- Villa Grisebach, auction Berlin 12.6.2004, lot 225- Private collection Hesse. Explanations to the CatalogueChristian Rohlfs Germany Modern Art 1920s Landscape Works on paper Tempera TreesRohlfs, Christian1849 Niendorf - 1938 HagenBaum am Hang. 1921. Tempera auf Büttenkarton. 62 x 51,5cm. Monogrammiert und datiert unten rechts: CR 21. Bezeichnet verso: Dr. Jacobsohn, Erfurt. Rahmen. Provenienz:- Privatsammlung- Villa Grisebach, Auktion Berlin 12.6.2004, Los 225- Privatsammlung Hessen. Erläuterungen zum KatalogChristian Rohlfs Deutschland Expressionismus Norddeutscher Expressionismus Moderne Kunst Unikate 1920er Landschaft Papierarbeit Tempera Bäume- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premium

Schmidt-Rottluff, Karl1884 Rottluff - 1976 Berlin"Citronen u. Flasche". 1940s/1950s. Watercolour on Schoeller card (blind stamp). Laid down on cardboard (71.5 x 57cm). 65 x 49.5cm. Signed upper left: S-Rottluff. Further titled on verso: Citronen u. Flasche. Framed. This work is documented in the archive of the Karl und Emy Schmidt-Rottluff Foundation in the Brücke-Museum Berlin. We thank Mrs. Remm for her kind support. Provenance:- Private collection North Rhine-Westphalia. Explanations to the CatalogueKarl Schmidt-Rottluff Germany Modern Art 1940s Still Life Works on paper Watercolour FruitsSchmidt-Rottluff, Karl1884 Rottluff - 1976 Berlin"Citronen u. Flasche". 1940er/1950er Jahre. Aquarell auf Schoeller-Karton (Trockenstempel). Auf Karton aufgezogen (71,5 x 57cm). 65 x 49,5cm. Signiert oben links: S-Rottluff. Zudem verso betitelt: Citronen u. Flasche. Rahmen. Das Werk ist im Archiv der Karl und Emy Schmidt-Rottluff-Stiftung im Brücke-Museum Berlin dokumentiert. Wir danken Frau Remm für die freundliche Unterstützung. Provenienz:- Privatsammlung Nordrhein-Westfalen. Erläuterungen zum KatalogKarl Schmidt-Rottluff Deutschland Expressionismus Die Brücke Berliner Sezession Moderne Kunst Unikate 1940er Stillleben Papierarbeit Aquarell Früchte- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Derain, André1880 Chatou - 1954 Garches/Seine-et-OiseBuste de Femme. Around 1914. Oil on canvas. Relined. 70.5 x 32cm. Framed. Provenance:- John Quinn, New York- Gallery E.J. van Wisselingh, Amsterdam (label)- Private collection SpainLiterature:- Kellermann, Michel (Ed.): André Derain - Catalogue raisonné de l'oeuvre peint, Vol 1, 1895 - 1914, Paris 1992, cat.rais.-no. 436 (here with reference to signature on verso). Explanations to the CatalogueAndré Derain Modern Art 1910s Woman Painting Oil PortraitDerain, André1880 Chatou - 1954 Garches/Seine-et-OiseBuste de Femme. Um 1914. Öl auf Leinwand. Doubliert. 70,5 x 32cm. Rahmen. Provenienz:- John Quinn, New York- Galerie E.J. van Wisselingh, Amsterdam (Aufkleber)- Privatsammlung SpanienLiteratur:- Kellermann, Michel (Hrsg.): André Derain - Catalogue raisonné de l'oeuvre peint, Band 1., 1895 - 1914, Paris 1992, WVZ.-Nr. 436 (hier mit Verweis auf Signatur verso). Erläuterungen zum KatalogAndré Derain Frankreich Fauvismus Moderne Kunst Unikate 1910er Frau Gemälde Öl Porträt- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Schmidt-Rottluff, Karl1884 Rottluff - 1976 BerlinFeuerlilien in weissem Krug. 1965. India ink and grease crayon in colours on vellum. 70 x 50cm. Signed lower right: SRottluff. Inscribed verso: Feuerlilien in weissem Krug, 66/56 (green chalk), 65/24 (pencil). Craftman's frame. The work is documented in the archive of the Karl und Emy Schmidt-Rottluff-Foundation in the Brücke-Museum Berlin. We want to thank Mrs. Remm for the kind support.Provenance:- Corporate collection Germany. Explanations to the CatalogueKarl Schmidt-Rottluff Germany Modern Art 1960s Still Life Works on paper Mixed media FlowersSchmidt-Rottluff, Karl1884 Rottluff - 1976 BerlinFeuerlilien in weissem Krug. 1965. Tusche und farbige Fettkreide auf Velin. 70 x 50cm. Signiert unten rechts: SRottluff. Bezeichnet verso: Feuerlilien in weissem Krug, 66/56 (grüne Kreide), 65/24 (Bleistift). Modellrahmen. Das Werk ist im Archiv der Karl und Emy Schmidt-Rottluff-Stiftung im Brücke-Museum Berlin dokumentiert. Wir danken Frau Remm für die freundliche Unterstützung. Provenienz:- Unternehmenssammlung Deutschland. Erläuterungen zum KatalogKarl Schmidt-Rottluff Deutschland Expressionismus Die Brücke Berliner Sezession Moderne Kunst Unikate 1960er Stillleben Papierarbeit Mischtechnik Blumen- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Schmidt-Rottluff, Karl1884 Rottluff - 1976 BerlinUntitled (Landschaft). 1960s. India ink and grease crayon in colours on vellum. 40 x 53.5cm. Signed lower right: SRottluff. Framed. This work is documented in the archive of the Karl und Emy Schmidt-Rottluff-Foundation in the Brücke-Museum Berlin. We thank Mrs. Remm for the kind support. Provenance:- Private collection Baden-Wuerttemberg. Explanations to the CatalogueKarl Schmidt-Rottluff Germany Modern Art 1960s Landscape Works on paper Mixed media LakeSchmidt-Rottluff, Karl1884 Rottluff - 1976 BerlinOhne Titel (Landschaft). 1960er Jahre. Tusche und farbige Fettkreide auf Velin. 40 x 53,5cm. Signiert unten rechts: SRottluff. Rahmen. Das Werk ist im Archiv der Karl und Emy Schmidt-Rottluff-Stiftung im Brücke-Museum Berlin dokumentiert. Wir danken Frau Remm für die freundliche Unterstützung. Provenienz:- Privatsammlung Baden-Württemberg. Erläuterungen zum KatalogKarl Schmidt-Rottluff Deutschland Expressionismus Die Brücke Berliner Sezession Moderne Kunst Unikate 1960er Landschaft Papierarbeit Mischtechnik See- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Sintenis, Renée1888 Glatz/Silesia - 1965 BerlinJunge mit Reh. 1950 (design). Bronze, brown patinated. 30 x 9 x 9.5cm. Monogrammed on the plinth next to the right foot: RS. As well as on the back plinth edge foundry mark: NOACK BERLIN. Provenance:- Private collection North Rhine-WestphaliaLiterature:- Berger, Ursel/Ladwig, Günter (eds.): Renée Sintenis - Das plastische Werk, Berlin 2013, cat.rais.-no. 202, ill- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, cat.rais.-no. 77. Explanations to the CatalogueRenée Sintenis Germany Modern Art Sculptures 1950s Figure / Figures Sculpture Bronze GameSintenis, Renée1888 Glatz/Schlesien - 1965 BerlinJunge mit Reh. 1950 (Entwurf). Bronze, braun patiniert. 30 x 9 x 9,5cm. Monogrammiert auf der Plinthe neben dem rechten Fuß: RS. Sowie an der hinteren Plinthenkante Gießerstempel NOACK BERLIN. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Berger, Ursel/Ladwig, Günter (Hrsg.): Renée Sintenis - Das plastische Werk, Berlin 2013, WVZ.-Nr. 202, Abb.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, WVZ.-Nr. 77. Erläuterungen zum KatalogRenée Sintenis Deutschland Expressionismus Moderne Kunst Objekte 1950er Figur / Figuren Skulptur Bronze Wild- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Sintenis, Renée1888 Glatz/Silesia - 1965 BerlinLiegendes Zebukalb. 1924 (design). Bronze, brown patinated. 5.5 x 10 x 4cm. Monogrammed on the right gluteal: RS. As well as next to this foundry mark: NOACK BERLIN. Provenance:- Private collection North rhine-WestphaliaLiterature:- Berger, Ursel/Ladwig, Günter (eds.): Renée Sintenis - Das plastische Werk, Berlin 2013, cat.rais.-no. 061, ill.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, cat.-rais.-no. 201. Explanations to the CatalogueRenée Sintenis Germany Modern Art Sculptures 1920s Animals Sculpture BronzeSintenis, Renée1888 Glatz/Schlesien - 1965 BerlinLiegendes Zebukalb. 1924 (Entwurf). Bronze, braun patiniert. 5,5 x 10 x 4cm. Monogrammiert an der rechten Gesäßhälfte: RS. Sowie daneben Gießerstempel: NOACK BERLIN. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Berger, Ursel/Ladwig, Günter (Hrsg.): Renée Sintenis - Das plastische Werk, Berlin 2013, WVZ.-Nr. 061, Abb.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, WVZ.-Nr. 201. Erläuterungen zum KatalogRenée Sintenis Deutschland Expressionismus Moderne Kunst Objekte 1920er Tiere Skulptur Bronze- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Sintenis, Renée1888 Glatz/Silesia - 1965 BerlinAusschlagendes Fohlen. 1919 (design). Bronze, brown patinated. 11 x 7.5 x 3cm. Monogrammed On the right rear leg: RS. On stone base (1.2 x 7 x 3.5cm). Provenance:- Private collection North Rhine-WestphaliaLiterature:- Berger, Ursel/Ladwig, Günter (ed.): Renée Sintenis - Das plastische Werk, Berlin 2013, no. 042, ill.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1978, no. 128. Explanations to the CatalogueRenée Sintenis Germany Modern Art Sculptures 1910s Horses Sculpture Bronze AnimalsSintenis, Renée1888 Glatz/Schlesien - 1965 BerlinAusschlagendes Fohlen. 1919 (Entwurf). Bronze, braun patiniert. 11 x 7,5 x 3cm. Monogrammiert am rechten Hinterlauf: RS. Auf Steinsockel (1,2 x 7 x 3,5cm). Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Berger, Ursel/Ladwig, Günter (Hrsg.): Renée Sintenis - Das plastische Werk, Berlin 2013, Nr. 042, Abb.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1978, Nr. 128. Erläuterungen zum KatalogRenée Sintenis Deutschland Expressionismus Moderne Kunst Objekte 1910er Pferde Skulptur Bronze Tiere- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Sintenis, Renée1888 Glatz/Silesia - 1965 BerlinLiegendes Fohlen. 1946 (design). Bronze, brown patinated. 7.5 x 12.5 x 8cm. Monogrammed on the right gluteal: RS. as well as underneath foundry mark: NOACK BERLIN. Provenance:- Private collection North Rhine-WestphaliaLiterature:- Berger, Ursel/Ladwig, Günter (eds.): Renée Sintenis - Das plastische Werk, Berlin 2013, cat.rais.-no. 183, ill.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, cat.rais.-no. 156. Explanations to the CatalogueRenée Sintenis Germany Modern Art Sculptures 1940s Horses Sculpture Bronze AnimalsSintenis, Renée1888 Glatz/Schlesien - 1965 BerlinLiegendes Fohlen. 1946 (Entwurf). Bronze, braun patiniert. 7,5 x 12,5 x 8cm. Monogrammiert auf der rechten Gesäßhälfte: RS. Sowie auf der Unterseite Gießerstempel: NOACK BERLIN. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Berger, Ursel/Ladwig, Günter (Hrsg.): Renée Sintenis - Das plastische Werk, Berlin 2013, WVZ.-Nr. 183, Abb.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, WVZ.-Nr. 156. Erläuterungen zum KatalogRenée Sintenis Deutschland Expressionismus Moderne Kunst Objekte 1940er Pferde Skulptur Bronze Tiere- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Sintenis, Renée1888 Glatz/Silesia - 1965 BerlinSpielender Hund. 1930 (design). Bronze, brown patinated. 10.5 x 18.5 x 8cm. Monogrammed On the right hind leg: RS. As well as foundry mark: NOACK BERLIN. Provenance:- Private collection North Rhine-WestphaliaLiterature:- Berger, Ursel/Ladwig, Günter (eds.): Renée Sintenis - Das plastische Werk, Berlin 2013, cat.-rais.-no. 118, ill.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, cat.rais.-no. 102. Explanations to the CatalogueRenée Sintenis Germany Modern Art Sculptures 1930s Dogs Sculpture Bronze AnimalsSintenis, Renée1888 Glatz/Schlesien - 1965 BerlinSpielender Hund. 1930 (Entwurf). Bronze, braun patiniert. 10,5 x 18,5 x 8cm. Monogrammiert am rechten Hinterlauf: RS. Sowie Gießerstempel: NOACK BERLIN. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Berger, Ursel/Ladwig, Günter (Hrsg.): Renée Sintenis - Das plastische Werk, Berlin 2013, WVZ.-Nr. 118, Abb.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, WVZ.-Nr. 102. Erläuterungen zum KatalogRenée Sintenis Deutschland Expressionismus Moderne Kunst Objekte 1930er Hunde Skulptur Bronze Tiere- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Sintenis, Renée1888 Glatz/Silesia - 1965 BerlinBellender Hund. 1929 (design). Bronze, brown patinated. 8 x 16.5 x 5.5cm. Monogrammed on the left shoulder blade: RS. As well as next to this foundry mark: NOACK BERLIN. Provenance:- Private collection North Rhine-WestphaliaLiterature:- Berger, Ursel/Ladwig, Günter (eds.): Renée Sintenis - Das plastische Werk, Berlin 2013, cat.rais.-no. 110, ill.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, cat.rais.-no. 100. Explanations to the CatalogueRenée Sintenis Germany Modern Art Sculptures 1920s Dogs Sculpture Bronze AnimalsSintenis, Renée1888 Glatz/Schlesien - 1965 BerlinBellender Hund. 1929 (Entwurf). Bronze, braun patiniert. 8 x 16,5 x 5,5cm. Monogrammiert am linken Schulterblatt: RS. Sowie daneben Gießerstempel: NOACK BERLIN. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Berger, Ursel/Ladwig, Günter (Hrsg.): Renée Sintenis - Das plastische Werk, Berlin 2013, WVZ.-Nr. 110, Abb.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, WVZ.-Nr. 100. Erläuterungen zum KatalogRenée Sintenis Deutschland Expressionismus Moderne Kunst Objekte 1920er Hunde Skulptur Bronze Tiere- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Sintenis, Renée1888 Glatz/Silesia - 1965 BerlinJunger Hund. 1925 (design). Bronze, brown patinated. 8.5 x 6.5 x 10cm. Monogrammed on the right hind leg: RS. As well as next to this and on the the bottom foundry mark: NOACK BERLIN. Provenance:- Private collection North Rhine-WestphaliaLiterature:- Berger, Ursel/Ladwig, Günter (eds.): Renée Sintenis - Das plastische Werk, Berlin 2013, cat.rais.-no. 071, ill.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, cat.rais.-no. 95. Explanations to the CatalogueRenée Sintenis Germany Modern Art Sculptures 1920s Dogs Sculpture Bronze AnimalsSintenis, Renée1888 Glatz/Schlesien - 1965 BerlinJunger Hund. 1925 (Entwurf). Bronze, braun patiniert. 8,5 x 6,5 x 10cm. Monogrammiert am rechten Hinterlauf: RS. Sowie daneben und auf der Unterseite Gießerstempel: NOACK BERLIN. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Berger, Ursel/Ladwig, Günter (Hrsg.): Renée Sintenis - Das plastische Werk, Berlin 2013, WVZ.-Nr. 071, Abb.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, WVZ.-Nr. 95. Erläuterungen zum KatalogRenée Sintenis Deutschland Expressionismus Moderne Kunst Objekte 1920er Hunde Skulptur Bronze Tiere- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Sintenis, Renée1888 Glatz/Silesia - 1965 BerlinZwei liegende Hunde. 1948 (design). Bronze, light brown patinated. 4 x 13.5 x 9.5cm. Monogrammed on one dog's gluteal: RS. As well as underneath foundry mark: H. NOACK BERLIN. Provenance:- Private collection North Rhine-WestphaliaLiterature:- Berger, Ursel/Ladwig, Günter (eds.): Renée Sintenis - Das plastische Werk, Berlin 2013, cat.rais.-no. 191, ill.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, cat.rais.-no. 109. Explanations to the CatalogueRenée Sintenis Germany Modern Art Sculptures 1940s Dogs Sculpture Bronze AnimalsSintenis, Renée1888 Glatz/Schlesien - 1965 BerlinZwei liegende Hunde. 1948 (Entwurf). Bronze, hellbraun patiniert. 4 x 13,5 x 9,5cm. Monogrammiert am Gesäß eines Hundes: RS. Sowie auf der Unterseite Gießerstempel: H. NOACK BERLIN. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Berger, Ursel/Ladwig, Günter (Hrsg.): Renée Sintenis - Das plastische Werk, Berlin 2013, WVZ.-Nr. 191, Abb.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, WVZ.-Nr. 109. Erläuterungen zum KatalogRenée Sintenis Deutschland Expressionismus Moderne Kunst Objekte 1940er Hunde Skulptur Bronze Tiere- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Sintenis, Renée1888 Glatz/Silesia - 1965 BerlinJunger Esel. 1923 (design). Bronze, brown patinated. 12 x 12.5 x 3cm. Monogrammed On the right hind leg: RS. As well as foundry mark: NOACK BERLIN. On stone base (1.7 x 12 x 4cm). Provenance:- Private collection North Rhine-WestphaliaLiterature:- Berger, Ursel/Ladwig, Günter (eds.): Renée Sintenis - Das plastische Werk, Berlin 2013, cat.rais.-no. 133, ill.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, cat.rais.-no. 194. Explanations to the CatalogueRenée Sintenis Germany Modern Art Sculptures 1920s Animals Sculpture BronzeSintenis, Renée1888 Glatz/Schlesien - 1965 BerlinJunger Esel. 1923 (Entwurf). Bronze, braun patiniert. 12 x 12,5 x 3cm. Monogrammiert am rechten Hinterlauf: RS. Sowie Gießerstempel: NOACK BERLIN. Auf Steinsockel (1,7 x 12 x 4cm). Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Berger, Ursel/Ladwig, Günter (Hrsg.): Renée Sintenis - Das plastische Werk, Berlin 2013, WVZ.-Nr. 133, Abb.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, WVZ.-Nr. 194. Erläuterungen zum KatalogRenée Sintenis Deutschland Expressionismus Moderne Kunst Objekte 1920er Tiere Skulptur Bronze- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Sintenis, Renée1888 Glatz/Silesia - 1965 BerlinJunges Lama. 1924 (design). Bronze, brown patinated. 16.5 x 10 x 4cm. Monogrammed on the right hind leg: RS. As well as foundry mark: NOACK BERLIN. Provenance:- Private collection North Rhine-WestphaliaLiterature:- Berger, Ursel/Ladwig, Günter (eds.): Renée Sintenis - Das plastische Werk, Berlin 2013, cat.rais.-no. 064, ill.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, cat.rais.-no. 243. Explanations to the CatalogueRenée Sintenis Germany Modern Art Sculptures 1920s Animals Sculpture BronzeSintenis, Renée1888 Glatz/Schlesien - 1965 BerlinJunges Lama. 1924 (Entwurf). Bronze, braun patiniert. 16,5 x 10 x 4cm. Monogrammiert am rechten Hinterlauf: RS. Sowie Gießerstempel: NOACK BERLIN. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Berger, Ursel/Ladwig, Günter (Hrsg.): Renée Sintenis - Das plastische Werk, Berlin 2013, WVZ.-Nr. 064, Abb.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, WVZ.-Nr. 243. Erläuterungen zum KatalogRenée Sintenis Deutschland Expressionismus Moderne Kunst Objekte 1920er Tiere Skulptur Bronze- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Sintenis, Renée1888 Glatz/Silesia - 1965 BerlinSecretary. 1949 (design). Bronze, light brown patinated. 14.5 x 4 x 11cm. Monogrammed on the back edge of the plinth: RS. As well as next to this foundry mark: H. NOACK BERLIN. On stone base (2 x 5 x 5cm). Provenance:- Private collection North Rhine-WestphaliaLiterature:- Berger, Ursel/Ladwig, Günter (eds.): Renée Sintenis - Das plastische Werk, Berlin 2013, cat.rais.-no. 198, ill.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, cat.rais.-no. 247/249. Explanations to the CatalogueRenée Sintenis Germany Modern Art Sculptures 1940s Birds Sculpture Bronze AnimalsSintenis, Renée1888 Glatz/Schlesien - 1965 BerlinSekretär. 1949 (Entwurf). Bronze, hellbraun patiniert. 14,5 x 4 x 11cm. Monogrammiert auf der hinteren Plinthenkante: RS. Sowie daneben Gießerstempel: H. NOACK BERLIN. Auf Steinsockel (2 x 5 x 5cm). Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Berger, Ursel/Ladwig, Günter (Hrsg.): Renée Sintenis - Das plastische Werk, Berlin 2013, WVZ.-Nr. 198, Abb.- Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, WVZ.-Nr. 247/249. Erläuterungen zum KatalogRenée Sintenis Deutschland Expressionismus Moderne Kunst Objekte 1940er Vögel Skulptur Bronze Tiere- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Styrsky, Jindrich11.08.1899 Cerma - vor 1942Komposition. 1937. Mixed media (paper collage, india ink and pastel (?)) on cardboard. 25 x 20cm. Signed and dated in the depiction lower right: Styrsky 37. Illegibly inscribed beneath the depiction. Framed. For this work a photo expertise of Gladys C. Fabre, Paris, from 25.05.1984 is available.Provenance:- Private collection North Rhine-Westphalia. Explanations to the CatalogueJindrich Styrsky Czech Republic Modern Art 1930s Figure / Figures Collage Mixed media WordStyrsky, Jindrich1899 Dolni Cerma/Österreich-Ungarn - 1942 PragKomposition. 1937. Mischtechnik (Papiercollage, Tusche und Pastell(?)) auf Karton. 25 x 20cm. Signiert und datiert in der Darstellung unten rechts: Styrsky 37. Unterhalb der Darstellung unleserlich bezeichnet. Rahmen. Zu dieser Arbeit liegt eine Fotoexpertise von Gladys C. Fabre, Paris, vom 25.05.1984 vor.Provenienz:- Privatsammlung Nordrhein-Westfalen. Erläuterungen zum KatalogJindrich Styrsky Tschechien Surrealismus Moderne Kunst Unikate 1930er Figur / Figuren Collage Mischtechnik Wort- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premium

A contemporary Art Deco style cloud-back chair

Circa 1500-1540 AD. A 'hand and a half' or 'Bastard' sword, with ring guard, double-edged broad blade, lenticular in section, with single short shallow fuller, running up the first third of its length; the hilt is complex with spherical pommel (style G), the grip is elegantly wrapped with a later iron wire, the cross-guard (style 5) is broad towards the edges, where the iron quillons are ending with three small notches; the handle with a side guard together with the knuckle bow, showing two additional rings on the lower part of the hilt, bowing towards the flat undecorated blade. See Schneider, H., Waffen in Schweizerischen Landesmuseum, GriffWaffen I, Zurich,1980; Talhoffer, H., Medieval Combat: a Fifteenth-Century Illustrated Manual of Swordfighting and Close-Quarter Combat, by Rector, M. (ed."). London, 2000; Oakeshott, E., Sword in hand, London, 2001; Scalini, M., A bon droyt, spade di uomini liberi, cavalieri e santi, Milano, 2007. 1.3 kg, 1.05m (41 1/4"). From an important private family collection of arms and armour; acquired on the European art market in the 1980s, and thence by descent; believed originally from Liege, Belgium; accompanied by an academic report by military specialist Dr Raffaele D'Amato. By the second quarter of the 16th century, the long sword had become the 'Bastard' or 'hand and half sword', of which there are many beautiful surviving examples in excellent condition (Oakeshott, 2001, pp.137ff., figs.123-126), like the one here illustrated. The evolution of great and arming swords brought to the transformation of it in the Renaissance rapiers. The samples published by Oakeshott and kept in private collections, show how the developed hilt of the arming sword, which eventually become a rapier, was paralleled in the big 'bastard' swords. Held either in one or both hands, and also known as a ‘bastard’ sword, as its grip was not as long as a traditional two-handed sword, it can be dated to around 1500-1540 based on the decoration of its hilt. The three-notch ends of the crossbars (quillons) are quite flimsy while the finely spherical pommel recalls the swirling lobes that decorated contemporary flagons and candlestick stems. This appearance demonstrates a move away from the brutal simplicity of the medieval sword. The term 'bastard sword' was not, as supported by some scholars, a modern term, but already widely spread in the first half of 16th century. As a military weapon, it was kept in use by the Swiss for almost a century, with very few variations in shape, because it adhered perfectly to the organisational logic of the cantonal troops. So much so, that hundreds of specimens of this type are known, obviously with variations and best represented in the Swiss museums, especially in Zurich (Schneider, 1980, nn. 183-186, 190-195, 198, pp. 129-132, 134-136,138"). Many of them having complex hilts. This interesting piece belongs to the early period of diffusion of rapier in England. With all probability from a battlefield, a castle or a military site. The hilt and spatulate quillons and semi-basket guard for the knuckles is characteristically middle of the 16th century German. It was a long-term employed form, based on the shape of the swords used from horseback, hybridizing them with those of two-handed swords, thus defining an infantryman's sword, very effective against horsemen and pikemen. Its use, predominantly Germanic, involved training and a particular way of shielding, with guard positions, parades and lunges, all different from those of civilian side arms (Scalini, 2007, p.244"). Swords like this were among the most versatile weapons of the battlefield. It could be used one-handed on horseback, two-handed on foot; different techniques were used against armoured and unarmoured opponents; and the sword could even be turned around to deliver a powerful blow with the hilt. Mastery of the difficult physical skills of battle, was one of the chief attributes of the aristocrat. The art of combat was an essential part of a nobleman's education. Sigund Ringeck, a 15th-century fencing master, claimed knights should 'skilfully wield spear, sword, and dagger in a manly way.' These swords, gripped in both hands, were a potent weapon against armour before the development of firearms, but also continued to be used for long time after the diffusion of the guns and arquebuses on the European battlefield of XVI century. To fully appreciate the sword’s meaning for Ringeck as a sixteenth-century gentleman, it is important to understand its double role as both offensive weapon and costume accessory. As costume jewellery the decorative sword hilt flourished fully between 1580 and 1620. However, the seeds were sown long before. This ‘hand-and-a-half’ sword for use in foot combat carries an early sign of this development. No part of a medieval sword was made without both attack and defence in mind. Modern fencing encourages us to see the blade, in fact only the tip of the blade, as the sole attacking element of a sword and the hilt more as a control room and protector. Tight rules prevent the sword hand ever straying from the hilt and the spare hand from getting involved at all. This is a modern mistake. The fifteenth-century Fightbook published by the German fencing master, Hans Talhoffer, illustrates a more pragmatic approach as how two fashionably dressed men settle their differences using undecorated swords with thick diamond-section blades. The blades could be gripped as well as the hilt. The rounded pommels at the end of the grip, and at the ends to the quillons, not only balanced the swing of the sword but acted as hammerheads to deliver the ‘murder-stroke’. As soon as these elements ceased to be functional, they took on the role of adornment. This sword hints at the more decorative hilts produced later in the late 16th and 17th centuries. Swords themselves varied in weight and so did the crossguards. Also there are multiple different crossguards in this category, starting from simple ones with a single sidering or none at all to some complex 'baskets'. Fine condition. Rare.

Circa 1270-1330 AD. An iron longsword of Oakeshott's Type XIIIA.10 (Oakeshott, 1991, p.105), cross style 10, pommel style K, comprising a slender triangular blade with deep fuller and acute point, with inlaid copper design to each face of a circle with cross and rings within the quadrants, starbursts above and below; narrow lower guard with flared ends, each quillon showing three round holes near the outer edge; long grip with slight taper, disc pommel with chamfered edges; a nice example of a well employed sword, with the point of the balance down towards the point, ideal for a weapon designed to deal slow, powerful slashing blows. See J Oakeshott, R.E., The Archaeology of the weapons, London, 1960 (Woodbridge, 1999); Oakeshott, E. Records of the Medieval Sword, Woodbridge, 1991; Oakeshott, E., Sword in hand, London, 2001. 1.3 kg, 1.12m (44"). From an important English collection; acquired in the 1990s; accompanied by an academic report by specialist Dr Raffaele D'Amato. This sword belongs to the category which in the Middle Ages, was referred as 'La Grant Espée d’Allemagne', or 'Great sword of Germany', or 'Espée de guerre', 'Grete war sword' and so on (Oakeshott, 2001, p.90"). Other names were applied in different countries but, as said by Oakeshott, it was German in origin, of great size and fashionable in use. It was especially popular between 1250-1360 AD. This circumstance is well attested by the appearance of such swords in contemporary works of art, MS illustrations, sculptures, tomb effigies, especially in Germany and Spain (Oakeshott, 1960 (1999), figs.88-94; 1991, figs.80,82"). Oakeshott classified them like swords of type XIII: these swords are of a very striking and individual shape; some of them are very large - and this is the reason they were called 'swords of war' in the time of their highest popularity, between about 1280 and 1340. These Epées de Guerre were massive weapons, but are not to be confused with two-handed swords. There were a few such, as early as 1350, but they were considerably bigger and were always referred to as Epées a deux Mains or even 'Twanandswerds' (Oakeshott, 1960 (1999), p.207"). The war sword had a blade some 36 to 40 long with a very long hilt, from 6 to 8 between cross and pommel, but it could be wielded in one hand, though provisions were made for using it with both. Most Type XIII swords were large like the current example, but there are several of more ordinary dimensions, though they have hilts. This sword of type XIIIA, destined to the war, is characterised by parallel-edged blade, longer grip (quillons) and rounded point (Oakeshott, 1991, p.96), but the specimens of type 14 show a more pointed tip. The specimens of this type are heavier and very near to the two hand proportions, like the current example. The latter has a nearly perfect parallel with a specimen of unknown provenance, today in the Burrell collection in Glasgow, the blade 92.1cm in length. Most probably this specimen is from a battlefield or, most probably, a river find. The hilt was originally covered with leather, like the specimen of type XIIIa.9, published by Oakeshott and found from Danube (1991, p.104"). The tang is very long, like the untouched specimen belonging to Ottokar of Bohemia (Oakeshott, 1991, p.114), which suggests that it is likely that most of the blades came to the cutler in such way, so that the hilt could be made to a length to suit the customer. It points to swords produced in workshops of the Holy Roman Empire. It is however, very difficult to say where a sword was produced. A place of great blade making and steel workshops was Solingen, a city which has been always been associated with the making of blades, and where now there is a splendid Klingenmuseum, devoted to all the arts of the swords. But in 13th century, there were many other centres of production, although less documented. In the famous chronicle of Froissart, written in the 14th century, there is a constant mention of Bordeaux (doubts arose from Oakeshott, 1991, p.9, if Bordeaux in Gascony or Bordeau in Haute-Savoie) as the place in which the most important and worthy blades (not only swords, but also spears, axes and arrows) were done. Probably most of the European cities, which became worthy for the production of the swords, were producing them as early as the 12th century. (Passau on the Danube, Koln, Milano, Brescia, and perhaps Toledo (but the real evidence for Toledo is only at the end of the 15th century.)) It is interesting to mention the piece of documented evidence already underlined by Oakeshott about the making of the swords in Milan already at the end of the 13th century. In the so-called Chronicon Extravagans de Antiquitatibus Mediolani, a certain Galvano Fiamma, wrote (XVIII,5,6) about Milano that '…Inter alia sunt armature militares: inueniuntur enim in nostro terretorio armorum fabricatores in mirabili copia, qui cottidie fabricant cuiuscumque generis armaturas, scilicet loricas, thoraces, lamerias, galeas, galerias, ceruelleras, collarias, cyrothecas, tybialia, femoralia, genualia, lanceas, pilla, henses, pugiones, clauas. Et sunt omnia ex ferro terso et polito, speculorum claritatem excedentes…' ('Among the other things the military armours: in our territory immense number of workmen are to be found who make every manner of armour, i.e. hauberks, breastplates, plates, helms, helmets, steel skull-caps, gorgets, gauntlets, greaves, cuishes, knee pieces, spears, javelins, swords, daggers, clubs. And they are all of polite and cleaned iron, shining more of the mirrors for his brightness…'"). Fine condition. A nice example of a well used sword.

NEMUKHIN, VLADIMIR (1925–2016) Still Life with the "Russkaya Mysl" Newspaper, signed, titled in Cyrillic and dated 1992.Oil, pastel, pencil and collage with newspaper and playing cards on card, 79.5 by 60 cm.Provenance: Collection of Alexander Glezer.Private collection, USA.Important private collection, UK.Exhibited: Hudson Valley Museum of Contemporary Art, New York, 1997.

Medieval, a complete copper-alloy and enamel heraldic harness pendant dating to the Medieval period, c. 1200-1400. The pendant is shield-shaped, with a suspension loop at its apex. The front face of the pendant bears the following blazon: argent, a crowned lion statant facing left. The background tincture, regrettably, is eroded away completely. Unattributable to any specific family, but similar in some respects to the arms of Gerard de Lisle, of Kingston Lisle, Oxfordshire. Preserved well, some erosion to enamel. Length: 43mm. Discussion: heraldic pendants such as these are relatively common finds, their floruit being the 14th century. Contemporary art sometimes shows them attached to the breast-bands of harnesses, suspended in rows.Provenance: Found Near Bicester, Oxfordshire. Recorded on the PAS as OXON-79E077.