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David Harrison Syrinx Turns into a Reed, 2022 Oil on Postcard Signed verso 15 x 10cm (5¾ x 3¾ in.) About Teetering on the cusp of ordinary perception, David Harrison's paintings, drawings and sculptures present a world where the natural and supernatural go hand in hand. Harrison's works expand the languages of contemporary painting and sculpture, drawing into play parts of the culture which are forgotten, buried, discarded or disregarded. The artist employs all that has lain outside of the mainstream of modern art - age-old symbols and fanciful myth, irrational beliefs, traditional genres like landscape, exuberant sexuality, barbed wit, and wonder at the natural world - in order to speak vividly about our own time, and to revivify the disciplines of painting and sculpture. Harrison's paintings give shape to a complete imaginative universe akin to those of earlier Romantic visionaries, ripe with references to the natural world and populated by a cast of animals and figures drawn from myths, legends, modern-day politics and from his own biography alike.   Education   1981-84 BA (Hons) Fine Art, St Martin's School of Art, London, UK 1980-81 Foundation Course, St Martin's School of Art, London, UK   Select Exhibitions/Awards   Solo Exhibitions 2018 Fuck Me, Lungley Gallery, London, UK 2017 Remake Remodel, Churchgate Gallery, Somerset, UK David Harrison: Photographs, TRAMPS, London, UK 2016 Nightshift, Sargent's Daughters, New York, USA 2015 Flowers of Evil, Victoria Miro, London, UK 2012 Second Nature, VW (VeneKlasen/Werner), Berlin, Germany 2009 Existence, Victoria Miro Gallery, London, UK 2008 Green and Pleasant Land, Daniel Reich Gallery, New York, USA 2005 Victoria Miro, London, UK 2001 Sickbed, Cubitt Gallery, London, UK 2000 Dance Macabre, curated by Peter Doig, London, UK Sickbed, Cubitt Gallery, London, UK 1998 Escape into Reality, Dash Gallery, London, UK 1997 Hanging Gardens, Cubitt Gallery, London, UK 1989 David Harrison New Works, The Space, London, UK Escaape into Reality, The Space, London, UK 1986 David Harrison: One Man Show, Cowboys and Poodles Gallery, San Francisco, USA Group Exhibitions 2021 Queer as Folklore, Gallery 46, London, UK BRUTAL ATTRACTION, Gallery 46, London, UK Into the Cosmere, Brushes with Greatness, London, UK 2019 The Dog Show: Contemporary Art. Chosen by Dog Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

David Harrison Devil In A Blue Dress, 2022 Oil on Postcard Signed verso 15 x 10cm (5¾ x 3¾ in.) About Teetering on the cusp of ordinary perception, David Harrison's paintings, drawings and sculptures present a world where the natural and supernatural go hand in hand. Harrison's works expand the languages of contemporary painting and sculpture, drawing into play parts of the culture which are forgotten, buried, discarded or disregarded. The artist employs all that has lain outside of the mainstream of modern art - age-old symbols and fanciful myth, irrational beliefs, traditional genres like landscape, exuberant sexuality, barbed wit, and wonder at the natural world - in order to speak vividly about our own time, and to revivify the disciplines of painting and sculpture. Harrison's paintings give shape to a complete imaginative universe akin to those of earlier Romantic visionaries, ripe with references to the natural world and populated by a cast of animals and figures drawn from myths, legends, modern-day politics and from his own biography alike.   Education   1981-84 BA (Hons) Fine Art, St Martin's School of Art, London, UK 1980-81 Foundation Course, St Martin's School of Art, London, UK   Select Exhibitions/Awards   Solo Exhibitions 2018 Fuck Me, Lungley Gallery, London, UK 2017 Remake Remodel, Churchgate Gallery, Somerset, UK David Harrison: Photographs, TRAMPS, London, UK 2016 Nightshift, Sargent's Daughters, New York, USA 2015 Flowers of Evil, Victoria Miro, London, UK 2012 Second Nature, VW (VeneKlasen/Werner), Berlin, Germany 2009 Existence, Victoria Miro Gallery, London, UK 2008 Green and Pleasant Land, Daniel Reich Gallery, New York, USA 2005 Victoria Miro, London, UK 2001 Sickbed, Cubitt Gallery, London, UK 2000 Dance Macabre, curated by Peter Doig, London, UK Sickbed, Cubitt Gallery, London, UK 1998 Escape into Reality, Dash Gallery, London, UK 1997 Hanging Gardens, Cubitt Gallery, London, UK 1989 David Harrison New Works, The Space, London, UK Escaape into Reality, The Space, London, UK 1986 David Harrison: One Man Show, Cowboys and Poodles Gallery, San Francisco, USA Group Exhibitions 2021 Queer as Folklore, Gallery 46, London, UK BRUTAL ATTRACTION, Gallery 46, London, UK Into the Cosmere, Brushes with Greatness, London, UK 2019 The Dog Show: Contemporary Art. Chosen by Dog Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

David Harrison Owl and Poodle, 2022 Oil on Postcard Signed verso 15 x 10cm (5¾ x 3¾ in.) About Teetering on the cusp of ordinary perception, David Harrison's paintings, drawings and sculptures present a world where the natural and supernatural go hand in hand. Harrison's works expand the languages of contemporary painting and sculpture, drawing into play parts of the culture which are forgotten, buried, discarded or disregarded. The artist employs all that has lain outside of the mainstream of modern art - age-old symbols and fanciful myth, irrational beliefs, traditional genres like landscape, exuberant sexuality, barbed wit, and wonder at the natural world - in order to speak vividly about our own time, and to revivify the disciplines of painting and sculpture. Harrison's paintings give shape to a complete imaginative universe akin to those of earlier Romantic visionaries, ripe with references to the natural world and populated by a cast of animals and figures drawn from myths, legends, modern-day politics and from his own biography alike.   Education   1981-84 BA (Hons) Fine Art, St Martin's School of Art, London, UK 1980-81 Foundation Course, St Martin's School of Art, London, UK   Select Exhibitions/Awards   Solo Exhibitions 2018 Fuck Me, Lungley Gallery, London, UK 2017 Remake Remodel, Churchgate Gallery, Somerset, UK David Harrison: Photographs, TRAMPS, London, UK 2016 Nightshift, Sargent's Daughters, New York, USA 2015 Flowers of Evil, Victoria Miro, London, UK 2012 Second Nature, VW (VeneKlasen/Werner), Berlin, Germany 2009 Existence, Victoria Miro Gallery, London, UK 2008 Green and Pleasant Land, Daniel Reich Gallery, New York, USA 2005 Victoria Miro, London, UK 2001 Sickbed, Cubitt Gallery, London, UK 2000 Dance Macabre, curated by Peter Doig, London, UK Sickbed, Cubitt Gallery, London, UK 1998 Escape into Reality, Dash Gallery, London, UK 1997 Hanging Gardens, Cubitt Gallery, London, UK 1989 David Harrison New Works, The Space, London, UK Escaape into Reality, The Space, London, UK 1986 David Harrison: One Man Show, Cowboys and Poodles Gallery, San Francisco, USA Group Exhibitions 2021 Queer as Folklore, Gallery 46, London, UK BRUTAL ATTRACTION, Gallery 46, London, UK Into the Cosmere, Brushes with Greatness, London, UK 2019 The Dog Show: Contemporary Art. Chosen by Dog Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

David Harrison Pan and Syrinx, 2022 Oil on Postcard Signed verso 15 x 10cm (5¾ x 3¾ in.) About Teetering on the cusp of ordinary perception, David Harrison's paintings, drawings and sculptures present a world where the natural and supernatural go hand in hand. Harrison's works expand the languages of contemporary painting and sculpture, drawing into play parts of the culture which are forgotten, buried, discarded or disregarded. The artist employs all that has lain outside of the mainstream of modern art - age-old symbols and fanciful myth, irrational beliefs, traditional genres like landscape, exuberant sexuality, barbed wit, and wonder at the natural world - in order to speak vividly about our own time, and to revivify the disciplines of painting and sculpture. Harrison's paintings give shape to a complete imaginative universe akin to those of earlier Romantic visionaries, ripe with references to the natural world and populated by a cast of animals and figures drawn from myths, legends, modern-day politics and from his own biography alike.   Education   1981-84 BA (Hons) Fine Art, St Martin's School of Art, London, UK 1980-81 Foundation Course, St Martin's School of Art, London, UK   Select Exhibitions/Awards   Solo Exhibitions 2018 Fuck Me, Lungley Gallery, London, UK 2017 Remake Remodel, Churchgate Gallery, Somerset, UK David Harrison: Photographs, TRAMPS, London, UK 2016 Nightshift, Sargent's Daughters, New York, USA 2015 Flowers of Evil, Victoria Miro, London, UK 2012 Second Nature, VW (VeneKlasen/Werner), Berlin, Germany 2009 Existence, Victoria Miro Gallery, London, UK 2008 Green and Pleasant Land, Daniel Reich Gallery, New York, USA 2005 Victoria Miro, London, UK 2001 Sickbed, Cubitt Gallery, London, UK 2000 Dance Macabre, curated by Peter Doig, London, UK Sickbed, Cubitt Gallery, London, UK 1998 Escape into Reality, Dash Gallery, London, UK 1997 Hanging Gardens, Cubitt Gallery, London, UK 1989 David Harrison New Works, The Space, London, UK Escaape into Reality, The Space, London, UK 1986 David Harrison: One Man Show, Cowboys and Poodles Gallery, San Francisco, USA Group Exhibitions 2021 Queer as Folklore, Gallery 46, London, UK BRUTAL ATTRACTION, Gallery 46, London, UK Into the Cosmere, Brushes with Greatness, London, UK 2019 The Dog Show: Contemporary Art. Chosen by Dog Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rebecca Sitar Eggshell Fan, 2022 Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   My painting practice centres on art and embodiment, ways of seeing and poetics of an ontological nature. With an interest in the aesthetics and philosophies of seventeenth and early nineteenth century Japanese art and poetry and pre-renaissance paintings by Giotto and Fra Angelico: my work leans towards an apparent simplicity; pictorial forms are pared down often suspended in space inviting contemplative encounters. Literature including poetry has historically aligned with my thoughts in making. I often draw upon reflections on practice shared between these creative disciplines and painting. Opening up to 'being in the world'; the dynamics and reverberations of a poetic image is central to what I seek in creating a painting. Modernists strands can also be observed but subsumed by the invitation to meditate on the metaphorical, somewhat figurative emblems that emerge through my practice. My more recent work invites reflections on the poignancy of lost objects. Forms are frequently situated in ambiguous fields suggesting both interior and exterior spaces. I like to pivot between things and their associations rather than arrive at a fixed point. Giorgio Morandi's paintings I find particularly pertinent to this way of thinking in that his paintings don't simply convey what he saw, but the act of seeing. Ultimately it is important to me that the paintings carry an emotional register; present but restrained implying oblique personal feeling.   Education   Manchester Metropolitan University (1991-1992) MA Fine Art Painting Winchester School of Art & (1988-1991) BA Hons Fine Art   Select Exhibitions/Awards   Sitar has exhibited across the UK and Europe. Recent selected group exhibitions include Beep Painting Biennial, Swansea 2022; Drawn In, Turnpike Gallery, Leigh 2022; Tender Stems , A Modest Show, Deansgate Mews,Manchester 2022; Fully Awake 5.6, Freelands Foundation, London (2019); Tracer Wedge, P.S. Mirabel Manchester (2018); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014). Two person shows : Mudlarks Dan Roach & Rebecca Sitar, Eagle Gallery Cabinet Room, London (2021); Mudlarks II Dan Roach & Rebecca Sitar, Oceans Apart, Salford (2022); Other notable exhibitions include: Beyond the Endgame: Abstract Painting in Manchester (2003), Manchester Art Gallery; Beginnings: Times of our Lives (2000), Whitworth Art Gallery; Slow Burn: Meaning & Vision in Contemporary British Abstract Painting, (1998) Mead Gallery (touring). Sitar's work is held in various collections including Deutsche Bank AG, London; DLA, London and Manchester Art Gallery. Gallery Representation   Eagle Gallery EMH Arts   Statement about AOAP Submitted Artwork   In continuation of the theme Mudlarks explored earlier this year in exhibitions at Eagle Gallery Cabinet Room and Oceans Apart these small paintings invite reflections on the poignancy of lost objects. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rebecca Sitar Tangerine Milk, 2022 Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   My painting practice centres on art and embodiment, ways of seeing and poetics of an ontological nature. With an interest in the aesthetics and philosophies of seventeenth and early nineteenth century Japanese art and poetry and pre-renaissance paintings by Giotto and Fra Angelico: my work leans towards an apparent simplicity; pictorial forms are pared down often suspended in space inviting contemplative encounters. Literature including poetry has historically aligned with my thoughts in making. I often draw upon reflections on practice shared between these creative disciplines and painting. Opening up to 'being in the world'; the dynamics and reverberations of a poetic image is central to what I seek in creating a painting. Modernists strands can also be observed but subsumed by the invitation to meditate on the metaphorical, somewhat figurative emblems that emerge through my practice. My more recent work invites reflections on the poignancy of lost objects. Forms are frequently situated in ambiguous fields suggesting both interior and exterior spaces. I like to pivot between things and their associations rather than arrive at a fixed point. Giorgio Morandi's paintings I find particularly pertinent to this way of thinking in that his paintings don't simply convey what he saw, but the act of seeing. Ultimately it is important to me that the paintings carry an emotional register; present but restrained implying oblique personal feeling.   Education   Manchester Metropolitan University (1991-1992) MA Fine Art Painting Winchester School of Art & (1988-1991) BA Hons Fine Art   Select Exhibitions/Awards   Sitar has exhibited across the UK and Europe. Recent selected group exhibitions include Beep Painting Biennial, Swansea 2022; Drawn In, Turnpike Gallery, Leigh 2022; Tender Stems , A Modest Show, Deansgate Mews,Manchester 2022; Fully Awake 5.6, Freelands Foundation, London (2019); Tracer Wedge, P.S. Mirabel Manchester (2018); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014). Two person shows : Mudlarks Dan Roach & Rebecca Sitar, Eagle Gallery Cabinet Room, London (2021); Mudlarks II Dan Roach & Rebecca Sitar, Oceans Apart, Salford (2022); Other notable exhibitions include: Beyond the Endgame: Abstract Painting in Manchester (2003), Manchester Art Gallery; Beginnings: Times of our Lives (2000), Whitworth Art Gallery; Slow Burn: Meaning & Vision in Contemporary British Abstract Painting, (1998) Mead Gallery (touring). Sitar's work is held in various collections including Deutsche Bank AG, London; DLA, London and Manchester Art Gallery. Gallery Representation   Eagle Gallery EMH Arts   Statement about AOAP Submitted Artwork   In continuation of the theme Mudlarks explored earlier this year in exhibitions at Eagle Gallery Cabinet Room and Oceans Apart these small paintings invite reflections on the poignancy of lost objects. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rebecca Sitar Red Glints Below Night Sky, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   My painting practice centres on art and embodiment, ways of seeing and poetics of an ontological nature. With an interest in the aesthetics and philosophies of seventeenth and early nineteenth century Japanese art and poetry and pre-renaissance paintings by Giotto and Fra Angelico: my work leans towards an apparent simplicity; pictorial forms are pared down often suspended in space inviting contemplative encounters. Literature including poetry has historically aligned with my thoughts in making. I often draw upon reflections on practice shared between these creative disciplines and painting. Opening up to 'being in the world'; the dynamics and reverberations of a poetic image is central to what I seek in creating a painting. Modernists strands can also be observed but subsumed by the invitation to meditate on the metaphorical, somewhat figurative emblems that emerge through my practice. My more recent work invites reflections on the poignancy of lost objects. Forms are frequently situated in ambiguous fields suggesting both interior and exterior spaces. I like to pivot between things and their associations rather than arrive at a fixed point. Giorgio Morandi's paintings I find particularly pertinent to this way of thinking in that his paintings don't simply convey what he saw, but the act of seeing. Ultimately it is important to me that the paintings carry an emotional register; present but restrained implying oblique personal feeling.   Education   Manchester Metropolitan University (1991-1992) MA Fine Art Painting Winchester School of Art & (1988-1991) BA Hons Fine Art   Select Exhibitions/Awards   Sitar has exhibited across the UK and Europe. Recent selected group exhibitions include Beep Painting Biennial, Swansea 2022; Drawn In, Turnpike Gallery, Leigh 2022; Tender Stems , A Modest Show, Deansgate Mews,Manchester 2022; Fully Awake 5.6, Freelands Foundation, London (2019); Tracer Wedge, P.S. Mirabel Manchester (2018); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014). Two person shows : Mudlarks Dan Roach & Rebecca Sitar, Eagle Gallery Cabinet Room, London (2021); Mudlarks II Dan Roach & Rebecca Sitar, Oceans Apart, Salford (2022); Other notable exhibitions include: Beyond the Endgame: Abstract Painting in Manchester (2003), Manchester Art Gallery; Beginnings: Times of our Lives (2000), Whitworth Art Gallery; Slow Burn: Meaning & Vision in Contemporary British Abstract Painting, (1998) Mead Gallery (touring). Sitar's work is held in various collections including Deutsche Bank AG, London; DLA, London and Manchester Art Gallery. Gallery Representation   Eagle Gallery EMH Arts   Statement about AOAP Submitted Artwork   In continuation of the theme Mudlarks explored earlier this year in exhibitions at Eagle Gallery Cabinet Room and Oceans Apart these small paintings invite reflections on the poignancy of lost objects. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rosalind Hobley Dahlias I, 2022 Cyanotype on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Rosalind Hobley is an artist living and working in London. She originally trained as a figurative sculptor, and for her portraits and still lifes she works with studio lighting to define shape and form. She uses the early 19th Century technique of Cyanotype because it allows an extra layer of unpredictability. Brushstrokes, blur and loss of definition are all part of the process. The details recede, and the shape and mass of the subjects enhanced. Her subjects become sculptural and mysterious, floating in the blue. Education   BA Hons in Fine Art Sculpture from Maidstone College of Art.   Select Exhibitions/Awards   Recipient of the Create Church St Grant; LCN Scholarship; awarded first place in the Alternative Processes Series of the 16th Julia Margaret Cameron Award, and an Honourable Mention in the Portrait Series. Prints selected for the RA Summer Exhibition 2021, the 6th Biennial of Fine Art and Documentary Photography in Barcelona 2021, the Turner Contemporary Open 2021 and 'A Generous Space/Artist Support Pledge' at Hastings Contemporary 2021-22, and the RA Summer Exhibition 2022. Work featured in 'Your Daily Photograph' by Duncan Miller Gallery, The Marginalian, and Colossal website.   Statement about AOAP Submitted Artwork   I have submitted two flower studies. A Gardenia and Dahlias. (The beautiful Dahlias are grown by @skylarkflowercompany.) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Rosalind Hobley Gardenia I, 2022 Cyanotype on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Rosalind Hobley is an artist living and working in London. She originally trained as a figurative sculptor, and for her portraits and still lifes she works with studio lighting to define shape and form. She uses the early 19th Century technique of Cyanotype because it allows an extra layer of unpredictability. Brushstrokes, blur and loss of definition are all part of the process. The details recede, and the shape and mass of the subjects enhanced. Her subjects become sculptural and mysterious, floating in the blue. Education   BA Hons in Fine Art Sculpture from Maidstone College of Art.   Select Exhibitions/Awards   Recipient of the Create Church St Grant; LCN Scholarship; awarded first place in the Alternative Processes Series of the 16th Julia Margaret Cameron Award, and an Honourable Mention in the Portrait Series. Prints selected for the RA Summer Exhibition 2021, the 6th Biennial of Fine Art and Documentary Photography in Barcelona 2021, the Turner Contemporary Open 2021 and 'A Generous Space/Artist Support Pledge' at Hastings Contemporary 2021-22, and the RA Summer Exhibition 2022. Work featured in 'Your Daily Photograph' by Duncan Miller Gallery, The Marginalian, and Colossal website.   Statement about AOAP Submitted Artwork   I have submitted two flower studies. A Gardenia and Dahlias. (The beautiful Dahlias are grown by @skylarkflowercompany.) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Kelly-Anne Davitt Love Hearts, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Artist and curator Kelly-Anne Davitt is known for hyper-real virtuoso painting style in vibrant pop tones, and her humorous and provocative light-sculptures. Her electrifyingly immaculate canvases fuse traditional still life and portraiture with a contemporary approach, inspired by advertising imagery, pop culture, nostalgic childhood memories and feminist themes. She has exhibited widely across the UK from Cork Street to The Potteries. Education   London Guildhall University, BA Honours: Fine Art, 1999-2002   Select Exhibitions/Awards   Davitt's curatorial debut, The Most Powerful Woman In The Universe was held at gallery 46 in Whitechapel. This groundbreaking and timely feminist show met with much critical acclaim. Other recent exhibitions include: Pop Now! at Gallery 46, Kapow - The Art of Superheroes and Villains held at The Potteries Museum, Painting Now and 12 Hughes at Hix Art in old street. Successful solo shows include Beach Balls and Melons at Dadiani Fine art, Cork Street and Feel Good at Blacks, Soho.   Gallery Representation   Currently Kelly-Anne Davitt represents herself.   Statement about AOAP Submitted Artwork   Love Hearts is a still life oil painting inspired by popular culture. An intricate study of retro sweet packaging exploring a sensory nostalgia and a history of a love of sweets. Elevating an iconic and familiar sweet to a grandiose fine art status. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sean Worrall Margate Skyline No 51 (The Turner Contemporary), 2022 Acrylic and Varnish on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Sean Worrall is an artist, a painter, a paint addict, a maximalist, and a (slightly reluctant) curator. Currently based in East London where he co-runs Cultivate, a now nomadic gallery, previously housed in a space smack bang in the middle of East London's Vyner Street. Sean regularly exhibits both in galleries, alternative spaces and on the streets. Sean paints every single day, he also runs Organ magazine, has presented on London arts radio station Resonance FM, run a long-standing alternative record label, put on hundreds of left-field gigs and music events - all this very much fuelled by a DIY punk rock ethic. Sean has mostly being focusing on larger paintings this summer although for the last 800 days and more he has been painting a series of daily concluded paintings, a series called "Ten" - one painting brought to a conclusion every single day, always on a 10cm square canvas. Meanwhile his #43leaves pieces go on - the most recent #43leaves drop was on the streets of Bristol during Upfest weekend where Sean had been invited to paint testival, The #43Leaves pieces are paintings on found recycled material, paintings left hanging on the street for people to just take - art drops, leaves left, there has now been well over 2000 paintings left on the streets Sean was brought up on the isle of Anglesey, made his first artistic moves in North Wales and North West England, he has now lived and worked in East London for more than half his life.   Select Exhibitions/Awards   2022 - The Sky Is Moving Sideways - an installation in the grounds of Stephens House, Finchley, London N3 2022 - #43Leaves for Bristol - on the streets of Bristol (During Upfest) 2022 - #43Leaves for January - on the streets of East London 2021 - A third and final #43Leaves for Deptford X - 43 Paintings on found recycled material left on the streets of Deptford, during the art festival 2019 - Harvey and Worrall - Chips, Starz, What Would Joan Jett do? Shipton St Gallery, London E2 2019 - The Fruit Shop at Shipton Street Gallery, London E2 - A solo show of fruit paintings 2018 - The year-long #365ArtDrop18 piece, a piece of work in 365 parts, 365 paintings on found material left hanging on the streets for people to take 2018 - HAMISH MACAULAY and SEAN WORRALL - Unframed? No Format Gallery, Deptford. SE8 2016 - HARVEY & WORRALL at WALL & JONES, a collection of paintings at an Edwardian tailor's shop, Hackney, London. 2016 - SOMETIMES THEY HAVE THORNS - Fount Gallery, Hackney, London. Statement about AOAP Submitted Artwork The ongoing matter of looking up is still very much just that, ongoing. Something that started in Margate in late Summer 2019 and goes on with several new paintings looking over the River Thames and most recently a painting looking beyond a church in Hackney. No idea where these Skyline paintings are going to go, or for how long the series of paintings will go on for, right now I'm enjoying the act of just looking up, of distilling the information, the sky, the space, the shape, the skylines, the sky beyond the rooftops or the spires or the light reflecting off the Shard. Someone asked if I was putting this series of paintings together for a show, no, I'm enjoying them without that pressure, just enjoying them   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sean Worrall Margate Skyline No 52 (The Turner Contemporary), 2022 Acrylic and Varnish on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Sean Worrall is an artist, a painter, a paint addict, a maximalist, and a (slightly reluctant) curator. Currently based in East London where he co-runs Cultivate, a now nomadic gallery, previously housed in a space smack bang in the middle of East London's Vyner Street. Sean regularly exhibits both in galleries, alternative spaces and on the streets. Sean paints every single day, he also runs Organ magazine, has presented on London arts radio station Resonance FM, run a long-standing alternative record label, put on hundreds of left-field gigs and music events - all this very much fuelled by a DIY punk rock ethic. Sean has mostly being focusing on larger paintings this summer although for the last 800 days and more he has been painting a series of daily concluded paintings, a series called "Ten" - one painting brought to a conclusion every single day, always on a 10cm square canvas. Meanwhile his #43leaves pieces go on - the most recent #43leaves drop was on the streets of Bristol during Upfest weekend where Sean had been invited to paint testival, The #43Leaves pieces are paintings on found recycled material, paintings left hanging on the street for people to just take - art drops, leaves left, there has now been well over 2000 paintings left on the streets Sean was brought up on the isle of Anglesey, made his first artistic moves in North Wales and North West England, he has now lived and worked in East London for more than half his life.   Select Exhibitions/Awards   2022 - The Sky Is Moving Sideways - an installation in the grounds of Stephens House, Finchley, London N3 2022 - #43Leaves for Bristol - on the streets of Bristol (During Upfest) 2022 - #43Leaves for January - on the streets of East London 2021 - A third and final #43Leaves for Deptford X - 43 Paintings on found recycled material left on the streets of Deptford, during the art festival 2019 - Harvey and Worrall - Chips, Starz, What Would Joan Jett do? Shipton St Gallery, London E2 2019 - The Fruit Shop at Shipton Street Gallery, London E2 - A solo show of fruit paintings 2018 - The year-long #365ArtDrop18 piece, a piece of work in 365 parts, 365 paintings on found material left hanging on the streets for people to take 2018 - HAMISH MACAULAY and SEAN WORRALL - Unframed? No Format Gallery, Deptford. SE8 2016 - HARVEY & WORRALL at WALL & JONES, a collection of paintings at an Edwardian tailor's shop, Hackney, London. 2016 - SOMETIMES THEY HAVE THORNS - Fount Gallery, Hackney, London. Statement about AOAP Submitted Artwork The ongoing matter of looking up is still very much just that, ongoing. Something that started in Margate in late Summer 2019 and goes on with several new paintings looking over the River Thames and most recently a painting looking beyond a church in Hackney. No idea where these Skyline paintings are going to go, or for how long the series of paintings will go on for, right now I'm enjoying the act of just looking up, of distilling the information, the sky, the space, the shape, the skylines, the sky beyond the rooftops or the spires or the light reflecting off the Shard. Someone asked if I was putting this series of paintings together for a show, no, I'm enjoying them without that pressure, just enjoying them Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Lawrence F Crane Fall, 2022 Graphite on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lawrence Francis Crane is a self taught, contemporary figurative artist based in London. Lawrence has developed his painting and drawing techniques inspired by the classical approach to draughtsmanship and oil painting. Within each work, Lawrence aims to connect narrative, stories, the interconnection with others and the world that they inhabit. Figurative and Portraiture Art and their visual narrative has continued to fascinate Lawrence since he began to create images and drawings. In 2018 Lawrence spent 2 months researching and studying historical and contemporary Art around Europe. Lawrence's work focuses on mental health, and his work is the response to his experiences on the impact that mental health has to our physical and emotional connection within ourselves and our connection to those that we are surrounded by. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Lawrence F Crane Motion, 2022 Graphite, Chalk and Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lawrence Francis Crane is a self taught, contemporary figurative artist based in London. Lawrence has developed his painting and drawing techniques inspired by the classical approach to draughtsmanship and oil painting. Within each work, Lawrence aims to connect narrative, stories, the interconnection with others and the world that they inhabit. Figurative and Portraiture Art and their visual narrative has continued to fascinate Lawrence since he began to create images and drawings. In 2018 Lawrence spent 2 months researching and studying historical and contemporary Art around Europe. Lawrence's work focuses on mental health, and his work is the response to his experiences on the impact that mental health has to our physical and emotional connection within ourselves and our connection to those that we are surrounded by. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Noelle Phares Orbs Against The Crimson, 2022 Acrylic and Gouache on Paper Signed verso 16 x 11cm (6¼ x 4¼ in.) About   Noelle Phares brings a fresh perspective into her contemporary landscape paintings through examination of the tension between organic and synthetic. As an environmental scientist by training, she allows the same topics that drove her work in the natural sciences to now guide her creative endeavors. Her body of work combines landscape elements with structural geometry to create fractured architectural landscapes that explore the ever-encroaching presence of humanity into previously pristine open spaces. Noelle exhibits regularly via fine art galleries domestically and internationally and has collaborated with outdoor brands such as Merrell, Wylder Goods, 4FRNT Skis, and Smartwool. She holds a BS in Biochemistry, and an MS in Environmental Science. She has been painting throughout the American West over the last decade, and currently lives and paints full-time out of Denver, Colorado.   Education   Master of Environmental Science and Management, University of California Santa Barbara, 2014. Bachelor of Science, Biochemistry, University of California Santa Barbara, 2008.   Select Exhibitions/Awards 2/2023 (Upcoming): Solo exhibition, Boulder Museum of Contemporary Art - Boulder CO 3/2022: Solo exhibition, Space Gallery - Denver CO 10/ 2021: Solo exhibition, Hancock Gallery - United Kingdom 7/ 2021: Solo exhibition, Harris Harvey Gallery - Seattle WA 3/ 2021: Group exhibition, Western Gallery - Austin TX 10/ 2020: Solo exhibition "Fountainhead", Space Gallery - Denver, CO 2/ 2020: Group exhibition, Western Gallery - Austin TX 9/ 2020: Solo exhibition, Space Gallery - Denver, CO Gallery Representation Space Gallery, Denver CO. Harris Harvey Gallery, Seattle WA.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Noelle Phares Green-Washed Boughs, 2022 Acrylic and Gouache on Paper Signed verso 16 x 11cm (6¼ x 4¼ in.) About   Noelle Phares brings a fresh perspective into her contemporary landscape paintings through examination of the tension between organic and synthetic. As an environmental scientist by training, she allows the same topics that drove her work in the natural sciences to now guide her creative endeavors. Her body of work combines landscape elements with structural geometry to create fractured architectural landscapes that explore the ever-encroaching presence of humanity into previously pristine open spaces. Noelle exhibits regularly via fine art galleries domestically and internationally and has collaborated with outdoor brands such as Merrell, Wylder Goods, 4FRNT Skis, and Smartwool. She holds a BS in Biochemistry, and an MS in Environmental Science. She has been painting throughout the American West over the last decade, and currently lives and paints full-time out of Denver, Colorado.   Education   Master of Environmental Science and Management, University of California Santa Barbara, 2014. Bachelor of Science, Biochemistry, University of California Santa Barbara, 2008.   Select Exhibitions/Awards   2/2023 (Upcoming): Solo exhibition, Boulder Museum of Contemporary Art - Boulder CO 3/2022: Solo exhibition, Space Gallery - Denver CO 10/ 2021: Solo exhibition, Hancock Gallery - United Kingdom 7/ 2021: Solo exhibition, Harris Harvey Gallery - Seattle WA 3/ 2021: Group exhibition, Western Gallery - Austin TX 10/ 2020: Solo exhibition "Fountainhead", Space Gallery - Denver, CO 2/ 2020: Group exhibition, Western Gallery - Austin TX 9/ 2020: Solo exhibition, Space Gallery - Denver, CO Gallery Representation   Space Gallery, Denver CO. Harris Harvey Gallery, Seattle WA. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Miyeon Yi Two Women Who Are Not Allowed To Smoke, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Miyeon Yi (born in 1995, Seoul, South Korea) is an artist living and working in London, UK. She obtained her Bachelor of Fine Arts at the School of the Art Institute of Chicago, Chicago, IL, USA (2013-2017), and is pursuing her master's degree on painting at the Royal College of Art, London (2021-2023). Her works have been in group shows in USA, UK and France.   Education   2021-2023 Master of Arts (Painting), Royal College of Art, London, UK 2013-2017 Bachelor of Fine Arts, School of the Art Institute of Chicago, Chicago, IL   Select Exhibitions/Awards   Solo Exhibitions 2022 Ojiri Gallery, London, UK, July 8th-29th 2022 Era Gallery, Milan, Italy May 12th - June 12th Group Exhibitions 2022 Delphian Open Call Winner Show, Unit 1 Gallery, London, UK, Oct 20th-28th 2022 Angel with Dirty Faces, Ojiri Gallery, London, UK, Oct 8th-28th 2022 Fragments, Omer Tiroche Gallery, London, UK, Sep 14th-29th 2022 No Place Like Home, Fitzrovia Gallery, London, UK, August 1st-6th 2022 The Room London Gallery, London, UK, May 17th 2022 Two Doors, House of St.Barnabas, London, UK, May 9th 2022 It's All Fun Until..., Safehouse 1&2, London, UK, March 17th-20th 2022 A Room of Her Own, Irving Contemporary, Oxford, UK, March 10th-April 8th 2022 RAW, Soho Revue, London, UK, March 1st- 5th 2022 WIP SHOW (online), Royal College of Art, London, UK, January 28th-February 4th Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Erika B Hess Spring Rain, 2022 Oil on Primed Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Erika B Hess is a painter, curator, and host of the popular art podcast I Like Your Work. Hess's body of work consists primarily of paintings and drawings that engage with the topics of gender, motherhood, and the natural environment. She maintains studios in Columbus, OH, and Long Island City, NY, and is represented by Contemporary Art Matters in Columbus, OH. Hess's work has been exhibited nationally at venues in New York City, Brooklyn, Detroit, Los Angeles, Boston, and Philadelphia. Her work has been featured in numerous publications, and she frequently lectures at colleges such as Wellesley College, Massachusetts College of Art & Design, University of Massachusetts Dartmouth, and Eastern Michigan University, among others. She is an active curator and columnist for the magazines Visionary Art and AllSHEMakes. Hess received her MFA from Boston University. Education   Boston University, MFA   Select Exhibitions/Awards   How Long Has It Been Since You've Been Outside- Marietta College, OH- Solo Exhibition Summer in the City, Curated by Contemporary Art Matters, Artsy/NYC Indoor Voices, The Yard, Brooklyn, NY. Curated by Kirstin Lamb. Vision and Verse, Wilson Gallery, Anderson University, IN Let's Dance, Basement Projects, CA Gallery Representation   Contemporary Art Matters, Columbus, OH   Statement about AOAP Submitted Artwork   My work uses symbolic imagery and color to create invented paintings that probe into the emotional experience of relationships. Current paintings use the image of water to suggest psychological states. Water gives life and is so familiar we use it to describe how we are experiencing the world around us. "Drowning in debt" "In hot water, proverbial use of water is in our daily speech. I am interested in how we use water to express ourselves emotionally and how it plays a role in our physical life. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Erika B Hess Autumn Puddle, 2022 Oil on Primed Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Erika B Hess is a painter, curator, and host of the popular art podcast I Like Your Work. Hess's body of work consists primarily of paintings and drawings that engage with the topics of gender, motherhood, and the natural environment. She maintains studios in Columbus, OH, and Long Island City, NY, and is represented by Contemporary Art Matters in Columbus, OH. Hess's work has been exhibited nationally at venues in New York City, Brooklyn, Detroit, Los Angeles, Boston, and Philadelphia. Her work has been featured in numerous publications, and she frequently lectures at colleges such as Wellesley College, Massachusetts College of Art & Design, University of Massachusetts Dartmouth, and Eastern Michigan University, among others. She is an active curator and columnist for the magazines Visionary Art and AllSHEMakes. Hess received her MFA from Boston University. Education   Boston University, MFA   Select Exhibitions/Awards   How Long Has It Been Since You've Been Outside- Marietta College, OH- Solo Exhibition Summer in the City, Curated by Contemporary Art Matters, Artsy/NYC Indoor Voices, The Yard, Brooklyn, NY. Curated by Kirstin Lamb. Vision and Verse, Wilson Gallery, Anderson University, IN Let's Dance, Basement Projects, CA Gallery Representation   Contemporary Art Matters, Columbus, OH   Statement about AOAP Submitted Artwork   My work uses symbolic imagery and color to create invented paintings that probe into the emotional experience of relationships. Current paintings use the image of water to suggest psychological states. Water gives life and is so familiar we use it to describe how we are experiencing the world around us. "Drowning in debt" "In hot water, proverbial use of water is in our daily speech. I am interested in how we use water to express ourselves emotionally and how it plays a role in our physical life. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Erika B Hess Night Reflection, 2022 Oil on Primed Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Erika B Hess is a painter, curator, and host of the popular art podcast I Like Your Work. Hess's body of work consists primarily of paintings and drawings that engage with the topics of gender, motherhood, and the natural environment. She maintains studios in Columbus, OH, and Long Island City, NY, and is represented by Contemporary Art Matters in Columbus, OH. Hess's work has been exhibited nationally at venues in New York City, Brooklyn, Detroit, Los Angeles, Boston, and Philadelphia. Her work has been featured in numerous publications, and she frequently lectures at colleges such as Wellesley College, Massachusetts College of Art & Design, University of Massachusetts Dartmouth, and Eastern Michigan University, among others. She is an active curator and columnist for the magazines Visionary Art and AllSHEMakes. Hess received her MFA from Boston University. Education   Boston University, MFA   Select Exhibitions/Awards   How Long Has It Been Since You've Been Outside- Marietta College, OH- Solo Exhibition Summer in the City, Curated by Contemporary Art Matters, Artsy/NYC Indoor Voices, The Yard, Brooklyn, NY. Curated by Kirstin Lamb. Vision and Verse, Wilson Gallery, Anderson University, IN Let's Dance, Basement Projects, CA Gallery Representation   Contemporary Art Matters, Columbus, OH   Statement about AOAP Submitted Artwork   My work uses symbolic imagery and color to create invented paintings that probe into the emotional experience of relationships. Current paintings use the image of water to suggest psychological states. Water gives life and is so familiar we use it to describe how we are experiencing the world around us. "Drowning in debt" "In hot water, proverbial use of water is in our daily speech. I am interested in how we use water to express ourselves emotionally and how it plays a role in our physical life. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Erika B Hess Drought, 2022 Oil on Primed Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Erika B Hess is a painter, curator, and host of the popular art podcast I Like Your Work. Hess's body of work consists primarily of paintings and drawings that engage with the topics of gender, motherhood, and the natural environment. She maintains studios in Columbus, OH, and Long Island City, NY, and is represented by Contemporary Art Matters in Columbus, OH. Hess's work has been exhibited nationally at venues in New York City, Brooklyn, Detroit, Los Angeles, Boston, and Philadelphia. Her work has been featured in numerous publications, and she frequently lectures at colleges such as Wellesley College, Massachusetts College of Art & Design, University of Massachusetts Dartmouth, and Eastern Michigan University, among others. She is an active curator and columnist for the magazines Visionary Art and AllSHEMakes. Hess received her MFA from Boston University. Education   Boston University, MFA   Select Exhibitions/Awards   How Long Has It Been Since You've Been Outside- Marietta College, OH- Solo Exhibition Summer in the City, Curated by Contemporary Art Matters, Artsy/NYC Indoor Voices, The Yard, Brooklyn, NY. Curated by Kirstin Lamb. Vision and Verse, Wilson Gallery, Anderson University, IN Let's Dance, Basement Projects, CA Gallery Representation   Contemporary Art Matters, Columbus, OH   Statement about AOAP Submitted Artwork   My work uses symbolic imagery and color to create invented paintings that probe into the emotional experience of relationships. Current paintings use the image of water to suggest psychological states. Water gives life and is so familiar we use it to describe how we are experiencing the world around us. "Drowning in debt" "In hot water, proverbial use of water is in our daily speech. I am interested in how we use water to express ourselves emotionally and how it plays a role in our physical life. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zara Matthews Mesh (Study-Pink), 2022 Gesso and Pigment on Cartridge Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Zara Matthews is an artist working in Painting, Printmaking and Photography. She lives and works in London and has also spent considerable amounts of time living and working in Italy and France. Since the mid-1980's Matthews has shown extensively in the UK, and also Europe and USA. Her current work concentrates on the auras of objects, and their sense of presence and history. Education Zara Matthews studied at Goldsmiths College from 1979 - 1980, Kingston Polytechnic from 1980 - 1983 and The Royal College of Art from 1997 - 1999. Select Exhibitions/Awards Most recently in 2022 Zara Matthews has been invited to show in 'Small is Beautiful', Flowers Gallery, Cork Street, She has had a 3 person show titled (RE)Configured at The Mall Galleries, and exhibited in the Royal Academy Summer Exhibition 2022. She was long-listed for Future Now - 125 Artist from The Aesthetica Art Prize 2021, selected for 100 Contemporary Artists, Aesthetica Magazine 2020, shortlisted for The Trinity Buoy Wharf Drawing Prize in 2019, and nominated for The 6th Max Mara Art Prize for Women 2016-17. She was awarded The Wapping Project Berlin Residency in 2015 and during 2023 she has been invited to spend 2 months on an artist residency in Pouch Cove, Newfoundland, Canada. Statement about AOAP Submitted Artwork The 4 postcards are small studies for larger paintings that depict, or include, the stretchy netting often used to protect fruit, including papayas. These polystyrene sleeves protect vulnerable fruit as they travel around the globe, but are a single use plastic that damages the planet.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.    

Simon Keenleyside Time of No Reply, 2022 Watercolour, Gouache and Spraypaint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   After studying for his BA at Brighton University Simon Keenleyside completed an MA in painting at the Royal College of Art. He has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. In 2002 he won the BOC Emerging Artist Award and in 2004 he was the UK winner of the Lexmark European Art Prize. He has work in private and corporate collections that include The BOC Group, Comme des Garcons, David Roberts Foundation, Hiscox, Marsh Mclennan , Mario Testino collection and The Museo del Novecento Collection.   Education   2000- 2002MA PaintingRoyal College of Art, London 1997-2000BA (Hons) Fine Art PaintingBrighton University, Sussex   Select Exhibitions/Awards   ONE PERSON EXHIBITIONS 2021PrimevalCHARLIE SMITH LONDON, London 2013-14Back to the World Blindarte Contemporanea, Naples 2010Magic lurksRokeby, London 2010Safe in the magic of my woldBlindarte Contemporanea, Naples 2008A place in the darknessRokeby, London 2007The UninhabitedBlindarte Contemporanea, Naples 2006Endless Coloured DaysMogadishni, Copenhagen 2006Dreams by the seaRokeby, London 2005No life in the land Studio d'Arte Cannaviello, Milan 2004Rainbows In Dark PlacesMogadishni, Copenhagen 2003Digging and DaydreamsStandpoint Gallery, London SELECTED GROUP EXHIBITIONS 2021/22. A Generous Space, Artist support pledge. Hastings contemporary. Hastings. 2020 Accelerate Your EscapeWhitechapel Gallery, London 2020PROJECT PAPYROPHILIA CHARLIE SMITH LONDON, London 2018Summertime 2018Galleri Christoffer Egelund, Copenhagen 2017Natura PlasticaBlindarte, Milan 2015Mario Bertolini Collection. The Museo del Novecento, Milan Gallery Representation   BLINDARTE gallery - Naples/Milan   Statement about AOAP Submitted Artwork   For a long while my work has been focused on landscape and I've spent a number years returning to two specific locations; the backwaters and tributaries of the Thames and small woodlands that I discovered and explored as a child. I return to these same sites as an approach in mediation on the changing environment. Each work and each repetition highlighting the shifts in the landscapes - But rather than an interest in pure landscape, I endure repeated trips to these sites not only to evoke physical places, but also mental states, desires and anxieties that accompany me during those times. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Simon Keenleyside Time of No Reply (1), 2022 Watercolour, Gouache and Spraypaint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   After studying for his BA at Brighton University Simon Keenleyside completed an MA in painting at the Royal College of Art. He has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. In 2002 he won the BOC Emerging Artist Award and in 2004 he was the UK winner of the Lexmark European Art Prize. He has work in private and corporate collections that include The BOC Group, Comme des Garcons, David Roberts Foundation, Hiscox, Marsh Mclennan , Mario Testino collection and The Museo del Novecento Collection.   Education   2000- 2002MA PaintingRoyal College of Art, London 1997-2000BA (Hons) Fine Art PaintingBrighton University, Sussex   Select Exhibitions/Awards   ONE PERSON EXHIBITIONS 2021PrimevalCHARLIE SMITH LONDON, London 2013-14Back to the World Blindarte Contemporanea, Naples 2010Magic lurksRokeby, London 2010Safe in the magic of my woldBlindarte Contemporanea, Naples 2008A place in the darknessRokeby, London 2007The UninhabitedBlindarte Contemporanea, Naples 2006Endless Coloured DaysMogadishni, Copenhagen 2006Dreams by the seaRokeby, London 2005No life in the land Studio d'Arte Cannaviello, Milan 2004Rainbows In Dark PlacesMogadishni, Copenhagen 2003Digging and DaydreamsStandpoint Gallery, London SELECTED GROUP EXHIBITIONS 2021/22. A Generous Space, Artist support pledge. Hastings contemporary. Hastings. 2020 Accelerate Your EscapeWhitechapel Gallery, London 2020PROJECT PAPYROPHILIA CHARLIE SMITH LONDON, London 2018Summertime 2018Galleri Christoffer Egelund, Copenhagen 2017Natura PlasticaBlindarte, Milan 2015Mario Bertolini Collection. The Museo del Novecento, Milan Gallery Representation   BLINDARTE gallery - Naples/Milan   Statement about AOAP Submitted Artwork   For a long while my work has been focused on landscape and I've spent a number years returning to two specific locations; the backwaters and tributaries of the Thames and small woodlands that I discovered and explored as a child. I return to these same sites as an approach in mediation on the changing environment. Each work and each repetition highlighting the shifts in the landscapes - But rather than an interest in pure landscape, I endure repeated trips to these sites not only to evoke physical places, but also mental states, desires and anxieties that accompany me during those times. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Simon Keenleyside Until The Morning, 2022 Watercolour, Gouache and Spraypaint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   After studying for his BA at Brighton University Simon Keenleyside completed an MA in painting at the Royal College of Art. He has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. In 2002 he won the BOC Emerging Artist Award and in 2004 he was the UK winner of the Lexmark European Art Prize. He has work in private and corporate collections that include The BOC Group, Comme des Garcons, David Roberts Foundation, Hiscox, Marsh Mclennan , Mario Testino collection and The Museo del Novecento Collection.   Education   2000- 2002MA PaintingRoyal College of Art, London 1997-2000BA (Hons) Fine Art PaintingBrighton University, Sussex   Select Exhibitions/Awards   ONE PERSON EXHIBITIONS 2021PrimevalCHARLIE SMITH LONDON, London 2013-14Back to the World Blindarte Contemporanea, Naples 2010Magic lurksRokeby, London 2010Safe in the magic of my woldBlindarte Contemporanea, Naples 2008A place in the darknessRokeby, London 2007The UninhabitedBlindarte Contemporanea, Naples 2006Endless Coloured DaysMogadishni, Copenhagen 2006Dreams by the seaRokeby, London 2005No life in the land Studio d'Arte Cannaviello, Milan 2004Rainbows In Dark PlacesMogadishni, Copenhagen 2003Digging and DaydreamsStandpoint Gallery, London SELECTED GROUP EXHIBITIONS 2021/22. A Generous Space, Artist support pledge. Hastings contemporary. Hastings. 2020 Accelerate Your EscapeWhitechapel Gallery, London 2020PROJECT PAPYROPHILIA CHARLIE SMITH LONDON, London 2018Summertime 2018Galleri Christoffer Egelund, Copenhagen 2017Natura PlasticaBlindarte, Milan 2015Mario Bertolini Collection. The Museo del Novecento, Milan Gallery Representation   BLINDARTE gallery - Naples/Milan   Statement about AOAP Submitted Artwork   For a long while my work has been focused on landscape and I've spent a number years returning to two specific locations; the backwaters and tributaries of the Thames and small woodlands that I discovered and explored as a child. I return to these same sites as an approach in mediation on the changing environment. Each work and each repetition highlighting the shifts in the landscapes - But rather than an interest in pure landscape, I endure repeated trips to these sites not only to evoke physical places, but also mental states, desires and anxieties that accompany me during those times. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Simon Keenleyside Until The Morning (1), 2022 Watercolour, Gouache and Spraypaint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   After studying for his BA at Brighton University Simon Keenleyside completed an MA in painting at the Royal College of Art. He has exhibited extensively throughout the UK and internationally in Italy, Tokyo, America and Denmark. In 2002 he won the BOC Emerging Artist Award and in 2004 he was the UK winner of the Lexmark European Art Prize. He has work in private and corporate collections that include The BOC Group, Comme des Garcons, David Roberts Foundation, Hiscox, Marsh Mclennan , Mario Testino collection and The Museo del Novecento Collection.   Education   2000- 2002MA PaintingRoyal College of Art, London 1997-2000BA (Hons) Fine Art PaintingBrighton University, Sussex   Select Exhibitions/Awards   ONE PERSON EXHIBITIONS 2021PrimevalCHARLIE SMITH LONDON, London 2013-14Back to the World Blindarte Contemporanea, Naples 2010Magic lurksRokeby, London 2010Safe in the magic of my woldBlindarte Contemporanea, Naples 2008A place in the darknessRokeby, London 2007The UninhabitedBlindarte Contemporanea, Naples 2006Endless Coloured DaysMogadishni, Copenhagen 2006Dreams by the seaRokeby, London 2005No life in the land Studio d'Arte Cannaviello, Milan 2004Rainbows In Dark PlacesMogadishni, Copenhagen 2003Digging and DaydreamsStandpoint Gallery, London SELECTED GROUP EXHIBITIONS 2021/22. A Generous Space, Artist support pledge. Hastings contemporary. Hastings. 2020 Accelerate Your EscapeWhitechapel Gallery, London 2020PROJECT PAPYROPHILIA CHARLIE SMITH LONDON, London 2018Summertime 2018Galleri Christoffer Egelund, Copenhagen 2017Natura PlasticaBlindarte, Milan 2015Mario Bertolini Collection. The Museo del Novecento, Milan Gallery Representation   BLINDARTE gallery - Naples/Milan   Statement about AOAP Submitted Artwork   For a long while my work has been focused on landscape and I've spent a number years returning to two specific locations; the backwaters and tributaries of the Thames and small woodlands that I discovered and explored as a child. I return to these same sites as an approach in mediation on the changing environment. Each work and each repetition highlighting the shifts in the landscapes - But rather than an interest in pure landscape, I endure repeated trips to these sites not only to evoke physical places, but also mental states, desires and anxieties that accompany me during those times. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zena Blackwell Fel Menyn, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Zena Blackwell is a painter based in Cardiff, Wales, UK. Returning to painting in 2016 following a break from the medium she won first prize at the Cardiff MADE Summer Exhibition in 2017, presenting her first solo show consisting of over 30 paintings and drawings there the year after. The exhibition, 'Seen Not Heard', was included in a weekly list of the top 5 UK exhibitions by a-n and Wales Arts Review included it in a top 10 list of the best Welsh Visual Arts for 2018. In 2019 she won 3rd prize at 'PAINT', an open painting prize at PS Mirabel in Manchester.
 Her work is held in the National Library of Wales' permanent collection and in private collections around the World. Zena has been selected to take part in The Other Art Fair, London, this October. Zena founded the instagram blog Contemporary Cymru in 2017 and between 2003-2011, she co-founded a critically acclaimed live music event in London. 

 Education   Turps Banana Correspondence Course MA Fine Art Central Saint Martins 
BA Fine Art Wimbledon College of Art   Select Exhibitions/Awards   Shortlisted for BEEP Painting Prize 2022
 Shortlisted for Royal Academy Summer Exhibition 2021
 Third Prize Winner PAINT at PS Miracle, Manchester 2019 
First Prize Winner at the Cardiff MADE Summer Exhibition 2017 2022 BEEP Painting Prize 2022, Elysium Gallery A Generous Space, Hastings Contemporary, Hastings A Room of Her Own, Irving Contemporary, Oxford A Women's Place is Everywhere, The Cello Factory, London
A Delicate Balance - Solo Show at Canfas, Cardigan Y Lle Celf, National Eisteddfod, Tregaron, Cardigan Statement about AOAP Submitted Artwork   My work deals with various themes pertaining to childhood, be it from my own experience of childhood and parenthood or general observations of my own two children. I am interested in the evolving dynamics between them and me; their relationship with the environment, animals and the World in general (and all that it presents). Children can be strange but beautiful and also funny but melancholy. The presence of children in my work provides glimpses into imagination, fantasy; story telling and sometimes surrealism, Identity and gender definitions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zena Blackwell When Is It My Turn?, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Zena Blackwell is a painter based in Cardiff, Wales, UK. Returning to painting in 2016 following a break from the medium she won first prize at the Cardiff MADE Summer Exhibition in 2017, presenting her first solo show consisting of over 30 paintings and drawings there the year after. The exhibition, 'Seen Not Heard', was included in a weekly list of the top 5 UK exhibitions by a-n and Wales Arts Review included it in a top 10 list of the best Welsh Visual Arts for 2018. In 2019 she won 3rd prize at 'PAINT', an open painting prize at PS Mirabel in Manchester.
 Her work is held in the National Library of Wales' permanent collection and in private collections around the World. Zena has been selected to take part in The Other Art Fair, London, this October. Zena founded the instagram blog Contemporary Cymru in 2017 and between 2003-2011, she co-founded a critically acclaimed live music event in London. 

 Education   Turps Banana Correspondence Course MA Fine Art Central Saint Martins 
BA Fine Art Wimbledon College of Art   Select Exhibitions/Awards   Shortlisted for BEEP Painting Prize 2022
 Shortlisted for Royal Academy Summer Exhibition 2021
 Third Prize Winner PAINT at PS Miracle, Manchester 2019 
First Prize Winner at the Cardiff MADE Summer Exhibition 2017 2022 BEEP Painting Prize 2022, Elysium Gallery A Generous Space, Hastings Contemporary, Hastings A Room of Her Own, Irving Contemporary, Oxford A Women's Place is Everywhere, The Cello Factory, London
A Delicate Balance - Solo Show at Canfas, Cardigan Y Lle Celf, National Eisteddfod, Tregaron, Cardigan Statement about AOAP Submitted Artwork   My work deals with various themes pertaining to childhood, be it from my own experience of childhood and parenthood or general observations of my own two children. I am interested in the evolving dynamics between them and me; their relationship with the environment, animals and the World in general (and all that it presents). Children can be strange but beautiful and also funny but melancholy. The presence of children in my work provides glimpses into imagination, fantasy; story telling and sometimes surrealism, Identity and gender definitions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zena Blackwell Survived, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Zena Blackwell is a painter based in Cardiff, Wales, UK. Returning to painting in 2016 following a break from the medium she won first prize at the Cardiff MADE Summer Exhibition in 2017, presenting her first solo show consisting of over 30 paintings and drawings there the year after. The exhibition, 'Seen Not Heard', was included in a weekly list of the top 5 UK exhibitions by a-n and Wales Arts Review included it in a top 10 list of the best Welsh Visual Arts for 2018. In 2019 she won 3rd prize at 'PAINT', an open painting prize at PS Mirabel in Manchester.
 Her work is held in the National Library of Wales' permanent collection and in private collections around the World. Zena has been selected to take part in The Other Art Fair, London, this October. Zena founded the instagram blog Contemporary Cymru in 2017 and between 2003-2011, she co-founded a critically acclaimed live music event in London. 

 Education   Turps Banana Correspondence Course MA Fine Art Central Saint Martins 
BA Fine Art Wimbledon College of Art   Select Exhibitions/Awards   Shortlisted for BEEP Painting Prize 2022
 Shortlisted for Royal Academy Summer Exhibition 2021
 Third Prize Winner PAINT at PS Miracle, Manchester 2019 
First Prize Winner at the Cardiff MADE Summer Exhibition 2017 2022 BEEP Painting Prize 2022, Elysium Gallery A Generous Space, Hastings Contemporary, Hastings A Room of Her Own, Irving Contemporary, Oxford A Women's Place is Everywhere, The Cello Factory, London
A Delicate Balance - Solo Show at Canfas, Cardigan Y Lle Celf, National Eisteddfod, Tregaron, Cardigan Statement about AOAP Submitted Artwork   My work deals with various themes pertaining to childhood, be it from my own experience of childhood and parenthood or general observations of my own two children. I am interested in the evolving dynamics between them and me; their relationship with the environment, animals and the World in general (and all that it presents). Children can be strange but beautiful and also funny but melancholy. The presence of children in my work provides glimpses into imagination, fantasy; story telling and sometimes surrealism, Identity and gender definitions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Genevieve Leavold Ever Closer, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   b.1980. Somerset UK. Genevieve Leavold grew up in a large family in the town of Frome in Somerset. Speaking about her childhood Genevieve notes that it was both a beautiful and difficult experience, and one which deeply informs her practice as an artist. "On one hand it was idillic, growing up is a big crazy house full of people but on the other there was a great deal of sadness and unspoken pain in our house and art was always a place of refuge for me" Genevieve always loved to draw and loved nature, spending hours playing outside in the garden, creating worlds in the undergrowth. This love of hidden places, just outside the known world is a compelling aspect of paintings and drawings.   Select Exhibitions/Awards   Solo Exhibitions 2021 Release - Virtual Exhibition 2019 Legacy - Fitrovia Gallery, London, UK FUGUE STATES - Magacin Kultural Center, Belgrade, Serbia 2018 Desire Paths - Fitzrovia Gallery, London, UK If Not Now - Center 424, Belgrade, Serbia 2016 Glimpses - Center 424, Belgrade, Serbia 2015 30 days - Walthamstow Arts Festival 2012 Parklife - Walthamstow Arts Festival 2010 Joy - Easton ARTS, Bristol   Group Exhibitions 2021 The Other Art Fair - Virtual Editions 2020 Kite Circus - Sidney and Matilda Gallery, Sheffield. 2019 Free From Form - Polet, Belgrade, Serbia The Other Art Fair - Mana Contemporary, Chicago, USA Observations of a Dog - Safehouse I&II, London, UK 2018 From ArtCan with Love - London UK New Artist Fair - London UK 2017 Clio Art Fair - Chelsea, New York TRIBE17 - Oxo Bargehouse, London The Other Art Fair - Old Truman Brewery, London At this Point in Time - The Scottish Arts Club, Edinburgh The Tunnel - Waterstones Gallery, London WCIN 2016 WITP- Strand Gallery, London The Waste Land - Asylum Chapel, London Elles In Rogue: XX Protagonists, Artworks Elephant. Drawing: 5 Answers, Center 424, Belgrade, Serbia 2015 BANG! - 100years Gallery, Hoxton, London. Metamorphosis - Bow Arts, London The Outsider - 5th Base Gallery, London, E1 2009- 2014 Selected Works - Cultivate Vyner Street RE:UP - Cultivate Gallery Vyner Street, London E2 Zeitgiest Open - ZAP Arts, Goodwood Road, London Deep Purple - Group Show at Cultivate Montpelier Art Fringe, Bristol   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Zena Blackwell The Final Chapter, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Zena Blackwell is a painter based in Cardiff, Wales, UK. Returning to painting in 2016 following a break from the medium she won first prize at the Cardiff MADE Summer Exhibition in 2017, presenting her first solo show consisting of over 30 paintings and drawings there the year after. The exhibition, 'Seen Not Heard', was included in a weekly list of the top 5 UK exhibitions by a-n and Wales Arts Review included it in a top 10 list of the best Welsh Visual Arts for 2018. In 2019 she won 3rd prize at 'PAINT', an open painting prize at PS Mirabel in Manchester.
 Her work is held in the National Library of Wales' permanent collection and in private collections around the World. Zena has been selected to take part in The Other Art Fair, London, this October. Zena founded the instagram blog Contemporary Cymru in 2017 and between 2003-2011, she co-founded a critically acclaimed live music event in London. 

 Education   Turps Banana Correspondence Course MA Fine Art Central Saint Martins 
BA Fine Art Wimbledon College of Art   Select Exhibitions/Awards   Shortlisted for BEEP Painting Prize 2022
 Shortlisted for Royal Academy Summer Exhibition 2021
 Third Prize Winner PAINT at PS Miracle, Manchester 2019 
First Prize Winner at the Cardiff MADE Summer Exhibition 2017 2022 BEEP Painting Prize 2022, Elysium Gallery A Generous Space, Hastings Contemporary, Hastings A Room of Her Own, Irving Contemporary, Oxford A Women's Place is Everywhere, The Cello Factory, London
A Delicate Balance - Solo Show at Canfas, Cardigan Y Lle Celf, National Eisteddfod, Tregaron, Cardigan Statement about AOAP Submitted Artwork   My work deals with various themes pertaining to childhood, be it from my own experience of childhood and parenthood or general observations of my own two children. I am interested in the evolving dynamics between them and me; their relationship with the environment, animals and the World in general (and all that it presents). Children can be strange but beautiful and also funny but melancholy. The presence of children in my work provides glimpses into imagination, fantasy; story telling and sometimes surrealism, Identity and gender definitions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Linda Schwab Far-Away, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Linda Schwab lives and works in Yorkshire, UK. The starting point for her work falls into two categories; 'recent events', from life or mobile phone photos and 'recreated events', from archive or found photographs. She describes the process of painting as starting with an objective record and ending with an attempt to capture what can be sensed at the peripheries of vision.   Education   1979-82 University of Central Lancashire, BA Fine Art 1982-84 Slade School of Art, UCL, MA Painting   Select Exhibitions/Awards RA Summer Exhibition 2022 RWS Open 2022   Gallery Representation   Old School Gallery, Alnmouth Contemporary Six, Manchester Statement about AOAP Submitted Artwork The paintings capture something mysterious, perhaps a half recalled event, or someone seen at a distance and committed to memory. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Linda Schwab The Rose, 2022 Linda Schwab Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Linda Schwab lives and works in Yorkshire, UK. The starting point for her work falls into two categories; 'recent events', from life or mobile phone photos and 'recreated events', from archive or found photographs. She describes the process of painting as starting with an objective record and ending with an attempt to capture what can be sensed at the peripheries of vision.   Education   1979-82 University of Central Lancashire, BA Fine Art 1982-84 Slade School of Art, UCL, MA Painting   Select Exhibitions/Awards RA Summer Exhibition 2022 RWS Open 2022   Gallery Representation   Old School Gallery, Alnmouth Contemporary Six, Manchester Statement about AOAP Submitted Artwork The paintings capture something mysterious, perhaps a half recalled event, or someone seen at a distance and committed to memory. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Davina Jackson After The Bath, 2022 Raw Pigment, Ink, Gouache and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Davina Jackson is a figurative artist based in London where she currently works from a studio at Kingsgate workshops. She graduated with a masters from the Royal Academy Schools where she also won the Gold Medal for painting. Her interests have remained in the theatrical and psychological use of space and a search for poetic simplicity. She continues to develop themes exploring human relationships and emotional states, finding and articulating the essence of an intimate moment or experience through the simplification of forms, mark making and painterly gestures. She has made regular appearances at The Royal Academy Summer exhibition with her 12th inclusion this year, The Discerning Eye and at Art London and over the past several years, has had 3 solo shows with The Albemarle Gallery, with one in Trieste, Italy, curated by Edward Lucie-Smith. She has showed her work in numerous group exhibitions, most recently at Noho Studios, with Act One, The Royal Watercolour Society and Hastings Contemporary.   Education 1989-1990 Central/St Martins 1991-1994 BA. (Hons) Fine Art - Painting, The Byam Shaw School of Art 1994-1997 Post Graduate Masters - Fine Art, The Royal Academy Schools Select Exhibitions/Awards   2022 The Royal Academy Summer Exhibition , (selected by Alison Wilding ) The Royal Water Colour Society Bankside Galleries Act 1, Group show, Noho Studios 2021 A Generous Space, Hastings Contemporary The Discerning Eye, Mall Galleries The Royal Academy Summer Exhibition, selected by Yinka Shonibare 2020 The Sunday Times Watercolour Competition Shortlist The Willis Museum, Basingstoke The Mall Galleries, London 2020 The Royal Academy Summer/Winter Exhibition, selected by Sonia Boyce The Discerning Eye, Mall galleries 2019 Solo Exhibition - Close to the Sun The Pontone Gallery The Discerning Eye Two person show, Moor House, Moorgate, London 2018 British Painters - Imagined Worlds, The Pontone Gallery The Discerning Eye - Drawing Bursary British Art Fair - Saatchi Gallery 2017 Solo Exhibition, The Woland Club Art Gallery, Italy 2016 Solo Exhibition - A Sculptor in Paint, The Albermarle Gallery
   Gallery Representation   The Boundary Gallery and The Albemarle Gallery   Statement about AOAP Submitted Artwork   The two works I have donated to this auction express a private moment in time where we witness a glimpse of something familiar, something very human, a space for reflection. A figure we don't know but I hope we somehow recognise in ourselves. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Genevieve Leavold Until Then 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   b.1980. Somerset UK. Genevieve Leavold grew up in a large family in the town of Frome in Somerset. Speaking about her childhood Genevieve notes that it was both a beautiful and difficult experience, and one which deeply informs her practice as an artist. "On one hand it was idillic, growing up is a big crazy house full of people but on the other there was a great deal of sadness and unspoken pain in our house and art was always a place of refuge for me" Genevieve always loved to draw and loved nature, spending hours playing outside in the garden, creating worlds in the undergrowth. This love of hidden places, just outside the known world is a compelling aspect of paintings and drawings.   Select Exhibitions/Awards   Solo Exhibitions 2021 Release - Virtual Exhibition 2019 Legacy - Fitrovia Gallery, London, UK FUGUE STATES - Magacin Kultural Center, Belgrade, Serbia 2018 Desire Paths - Fitzrovia Gallery, London, UK If Not Now - Center 424, Belgrade, Serbia 2016 Glimpses - Center 424, Belgrade, Serbia 2015 30 days - Walthamstow Arts Festival 2012 Parklife - Walthamstow Arts Festival 2010 Joy - Easton ARTS, Bristol   Group Exhibitions 2021 The Other Art Fair - Virtual Editions 2020 Kite Circus - Sidney and Matilda Gallery, Sheffield. 2019 Free From Form - Polet, Belgrade, Serbia The Other Art Fair - Mana Contemporary, Chicago, USA Observations of a Dog - Safehouse I&II, London, UK 2018 From ArtCan with Love - London UK New Artist Fair - London UK 2017 Clio Art Fair - Chelsea, New York TRIBE17 - Oxo Bargehouse, London The Other Art Fair - Old Truman Brewery, London At this Point in Time - The Scottish Arts Club, Edinburgh The Tunnel - Waterstones Gallery, London WCIN 2016 WITP- Strand Gallery, London The Waste Land - Asylum Chapel, London Elles In Rogue: XX Protagonists, Artworks Elephant. Drawing: 5 Answers, Center 424, Belgrade, Serbia 2015 BANG! - 100years Gallery, Hoxton, London. Metamorphosis - Bow Arts, London The Outsider - 5th Base Gallery, London, E1 2009- 2014 Selected Works - Cultivate Vyner Street RE:UP - Cultivate Gallery Vyner Street, London E2 Zeitgiest Open - ZAP Arts, Goodwood Road, London Deep Purple - Group Show at Cultivate Montpelier Art Fringe, Bristol   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Davina Jackson Watching The Day Fade, 2022 Watercolour, Gouache and Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Davina Jackson is a figurative artist based in London where she currently works from a studio at Kingsgate workshops. She graduated with a masters from the Royal Academy Schools where she also won the Gold Medal for painting. Her interests have remained in the theatrical and psychological use of space and a search for poetic simplicity. She continues to develop themes exploring human relationships and emotional states, finding and articulating the essence of an intimate moment or experience through the simplification of forms, mark making and painterly gestures. She has made regular appearances at The Royal Academy Summer exhibition with her 12th inclusion this year, The Discerning Eye and at Art London and over the past several years, has had 3 solo shows with The Albemarle Gallery, with one in Trieste, Italy, curated by Edward Lucie-Smith. She has showed her work in numerous group exhibitions, most recently at Noho Studios, with Act One, The Royal Watercolour Society and Hastings Contemporary.   Education 1989-1990 Central/St Martins 1991-1994 BA. (Hons) Fine Art - Painting, The Byam Shaw School of Art 1994-1997 Post Graduate Masters - Fine Art, The Royal Academy Schools Select Exhibitions/Awards   2022 The Royal Academy Summer Exhibition , (selected by Alison Wilding ) The Royal Water Colour Society Bankside Galleries Act 1, Group show, Noho Studios 2021 A Generous Space, Hastings Contemporary The Discerning Eye, Mall Galleries The Royal Academy Summer Exhibition, selected by Yinka Shonibare 2020 The Sunday Times Watercolour Competition Shortlist The Willis Museum, Basingstoke The Mall Galleries, London 2020 The Royal Academy Summer/Winter Exhibition, selected by Sonia Boyce The Discerning Eye, Mall galleries 2019 Solo Exhibition - Close to the Sun The Pontone Gallery The Discerning Eye Two person show, Moor House, Moorgate, London 2018 British Painters - Imagined Worlds, The Pontone Gallery The Discerning Eye - Drawing Bursary British Art Fair - Saatchi Gallery 2017 Solo Exhibition, The Woland Club Art Gallery, Italy 2016 Solo Exhibition - A Sculptor in Paint, The Albermarle Gallery
   Gallery Representation   The Boundary Gallery and The Albemarle Gallery   Statement about AOAP Submitted Artwork   The two works I have donated to this auction express a private moment in time where we witness a glimpse of something familiar, something very human, a space for reflection. A figure we don't know but I hope we somehow recognise in ourselves. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Robert Pokorny The Green Crayon, 2022 Crayon on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Robert Pokorny is an American contemporary visual artist living and working in Los Angeles, California. Pokorny's work has been exhibited extensively nationally as well as internationally and is held in public and private collections worldwide. Education MFA, California State University Long Beach Select Exhibitions/Awards Solo Exhibitions: CAN Art Fair, Johansson Projects, Ibiza, Spain 2022 Expo Chicago, Johansson Projects, Chicago IL 2022 Thinking, Staring & Smoking, Johansson Projects, Oakland, CA 2021 Modern Guilt & Blue Skies, Ampersand Gallery, Portland, OR 2020 Dialogue, Ampersand Gallery, Portland, OR 2019 SATURATION, Max L. Gatov Gallery, Long Beach, CA. 2010 Transitions, M Modern Gallery Palm Springs, CA. 2008 The Red Zone, Alpha Cult Long Beach, CA. 2007 Select Group Exhibitions: Left Coast Connection, Ringling College of Art + Design, Englewood, FL 2021 Within the Distance, Johansson Projects, Oakland, CA 2020 Derivations, Art on Paper, Aureus Contemporary, New York, NY 2018 Land Purchase, Ampersand Gallery, Portland OR 2017 Derivations/Formations, SCOPE, Aureus Contemporary, Miami, FL 2017 Primitives/Derivations, SCOPE, Aureus Contemporary, Basel, CH 2017 Derivations/Formations, SCOPE, Aureus Contemporary, Miami, FL 2016 Primitives, Art Copenhagen, Aureus Contemporary, Copenhagen, DK 2016 Primitives/Derivations, SCOPE, Aureus Contemporary, Basel, CH 2016 Primitives, SCOPE, Aureus Contemporary, Miami, FL 2015 Primitives, Art Fair Cologne, Aureus Contemporary, Cologne, DE 2015 Derivations/Formations, SCOPE, Aureus Contemporary, Miami, FL 2014 Statement about AOAP Submitted Artwork Drawing is the root of everything I do. Early in the morning or late at night drawing fills that primal need to create, and always in the background music is playing. This drawing, The Green Crayon makes nods to myself, others and a dash of The Traveling Wilburys... Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Olivia Mansfield The Harvest Moon, 2022 Acrylic, Gouache and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1988, Olivia Mansfield is an abstract painter whose works are figments of fantastical, imaginary worlds. Her paintings exist as creative portals to fragmented realms which allude to and echo our own existence. Olivia studied for a Foundation Diploma in Fine Art at the Byam Shaw School of Art (Central Saint Martins, University of the Arts London) before completing a BA (Hons) in Fine Art Practice from Goldsmiths, University of London. Olivia worked in London for several years after graduating before moving back to her hometown, Milton Keynes, to start a family. Olivia has exhibited her work in various online and physical groups and solo shows, most of which have taken place since the beginning of 2021.   Education 2012 BA (Hons), Goldsmiths University Of London, London, United Kingdom 2009 Fine Art Foundation, Central Saint Martens, UAL, London, United Kingdom   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS 2021 Rosa Oculus, The Little Bread Peddler, Pimlico, London, UK 2017 In Sediment, Upstairs At The Ritzy Gallery, Brixton, London, UK 2014 Hypostasis, The Old Church, Stoke Newington, London, UK   SELECTED GROUP EXHIBITIONS 2022 A Room Of Her Own, Irving Contemporary, Oxford, UK 2021 While We Wait, Vacant Museum, Online 2021 Reflections, The Holy Art Gallery, London, Online 2021 Together Through Painting, London Paint Club, Online 2021 Into The Cosmere, Brushes With Greatness, Shoreditch, London, UK 2021 Euphoric, Procrastinarting, Josephine-May Bailey, Online 2021 With Love II, Paint Talk, Online 2014 Summer Show, The Dulwich Picture Gallery, Dulwich, London, UK Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Olivia Mansfield The Celestial Being, 2022 Acrylic and Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in 1988, Olivia Mansfield is an abstract painter whose works are figments of fantastical, imaginary worlds. Her paintings exist as creative portals to fragmented realms which allude to and echo our own existence. Olivia studied for a Foundation Diploma in Fine Art at the Byam Shaw School of Art (Central Saint Martins, University of the Arts London) before completing a BA (Hons) in Fine Art Practice from Goldsmiths, University of London. Olivia worked in London for several years after graduating before moving back to her hometown, Milton Keynes, to start a family. Olivia has exhibited her work in various online and physical groups and solo shows, most of which have taken place since the beginning of 2021.   Education 2012 BA (Hons), Goldsmiths University Of London, London, United Kingdom 2009 Fine Art Foundation, Central Saint Martens, UAL, London, United Kingdom   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS 2021 Rosa Oculus, The Little Bread Peddler, Pimlico, London, UK 2017 In Sediment, Upstairs At The Ritzy Gallery, Brixton, London, UK 2014 Hypostasis, The Old Church, Stoke Newington, London, UK   SELECTED GROUP EXHIBITIONS 2022 A Room Of Her Own, Irving Contemporary, Oxford, UK 2021 While We Wait, Vacant Museum, Online 2021 Reflections, The Holy Art Gallery, London, Online 2021 Together Through Painting, London Paint Club, Online 2021 Into The Cosmere, Brushes With Greatness, Shoreditch, London, UK 2021 Euphoric, Procrastinarting, Josephine-May Bailey, Online 2021 With Love II, Paint Talk, Online 2014 Summer Show, The Dulwich Picture Gallery, Dulwich, London, UK Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Olivia Mansfield Selene, 2022 Oils, Ink and Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in 1988, Olivia Mansfield is an abstract painter whose works are figments of fantastical, imaginary worlds. Her paintings exist as creative portals to fragmented realms which allude to and echo our own existence. Olivia studied for a Foundation Diploma in Fine Art at the Byam Shaw School of Art (Central Saint Martins, University of the Arts London) before completing a BA (Hons) in Fine Art Practice from Goldsmiths, University of London. Olivia worked in London for several years after graduating before moving back to her hometown, Milton Keynes, to start a family. Olivia has exhibited her work in various online and physical groups and solo shows, most of which have taken place since the beginning of 2021.   Education 2012 BA (Hons), Goldsmiths University Of London, London, United Kingdom 2009 Fine Art Foundation, Central Saint Martens, UAL, London, United Kingdom   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS 2021 Rosa Oculus, The Little Bread Peddler, Pimlico, London, UK 2017 In Sediment, Upstairs At The Ritzy Gallery, Brixton, London, UK 2014 Hypostasis, The Old Church, Stoke Newington, London, UK   SELECTED GROUP EXHIBITIONS 2022 A Room Of Her Own, Irving Contemporary, Oxford, UK 2021 While We Wait, Vacant Museum, Online 2021 Reflections, The Holy Art Gallery, London, Online 2021 Together Through Painting, London Paint Club, Online 2021 Into The Cosmere, Brushes With Greatness, Shoreditch, London, UK 2021 Euphoric, Procrastinarting, Josephine-May Bailey, Online 2021 With Love II, Paint Talk, Online 2014 Summer Show, The Dulwich Picture Gallery, Dulwich, London, UK Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Olivia Mansfield The Sun Worshipper, 2022 Acrylic, Gouache and Inks on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1988, Olivia Mansfield is an abstract painter whose works are figments of fantastical, imaginary worlds. Her paintings exist as creative portals to fragmented realms which allude to and echo our own existence. Olivia studied for a Foundation Diploma in Fine Art at the Byam Shaw School of Art (Central Saint Martins, University of the Arts London) before completing a BA (Hons) in Fine Art Practice from Goldsmiths, University of London. Olivia worked in London for several years after graduating before moving back to her hometown, Milton Keynes, to start a family. Olivia has exhibited her work in various online and physical groups and solo shows, most of which have taken place since the beginning of 2021.   Education 2012 BA (Hons), Goldsmiths University Of London, London, United Kingdom 2009 Fine Art Foundation, Central Saint Martens, UAL, London, United Kingdom   Select Exhibitions/Awards   SELECTED SOLO EXHIBITIONS 2021 Rosa Oculus, The Little Bread Peddler, Pimlico, London, UK 2017 In Sediment, Upstairs At The Ritzy Gallery, Brixton, London, UK 2014 Hypostasis, The Old Church, Stoke Newington, London, UK   SELECTED GROUP EXHIBITIONS 2022 A Room Of Her Own, Irving Contemporary, Oxford, UK 2021 While We Wait, Vacant Museum, Online 2021 Reflections, The Holy Art Gallery, London, Online 2021 Together Through Painting, London Paint Club, Online 2021 Into The Cosmere, Brushes With Greatness, Shoreditch, London, UK 2021 Euphoric, Procrastinarting, Josephine-May Bailey, Online 2021 With Love II, Paint Talk, Online 2014 Summer Show, The Dulwich Picture Gallery, Dulwich, London, UK Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Oliver Hoffmeister Stride, 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Oliver Hoffmeister (b.1995 Chesterfield) is a Newcastle/London based painter-printmaker. His work focuses upon the obscure nature of the imagined image, with particular reference to the artist's conceived imagery. More recently Hoffmeister has attempted to delve into his creative process and re-think his paintings, the imagery he makes and the manners in which he works. Since graduating in 2018, Oliver has shown work as part of The Ingram Collection Young Contemporary Talent Award in London, Ghosts That Live Amongst Us in 155a Gallery, London and was long-listed for The Contemporary Painting Prize 2021. More recently he has produced his first solo exhibition with Berwick Visual Arts at Gymnasium Gallery in Berwick upon Tweed and has show a new body of work at 36 Gallery in Newcastle. He has recently begun studying at the Royal Drawing School on the Drawing year.   Education   Ba Hons - fine art (Newcastle University) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Oliver Hoffmeister Platform, 2022 Gouache and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Oliver Hoffmeister (b.1995 Chesterfield) is a Newcastle/London based painter-printmaker. His work focuses upon the obscure nature of the imagined image, with particular reference to the artist's conceived imagery. More recently Hoffmeister has attempted to delve into his creative process and re-think his paintings, the imagery he makes and the manners in which he works. Since graduating in 2018, Oliver has shown work as part of The Ingram Collection Young Contemporary Talent Award in London, Ghosts That Live Amongst Us in 155a Gallery, London and was long-listed for The Contemporary Painting Prize 2021. More recently he has produced his first solo exhibition with Berwick Visual Arts at Gymnasium Gallery in Berwick upon Tweed and has show a new body of work at 36 Gallery in Newcastle. He has recently begun studying at the Royal Drawing School on the Drawing year.   Education   Ba Hons - fine art (Newcastle University) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Oliver Hoffmeister Billboard, 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Oliver Hoffmeister (b.1995 Chesterfield) is a Newcastle/London based painter-printmaker. His work focuses upon the obscure nature of the imagined image, with particular reference to the artist's conceived imagery. More recently Hoffmeister has attempted to delve into his creative process and re-think his paintings, the imagery he makes and the manners in which he works. Since graduating in 2018, Oliver has shown work as part of The Ingram Collection Young Contemporary Talent Award in London, Ghosts That Live Amongst Us in 155a Gallery, London and was long-listed for The Contemporary Painting Prize 2021. More recently he has produced his first solo exhibition with Berwick Visual Arts at Gymnasium Gallery in Berwick upon Tweed and has show a new body of work at 36 Gallery in Newcastle. He has recently begun studying at the Royal Drawing School on the Drawing year.   Education   Ba Hons - fine art (Newcastle University) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Oliver Hoffmeister Home, 2022 Gouache and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Oliver Hoffmeister (b.1995 Chesterfield) is a Newcastle/London based painter-printmaker. His work focuses upon the obscure nature of the imagined image, with particular reference to the artist's conceived imagery. More recently Hoffmeister has attempted to delve into his creative process and re-think his paintings, the imagery he makes and the manners in which he works. Since graduating in 2018, Oliver has shown work as part of The Ingram Collection Young Contemporary Talent Award in London, Ghosts That Live Amongst Us in 155a Gallery, London and was long-listed for The Contemporary Painting Prize 2021. More recently he has produced his first solo exhibition with Berwick Visual Arts at Gymnasium Gallery in Berwick upon Tweed and has show a new body of work at 36 Gallery in Newcastle. He has recently begun studying at the Royal Drawing School on the Drawing year.   Education   Ba Hons - fine art (Newcastle University) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Kate Sherman Pines, 2022 Oil on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Kate Sherman grew up on the Jurassic coast of Dorset. After graduating with a degree in Fine Art she continued her painting practice while working in the London art scene, before deciding in 2005 to paint full time. She lives and works in Sussex. The paintings, all oil on panel, originate from photographs she has taken of her surrounding landscape. This photographic source is important because the paintings capture a reflective notion of memory, of the emotional distance between a real landscape and a photograph, between experience and longing. It is a poignant and quiet melancholy reminiscent of Edward Hopper, that is expressed both by the portrayal of sparse unpopulated landscapes containing elemental traces of man, and by her restrained palette which is often suffused in a reserved northern European light of chalky blues and pink-blushed greys.   Select Exhibitions/Awards   2021 Figurative Art Now, Mall Galleries, London 2020 Discerning Eye Exhibition, Mall Galleries, London 2020 The Seventh View, C24 Gallery, New York 2019 Discerning Eye Exhibition, Mall Galleries, London 2019 Coast, ONCA Gallery, Brighton 2018 Forest, Reuben Colley Fine Art, Birmingham 2018 Wells Art Contemporary, Wells, Somerset 2018 Royal Academy Summer Exhibition, London 2018 Blossom & Forest, Rowe & Williams Gallery, Yoxford 2017 Downland, The Jointure Studios, Ditchling 2016 Rendlesham, Onca Gallery, Brighton 2015 National Open Art Exhibition, RCA, London 2015 Moving Images, The Jointure Studios, Ditchling 2015 Royal Academy Summer Exhibition, London 2012 Monte Azul Contemporary Art, Costa Rica 2010 Rowley Gallery, London, Mixed Exhibition 2009 Town and Country, Kate Sherman and Nicholas Wrigglesworth, Zimmer Stewart Gallery, Arundel   Gallery Representation   Cavaliero Finn Gallery Ltd Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Andrew Torr Dungeness I Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Contemporary painter working in London. Particularly landscape/cityscape.   Education   BA Fine Art Wimbledon School of Art   Select Exhibitions/Awards   One person shows at Bedford Gallery & Boundary Gallery Selected for the NEAC Mall Galleries Annual   Gallery Representation   Oliver Contemporary www.olivercontemporary.co.uk   Statement about AOAP Submitted Artwork   I love making work for Art On A Postcard because the format forces you to address scale and how scale affects decisions, practice and results. The size of work is normally determined by intention, materials, subject matter etc. When you're tied to work within 6" x 4" you have to modify every subsequent decision and process that you would normally rely on to make work and this challenge takes you out of your comfort zone. Recently, I've been working on a large scale series of paintings from Dungeness beach in Kent. Normally, these vast spaces require a large format. When this is not an option, how do you modify process and method to make it work? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Andrew Torr Dungeness II, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Contemporary painter working in London. Particularly landscape/cityscape.   Education   BA Fine Art Wimbledon School of Art   Select Exhibitions/Awards   One person shows at Bedford Gallery & Boundary Gallery Selected for the NEAC Mall Galleries Annual   Gallery Representation   Oliver Contemporary www.olivercontemporary.co.uk   Statement about AOAP Submitted Artwork   I love making work for Art On A Postcard because the format forces you to address scale and how scale affects decisions, practice and results. The size of work is normally determined by intention, materials, subject matter etc. When you're tied to work within 6" x 4" you have to modify every subsequent decision and process that you would normally rely on to make work and this challenge takes you out of your comfort zone. Recently, I've been working on a large scale series of paintings from Dungeness beach in Kent. Normally, these vast spaces require a large format. When this is not an option, how do you modify process and method to make it work? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Andrew Torr Dungeness III, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Contemporary painter working in London. Particularly landscape/cityscape.   Education   BA Fine Art Wimbledon School of Art   Select Exhibitions/Awards   One person shows at Bedford Gallery & Boundary Gallery Selected for the NEAC Mall Galleries Annual   Gallery Representation   Oliver Contemporary www.olivercontemporary.co.uk   Statement about AOAP Submitted Artwork   I love making work for Art On A Postcard because the format forces you to address scale and how scale affects decisions, practice and results. The size of work is normally determined by intention, materials, subject matter etc. When you're tied to work within 6" x 4" you have to modify every subsequent decision and process that you would normally rely on to make work and this challenge takes you out of your comfort zone. Recently, I've been working on a large scale series of paintings from Dungeness beach in Kent. Normally, these vast spaces require a large format. When this is not an option, how do you modify process and method to make it work? Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Laila Tara H Thief! Thief! Thief In My Closet!, 2022 Natural Pigment, Watercolour, Velvet and Handmade Hemp Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Laila Tara H (b.1995, London) is an Iranian-British artist whose practice stems from the visual language of Indo-Persian miniature painting. Laila's Iranian heritage, and years spent moving through continents have inspired the language through which she articulates her own history + life. Utilising historical techniques, her works explore and experiment in scale and negative space. Symbolic forms and multiple, concurrent narratives punctuate the space. Detailed figures suspended amidst contemporary urban scenes, disjointed limbs amidst delicate foliage, are all arranged in stark, startling compositions that defy stylistic cannons and stretch boundaries. She often cuts and folds paper, puncturing and destabilising space to introduce new three-dimensional depth and shadow play. Her works, most often painted on hand-made natural hemp paper sourced from Sanganer, India, explore a range of emotions, and create a charged surface where the tension between form and formlessness; the object and its surrounding emptiness, plays out. The figures explore our sense of perspective and time, and are interlaced with deeply personal narratives. Laila mostly uses pigments that are either naturally derived, or prepared using traditional methods from found materials-these range from crushed red London bricks; walnut ink; madder red pigment; deep blue lapis lazuli from Badakhshan province of Afghanistan and India, sourced from Florence; ochres from Iran, collected from the island of Hormoz.   Education   2017-2019 MA (distinction), The Prince's School of Traditional Arts, Miniature Painting   Select Exhibitions/Awards   Solo / Two-person: 2022 In Studio, Drake's London, New York, United States 2022 Twisted toes, tangled ears (with Anousha Payne), Public Gallery, London, United Kingdom 2022 duck duck goose, Purdy Hicks Gallery, London, United Kingdom 2021 Vexilloid, O Gallery, Tehran, Iran 2021 Am I?, V.O Curations, London, United Kingdom 2021 Sky-Circles (with Anusheh Zia Siddiqui), Indigo+Madder, London, United Kingdom Recent Selected Group: 2022 The body we are in, Confer-Karnac, London 2022 Future Fair, Cob Gallery, New York, United States 2022 Drawing Now Fair, Purdy Hicks Gallery, Paris France 2022 London Art Fair, Purdy Hicks Gallery, London 2022 ASSEMBLE, V.O Curations, London 2021 Slow Burn, Indigo+Madder, London 2021 Cruel Intentions, Arusha Gallery, London 2020 Casa Balandra Open Studios, Casa Balandra, Mallorca, Spain 2020 Nourishment Projects, V.O Curations, London 2020 So Good So Close, Numeroventi, Florence, Italy   Statement about AOAP Submitted Artwork   There's a moth in the cupboard. It's eaten through all the wool and all the silk. There's a moth in the cupboard and I can't get it out. Now that the moth turned velvet red, I sit by the fire and burn all that's left. ____ My painting practice for the last few years has stemmed primarily from Persian and Indian Miniature painting. My adoption of the tradition started as a means to leash myself to my lineal heritage, both by use of technique and medium but also by the active rejection of the western art power structure that has largely shunned non-western production as craft and inspiration. This is symptomatic of the larger geo-political power structure that physically dislocated and dismembered the majority (and most important) of the manuscripts. I say this while noting that tradition is an unstable term, especially when it's being used to cover half a continent and many centuries and is an evolving, thing. With the understanding that tradition is both unstable and unhinged now that it's existing entirely out of its original physical context - not entirely unlike my own biographical existence, I'm interested in the deconstruction of its aesthetic framework. To expand on the former, I am practicing the tradition outside of its original nation/state, outside of it's book-binding, outside of the generations of schools of men dedicated to it, outside of the occident/orient binary, and entirely outside of it's original purpose as a story-teller for political and religious means. Instead, I'm taking it on as a language with which to build a sort of Laila- dialect and weave my lived experiences. My compositions are maximal minimal - they require negative space to push movement and then the paint acts as an interjection. I enjoy taking this dense form of painting that began in manuscripts and reducing it down to its core - to take whole narratives and turn them to single sentences (with titles that are often poems.) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Neil Bousfield The Calling, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast.   Education   MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video)   Select Exhibitions/Awards   RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020)   Gallery Representation   Rabley Gallery   Statement about AOAP Submitted Artwork   The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Neil Bousfield Scout, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast.   Education   MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video)   Select Exhibitions/Awards   RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020)   Gallery Representation   Rabley Gallery   Statement about AOAP Submitted Artwork   The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Neil Bousfield Coastal Sunrise, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast.   Education   MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video)   Select Exhibitions/Awards   RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020)   Gallery Representation   Rabley Gallery   Statement about AOAP Submitted Artwork   The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Neil Bousfield The Return, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast.   Education   MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video)   Select Exhibitions/Awards   RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020)   Gallery Representation   Rabley Gallery   Statement about AOAP Submitted Artwork   The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Serpil Mavi Üstün Ask Me Again, 2022 Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About I was born in Turkey. I've been living and working in London since April 2016. Education Mimar Sinan Fine Art University, İstanbul Select Exhibitions/Awards 2022 Caramel Macchiato, C.A.M. Gallery, Istanbul 2019 Everything Is Ok, One Paved Court, London 2018 Royal Arts Prize Runner-up exhibition, Royal Opera Arcade Gallery-London 2015 Along Yourself, Harmony Art Gallery, Istanbul 2013 Timeless, Harmony Art Gallery, Istanbul SELECTED GROUP EXHIBITIONS Another Round, Galeri Nev, Istanbul Mothflower, "Character" Group Show,2022 Contemporary Istanbul -Bloom , 2021 Recto-Verso, C.A.M. Gallery, Istanbul Let it be, C.A.M. Gallery, Istanbul Subsidiary Projects - ROOMS, London,2020 Herstory, C.A.M. Gallery, Istanbul Step İstanbul '19, C.A.M. Gallery, Istanbul ,2019 Visualy Literate2 Manier Gallery, London The Other Art Fair London "Not 30 %" curated by Kate Bryan, Saatchi Art, 2018 99 Kare, Art On, Timeless, HLS Gallery, London Royal Arts Prize Exhibition 2017, London Saint Pulcherie Printemps des Artistes Galeri Od'A, Royal Arts Prize IV. Edition (Second place award), 2017,London Statement about AOAP Submitted Artwork The artist dealing with loneliness of the individual of the present-day; makes us confront with the personal stories of her fragile, perturbed, melancholic, heroes and heroines who refer to solitude. Some of these moments that Serpil dwells on, there are some personal eccentricities, which appear in a passive- aggressive way. Even sometimes the personas of her painting make us think that they are taking a kind of pleasure to procreate drama. They can seem indifferent in a case or atmosphere where they are supposed to take pleasure. In a moment that seems ideal, beautiful or happy they can sabotage it. These heroes, who ruin their own pastel world, reflect the conflicts that we deal with, in our daily routine.     Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Emily B Yang Longevity Plate, 2022 Block Print on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Emily B. Yang explores the fragmented story of Asian American identity through intergenerational engagement. The story of her own lineage follows four generations of people that have migrated from country to country, preserving and crafting their own unique cultural heritage and meaning. As a block print artist, she employs a traditional medium for a contemporary context and looks back towards the past to reconcile with a disorienting present, before exploring ways to move forward with intention.   Education   Master in Design Engineering, Harvard University Graduate School of Design   Select Exhibitions/Awards   New York Public Library, Children's Summer Program (New York, NY) 2022 Poster House, First Friday (New York, NY) 2022 Royal Academy of Art, Summer Exhibition (London, UK) 2022 Yale School of Architecture Gallery "Beyond Asian Silence" (New Haven, CT) 2021   Statement about AOAP Submitted Artwork   The Asian diaspora has adapted traditional Chinese porcelain pattern motifs over time to form their own visual languages. This image is a playful and meditative take on the traditional Chinese longevity print, a reflection on the interconnected nature of both longevity and rest. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Emily B Yang Resting Longevity, 2022 Block Print on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Emily B. Yang explores the fragmented story of Asian American identity through intergenerational engagement. The story of her own lineage follows four generations of people that have migrated from country to country, preserving and crafting their own unique cultural heritage and meaning. As a block print artist, she employs a traditional medium for a contemporary context and looks back towards the past to reconcile with a disorienting present, before exploring ways to move forward with intention.   Education   Master in Design Engineering, Harvard University Graduate School of Design   Select Exhibitions/Awards   New York Public Library, Children's Summer Program (New York, NY) 2022 Poster House, First Friday (New York, NY) 2022 Royal Academy of Art, Summer Exhibition (London, UK) 2022 Yale School of Architecture Gallery "Beyond Asian Silence" (New Haven, CT) 2021   Statement about AOAP Submitted Artwork   The Asian diaspora has adapted traditional Chinese porcelain pattern motifs over time to form their own visual languages. This image is a playful and meditative take on the traditional Chinese longevity print, a reflection on the interconnected nature of both longevity and rest. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Georgia Peskett Voile III, 2022 Oil and Pastel on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education   Epsom School of Art and Design   Select Exhibitions/Awards   Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation   Cupola Gallery Sheffield, Rise Art London, Singulart Paris   Statement about AOAP Submitted Artwork   Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Georgia Pesket Voile IV, 2022 Oil and Pastel on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education   Epsom School of Art and Design   Select Exhibitions/Awards   Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation   Cupola Gallery Sheffield, Rise Art London, Singulart Paris   Statement about AOAP Submitted Artwork   Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Georgia Pesket Voile V, 2022 Oil and Pastel on Card Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education   Epsom School of Art and Design   Select Exhibitions/Awards   Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation   Cupola Gallery Sheffield, Rise Art London, Singulart Paris   Statement about AOAP Submitted Artwork   Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising