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Tiffanie Delune Moments with Self II, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tiffanie Delune is a Paris-born visual artist with a multi-media practice, living and working in London. Expanding from an initial focus on personal trauma and childhood experiences, her practice is instinctively embarking on a wondering wandering. She weaves apparitions in dreams and travel recollections with symbols of her mixed-race family, hints of femininity and flux of spirituality. Navigating between her shadow self and full of light, movement and energy forms, Tiffanie is interested in the magic of storytelling that engages conversations and evokes emotions. Approaching her work with playfulness and an intuitive curiosity, she creates multilayered pieces on cotton canvas, loose linen and smaller pieces of paper; inviting for a dialogue between the scale and the subject. Letting go of any inhibitions in the choice of materials, she longs for textures, meanings and a sense of memory - from acrylic, pastels and papers to glitter, threads, loo roll, keys, bags and dried flowers. In a conflicted world that feels deeply saturated, she puts a special emphasis on sharing a blended, unfiltered narrative in all its depth and authenticity. Self-taught, Tiffanie has fully emerged herself into her practice with daily rituals and creative challenges. Her work has since been exhibited in London, Paris, Lagos and Los Angeles; featured on Forbes, BBC Radio London, Contemporary And, The Financial Times and Artsy; and is held in the permanent collections of the Fondation Gandur pour l'Art in Geneva, Switzerland as well as the New-York Presbytarian Hospital for Women and Newborns in New York City. "The natural world is center stage to my creativity from constellations to the seas, tales of the African Motherland and visions of hope - untouched places without any form of conditioning, birthing a boundless sense of being. Blooming shapes and rich colours give life to unique characters and dreamscapes that infinitely dance between independence and sexuality, strength and vulnerability, stillness and vitality.   Exhibitions   Solo Shows 2020 Seeds Of Light, Curated by Katherine Finerty, The Gramophone Works, London 2019 Metamorphosis, Someth1ng Gallery, London 2018 Coloriosity, 16/16, Lagos   Group Shows 2021 Art On A Postcard for International Women's Day, London 2021 In The Midst Of All That Is, Curated by Terrell Tilford, Band Of Vices, Los Angeles 2020 Art X Lagos, Lagos 2020 Art On A Postcard for International Women's Day, All Bright Mayfair, London 2019 Contemporary African Art, Piasa, Paris 2019 1-54 Contemporary African Art Fair, Somerset House, London 2018 Portraits of Animals, H Factor, Lagos   Gallery Representation   Ed Cross Fine Art

Diana Savostaite I'll Take A Hot Bath, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Diana Savostaite (b.1983) was born and raised in a small Lithuanian village. She is a graduate of Vilnius Academy of Arts (2006) and holds a BA honours degree in Fine Arts / Painting. Diana moved to London in 2006, where she has been actively participating in group and solo exhibitions across the UK. Diana uses oil painting as a primary medium to create colourful and expressive paintings. Her artworks combine lots of colour tones (from light and airy to dark and gloomy) and variety of brush strokes. The painting process is especially important to Diana. She begins her artwork with applying thin transparent colour washes, then progresses it with texture and bold brush strokes, then finishes it by adding any detailed touches. All of this creates a unique and vibrant atmosphere in her paintings. Diana is inspired by her closest surroundings, observation of daily experiences and especially - nature and a personal connection with it. In her latest work, Diana experiments with new shapes and combines them together in a various ways, so paintings interconnect with each other and create a visual story on the wall. This practice has allowed her artwork to break free from the traditional painting format or rules and has encouraged her to search for a new form of expression. Through this, Diana discovered an interesting combination between painting and shape.   Exhibition/Awards   Diana has had several solo shows in UK - Cole's Gallery, Leeds (2020), Thames Side Studios, London (2019 and 2017), Art Fix Gallery, London (2017), ASC - Unit 3, London (2013), London Regatta Centre, London (2013). Diana's work has been selected for variety group exhibitions across the UK in venues like Royal Academy of Arts (London), Sunny Art Centre (London), Mall Galleries (London), Peterborough Museum (UK), The Bishop's Palace in Wells (UK), The Old Truman's Brewery (London), Penarth Pier Pavilion Gallery (UK), Hundred Years Gallery (London), Unit-3 Gallery (London), Arch Gallery (London), Saatchi Screen in Saatchi Gallery (London).   In 2017 Diana was awarded with Winsor and Newton Young Artist Award while exhibiting her work in Mall Galleries (London). Recently, Diana won an artist's open call with Colle's Gallery in Leeds and has been awarded a solo exhibition. Diana's artworks are held in several private art collections across the UK, Europe and USA.   2019 - Digital Marketing Strategy, UAL, online short course. 2001- 2006 Vilnius Academy of Arts, Kaunas Faculty of Arts, Lithuania. Bachelor of Fine Arts, Study programme - Painting.   Solo Exhibitions: 2020 - Cole's Gallery, Leeds, UK 2019 - Private Spaces,Viewing Room, Thames-Side studios, London 2017 - Lounge, Thames-Side Studios, London, UK 2017 - Art Fix Gallery, Woolwich, London, UK 2013 - Paintings, ASC Unit-3, London, UK 2013 - City Signs, London Regatta Centre, London, UK 2006 - Underground, degree show - Vilnius Academy of Arts, Kaunas, Lithuania   Group Exhibitions: 2020 - Summer Exhibition 2020, Royal Academy of Arts, London, UK 2020 - Sunny Art Prize 2020, Sunny Art Centre, London, UK 2020 - House Bound, Chapel Arts Studios, selected for an online group exhibition 2020 - A World Without End, no barking aRt gallery, selected for an online group exhibition 2019 - 'Dinner Table' painting chosen for Saatchi Screen, Saatchi Gallery, London, UK 2019 - New English Art Club Annual Exhibition, Mall Galleries, London, UK 2019 - Open exhibition, Peterborough Museum Gallery, Peterborough, UK 2018 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2018 - Wells Art Contemporary, The Bishop's Palace, Wells, UK 2018 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2018 - 'Sunday Morning in the Bed' selected for Saatchi Screen, Saatchi Gallery, London, UK 2018 - Royal Society of British Artists Annual Exhibition, Mall Galleries, London, UK 2017 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2017 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2016 - Summer Exhibition, New Artist Fair, The Old Truman's Brewery, London, UK 2016 - Pavilion Open Art Exhibition, Penarth Pier Pavilion-The Esplanade, Penarth, UK 2016 - Le Dame Gallery, Melia White House Hotel, London, UK 2016 - Open Art Exhibition, City Gallery, Peterborough, UK 2015 - Bells from the Deep, Hundred Years Gallery, London, UK 2015 - Pastel Society Annual Exhibition, Mall Galleries, London, UK 2013 - On Site, ASC Unit-3, London, UK 2013 - Dazed and Refused, Arch Gallery, London, UK   Awards: 2020 - Winner of a solo exhibition with Cole's Gallery, Leeds, UK 2020 - Selected for RA Summer Exhibition 2017 - Winsor and Newton Young Artist Award, Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London Condition Report:   Condition Report Disclaimer

Diana Savostaite In the Bedroom, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Diana Savostaite (b.1983) was born and raised in a small Lithuanian village. She is a graduate of Vilnius Academy of Arts (2006) and holds a BA honours degree in Fine Arts / Painting. Diana moved to London in 2006, where she has been actively participating in group and solo exhibitions across the UK. Diana uses oil painting as a primary medium to create colourful and expressive paintings. Her artworks combine lots of colour tones (from light and airy to dark and gloomy) and variety of brush strokes. The painting process is especially important to Diana. She begins her artwork with applying thin transparent colour washes, then progresses it with texture and bold brush strokes, then finishes it by adding any detailed touches. All of this creates a unique and vibrant atmosphere in her paintings. Diana is inspired by her closest surroundings, observation of daily experiences and especially - nature and a personal connection with it. In her latest work, Diana experiments with new shapes and combines them together in a various ways, so paintings interconnect with each other and create a visual story on the wall. This practice has allowed her artwork to break free from the traditional painting format or rules and has encouraged her to search for a new form of expression. Through this, Diana discovered an interesting combination between painting and shape.   Exhibition/Awards   Diana has had several solo shows in UK - Cole's Gallery, Leeds (2020), Thames Side Studios, London (2019 and 2017), Art Fix Gallery, London (2017), ASC - Unit 3, London (2013), London Regatta Centre, London (2013). Diana's work has been selected for variety group exhibitions across the UK in venues like Royal Academy of Arts (London), Sunny Art Centre (London), Mall Galleries (London), Peterborough Museum (UK), The Bishop's Palace in Wells (UK), The Old Truman's Brewery (London), Penarth Pier Pavilion Gallery (UK), Hundred Years Gallery (London), Unit-3 Gallery (London), Arch Gallery (London), Saatchi Screen in Saatchi Gallery (London).   In 2017 Diana was awarded with Winsor and Newton Young Artist Award while exhibiting her work in Mall Galleries (London). Recently, Diana won an artist's open call with Colle's Gallery in Leeds and has been awarded a solo exhibition. Diana's artworks are held in several private art collections across the UK, Europe and USA.   2019 - Digital Marketing Strategy, UAL, online short course. 2001- 2006 Vilnius Academy of Arts, Kaunas Faculty of Arts, Lithuania. Bachelor of Fine Arts, Study programme - Painting.   Solo Exhibitions: 2020 - Cole's Gallery, Leeds, UK 2019 - Private Spaces,Viewing Room, Thames-Side studios, London 2017 - Lounge, Thames-Side Studios, London, UK 2017 - Art Fix Gallery, Woolwich, London, UK 2013 - Paintings, ASC Unit-3, London, UK 2013 - City Signs, London Regatta Centre, London, UK 2006 - Underground, degree show - Vilnius Academy of Arts, Kaunas, Lithuania   Group Exhibitions: 2020 - Summer Exhibition 2020, Royal Academy of Arts, London, UK 2020 - Sunny Art Prize 2020, Sunny Art Centre, London, UK 2020 - House Bound, Chapel Arts Studios, selected for an online group exhibition 2020 - A World Without End, no barking aRt gallery, selected for an online group exhibition 2019 - 'Dinner Table' painting chosen for Saatchi Screen, Saatchi Gallery, London, UK 2019 - New English Art Club Annual Exhibition, Mall Galleries, London, UK 2019 - Open exhibition, Peterborough Museum Gallery, Peterborough, UK 2018 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2018 - Wells Art Contemporary, The Bishop's Palace, Wells, UK 2018 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2018 - 'Sunday Morning in the Bed' selected for Saatchi Screen, Saatchi Gallery, London, UK 2018 - Royal Society of British Artists Annual Exhibition, Mall Galleries, London, UK 2017 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2017 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2016 - Summer Exhibition, New Artist Fair, The Old Truman's Brewery, London, UK 2016 - Pavilion Open Art Exhibition, Penarth Pier Pavilion-The Esplanade, Penarth, UK 2016 - Le Dame Gallery, Melia White House Hotel, London, UK 2016 - Open Art Exhibition, City Gallery, Peterborough, UK 2015 - Bells from the Deep, Hundred Years Gallery, London, UK 2015 - Pastel Society Annual Exhibition, Mall Galleries, London, UK 2013 - On Site, ASC Unit-3, London, UK 2013 - Dazed and Refused, Arch Gallery, London, UK   Awards: 2020 - Winner of a solo exhibition with Cole's Gallery, Leeds, UK 2020 - Selected for RA Summer Exhibition 2017 - Winsor and Newton Young Artist Award, Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London    

Diana Savostaite Warming Hands, 2021 Watercolour and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Diana Savostaite (b.1983) was born and raised in a small Lithuanian village. She is a graduate of Vilnius Academy of Arts (2006) and holds a BA honours degree in Fine Arts / Painting. Diana moved to London in 2006, where she has been actively participating in group and solo exhibitions across the UK. Diana uses oil painting as a primary medium to create colourful and expressive paintings. Her artworks combine lots of colour tones (from light and airy to dark and gloomy) and variety of brush strokes. The painting process is especially important to Diana. She begins her artwork with applying thin transparent colour washes, then progresses it with texture and bold brush strokes, then finishes it by adding any detailed touches. All of this creates a unique and vibrant atmosphere in her paintings. Diana is inspired by her closest surroundings, observation of daily experiences and especially - nature and a personal connection with it. In her latest work, Diana experiments with new shapes and combines them together in a various ways, so paintings interconnect with each other and create a visual story on the wall. This practice has allowed her artwork to break free from the traditional painting format or rules and has encouraged her to search for a new form of expression. Through this, Diana discovered an interesting combination between painting and shape.   Exhibition/Awards   Diana has had several solo shows in UK - Cole's Gallery, Leeds (2020), Thames Side Studios, London (2019 and 2017), Art Fix Gallery, London (2017), ASC - Unit 3, London (2013), London Regatta Centre, London (2013). Diana's work has been selected for variety group exhibitions across the UK in venues like Royal Academy of Arts (London), Sunny Art Centre (London), Mall Galleries (London), Peterborough Museum (UK), The Bishop's Palace in Wells (UK), The Old Truman's Brewery (London), Penarth Pier Pavilion Gallery (UK), Hundred Years Gallery (London), Unit-3 Gallery (London), Arch Gallery (London), Saatchi Screen in Saatchi Gallery (London).   In 2017 Diana was awarded with Winsor and Newton Young Artist Award while exhibiting her work in Mall Galleries (London). Recently, Diana won an artist's open call with Colle's Gallery in Leeds and has been awarded a solo exhibition. Diana's artworks are held in several private art collections across the UK, Europe and USA.   2019 - Digital Marketing Strategy, UAL, online short course. 2001- 2006 Vilnius Academy of Arts, Kaunas Faculty of Arts, Lithuania. Bachelor of Fine Arts, Study programme - Painting.   Solo Exhibitions: 2020 - Cole's Gallery, Leeds, UK 2019 - Private Spaces,Viewing Room, Thames-Side studios, London 2017 - Lounge, Thames-Side Studios, London, UK 2017 - Art Fix Gallery, Woolwich, London, UK 2013 - Paintings, ASC Unit-3, London, UK 2013 - City Signs, London Regatta Centre, London, UK 2006 - Underground, degree show - Vilnius Academy of Arts, Kaunas, Lithuania   Group Exhibitions: 2020 - Summer Exhibition 2020, Royal Academy of Arts, London, UK 2020 - Sunny Art Prize 2020, Sunny Art Centre, London, UK 2020 - House Bound, Chapel Arts Studios, selected for an online group exhibition 2020 - A World Without End, no barking aRt gallery, selected for an online group exhibition 2019 - 'Dinner Table' painting chosen for Saatchi Screen, Saatchi Gallery, London, UK 2019 - New English Art Club Annual Exhibition, Mall Galleries, London, UK 2019 - Open exhibition, Peterborough Museum Gallery, Peterborough, UK 2018 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2018 - Wells Art Contemporary, The Bishop's Palace, Wells, UK 2018 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2018 - 'Sunday Morning in the Bed' selected for Saatchi Screen, Saatchi Gallery, London, UK 2018 - Royal Society of British Artists Annual Exhibition, Mall Galleries, London, UK 2017 - Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London, UK 2017 - Society of Women Artists Annual Exhibition, Mall Galleries, London, UK 2016 - Summer Exhibition, New Artist Fair, The Old Truman's Brewery, London, UK 2016 - Pavilion Open Art Exhibition, Penarth Pier Pavilion-The Esplanade, Penarth, UK 2016 - Le Dame Gallery, Melia White House Hotel, London, UK 2016 - Open Art Exhibition, City Gallery, Peterborough, UK 2015 - Bells from the Deep, Hundred Years Gallery, London, UK 2015 - Pastel Society Annual Exhibition, Mall Galleries, London, UK 2013 - On Site, ASC Unit-3, London, UK 2013 - Dazed and Refused, Arch Gallery, London, UK   Awards: 2020 - Winner of a solo exhibition with Cole's Gallery, Leeds, UK 2020 - Selected for RA Summer Exhibition 2017 - Winsor and Newton Young Artist Award, Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London    

Ceal Warnants Entitled (Repeat), 2021 Digital Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating.   Education   2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking)   Exhibitions/Awards   2020 ""HOUSE OF VANS COMMUNITY MARKET"" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH"" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON.   2019 'NOTICE THE SMALL THINGS"" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON.   2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH ""COCO FENNELL"" FOR SS18 COLLECTION #COCOXCEAL   2017 COLLABORATION WITH ""THE BIG ISSUE"" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON.   2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON.   2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON.   2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON.   2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE.   2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD.   2011 'EXAM.' - TRANSITION GALLERY, LONDON.   2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS.   2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON.   2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON.   COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION P RIVATE COLLECTIONS WORLDWIDE   COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE   SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER   Gallery Representation   Jealous Gallery, Gas Gallery, Chappell Contemporary   About the postcard artworks   When considering how to reflect myself within my work I decided to choose a balance of positive and negative. ""And What?"" represents fighting attitudes that I see as being wrong in society, whilst ""Entitled"" depicts my particular position of privilege of which I am very aware."  

Ceal Warnants And What?, 2021 Digital Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating.   Education   2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking)   Exhibitions/Awards   2020 ""HOUSE OF VANS COMMUNITY MARKET"" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH"" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON.   2019 'NOTICE THE SMALL THINGS"" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON.   2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH ""COCO FENNELL"" FOR SS18 COLLECTION #COCOXCEAL   2017 COLLABORATION WITH ""THE BIG ISSUE"" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON.   2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON.   2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON.   2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON.   2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE.   2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD.   2011 'EXAM.' - TRANSITION GALLERY, LONDON.   2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS.   2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON.   2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON.   COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION P RIVATE COLLECTIONS WORLDWIDE   COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE   SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER   Gallery Representation   Jealous Gallery, Gas Gallery, Chappell Contemporary   About the postcard artworks   When considering how to reflect myself within my work I decided to choose a balance of positive and negative. ""And What?"" represents fighting attitudes that I see as being wrong in society, whilst ""Entitled"" depicts my particular position of privilege of which I am very aware."

Nina Mae Fowler This Is Your Life, 2021 Pencil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.)     Known for her sumptuously detailed large-scale drawings and installations, Nina Mae Fowler's work interrogates themes of celebrity, beauty, power and sexuality. Fowler often uses subject matter from a seemingly bygone era to throw into relief strikingly similar contemporary narratives, such as abuses of power across industries and our own role as a consumer of celebrity culture. Education Graduated with a first in Fine Art Sculpture in 2003 from Brighton University Exhibitions/Awards Luminary Drawings: Portraits of Film Directors by Nina Mae Fowler, National Portrait Gallery, London, UK, 2019 The National Portrait Gallery awarded Fowler this major commission which features drawn portraits of British Film Directors, sitters included, Amma Asante, Ken Loach, Sir Ridley Scott, Sir Sam Mendes, Asif Kapadia and Sally Potter. The portraits form part of the museum's permanent collection. Fowler has also been shortlisted for numerous prizes and awards, including the Jerwood Drawing Prize (2015 & 2010), The Discerning Eye Drawing Bursary Award (2016), Aesthetica Art Prize (2014), Drawing Now Award (2014), Young Masters Prize (2012) and the BP Portrait Award (2008).   Her works have been exhibited within the context of cultural institutions and museums including; Kunstsaele Berlin, Germany (Drawing WOW, 2020) and Neuer Kunstverein Aschaffenburg, Germany (Starke Frauen, 2013).   Fowler has exhibited in galleries internationally, which includes frequent solo and group exhibitions in London (Cob Gallery, Lazarides), Paris (Galerie Suzanne Tarasieve, Galerie Dukan), Hamburg, Berlin (artnow Gallery), Leipzig and Hong Kong (Contemporary by Angela Li). Her works are held in notable private and public collections including; The National Portrait Gallery (UK), Balliol, Magdalen and New Colleges Oxford (UK), ColecciónAl Limite (Chile), Imago Mundi, Luciano Bennetton Collection (Treviso, Italy) and the ' Try-me' Collection, (Virginia, USA). In 2018, film director David Lynch's establishment Silencio in Paris held a retrospective of Fowler's work. Gallery Representation Cob Gallery, UK, Suzanne Tarasieve, France, art Now Gallery, Germany About the postcard artworks The life of actress Frances Farmer has been subject to dramatic fictionalisation, relentless scrutiny and mistruths. Having found fame in the 1930's she struggled with the image Hollywood forced upon her and spent the next decade in and out of psychiatric hospitals where she was mistreated and abused. She subsequently suffered from mental health issues for the rest of her life and was subject to a rumour that she had been lobotomised during one of her involuntary institutionalisations. In 1958 she appeared on "This is Your Life" to dispel years of speculation and innuendo. It is devastating to watch as she feels forced to explain herself, relive the worst times of her life and respond with perfect rationality. Her agony is writ large upon her face as she continues to be probed and pushed in front of an eternally unquenchable audience. This drawing is after a still from the broadcast."  

Natisa Jones In All My Glory, 2021 Charcoal, Watercolour, Acrylic and Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Natisa Jones b. 1989 Born in Jakarta, Natisa Jones is a visual artist who works between Bali, Indonesia where she spent most of her childhood growing up - and Amsterdam, Netherlands where she is currently based.   Education   Jones completed a Visual Arts diploma studies in Chiang Mai Thailand and a bachelor's degree of Fine Arts Painting in RMIT University - Melbourne, Australia. Through the process of writing, drawing, painting, and video, Jones establishes a tightly-knit relationship between her personal life and her creative practice. Raised in a multicultural house hold by a Javanese mother and a Canadian father, Jones pulls narratives from her personal experiences to explore issues within identity and reflect on social dynamics. Framing moments of vulnerability, while every so often pinching sentiments from popular culture, text is regularly incorporated with imagery. Prompt by her multicultural upbringing, Jones seeks to emphasize the notion of duality as an underlying theme in every aspect of her work.   Exhibitions/Awards   Natisa has held 3 solo exhibitions in Ruci Gallery (Jakarta), Galeri Salihara (Jakarta) and Tony Raka Gallery, (Bali).   Group exhibitions include Indonesia, Thailand, Singapore, Australia, Phillipines and more.   Bachelor of Fine Arts - Painting (Royal Melbourne Institute of Technology) Graduated 2011   Solo Exhibitions 2019 - Solo Exhibition, 'Love Is Never Lonely' - Tony Raka Gallery, Bali Indonesia 2018 - Solo Exhibition - ' G R O T E S K ', Galeri Salihara - Jakarta, Indonesia
 2016 - Solo Exhibition,'Tough Romance', RUCI Art Space - Jakarta, Indonesia
 Group Exhibitions 2020 - Art Jakarta 2020 - Hatch Art Projects - Virtual Exhibition 2020 - Group Exhibition - UOB Painting of the Year Virtual Exhibition 2020 - Group Exhibition - Hatch Art Projects - 'Between Analog & Digital' - Singapore 2019 - Malaysia Art Fair 2019 - G13 Gallery - Kuala Lumpur Malaysia 2019 - Duo Exhibition, 'Untouchables' - Ciptadana Gallery - Jakarta, Indonesia 2019 - Art Jakarta 2019, Yavuz Gallery - Jakarta, Indonesia 2019 - Hotel Art Fair Bangkok 2019 - G13 Gallery - Bangkok, Thailand 2019 - Art Moments 2019 - Project Mei - Jakarta Indonesia 2019 - Group Exhibition, 'Rising of Eve', - ISA Advisory - Jakarta, Indonesia
 2019 - South East Asia Focus (STPI Initiative), - with Ruci Art Space, Gillman Barracks - Singapore 2019 - Group Exhibition, 'Axis by Praxis : A Meeting Place', - G13 Gallery - Kuala Lumpur, Malaysia
 2019 - Group Exhibition 'Celebration of The Future' - ABBC Bali - Bali, Indonesia
 2018 - Art Jakarta 2018, Ruci Art Space - Jakarta, Indonesia
 2018 - Group Exhibition - 'GOT PAPER ?', Ruci Art Space - Jakarta, Indonesia
 2018 - Group Exhibition, 'SPEKTRUM :100 Years of Hendra Gunawan', Ciputra Artpreneur Gallery - Jakarta, Indonesia 2018 - Group Exhibition - ' Tetap Terang ', by ISA Advisory - Ambient Showroom - Jakarta, Indonesia
 2018 - Group Exhibition - ' Voyage To Indonesia ', IMF World Bank - Jakarta, Indonesia 2017 - Trio Exhibition - ' Self Explanatory', Dia.Lo.Gue Art Space - Jakarta, Indonesia
 2017 - Art Stage Jakarta 2017 - Ruci Art Space - Jakarta, Indonesia
 2017 - Collaborative Exhibition - 'Drawing Future'. - Cush-Cush Gallery - Bali, Indonesia
 2016 - Group Exhibition, 'UOB Painting of The Year' 50 Finalists - Jakarta Indonesa
 2016 - Group Exhibition, 'Contemporary Art From Bali', Langgeng Art Foundation - Jogjakarta, Indonesia 2016 - Group Exhibition, 'Beyond Baliseering', 45Dowstairs Gallery - Melbourne, Australia
 2016 - Group Exhibition, 'Girl Gang', Artistry Art Space - Singapore
 2016 - Group Exhibition, BAZAAR ART JAKARTA 2016, with Artsphere Gallery - Jakarta, Indonesia
 2016 - Group Exhibition, 'Heritage Note', The Grand Bali Beach Hotel - Bali, Indonesia 2016 - Group Exhibition, 'Mulat Sarira', NuArt Sculptural Park - Bandung, Indonesia
 2015 - Group Exhibition, 'Promemoria Collection' by ISA Art Advisory - Jakarta, Indonesia
 2015 - Art Showcase, 'UNDER', Swoon Art Space - Bali, Indonesia
 2015 - Group Exhibition, 'Illustration and Drawing II' BIASA Gallery - Bali, Indonesia
 2015 - Group Exhibition, 'Respublica', GGIAA - National Gallery Indonesia - Jakarta, Indonesia
 2015 - Group Exhibition, 'My Exquisite Corpse', BIASA Gallery- Bali Indonesia
 2015 - Showcase, 'Me/You : Yesterday/Tomorrow', Natisa Jones Studio Launch - Bali, Indonesia
 2014 - Group Exhibition, 100% INDONESIA, Pondok Tingal Artspace - Jogjakarta, Indonesia
 2014 - Art Showcase, 'Are We There Yet?' selected works, Tony Raka Gallery - Bali, Indonesia
2014 - Group Exhibition, 'Portraits from The Stalk Room', BIASA Gallery - Bali, Indonesia
 2014 - Group Exhibition, 'Love Thy Neighbour' Swoon Art Space - Bali, Indonesia
 2013 - Art Showcase, 'ARE WE THERE YET? PART II', SoTo - Berlin, Germany
 2013 - Solo Exhibition, 'ARE WE THERE YET?', 3 Monkeys Sanur - Bali, Indonesia
 2013 - Group Exhibition, SAMPAH, Swoon Art Space - Bali, Indonesia
 2012 - Group Exhibition, PESCATORIA, Mantra - Bali, Indonesia
 2012 - Group Exhibition, MAN//PRIA, Swoon Art Space - Bali, Indonesia
 2012 - Group Exhibition, WOMAN//WANITA, Swoon Art Space - Bali, Indonesia
 2011 - Group Exhibition, Bachelors of Fine Arts Graduate Exhibition, RMIT University - Melbourne, Australia 2008 - Group Exhibition, ART & CULINAIRE, The Laguna Nusa Dua Hotel - Bali, Indonesia
 2008 - Group Exhibition, I.B. Diploma Graduation Exhibition, PTIS - Chiang Mai Thailand   About the postcard artworks   With 'In All My Glory' - I wanted to celebrate all sides of our being as women. Although it is easy to celebrate ourselves through our triumphs, it is the hardships that truly place our sense of self-love and acceptance on trial. Its through hardship that we learn who we truly are, our strength, weaknesses, our priorities, and how to continuously fight ourselves. Dark blues, light blues, light yellows peeking, thick limbs, pink mountains. To be soft and playful, yet to take up space and become heavy. All of it is okay. All of it is valid. It is an ongoing process to take ownership of all of it. But through every crack, every detail, I'd like to celebrate - in all our glory, as we are. "  

Hannah Tilson Life Painting Landscape 1, 2021 Homemade Paint with Pigment on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Hannah Tilson (b.1995) is currently attending a scholarship programme at the Royal Drawing School, since completing her Bachelors in Painting from the Slade School of Fine Art in 2018.   Education   Currently on a scholarship programme at the Royal Drawing School, BA Slade School of Fine Art '19, exchange at New York Studio School '162020   Exhibitions/Awards   Cure3, Bonhams, 5th-8th September, London The London Art Fair, Business Design Centre, London The Amber Room 2 curated by Rosie Reed, Notting Hill, London In Response, The Viewing Room, Blue Shop Cottage, London Curated for Covid, Online Exhibition Tankers and Pumpers, OXO tower, London 2019 Royal Academy Summer Exhibition, Royal Academy of Arts, London Guts Gallery Opening Exhibition, Guts Gallery, London A High Hang, Eccleston Place, London 18/11/1, PMQ, Hong Kong Voi rubate del tempo alla fretta a noi il mare ci impone lentezza, Castro Projects, Ansedonia, Rome, Italy The Amber Room curated by Rosie Reed, Notting Hill, London If you know you know, Eccleston Place, London Time Cannibal, Brockley Gardens, London Paperweight, Late Works, Vardaxoglu, Mallord's, London Fresh Air, Hot Sauce, Eccleston Place, London Hannah Tilson, Zetter, London 2018 Paper Cuts, The Saatchi Gallery, London The Lotus Eaters, Aindrea Contemporary, London Oh SHE does like to be beside the Seeside, Shelf London, Spanish City Gift Table, Exhibition Laboratory, Helsinki Bridge, Izo Gallery, Moscow BA Degree Show, Slade School of Fine Art, London Hot Milk, Post Institute, London Art on a Postcard, The Other Art Fair, London Gift Shop, Exmouth Market, London The Pink Panther Show, Gallery 46, London JUICE, 5th Base Gallery, London A View with a Room, Mercer Chance, London 2017 Tongue and Chic, Peckham Pelican, London From Cornucopia, Centre for Recent Drawing, London 2016 Art is The Highest Form of Hope, New York Topless Palaces, New York Hannah Tilson and Marco Palli, New York Legumes, 4 Malden Road, London   About the postcard artworks   I have recently started buying pigment and making my own paint in the studio. This approach to making has opened different doors for me, and I am excited to see where it takes me. These two paintings were painted from a life model (in times when we could have life classes!). And are exploring the human body as a landscape. "  

Hannah Tilson Life Painting Landscape 2, 2021 Homemade Paint with Pigment on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Hannah Tilson (b.1995) is currently attending a scholarship programme at the Royal Drawing School, since completing her Bachelors in Painting from the Slade School of Fine Art in 2018.   Education   Currently on a scholarship programme at the Royal Drawing School, BA Slade School of Fine Art '19, exchange at New York Studio School '162020   Exhibitions/Awards   Cure3, Bonhams, 5th-8th September, London The London Art Fair, Business Design Centre, London The Amber Room 2 curated by Rosie Reed, Notting Hill, London In Response, The Viewing Room, Blue Shop Cottage, London Curated for Covid, Online Exhibition Tankers and Pumpers, OXO tower, London 2019 Royal Academy Summer Exhibition, Royal Academy of Arts, London Guts Gallery Opening Exhibition, Guts Gallery, London A High Hang, Eccleston Place, London 18/11/1, PMQ, Hong Kong Voi rubate del tempo alla fretta a noi il mare ci impone lentezza, Castro Projects, Ansedonia, Rome, Italy The Amber Room curated by Rosie Reed, Notting Hill, London If you know you know, Eccleston Place, London Time Cannibal, Brockley Gardens, London Paperweight, Late Works, Vardaxoglu, Mallord's, London Fresh Air, Hot Sauce, Eccleston Place, London Hannah Tilson, Zetter, London 2018 Paper Cuts, The Saatchi Gallery, London The Lotus Eaters, Aindrea Contemporary, London Oh SHE does like to be beside the Seeside, Shelf London, Spanish City Gift Table, Exhibition Laboratory, Helsinki Bridge, Izo Gallery, Moscow BA Degree Show, Slade School of Fine Art, London Hot Milk, Post Institute, London Art on a Postcard, The Other Art Fair, London Gift Shop, Exmouth Market, London The Pink Panther Show, Gallery 46, London JUICE, 5th Base Gallery, London A View with a Room, Mercer Chance, London 2017 Tongue and Chic, Peckham Pelican, London From Cornucopia, Centre for Recent Drawing, London 2016 Art is The Highest Form of Hope, New York Topless Palaces, New York Hannah Tilson and Marco Palli, New York Legumes, 4 Malden Road, London   About the postcard artworks   I have recently started buying pigment and making my own paint in the studio. This approach to making has opened different doors for me, and I am excited to see where it takes me. These two paintings were painted from a life model (in times when we could have life classes!). And are exploring the human body as a landscape. "  

Chloë Manasseh CASA: Meaning home o/ nickname for Casablanca, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) I am a British Artist based in Singapore and currently working between Europe and Asia.   Education   I completed my Master in Fine Arts from The Slade School of Fine Art in 2014, where I was the recipient of the Euan Uglow Memorial Scholarship.   Exhibitions/Awards   My work has been exhibited internationally with exhibitions in USA, UK, Italy, Israel and Singapore. I have collaborated extensively with artists, musicians, clothing and interior designers on various projects around the world. Working between painting, print, video and large scale installations and sculptures, my work sits between experience and imagination, and considers the limits of representation in relation to the wholeness of experience.       Notable projects and exhibitions include a projection onto the canopy of the National Gallery of Singapore in conjuction with Singapore's 55th birthday celebrations (SG 2020); 'The Fruitfulness of Forgetting', a solo exhibition at The British High Commissioner's residence in Singapore with Art Porters Gallery (SG 2019); 'Palma Viva', a 14m public installation at Changi City Point (SG 2018); a 25m mural at Facebook HQ Singapore as part of FB AIR programme (SG 2018), 'The Deepest Blue' exhibition at Block 7 Gillman Barracks (SG 2018), a solo show at NPE Art Residency and Gallery (SG 2017), The Woolwich Contemporary Print Fair (UK 2017), Multiplied at Christies Auction House (UK, 2015) and a commission by Università Cattolica UCSC Milan, for Expo Milan 2015 and the Vatican Pavilion at Expo (IT). Previous artist residencies include, Artist in Residence at The Winstedt School, Singapore; The Vagabond Hotel (SG, 2018); South Hampstead High School (UK 2016/17) and The Joshua Tree Highlands Artist Residency, ( CA, USA 2015)  

Chloë Manasseh The Bird's Tale, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) I am a British Artist based in Singapore and currently working between Europe and Asia.   Education   I completed my Master in Fine Arts from The Slade School of Fine Art in 2014, where I was the recipient of the Euan Uglow Memorial Scholarship.   Exhibitions/Awards   My work has been exhibited internationally with exhibitions in USA, UK, Italy, Israel and Singapore. I have collaborated extensively with artists, musicians, clothing and interior designers on various projects around the world. Working between painting, print, video and large scale installations and sculptures, my work sits between experience and imagination, and considers the limits of representation in relation to the wholeness of experience.       Notable projects and exhibitions include a projection onto the canopy of the National Gallery of Singapore in conjuction with Singapore's 55th birthday celebrations (SG 2020); 'The Fruitfulness of Forgetting', a solo exhibition at The British High Commissioner's residence in Singapore with Art Porters Gallery (SG 2019); 'Palma Viva', a 14m public installation at Changi City Point (SG 2018); a 25m mural at Facebook HQ Singapore as part of FB AIR programme (SG 2018), 'The Deepest Blue' exhibition at Block 7 Gillman Barracks (SG 2018), a solo show at NPE Art Residency and Gallery (SG 2017), The Woolwich Contemporary Print Fair (UK 2017), Multiplied at Christies Auction House (UK, 2015) and a commission by Università Cattolica UCSC Milan, for Expo Milan 2015 and the Vatican Pavilion at Expo (IT). Previous artist residencies include, Artist in Residence at The Winstedt School, Singapore; The Vagabond Hotel (SG, 2018); South Hampstead High School (UK 2016/17) and The Joshua Tree Highlands Artist Residency, ( CA, USA 2015)  

Sonia Martin Crossroad, 2020 Watercolour on Paper Signed recto 15 x 10cm (5¾ x 3¾ in.) British artist Sonia Martin works primarily in painting, etching and monotypes. She has exhibited widely and is an elected member of the Royal Society of Painter-Printmakers.   www.soniamartin.co.uk   Education   Following graduate and postgraduate studies in Fine Art at Byam Shaw and City & Guilds, Sonia Martin completed a Masters Degree in printmaking at Camberwell College of Art in 1998.   Exhibitions/Awards   Sonia Martin's work has been shown in many group and solo exhibitions including the Royal Academy Summer Show; New Hall College Cambridge; the Barbican; Lynn Painter Stainers Prize Exhibition; the Contemporary Art Society; and the Dentons Art Prize Exhibition. Her paintings and prints are in many collections including University of the Arts, London; Murray Edwards College, Cambridge; Southwark Art Collection, London; Cork Printmakers, Ireland; Southampton City Art Gallery; Morley College Art Collection, London; Lady Margaret Hall, Oxford; the Fitzwilliam Museum, Cambridge; and the Ashmolean Museum , Oxford. Awards include artist residencies in India, Ireland, Spain, Bolivia and Mexico   Gallery Representation   Her work is currently with the Bankside Gallery, London and Gallery Different, London   About the postcard artworks   Arising from her response to the past and to the present, Sonia Martin's subjects are a merging of the here-and-now and the world of the imagination.  

Hannah Downing Seaweed, Silverpoint, January 2021 Silverpoint on Prepared Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Hannah Downing is a visual artist living and working in Swansea. Her artworks often explore image-making technologies as experienced in everyday life, using painting and drawing. Much of her work has examined the relationship between technologies of representation and the natural world.   Education   MA Contemporary Dialogues, Swansea College of Art, 2015 BA(Hons) Fine Art Painting and Drawing, Swansea College of Art, 2008   Exhibitions   'Summer Exhibition', Royal Academy of Arts, London (2020); 'John Ruskin: Art & Wonder', Millennium Gallery, Sheffield (2019); 'John Ruskin: The Power of Seeing', Two Temple Place, London (2019); 'Site, Light and Survey', National Botanic Garden of Wales, Llanarthne, Wales (2015); 'Jerwood Drawing Prize', London and touring (2014); 'No No, I Hardly Ever Miss a Show', Zachęta National Gallery of Art, Warsaw (2011).   About the postcard artworks   This drawing depicts seaweed collected from a daily walk along the Swansea coastline. The tracing and retracing of a fixed route brought with it a greater awareness of daily and seasonal shifts: the reconfiguration of fragments washed ashore, the arrival and departure of migrating birds. The themes of repetition and transformation are carried over into the drawing - a piece of seaweed photographed, cut out of paper, curled slightly, placed and drawn in silverpoint.  

Tinsel Edwards Bathroom Self Portrait with Toothbrush, 2021 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tinsel Edwards (b.1979) is an artist based in Glasgow. She originates from the Midlands and studied Fine Art at Goldsmiths College London. Tinsel lived in London for 19 years before moving to Scotland in 2017. Predominantly a painter, Tinsel's practice also extends to printmaking, working with found materials, installation and public art stunts. Tinsel's art responds to a wide variety of contemporary social and political issues whilst also referencing her everyday experience. An imaginative and emotional exploration into the seemingly mundane details of domestic life, her paintings offer biting social commentary entwined with humour, emotion and honest autobiographical narrative. In the Noughties Tinsel was a singer in glam-garage band The Fairies Band, and later co-founded indie record label Pushing Pussy Records. Painting has always been her main thing however, and Tinsel's art has been exhibited extensively in the UK and internationally. Banksy is amongst her collectors and invited her to create work for Dismaland in 2015. Tinsel has worked with Paxton Glew, Jealous Gallery, Stella Dore Gallery, Print Club London, Pavement Licker, Pictures on Walls and Tina Ziegler of Moniker Art Fair. She is also a regular at The Art Car Boot Fair in London alongside collaborator Twinkle Troughton. In 2012 Tinsel co-founded A-side B-side, a gallery and art studios in Hackney, London. In 2017 she wrote Priced Out, a book exploring the housing crisis in London, which was published by Dunlin Press.   Education   Ba Hons Fine Art - Goldsmiths College   Exhibitions/Awards   2013 - 'A Mini Retrospective' Duo show with Twinkle Troughton at Michaela Stock Gallery, Vienna and A-side B-side Gallery, London 2009 - 'It was the Best of Times, It was the Worst of Times' Duo show with Twinkle Troughton at Steal from work, Bristol 2008 - 'A Year of Private Views' at The Pure Evil Gallery, London and Artport, Kolonie Wedding, Berlin 2006 - 'This is modern art' This Way Up Gallery, Dragon Bar, London 2006 - 'An Urban Myth' The Fairies exhibition, Tomtom Gallery, London   GROUP EXHIBITIONS (SELECTED) 2020 - Isolated Observations, Candida Stevens Gallery, Chichester 2020 - Vitamin Sea with Paxton Glew, Brighton 2020 - Oh Bondage Up Yours, Resort Studios, Margate 2019 - Urban Miniatures with Paxton Glew, Brighton 2019 - The Art Car Boot Fair, Margate 2019 - Making a Mark, Dulwich College, London 2017 - The Spirit House, Geddes Gallery, London 2016 - The Art Conference, Tanner Street, London 2015 - Dismaland, Banksy's Bemusement Park, Weston-Super-Mare 2015 - The Art Car Boot Fair, Brick Lane 2015 - London Original Print Fair, The Royal Academy 2014 - Moniker Art Fair with Jealous Gallery 2014 - Affordable Art Fair with Jealous Gallery 2013 - 'Black, White and Red all over' Jealous Gallery, London 2013 - 'I Love you Because' A-side B-side Gallery, London (curated by Harry Pye) 2011 - Flag Stop art Fair, South Bay Lexus, 24777 Crenshaw Blvd. Torrance, CA 90505 USA 2011 - Hackney WICKED festival 2011 - 11:11, East Gallery, Brick Lane, London 2011- Momac curated by Roberta Moore and Lisa Mackenzie, Gloucester 2011 - She Said, The Outside World Gallery, Shoreditch, London 2010 - 'Multiplied' Christies Artfair, in association with Printclub London 2010 - 'The Pursuit of Happiness', Touring show in Poland: The Arsenal Gallery, Poznan 2009 - 'Tate the Biscuit', Shoreditch Town Hall, London 2009 - 'Rosetta Stone', Jena Kunsverein, Jena, Germany 2009 - 'Secret Blisters' curated by Printclub, MC Motors, London 2008 - Stella Dore group show, Sebastian Guiness Gallery, Dublin 2007 - 'AlterNATIVITY' Studio 57, London 2007 - 'Light Sentence' Augsberg, Germany 2006 - Banksys 'Santas Ghetto' London   AWARDS Longlisted for The John Ruskin Art Prize 2016 - Recording Britain Now: Society   About the postcard artworks   My recent work is inspired by the domestic setting, the absurdity of everyday rituals and routine. I paint from memory and imagination, interpreting my everyday environment and personal experience."  

Tinsel Edwards Utensils with Yellow Spoon, 2021 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tinsel Edwards (b.1979) is an artist based in Glasgow. She originates from the Midlands and studied Fine Art at Goldsmiths College London. Tinsel lived in London for 19 years before moving to Scotland in 2017. Predominantly a painter, Tinsel's practice also extends to printmaking, working with found materials, installation and public art stunts. Tinsel's art responds to a wide variety of contemporary social and political issues whilst also referencing her everyday experience. An imaginative and emotional exploration into the seemingly mundane details of domestic life, her paintings offer biting social commentary entwined with humour, emotion and honest autobiographical narrative. In the Noughties Tinsel was a singer in glam-garage band The Fairies Band, and later co-founded indie record label Pushing Pussy Records. Painting has always been her main thing however, and Tinsel's art has been exhibited extensively in the UK and internationally. Banksy is amongst her collectors and invited her to create work for Dismaland in 2015. Tinsel has worked with Paxton Glew, Jealous Gallery, Stella Dore Gallery, Print Club London, Pavement Licker, Pictures on Walls and Tina Ziegler of Moniker Art Fair. She is also a regular at The Art Car Boot Fair in London alongside collaborator Twinkle Troughton. In 2012 Tinsel co-founded A-side B-side, a gallery and art studios in Hackney, London. In 2017 she wrote Priced Out, a book exploring the housing crisis in London, which was published by Dunlin Press.   Education   Ba Hons Fine Art - Goldsmiths College   Exhibitions/Awards   2013 - 'A Mini Retrospective' Duo show with Twinkle Troughton at Michaela Stock Gallery, Vienna and A-side B-side Gallery, London 2009 - 'It was the Best of Times, It was the Worst of Times' Duo show with Twinkle Troughton at Steal from work, Bristol 2008 - 'A Year of Private Views' at The Pure Evil Gallery, London and Artport, Kolonie Wedding, Berlin 2006 - 'This is modern art' This Way Up Gallery, Dragon Bar, London 2006 - 'An Urban Myth' The Fairies exhibition, Tomtom Gallery, London   GROUP EXHIBITIONS (SELECTED) 2020 - Isolated Observations, Candida Stevens Gallery, Chichester 2020 - Vitamin Sea with Paxton Glew, Brighton 2020 - Oh Bondage Up Yours, Resort Studios, Margate 2019 - Urban Miniatures with Paxton Glew, Brighton 2019 - The Art Car Boot Fair, Margate 2019 - Making a Mark, Dulwich College, London 2017 - The Spirit House, Geddes Gallery, London 2016 - The Art Conference, Tanner Street, London 2015 - Dismaland, Banksy's Bemusement Park, Weston-Super-Mare 2015 - The Art Car Boot Fair, Brick Lane 2015 - London Original Print Fair, The Royal Academy 2014 - Moniker Art Fair with Jealous Gallery 2014 - Affordable Art Fair with Jealous Gallery 2013 - 'Black, White and Red all over' Jealous Gallery, London 2013 - 'I Love you Because' A-side B-side Gallery, London (curated by Harry Pye) 2011 - Flag Stop art Fair, South Bay Lexus, 24777 Crenshaw Blvd. Torrance, CA 90505 USA 2011 - Hackney WICKED festival 2011 - 11:11, East Gallery, Brick Lane, London 2011- Momac curated by Roberta Moore and Lisa Mackenzie, Gloucester 2011 - She Said, The Outside World Gallery, Shoreditch, London 2010 - 'Multiplied' Christies Artfair, in association with Printclub London 2010 - 'The Pursuit of Happiness', Touring show in Poland: The Arsenal Gallery, Poznan 2009 - 'Tate the Biscuit', Shoreditch Town Hall, London 2009 - 'Rosetta Stone', Jena Kunsverein, Jena, Germany 2009 - 'Secret Blisters' curated by Printclub, MC Motors, London 2008 - Stella Dore group show, Sebastian Guiness Gallery, Dublin 2007 - 'AlterNATIVITY' Studio 57, London 2007 - 'Light Sentence' Augsberg, Germany 2006 - Banksys 'Santas Ghetto' London   AWARDS Longlisted for The John Ruskin Art Prize 2016 - Recording Britain Now: Society   About the postcard artworks   My recent work is inspired by the domestic setting, the absurdity of everyday rituals and routine. I paint from memory and imagination, interpreting my everyday environment and personal experience."

Tinsel Edwards Colander with Red and White Socks, 2021 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tinsel Edwards (b.1979) is an artist based in Glasgow. She originates from the Midlands and studied Fine Art at Goldsmiths College London. Tinsel lived in London for 19 years before moving to Scotland in 2017. Predominantly a painter, Tinsel's practice also extends to printmaking, working with found materials, installation and public art stunts. Tinsel's art responds to a wide variety of contemporary social and political issues whilst also referencing her everyday experience. An imaginative and emotional exploration into the seemingly mundane details of domestic life, her paintings offer biting social commentary entwined with humour, emotion and honest autobiographical narrative. In the Noughties Tinsel was a singer in glam-garage band The Fairies Band, and later co-founded indie record label Pushing Pussy Records. Painting has always been her main thing however, and Tinsel's art has been exhibited extensively in the UK and internationally. Banksy is amongst her collectors and invited her to create work for Dismaland in 2015. Tinsel has worked with Paxton Glew, Jealous Gallery, Stella Dore Gallery, Print Club London, Pavement Licker, Pictures on Walls and Tina Ziegler of Moniker Art Fair. She is also a regular at The Art Car Boot Fair in London alongside collaborator Twinkle Troughton. In 2012 Tinsel co-founded A-side B-side, a gallery and art studios in Hackney, London. In 2017 she wrote Priced Out, a book exploring the housing crisis in London, which was published by Dunlin Press.   Education   Ba Hons Fine Art - Goldsmiths College   Exhibitions/Awards   2013 - 'A Mini Retrospective' Duo show with Twinkle Troughton at Michaela Stock Gallery, Vienna and A-side B-side Gallery, London 2009 - 'It was the Best of Times, It was the Worst of Times' Duo show with Twinkle Troughton at Steal from work, Bristol 2008 - 'A Year of Private Views' at The Pure Evil Gallery, London and Artport, Kolonie Wedding, Berlin 2006 - 'This is modern art' This Way Up Gallery, Dragon Bar, London 2006 - 'An Urban Myth' The Fairies exhibition, Tomtom Gallery, London   GROUP EXHIBITIONS (SELECTED) 2020 - Isolated Observations, Candida Stevens Gallery, Chichester 2020 - Vitamin Sea with Paxton Glew, Brighton 2020 - Oh Bondage Up Yours, Resort Studios, Margate 2019 - Urban Miniatures with Paxton Glew, Brighton 2019 - The Art Car Boot Fair, Margate 2019 - Making a Mark, Dulwich College, London 2017 - The Spirit House, Geddes Gallery, London 2016 - The Art Conference, Tanner Street, London 2015 - Dismaland, Banksy's Bemusement Park, Weston-Super-Mare 2015 - The Art Car Boot Fair, Brick Lane 2015 - London Original Print Fair, The Royal Academy 2014 - Moniker Art Fair with Jealous Gallery 2014 - Affordable Art Fair with Jealous Gallery 2013 - 'Black, White and Red all over' Jealous Gallery, London 2013 - 'I Love you Because' A-side B-side Gallery, London (curated by Harry Pye) 2011 - Flag Stop art Fair, South Bay Lexus, 24777 Crenshaw Blvd. Torrance, CA 90505 USA 2011 - Hackney WICKED festival 2011 - 11:11, East Gallery, Brick Lane, London 2011- Momac curated by Roberta Moore and Lisa Mackenzie, Gloucester 2011 - She Said, The Outside World Gallery, Shoreditch, London 2010 - 'Multiplied' Christies Artfair, in association with Printclub London 2010 - 'The Pursuit of Happiness', Touring show in Poland: The Arsenal Gallery, Poznan 2009 - 'Tate the Biscuit', Shoreditch Town Hall, London 2009 - 'Rosetta Stone', Jena Kunsverein, Jena, Germany 2009 - 'Secret Blisters' curated by Printclub, MC Motors, London 2008 - Stella Dore group show, Sebastian Guiness Gallery, Dublin 2007 - 'AlterNATIVITY' Studio 57, London 2007 - 'Light Sentence' Augsberg, Germany 2006 - Banksys 'Santas Ghetto' London   AWARDS Longlisted for The John Ruskin Art Prize 2016 - Recording Britain Now: Society   About the postcard artworks   My recent work is inspired by the domestic setting, the absurdity of everyday rituals and routine. I paint from memory and imagination, interpreting my everyday environment and personal experience."

Jean Lowe Detail (Lucretia), 2020 Casein on Watercolour Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) American artist Jean Lowe's (b. 1960) work revolves around the intersection of art history, popular culture, environmentalism, commerce, and politics. Lowe employs wit and satire to create work that is both entertaining and seductive as well as intellectually provocative. Lowe is an American pop/conceptual multimedia artist whose work carefully and humorously unpacks the ironies and challenges of our 21st-century culture. Lowe lives and works in Southern California.   Education:   BA, University of California Berkeley, MFA, University of California, San Diego.   Exhibitions:   Lowe exhibits nationally and has been reviewed in various publications including Artforum, Art in America, The Los Angeles Times, and The New York Times. Quint Contemporary Fine Art, San Diego, CA, McKenzie Fine Art, New York, NY, Rosamund Felsen, Los Angeles, CA.   About the postcard artworks:   Each of these portraits is drawn from a detail of one of Artemisia Gentileschi's paintings from the 1600's. Though not dissimilar in mien and appearance, they reflect radically different characters and situations--a survivor, an ecstatic, and two portraits of murderous avengers.  

Kate Trafeli My Heart Has Many Rooms, 2021 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   "Kate Trafeli is an American-British painter currently based in London, UK. She makes her works in a north London studio held by London arts charity foundation Collage Arts.   Education   Bachelor of Arts - Fine Art and English Literature, Gonzaga University (USA)   Exhibitions/Awards   Solo Gallery Exhibitions: "Thresholds", After Nyne Contemporary, London, 15 Jan - 1 Feb 2021 "Paradox", AfterNyne Gallery, London, 20 May - 9 June 2020 "Colouring The Circus: Night and Day", Skylark Galleries 2, 25 June -14 July 2019 "Desire Lines" Solo Show, AfterNyne Gallery, London, 25 April - 11 May 2019 "Beyond the Past", Skylark Galleries 2, London, 10 - 30 September 2018 Curated Group Shows: United Kingdom and United States -The London Art Fair, represented by AfterNyne Gallery, Jan 2020; Jan 2021 -The Other Art Fair (by Saatchi Art): Kings Cross, London, UK, July 2019 Brooklyn, New York, USA, November 2018 The Majestic, Los Angeles, USA, March 2018 Truman Brewery,London, UK, October 2017 -The Affordable Art Fair: Battersea Evolution, represented by AfterNyne, October 2019 and March 2020 Hampstead, London, represented by Skylark Galleries, May 2019 Battersea Evolution, London, represented by Skylark Galleries, October 2018 -Spotlight on Asylum Group Show London: in benefit of vulnerable women asylum seekers. November 2018. Exhibitions in Europe (Italy): 2012 - 2016 -Solo Show "Flight" at Il Castello di Grinzane Cavour, Alba, September 2016 -Solo Show "The Storyteller" at Il Bertaina, Mondovì, March - May 2015 -Solo Installation "Diffusion II" at Il Balurado, Mondovì, Sept. 2013 - March 2014 -Solo Show "Diffusion" at Al Saraceno, Varigotti, June 2013 - August 2013 -Group Exhibition "Olfatto: Immagini del Sentire", P. Maggiore Mondovì, Nov. 2013 -Solo Exhibition of "Dream Stories" at Okra Concept, Mondovì, May 2013 -Group Exhibition at the 44th Annual Mostra dell'Artigianato, August 2012 -Group Exhibition "Grammatica Cromatica II" at Il Baluardo, June 2012 -Two Artists: Exposition Arte at La Meridiana Tempo, Breo, May 2012   Gallery Representation   After Nyne Contemporary (London)   About the postcard artworks   The theme of each of us being 'many' and not defined by one element is referenced in these small works through the symbolic representation of houses, doors, birds, music, combined with strong colour. These symbols and forms help define us in multiple ways, many of which are hidden to the external observer. 'Home' is a significant aspect of who we are, not simply a place but a feeling of belonging and safety. Not being able to be or feel at home due to incarceration is something that is a very heavy burden within and without."

Kate Trafeli I Hear More than I Say, 2021 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Kate Trafeli is an American-British painter currently based in London, UK. She makes her works in a north London studio held by London arts charity foundation Collage Arts.   Education   Bachelor of Arts - Fine Art and English Literature, Gonzaga University (USA)   Exhibitions/Awards   Solo Gallery Exhibitions: "Thresholds", After Nyne Contemporary, London, 15 Jan - 1 Feb 2021 "Paradox", AfterNyne Gallery, London, 20 May - 9 June 2020 "Colouring The Circus: Night and Day", Skylark Galleries 2, 25 June -14 July 2019 "Desire Lines" Solo Show, AfterNyne Gallery, London, 25 April - 11 May 2019 "Beyond the Past", Skylark Galleries 2, London, 10 - 30 September 2018 Curated Group Shows: United Kingdom and United States -The London Art Fair, represented by AfterNyne Gallery, Jan 2020; Jan 2021 -The Other Art Fair (by Saatchi Art): Kings Cross, London, UK, July 2019 Brooklyn, New York, USA, November 2018 The Majestic, Los Angeles, USA, March 2018 Truman Brewery, London, UK, October 2017 -The Affordable Art Fair: Battersea Evolution, represented by AfterNyne, October 2019 and March 2020 Hampstead, London, represented by Skylark Galleries, May 2019 Battersea Evolution, London, represented by Skylark Galleries, October 2018 -Spotlight on Asylum Group Show London: in benefit of vulnerable women asylum seekers. November 2018. Exhibitions in Europe (Italy): 2012 - 2016 -Solo Show"Flight" at Il Castello di Grinzane Cavour, Alba, September 2016 -Solo Show "The Storyteller" at Il Bertaina, Mondovì, March - May 2015 -Solo Installation "Diffusion II" at Il Balurado, Mondovì, Sept. 2013 - March 2014 -Solo Show "Diffusion" at Al Saraceno, Varigotti, June 2013 - August 2013 -Group Exhibition "Olfatto: Immagini del Sentire", P. Maggiore Mondovì, Nov. 2013 -Solo Exhibition of "Dream Stories" at Okra Concept, Mondovì, May 2013 -Group Exhibition at the 44th Annual Mostra dell'Artigianato, August 2012 -Group Exhibition "Grammatica Cromatica II" at Il Baluardo, June 2012 -Two Artists: Exposition Arte at La Meridiana Tempo, Breo, May 2012   Gallery Representation   After Nyne Contemporary (London)   About the postcard artworks   The theme of each of us being 'many' and not defined by one element is referenced in these small works through the symbolic representation of houses, doors, birds, music, combined with strong colour. These symbols and forms help define us in multiple ways, many of which are hidden to the external observer. 'Home' is a significant aspect of who we are, not simply a place but a feeling of belonging and safety. Not being able to be or feel at home due to incarceration is something that is a very heavy burden within and without."

Patsy McArthur Levitate I, 2021 Graphite on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Through drawing and painting, McArthur is interested in making imagery associated with the figure in motion. Whether it be bodies submerged in water, jumping, falling, dancing or hula hooping, McArthur's works capture fleeting moments that are usually only a blur or feeling in memory. Since graduating from her MFA in the early noughties, she has exhibited extensively nationally and internationally, with recent shows in London, Geneva and the States.   Education   MFA, Winchester School of Art 2000 - 2001 BA (Hons) Painting, Grays' School of Art, Aberdeen 1994 - 1998   Exhibitions/Awards   Recent Exhibitions 2021 (Upcoming) Transitions, Solo Show with Thompsons Gallery, London London Art Fair with Thompsons Gallery 2020 Monochrome, Group drawing exhibition, Thompsons Gallery, London Pool Party, Sarah Wiseman Gallery, Oxford Rhythm and Movement - Solo Show, Turner Barnes Gallery, Essex 2019 Gallery Artists Mixed Exhibition, Decorazon Gallery, Terminal Warehouse, New York Summer, Autumn and Winter Exhibitions, Cameron Contemporary, Hove 2018 Solo Show, Momentum, Le Salon Vert, Geneva Reveal Art Fair, Saratoga Springs, New York represented by Decorazon Gallery London Art Fair, represented by Decorazon Gallery 2 017 Art Palm Springs, represented by Decorazon Gallery Stillness in Motion - Patsy McArthur and Susan Leyland, Osborne Studio Gallery, London London Art Fair, represented by Decorazon Gallery (USA) AAF New York, Stockholm and London, represented by Decorazon Gallery (USA) 2016 Patsy McArthur and Rebecca McGlinn, Sarah Wiseman Gallery, Oxford Asia Contemporary, Hong Kong, represented by Decorazon Gallery (USA) AAF New York, London, Stockholm represented by Decorazon Gallery (USA)   Scholarships & Awards 2011 o Residency at Pantocrator Gallery, Shanghai, China 2010 o Residency at NY Studio Gallery, Manhattan, New York City 2002 o The Paisley Art Institute Award o £2000 1st Prize Bank of Scotland Open Art Competition, Arbroath o Visitors Award, North Ayrshire Open Art Competition 1998 o Royal Scottish Academy John Kinross Scholarship Travel Scholarship - to spend time living and working in Florence, Italy o Grampian Hospitals Purchase Prize   Gallery Representation   Thompsons Gallery (London) : Decorazon Gallery (USA): Le Salon Vert (Geneva)   About the postcard artworks   My graphite postcard studies catch a snapshot of time as my model rises and falls on a trampoline. it's been an interesting exercise working so small and in such detail on the postcards, and hope to have caught something of the beauty of the figure in flux. "  

Patsy McArthur Levitate II, 2021 Graphite on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Through drawing and painting, McArthur is interested in making imagery associated with the figure in motion. Whether it be bodies submerged in water, jumping, falling, dancing or hula hooping, McArthur's works capture fleeting moments that are usually only a blur or feeling in memory. Since graduating from her MFA in the early noughties, she has exhibited extensively nationally and internationally, with recent shows in London, Geneva and the States.   Education   MFA, Winchester School of Art 2000 - 2001 BA (Hons) Painting, Grays' School of Art, Aberdeen 1994 - 1998   Exhibitions/Awards   Recent Exhibitions 2021 (Upcoming) Transitions, Solo Show with Thompsons Gallery, London London Art Fair with Thompsons Gallery 2020 Monochrome, Group drawing exhibition, Thompsons Gallery, London Pool Party, Sarah Wiseman Gallery, Oxford Rhythm and Movement - Solo Show, Turner Barnes Gallery, Essex 2019 Gallery Artists Mixed Exhibition, Decorazon Gallery, Terminal Warehouse, New York Summer, Autumn and Winter Exhibitions, Cameron Contemporary, Hove 2018 Solo Show, Momentum, Le Salon Vert, Geneva Reveal Art Fair, Saratoga Springs, New York represented by Decorazon Gallery London Art Fair, represented by Decorazon Gallery 2 017 Art Palm Springs, represented by Decorazon Gallery Stillness in Motion - Patsy McArthur and Susan Leyland, Osborne Studio Gallery, London London Art Fair, represented by Decorazon Gallery (USA) AAF New York, Stockholm and London, represented by Decorazon Gallery (USA) 2016 Patsy McArthur and Rebecca McGlinn, Sarah Wiseman Gallery, Oxford Asia Contemporary, Hong Kong, represented by Decorazon Gallery (USA) AAF New York, London, Stockholm represented by Decorazon Gallery (USA)   Scholarships & Awards 2011 o Residency at Pantocrator Gallery, Shanghai, China 2010 o Residency at NY Studio Gallery, Manhattan, New York City 2002 o The Paisley Art Institute Award o £2000 1st Prize Bank of Scotland Open Art Competition, Arbroath o Visitors Award, North Ayrshire Open Art Competition 1998 o Royal Scottish Academy John Kinross Scholarship Travel Scholarship - to spend time living and working in Florence, Italy o Grampian Hospitals Purchase Prize   Gallery Representation   Thompsons Gallery (London) : Decorazon Gallery (USA): Le Salon Vert (Geneva)   About the postcard artworks   My graphite postcard studies catch a snapshot of time as my model rises and falls on a trampoline. it's been an interesting exercise working so small and in such detail on the postcards, and hope to have caught something of the beauty of the figure in flux. "

Aimée Parrott Full, 2021 Monotype and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Education   Royal Academy Schools (Post Graduate Diploma), 2011-2014 University College Falmouth (BA Fine Art, First Class) 2006-2009   Exhibitions/Awards   Gaia's Kidney, solo presentation at Broadway Gallery, 2020, Letchworth Garden City, U.K solo presentation, Mackintosh Lane, 2021, London   Selected Exhibitions   The Studio at 4am, 2020, Group show curated by Anne Ryan, Hastings Contemporary WHERE WE ARE, 2020, Group show curated by Danny Rolph, Mercers Hall Ambulatory, Ironmonger Lane, London To Paint the Gloom itself, 2020, Group Show at Terrace Gallery, London Kate McMillan and Aimée Parrott, 2020 , Two person booth at Zona Maco with Arusha Gallery, Mexico City All That the Rain Promises and More...July, 2019 (curation) Group show curated by myself for Edinburgh Arts Festival, hosted by Arusha Gallery, Edinburgh The Box, Pippy Houldsworth, May, 2019, Pippy Houldsworth, London Platform Y, Platform Foundation, June, 2019 , Group show curated by Kate Bryan, Platform Foundation, London IN CONSTANT USE, July, 2019 . Group show curated by Jöel Riff, London ​ Fully awake, September 2018. Group show curated by Ian Hartshorne & Sean Kaye, Royal College of Art, Dyson Gallery, London ​ Blood, Sea, May 2018. Solo show at Pippy Houldsworth Gallery, London ​ Solo Show at Trade Gallery, May, 2018. Trade Gallery, Nottingham Without Moving a Muscle, December, 2017 Group show curated by Daniel Lipp and David Noonan, 12 Mackintosh Lane, London ​ Exeter Contemporary Open, Sept, 2017 (Winner) Group show, Exeter Phoenix, Exeter ​ Implicit Touch, June 2017, Group show, Stadtgalerie Villa Dessauer, Bamburg, Germany ​ 31 Women, June 2017, Group show, Breese Little, London ​ Energy is Eternal Delight, Collaboration with Frank Kent & Jenny Valentine, May 2017, Richard Booth's Book Shop, Hay-on-Wye, Wales ​ Only Connect, group show curated by David Remfry RA, April-Sept 2017, Royal Academy of Art, London ​ 5 Years at Heddon Street, November 2016, Group show, Pippy Houldsworth, London Solo show at Breese Little, September 2016, Breese Little, London Solo presentation at Manchester Contemporary Art Fair with Breese Little, September 2015 , Bresse Little, London Aimée Parrott and Adam Collier at the Kennington Residency, June 2015, The Kennington Residency, London Ben Sanderson, Aimée Parrott & Adam Collier at the Porthmeor Studios, September 2015, St Ives, Cornwall ​ Contemporary British Abstraction, 2015, Group show at The Container Gallery, London Soaked, not resting, 2015, Two Person Show at Pippy Houldsworth, London Promise of Palms, 2015, Group Show at Breese Little, London Derive, November 2014 , Group show curated by Stuart Evans, The Place Downstairs, London Painting about Painting, Oct 2014, Group show, curated by Andrew Hewish for Simmons and Simmons, London Screaming Hornets, Sept 2014, Group Show at Tintype Gallery, London Royal Academy Schools Final Show 2014, Royal Academy of Art, Burlington Gardens, Piccadilly, London   Awards/ Residencies   Villa Lena (upcoming-postponed until 2021) ​ Exeter Contemporary Open, first prize. September 2017 Cill rialaig residency, Ireland, Autumn 2017 ​ Dentons Art Prize, Spring 2016 Artists league of New York Residency, November 2014 Archie Sherman Scholarship 2012-2014 Micro Residency at Angelika Studios , October 2013 Ford Award (travel bursary) August 2013  

Aimée Parrott Woodruff, 2021 Monoprint and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Education   Royal Academy Schools (Post Graduate Diploma), 2011-2014 University College Falmouth (BA Fine Art, First Class) 2006-2009   Exhibitions/Awards   Gaia's Kidney, solo presentation at Broadway Gallery, 2020, Letchworth Garden City, U.K solo presentation, Mackintosh Lane, 2021, London   Selected Exhibitions   The Studio at 4am, 2020, Group show curated by Anne Ryan, Hastings Contemporary WHERE WE ARE, 2020, Group show curated by Danny Rolph, Mercers Hall Ambulatory, Ironmonger Lane, London To Paint the Gloom itself, 2020, Group Show at Terrace Gallery, London Kate McMillan and Aimée Parrott, 2020 , Two person booth at Zona Maco with Arusha Gallery, Mexico City All That the Rain Promises and More...July, 2019 (curation) Group show curated by myself for Edinburgh Arts Festival, hosted by Arusha Gallery, Edinburgh The Box, Pippy Houldsworth, May, 2019, Pippy Houldsworth, London Platform Y, Platform Foundation, June, 2019 , Group show curated by Kate Bryan, Platform Foundation, London IN CONSTANT USE, July, 2019 . Group show curated by Jöel Riff, London ​ Fully awake, September 2018. Group show curated by Ian Hartshorne & Sean Kaye, Royal College of Art, Dyson Gallery, London ​ Blood, Sea, May 2018. Solo show at Pippy Houldsworth Gallery, London ​ Solo Show at Trade Gallery, May, 2018. Trade Gallery, Nottingham Without Moving a Muscle, December, 2017 Group show curated by Daniel Lipp and David Noonan, 12 Mackintosh Lane, London ​ Exeter Contemporary Open, Sept, 2017 (Winner) Group show, Exeter Phoenix, Exeter ​ Implicit Touch, June 2017, Group show, Stadtgalerie Villa Dessauer, Bamburg, Germany ​ 31 Women, June 2017, Group show, Breese Little, London ​ Energy is Eternal Delight, Collaboration with Frank Kent & Jenny Valentine, May 2017, Richard Booth's Book Shop, Hay-on-Wye, Wales ​ Only Connect, group show curated by David Remfry RA, April-Sept 2017, Royal Academy of Art, London ​ 5 Years at Heddon Street, November 2016, Group show, Pippy Houldsworth, London Solo show at Breese Little, September 2016, Breese Little, London Solo presentation at Manchester Contemporary Art Fair with Breese Little, September 2015 , Bresse Little, London Aimée Parrott and Adam Collier at the Kennington Residency, June 2015, The Kennington Residency, London Ben Sanderson, Aimée Parrott & Adam Collier at the Porthmeor Studios, September 2015, St Ives, Cornwall ​ Contemporary British Abstraction, 2015, Group show at The Container Gallery, London Soaked, not resting, 2015, Two Person Show at Pippy Houldsworth, London Promise of Palms, 2015, Group Show at Breese Little, London Derive, November 2014 , Group show curated by Stuart Evans, The Place Downstairs, London Painting about Painting, Oct 2014, Group show, curated by Andrew Hewish for Simmons and Simmons, London Screaming Hornets, Sept 2014, Group Show at Tintype Gallery, London Royal Academy Schools Final Show 2014, Royal Academy of Art, Burlington Gardens, Piccadilly, London   Awards/ Residencies   Villa Lena (upcoming-postponed until 2021) ​ Exeter Contemporary Open, first prize. September 2017 Cill rialaig residency, Ireland, Autumn 2017 ​ Dentons Art Prize, Spring 2016 Artists league of New York Residency, November 2014 Archie Sherman Scholarship 2012-2014 Micro Residency at Angelika Studios , October 2013 Ford Award (travel bursary) August 2013

Alice Paz Untitled, 2000 TBC Signed verso 10 x 15cm (3¾ x 5¾ in.) Alicia Paz's paintings, collages and standing figures deal primarily with identity and the notion of a divided subject/author, and explore the mutability of subjectivity. Paz focuses on the female figure: the Self is experienced and presented as multiple, paradoxical, and in flux. Inhabiting fantastical and exotic landscapes, Paz's feminine subjects become fused and combined with organic life. Strange and unsettling visions of tree-women and monster-women also represent the fusion of the Subject with painting itself: she often depicts amphibian or plant-like figures "weeping" pigment, their limbs, hair, and various ornamental accoutrements mud-caked and dripping, as if extracted from a colourful, post-cognitive swamp. Her work at times incorporates elements taken from the applied and decorative arts, using these registers as a vehicules for intertwining narratives. Other recent subjects include cultural hybridity and representations of family, exploring the complexities of kinship and lineage in a globalized world.   Education   Paz graduated from U.C. Berkeley, ENSBA-Paris, Goldsmiths College, and Royal College of Art, London.   Exhibitions   Alicia Paz is currently exhibiting her work at the FRAC Ile de France, Château de Rentilly, as part of the group exhibition ""Le Cabaret du Néant"". Up-coming projects include "Life Stories", a group exhibition at Chatsworth House, UK, and a solo presentation at the Maison de l'Amérique Latine in Paris. Collaborative projects scheduled for 2021 include a show at the Beecroft Gallery in Southend-on-Sea, as part of Metal's Thames Estuary Festival, as well as at 20-21 Visual Arts Centre in North Lincolnshire, UK.   Paz has had several solo exhibitions in the UK, France, Germany, Mexico, and Argentina, most recently at the Museo Leonora Carrington in San Luis Potosí, Mexico (2019), and also at Kunstmuseum Magdeburg, Germany (2016). The latter was accompanied by a 96-page bilingual monograph published by Verlag für Moderne Kunst, Vienna. As a multi-cultural artist, Paz's work was included in the group exhibit Tous, des sang-mêlés, held at MACVAL, Vitry-sur-Seine, France (2017). Earlier solo projects include an exhibit at Dukan Gallery in Leipzig (2014), Mexican Cultural Institute in Paris (2013), Pippy Houldsworth Gallery, London (2006) and Ruth Benzacar Gallery in Buenos Aires (2005). A semi-retrospective exhibit of her work was featured in L.A.C. Sigéan in collaboration with FRAC Occitanie (2010). Paz has also participated in various international painting survey exhibits such as Heute. Spektrum. Malerei. at Kunstmuseum Magdeburg (2012) as well as Slow Magic, Contemporary Approaches to Painting at the Bluecoat Gallery, Liverpool (2009). Between 1997 and 2002 Alicia Paz was represented by Espace d'Art Yvonamor Palix (Paris, Mexico City) along with artists Orlan, Sandy Skoglund, Aziz + Cucher, Studio Orta, and Duncan Wylie, among others. Paz's work is part of various international public and private collections and has been the subject of numerous catalogues and publications; her work has has been reviewed/featured widely (Art News, Art Press, Modern Painters, Art Forum, Turps Banana, The Guardian, Le Monde, Libération, Beaux-Arts Magazine, New York Times, Reforma, etc...). In August 2017 Paz unveiled a public sculpture commission at Kunstmuseum Magdeburg, titled Insel der Puppen (Island of Dolls), in steel and enamel.   About the postcard artworks   These are maquettes I developed in preparation for paintings, dating from 2000. For many years I have been interested representations of the ""artist figure"", allegories of painting, and gender relations between subject and author.  

Alice Paz Untitled, 2000 TBC Signed verso 10 x 15cm (3¾ x 5¾ in.) Alicia Paz's paintings, collages and standing figures deal primarily with identity and the notion of a divided subject/author, and explore the mutability of subjectivity. Paz focuses on the female figure: the Self is experienced and presented as multiple, paradoxical, and in flux. Inhabiting fantastical and exotic landscapes, Paz's feminine subjects become fused and combined with organic life. Strange and unsettling visions of tree-women and monster-women also represent the fusion of the Subject with painting itself: she often depicts amphibian or plant-like figures "weeping" pigment, their limbs, hair, and various ornamental accoutrements mud-caked and dripping, as if extracted from a colourful, post-cognitive swamp. Her work at times incorporates elements taken from the applied and decorative arts, using these registers as a vehicules for intertwining narratives. Other recent subjects include cultural hybridity and representations of family, exploring the complexities of kinship and lineage in a globalized world.   Education   Paz graduated from U.C. Berkeley, ENSBA-Paris, Goldsmiths College, and Royal College of Art, London.   Exhibitions   Alicia Paz is currently exhibiting her work at the FRAC Ile de France, Château de Rentilly, as part of the group exhibition ""Le Cabaret du Néant"". Up-coming projects include "Life Stories", a group exhibition at Chatsworth House, UK, and a solo presentation at the Maison de l'Amérique Latine in Paris. Collaborative projects scheduled for 2021 include a show at the Beecroft Gallery in Southend-on-Sea, as part of Metal's Thames Estuary Festival, as well as at 20-21 Visual Arts Centre in North Lincolnshire, UK.   Paz has had several solo exhibitions in the UK, France, Germany, Mexico, and Argentina, most recently at the Museo Leonora Carrington in San Luis Potosí, Mexico (2019), and also at Kunstmuseum Magdeburg, Germany (2016). The latter was accompanied by a 96-page bilingual monograph published by Verlag für Moderne Kunst, Vienna. As a multi-cultural artist, Paz's work was included in the group exhibit Tous, des sang-mêlés, held at MACVAL, Vitry-sur-Seine, France (2017). Earlier solo projects include an exhibit at Dukan Gallery in Leipzig (2014), Mexican Cultural Institute in Paris (2013), Pippy Houldsworth Gallery, London (2006) and Ruth Benzacar Gallery in Buenos Aires (2005). A semi-retrospective exhibit of her work was featured in L.A.C. Sigéan in collaboration with FRAC Occitanie (2010). Paz has also participated in various international painting survey exhibits such as Heute. Spektrum. Malerei. at Kunstmuseum Magdeburg (2012) as well as Slow Magic, Contemporary Approaches to Painting at the Bluecoat Gallery, Liverpool (2009). Between 1997 and 2002 Alicia Paz was represented by Espace d'Art Yvonamor Palix (Paris, Mexico City) along with artists Orlan, Sandy Skoglund, Aziz + Cucher, Studio Orta, and Duncan Wylie, among others. Paz's work is part of various international public and private collections and has been the subject of numerous catalogues and publications; her work has has been reviewed/featured widely (Art News, Art Press, Modern Painters, Art Forum, Turps Banana, The Guardian, Le Monde, Libération, Beaux-Arts Magazine, New York Times, Reforma, etc...). In August 2017 Paz unveiled a public sculpture commission at Kunstmuseum Magdeburg, titled Insel der Puppen (Island of Dolls), in steel and enamel.   About the postcard artworks   These are maquettes I developed in preparation for paintings, dating from 2000. For many years I have been interested representations of the ""artist figure"", allegories of painting, and gender relations between subject and author.  

Bea Denton Out of Darkness i, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory.   Education   Denton graduated from UAL with Distinction in MA Fine Art Printmaking.   Exhibitions/Awards   She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art   MA Fine Art Printmaking (Distinction) / University of the Arts London   Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art   Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching   2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins.   About the postcard artworks   In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."  

Bea Denton Out of Darkness ii, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.)   Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory.   Education   Denton graduated from UAL with Distinction in MA Fine Art Printmaking.   Exhibitions/Awards   She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art   MA Fine Art Printmaking (Distinction) / University of the Arts London   Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art   Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching   2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins.   About the postcard artworks   In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."

Bea Denton Out of Darkness iii, 2021 Digital Print on Hahnemühle Signed verso 15 x 10cm (5¾ x 3¾ in.) Bea Denton's practice explores ideas around death and loss, faith and ritual. Photography, printmaking, found materials and lost images are intrinsic to her creative process. Pushing the boundaries of the technical and physical limitations of photography, her work transcends its realist conventions to achieve a deeper resonance. Denton is a collector and archivist of anonymous lives, departed and reincarnated, in pursuit of an essence in the image: the 'soul'. In her examination of faith and death, Denton attempts to find meaning and dimension through the imprint of time, light and phenomena. In a circuitous process, found images are penetrated, interrogated and excavated through alternate layers of photography, projection, recaptured from the lens of a Camera Obscura, from there back to photography and finally to print. The resulting enigmatic, dislocated images challenge a traditional idea of photography as a faithful record of reality, and instead explore the nature of perception, belief and memory.   Education   Denton graduated from UAL with Distinction in MA Fine Art Printmaking.   Exhibitions/Awards   She has exhibited widely, including publicly-sited work. She won the 2009 Creekside Open prize selected by Jenni Lomax; the 2007 Deptford X MacDonald Egan Award for Public Art, and the 2002 Ardizzone Prize (Major) for Printmaking. Denton has taught at AUB, UAL and in Brazil and China, and is a Trustee for Lewisham Education Arts Network (LEAN). www.beadenton.com / Instagram: Bea_Denton_Art   MA Fine Art Printmaking (Distinction) / University of the Arts London   Selected Exhibitions 2020 A Personal Perspective curated by Liz May / APT Gallery, London RA Summer/Winter Exhibition 2020 Woolwich Contemporary Print Fair National Brain Appeal - Everyday Things 2019 Creekside Open 2019 curated by Sacha Craddock RA Summer Exhibition 2019 National Brain Appeal - A Letter in Mind 2018 RE Masters / Bankside Gallery, London 2016 Ladies and Gentlemen / The Bawden Kingston tile project / Kingston Guildhall and Morley College 2014 PBA Gallery / Featured Artist / London 2012 Occupy My Time / Past and Present RA Summer Exhibition 2012 2009 Creekside Open 2009 selected by Jenni Lomax (Award winner) 2008 Cupboard Love / Site specific work / Greenwich Foot Tunnel (south side), London Electric Blue / Bargehouse Gallery (Oxo Tower), London RA Summer Exhibition 2008 2007 Via Dolorosa / site specific installation / Ha'Penny Hatch Bridge, Deptford (Winner - McDonald Egan Award for Public Art) 100% Glass / Three White Walls Gallery, Birmingham On Earth as it is... / Solo show / Bearspace and Renewal Gallery, London 2006 WhereNow / Six of One group of artists / APT Gallery, London 2005 Sculpture in Gardens / Godington House, Kent 2004 Glass Inspiration / British Glass / Burgdorf, Switzerland Where / Six of One group of artists / The Menier Gallery, London British Glass Biennale / International Festival of Glass Challenge the Nail / Salon Des Arts, London 2003 Art in Heaven / The Meeting House, Sussex University Campus Prints inspired by Poetry / 20:21 Visual Arts Centre, N. Lincolnshire Impact 2003 / Do-Don't/Can-Can't Michaelis School of Fine Art at the University of Cape Town / Rhodes University School of Fine Art, South Africa 2001 Imagining the body; The Figure as a container of experience / Kala Bhavana, Shantiniketan India, The National Art School Sydney Australia and Camberwell College of Art   Awards 2002 The Ardizzone Prize (Major) for Printmaking 2007 The MacDonald Egan Award for Public Art (Via Dolorosa) 2009 Creekside Open 2009 Prize selected and awarded by Jenni Lomax Teaching   2019 Head of School, Preparation for Higher Education, Arts University Bournemouth 2018 Programme Leader, FE Programmes / Escola Britânica de Artes Criativas, Brazil 2017 Curriculum Coordinator / Pathway Leader (Fine Art) Central Saint Martins.   About the postcard artworks   In this work for Art On A Postcard, I have considered resilience inherent in women, exemplified by The Virgin Mary, whose part in the birth of Christ was distinguished by steadfastness, strength, grief and absolute faith. The ephemeral shadow of her stone effigy captured by half-light alludes to these characteristics of resilience; an image revealed by the brilliance of light seeping into darkness, and fixing its place in the soul."

Harriet Porter ...Calm, 2021 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Harriet Porter is a London-based artist specialising in still life painting. She uses this traditional discipline to create contemporary minimal pieces inspired by her fascination with light. Working closely from observation, she creates pared back compositions of single solitary objects emerging from deep shadows or basking in soft daylight. The objects are sourced from her growing collection of antique silverware, but rather than depicting the object itself, she focusses on the shapes of tones in her view: these elegant reflective vessels exist simply as part of their surroundings, blending into - and defined by - the space around them. She works over time, gradually building layers of glaze, these subtle gradations of tone creating the illusion of slow quiet movement, like a calm river on a still summer's evening. Porter's preoccupation is informed by her 30 year career as an art director and stylist. Working in film and photography, she found the camera increasingly frustrating. As a capturing device it became insufficient to describe the wonder with which she perceived the shimmer that constantly caught her eye. Through the solitary process of painting she has been able to achieve more accurate results. Education   Central School of Art and Design BA Graphic Design   Exhibitions   1982-2020: Beaux Arts Bath - Solo show. Affordable Art Fair Battersea / 2019: Cameron Contemporary Brighton. Beaux Arts Bath.The Stratford Gallery Stratford-on-Avon. Affordable Art Fair Battersea. Affordable Art Fair New York / 2018: Cameron Contemporary Winter Exhibition. The Stratford Gallery Stratford-on Avon. Jane Newbery Gallery Dulwich. Affordable Art Fair New York. Fresh Art Fair Cheltenham. Affordable Art Fair Battersea / 2017: Cameron Contemporary Brighton. Jane Newbery Dulwich Village. Affordable Art Fair Battersea / 2016: Cameron Contemporary Winter Show. The Stratford Gallery Stratford-on-Avon. Affordable Art Fair Battersea / 2008-2015: Cameron Contemporary: Black White Light Dark. Affordable Art Fair Battersea. JP Art Gallery Battersea. Orso Major Gallery, Waterloo. Edinburgh Art Fair. Decorative Antiques and Textiles Fair Battersea. Blackheath Contemporary Art Gallery. The Ice House, Holland Park. Union Club Soho. Londonart Pop-Up Gallery Dulwich. Affordable Art Fair Hampstead. Russell Cotes Museum, Bournemouth. Discerning Eye Exhibition, Mall Galleries ('08,'09)   Gallery Representation Beaux Arts - Bath; Stratford Gallery - Broadway Wilts; Cameron Contemporary - Brighton   About the postcard artwork These beautiful Georgian vessels sit quietly in their space, reflecting their calm surroundings with a shimmering glow."

Harriet Porter ...Warmth, 2021 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) "Harriet Porter is a London-based artist specialising in still life painting. She uses this traditional discipline to create contemporary minimal pieces inspired by her fascination with light. Working closely from observation, she creates pared back compositions of single solitary objects emerging from deep shadows or basking in soft daylight. The objects are sourced from her growing collection of antique silverware, but rather than depicting the object itself, she focusses on the shapes of tones in her view: these elegant reflective vessels exist simply as part of their surroundings, blending into - and defined by - the space around them. She works over time, gradually building layers of glaze, these subtle gradations of tone creating the illusion of slow quiet movement, like a calm river on a still summer's evening. Porter's preoccupation is informed by her 30 year career as an art director and stylist. Working in film and photography, she found the camera increasingly frustrating. As a capturing device it became insufficient to describe the wonder with which she perceived the shimmer that constantly caught her eye. Through the solitary process of painting she has been able to achieve more accurate results. Education   Central School of Art and Design BA Graphic Design   Exhibitions   1982-2020: Beaux Arts Bath - Solo show. Affordable Art Fair Battersea / 2019: Cameron Contemporary Brighton. Beaux Arts Bath.The Stratford Gallery Stratford-on-Avon. Affordable Art Fair Battersea. Affordable Art Fair New York / 2018: Cameron Contemporary Winter Exhibition. The Stratford Gallery Stratford-on Avon. Jane Newbery Gallery Dulwich. Affordable Art Fair New York. Fresh Art Fair Cheltenham. Affordable Art Fair Battersea / 2017: Cameron Contemporary Brighton. Jane Newbery Dulwich Village. Affordable Art Fair Battersea / 2016: Cameron Contemporary Winter Show. The Stratford Gallery Stratford-on-Avon. Affordable Art Fair Battersea / 2008-2015: Cameron Contemporary: Black White Light Dark. Affordable Art Fair Battersea. JP Art Gallery Battersea. Orso Major Gallery, Waterloo. Edinburgh Art Fair. Decorative Antiques and Textiles Fair Battersea. Blackheath Contemporary Art Gallery. The Ice House, Holland Park. Union Club Soho. Londonart Pop-Up Gallery Dulwich. Affordable Art Fair Hampstead. Russell Cotes Museum, Bournemouth. Discerning Eye Exhibition, Mall Galleries ('08,'09)   Gallery Representation Beaux Arts - Bath; Stratford Gallery - Broadway Wilts; Cameron Contemporary - Brighton   About the postcard artwork These beautiful Georgian vessels sit quietly in their space, reflecting their calm surroundings with a shimmering glow."

Eleanor Watson Blue Dissolve, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Born 1990   Lives and works in London   Education   2018 - September 2019 Masters in Fine Art, City and Guilds of London Art School (Distinction) 2015 - 2016 The Drawing Year, The Royal Drawing School 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design   Exhibitions/Awards   Selected Solo and Joint Exhibitions   2020 - The London Art Fair alongside Suzanne Moxhay with The Contemporary London 2017 - Derby Museum and Art Gallery - Dear Reader, New Court Gallery, Repton - Eleanor Watson 2015 - The Foundry Gallery, Chelsea - Emma Alcock and Eleanor Watson 2013 - The Foundry Gallery, Chelsea - In the First Place Mall Galleries, St. James' - Biscuit. I've kept you half. Joint exhibition with Bartholomew Beal GX Gallery, Camberwell - Dual Exhibition: Benjamin Bridges & Eleanor Watson   Selected Group Exhibitions   2020 - Royal Academy Summer Exhibition A Dream is not a Dream, Purslane Art curated by Charlie Siddick Reaction Exhibition curated by Beatrice Hassel-McCosh The Birds are Singing in the Distant Woods with The Violet Hour 2019 - Tender with The Violet Hour Royal Academy Summer Exhibition 2018 - Art Basel Miami with Cynthia Corbett Gallery 2018 - The London Art Fair with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's The Royal Drawing School, Shoreditch - The Drawing Year 2016 2015 - Cynthia Corbett Gallery - Young Masters New York Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil The Contemporary London at W10 Space - Small Paintings London Art Fair with Cynthia Corbett Gallery, St. Anne's Gallery, and Paper Gallery 2014 - Royal Academy Summer Exhibition 2013 - St. Anne's Gallery - New Contemporary South   Prizes and Residency   2019 - ACS City and Guilds of London Art School Studio Prize 2019 - Slaughterhaus Print Prize 2018 - The Royal Drawing School Dumfries House Residency 2016 - The Jonathan Vickers Fine Art Award 2015 - Jerwood Painting Fellowship - shortlisted 2014 - Young Masters Art Prize - shortlisted 2014 - The Jonathan Vickers Fine Art Award - runner-up 2013 - The Zabludowicz Future Map Prize - shortlisted 2013 - Down Stairs Gallery Residency, Herefordshire 2012 - The Jonathan Vickers Fine Art Award - runner-up 2011 - Hans Brinker Budget Trophy Award - winner 2011 - Prunella Clough Painting Prize - runner-up   Collections   Dumfries House Collection   Jonathan Vickers Fine Art Award   University of the Arts London  

Eleanor Watson Ring on Ring, A Series of Weddings, 2021 Watercolour Monotype on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Born 1990   Lives and works in London   Education   2018 - September 2019 Masters in Fine Art, City and Guilds of London Art School (Distinction) 2015 - 2016 The Drawing Year, The Royal Drawing School 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design   Exhibitions/Awards   Selected Solo and Joint Exhibitions   2020 - The London Art Fair alongside Suzanne Moxhay with The Contemporary London 2017 - Derby Museum and Art Gallery - Dear Reader, New Court Gallery, Repton - Eleanor Watson 2015 - The Foundry Gallery, Chelsea - Emma Alcock and Eleanor Watson 2013 - The Foundry Gallery, Chelsea - In the First Place Mall Galleries, St. James' - Biscuit. I've kept you half. Joint exhibition with Bartholomew Beal GX Gallery, Camberwell - Dual Exhibition: Benjamin Bridges & Eleanor Watson   Selected Group Exhibitions   2020 - Royal Academy Summer Exhibition A Dream is not a Dream, Purslane Art curated by Charlie Siddick Reaction Exhibition curated by Beatrice Hassel-McCosh The Birds are Singing in the Distant Woods with The Violet Hour 2019 - Tender with The Violet Hour Royal Academy Summer Exhibition 2018 - Art Basel Miami with Cynthia Corbett Gallery 2018 - The London Art Fair with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's The Royal Drawing School, Shoreditch - The Drawing Year 2016 2015 - Cynthia Corbett Gallery - Young Masters New York Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil The Contemporary London at W10 Space - Small Paintings London Art Fair with Cynthia Corbett Gallery, St. Anne's Gallery, and Paper Gallery 2014 - Royal Academy Summer Exhibition 2013 - St. Anne's Gallery - New Contemporary South   Prizes and Residency   2019 - ACS City and Guilds of London Art School Studio Prize 2019 - Slaughterhaus Print Prize 2018 - The Royal Drawing School Dumfries House Residency 2016 - The Jonathan Vickers Fine Art Award 2015 - Jerwood Painting Fellowship - shortlisted 2014 - Young Masters Art Prize - shortlisted 2014 - The Jonathan Vickers Fine Art Award - runner-up 2013 - The Zabludowicz Future Map Prize - shortlisted 2013 - Down Stairs Gallery Residency, Herefordshire 2012 - The Jonathan Vickers Fine Art Award - runner-up 2011 - Hans Brinker Budget Trophy Award - winner 2011 - Prunella Clough Painting Prize - runner-up   Collections   Dumfries House Collection   Jonathan Vickers Fine Art Award   University of the Arts London  

Eleanor Watson Ring on Ring, A Series of Weddings II, 2021 Watercolour Monotype on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Born 1990   Lives and works in London   Education   2018 - September 2019 Masters in Fine Art, City and Guilds of London Art School (Distinction) 2015 - 2016 The Drawing Year, The Royal Drawing School 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design   Exhibitions/Awards   Selected Solo and Joint Exhibitions   2020 - The London Art Fair alongside Suzanne Moxhay with The Contemporary London 2017 - Derby Museum and Art Gallery - Dear Reader, New Court Gallery, Repton - Eleanor Watson 2015 - The Foundry Gallery, Chelsea - Emma Alcock and Eleanor Watson 2013 - The Foundry Gallery, Chelsea - In the First Place Mall Galleries, St. James' - Biscuit. I've kept you half. Joint exhibition with Bartholomew Beal GX Gallery, Camberwell - Dual Exhibition: Benjamin Bridges & Eleanor Watson   Selected Group Exhibitions   2020 - Royal Academy Summer Exhibition A Dream is not a Dream, Purslane Art curated by Charlie Siddick Reaction Exhibition curated by Beatrice Hassel-McCosh The Birds are Singing in the Distant Woods with The Violet Hour 2019 - Tender with The Violet Hour Royal Academy Summer Exhibition 2018 - Art Basel Miami with Cynthia Corbett Gallery 2018 - The London Art Fair with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's The Royal Drawing School, Shoreditch - The Drawing Year 2016 2015 - Cynthia Corbett Gallery - Young Masters New York Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil The Contemporary London at W10 Space - Small Paintings London Art Fair with Cynthia Corbett Gallery, St. Anne's Gallery, and Paper Gallery 2014 - Royal Academy Summer Exhibition 2013 - St. Anne's Gallery - New Contemporary South   Prizes and Residency   2019 - ACS City and Guilds of London Art School Studio Prize 2019 - Slaughterhaus Print Prize 2018 - The Royal Drawing School Dumfries House Residency 2016 - The Jonathan Vickers Fine Art Award 2015 - Jerwood Painting Fellowship - shortlisted 2014 - Young Masters Art Prize - shortlisted 2014 - The Jonathan Vickers Fine Art Award - runner-up 2013 - The Zabludowicz Future Map Prize - shortlisted 2013 - Down Stairs Gallery Residency, Herefordshire 2012 - The Jonathan Vickers Fine Art Award - runner-up 2011 - Hans Brinker Budget Trophy Award - winner 2011 - Prunella Clough Painting Prize - runner-up   Collections   Dumfries House Collection   Jonathan Vickers Fine Art Award   University of the Arts London  

Eleanor Watson Their Gifts, 2021 Watercolour Monotype on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Born 1990   Lives and works in London   Education   2018 - September 2019 Masters in Fine Art, City and Guilds of London Art School (Distinction) 2015 - 2016 The Drawing Year, The Royal Drawing School 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design   Exhibitions/Awards   Selected Solo and Joint Exhibitions   2020 - The London Art Fair alongside Suzanne Moxhay with The Contemporary London 2017 - Derby Museum and Art Gallery - Dear Reader, New Court Gallery, Repton - Eleanor Watson 2015 - The Foundry Gallery, Chelsea - Emma Alcock and Eleanor Watson 2013 - The Foundry Gallery, Chelsea - In the First Place Mall Galleries, St. James' - Biscuit. I've kept you half. Joint exhibition with Bartholomew Beal GX Gallery, Camberwell - Dual Exhibition: Benjamin Bridges & Eleanor Watson   Selected Group Exhibitions   2020 - Royal Academy Summer Exhibition A Dream is not a Dream, Purslane Art curated by Charlie Siddick Reaction Exhibition curated by Beatrice Hassel-McCosh The Birds are Singing in the Distant Woods with The Violet Hour 2019 - Tender with The Violet Hour Royal Academy Summer Exhibition 2018 - Art Basel Miami with Cynthia Corbett Gallery 2018 - The London Art Fair with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's The Royal Drawing School, Shoreditch - The Drawing Year 2016 2015 - Cynthia Corbett Gallery - Young Masters New York Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil The Contemporary London at W10 Space - Small Paintings London Art Fair with Cynthia Corbett Gallery, St. Anne's Gallery, and Paper Gallery 2014 - Royal Academy Summer Exhibition 2013 - St. Anne's Gallery - New Contemporary South   Prizes and Residency   2019 - ACS City and Guilds of London Art School Studio Prize 2019 - Slaughterhaus Print Prize 2018 - The Royal Drawing School Dumfries House Residency 2016 - The Jonathan Vickers Fine Art Award 2015 - Jerwood Painting Fellowship - shortlisted 2014 - Young Masters Art Prize - shortlisted 2014 - The Jonathan Vickers Fine Art Award - runner-up 2013 - The Zabludowicz Future Map Prize - shortlisted 2013 - Down Stairs Gallery Residency, Herefordshire 2012 - The Jonathan Vickers Fine Art Award - runner-up 2011 - Hans Brinker Budget Trophy Award - winner 2011 - Prunella Clough Painting Prize - runner-up   Collections   Dumfries House Collection   Jonathan Vickers Fine Art Award   University of the Arts London  

Sara Dare Velvet Purse I, 2021 Ink on Watercolour Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Sara Dare is an abstract painter. She primarily works on a large-scale using paper, linen and canvas, combined with a range of mediums informed by finish and viscosity such as ink, oil, emulsion and acrylic. Dare's paintings seek to convey an initial playful interaction with the viewer followed by a sense of unease or tension. Dare is also concerned with the environment surrounding the works and the conversations between them. She consistently works on several pieces as a series and actively encourages a dialogue and visual interaction that connects and holds them together. Sara Dare is based in West Sussex and has sold work to collectors internationally   Education   Sara Dare graduated in Fine Art Painting at The University of Brighton in 2008. In 2010 she received a Postgraduate Certificate in Education of Art and Design and focused on absorbing these methodologies into her approach as a socially engaged artist and collaborator. She recently studied on the Correspondence Course at alternative art school Turps Education.   2021 London Art Fair, After Nyne Gallery, EDIT online.   2020 'Kite Circus', Group Show, Sidney and Matilda, Sheffield. UK 'Dear Painting', Group show, Nordic Art Agency, Malmo, Sweden.   2019 '2022', Group show, Studio 2, The Ark, Bembridge, Isle of Wight 'Object Meditation', After Nyne Gallery, London. UK 'Putting Ourselves in the Picture', Artist-in-Residence. Fabrica Gallery, Brighton UK 'Black Stuff', Group exhibition, Unit 3 Projects, ASC Studios. London. Solo Show, Rye Creative Centre. Rye, East Sussex. UK Solo Show, Sid Motion Gallery, London.   2018 'C'est De La Peinture'. Bankley Studios & Gallery, Manchester. UK 'Not 30%'. Curated by Kate Bryan, The Other Art Fair. Saatchi Art. London. Featured at ''100% Design. London Design Festival. Olympia. West Kensington. UK Featured at 'Decorex International'. London Design Festival. Syon Park. UK 'Girls Just Wanna Have Fun'.Group Show, Unit 3 Projects. ASC Studios. London 'Third Order'. Group show, Unit 3 Projects. ASC Studios. London.   Gallery Representation   After Nyne Contemporary   About the postcard artworks   Applying new sequences of colour across familiar forms, these pieces are an investigation into feelings of nostalgia and vulnerability.  

Sara Dare Velvet Purse VI, 2021 Ink on Watercolour Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Sara Dare is an abstract painter. She primarily works on a large-scale using paper, linen and canvas, combined with a range of mediums informed by finish and viscosity such as ink, oil, emulsion and acrylic. Dare's paintings seek to convey an initial playful interaction with the viewer followed by a sense of unease or tension. Dare is also concerned with the environment surrounding the works and the conversations between them. She consistently works on several pieces as a series and actively encourages a dialogue and visual interaction that connects and holds them together. Sara Dare is based in West Sussex and has sold work to collectors internationally   Education   Sara Dare graduated in Fine Art Painting at The University of Brighton in 2008. In 2010 she received a Postgraduate Certificate in Education of Art and Design and focused on absorbing these methodologies into her approach as a socially engaged artist and collaborator. She recently studied on the Correspondence Course at alternative art school Turps Education.   2021 London Art Fair, After Nyne Gallery, EDIT online.   2020 'Kite Circus', Group Show, Sidney and Matilda, Sheffield. UK 'Dear Painting', Group show, Nordic Art Agency, Malmo, Sweden.   2019 '2022', Group show, Studio 2, The Ark, Bembridge, Isle of Wight 'Object Meditation', After Nyne Gallery, London. UK 'Putting Ourselves in the Picture', Artist-in-Residence. Fabrica Gallery, Brighton UK 'Black Stuff', Group exhibition, Unit 3 Projects, ASC Studios. London. Solo Show, Rye Creative Centre. Rye, East Sussex. UK Solo Show, Sid Motion Gallery, London.   2018 'C'est De La Peinture'. Bankley Studios & Gallery, Manchester. UK 'Not 30%'. Curated by Kate Bryan, The Other Art Fair. Saatchi Art. London. Featured at ''100% Design. London Design Festival. Olympia. West Kensington. UK Featured at 'Decorex International'. London Design Festival. Syon Park. UK 'Girls Just Wanna Have Fun'.Group Show, Unit 3 Projects. ASC Studios. London 'Third Order'. Group show, Unit 3 Projects. ASC Studios. London.   Gallery Representation   After Nyne Contemporary   About the postcard artworks   Applying new sequences of colour across familiar forms, these pieces are an investigation into feelings of nostalgia and vulnerability.

Michelle Conway The Back Road To My Father's, 2021 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Michelle Conway (b. 1968) begins her work from darkness. Wiping, washing and bringing back the light to uncover a painting. She is acutely aware of light, the passing of time, and what is left behind. The starting point for each body of work are thousands of photos taken over the past 20 years. Painting reminds her of what no longer exists. It is her way of experiencing the world as it is. She exhibits internationally and has works held in private collections in London, NY and Hong Kong.   Education   Sept. 2012-Jan. 2013 MFA Goldsmiths, London, UK 2011 BA Fine Arts First Class Honours, Centre for Creative Arts and Media, Ireland   Exhibitions/Awards   GROUP EXHIBITIONS: Oct. 2020-Jan. 21- "Royal Academy of Art Summer Exhibition", exhibited in David Remfry's (RA)Gallery VII, Royal Academy of Art, London 2017-2019: "Art-Letter Home", 15 British and Irish artists selected for the China Academy of Art and continuing tour through museums in China. Organised by Robert Priseman, co-ordinated by ChenKai Wu and Professor Yan Chen, and curated by Jin Shijian. 2018- "The Drawing Room", Sid Motion Gallery, London, an ongoing platform showcasing recent works of artists who have contributed to the exhibitions programme, curated by Sid Motion. 2017 Sluice Biennial , @PIY Paintlounge, London, UK curated by Paula MacArthur. PIYPaintLounge is a collaborative project between paintbritain and PaintUnion which aimed to bring as many painters as possible together to discuss and celebrate painting in all its many and various forms as part of the Sluice Biennial 2017 in Hackney. 2017 "A Long Way Home"/Two woman show with Sue Bryan @Bolee Gallery, London, UK, curator Jemma Hickman. 2017 "The Human Stain" 2017 @Studio1.1, London, UK, curated by Keran James 2017 "City Stories" @ Mission Gallery, Swansea, Wales, curated by Deirdre Finnerty-Davies 2016 Two Woman Show with Francesca Longhini @ Sid Motion Gallery, London, UK, curated by Sid Motion 2016 Exeter Phoenix Open 2016 @Exeter Phoenix Gallery, Exeter, UK, curated by Matt Burrows 2016 BEEP Wales International Painting Biennial 2016, Elysium Gallery (also toured throughout Wales), Wales, curated by Jonathan Powell 2016 "Not One But The Other" @ Art Bermondsey Project Space, London, UK, curated by Johanna Melvin 2016 Oriel Davies Open Painting @Oriel Davies Gallery, Newtown, Wales, curated by Alex Boyd Jones 2015-16 134th Annual Exhibition 2015-16 @ Royal Ulster Academy, Ulster Museum, Belfast, Ireland.   Michelle was longlisted for the Aesthetica Art Prize Exhibition 2016 and Anthology 2014 @Charlie Smith Gallery, London.   Other exhibitions include; Claremorris Open Exhibition (curator Chris Hammond/ MOT International), TULCA, RDS, Eigse (Ireland) and a solo exhibition at the Fulton Street Gallery, NY. SOLO: 2018 "42.7284º N, 73.6918ºW (home)", Solo Exhibition, Portershed, Ireland, curated by Lynne O'Loughlin   PRIZES: 2016 Winner of the Exeter Contemporary Open Audience Choice Award, 2011 Paint Student of the Year   PUBLICATIONS: Upcoming feature on Instagram April/May with @theflyingfruitowl Instagram featured on @paintingperdiem June 2020 Featured interview on Instagram with @the.artist.story Feb 14 2020. "Art-Letter Home" project in China . A hardback 509 pg. volume of published of the touring exhibition. Fresh Paint Magazine (Issue 9 2015) Aesthetica Magazine (Issue 69 2016)   About the postcard artworks   Submitted artworks are still moments when a person is acutely aware of light and the passing of time as it travels across an object or space.  

Michelle Conway Paper Plate Mobile, 2021 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Michelle Conway (b. 1968) begins her work from darkness. Wiping, washing and bringing back the light to uncover a painting. She is acutely aware of light, the passing of time, and what is left behind. The starting point for each body of work are thousands of photos taken over the past 20 years. Painting reminds her of what no longer exists. It is her way of experiencing the world as it is. She exhibits internationally and has works held in private collections in London, NY and Hong Kong.   Education   Sept. 2012-Jan. 2013 MFA Goldsmiths, London, UK 2011 BA Fine Arts First Class Honours, Centre for Creative Arts and Media, Ireland   Exhibitions/Awards   GROUP EXHIBITIONS: Oct. 2020-Jan. 21- "Royal Academy of Art Summer Exhibition", exhibited in David Remfry's (RA)Gallery VII, Royal Academy of Art, London 2017-2019: "Art-Letter Home", 15 British and Irish artists selected for the China Academy of Art and continuing tour through museums in China. Organised by Robert Priseman, co-ordinated by ChenKai Wu and Professor Yan Chen, and curated by Jin Shijian. 2018- "The Drawing Room", Sid Motion Gallery, London, an ongoing platform showcasing recent works of artists who have contributed to the exhibitions programme, curated by Sid Motion. 2017 Sluice Biennial , @PIY Paintlounge, London, UK curated by Paula MacArthur. PIYPaintLounge is a collaborative project between paintbritain and PaintUnion which aimed to bring as many painters as possible together to discuss and celebrate painting in all its many and various forms as part of the Sluice Biennial 2017 in Hackney. 2017 "A Long Way Home"/Two woman show with Sue Bryan @Bolee Gallery, London, UK, curator Jemma Hickman. 2017 "The Human Stain" 2017 @Studio1.1, London, UK, curated by Keran James 2017 "City Stories" @ Mission Gallery, Swansea, Wales, curated by Deirdre Finnerty-Davies 2016 Two Woman Show with Francesca Longhini @ Sid Motion Gallery, London, UK, curated by Sid Motion 2016 Exeter Phoenix Open 2016 @Exeter Phoenix Gallery, Exeter, UK, curated by Matt Burrows 2016 BEEP Wales International Painting Biennial 2016, Elysium Gallery (also toured throughout Wales), Wales, curated by Jonathan Powell 2016 "Not One But The Other" @ Art Bermondsey Project Space, London, UK, curated by Johanna Melvin 2016 Oriel Davies Open Painting @Oriel Davies Gallery, Newtown, Wales, curated by Alex Boyd Jones 2015-16 134th Annual Exhibition 2015-16 @ Royal Ulster Academy, Ulster Museum, Belfast, Ireland.   Michelle was longlisted for the Aesthetica Art Prize Exhibition 2016 and Anthology 2014 @Charlie Smith Gallery, London.   Other exhibitions include; Claremorris Open Exhibition (curator Chris Hammond/ MOT International), TULCA, RDS, Eigse (Ireland) and a solo exhibition at the Fulton Street Gallery, NY. SOLO: 2018 "42.7284º N, 73.6918ºW (home)", Solo Exhibition, Portershed, Ireland, curated by Lynne O'Loughlin   PRIZES: 2016 Winner of the Exeter Contemporary Open Audience Choice Award, 2011 Paint Student of the Year   PUBLICATIONS: Upcoming feature on Instagram April/May with @theflyingfruitowl Instagram featured on @paintingperdiem June 2020 Featured interview on Instagram with @the.artist.story Feb 14 2020. "Art-Letter Home" project in China . A hardback 509 pg. volume of published of the touring exhibition. Fresh Paint Magazine (Issue 9 2015) Aesthetica Magazine (Issue 69 2016)   About the postcard artworks   Submitted artworks are still moments when a person is acutely aware of light and the passing of time as it travels across an object or space.

Michelle Conway Sky Light, 2021 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Michelle Conway (b. 1968) begins her work from darkness. Wiping, washing and bringing back the light to uncover a painting. She is acutely aware of light, the passing of time, and what is left behind. The starting point for each body of work are thousands of photos taken over the past 20 years. Painting reminds her of what no longer exists. It is her way of experiencing the world as it is. She exhibits internationally and has works held in private collections in London, NY and Hong Kong.   Education   Sept. 2012-Jan. 2013 MFA Goldsmiths, London, UK 2011 BA Fine Arts First Class Honours, Centre for Creative Arts and Media, Ireland   Exhibitions/Awards   GROUP EXHIBITIONS: Oct. 2020-Jan. 21- "Royal Academy of Art Summer Exhibition", exhibited in David Remfry's (RA)Gallery VII, Royal Academy of Art, London 2017-2019: "Art-Letter Home", 15 British and Irish artists selected for the China Academy of Art and continuing tour through museums in China. Organised by Robert Priseman, co-ordinated by ChenKai Wu and Professor Yan Chen, and curated by Jin Shijian. 2018- "The Drawing Room", Sid Motion Gallery, London, an ongoing platform showcasing recent works of artists who have contributed to the exhibitions programme, curated by Sid Motion. 2017 Sluice Biennial , @PIY Paintlounge, London, UK curated by Paula MacArthur. PIYPaintLounge is a collaborative project between paintbritain and PaintUnion which aimed to bring as many painters as possible together to discuss and celebrate painting in all its many and various forms as part of the Sluice Biennial 2017 in Hackney. 2017 "A Long Way Home"/Two woman show with Sue Bryan @Bolee Gallery, London, UK, curator Jemma Hickman. 2017 "The Human Stain" 2017 @Studio1.1, London, UK, curated by Keran James 2017 "City Stories" @ Mission Gallery, Swansea, Wales, curated by Deirdre Finnerty-Davies 2016 Two Woman Show with Francesca Longhini @ Sid Motion Gallery, London, UK, curated by Sid Motion 2016 Exeter Phoenix Open 2016 @Exeter Phoenix Gallery, Exeter, UK, curated by Matt Burrows 2016 BEEP Wales International Painting Biennial 2016, Elysium Gallery (also toured throughout Wales), Wales, curated by Jonathan Powell 2016 "Not One But The Other" @ Art Bermondsey Project Space, London, UK, curated by Johanna Melvin 2016 Oriel Davies Open Painting @Oriel Davies Gallery, Newtown, Wales, curated by Alex Boyd Jones 2015-16 134th Annual Exhibition 2015-16 @ Royal Ulster Academy, Ulster Museum, Belfast, Ireland.   Michelle was longlisted for the Aesthetica Art Prize Exhibition 2016 and Anthology 2014 @Charlie Smith Gallery, London.   Other exhibitions include; Claremorris Open Exhibition (curator Chris Hammond/ MOT International), TULCA, RDS, Eigse (Ireland) and a solo exhibition at the Fulton Street Gallery, NY. SOLO: 2018 "42.7284º N, 73.6918ºW (home)", Solo Exhibition, Portershed, Ireland, curated by Lynne O'Loughlin   PRIZES: 2016 Winner of the Exeter Contemporary Open Audience Choice Award, 2011 Paint Student of the Year   PUBLICATIONS: Upcoming feature on Instagram April/May with @theflyingfruitowl Instagram featured on @paintingperdiem June 2020 Featured interview on Instagram with @the.artist.story Feb 14 2020. "Art-Letter Home" project in China . A hardback 509 pg. volume of published of the touring exhibition. Fresh Paint Magazine (Issue 9 2015) Aesthetica Magazine (Issue 69 2016)   About the postcard artworks   Submitted artworks are still moments when a person is acutely aware of light and the passing of time as it travels across an object or space.

Michelle Conway Lampshade, 2021 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Michelle Conway (b. 1968) begins her work from darkness. Wiping, washing and bringing back the light to uncover a painting. She is acutely aware of light, the passing of time, and what is left behind. The starting point for each body of work are thousands of photos taken over the past 20 years. Painting reminds her of what no longer exists. It is her way of experiencing the world as it is. She exhibits internationally and has works held in private collections in London, NY and Hong Kong.   Education   Sept. 2012-Jan. 2013 MFA Goldsmiths, London, UK 2011 BA Fine Arts First Class Honours, Centre for Creative Arts and Media, Ireland   Exhibitions/Awards   GROUP EXHIBITIONS: Oct. 2020-Jan. 21- "Royal Academy of Art Summer Exhibition", exhibited in David Remfry's (RA)Gallery VII, Royal Academy of Art, London 2017-2019: "Art-Letter Home", 15 British and Irish artists selected for the China Academy of Art and continuing tour through museums in China. Organised by Robert Priseman, co-ordinated by ChenKai Wu and Professor Yan Chen, and curated by Jin Shijian. 2018- "The Drawing Room", Sid Motion Gallery, London, an ongoing platform showcasing recent works of artists who have contributed to the exhibitions programme, curated by Sid Motion. 2017 Sluice Biennial , @PIY Paintlounge, London, UK curated by Paula MacArthur. PIYPaintLounge is a collaborative project between paintbritain and PaintUnion which aimed to bring as many painters as possible together to discuss and celebrate painting in all its many and various forms as part of the Sluice Biennial 2017 in Hackney. 2017 "A Long Way Home"/Two woman show with Sue Bryan @Bolee Gallery, London, UK, curator Jemma Hickman. 2017 "The Human Stain" 2017 @Studio1.1, London, UK, curated by Keran James 2017 "City Stories" @ Mission Gallery, Swansea, Wales, curated by Deirdre Finnerty-Davies 2016 Two Woman Show with Francesca Longhini @ Sid Motion Gallery, London, UK, curated by Sid Motion 2016 Exeter Phoenix Open 2016 @Exeter Phoenix Gallery, Exeter, UK, curated by Matt Burrows 2016 BEEP Wales International Painting Biennial 2016, Elysium Gallery (also toured throughout Wales), Wales, curated by Jonathan Powell 2016 "Not One But The Other" @ Art Bermondsey Project Space, London, UK, curated by Johanna Melvin 2016 Oriel Davies Open Painting @Oriel Davies Gallery, Newtown, Wales, curated by Alex Boyd Jones 2015-16 134th Annual Exhibition 2015-16 @ Royal Ulster Academy, Ulster Museum, Belfast, Ireland.   Michelle was longlisted for the Aesthetica Art Prize Exhibition 2016 and Anthology 2014 @Charlie Smith Gallery, London.   Other exhibitions include; Claremorris Open Exhibition (curator Chris Hammond/ MOT International), TULCA, RDS, Eigse (Ireland) and a solo exhibition at the Fulton Street Gallery, NY. SOLO: 2018 "42.7284º N, 73.6918ºW (home)", Solo Exhibition, Portershed, Ireland, curated by Lynne O'Loughlin   PRIZES: 2016 Winner of the Exeter Contemporary Open Audience Choice Award, 2011 Paint Student of the Year   PUBLICATIONS: Upcoming feature on Instagram April/May with @theflyingfruitowl Instagram featured on @paintingperdiem June 2020 Featured interview on Instagram with @the.artist.story Feb 14 2020. "Art-Letter Home" project in China . A hardback 509 pg. volume of published of the touring exhibition. Fresh Paint Magazine (Issue 9 2015) Aesthetica Magazine (Issue 69 2016)   About the postcard artworks   Submitted artworks are still moments when a person is acutely aware of light and the passing of time as it travels across an object or space.

Agnieszka Brezanska Untitled, 2021 Aquarelle on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Agnieszka Brzeżańska's work explores elusive links between various natural forces and life forms on Earth, which she perceives as Gaia, a living organism. In this, she uses various registers of knowledge, from physics and philosophy to systems of cognition marginalized by modern science, such as alchemy, parapsychology, esotericism, native knowledge or matriarchal traditions. She is also interested in contemporary ecological practices. She is an author of paintings, drawings, films, photographs and ceramics. Since 2016, together with artist Ewa Ciepielewska, she has been organizing a mobile artistic residency on water under the title "FLOW/PRZEPŁYW."   Education   Agnieszka Brzeżańska studied at the Academy of Fine Arts in Gdańsk (1992-1995) and later in Warsaw (1995-1997), as well as at the Tokyo University of Fine Arts and Music (1998-2001). Received scholarships from the DAAD (Berlin, 2008-2009), the Collegium Helvetic- um (Zurich/ETH, 2004), the Büchsenhausen (Innsbruck, 2005), and the Japanese government (1998-2001, Tokyo).   Exhibitions/Awards   Her works have been presented in numerous solo exhibitions, such as: "World National Park" at Królikarnia The National Museum, (Warsaw 2019/2020), "Matrix-Sratrix," Kasia Michalski (Warsaw, 2016), "Ma Terra," Vera Munro (Hamburg, 2015-2016), "This All Occurs Quickly, With Ease, Grace and Joy," Marlborough Contemporary (London, 2015), "Ziemia rodzinna/Ma Terra," Contemporary Museum Wrocław (Wrocław, 2014), "Kobayashi Maru," Nanzuka (Tokyo, 2014), "A Painting Cycle," Nomas Foundation (Rome, 2012), "Back to the Garden," Galerie Kamm (Berlin, 2012), "Cosmic Equation," Kunsthaus Baselland (Basel, 2010), "Galactic Resonance," Hotel (London, 2010), "Playlist," DAAD Galerie (Berlin, 2010)   Group exhibitions, including: "Emma Kunz Cosmos Aargauer Kunsthaus, (Aarau 2021), "Biennale Gherdeina," (Ortisei 2020), "Cosmological Arrows," Bonniers Konsthall (Stockholm, 2019), "Paint, Also Known As Blood. Women, Affect, and Desire in Contemporary Painting," Museum of Modern Art (Warsaw, 2019), "Pangea United" Muzeum Sztuki (Łódź, 2019), "How to Talk With Birds, Trees, Fish, Shells, Snakes, Bulls and Lions," Hamburger Bahnhof (Berlin, 2018), "Goddesses," BWA Warszawa (Warsaw, 2018).   In 2018, she participated in the 10th edition of the Berlin Biennale. Later that year, she received the main prize from the ING Polish Art Foundation during the Warsaw Gallery Weekend.   Gallery Representation   BWA Warszawa (Warsaw) NANZUKA (Tokyo)   About the postcard artworks  

Agnieszka Brezanska Untitled, 2021 Aquarelle on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Agnieszka Brzeżańska's work explores elusive links between various natural forces and life forms on Earth, which she perceives as Gaia, a living organism. In this, she uses various registers of knowledge, from physics and philosophy to systems of cognition marginalized by modern science, such as alchemy, parapsychology, esotericism, native knowledge or matriarchal traditions. She is also interested in contemporary ecological practices. She is an author of paintings, drawings, films, photographs and ceramics. Since 2016, together with artist Ewa Ciepielewska, she has been organizing a mobile artistic residency on water under the title "FLOW/PRZEPŁYW."   Education   Agnieszka Brzeżańska studied at the Academy of Fine Arts in Gdańsk (1992-1995) and later in Warsaw (1995-1997), as well as at the Tokyo University of Fine Arts and Music (1998-2001). Received scholarships from the DAAD (Berlin, 2008-2009), the Collegium Helvetic- um (Zurich/ETH, 2004), the Büchsenhausen (Innsbruck, 2005), and the Japanese government (1998-2001, Tokyo).   Exhibitions/Awards   Her works have been presented in numerous solo exhibitions, such as: "World National Park" at Królikarnia The National Museum, (Warsaw 2019/2020), "Matrix-Sratrix," Kasia Michalski (Warsaw, 2016), "Ma Terra," Vera Munro (Hamburg, 2015-2016), "This All Occurs Quickly, With Ease, Grace and Joy," Marlborough Contemporary (London, 2015), "Ziemia rodzinna/Ma Terra," Contemporary Museum Wrocław (Wrocław, 2014), "Kobayashi Maru," Nanzuka (Tokyo, 2014), "A Painting Cycle," Nomas Foundation (Rome, 2012), "Back to the Garden," Galerie Kamm (Berlin, 2012), "Cosmic Equation," Kunsthaus Baselland (Basel, 2010), "Galactic Resonance," Hotel (London, 2010), "Playlist," DAAD Galerie (Berlin, 2010)   Group exhibitions, including: "Emma Kunz Cosmos Aargauer Kunsthaus, (Aarau 2021), "Biennale Gherdeina," (Ortisei 2020), "Cosmological Arrows," Bonniers Konsthall (Stockholm, 2019), "Paint, Also Known As Blood. Women, Affect, and Desire in Contemporary Painting," Museum of Modern Art (Warsaw, 2019), "Pangea United" Muzeum Sztuki (Łódź, 2019), "How to Talk With Birds, Trees, Fish, Shells, Snakes, Bulls and Lions," Hamburger Bahnhof (Berlin, 2018), "Goddesses," BWA Warszawa (Warsaw, 2018).   In 2018, she participated in the 10th edition of the Berlin Biennale. Later that year, she received the main prize from the ING Polish Art Foundation during the Warsaw Gallery Weekend.   Gallery Representation   BWA Warszawa (Warsaw) NANZUKA (Tokyo)   About the postcard artworks  

Ofelia Andrades M 'Blanquita' Artist's Cat, 2021 Graphite on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Ofelia Andrades was born on September 29th, 1982 in Santiago, Chile. From 1984 to 1992 she lived in Buenos Aires, Argentina. From an early age Ofelia attended art workshops where she learned the different techniques of painting and drawing, with particular emphasis on oil painting. She started to paint with oils at the age of ten years Old.   Education   She began her professional studies at the Experimental Art School (1997-2000) where she obtained a technical degree in Visual Arts with a major in painting and graphics. Ofelia later obtained a Bachelor's degree in Visual Arts with a painting emphasis (2003-2007) at the University of Chile where she was finally granted the title of professional painter in 2010. Between 2012 and 2014 she lives in London, United Kingdom. Back in Chile she fund ""El taller de Ofelia"" workshop to teach ancient to Contemporary painting techniques. She currently lives and works in Santiago, Chile.   Exhibitions/Awards   2021 ""Día internacional de la mujer"" 8 of march. Invited & curated by MEAM, European Museum of Modern Art. Barcelona, España. INTERNATIONAL WOMEN GROUP SHOW. 2020-21 ""The human dimension in Latin American Art"" MIFA Gallery. Miami USA. CURRENT GROUP SHOW 2019 ""Painting Today"" Woman's day. MEAM, European Museum of Modern Art. Barcelona, España. Curated by Didi Menendez of Poets&Artists. INTERNATIONAL WOMEN GROUP SHOW. 2018 ""NARCISA"" Casa Brandon Gallery. Buenos Aires, Argentina. SOLO SHOW 2018 ""Painting the figure now"" Curated by Poets&Artists. WMOCA. Wausau Museum of Contemporary Art. Wisconsin, USA. INTERNATIONAL GROUP SHOW. 2016 ""12 x 12"" best artists promises of the year. Chilean curators. GROUP SHOW 2016 ""Ch.ACO"" Art fair, Santiago, Chile. 2016 ""ART LIMA"" Art fair, Perú. 2015 ""First place"" in jung art competition. Galería ARTESPACIO. Santiago, Chile. GROUP SHOW/AWARD 2017 ""Alegorías"" Galería ARTESPACIO. Santiago, Chile. SOLO SHOW 2014 ""Variaciones sobre un mísmo tema"" Sala GASCO Arte contemporáneo, Santiago, CHILE. SOLO SHOW 2013 ""Exhibition"" MRA, From April to October. London, UK. SOLO SHOW 2012 ""Inauguración"" Galería Temporal"" Santiago, Chile. SOLO SHOW 2011 ""Lo inconsolable del cotidiano"", Sala Blanca, Pontificia Universidad Católica. Chile. SOLO SHOW 2010 ""proyecto MOSAICO"", Sala Juan Egenau, Facultad de Artes de la Universidad de Chile. SOLO SHOW 2010 Tesis: ""figuras del original"", Una aproximación a la parodia, Sala Juan Egenau. Chile. SOLO SHOW 2009 ""figuras del original"" Biblioteca de Santiago. Junio. Chile. SOLO SHOW 2009 ""figuras del original"", Galería Bech. Chile. SOLO SHOW I was represented by Galería ARTESPACIO during a period in Chile. I am currently more independent by now but and at the same time working with MIFA GALLERY in Miami, USA during the show ""The human dimension in Latin American Art"".   About the postcard artwork   My drawing it is a portrait of my cat ""Blanquita"" wich is 16 years Old. She is a constant model for my scenes, it is part of my family. This could be a portrait Studio for future paintings and scenes.  

Florence Peake Eye in the Sky, 2020 Acrylic and Acrylic Medium on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   Florence Peake (b. 1973) is a London-based artist who has been making work since 1995. She makes solo and group performance works intertwined with an extensive visual art practice. Presenting work internationally and across the UK in galleries, theatres and outdoors, she is known for an approach which is at once sensual and witty, expressive and rigorous, political and intimate. Peake's performance practice uses drawing, painting and sculpture combined with found and fabricated objects placed in relation to the moving body. Her work explores notions of materiality and physicality; the body as site and vehicle of protest, and political concerns around freedom, the anthropocene and the commodification of art. By encouraging chaotic relationships between the body and material, she creates radical and outlandish performances, creating temporary alliances and micro-communities within the audience. Following on from performances she often creates sculpture and painting; these artworks serve as documentation but also as ways of processing the experience of the performance itself, relationships with dancers, audiences and sites.   Exhibitions   Her work has been presented at at Arsenic, Switzerland 2020, Venice Biennale 2019 with Eve Stainton; CRAC Occitanie, Sète, France (2018), London Contemporary Music Festival, UK (2018), Bosse & Baum, London, UK (2019); De La Warr Pavilion, Bexhill, UK (2018); Palais De Tokyo, Paris, France (2018); Hayward Gallery, London UK (2018), Wysing Arts Centre, Cambridge, UK (2017), Studio Leigh, London UK (2017); Sara Zanin Gallery, Rome, Italy (2017); Serpentine, London UK (2016); Whitechapel Gallery, London, UK (2016); ICA, London (2016); Modern Art Oxford (2016); BALTIC, Newcastle UK (2013), Frieze, London UK (2013), Yorkshire Sculpture Park (2012).

Daisy Patton Untitled (10th grade 1954), 2020 Oil on Archival Print Signed verso 12.7 x 10.1cm (5 x 3¾ in.) Daisy Patton is a multi-disciplinary artist who was born in Los Angeles, CA to a mother from the South and an Iranian father she never met. She spent her childhood between California and Oklahoma, deeply affected by these conflicting cultural ways of being. Influenced by collective and political history, as well as memory and the fallibility of the body, Patton's work explores the meaning and social conventions of families, relationship, storytelling and story-carrying, and also connection. One prominent series, Forgetting is so long, has been featured in publications such as Hyperallergic, The Jealous Curator, The Denver Post, The Chautauquan Daily, and more.   Education Currently residing in western Massachusetts, Patton has a BFA in Studio Arts from the University of Oklahoma with minors in History and Art History and an Honors degree. She earned her MFA from The School of the Museum of Fine Arts, Boston/Tufts University, a multi-disciplinary program. Patton has completed artist residencies at Minerva Projects, Anderson Ranch, the Studios at MASS MoCA, RedLine Denver, and Eastside International in Los Angeles. She has been awarded the Barbara Deming Memorial Fund grant, as well as the Assets for Artists Massachusetts Matched Savings grant and the Montage Travel Award from SMFA for research in Dresden, Germany. She has exhibited in solo and group shows nationally, including her first museum solo at the CU Art Museum at the University of Colorado. Minerva Projects Press will publish a collection of essays and poetry on Patton's practice in spring 2021. K Contemporary represents Patton in Denver, CO, and J. Rinehart represents her in Seattle, WA. MFA Tufts University/School of the Museum of Fine Arts, Boston; BFA University of Oklahomahonors and awards 2020 Barbara Deming Memorial Fund, Inc. Grant Award 2020 Massachusetts Matched Savings Grant cohort, Assets for Artists of MASS MoCA 2019 Faith and Freedom Award from the Colorado Religious Coalition for Reproductive Choice, May 2019 Nominated for the Smithsonian Artist Research Fellowship (SARF), 2017 Cycle Montague Travel Grant Award at The School of the Museum of Fine Arts, Boston, December 2010   Exhibitions "Burnt Hair Spun Gold" at K Contemporary, 1412 Wazee St., Denver, CO, Sept.-Oct. 2020 "Put Me Back the Way They Found Me," curated by Simon Zalkind at Fulginiti Pavilion, Anschutz Medical Campus, 13080 E. 19th Ave, Aurora, CO, Mar-June 2020 Project Space at K Contemporary, 1412 Wazee St., Denver, CO, Nov. 2019 "Lineages in Bloom" at the Bellowe Family Gallery, Chautauqua Institution, Chautauqua, NY, June-July 2019 "Would you be lonely without me?" at the Texas Capitol Exhibit Space, 1100 Congress Ave., Austin, TX, Apr. 2019 "Forgetting is so long" at The Art Base, 99 Midland Spur, Basalt, CO Mar.-Apr. 2019 "A Rewilded Arcadia" at K Contemporary, 1412 Wazee St., Denver, CO, Oct. 2018 "This Is Not Goodbye," curated by Sandra Firmin, CU Boulder Art Museum, University of Colorado, Boulder, 318 UCB, Boulder, CO, Jul.-Nov. 2018 "Would you be lonely without me?," Art Gym, 1460 Leyden St., Denver, CO, July-Aug. 2018 "Throw My Ashes Into the Sea," solo at Michael Warren Contemporary Gallery, Denver, CO, Jan.-Mar. 2017 "Forgetting is so long," at Front Range Community College, Boulder County Campus, Longmont, CO, Jan.-Mar. 2017 "Forgetting is so long" at Michael Warren Contemporary Gallery, 760 Santa Fe Dr, Denver CO, Dec. 2014   About the postcard artworks "What rituals are useful to locating someone who's gone. Our story has no language. My loss always in communication with your loss." -Ella Longpre, How to Keep You Alive Who do we choose to remember, and how? These ideas are fraught terrain that cross family relationships, identities, and collective memorialization. For some, living memory supports an elongation of our lives-we only succumb to a blank past when our histories are no longer recalled and held by those that once cared for us. A family photograph is such a vessel of retrieving memory. As time accumulates, however, these emotionally laden images become unknowable, missing their necessary translators. Despite this gradual disintegration of previous selves, our bodies are still affected by the actions of our ancestors. Their lives are encoded into our beings through often-complex interconnections, whether through epigenetics or other practices preserved through time. The inherent loss embedded in these discarded photographs is intertwined with the fragility of the body itself. The depicted bodies can both reveal and conceal embodied language, personality, as well as emotional and physical health. These ties to corporeality and lineages hold us in ways that can manifest as a tender embrace or even a suffocation. In "Forgetting is so long," I collect abandoned family photographs, enlarge them to life-size, and paint over them as a kind of re-enlivening, removing the individuals from their formerly static location and time. Family photographs are revered vestiges to their loved ones, but if they become unmoored, the images and people within become hauntingly absent. Anthropologist Michael Taussig states that defacing sacred objects forces a "shock into being." Suddenly, we perceive them as present and piercing. By mixing painting with photography, I seek to lengthen Roland Barthes' "moment of death" (the photograph) into a loving act of remembrance. Bright swathes of color and the use of painted floral patterns underline relationships and connections to the natural world and beyond, adorning and embellishing these relics with devotional marks of care. These nearly forgotten people are transfigured and "reborn" into a fantastical, liminal place that holds both beauty and joy, temporarily suspended from plunging fully into oblivion.      

Daisy Patton Untitled (Sincerely, Aleycal Matsumura 1938), 2020 Oil on Archival Print Signed verso 12.7 x 10.1cm (5 x 3¾ in.) Daisy Patton is a multi-disciplinary artist who was born in Los Angeles, CA to a mother from the South and an Iranian father she never met. She spent her childhood between California and Oklahoma, deeply affected by these conflicting cultural ways of being. Influenced by collective and political history, as well as memory and the fallibility of the body, Patton's work explores the meaning and social conventions of families, relationship, storytelling and story-carrying, and also connection. One prominent series, Forgetting is so long, has been featured in publications such as Hyperallergic, The Jealous Curator, The Denver Post, The Chautauquan Daily, and more.   Education Currently residing in western Massachusetts, Patton has a BFA in Studio Arts from the University of Oklahoma with minors in History and Art History and an Honors degree. She earned her MFA from The School of the Museum of Fine Arts, Boston/Tufts University, a multi-disciplinary program. Patton has completed artist residencies at Minerva Projects, Anderson Ranch, the Studios at MASS MoCA, RedLine Denver, and Eastside International in Los Angeles. She has been awarded the Barbara Deming Memorial Fund grant, as well as the Assets for Artists Massachusetts Matched Savings grant and the Montage Travel Award from SMFA for research in Dresden, Germany. She has exhibited in solo and group shows nationally, including her first museum solo at the CU Art Museum at the University of Colorado. Minerva Projects Press will publish a collection of essays and poetry on Patton's practice in spring 2021. K Contemporary represents Patton in Denver, CO, and J. Rinehart represents her in Seattle, WA. MFA Tufts University/School of the Museum of Fine Arts, Boston; BFA University of Oklahomahonors and awards 2020 Barbara Deming Memorial Fund, Inc. Grant Award 2020 Massachusetts Matched Savings Grant cohort, Assets for Artists of MASS MoCA 2019 Faith and Freedom Award from the Colorado Religious Coalition for Reproductive Choice, May 2019 Nominated for the Smithsonian Artist Research Fellowship (SARF), 2017 Cycle Montague Travel Grant Award at The School of the Museum of Fine Arts, Boston, December 2010   Exhibitions "Burnt Hair Spun Gold" at K Contemporary, 1412 Wazee St., Denver, CO, Sept.-Oct. 2020 "Put Me Back the Way They Found Me," curated by Simon Zalkind at Fulginiti Pavilion, Anschutz Medical Campus, 13080 E. 19th Ave, Aurora, CO, Mar-June 2020 Project Space at K Contemporary, 1412 Wazee St., Denver, CO, Nov. 2019 "Lineages in Bloom" at the Bellowe Family Gallery, Chautauqua Institution, Chautauqua, NY, June-July 2019 "Would you be lonely without me?" at the Texas Capitol Exhibit Space, 1100 Congress Ave., Austin, TX, Apr. 2019 "Forgetting is so long" at The Art Base, 99 Midland Spur, Basalt, CO Mar.-Apr. 2019 "A Rewilded Arcadia" at K Contemporary, 1412 Wazee St., Denver, CO, Oct. 2018 "This Is Not Goodbye," curated by Sandra Firmin, CU Boulder Art Museum, University of Colorado, Boulder, 318 UCB, Boulder, CO, Jul.-Nov. 2018 "Would you be lonely without me?," Art Gym, 1460 Leyden St., Denver, CO, July-Aug. 2018 "Throw My Ashes Into the Sea," solo at Michael Warren Contemporary Gallery, Denver, CO, Jan.-Mar. 2017 "Forgetting is so long," at Front Range Community College, Boulder County Campus, Longmont, CO, Jan.-Mar. 2017 "Forgetting is so long" at Michael Warren Contemporary Gallery, 760 Santa Fe Dr, Denver CO, Dec. 2014   About the postcard artworks "What rituals are useful to locating someone who's gone. Our story has no language. My loss always in communication with your loss." -Ella Longpre, How to Keep You Alive Who do we choose to remember, and how? These ideas are fraught terrain that cross family relationships, identities, and collective memorialization. For some, living memory supports an elongation of our lives-we only succumb to a blank past when our histories are no longer recalled and held by those that once cared for us. A family photograph is such a vessel of retrieving memory. As time accumulates, however, these emotionally laden images become unknowable, missing their necessary translators. Despite this gradual disintegration of previous selves, our bodies are still affected by the actions of our ancestors. Their lives are encoded into our beings through often-complex interconnections, whether through epigenetics or other practices preserved through time. The inherent loss embedded in these discarded photographs is intertwined with the fragility of the body itself. The depicted bodies can both reveal and conceal embodied language, personality, as well as emotional and physical health. These ties to corporeality and lineages hold us in ways that can manifest as a tender embrace or even a suffocation. In "Forgetting is so long," I collect abandoned family photographs, enlarge them to life-size, and paint over them as a kind of re-enlivening, removing the individuals from their formerly static location and time. Family photographs are revered vestiges to their loved ones, but if they become unmoored, the images and people within become hauntingly absent. Anthropologist Michael Taussig states that defacing sacred objects forces a "shock into being." Suddenly, we perceive them as present and piercing. By mixing painting with photography, I seek to lengthen Roland Barthes' "moment of death" (the photograph) into a loving act of remembrance. Bright swathes of color and the use of painted floral patterns underline relationships and connections to the natural world and beyond, adorning and embellishing these relics with devotional marks of care. These nearly forgotten people are transfigured and "reborn" into a fantastical, liminal place that holds both beauty and joy, temporarily suspended from plunging fully into oblivion.      

Daisy Patton Untitled (Three Women with Blue Curtain and Silver and Yellow Leaves), 2019, 2020 Print on Paper Signed recto, blank verso 15 x 10cm (5¾ x 3¾ in.) Daisy Patton is a multi-disciplinary artist who was born in Los Angeles, CA to a mother from the South and an Iranian father she never met. She spent her childhood between California and Oklahoma, deeply affected by these conflicting cultural ways of being. Influenced by collective and political history, as well as memory and the fallibility of the body, Patton's work explores the meaning and social conventions of families, relationship, storytelling and story-carrying, and also connection. One prominent series, Forgetting is so long, has been featured in publications such as Hyperallergic, The Jealous Curator, The Denver Post, The Chautauquan Daily, and more.   Education Currently residing in western Massachusetts, Patton has a BFA in Studio Arts from the University of Oklahoma with minors in History and Art History and an Honors degree. She earned her MFA from The School of the Museum of Fine Arts, Boston/Tufts University, a multi-disciplinary program. Patton has completed artist residencies at Minerva Projects, Anderson Ranch, the Studios at MASS MoCA, RedLine Denver, and Eastside International in Los Angeles. She has been awarded the Barbara Deming Memorial Fund grant, as well as the Assets for Artists Massachusetts Matched Savings grant and the Montage Travel Award from SMFA for research in Dresden, Germany. She has exhibited in solo and group shows nationally, including her first museum solo at the CU Art Museum at the University of Colorado. Minerva Projects Press will publish a collection of essays and poetry on Patton's practice in spring 2021. K Contemporary represents Patton in Denver, CO, and J. Rinehart represents her in Seattle, WA. MFA Tufts University/School of the Museum of Fine Arts, Boston; BFA University of Oklahomahonors and awards 2020 Barbara Deming Memorial Fund, Inc. Grant Award 2020 Massachusetts Matched Savings Grant cohort, Assets for Artists of MASS MoCA 2019 Faith and Freedom Award from the Colorado Religious Coalition for Reproductive Choice, May 2019 Nominated for the Smithsonian Artist Research Fellowship (SARF), 2017 Cycle Montague Travel Grant Award at The School of the Museum of Fine Arts, Boston, December 2010   Exhibitions "Burnt Hair Spun Gold" at K Contemporary, 1412 Wazee St., Denver, CO, Sept.-Oct. 2020 "Put Me Back the Way They Found Me," curated by Simon Zalkind at Fulginiti Pavilion, Anschutz Medical Campus, 13080 E. 19th Ave, Aurora, CO, Mar-June 2020 Project Space at K Contemporary, 1412 Wazee St., Denver, CO, Nov. 2019 "Lineages in Bloom" at the Bellowe Family Gallery, Chautauqua Institution, Chautauqua, NY, June-July 2019 "Would you be lonely without me?" at the Texas Capitol Exhibit Space, 1100 Congress Ave., Austin, TX, Apr. 2019 "Forgetting is so long" at The Art Base, 99 Midland Spur, Basalt, CO Mar.-Apr. 2019 "A Rewilded Arcadia" at K Contemporary, 1412 Wazee St., Denver, CO, Oct. 2018 "This Is Not Goodbye," curated by Sandra Firmin, CU Boulder Art Museum, University of Colorado, Boulder, 318 UCB, Boulder, CO, Jul.-Nov. 2018 "Would you be lonely without me?," Art Gym, 1460 Leyden St., Denver, CO, July-Aug. 2018 "Throw My Ashes Into the Sea," solo at Michael Warren Contemporary Gallery, Denver, CO, Jan.-Mar. 2017 "Forgetting is so long," at Front Range Community College, Boulder County Campus, Longmont, CO, Jan.-Mar. 2017 "Forgetting is so long" at Michael Warren Contemporary Gallery, 760 Santa Fe Dr, Denver CO, Dec. 2014   About the postcard artworks "What rituals are useful to locating someone who's gone. Our story has no language. My loss always in communication with your loss." -Ella Longpre, How to Keep You Alive Who do we choose to remember, and how? These ideas are fraught terrain that cross family relationships, identities, and collective memorialization. For some, living memory supports an elongation of our lives-we only succumb to a blank past when our histories are no longer recalled and held by those that once cared for us. A family photograph is such a vessel of retrieving memory. As time accumulates, however, these emotionally laden images become unknowable, missing their necessary translators. Despite this gradual disintegration of previous selves, our bodies are still affected by the actions of our ancestors. Their lives are encoded into our beings through often-complex interconnections, whether through epigenetics or other practices preserved through time. The inherent loss embedded in these discarded photographs is intertwined with the fragility of the body itself. The depicted bodies can both reveal and conceal embodied language, personality, as well as emotional and physical health. These ties to corporeality and lineages hold us in ways that can manifest as a tender embrace or even a suffocation. In "Forgetting is so long," I collect abandoned family photographs, enlarge them to life-size, and paint over them as a kind of re-enlivening, removing the individuals from their formerly static location and time. Family photographs are revered vestiges to their loved ones, but if they become unmoored, the images and people within become hauntingly absent. Anthropologist Michael Taussig states that defacing sacred objects forces a "shock into being." Suddenly, we perceive them as present and piercing. By mixing painting with photography, I seek to lengthen Roland Barthes' "moment of death" (the photograph) into a loving act of remembrance. Bright swathes of color and the use of painted floral patterns underline relationships and connections to the natural world and beyond, adorning and embellishing these relics with devotional marks of care. These nearly forgotten people are transfigured and "reborn" into a fantastical, liminal place that holds both beauty and joy, temporarily suspended from plunging fully into oblivion.      

Daisy Patton Untitled (L.B. 1937 Westchester Photo Finishing Co. Dec. 7 1936), 2018, 2020 Print on Paper Signed recto, blank verso 15 x 10cm (5¾ x 3¾ in.) Daisy Patton is a multi-disciplinary artist who was born in Los Angeles, CA to a mother from the South and an Iranian father she never met. She spent her childhood between California and Oklahoma, deeply affected by these conflicting cultural ways of being. Influenced by collective and political history, as well as memory and the fallibility of the body, Patton's work explores the meaning and social conventions of families, relationship, storytelling and story-carrying, and also connection. One prominent series, Forgetting is so long, has been featured in publications such as Hyperallergic, The Jealous Curator, The Denver Post, The Chautauquan Daily, and more.   Education Currently residing in western Massachusetts, Patton has a BFA in Studio Arts from the University of Oklahoma with minors in History and Art History and an Honors degree. She earned her MFA from The School of the Museum of Fine Arts, Boston/Tufts University, a multi-disciplinary program. Patton has completed artist residencies at Minerva Projects, Anderson Ranch, the Studios at MASS MoCA, RedLine Denver, and Eastside International in Los Angeles. She has been awarded the Barbara Deming Memorial Fund grant, as well as the Assets for Artists Massachusetts Matched Savings grant and the Montage Travel Award from SMFA for research in Dresden, Germany. She has exhibited in solo and group shows nationally, including her first museum solo at the CU Art Museum at the University of Colorado. Minerva Projects Press will publish a collection of essays and poetry on Patton's practice in spring 2021. K Contemporary represents Patton in Denver, CO, and J. Rinehart represents her in Seattle, WA. MFA Tufts University/School of the Museum of Fine Arts, Boston; BFA University of Oklahomahonors and awards 2020 Barbara Deming Memorial Fund, Inc. Grant Award 2020 Massachusetts Matched Savings Grant cohort, Assets for Artists of MASS MoCA 2019 Faith and Freedom Award from the Colorado Religious Coalition for Reproductive Choice, May 2019 Nominated for the Smithsonian Artist Research Fellowship (SARF), 2017 Cycle Montague Travel Grant Award at The School of the Museum of Fine Arts, Boston, December 2010   Exhibitions "Burnt Hair Spun Gold" at K Contemporary, 1412 Wazee St., Denver, CO, Sept.-Oct. 2020 "Put Me Back the Way They Found Me," curated by Simon Zalkind at Fulginiti Pavilion, Anschutz Medical Campus, 13080 E. 19th Ave, Aurora, CO, Mar-June 2020 Project Space at K Contemporary, 1412 Wazee St., Denver, CO, Nov. 2019 "Lineages in Bloom" at the Bellowe Family Gallery, Chautauqua Institution, Chautauqua, NY, June-July 2019 "Would you be lonely without me?" at the Texas Capitol Exhibit Space, 1100 Congress Ave., Austin, TX, Apr. 2019 "Forgetting is so long" at The Art Base, 99 Midland Spur, Basalt, CO Mar.-Apr. 2019 "A Rewilded Arcadia" at K Contemporary, 1412 Wazee St., Denver, CO, Oct. 2018 "This Is Not Goodbye," curated by Sandra Firmin, CU Boulder Art Museum, University of Colorado, Boulder, 318 UCB, Boulder, CO, Jul.-Nov. 2018 "Would you be lonely without me?," Art Gym, 1460 Leyden St., Denver, CO, July-Aug. 2018 "Throw My Ashes Into the Sea," solo at Michael Warren Contemporary Gallery, Denver, CO, Jan.-Mar. 2017 "Forgetting is so long," at Front Range Community College, Boulder County Campus, Longmont, CO, Jan.-Mar. 2017 "Forgetting is so long" at Michael Warren Contemporary Gallery, 760 Santa Fe Dr, Denver CO, Dec. 2014   About the postcard artworks "What rituals are useful to locating someone who's gone. Our story has no language. My loss always in communication with your loss." -Ella Longpre, How to Keep You Alive Who do we choose to remember, and how? These ideas are fraught terrain that cross family relationships, identities, and collective memorialization. For some, living memory supports an elongation of our lives-we only succumb to a blank past when our histories are no longer recalled and held by those that once cared for us. A family photograph is such a vessel of retrieving memory. As time accumulates, however, these emotionally laden images become unknowable, missing their necessary translators. Despite this gradual disintegration of previous selves, our bodies are still affected by the actions of our ancestors. Their lives are encoded into our beings through often-complex interconnections, whether through epigenetics or other practices preserved through time. The inherent loss embedded in these discarded photographs is intertwined with the fragility of the body itself. The depicted bodies can both reveal and conceal embodied language, personality, as well as emotional and physical health. These ties to corporeality and lineages hold us in ways that can manifest as a tender embrace or even a suffocation. In "Forgetting is so long," I collect abandoned family photographs, enlarge them to life-size, and paint over them as a kind of re-enlivening, removing the individuals from their formerly static location and time. Family photographs are revered vestiges to their loved ones, but if they become unmoored, the images and people within become hauntingly absent. Anthropologist Michael Taussig states that defacing sacred objects forces a "shock into being." Suddenly, we perceive them as present and piercing. By mixing painting with photography, I seek to lengthen Roland Barthes' "moment of death" (the photograph) into a loving act of remembrance. Bright swathes of color and the use of painted floral patterns underline relationships and connections to the natural world and beyond, adorning and embellishing these relics with devotional marks of care. These nearly forgotten people are transfigured and "reborn" into a fantastical, liminal place that holds both beauty and joy, temporarily suspended from plunging fully into oblivion.      

Emma Childs Untitled, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Emma Childs is an American painter born in 1996. Childs graduated from the Maryland Institute College of Art (MICA) with a BFA in General Fine Arts. The Baltimore native uses eloquent shapes and thoughtful pops of colour to create objects that physically interact with their environment. Through her minimalist approach, Childs transforms experiences and emotions into simplified form, colour, and geometric edges. The results are eye-catching compositions, which tell complicated and interconnected narratives in an accessible way. Childs's paintings are layered depictions of existence in the worlds we build around ourselves. You can find more of Childs' work on her instagram @emmechilds, or her website www.emmachildsart.com.   Education   2018 Bachelor of Fine Arts, Maryland Institute College of Art, Baltimore, MD   Exhibitions/Awards   SOLO EXHIBITIONS 2021 (UPCOMING) Hidell Brooks Gallery, Charlotte, NC (UPCOMING) Pazo Fine Art, Washington, DC 2019 Shout and Whisper, Mehari Sequar Gallery, Washington, DC 2018 Emma Childs presented by Maryland Art Place, Hotel Indigo, Baltimore, MD   GROUP EXHIBITIONS 2021 (UPCOMING) INTRO 2021, Hidell Brooks Gallery, Charlotte, NC 2020 Hickok Cole/WPA Art Month, Benefit Online Exhibition Congruence, Summer Juried Exhibition curated by Bridgette Mayer 2019 Inside Out: Studio Resident Artist Exhibition, Arts Warehouse, Delray Beach, FL Blanco + 1: 2nd Annual Juried Exhibition, Arts Warehouse, Delray Beach, FL By The People Art Fair by Halcyon & Monochrome Collective, Washington, DC The Freedom of Abstraction, Site:Brooklyn Gallery, Brooklyn, NYC 2018 Variety Show, Christopher Schafer Clothiers, Baltimore, MD Hickok Cole Art Night, Hickok Cole Headquarters, Washington, DC NO DEAD ARTISTS, Jonathan Ferrara Gallery, New Orleans, LA Bethesda Painting Awards, Gallery B, Bethesda, MD MICA Commencement Exhibition/Artwalk, Decker Gallery, Baltimore, MD   AWARDS/HONORS 2019 Hopper Prize Finalist 2018 Young Artist Award, Bethesda Painting Awards TEXT 2020 British Vogue, June, July, August Issue 2020 UK House and Garden Magazine, May, June, July Issue 2020 Create! Magazine, Issue 20 2018 ArtMaze Magazine Autumn Issue 9, London, UK   Gallery Representation   Rhodes Contemporary Art, London, UK. Hidell Brooks Gallery, Charlotte, NC.   About the postcard artwork   My work is often about creating images that feel like a shape or element of the painting is balanced, contained, or sometimes launched by another. I love to observe the way people find comfort, support, and challenge in relationship. This can be friendship, a family bond, support from a stranger, a secret admiration, or a romance. We all cannot live without this feeling of relationship in some form or another, and I enjoy the challenge of creating a visual metaphor that is so pared down, that hopefully it leaves room for any viewer to find a feeling of familiarity and unity in the human experience.  

Emma Childs Untitled, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Emma Childs is an American painter born in 1996. Childs graduated from the Maryland Institute College of Art (MICA) with a BFA in General Fine Arts. The Baltimore native uses eloquent shapes and thoughtful pops of colour to create objects that physically interact with their environment. Through her minimalist approach, Childs transforms experiences and emotions into simplified form, colour, and geometric edges. The results are eye-catching compositions, which tell complicated and interconnected narratives in an accessible way. Childs's paintings are layered depictions of existence in the worlds we build around ourselves. You can find more of Childs' work on her instagram @emmechilds, or her website www.emmachildsart.com.   Education   2018 Bachelor of Fine Arts, Maryland Institute College of Art, Baltimore, MD   Exhibitions/Awards   SOLO EXHIBITIONS 2021 (UPCOMING) Hidell Brooks Gallery, Charlotte, NC (UPCOMING) Pazo Fine Art, Washington, DC 2019 Shout and Whisper, Mehari Sequar Gallery, Washington, DC 2018 Emma Childs presented by Maryland Art Place, Hotel Indigo, Baltimore, MD   GROUP EXHIBITIONS 2021 (UPCOMING) INTRO 2021, Hidell Brooks Gallery, Charlotte, NC 2020 Hickok Cole/WPA Art Month, Benefit Online Exhibition Congruence, Summer Juried Exhibition curated by Bridgette Mayer 2019 Inside Out: Studio Resident Artist Exhibition, Arts Warehouse, Delray Beach, FL Blanco + 1: 2nd Annual Juried Exhibition, Arts Warehouse, Delray Beach, FL By The People Art Fair by Halcyon & Monochrome Collective, Washington, DC The Freedom of Abstraction, Site:Brooklyn Gallery, Brooklyn, NYC 2018 Variety Show, Christopher Schafer Clothiers, Baltimore, MD Hickok Cole Art Night, Hickok Cole Headquarters, Washington, DC NO DEAD ARTISTS, Jonathan Ferrara Gallery, New Orleans, LA Bethesda Painting Awards, Gallery B, Bethesda, MD MICA Commencement Exhibition/Artwalk, Decker Gallery, Baltimore, MD   AWARDS/HONORS 2019 Hopper Prize Finalist 2018 Young Artist Award, Bethesda Painting Awards TEXT 2020 British Vogue, June, July, August Issue 2020 UK House and Garden Magazine, May, June, July Issue 2020 Create! Magazine, Issue 20 2018 ArtMaze Magazine Autumn Issue 9, London, UK   Gallery Representation   Rhodes Contemporary Art, London, UK. Hidell Brooks Gallery, Charlotte, NC.   About the postcard artwork   My work is often about creating images that feel like a shape or element of the painting is balanced, contained, or sometimes launched by another. I love to observe the way people find comfort, support, and challenge in relationship. This can be friendship, a family bond, support from a stranger, a secret admiration, or a romance. We all cannot live without this feeling of relationship in some form or another, and I enjoy the challenge of creating a visual metaphor that is so pared down, that hopefully it leaves room for any viewer to find a feeling of familiarity and unity in the human experience.  

Emma Childs Untitled, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Emma Childs is an American painter born in 1996. Childs graduated from the Maryland Institute College of Art (MICA) with a BFA in General Fine Arts. The Baltimore native uses eloquent shapes and thoughtful pops of colour to create objects that physically interact with their environment. Through her minimalist approach, Childs transforms experiences and emotions into simplified form, colour, and geometric edges. The results are eye-catching compositions, which tell complicated and interconnected narratives in an accessible way. Childs's paintings are layered depictions of existence in the worlds we build around ourselves. You can find more of Childs' work on her instagram @emmechilds, or her website www.emmachildsart.com.   Education   2018 Bachelor of Fine Arts, Maryland Institute College of Art, Baltimore, MD   Exhibitions/Awards   SOLO EXHIBITIONS 2021 (UPCOMING) Hidell Brooks Gallery, Charlotte, NC (UPCOMING) Pazo Fine Art, Washington, DC 2019 Shout and Whisper, Mehari Sequar Gallery, Washington, DC 2018 Emma Childs presented by Maryland Art Place, Hotel Indigo, Baltimore, MD   GROUP EXHIBITIONS 2021 (UPCOMING) INTRO 2021, Hidell Brooks Gallery, Charlotte, NC 2020 Hickok Cole/WPA Art Month, Benefit Online Exhibition Congruence, Summer Juried Exhibition curated by Bridgette Mayer 2019 Inside Out: Studio Resident Artist Exhibition, Arts Warehouse, Delray Beach, FL Blanco + 1: 2nd Annual Juried Exhibition, Arts Warehouse, Delray Beach, FL By The People Art Fair by Halcyon & Monochrome Collective, Washington, DC The Freedom of Abstraction, Site:Brooklyn Gallery, Brooklyn, NYC 2018 Variety Show, Christopher Schafer Clothiers, Baltimore, MD Hickok Cole Art Night, Hickok Cole Headquarters, Washington, DC NO DEAD ARTISTS, Jonathan Ferrara Gallery, New Orleans, LA Bethesda Painting Awards, Gallery B, Bethesda, MD MICA Commencement Exhibition/Artwalk, Decker Gallery, Baltimore, MD   AWARDS/HONORS 2019 Hopper Prize Finalist 2018 Young Artist Award, Bethesda Painting Awards TEXT 2020 British Vogue, June, July, August Issue 2020 UK House and Garden Magazine, May, June, July Issue 2020 Create! Magazine, Issue 20 2018 ArtMaze Magazine Autumn Issue 9, London, UK   Gallery Representation   Rhodes Contemporary Art, London, UK. Hidell Brooks Gallery, Charlotte, NC.   About the postcard artwork   My work is often about creating images that feel like a shape or element of the painting is balanced, contained, or sometimes launched by another. I love to observe the way people find comfort, support, and challenge in relationship. This can be friendship, a family bond, support from a stranger, a secret admiration, or a romance. We all cannot live without this feeling of relationship in some form or another, and I enjoy the challenge of creating a visual metaphor that is so pared down, that hopefully it leaves room for any viewer to find a feeling of familiarity and unity in the human experience.  

Jane Lowe Detail (Jael and Sisera), 2020 Casein on Cartridge Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) American artist Jean Lowe's (b. 1960) work revolves around the intersection of art history, popular culture, environmentalism, commerce, and politics. Lowe employs wit and satire to create work that is both entertaining and seductive as well as intellectually provocative. Lowe is an American pop/conceptual multimedia artist whose work carefully and humorously unpacks the ironies and challenges of our 21st-century culture. Lowe lives and works in Southern California.   Education:   BA, University of California Berkeley, MFA, University of California, San Diego.   Exhibitions:   Lowe exhibits nationally and has been reviewed in various publications including Artforum, Art in America, The Los Angeles Times, and The New York Times. Quint Contemporary Fine Art, San Diego, CA, McKenzie Fine Art, New York, NY, Rosamund Felsen, Los Angeles, CA.   About the postcard artworks:   Each of these portraits is drawn from a detail of one of Artemisia Gentileschi's paintings from the 1600's. Though not dissimilar in mien and appearance, they reflect radically different characters and situations--a survivor, an ecstatic, and two portraits of murderous avengers.  

Jennifer McRae Lionheart, 2020 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Jennifer McRae is one of Scotland's best contemporary artists, her work can be found in several public collections including the National Portrait Gallery, the Scottish National Portrait Gallery and Reading Museum amongst others and is also included in private collections both in Europe and the US.   Education   Grays school of art Aberdeen (1st class honours , Fine Art   Exhibitions/Awards   Sunday Times watercolour,BP travel award, Ondaatje gold medal royal society of portrait painters, painter Stainers 1st prize winner, Ruth Borchard Collection Thackeray gallery & Fine art society   About the postcard artwork   Representing the fragility but also connections between us all in the everyday.  

Anne-Marie Butlin Signs of Spring I (Apple Blossom), 2021 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anne-Marie works from her garden studio in Crouch End, North London. She produces large flower/garden paintings, as well as regular portrait commissions. She is primarily represented by Thackeray Gallery in Kensington and Brian Sinfield Gallery in Burford, and also has work on an on-going basis at Cambridge Contemporary Art, Mall Galleries online, and Beside the Wave Gallery, Falmouth.   Education   Loughborough College of Art, Middlesex University   Exhibitions   Recent solo exhibitions at Thackeray Gallery, Kensington (2020) and Brian Sinfield Gallery, Burford (2019). Numerous group exhibitions over 30 years, including The Royal Academy Summer Exhibition, and annual exhibitions at The Royal Society of Portrait Painters, The Royal Watercolour Society, The Royal Society of British Artists, and ING Discerning Eye.   Gallery Representative   Thackeray Gallery Kensington   About the postcard artwork   Winifred Nicholson described flowers as 'the secret of the cosmos', and I can understand this desire to connect with their magical, mysterious and timeless presence. I wanted to portray two spring stalwarts - snowdrops and apple blossom - just as we are waiting for all the new growth of spring. My small portraits are likewise an attempt to capture fleeting moments in the lives of my daughters as they grow into young women.  

Anne-Marie Butlin Signs of Spring II (Snowdrops), 2021 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Anne-Marie works from her garden studio in Crouch End, North London. She produces large flower/garden paintings, as well as regular portrait commissions. She is primarily represented by Thackeray Gallery in Kensington and Brian Sinfield Gallery in Burford, and also has work on an on-going basis at Cambridge Contemporary Art, Mall Galleries online, and Beside the Wave Gallery, Falmouth.   Education   Loughborough College of Art, Middlesex University   Exhibitions   Recent solo exhibitions at Thackeray Gallery, Kensington (2020) and Brian Sinfield Gallery, Burford (2019). Numerous group exhibitions over 30 years, including The Royal Academy Summer Exhibition, and annual exhibitions at The Royal Society of Portrait Painters, The Royal Watercolour Society, The Royal Society of British Artists, and ING Discerning Eye.   Gallery Representative   Thackeray Gallery Kensington   About the postcard artwork   Winifred Nicholson described flowers as 'the secret of the cosmos', and I can understand this desire to connect with their magical, mysterious and timeless presence. I wanted to portray two spring stalwarts - snowdrops and apple blossom - just as we are waiting for all the new growth of spring. My small portraits are likewise an attempt to capture fleeting moments in the lives of my daughters as they grow into young women.  

Anne-Marie Butlin Spring Morning, 2021 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anne-Marie works from her garden studio in Crouch End, North London. She produces large flower/garden paintings, as well as regular portrait commissions. She is primarily represented by Thackeray Gallery in Kensington and Brian Sinfield Gallery in Burford, and also has work on an on-going basis at Cambridge Contemporary Art, Mall Galleries online, and Beside the Wave Gallery, Falmouth.   Education   Loughborough College of Art, Middlesex University   Exhibitions   Recent solo exhibitions at Thackeray Gallery, Kensington (2020) and Brian Sinfield Gallery, Burford (2019). Numerous group exhibitions over 30 years, including The Royal Academy Summer Exhibition, and annual exhibitions at The Royal Society of Portrait Painters, The Royal Watercolour Society, The Royal Society of British Artists, and ING Discerning Eye.   Gallery Representative   Thackeray Gallery Kensington   About the postcard artwork   Winifred Nicholson described flowers as 'the secret of the cosmos', and I can understand this desire to connect with their magical, mysterious and timeless presence. I wanted to portray two spring stalwarts - snowdrops and apple blossom - just as we are waiting for all the new growth of spring. My small portraits are likewise an attempt to capture fleeting moments in the lives of my daughters as they grow into young women.  

Anne-Marie Butlin Afternoon Sun, 2021 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anne-Marie works from her garden studio in Crouch End, North London. She produces large flower/garden paintings, as well as regular portrait commissions. She is primarily represented by Thackeray Gallery in Kensington and Brian Sinfield Gallery in Burford, and also has work on an on-going basis at Cambridge Contemporary Art, Mall Galleries online, and Beside the Wave Gallery, Falmouth.   Education   Loughborough College of Art, Middlesex University   Exhibitions   Recent solo exhibitions at Thackeray Gallery, Kensington (2020) and Brian Sinfield Gallery, Burford (2019). Numerous group exhibitions over 30 years, including The Royal Academy Summer Exhibition, and annual exhibitions at The Royal Society of Portrait Painters, The Royal Watercolour Society, The Royal Society of British Artists, and ING Discerning Eye.   Gallery Representative   Thackeray Gallery Kensington   About the postcard artwork   Winifred Nicholson described flowers as 'the secret of the cosmos', and I can understand this desire to connect with their magical, mysterious and timeless presence. I wanted to portray two spring stalwarts - snowdrops and apple blossom - just as we are waiting for all the new growth of spring. My small portraits are likewise an attempt to capture fleeting moments in the lives of my daughters as they grow into young women.  

Helen Dixon Rain 1/4, 2021 Cyanotype on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Helen is a London-based artist who works predominantly with the cyanotype photographic process, which uses simple chemistry, light and water to produce a prussian blue image. Hand drawn images take the place of a photographic negative to produce the final print. She has long been fascinated by weather and the continuous movement of energy in nature, constant and without resolution. Using archive media from the National Meteorological Library and Archive and her own photographs, notes and observational drawings as reference, she considers the fundamental character of phenomena that are inherently elusive, transitory and without shape.   Education   BA (Hons) Fine Art, Chelsea College of Arts, London Foundation (drawing), Camberwell College of Arts, London   Exhibitions   Summer (Winter) Exhibition, Royal Academy of Arts (London), Woolwich Contemporary Print Fair (London), Movement, Tate Modern (London), 166th Annual Open Exhibition, Royal West of England Academy (Bristol), Wells Art Contemporary, Bishop's Palace & Gardens, (Somerset), neo:Proof Print, neo:gallery23 (Bolton), Bainbridge Print Open, ASC Gallery (London), 2 50th Summer Exhibition, Royal Academy of Arts (London), Shape Arts, Platform Southwark (London), 164th Annual Open Exhibition, Royal West of England Academy (Bristol), Spectrum, PS Mirabel, (Manchester), Alienation, The Ground Floor Gallery (New York, USA) and James Oliver Gallery (Philadelphia, USA), Little Mountains, Embassy Tea Gallery (London).   Aesthetica Art Prize 2019 Longlist, 2019, Oppenheim-John Downes Memorial Trust, London Creative Network (LCN), SPACE (London).   About the postcard artwork   The imagined marks left by rain as it meets the ground. The quiet noise, the busy gentle tapping, each new layer disappearing into the next. Multiple exposures of two hand drawn negatives make the final print.  

Helen Dixon Rain 2/4, 2021 Cyanotype on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Helen is a London-based artist who works predominantly with the cyanotype photographic process, which uses simple chemistry, light and water to produce a prussian blue image. Hand drawn images take the place of a photographic negative to produce the final print. She has long been fascinated by weather and the continuous movement of energy in nature, constant and without resolution. Using archive media from the National Meteorological Library and Archive and her own photographs, notes and observational drawings as reference, she considers the fundamental character of phenomena that are inherently elusive, transitory and without shape.   Education   BA (Hons) Fine Art, Chelsea College of Arts, London Foundation (drawing), Camberwell College of Arts, London   Exhibitions   Summer (Winter) Exhibition, Royal Academy of Arts (London), Woolwich Contemporary Print Fair (London), Movement, Tate Modern (London), 166th Annual Open Exhibition, Royal West of England Academy (Bristol), Wells Art Contemporary, Bishop's Palace & Gardens, (Somerset), neo:Proof Print, neo:gallery23 (Bolton), Bainbridge Print Open, ASC Gallery (London), 2 50th Summer Exhibition, Royal Academy of Arts (London), Shape Arts, Platform Southwark (London), 164th Annual Open Exhibition, Royal West of England Academy (Bristol), Spectrum, PS Mirabel, (Manchester), Alienation, The Ground Floor Gallery (New York, USA) and James Oliver Gallery (Philadelphia, USA), Little Mountains, Embassy Tea Gallery (London).   Aesthetica Art Prize 2019 Longlist, 2019, Oppenheim-John Downes Memorial Trust, London Creative Network (LCN), SPACE (London).   About the postcard artwork   The imagined marks left by rain as it meets the ground. The quiet noise, the busy gentle tapping, each new layer disappearing into the next. Multiple exposures of two hand drawn negatives make the final print.