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Nicole Rose Breeze 2 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work, as an artist and designer, explores my emotional response to the natural world around me. I primarily create abstract paintings based on the landscape. Using layers of oil colour and a sweeping brush technique the finished paintings take on an ethereal quality. Alongside my paintings I also create complementary prints that are at once a reflection of the original painting - and a new perspective on it. Focusing on a photographed section of a finished painting, I work in Photoshop to reimagine and rebalance, creating a run of limited-edition giclée prints that are both a part of the original works - and a fresh response to the landscape in their own right. My current selection of paintings and prints have been created following visits to nature reserves where I records sights, sounds, colours and routes taken, to remember and work from in my studio. I graduated from Central St Martins School of Art in 1992 with a BA in Graphic Design. I have had a successful career as a Creative Director, running my own commercial design studio for many years, and now work from my art studio in North London. Education Central St Martins BA (Hons) Graphic Design 1992   Select Exhibitions/Awards The Other Art Fair July 2021, October 2021, March 2022. Woolwich Contemporary Print Fair November 2021. Shortlisted for the Boodle Hatfield Fair Print Prize 2022. Award ceremony later in the year.   Gallery Representation Rise Art, The Artling - both online platforms   Statement about AOAP Submitted Artwork The Breeze collection of postcards follow the same technique as I apply to my larger canvas paintings. They were created following a visit to my local nature reserve as a remembered visual recording to the surroundings.

Nicole Rose Breeze 3 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work, as an artist and designer, explores my emotional response to the natural world around me. I primarily create abstract paintings based on the landscape. Using layers of oil colour and a sweeping brush technique the finished paintings take on an ethereal quality. Alongside my paintings I also create complementary prints that are at once a reflection of the original painting - and a new perspective on it. Focusing on a photographed section of a finished painting, I work in Photoshop to reimagine and rebalance, creating a run of limited-edition giclée prints that are both a part of the original works - and a fresh response to the landscape in their own right. My current selection of paintings and prints have been created following visits to nature reserves where I records sights, sounds, colours and routes taken, to remember and work from in my studio. I graduated from Central St Martins School of Art in 1992 with a BA in Graphic Design. I have had a successful career as a Creative Director, running my own commercial design studio for many years, and now work from my art studio in North London. Education Central St Martins BA (Hons) Graphic Design 1992   Select Exhibitions/Awards The Other Art Fair July 2021, October 2021, March 2022. Woolwich Contemporary Print Fair November 2021. Shortlisted for the Boodle Hatfield Fair Print Prize 2022. Award ceremony later in the year.   Gallery Representation Rise Art, The Artling - both online platforms   Statement about AOAP Submitted Artwork The Breeze collection of postcards follow the same technique as I apply to my larger canvas paintings. They were created following a visit to my local nature reserve as a remembered visual recording to the surroundings.

Nicole Rose Breeze 4 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work, as an artist and designer, explores my emotional response to the natural world around me. I primarily create abstract paintings based on the landscape. Using layers of oil colour and a sweeping brush technique the finished paintings take on an ethereal quality. Alongside my paintings I also create complementary prints that are at once a reflection of the original painting - and a new perspective on it. Focusing on a photographed section of a finished painting, I work in Photoshop to reimagine and rebalance, creating a run of limited-edition giclée prints that are both a part of the original works - and a fresh response to the landscape in their own right. My current selection of paintings and prints have been created following visits to nature reserves where I records sights, sounds, colours and routes taken, to remember and work from in my studio. I graduated from Central St Martins School of Art in 1992 with a BA in Graphic Design. I have had a successful career as a Creative Director, running my own commercial design studio for many years, and now work from my art studio in North London. Education Central St Martins BA (Hons) Graphic Design 1992   Select Exhibitions/Awards The Other Art Fair July 2021, October 2021, March 2022. Woolwich Contemporary Print Fair November 2021. Shortlisted for the Boodle Hatfield Fair Print Prize 2022. Award ceremony later in the year.   Gallery Representation Rise Art, The Artling - both online platforms   Statement about AOAP Submitted Artwork The Breeze collection of postcards follow the same technique as I apply to my larger canvas paintings. They were created following a visit to my local nature reserve as a remembered visual recording to the surroundings.

Twinkle Troughton Windows Are The Eyes (Thanet) Oil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born in Coventry, Twinkle studied Fine Art (BA Hons) at Kingston University, spending 18 years in London before heading to Margate where she now lives. Working primarily with oil on paper, Twinkle's paintings are inspired by landscapes, narrative and myth. Recent solo shows include Paper Gallery in Manchester, Haeckles Home in Margate and Studio 1 Gallery in Wandsworth. Other previous solo shows include The Pure Evil Gallery in Old Street, London and Bristol's Steal From Work, and for two years Twinkle was represented by the Stella Dore Gallery in Old St London until it closed in 2009. As well as exhibiting widely in the UK, Twinkle has also exhibited internationally. In 2013 Twinkle was invited to exhibit and participate in an artist residency with Tinsel Edwards at Galerie Michaela Stock in Vienna, and in 2010 was selected to exhibit as part of an emerging British Artist show at Redbull's prestigious Hangar-7 Gallery in Salzburg. She has also exhibited at LA's Orange County Centre of Contemporary Art (OCCCA). Other exhibition highlights include Jealous Gallery in East London, PS Mirabel's 'Paint' exhibition in Manchester, Hay Hill Gallery on London's Cork St and a joint show with her dad David Troughton in Leamington Spa's Gallery150. Her work has been featured in-store in Selfridges on Oxford St and at The Affordable Art fair with Jamm Gallery. Twinkle has also been a Celeste Art prize finalist and an Aesthetic Art Prize Longlister. Collaborations include public art performances with Tinsel Edwards, and co-curating exhibitions at Gallery 64a in Whitstable, Vyner Street's Cultivate Gallery and Redchurch Street's Outside World gallery. Twinkle has also curated exhibitions, including; Dulwich College in London, Gallery 64a in Whitstable, LIMBO Arts, Joseph Wales Studio and Resort Studios in Margate and The Outside World on Redchurch St, London. She is also the Art and Culture editor and writes for the Margate Mercury magazine. Daimon Dash, Howard Marks and Rupert Grint all own Twinkle paintings. Her work is also in the collection of Dietrich Mateschitz (owner of Redbull). She also has work in a private collection in Malibu alongside Ed Ruscha and Rauschenberg.   Education A History Of British Art, City Lit College, Holborn - 2011 The Age Of Reason: Art and culture in the 18th century, City Lit College, Holborn - 2010 Art and Politics: A Change Must Come, City Lit College, Holborn - 2010 BA Hons Fine Art Intermedia, Kingston University, Greater London 1998 - 2001   Select Exhibitions/Awards   Upcoming: 5th - 15th March 2020, 'Oh Bondage, Up Yours!' Resort Studios Margate as part of POW! Thanet (group show curated by myself) 1st - 14th August 2020 'Silent Disco' Summer exhibition curated by Graham Crowley, Wickham Market, Suffolk Selected Solo Shows: 2018 'Landscapes for a Lonely Wolf' Gallery 64a, Whitstable, Kent 'Landscapes for a Lonely Wolf' Urchins, Margate Kent UK 2017 'Citizens of Nowhere' Studio 1 Gallery, London 2016 'The Frogs Who Desired a King' Hantverk & Found, Margate, Kent UK 2013 'Affluence and Avarice' by Twinkle and Tinsel, Galerie Michaela Stock, Vienna, Austria 2012 'A Mini Retrospective' by Twinkle and Tinsel, A-Side B-Side Gallery, Hackney 2010 Twinkle and Tinsel's 'It Was the Best of Times, It Was the Worst of Times' Headspace Gallery Liverpool 2009 Tinsel and Twinkle's 'It Was the Best of Times, It Was the Worst of Times' The Long Arm Gallery, Bristol 2008 'Never Shall Be Slaves' Solo show at The Pure Evil Gallery, Old St, London 2007 'Cor Blighty!' Solo show at The Dragon Bar, Old St, London 2006 'An Urban Myth' TomTom Gallery, Covent Garden, London 2005 'It's Only Rock n Roll' Solo show at Selfridges, Oxford St, London 'It's Only Rock n Roll' Solo show at Exposure Gallery, London

Molly Bounds Adam's Bench Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Molly Bounds (b. 1990) is a painter and printmaker currently living in Los Angeles. Born in Texas and raised in Colorado, she received her BFA in Printmaking from Metropolitan State University of Denver in 2014. After her solo exhibition at the Denver Museum of Contemporary Art in 2016, she completed a two year residency At Redline Contemporary Art Center. She has since exhibited work in Oakland, Denver, Portland, Marfa, Los Angeles, Chicago, and Australia.   Education BFA Metropolitan State University of Denver   Gallery Representation Part 2 Gallery, Oakland California   Statement about AOAP Submitted Artwork Through psychological portraiture, Bounds highlights the complexities of internal dialogue surrounding notions of agency. Vacillating between possibility and limitation, figures seem to have reached a stasis. Reminiscent of images out of a self-help book, the figures perform arbitrary tasks on the path to activation.

Molly Bounds Adam's Chair Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Molly Bounds (b. 1990) is a painter and printmaker currently living in Los Angeles. Born in Texas and raised in Colorado, she received her BFA in Printmaking from Metropolitan State University of Denver in 2014. After her solo exhibition at the Denver Museum of Contemporary Art in 2016, she completed a two year residency At Redline Contemporary Art Center. She has since exhibited work in Oakland, Denver, Portland, Marfa, Los Angeles, Chicago, and Australia.   Education BFA Metropolitan State University of Denver   Gallery Representation Part 2 Gallery, Oakland California   Statement about AOAP Submitted Artwork Through psychological portraiture, Bounds highlights the complexities of internal dialogue surrounding notions of agency. Vacillating between possibility and limitation, figures seem to have reached a stasis. Reminiscent of images out of a self-help book, the figures perform arbitrary tasks on the path to activation.

Shannon Bono I Am Here Acrylic, Spray Paint and Image Transfer on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Shannon Bono's (b. 1995, London) paintings embody an afrofemcentrist consciousness, sharing muted narratives and projecting the black women's lived experiences. She is invested in producing layered, figurative, compositions embedded with symbols and scientific metaphors that centralise black womanhood as a source of knowledge and understanding. Enamoured by African spiritually, Christian iconography and renaissance art she employs its purpose of cultural impact, liturgy and instruction for an improved society within her works. Shannon explores the internal body as well as the external, by merging the design of notable fabrics from Africa with biological structures and chemical processes in living organisms for the backgrounds of her works and using the anatomy as a second canvas in the foreground. She views the body as a powerful signifier that provokes dialogue, playing with pose, gesture and the gaze to challenge reality.   Education Bono received her MA in Art and Science from Central Saint Martin's University (2019) and a Postgraduate Certificate in from University of the Arts London (2021).   Select Exhibitions/Awards In 2021, Bono presented her first solo exhibition titled "The hands that hold you," at the Anderson Contemporary, London and she has been selected for Bloomberg New Contemporaries award 2021 showing at Firstsite and The South London Gallery. Recent exhibitions include "Love is the Devil: Studies after Francis Bacon" presented at Marlborough Gallery (2022), "Bold Black British," presented at Christie's (2021), "Reclaiming Magic" Royal Academy Summer exhibition and 'WOP' Avant Arte x WOAW Gallery Hong Kong (2021-2022). Other notable exhibitions she has participated in include The Lee Alexander McQueen Sarabande Foundation, Workplace Gallery and the Copeland Gallery. Shannon has been featured in Dazed Magazine and online press by Elephant magazine, Wallpaper magazine, Bustle, i-D and Soho house.   Statement about AOAP Submitted Artwork 'I AM HERE' was inspired by an inspirational and informative conversation I had with Julia the National female prison coordinator of the HepC trust. Julia shared with me the amazing and important work the trust are doing and emphasised the importance of reducing the stigma of HepC and aftercare for these women. I wanted the piece to speak to the strength of the women and their journeys those in prison and the women offering support working with the trust. The background design is based on the viral structure of Hep C and the hybrid female figure symbolises the strength of the women. I titled the piece after a poem I read in the I AM magazine which was created for the women in lockdown.

Sofia Echa Thinking Of You Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sofia Echa was born in 1992 in Vladivostok, Russia and settled in New York City in 2013 to continue her pursuit of a career in art after she received a bachelor degree in Economics and Japanese studies at Federal University of Vladivostok, Russia. She graduated from the National Academy School in New York. Before that, Sofia studied fine arts in Art School in Vladivostok and in Cambridge School of Visual & Performing Arts, Cambridge, UK. Her works are in private collections in the United States and Russia. She is honored to have donated work to the 2015 National Academy Gala auction honoring National Academician, Eric Fischl, with a Lifetime Achievement Award, and to the Bailey House Auction in 2016, 2017, and 2020. In September 2015, she had her first solo show in the Center of Contemporary Art Sol' in Vladivostok, Russia, and in 2017 - the first solo show in New York (Sonia Gechtoff gallery, National Academy Museum and School). In September 2018 her work was auctioned off at the Phillips auction house in New York.   Education BA in Japanese studies, Federal University of Vladivostok, Russia Cambridge School of Visual & Performing Arts, Cambridge, UK Studio Intensive Diploma Program, National Academy School, New York   Select Exhibitions/Awards   Solo Exhibitions 2018 Illusions of reflection, Oyster Bay Gallery, Oyster Bay, NY 2017 Traversing a Space, Sonia Gechtoff Gallery, National Academy Museum & School, New York, NY 2015 Fluidity, Sol' Center for Contemporary Art (Artetage Museum of Modern Art), Vladivostok, Russia   Selected Group Exhibitions 2020 Spring pop-up show, Oakcliff Sailing Center, Oyster Bay, NY Bailey House auction, New York, NY 2019 Treat America Project, Foley Gallery, New York, NY Treat America project, Satellite Art show, The Museum of Human Achievement, Austin, TX Pop-in/Poppin, pop-up show,198 Allen St., New York, NY 2018 New Now, Phillips auction, New Nork, NY Friends of the border, The Border project space, Brooklyn NY LANDSCAPE: Representation of where we inhabit, Experimental Space gallery, Reis Studios, Queens, NY 2017 Memories of Our Town, Maritime Garage Gallery, Norwalk, CT Creative Mischief, National Academy Museum, New York, NY 2014 Year-End Exhibition Prize, National Academy School of Fine Arts Gallery Representation Arti NYC Gallery

Mafalda Figueiredo Running After Fire Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Mafalda Figueiredo (b.1991, Lisbon) is a figurative painter. As a child she always felt constrained and observed. This incited within her a desire to create, in order to live the freedom she longed for, through drawings and paintings she produced obsessively. These feelings were intensified in adolescence as the artist became increasingly aware of the gaze of the opposite gender, the objectification of that very look, and the need to either shield from it or accept it. Figueiredo is interested in intuition, self-analysis and self-observation and believes every involuntary idea that comes to mind has meaning and comes as a message from the subconscious. She interprets spontaneous ideas as one interprets dreams: through a process of signification, looking at the visual elements as symbols and decoding their meaning according to the context and experience of the dreamer. Through figurative painting, Figueiredo attempts to project this thought process into images. She portrays figures looking out of the painting as if they are struck by the realization of being observed. She's interested in transitioning states, constantly questioning where and when one moves from the position of object of observation to observer, and the imaginary time and space between these two states. Education Bachelors in Painting at the Fine Arts University of Lisbon   Select Exhibitions/Awards 2019 - Paper Positions Art Fair, Berlin, Germany 2019 - Volta Basel Art Fair, Basel, Switzerland 2019 - "Bonum et Malum" (Group exhibition), Berlin, Germany 2019 - Positions Berlin, Berlin, Germany
2020 - "Hold still, Look out" (Solo exhibition), Maus Contemporary, Birmingham, USA 2020 - "In Response" (Group exhibition), The Viewing Room, London, UK 2020 - "Aurelia Arts Festival" (Group exhibition), Aurelia Arts, London, UK 2021 - Women's Aid Auction, Berntson Bhattacharjee, London, UK 2021 -" The Veil that Unveils the Moon" (Solo exhibition) , Liminal Gallery, London, UK

Victoria Cantons Change is the Natural Order Watercolour and Archival Ink on Paper Signed on Front and Verso 15 x 10cm (5¾ x 3¾ in.) About Victoria Cantons is an artist who happens to be a woman, transgender, and gay. As a trans woman she is keenly aware of limitations and stigmas, which leads her to question how much freedom we have and where our boundaries lie. Cantons wants to understand as much as she can about what it means to be human. She believes that what we as individuals present to the world is multifaceted and not always visible; a continuous evolution in response to experience, and in relationship to each other. The human condition and questions of identity are central to her work. Cantons is interested in themes of power, identity, and male and female perceptions of each other. She says "These aspects connect us all and yet we are also unique individuals". Cantons' painting is figurative and she could be described as a colourist. She is interested in the dialogue between painting's contemporary iterations and its histories. Cantons uses drawing and written notes combined with found and made photographs to navigate between intuitive, intellectual, and aesthetic content informed by a multinational, -cultural and -religious background. An interest in the internal-external dichotomy manifests in an attention to scale, to how shadows form, and to where absences appear. Memories of being different suggest the need to use masks and camouflage as protection, while influencing the paintings as they evolve in an exploration of identity, self, and representation.   Education 2018 - 21 MFA Painting (Distinction), Slade School of Art, University College London 2017 - 18 Painters Studio Programme, Turps Art School, London 2014 - 17 BA (Hons) Fine Art: Painting, Wimbledon College of Arts, University of the Arts London 2013. . . . Summer Foundation Course, Slade School of Art, University College London 1995 - 97 Drama Studies, Academy of Live and Recorded Arts (ALRA South), London

Victoria Cantons Hope is Everything Watercolour and Archival Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Victoria Cantons is an artist who happens to be a woman, transgender, and gay. As a trans woman she is keenly aware of limitations and stigmas, which leads her to question how much freedom we have and where our boundaries lie. Cantons wants to understand as much as she can about what it means to be human. She believes that what we as individuals present to the world is multifaceted and not always visible; a continuous evolution in response to experience, and in relationship to each other. The human condition and questions of identity are central to her work. Cantons is interested in themes of power, identity, and male and female perceptions of each other. She says "These aspects connect us all and yet we are also unique individuals". Cantons' painting is figurative and she could be described as a colourist. She is interested in the dialogue between painting's contemporary iterations and its histories. Cantons uses drawing and written notes combined with found and made photographs to navigate between intuitive, intellectual, and aesthetic content informed by a multinational, -cultural and -religious background. An interest in the internal-external dichotomy manifests in an attention to scale, to how shadows form, and to where absences appear. Memories of being different suggest the need to use masks and camouflage as protection, while influencing the paintings as they evolve in an exploration of identity, self, and representation.   Education 2018 - 21 MFA Painting (Distinction), Slade School of Art, University College London 2017 - 18 Painters Studio Programme, Turps Art School, London 2014 - 17 BA (Hons) Fine Art: Painting, Wimbledon College of Arts, University of the Arts London 2013. . . . Summer Foundation Course, Slade School of Art, University College London 1995 - 97 Drama Studies, Academy of Live and Recorded Arts (ALRA South), London

Jackie Berridge Little Angel Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Jackie Berridge lives and works from a home studio in the small town of Southwell in Nottinghamshire   Education 2018-19 Turps Banana Correspondence Course 2007 MA Children's Book Illustration, Cambridge School of Art 1995 Fine Art at Nottingham Trent University   Select Exhibitions/Awards Royal Academy Summer Exhibition, 2010, 2016, 2017, 2021 Trinity Buoy Wharf Drawing Prize, 2019, 2021 London Group Open, 2017 Selected Solo Exhibitions The Angelus Gallery, Winchester College 2019, Rabley Contemporary Gallery 2016, Lakeside Arts, Nottingham 2014, Derby Museum and Art Gallery 2002 Selected Group Exhibitions Platforms Projects, Athens Greece 2021, Reliance Centre, Baroda, India 2019, Enia Gallery, Athens 2018, Lawrence Alkin Gallery London 2016 Gallery Representation Enia Gallery, Piraeus, Athens, Greece Rhodes Gallery, London Tarpey Gallery, Castle Donington, Leics   Statement about AOAP Submitted Artwork My work explores loneliness and aloneness. These drawings are inspired by people I know whilst offering no likeness to their physical appearance. Rather, this work focuses on an interior/exterior space where the viewer can interpret the scenario according to their own experiences.

Penny Goring For Better Or Worser Ink and Felt Tip Pen on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Penny Goring is a London-based artist and poet who makes sculptures, drawings, paintings, videos and poems that are explorations of the contemporary state of emergency.   Education Kingston University, BA (Hons) Fine Art (Painting), 1994. London College of Fashion, Fashion Writing, 1981.   Select Exhibitions/Awards Selected gallery exhibitions include: Tate St. Ives, UK, Museum of Modern Art, Warsaw, Campoli Presti, Paris, and Arcadia Missa, London. Goring has performed her poetry at many venues, including: South London Gallery, London, Pogo Bar/KW Institute, Berlin. Upcoming solo exhibition: ICA, London, June - September 2022.   Gallery Representation Arcadia Missa   Statement about AOAP Submitted Artwork For AOAP Goring created a unique version of a drawing from her ART HELL series, 2019-20, which is comprised of 55 ART HELL drawings.

Eleanor May Watson And Outside It's Winter I Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Eleanor Watson is a visual artist working primarily in paint and print based between London and Kent. Creating images of home and domesticity in which to contemplate memory, longing, desire and belonging.   Education 2018 - 2019 City and Guilds, MA Fine Art 2015 - 2016 The Royal Drawing School, the Drawing Year 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design Select Exhibitions/Awards   Selected Solo and Joint Exhibitions 2022 - Curtains Drawn, Wilder Gallery, London 2021 - Un | Veiled, two person show with Tanaka Mazivanhanga, curated by Mollie Barnes from She Curates and Lizzie Glendinning, Brocket Gallery, London 2017 - Dear Reader, Derby Museum and Art Gallery Selected Group Exhibitions 2021 - A Strange Kind of Knowing, Arusha Gallery, curated by Olivia Penrose Punnett This is Where We Meet, curated by Tim Patrick, Carousel Space, London 2019 - Tender with The Violet Hour 2018 - Art Basel Miami with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's 2015 - Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil Selected Awards 2021 - Woolwich Contemporary Print Fair Eames Fine Art Award 2019 - ACS City and Guilds of London Art School Studio Award 2019 - Slaughterhaus Print Prize 2016 - The Jonathan Vickers Fine Art Award - winner Gallery Representation Brocket London   Statement about AOAP Submitted Artwork Warm, intimate, very personal depictions of small moments at home. In which to contemplate feelings of contentment, solace, desire, belonging. Overwhelmingly, gratitude.

Eleanor May Watson And Outside It's Winter II Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Eleanor Watson is a visual artist working primarily in paint and print based between London and Kent. Creating images of home and domesticity in which to contemplate memory, longing, desire and belonging.   Education 2018 - 2019 City and Guilds, MA Fine Art 2015 - 2016 The Royal Drawing School, the Drawing Year 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design Select Exhibitions/Awards   Selected Solo and Joint Exhibitions 2022 - Curtains Drawn, Wilder Gallery, London 2021 - Un | Veiled, two person show with Tanaka Mazivanhanga, curated by Mollie Barnes from She Curates and Lizzie Glendinning, Brocket Gallery, London 2017 - Dear Reader, Derby Museum and Art Gallery Selected Group Exhibitions 2021 - A Strange Kind of Knowing, Arusha Gallery, curated by Olivia Penrose Punnett This is Where We Meet, curated by Tim Patrick, Carousel Space, London 2019 - Tender with The Violet Hour 2018 - Art Basel Miami with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's 2015 - Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil Selected Awards 2021 - Woolwich Contemporary Print Fair Eames Fine Art Award 2019 - ACS City and Guilds of London Art School Studio Award 2019 - Slaughterhaus Print Prize 2016 - The Jonathan Vickers Fine Art Award - winner Gallery Representation Brocket London   Statement about AOAP Submitted Artwork Warm, intimate, very personal depictions of small moments at home. In which to contemplate feelings of contentment, solace, desire, belonging. Overwhelmingly, gratitude.

Eleanor May Watson And Inside It's Spring Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Eleanor Watson is a visual artist working primarily in paint and print based between London and Kent. Creating images of home and domesticity in which to contemplate memory, longing, desire and belonging.   Education 2018 - 2019 City and Guilds, MA Fine Art 2015 - 2016 The Royal Drawing School, the Drawing Year 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design Select Exhibitions/Awards   Selected Solo and Joint Exhibitions 2022 - Curtains Drawn, Wilder Gallery, London 2021 - Un | Veiled, two person show with Tanaka Mazivanhanga, curated by Mollie Barnes from She Curates and Lizzie Glendinning, Brocket Gallery, London 2017 - Dear Reader, Derby Museum and Art Gallery Selected Group Exhibitions 2021 - A Strange Kind of Knowing, Arusha Gallery, curated by Olivia Penrose Punnett This is Where We Meet, curated by Tim Patrick, Carousel Space, London 2019 - Tender with The Violet Hour 2018 - Art Basel Miami with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's 2015 - Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil Selected Awards 2021 - Woolwich Contemporary Print Fair Eames Fine Art Award 2019 - ACS City and Guilds of London Art School Studio Award 2019 - Slaughterhaus Print Prize 2016 - The Jonathan Vickers Fine Art Award - winner Gallery Representation Brocket London   Statement about AOAP Submitted Artwork Warm, intimate, very personal depictions of small moments at home. In which to contemplate feelings of contentment, solace, desire, belonging. Overwhelmingly, gratitude.

Eleanor May Watson Lightly and Drowsily Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Eleanor Watson is a visual artist working primarily in paint and print based between London and Kent. Creating images of home and domesticity in which to contemplate memory, longing, desire and belonging.   Education 2018 - 2019 City and Guilds, MA Fine Art 2015 - 2016 The Royal Drawing School, the Drawing Year 2009 - 2012 Wimbledon College of Art; BA Fine Art Painting (First Class Honours) 2008 - 2009 Chelsea College of Art; Level 4 Foundation Diploma in Art and Design Select Exhibitions/Awards   Selected Solo and Joint Exhibitions 2022 - Curtains Drawn, Wilder Gallery, London 2021 - Un | Veiled, two person show with Tanaka Mazivanhanga, curated by Mollie Barnes from She Curates and Lizzie Glendinning, Brocket Gallery, London 2017 - Dear Reader, Derby Museum and Art Gallery Selected Group Exhibitions 2021 - A Strange Kind of Knowing, Arusha Gallery, curated by Olivia Penrose Punnett This is Where We Meet, curated by Tim Patrick, Carousel Space, London 2019 - Tender with The Violet Hour 2018 - Art Basel Miami with Cynthia Corbett Gallery 2017 - Christie's, St. James' - Best of the Drawing Year at Christie's 2015 - Sluice Art Fair with Paper Gallery Simmons & Simmons, curated by Jonathan Sharples - Piercing the Veil Selected Awards 2021 - Woolwich Contemporary Print Fair Eames Fine Art Award 2019 - ACS City and Guilds of London Art School Studio Award 2019 - Slaughterhaus Print Prize 2016 - The Jonathan Vickers Fine Art Award - winner Gallery Representation Brocket London   Statement about AOAP Submitted Artwork Warm, intimate, very personal depictions of small moments at home. In which to contemplate feelings of contentment, solace, desire, belonging. Overwhelmingly, gratitude.

Elisabeth Deane Untitled Gold Leaf, Platinum Leaf, Natural Pigments and Arabic Gum, Lapis Lazuli, Carmine, Spinel Black, Zinc White and Orange Gouache Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Elisabeth Deane is a painter who uses ancient traditional techniques to make work with an entirely contemporary aesthetic. Elisabeth's colours and detailed brushwork are inspired by Islamic geometry and the miniature painting traditions of India and Iran.   Education Elisabeth learnt much of her craft at the Prince's Foundation School of Traditional Arts where she completed an MA in 2017. She also learnt painting techniques from Master miniature painters in Rajasthan, India. Elisabeth has obtained degrees in History of Art (BA), and the Arts of Africa, Oceania and the Americas (MA) from the University of East Anglia and a PGCE in Art & Design from the University of Cambridge.   Select Exhibitions/Awards While studying at The Prince's Foundation School of Traditional Arts, Elisabeth became an Albukhary Foundation scholar and was also awarded a bursary from The Temple Gallery, London. In 2018, she was a finalist in the 'Asian Art in London' Emerging Artist Award. Elisabeth had her first solo show at Grosvenor Gallery, London in November 2019. She has exhibited in a number of group exhibitions nationally and internationally including the Royal Academy Summer Exhibition 2021. Elisabeth will be exhibiting some new works with Grosvenor Gallery at Art Dubai this year at the Madinat Jumeirah (9-13 March 2022).   Gallery Representation Grosvenor Gallery, London   Statement about AOAP Submitted Artwork In my AOAP pieces, I have used seven colours that repeat. These are gold leaf (23ct), platinum leaf, orange gouache, lapis lazuli, carmine, spinel black and zinc white. Most of my paints are handmade - hand ground with a binder. These pigments are minerals in rock form (lapis lazuli), pigments from plants or from the animal kingdom (e.g. cochineal from insects, also known as carmine - that crazy beautiful red!). My aim is to yield delight and joy through the geometric arrangement of colour. I am interested in intricate patterns and colour relationships. Natural pigments are beautiful. I'm aiming for that right combination of colours which when brought together create vibrations, ones that sing.

Elisabeth Deane Untitled Gold Leaf, Platinum Leaf, Natural Pigments and Arabic Gum, Lapis Lazuli, Carmine, Spinel Black, Zinc White and Orange Gouache Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Elisabeth Deane is a painter who uses ancient traditional techniques to make work with an entirely contemporary aesthetic. Elisabeth's colours and detailed brushwork are inspired by Islamic geometry and the miniature painting traditions of India and Iran.   Education Elisabeth learnt much of her craft at the Prince's Foundation School of Traditional Arts where she completed an MA in 2017. She also learnt painting techniques from Master miniature painters in Rajasthan, India. Elisabeth has obtained degrees in History of Art (BA), and the Arts of Africa, Oceania and the Americas (MA) from the University of East Anglia and a PGCE in Art & Design from the University of Cambridge.   Select Exhibitions/Awards While studying at The Prince's Foundation School of Traditional Arts, Elisabeth became an Albukhary Foundation scholar and was also awarded a bursary from The Temple Gallery, London. In 2018, she was a finalist in the 'Asian Art in London' Emerging Artist Award. Elisabeth had her first solo show at Grosvenor Gallery, London in November 2019. She has exhibited in a number of group exhibitions nationally and internationally including the Royal Academy Summer Exhibition 2021. Elisabeth will be exhibiting some new works with Grosvenor Gallery at Art Dubai this year at the Madinat Jumeirah (9-13 March 2022).   Gallery Representation Grosvenor Gallery, London   Statement about AOAP Submitted Artwork In my AOAP pieces, I have used seven colours that repeat. These are gold leaf (23ct), platinum leaf, orange gouache, lapis lazuli, carmine, spinel black and zinc white. Most of my paints are handmade - hand ground with a binder. These pigments are minerals in rock form (lapis lazuli), pigments from plants or from the animal kingdom (e.g. cochineal from insects, also known as carmine - that crazy beautiful red!). My aim is to yield delight and joy through the geometric arrangement of colour. I am interested in intricate patterns and colour relationships. Natural pigments are beautiful. I'm aiming for that right combination of colours which when brought together create vibrations, ones that sing.

Elisabeth Deane Untitled Gold Leaf, Platinum Leaf, Natural Pigments and Arabic Gum, Lapis Lazuli, Carmine, Spinel Black, Zinc White and Orange Gouache Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Elisabeth Deane is a painter who uses ancient traditional techniques to make work with an entirely contemporary aesthetic. Elisabeth's colours and detailed brushwork are inspired by Islamic geometry and the miniature painting traditions of India and Iran.   Education Elisabeth learnt much of her craft at the Prince's Foundation School of Traditional Arts where she completed an MA in 2017. She also learnt painting techniques from Master miniature painters in Rajasthan, India. Elisabeth has obtained degrees in History of Art (BA), and the Arts of Africa, Oceania and the Americas (MA) from the University of East Anglia and a PGCE in Art & Design from the University of Cambridge.   Select Exhibitions/Awards While studying at The Prince's Foundation School of Traditional Arts, Elisabeth became an Albukhary Foundation scholar and was also awarded a bursary from The Temple Gallery, London. In 2018, she was a finalist in the 'Asian Art in London' Emerging Artist Award. Elisabeth had her first solo show at Grosvenor Gallery, London in November 2019. She has exhibited in a number of group exhibitions nationally and internationally including the Royal Academy Summer Exhibition 2021. Elisabeth will be exhibiting some new works with Grosvenor Gallery at Art Dubai this year at the Madinat Jumeirah (9-13 March 2022).   Gallery Representation Grosvenor Gallery, London   Statement about AOAP Submitted Artwork In my AOAP pieces, I have used seven colours that repeat. These are gold leaf (23ct), platinum leaf, orange gouache, lapis lazuli, carmine, spinel black and zinc white. Most of my paints are handmade - hand ground with a binder. These pigments are minerals in rock form (lapis lazuli), pigments from plants or from the animal kingdom (e.g. cochineal from insects, also known as carmine - that crazy beautiful red!). My aim is to yield delight and joy through the geometric arrangement of colour. I am interested in intricate patterns and colour relationships. Natural pigments are beautiful. I'm aiming for that right combination of colours which when brought together create vibrations, ones that sing.

Elisabeth Deane Untitled Gold Leaf, Platinum Leaf, Natural Pigments and Arabic Gum, Lapis Lazuli, Carmine, Spinel Black, Zinc White and Orange Gouache Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Elisabeth Deane is a painter who uses ancient traditional techniques to make work with an entirely contemporary aesthetic. Elisabeth's colours and detailed brushwork are inspired by Islamic geometry and the miniature painting traditions of India and Iran.   Education Elisabeth learnt much of her craft at the Prince's Foundation School of Traditional Arts where she completed an MA in 2017. She also learnt painting techniques from Master miniature painters in Rajasthan, India. Elisabeth has obtained degrees in History of Art (BA), and the Arts of Africa, Oceania and the Americas (MA) from the University of East Anglia and a PGCE in Art & Design from the University of Cambridge.   Select Exhibitions/Awards While studying at The Prince's Foundation School of Traditional Arts, Elisabeth became an Albukhary Foundation scholar and was also awarded a bursary from The Temple Gallery, London. In 2018, she was a finalist in the 'Asian Art in London' Emerging Artist Award. Elisabeth had her first solo show at Grosvenor Gallery, London in November 2019. She has exhibited in a number of group exhibitions nationally and internationally including the Royal Academy Summer Exhibition 2021. Elisabeth will be exhibiting some new works with Grosvenor Gallery at Art Dubai this year at the Madinat Jumeirah (9-13 March 2022).   Gallery Representation Grosvenor Gallery, London   Statement about AOAP Submitted Artwork In my AOAP pieces, I have used seven colours that repeat. These are gold leaf (23ct), platinum leaf, orange gouache, lapis lazuli, carmine, spinel black and zinc white. Most of my paints are handmade - hand ground with a binder. These pigments are minerals in rock form (lapis lazuli), pigments from plants or from the animal kingdom (e.g. cochineal from insects, also known as carmine - that crazy beautiful red!). My aim is to yield delight and joy through the geometric arrangement of colour. I am interested in intricate patterns and colour relationships. Natural pigments are beautiful. I'm aiming for that right combination of colours which when brought together create vibrations, ones that sing.

Jessie Stevenson From Different Heights The Restless Gleam Study 2 Acrylic and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born 1993, Norwich UK Stevenson's practice explores the potency of the North Norfolk landscape; both as a poetic and philosophical gesture. A download of physical energy, she embodies the sensory experience of nature with daring mark making and uninhibited movement in her paintings. She draws inspiration from the colours and techniques of Old Masters including J. M. W. Turner and Eugène Delacroix, as well as the Romantic poetry of William Wordsworth. These are combined with contemporary pop culture references, incorporating colourways from fashion advertising and television series such as the period drama Bridgerton. Working from digital moving images, contemporary pigments, and frenetic 'colour beginnings' in paint which fill her numerous sketchbooks, the artist reinvigorates the traditional landscape genre.   Education 2019 - 2022 Masters in Fine Art Painting, Slade School of Fine Art 2013 - 2017 BA Hon Fine Art, Central Saint Martins 2011 - 2013 Foundation Diploma and Painting Course, Leith School of Art   Select Exhibitions/Awards   SOLO EXHIBITIONS 2021 Way Out East, Sapling Gallery, London   SELECTED GROUP EXHIBITIONS 2022 The Pump House, Berntson Bhattacharjee, Battersea Park, London 2021 Thesmophoria, Soho Revue X Purslan 2021 Stäying Alive, Berntson Bhattacharjee, Falsterbo, Sweden 2021 Metis, Purslane 2021 Domesticity and the Feminine, Procrastinarting 2021 To be a shell, Queensrollahouse, London 2021 The Artists' Dozen Charity Auction, The Artists Contemporary X Procrasinarting 2021 Mnemysone, Purslane 2021 Cutting at lemons for freckles, Skippings Gallery, Great Yarmouth 2021 Colour and Poetry online exhibition, The Slade School of Fine Art 2021 Berntson Bhattacharjee X Women's Aid Charity Auction 2020 The Ing Discerning Eye, Tabish Khan Art Critic's Choice 2020 The Heart of Light, The Silence, Online group show 2020 Slade Runner, ASC Gallery, London 2020 SAVAGE 2020, The Crypt Gallery, London 2019 Peacock Yard Sale, Kennington, London 2018 Inhabiting The Dome, Whiteleys, London 2018 Skins X Eccleston Yards, London 2018 The Portuguese Love Affair, Hackney, London 2018 Low Island & Friends, Scala Kings Cross, London 2017 Mercer Street, New York City 2017 New Works 54 The Gallery, Mayfair, London 2016 YAZ, Pip Collective, Vienna 2015 Here in Archway, London 2015 4.3 x 24 x 2.9, The Rag Factory, London 2014 Second Nature, London 2014 Latency, Vyner Street Gallery, London 2014 Slippers, Hoxton Gallery, London   AWARDS AND RESIDENCIES: 2021 Col Art Residency, The Fine Art Collective, London 2019 JOYA: AIR Residency, Sierra María-Los Vélez National Park, Spain 2017 The Cass Art Prize, Central Saint Martins Graduate Award 2015 Ackademie Der Bildenen Künste, Erasmus programme, Vienna

Jessie Stevenson From Different Heights The Restless Gleam Study 3 Acrylic and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born 1993, Norwich UK Stevenson's practice explores the potency of the North Norfolk landscape; both as a poetic and philosophical gesture. A download of physical energy, she embodies the sensory experience of nature with daring mark making and uninhibited movement in her paintings. She draws inspiration from the colours and techniques of Old Masters including J. M. W. Turner and Eugène Delacroix, as well as the Romantic poetry of William Wordsworth. These are combined with contemporary pop culture references, incorporating colourways from fashion advertising and television series such as the period drama Bridgerton. Working from digital moving images, contemporary pigments, and frenetic 'colour beginnings' in paint which fill her numerous sketchbooks, the artist reinvigorates the traditional landscape genre.   Education 2019 - 2022 Masters in Fine Art Painting, Slade School of Fine Art 2013 - 2017 BA Hon Fine Art, Central Saint Martins 2011 - 2013 Foundation Diploma and Painting Course, Leith School of Art   Select Exhibitions/Awards   SOLO EXHIBITIONS 2021 Way Out East, Sapling Gallery, London   SELECTED GROUP EXHIBITIONS 2022 The Pump House, Berntson Bhattacharjee, Battersea Park, London 2021 Thesmophoria, Soho Revue X Purslan 2021 Stäying Alive, Berntson Bhattacharjee, Falsterbo, Sweden 2021 Metis, Purslane 2021 Domesticity and the Feminine, Procrastinarting 2021 To be a shell, Queensrollahouse, London 2021 The Artists' Dozen Charity Auction, The Artists Contemporary X Procrasinarting 2021 Mnemysone, Purslane 2021 Cutting at lemons for freckles, Skippings Gallery, Great Yarmouth 2021 Colour and Poetry online exhibition, The Slade School of Fine Art 2021 Berntson Bhattacharjee X Women's Aid Charity Auction 2020 The Ing Discerning Eye, Tabish Khan Art Critic's Choice 2020 The Heart of Light, The Silence, Online group show 2020 Slade Runner, ASC Gallery, London 2020 SAVAGE 2020, The Crypt Gallery, London 2019 Peacock Yard Sale, Kennington, London 2018 Inhabiting The Dome, Whiteleys, London 2018 Skins X Eccleston Yards, London 2018 The Portuguese Love Affair, Hackney, London 2018 Low Island & Friends, Scala Kings Cross, London 2017 Mercer Street, New York City 2017 New Works 54 The Gallery, Mayfair, London 2016 YAZ, Pip Collective, Vienna 2015 Here in Archway, London 2015 4.3 x 24 x 2.9, The Rag Factory, London 2014 Second Nature, London 2014 Latency, Vyner Street Gallery, London 2014 Slippers, Hoxton Gallery, London   AWARDS AND RESIDENCIES: 2021 Col Art Residency, The Fine Art Collective, London 2019 JOYA: AIR Residency, Sierra María-Los Vélez National Park, Spain 2017 The Cass Art Prize, Central Saint Martins Graduate Award 2015 Ackademie Der Bildenen Künste, Erasmus programme, Vienna

Runayker Night Comes To A Running Sea Indian Ink and Pencil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Practicing artist since 1958. Teaching experience includes visiting lecturer in painting and studio practice, honours degree course at the now renamed Ruskin Cambridge School of Art for four years. Education Camberwell School of Arts and Crafts. NDD painting and weaving as secondary subject - 1954 to 1958. Followed by 2 years life drawing with Merlin Evans at Central School of Art. Tate Gallery, 'Modern and Contemporary Art Course', distinction in curating. Tate Gallery, 'Ways to Wander the Gallery' Triarchy Press, editors Clare Qualma and Claire Hind - 2018 (from the artists course of same name)   Select Exhibitions/Awards 2000 Millennium British artists in New York. Exhibition and talk at Whitechapel Art Gallery as opening seminar of ESRC 'Cultural Narratives and ways of Knowing'. Talk and exhibition University of East London 'Nomadic lines in becoming a woman artist's, convener Maria Tamboukou. Paper on M. Tamboukou. 'Places by water:poetic enquiries' Three women artists, three approaches. Academia.com   Gallery Representation Linchpin Gallery - now closed   Statement about AOAP Submitted Artwork Living by the sea, waves and rhythm permeate thinking by osmosis. These drawings also hold other hidden experiences which surface occasionally from my history of weaving threads. These were resurrected during the Annie Albers wonderful show at Tate Modern and oceans of histories, the warp and weft of space/time.

Josie McCoy Wangari Maathai Coloured Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I paint portraits of characters from the world of film, television and music. I've been committed to this theme since I started painting 23 years ago and, while my way of painting has developed over the years and the subjects have changed with time, I'm still compelled to paint recognisable women from contemporary culture. I am interested in what a viewer brings with them when looking at a drawing or painting of someone they recognise, in terms of their personal memories and references, and how connected we can feel with a familiar face. I'm from Plymouth in the UK and I now live in Valencia, Spain. Education BA Fine Art at Solihull College, West Midlands in 1997 and MA Fine Art at Central Saint Martins in 1999.   Select Exhibitions/Awards I've had solo exhibitions in London, Valencia, Newcastle, Milan and Santiago de Compostela and have exhibited in group shows in Europe, South America and the U.S. My work has been selected for the BP Portrait Award at the National Portrait Gallery four times and I was shortlisted for the Castellon International Painting Prize. I received a Woo Charitable Foundation Arts Bursary and won the Centre of Attention Painting Prize. My paintings are included in private and public collections including the BBC, Standard Chartered Bank, Collection of University of Wales, Jeremy Mogford Collection, Borchard Collection of British Self-Portraits in the 20th Century and the Ofelia Martín & Javier Núñez Collection.   Statement about AOAP Submitted Artwork Although I usually paint familiar faces from film and television, the drawings I've done for the Art on a Postcard IWD Auction depict two incredible environmental activists, Greta Thunberg and Wangari Maathai, as they are the inspiration for my next two oil paintings. The drawings are both coloured pencil on watercolour paper.

Josie McCoy Greta Thunberg Coloured Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I paint portraits of characters from the world of film, television and music. I've been committed to this theme since I started painting 23 years ago and, while my way of painting has developed over the years and the subjects have changed with time, I'm still compelled to paint recognisable women from contemporary culture. I am interested in what a viewer brings with them when looking at a drawing or painting of someone they recognise, in terms of their personal memories and references, and how connected we can feel with a familiar face. I'm from Plymouth in the UK and I now live in Valencia, Spain. Education BA Fine Art at Solihull College, West Midlands in 1997 and MA Fine Art at Central Saint Martins in 1999.   Select Exhibitions/Awards I've had solo exhibitions in London, Valencia, Newcastle, Milan and Santiago de Compostela and have exhibited in group shows in Europe, South America and the U.S. My work has been selected for the BP Portrait Award at the National Portrait Gallery four times and I was shortlisted for the Castellon International Painting Prize. I received a Woo Charitable Foundation Arts Bursary and won the Centre of Attention Painting Prize. My paintings are included in private and public collections including the BBC, Standard Chartered Bank, Collection of University of Wales, Jeremy Mogford Collection, Borchard Collection of British Self-Portraits in the 20th Century and the Ofelia Martín & Javier Núñez Collection.   Statement about AOAP Submitted Artwork Although I usually paint familiar faces from film and television, the drawings I've done for the Art on a Postcard IWD Auction depict two incredible environmental activists, Greta Thunberg and Wangari Maathai, as they are the inspiration for my next two oil paintings. The drawings are both coloured pencil on watercolour paper.

Sadie Tierney Swimming Women VI Spray Paint/Screen Print on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sadie Tierney's vibrant and expressive prints and paintings use drawings made in situ as their source material. A graduate of the Royal College of Art, Tierney works in a tradition of painter/ printmakers who abstract form and colour to explore subject matter and express human emotion. Objects and places where form is linked to emotion, metaphor and movement or change are explored through celebratory use of colour and line. Selected solo exhibitions include Flowers East Gallery, Angela Flowers Ireland, Eton College and Aspex Gallery.   Education Royal College of Art MA Printmaking, University of Newcastle on Tyne BA (Hons) Fine Art   Select Exhibitions/Awards RECENT EXHIBITIONS 2021 Solo Exhibition with Rabley Gallery, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner solo stand) RWA Annual Open Exhibition, Bristol, Pause, Reflect, Curate, curated by Hotwalls Studios Portsmouth Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, Basil Alkazzi's Gift to the National Museum in Gdańsk Royal Academy Summer Exhibition 2020 Picture Palace, Transition Gallery, London, London Original Print Fair, Woolwich Contemporary Print Fair 2019 Royal Academy Summer Exhibition, London Original Print Fair, Joie, Gallery 68 Ulverston, Printfest Printmaker of the Year, National Original Print Exhibition, Round Tower (solo), Portsmouth,
 2018 Royal Academy Summer Exhibition, London Original Print Fair, Woolwich Contemporary Print Fair AWARDS 2020 AN Bursary: Time Space Money Award Arts Council England Emergency Response Fund Boodle Hatfield Prize for print, Printfest Printmaker of the Year (2019)   Gallery Representation Works on paper with Rabley Gallery   Statement about AOAP Submitted Artwork Swimming Women Series It interested me very much that throughout the pandemic growing numbers of women in particular, have been meeting to swim in the sea where I live- organising their meet ups through WhatsApp and other social media. Perhaps they are showing good survival skills as research has shown cold water swimming to have health benefits; improving circulation, boosting the immune system, and reducing stress. Popular times to meet are dawn and dusk - and these are really interesting times to paint with the light changing rapidly. I began drawing the silhouetted figures in groups. Other people would gather to watch the light show, the groups of women swimmers and to take photos.

Sadie Tierney Swimming Women VII Spray Paint/Screen Print on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sadie Tierney's vibrant and expressive prints and paintings use drawings made in situ as their source material. A graduate of the Royal College of Art, Tierney works in a tradition of painter/ printmakers who abstract form and colour to explore subject matter and express human emotion. Objects and places where form is linked to emotion, metaphor and movement or change are explored through celebratory use of colour and line. Selected solo exhibitions include Flowers East Gallery, Angela Flowers Ireland, Eton College and Aspex Gallery.   Education Royal College of Art MA Printmaking, University of Newcastle on Tyne BA (Hons) Fine Art   Select Exhibitions/Awards RECENT EXHIBITIONS 2021 Solo Exhibition with Rabley Gallery, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner solo stand) RWA Annual Open Exhibition, Bristol, Pause, Reflect, Curate, curated by Hotwalls Studios Portsmouth Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, Basil Alkazzi's Gift to the National Museum in Gdańsk Royal Academy Summer Exhibition 2020 Picture Palace, Transition Gallery, London, London Original Print Fair, Woolwich Contemporary Print Fair 2019 Royal Academy Summer Exhibition, London Original Print Fair, Joie, Gallery 68 Ulverston, Printfest Printmaker of the Year, National Original Print Exhibition, Round Tower (solo), Portsmouth,
 2018 Royal Academy Summer Exhibition, London Original Print Fair, Woolwich Contemporary Print Fair AWARDS 2020 AN Bursary: Time Space Money Award Arts Council England Emergency Response Fund Boodle Hatfield Prize for print, Printfest Printmaker of the Year (2019)   Gallery Representation Works on paper with Rabley Gallery   Statement about AOAP Submitted Artwork Swimming Women Series It interested me very much that throughout the pandemic growing numbers of women in particular, have been meeting to swim in the sea where I live- organising their meet ups through WhatsApp and other social media. Perhaps they are showing good survival skills as research has shown cold water swimming to have health benefits; improving circulation, boosting the immune system, and reducing stress. Popular times to meet are dawn and dusk - and these are really interesting times to paint with the light changing rapidly. I began drawing the silhouetted figures in groups. Other people would gather to watch the light show, the groups of women swimmers and to take photos.

Sadie Tierney Swimming Women VIII Spray Paint/Screen Print on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sadie Tierney's vibrant and expressive prints and paintings use drawings made in situ as their source material. A graduate of the Royal College of Art, Tierney works in a tradition of painter/ printmakers who abstract form and colour to explore subject matter and express human emotion. Objects and places where form is linked to emotion, metaphor and movement or change are explored through celebratory use of colour and line. Selected solo exhibitions include Flowers East Gallery, Angela Flowers Ireland, Eton College and Aspex Gallery.   Education Royal College of Art MA Printmaking, University of Newcastle on Tyne BA (Hons) Fine Art   Select Exhibitions/Awards RECENT EXHIBITIONS 2021 Solo Exhibition with Rabley Gallery, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner solo stand) RWA Annual Open Exhibition, Bristol, Pause, Reflect, Curate, curated by Hotwalls Studios Portsmouth Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, Basil Alkazzi's Gift to the National Museum in Gdańsk Royal Academy Summer Exhibition 2020 Picture Palace, Transition Gallery, London, London Original Print Fair, Woolwich Contemporary Print Fair 2019 Royal Academy Summer Exhibition, London Original Print Fair, Joie, Gallery 68 Ulverston, Printfest Printmaker of the Year, National Original Print Exhibition, Round Tower (solo), Portsmouth,
 2018 Royal Academy Summer Exhibition, London Original Print Fair, Woolwich Contemporary Print Fair AWARDS 2020 AN Bursary: Time Space Money Award Arts Council England Emergency Response Fund Boodle Hatfield Prize for print, Printfest Printmaker of the Year (2019)   Gallery Representation Works on paper with Rabley Gallery   Statement about AOAP Submitted Artwork Swimming Women Series It interested me very much that throughout the pandemic growing numbers of women in particular, have been meeting to swim in the sea where I live- organising their meet ups through WhatsApp and other social media. Perhaps they are showing good survival skills as research has shown cold water swimming to have health benefits; improving circulation, boosting the immune system, and reducing stress. Popular times to meet are dawn and dusk - and these are really interesting times to paint with the light changing rapidly. I began drawing the silhouetted figures in groups. Other people would gather to watch the light show, the groups of women swimmers and to take photos.

Sadie Tierney Swimming Women IX Spray Paint/Screen Print on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sadie Tierney's vibrant and expressive prints and paintings use drawings made in situ as their source material. A graduate of the Royal College of Art, Tierney works in a tradition of painter/ printmakers who abstract form and colour to explore subject matter and express human emotion. Objects and places where form is linked to emotion, metaphor and movement or change are explored through celebratory use of colour and line. Selected solo exhibitions include Flowers East Gallery, Angela Flowers Ireland, Eton College and Aspex Gallery.   Education Royal College of Art MA Printmaking, University of Newcastle on Tyne BA (Hons) Fine Art   Select Exhibitions/Awards RECENT EXHIBITIONS 2021 Solo Exhibition with Rabley Gallery, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner solo stand) RWA Annual Open Exhibition, Bristol, Pause, Reflect, Curate, curated by Hotwalls Studios Portsmouth Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, Basil Alkazzi's Gift to the National Museum in Gdańsk Royal Academy Summer Exhibition 2020 Picture Palace, Transition Gallery, London, London Original Print Fair, Woolwich Contemporary Print Fair 2019 Royal Academy Summer Exhibition, London Original Print Fair, Joie, Gallery 68 Ulverston, Printfest Printmaker of the Year, National Original Print Exhibition, Round Tower (solo), Portsmouth,
 2018 Royal Academy Summer Exhibition, London Original Print Fair, Woolwich Contemporary Print Fair AWARDS 2020 AN Bursary: Time Space Money Award Arts Council England Emergency Response Fund Boodle Hatfield Prize for print, Printfest Printmaker of the Year (2019)   Gallery Representation Works on paper with Rabley Gallery   Statement about AOAP Submitted Artwork Swimming Women Series It interested me very much that throughout the pandemic growing numbers of women in particular, have been meeting to swim in the sea where I live- organising their meet ups through WhatsApp and other social media. Perhaps they are showing good survival skills as research has shown cold water swimming to have health benefits; improving circulation, boosting the immune system, and reducing stress. Popular times to meet are dawn and dusk - and these are really interesting times to paint with the light changing rapidly. I began drawing the silhouetted figures in groups. Other people would gather to watch the light show, the groups of women swimmers and to take photos.

Amanda Ba Crossing Over Watercolour and Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Amanda Ba is a painter who lives and works between New York City and London. She was born in Columbus, Ohio, but spent the first five years of her life with her grandparents in Hefei, China. Diasporic heritage is central to her work-vivid paintings that combine personal memory with psychosexual fantasy, with figures that challenge a predominantly white Western canon of figural painting. Currently her work also draws upon the critical theory and queer theory of authors such as Mel Chen, Fred Moten, Lauren Berlant, Ien Ang, Karen Barad, Anne Anlin Cheng, amongst many others.   Education Columbia University, 2020   Select Exhibitions/Awards 2022 Upcoming Solo Show with PM/AM Gallery in London 2021 House Parté, Caryle Packer, Palm Springs 2021 Summer Camp, Tchotchke Gallery, New York City 2021 A New Art World, Guts Gallery, London 2021 Suspended Disbelief, Arsenal Contemporary, Toronto 2021` Hissing Haze, in lieu, Los Angeles 2021 Artists Against Anti-Asian Violence Benefit Auction, The Here and There Co and Artsy 2021 10, PM/AM, London   Statement about AOAP Submitted Artwork Red Giantesses, stripped bare and headed towards the wilderness, claws sharpened.

Amanda Ba Bather Girl Watercolour and Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Amanda Ba is a painter who lives and works between New York City and London. She was born in Columbus, Ohio, but spent the first five years of her life with her grandparents in Hefei, China. Diasporic heritage is central to her work-vivid paintings that combine personal memory with psychosexual fantasy, with figures that challenge a predominantly white Western canon of figural painting. Currently her work also draws upon the critical theory and queer theory of authors such as Mel Chen, Fred Moten, Lauren Berlant, Ien Ang, Karen Barad, Anne Anlin Cheng, amongst many others.   Education Columbia University, 2020   Select Exhibitions/Awards 2022 Upcoming Solo Show with PM/AM Gallery in London 2021 House Parté, Caryle Packer, Palm Springs 2021 Summer Camp, Tchotchke Gallery, New York City 2021 A New Art World, Guts Gallery, London 2021 Suspended Disbelief, Arsenal Contemporary, Toronto 2021` Hissing Haze, in lieu, Los Angeles 2021 Artists Against Anti-Asian Violence Benefit Auction, The Here and There Co and Artsy 2021 10, PM/AM, London   Statement about AOAP Submitted Artwork Red Giantesses, stripped bare and headed towards the wilderness, claws sharpened.

Diana Copperwhite Laura in Framing The Light Oil on Card Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Diana Copperwhite (b. 1969, Ireland) lives and works in Dublin and New York. Recent solo exhibitions include Driven by Distraction, Royal Hibernian Academy, Dublin (2016), Depend on the Morning Sun, Thomas Jaeckal Gallery, New York (2016) and A Million and One Things Under the Sun, Kevin Kavanagh, Dublin (2015). Selected group exhibitions include Last Picture Show w/Mary Heilmann, Chris Ofili, Danny Rolph, Vanessa Jackson, Elio Rodriguez, Jill Levine, Rebecca Smith, Thomas Jaeckel Gallery, New York (2017) and Virtú, inc. Picasso, Giacometti, Henry Moore, Elizabeth Magill and Sean Scully at the Hunt Museum, Limerick, Ireland (2017). Copperwhite's work is held in numerous public and private collections including: the Irish Museum of Modern Art, Arts Council of Ireland, Limerick City Gallery of Art, Office of Public Works, Contemporary Irish Art Society, Highlanes Municipal Art Gallery, Mariehamn Stadbiblioteque, Aland (Finland), Dublin Institute of Technology and The President of Ireland.   Education 1999-2000 Winchester School of Art and Design, Barcelona, MA European Fine Art 1992-94 National College of Art & Design, BA Hons painting 1987-92 Limerick School of Art & Design, NCEA Diploma Painting   Select Exhibitions/Awards Solo Exhibition 2021/22 Upcoming, Limerick City Gallery of Art and touring show 2020 Lock Down Series, works on paper, Kevin Kavanagh Gallery, Dublin 2019 Proto Fiction and the Sleep of Reason, Kevin Kavanagh Gallery, Dublin 2019 The Clock Struck between time, Thomas Jaeckel New York 2017 Crooked Orbit, Kevin Kavanagh Gallery, Dublin 2016 Depend on the morning sun, Thomas Jaeckel gallery, New York Driven by Distraction, RHA gallery Dublin. 2015 A Million and One Things Under the Sun, Kevin Kavanagh, Dublin. 2014 Shadowland, Thomas Jaeckel Gallery, New York. Solo presentation, Pulse, Thomas Jaeckel Gallery, New York 2013 Loose Ends, 532 Gallery Thomas Jaeckel, New York Solo presentation at VOLTANY, Kevin Kavanagh, New York 2011 An Island from the day before, Kevin Kavanagh, Dublin 2009 perfect near miss, Kevin Kavanagh, Dublin eclipse of a title, Highlanes Municipal Art Gallery, Drogheda eclipse of a title, Centre Culturel Irlandais, Paris * 2008 eclipse of a title, West Cork Arts Centre * 2007 BLIND SPOT, Limerick City Art Gallery *   Gallery Representation Kevin Kavanagh, Dublin. 532 Gallery Thomas Jaeckel, New York

Sasha Ferré Pervasiveness Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sasha Ferré is a visual artist working and living between London and Paris. She has exhibited in the US and Europe and is the recipient of the Hine Painting Prize in 2020. Recently she was featured in the New American Painting Pacific Coast edition, and was selected for exhibitions in London at Saatchi Gallery, Fold Gallery, Unit London Gallery, Daniel Benjamin Gallery and Josh Lilley Gallery. She holds an MA in Painting from the Royal College of Art (London).   Education 2018 to 2020 - MA Painting, Royal College of Art, London, United Kingdom 2016 - BFA, Integrated Studio Art program, Magna Cum Laude, Cornish College of the Arts, Seattle, USA   Select Exhibitions/Awards 2022 Solo exhibition, TBA, Tokyo, Japan 2021 Rites of Passage, Group Exhibition, Unit London Gallery, London, United Kingdom Kensington and Chelsea Art Week, London, United Kingdom Ones to Watch, online exhibition curated by Natasha Arselan, AucArt.com Quartet, a series of online solo shows curated by Maria Valeria Biondo, Daniel Benjamin Gallery, London, United Kingdom 2020 Goose Summer, Group Exhibition, Virtual Show curated by Hannah Murgatroyd and Martyn Cross Wintergreen Boxwood, Group Exhibition, No20 Arts, London, United Kingdom London Grads Now, Group Exhibition, Saatchi Gallery, London, United Kingdom 50/50, Group Exhibition, Fold Gallery, London, United Kingdom Beacon, Virtual Group Exhibition, Josh Lilley Gallery, London, United Kingdom RCA2020, MA Virtual Degree Show, Royal College of Art, London, United Kingdom Final, not Over: Session 1, Open Fields, Unit 1 Gallery, London, United Kingdom Her Space, The Pillar Hotel, curator Nir Segal, London, United Kingdom Snapshot, Hockney Gallery, curator Emily Moore, London, United Kingdom 2019 Work-in-Progress Show, Royal College of Art, London, United Kingdom 2018 While Supplies Last, Studio e Gallery, curator Anthony White, Seattle, USA 2016 American Painting Today, curator Matthew Offenbacher, V2, Seattle, USA Out of Sight, A Survey of Contemporary Art in the Pacific Northwest, King Street Station, Seattle, USA 12th Annual Hutch Exhibition 2016, Fred Hutch Research Institute, curator Bonnie Biggs, Seattle, USA Self-Reflections, solo exhibition, Studio B1, Seattle, USA BFA Expo 2016, Cornish College of the Arts, Seattle, USA 2015 The Expanse of all Human Knowledge, Platforms of Exchanges, Cornish College of the Arts, Seattle, USA Do It Yourself, Cornish College of the Arts, Seattle, USA Changing our Stripes, curator Melissa Feldman, Main Gallery, Cornish College of the Arts, Seattle, USA 2014 Open Studio, Cornish College of the Arts, Seattle, USA We're watching you, Platforms of Exchanges, Cornish College of the Arts, Seattle, USA 2013 I Am Nobody, Who Are You? solo exhibition, Spark, Paris, France

Cheryl Pope Woman + Man on Mat Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Cheryl Pope is an interdisciplinary visual artist that questions and responds to issues of identity as it relates to the individual and the community, specifically regarding race, gender, class, history, power, and place. Her practice emerges from the act and politics of listening. Pope's early work involved performative, often sports-related projects, her more recent body of work continues the artist's examination of systematic social concerns, unexpected material interventions, and simultaneously introduces a novel formal language. While she previously positioned herself as a conduit for the voices of the youth impacted by socio-political turmoil, Pope's more recent work puts forth a personal intimacy yet unseen in the artist's oeuvre.   Education BFA 2003 School of the Art Institute Chicago, Masters in Design, Full Merit Scholar, 2010, School of the Art Institute Chicago   Select Exhibitions/Awards Pope received her BFA and MA in Design from the School of the Art Institute, Chicago, where she is now an Adjunct Professor. She has been the recipient of several awards and fellowships, including the Public Artist Award, Franklin Works, Minneapolis, MN (2017); Selected Artist, Year of Public Art, Chicago Cultural Center, IL (2017); Mellon Fellowship, Kenyon College, Gambier, OH (2016); and 3Arts Award, Chicago, IL (2015). Pope's work is in the collections of the Museum of Contemporary Art, Chicago; Joan Flasche Artists Book Collection, Chicago; Seattle Art Museum, WA; Honolulu Museum of Art, HI; Museum of Contemporary Art, San Diego, CA; Poetry Foundation, Chicago, IL; DePaul University Art Museum, Chicago, IL; Virginia Museum of Fine Arts, Richmond, VA; United States Embassy, Santo Domingo, Dominican Republic; The Jackson West Memorial Hospital, Miami; The Ulrich Museum of Art, Kansas, where she will have a solo show in the fall of 2022.   Gallery Representation Monique Meloche Gallery Chicago   Statement about AOAP Submitted Artwork The works submitted are about Love.

Cheryl Pope Portrait of a Woman Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Cheryl Pope is an interdisciplinary visual artist that questions and responds to issues of identity as it relates to the individual and the community, specifically regarding race, gender, class, history, power, and place. Her practice emerges from the act and politics of listening. Pope's early work involved performative, often sports-related projects, her more recent body of work continues the artist's examination of systematic social concerns, unexpected material interventions, and simultaneously introduces a novel formal language. While she previously positioned herself as a conduit for the voices of the youth impacted by socio-political turmoil, Pope's more recent work puts forth a personal intimacy yet unseen in the artist's oeuvre.   Education BFA 2003 School of the Art Institute Chicago, Masters in Design, Full Merit Scholar, 2010, School of the Art Institute Chicago   Select Exhibitions/Awards Pope received her BFA and MA in Design from the School of the Art Institute, Chicago, where she is now an Adjunct Professor. She has been the recipient of several awards and fellowships, including the Public Artist Award, Franklin Works, Minneapolis, MN (2017); Selected Artist, Year of Public Art, Chicago Cultural Center, IL (2017); Mellon Fellowship, Kenyon College, Gambier, OH (2016); and 3Arts Award, Chicago, IL (2015). Pope's work is in the collections of the Museum of Contemporary Art, Chicago; Joan Flasche Artists Book Collection, Chicago; Seattle Art Museum, WA; Honolulu Museum of Art, HI; Museum of Contemporary Art, San Diego, CA; Poetry Foundation, Chicago, IL; DePaul University Art Museum, Chicago, IL; Virginia Museum of Fine Arts, Richmond, VA; United States Embassy, Santo Domingo, Dominican Republic; The Jackson West Memorial Hospital, Miami; The Ulrich Museum of Art, Kansas, where she will have a solo show in the fall of 2022.   Gallery Representation Monique Meloche Gallery Chicago   Statement about AOAP Submitted Artwork The works submitted are about Love.

Cheryl Pope Portrait of a Palm Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Cheryl Pope is an interdisciplinary visual artist that questions and responds to issues of identity as it relates to the individual and the community, specifically regarding race, gender, class, history, power, and place. Her practice emerges from the act and politics of listening. Pope's early work involved performative, often sports-related projects, her more recent body of work continues the artist's examination of systematic social concerns, unexpected material interventions, and simultaneously introduces a novel formal language. While she previously positioned herself as a conduit for the voices of the youth impacted by socio-political turmoil, Pope's more recent work puts forth a personal intimacy yet unseen in the artist's oeuvre.   Education BFA 2003 School of the Art Institute Chicago, Masters in Design, Full Merit Scholar, 2010, School of the Art Institute Chicago   Select Exhibitions/Awards Pope received her BFA and MA in Design from the School of the Art Institute, Chicago, where she is now an Adjunct Professor. She has been the recipient of several awards and fellowships, including the Public Artist Award, Franklin Works, Minneapolis, MN (2017); Selected Artist, Year of Public Art, Chicago Cultural Center, IL (2017); Mellon Fellowship, Kenyon College, Gambier, OH (2016); and 3Arts Award, Chicago, IL (2015). Pope's work is in the collections of the Museum of Contemporary Art, Chicago; Joan Flasche Artists Book Collection, Chicago; Seattle Art Museum, WA; Honolulu Museum of Art, HI; Museum of Contemporary Art, San Diego, CA; Poetry Foundation, Chicago, IL; DePaul University Art Museum, Chicago, IL; Virginia Museum of Fine Arts, Richmond, VA; United States Embassy, Santo Domingo, Dominican Republic; The Jackson West Memorial Hospital, Miami; The Ulrich Museum of Art, Kansas, where she will have a solo show in the fall of 2022.   Gallery Representation Monique Meloche Gallery Chicago   Statement about AOAP Submitted Artwork The works submitted are about Love.

Cheryl Pope Portrait of a Palm 2 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Cheryl Pope is an interdisciplinary visual artist that questions and responds to issues of identity as it relates to the individual and the community, specifically regarding race, gender, class, history, power, and place. Her practice emerges from the act and politics of listening. Pope's early work involved performative, often sports-related projects, her more recent body of work continues the artist's examination of systematic social concerns, unexpected material interventions, and simultaneously introduces a novel formal language. While she previously positioned herself as a conduit for the voices of the youth impacted by socio-political turmoil, Pope's more recent work puts forth a personal intimacy yet unseen in the artist's oeuvre.   Education BFA 2003 School of the Art Institute Chicago, Masters in Design, Full Merit Scholar, 2010, School of the Art Institute Chicago   Select Exhibitions/Awards Pope received her BFA and MA in Design from the School of the Art Institute, Chicago, where she is now an Adjunct Professor. She has been the recipient of several awards and fellowships, including the Public Artist Award, Franklin Works, Minneapolis, MN (2017); Selected Artist, Year of Public Art, Chicago Cultural Center, IL (2017); Mellon Fellowship, Kenyon College, Gambier, OH (2016); and 3Arts Award, Chicago, IL (2015). Pope's work is in the collections of the Museum of Contemporary Art, Chicago; Joan Flasche Artists Book Collection, Chicago; Seattle Art Museum, WA; Honolulu Museum of Art, HI; Museum of Contemporary Art, San Diego, CA; Poetry Foundation, Chicago, IL; DePaul University Art Museum, Chicago, IL; Virginia Museum of Fine Arts, Richmond, VA; United States Embassy, Santo Domingo, Dominican Republic; The Jackson West Memorial Hospital, Miami; The Ulrich Museum of Art, Kansas, where she will have a solo show in the fall of 2022.   Gallery Representation Monique Meloche Gallery Chicago   Statement about AOAP Submitted Artwork The works submitted are about Love.

Alice Irwin Postcard Spray Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Irwin aims to convey the innocence we possess as children but also to express the message of human identity; she wants some aspects of her work to be playful, naïve and comical while others are more thought-provoking. Her work offers contrasts: some parts are tactile; others create kinetic experiences in the mind. These contrasts are designed to stimulate different kinds of memory.   Education 2016-2018: Royal College of Art London, MA Print. 2013-2016: City and Guilds of London Art School, BA Fine Art. 2012-2013: Cambridge Regional College, Art and Design Foundation Year.   Select Exhibitions/Awards I am an award-winning artist, working with print, etching and sculpture to reference childhood experiences and create my own creatures from imaginary worlds. Having graduated from the RCA in 2018, I presented a solo show entitled 'People Play' at the Piece Hall in 2020 where I had a large outdoor public sculpture commission. In 2018, I had a solo show at the Yorkshire Sculpture Park and in 2017 I won the Contemporary Art Trust prize for a series of prints. I have presented exhibitions at Flowers Gallery, Sid Motion Gallery, CGP London and East of Elsewhere in Berlin, and a Solo show in Tremenheere Sculpture Garden 2021. My group of sculptures entitled 'Peeps' is currently being exhibited in Canterbury at The Beaney House of Art and Knowledge, which was commissioned by Sky Arts. Statement about AOAP Submitted Artwork Built up in layers, each artwork looks at the sweet times we have in life, focusing on positive things each individual experiences and focusing on the good things we have day to day. Brightly coloured and abstract, these works take forms from Irwin's own unique visual language.

Alice Irwin Postcard (1) Spray Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Irwin aims to convey the innocence we possess as children but also to express the message of human identity; she wants some aspects of her work to be playful, naïve and comical while others are more thought-provoking. Her work offers contrasts: some parts are tactile; others create kinetic experiences in the mind. These contrasts are designed to stimulate different kinds of memory.   Education 2016-2018: Royal College of Art London, MA Print. 2013-2016: City and Guilds of London Art School, BA Fine Art. 2012-2013: Cambridge Regional College, Art and Design Foundation Year.   Select Exhibitions/Awards I am an award-winning artist, working with print, etching and sculpture to reference childhood experiences and create my own creatures from imaginary worlds. Having graduated from the RCA in 2018, I presented a solo show entitled 'People Play' at the Piece Hall in 2020 where I had a large outdoor public sculpture commission. In 2018, I had a solo show at the Yorkshire Sculpture Park and in 2017 I won the Contemporary Art Trust prize for a series of prints. I have presented exhibitions at Flowers Gallery, Sid Motion Gallery, CGP London and East of Elsewhere in Berlin, and a Solo show in Tremenheere Sculpture Garden 2021. My group of sculptures entitled 'Peeps' is currently being exhibited in Canterbury at The Beaney House of Art and Knowledge, which was commissioned by Sky Arts. Statement about AOAP Submitted Artwork Built up in layers, each artwork looks at the sweet times we have in life, focusing on positive things each individual experiences and focusing on the good things we have day to day. Brightly coloured and abstract, these works take forms from Irwin's own unique visual language.

Alice Irwin Postcard (2) Spray Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Irwin aims to convey the innocence we possess as children but also to express the message of human identity; she wants some aspects of her work to be playful, naïve and comical while others are more thought-provoking. Her work offers contrasts: some parts are tactile; others create kinetic experiences in the mind. These contrasts are designed to stimulate different kinds of memory.   Education 2016-2018: Royal College of Art London, MA Print. 2013-2016: City and Guilds of London Art School, BA Fine Art. 2012-2013: Cambridge Regional College, Art and Design Foundation Year.   Select Exhibitions/Awards I am an award-winning artist, working with print, etching and sculpture to reference childhood experiences and create my own creatures from imaginary worlds. Having graduated from the RCA in 2018, I presented a solo show entitled 'People Play' at the Piece Hall in 2020 where I had a large outdoor public sculpture commission. In 2018, I had a solo show at the Yorkshire Sculpture Park and in 2017 I won the Contemporary Art Trust prize for a series of prints. I have presented exhibitions at Flowers Gallery, Sid Motion Gallery, CGP London and East of Elsewhere in Berlin, and a Solo show in Tremenheere Sculpture Garden 2021. My group of sculptures entitled 'Peeps' is currently being exhibited in Canterbury at The Beaney House of Art and Knowledge, which was commissioned by Sky Arts. Statement about AOAP Submitted Artwork Built up in layers, each artwork looks at the sweet times we have in life, focusing on positive things each individual experiences and focusing on the good things we have day to day. Brightly coloured and abstract, these works take forms from Irwin's own unique visual language.

Alice Irwin Postcard (3) Spray Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Irwin aims to convey the innocence we possess as children but also to express the message of human identity; she wants some aspects of her work to be playful, naïve and comical while others are more thought-provoking. Her work offers contrasts: some parts are tactile; others create kinetic experiences in the mind. These contrasts are designed to stimulate different kinds of memory.   Education 2016-2018: Royal College of Art London, MA Print. 2013-2016: City and Guilds of London Art School, BA Fine Art. 2012-2013: Cambridge Regional College, Art and Design Foundation Year.   Select Exhibitions/Awards I am an award-winning artist, working with print, etching and sculpture to reference childhood experiences and create my own creatures from imaginary worlds. Having graduated from the RCA in 2018, I presented a solo show entitled 'People Play' at the Piece Hall in 2020 where I had a large outdoor public sculpture commission. In 2018, I had a solo show at the Yorkshire Sculpture Park and in 2017 I won the Contemporary Art Trust prize for a series of prints. I have presented exhibitions at Flowers Gallery, Sid Motion Gallery, CGP London and East of Elsewhere in Berlin, and a Solo show in Tremenheere Sculpture Garden 2021. My group of sculptures entitled 'Peeps' is currently being exhibited in Canterbury at The Beaney House of Art and Knowledge, which was commissioned by Sky Arts. Statement about AOAP Submitted Artwork Built up in layers, each artwork looks at the sweet times we have in life, focusing on positive things each individual experiences and focusing on the good things we have day to day. Brightly coloured and abstract, these works take forms from Irwin's own unique visual language.

Mandy Payne Study of Southbank Ink and Spraypaint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Painter/printmaker based in Sheffield whose work focuses on urban landscape, with a particular interest in gentrification, social housing and Brutalist architecture. For her paintings she usually paints on concrete and employs spray paint, referencing the sites she is depicting. Art is a second career, she originally trained as a dentist and spent 25 years working in the Community and Hospital NHS dental services before a career change 10 years ago to work as a full-time artist.   Education BDS (Manchester University) MDent Sci (Leeds University) BA Fine Art (Nottingham University) 2 year Fellowship in Stone Lithography at Leicester Print Workshop   Select Exhibitions/Awards John Moores Painting Prize 2014 (Prize winner), and exhibited 2016 and 2020 New Light Arts Prize 2015 (First Prize Winer), and exhibited 2017 and 2020 John Ruskin Prize 2014 (Runner up) Work included in: Royal Academy Summer Exhibition 2014, 2015 ,2016, 2017, 2018, 2019 Contemporary British Painting Prize 2016 Threadneedle Prize. Mall Galleries, London 2013 Lynn Painter Stainers Prize, Mall Galleries, London 2019 Figurative Art Now, Mall Galleries, London, 2020 Wells Art Contemporary 2020 Elizabeth Greenshield Foundation Award 2017 Arts Council of England Award, 2015 and 2019 Gallery Representation Saul Hay Gallery, Manchester and Tarpey Gallery Castle Donnington, Ffin y Parc Gallery, Conwy   Statement about AOAP Submitted Artwork 4 cards submitted- all made during lockdown when a lot of the materials I usually work with were in short supply, which forced me to experiment with things I had to hand in my studio. Finca 1 and 2 were made whilst experimenting, trying to create concrete like textures with liquid graphite. Exeter Court is a social housing estate in South Kilburn which is about to be demolished, and the Southbank is one of my favourite Brutalist buildings. Both were studies for larger paintings that I subsequently made.

Mandy Payne Study of Exeter Court Spraypaint, Acrylic and Marker Pen on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Painter/printmaker based in Sheffield whose work focuses on urban landscape, with a particular interest in gentrification, social housing and Brutalist architecture. For her paintings she usually paints on concrete and employs spray paint, referencing the sites she is depicting. Art is a second career, she originally trained as a dentist and spent 25 years working in the Community and Hospital NHS dental services before a career change 10 years ago to work as a full-time artist.   Education BDS (Manchester University) MDent Sci (Leeds University) BA Fine Art (Nottingham University) 2 year Fellowship in Stone Lithography at Leicester Print Workshop   Select Exhibitions/Awards John Moores Painting Prize 2014 (Prize winner), and exhibited 2016 and 2020 New Light Arts Prize 2015 (First Prize Winer), and exhibited 2017 and 2020 John Ruskin Prize 2014 (Runner up) Work included in: Royal Academy Summer Exhibition 2014, 2015 ,2016, 2017, 2018, 2019 Contemporary British Painting Prize 2016 Threadneedle Prize. Mall Galleries, London 2013 Lynn Painter Stainers Prize, Mall Galleries, London 2019 Figurative Art Now, Mall Galleries, London, 2020 Wells Art Contemporary 2020 Elizabeth Greenshield Foundation Award 2017 Arts Council of England Award, 2015 and 2019 Gallery Representation Saul Hay Gallery, Manchester and Tarpey Gallery Castle Donnington, Ffin y Parc Gallery, Conwy   Statement about AOAP Submitted Artwork 4 cards submitted- all made during lockdown when a lot of the materials I usually work with were in short supply, which forced me to experiment with things I had to hand in my studio. Finca 1 and 2 were made whilst experimenting, trying to create concrete like textures with liquid graphite. Exeter Court is a social housing estate in South Kilburn which is about to be demolished, and the Southbank is one of my favourite Brutalist buildings. Both were studies for larger paintings that I subsequently made.

Mandy Payne Finca I Liquid Graphite and Spray Paint on Somerset Newsprint Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Painter/printmaker based in Sheffield whose work focuses on urban landscape, with a particular interest in gentrification, social housing and Brutalist architecture. For her paintings she usually paints on concrete and employs spray paint, referencing the sites she is depicting. Art is a second career, she originally trained as a dentist and spent 25 years working in the Community and Hospital NHS dental services before a career change 10 years ago to work as a full-time artist.   Education BDS (Manchester University) MDent Sci (Leeds University) BA Fine Art (Nottingham University) 2 year Fellowship in Stone Lithography at Leicester Print Workshop   Select Exhibitions/Awards John Moores Painting Prize 2014 (Prize winner), and exhibited 2016 and 2020 New Light Arts Prize 2015 (First Prize Winer), and exhibited 2017 and 2020 John Ruskin Prize 2014 (Runner up) Work included in: Royal Academy Summer Exhibition 2014, 2015 ,2016, 2017, 2018, 2019 Contemporary British Painting Prize 2016 Threadneedle Prize. Mall Galleries, London 2013 Lynn Painter Stainers Prize, Mall Galleries, London 2019 Figurative Art Now, Mall Galleries, London, 2020 Wells Art Contemporary 2020 Elizabeth Greenshield Foundation Award 2017 Arts Council of England Award, 2015 and 2019 Gallery Representation Saul Hay Gallery, Manchester and Tarpey Gallery Castle Donnington, Ffin y Parc Gallery, Conwy   Statement about AOAP Submitted Artwork 4 cards submitted- all made during lockdown when a lot of the materials I usually work with were in short supply, which forced me to experiment with things I had to hand in my studio. Finca 1 and 2 were made whilst experimenting, trying to create concrete like textures with liquid graphite. Exeter Court is a social housing estate in South Kilburn which is about to be demolished, and the Southbank is one of my favourite Brutalist buildings. Both were studies for larger paintings that I subsequently made.

Mandy Payne Finca II Liquid Graphite and Spray Paint on Somerset Newsprint Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Painter/printmaker based in Sheffield whose work focuses on urban landscape, with a particular interest in gentrification, social housing and Brutalist architecture. For her paintings she usually paints on concrete and employs spray paint, referencing the sites she is depicting. Art is a second career, she originally trained as a dentist and spent 25 years working in the Community and Hospital NHS dental services before a career change 10 years ago to work as a full-time artist.   Education BDS (Manchester University) MDent Sci (Leeds University) BA Fine Art (Nottingham University) 2 year Fellowship in Stone Lithography at Leicester Print Workshop   Select Exhibitions/Awards John Moores Painting Prize 2014 (Prize winner), and exhibited 2016 and 2020 New Light Arts Prize 2015 (First Prize Winer), and exhibited 2017 and 2020 John Ruskin Prize 2014 (Runner up) Work included in: Royal Academy Summer Exhibition 2014, 2015 ,2016, 2017, 2018, 2019 Contemporary British Painting Prize 2016 Threadneedle Prize. Mall Galleries, London 2013 Lynn Painter Stainers Prize, Mall Galleries, London 2019 Figurative Art Now, Mall Galleries, London, 2020 Wells Art Contemporary 2020 Elizabeth Greenshield Foundation Award 2017 Arts Council of England Award, 2015 and 2019 Gallery Representation Saul Hay Gallery, Manchester and Tarpey Gallery Castle Donnington, Ffin y Parc Gallery, Conwy   Statement about AOAP Submitted Artwork 4 cards submitted- all made during lockdown when a lot of the materials I usually work with were in short supply, which forced me to experiment with things I had to hand in my studio. Finca 1 and 2 were made whilst experimenting, trying to create concrete like textures with liquid graphite. Exeter Court is a social housing estate in South Kilburn which is about to be demolished, and the Southbank is one of my favourite Brutalist buildings. Both were studies for larger paintings that I subsequently made.

Katarina Ranković Personal Fleet Pen Drawing on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Katarina Rankovic (b.1994) is a video, drawing and text-based artist exploring the extent to which personhood is encoded in character, and whether fictional characters can be reverse engineered into something approximating persons; a kind of literary prototype of general artificial intelligence. Current projects include 'Empathy Drawings', a means of becoming other through the body of line; 'Anomaline', a novel about an anti-person; 'Vernacular Spectacular', a one-woman empathy circus, and 'Scripting for Agency', a PhD project at Goldsmiths College. As a Serb born in Yorkshire, raised in Norway and working in London, both the theory and practice of Katarina's work originates from the daily necessity of inhabiting and switching between many selves.   Education PhD Art - Goldsmiths College, 2019-2022 MA Fine Art - Central Saint Martins, 2016-2018 BA Fine Art (Painting) - Wimbledon College of Arts, 2013-2016   Select Exhibitions/Awards New Writing with New Contemporaries, South London Gallery, 19 February 2022 Bloomberg New Contemporaries 2021, South London Gallery, 10 Dec 2021 - 20 Feb 2022 Bloomberg New Contemporaries 2021, Firstsite Gallery, Colchester, 25 Sept - 28 Nov 2021 Ridiculous! Elephant West, London, 9 Jan - 2 Feb 2020 Pseudo, Perfomistanbul Performance Research Archive, 2020 Vernacular Spectacular, solo exhibition, Tension Fine Art, 9 Aug - 7 Sept 2019 Winner of the Golden Aesop Grand Prix in Contemporary Art at the 24th Biennial of Humour and Satire, Gabrovo, Bulgaria, 2019 TBCTV, Somerset House, London, 3 - 7 Oct 2018 Xhibit 2018, Art Bermondsey Project Space, 19 Apr - 12 May 2018 NOVA Awards; Aberystwyth Arts Center, Royal Cambrian Society, Arcade Cardiff, 26 Jan - 1 Apr 2018 Art to Artillery, short film commissioned by NOWNESS and Louis Vuitton Moët Hennessy, 2017 Winner of Refinery29 Artist Vision Award, 2017 Altered Realities, Lethaby Gallery, London, 22 Feb - 15 Mar 2017 Blind Scripting, Tate Exchange, Tate Modern, 13 Jan, 2017 Blind Scripting, Nottingham Contemporary, 1 - 2 Dec 2016 Crypt Residency, Crypt Gallery, London, Oct 2016 A Ritual Resuscitation of Eternal Lovers, The Cockpit Theatre, London, 21 Dec 2015 The Doctor, Artists' Locomotion Moving Image Festival, London, 2 - 4 May 2014   Statement about AOAP Submitted Artwork These improvised ink drawings are part of a strand of my practice called 'Empathy Drawings'. The drawings grow out of an initial appreciation of the medium itself; the body of the line. I then imagine the line that comes out of my pen to be an enviable body, something which I desire to wriggle into like a second skin. The line is a perfectly impressionable being which yields to the vibrations of my fledgling intent. I discover myself in them. By empathising with the line I create for myself a spiritual prosthesis through which I can temporarily become other, like a dancer slipping into character.

Katarina Ranković Stage Moose Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Katarina Rankovic (b.1994) is a video, drawing and text-based artist exploring the extent to which personhood is encoded in character, and whether fictional characters can be reverse engineered into something approximating persons; a kind of literary prototype of general artificial intelligence. Current projects include 'Empathy Drawings', a means of becoming other through the body of line; 'Anomaline', a novel about an anti-person; 'Vernacular Spectacular', a one-woman empathy circus, and 'Scripting for Agency', a PhD project at Goldsmiths College. As a Serb born in Yorkshire, raised in Norway and working in London, both the theory and practice of Katarina's work originates from the daily necessity of inhabiting and switching between many selves.   Education PhD Art - Goldsmiths College, 2019-2022 MA Fine Art - Central Saint Martins, 2016-2018 BA Fine Art (Painting) - Wimbledon College of Arts, 2013-2016   Select Exhibitions/Awards New Writing with New Contemporaries, South London Gallery, 19 February 2022 Bloomberg New Contemporaries 2021, South London Gallery, 10 Dec 2021 - 20 Feb 2022 Bloomberg New Contemporaries 2021, Firstsite Gallery, Colchester, 25 Sept - 28 Nov 2021 Ridiculous! Elephant West, London, 9 Jan - 2 Feb 2020 Pseudo, Perfomistanbul Performance Research Archive, 2020 Vernacular Spectacular, solo exhibition, Tension Fine Art, 9 Aug - 7 Sept 2019 Winner of the Golden Aesop Grand Prix in Contemporary Art at the 24th Biennial of Humour and Satire, Gabrovo, Bulgaria, 2019 TBCTV, Somerset House, London, 3 - 7 Oct 2018 Xhibit 2018, Art Bermondsey Project Space, 19 Apr - 12 May 2018 NOVA Awards; Aberystwyth Arts Center, Royal Cambrian Society, Arcade Cardiff, 26 Jan - 1 Apr 2018 Art to Artillery, short film commissioned by NOWNESS and Louis Vuitton Moët Hennessy, 2017 Winner of Refinery29 Artist Vision Award, 2017 Altered Realities, Lethaby Gallery, London, 22 Feb - 15 Mar 2017 Blind Scripting, Tate Exchange, Tate Modern, 13 Jan, 2017 Blind Scripting, Nottingham Contemporary, 1 - 2 Dec 2016 Crypt Residency, Crypt Gallery, London, Oct 2016 A Ritual Resuscitation of Eternal Lovers, The Cockpit Theatre, London, 21 Dec 2015 The Doctor, Artists' Locomotion Moving Image Festival, London, 2 - 4 May 2014   Statement about AOAP Submitted Artwork These improvised ink drawings are part of a strand of my practice called 'Empathy Drawings'. The drawings grow out of an initial appreciation of the medium itself; the body of the line. I then imagine the line that comes out of my pen to be an enviable body, something which I desire to wriggle into like a second skin. The line is a perfectly impressionable being which yields to the vibrations of my fledgling intent. I discover myself in them. By empathising with the line I create for myself a spiritual prosthesis through which I can temporarily become other, like a dancer slipping into character.

Janaina Tschäpe Winter I Watercolour and Crayon on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Janaina Tschäpe was born in Munich, Germany in 1973 and lives and works in New York. She has had solo exhibitions at the Den Frie Center of Contemporary Art, Copenhagen, Denmark; the Sarasota Art Museum, Florida; the Musée L'Orangerie, Paris, France; the Museum of Contemporary Art Tucson, Arizona; Kasama Nichido Museum of Art, Kasama, Japan; the Irish Museum of Modern Art, Dublin, Ireland, and the Contemporary Museum of Art, St Louis. She has been featured in numerous group exhibitions at venues including The Lewis Glucksman Gallery, Cork, Ireland; NCA Taipei, Taiwan; Whitechapel Gallery, London; TBA21-Augarten, Vienna, Austria; CCBB, Rio de Janeiro, Brazil; Centre D'Art Contemporain de Normandie, France; 21st Century Museum of Contemporary Art, Nanazawa, Japan; Instituto Tomie Ohtake, São Paulo; Storefront for Art and Architecture, New York; National Museum of Women in the Arts, Washington D.C.; Pratt Manhattan Gallery; OCA Museu da Cidade, São Paulo; Kunsthal Kade, Netherlands; Cidade Matarazzo, São Paulo, Brazil; Ronnebaeksholm, Denmark; Cultural Centro Banco do Brazil in Belo Horizonte, Brazil; Museum of Fine Arts Boston, Massachusetts; and Museum of Contemporary Art Taipei, Taiwan. Tchäpe's work is found in important public collections including Centre Pompidou, Paris, France; Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; Harvard Art Museum, Cambridge, Massachusetts; Museu de Arte Moderna do Rio de Janeiro, Brazil; Moderna Museet, Stockholm, Sweden; Thyssen-Bornemisza Art Contemporary, Vienna, Austria; and the Solomon R. Guggenheim Museum, New York, among others. She has completed public commissions in New York City; Miami Beach, Florida; São Paulo, Brazil; and Holbæk, Denmark. Education 1997-1998 Master in Fine Arts, School of Visual Arts, New York 1992-1997 Bachelor of Fine Arts, Hochschule für bilende Künste, Hamburg, Germany   Gallery Representation Sean Kelly Gallery in New York / Fortes D'Aloia & Gabriel, São Paulo, Brazil / Galleri Bo Bjerggaard, Copenhagen, Denmark / nca | nichido contemporary art, Tokyo, Japan

Janaina Tschäpe Winter II Watercolour and Crayon on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Janaina Tschäpe was born in Munich, Germany in 1973 and lives and works in New York. She has had solo exhibitions at the Den Frie Center of Contemporary Art, Copenhagen, Denmark; the Sarasota Art Museum, Florida; the Musée L'Orangerie, Paris, France; the Museum of Contemporary Art Tucson, Arizona; Kasama Nichido Museum of Art, Kasama, Japan; the Irish Museum of Modern Art, Dublin, Ireland, and the Contemporary Museum of Art, St Louis. She has been featured in numerous group exhibitions at venues including The Lewis Glucksman Gallery, Cork, Ireland; NCA Taipei, Taiwan; Whitechapel Gallery, London; TBA21-Augarten, Vienna, Austria; CCBB, Rio de Janeiro, Brazil; Centre D'Art Contemporain de Normandie, France; 21st Century Museum of Contemporary Art, Nanazawa, Japan; Instituto Tomie Ohtake, São Paulo; Storefront for Art and Architecture, New York; National Museum of Women in the Arts, Washington D.C.; Pratt Manhattan Gallery; OCA Museu da Cidade, São Paulo; Kunsthal Kade, Netherlands; Cidade Matarazzo, São Paulo, Brazil; Ronnebaeksholm, Denmark; Cultural Centro Banco do Brazil in Belo Horizonte, Brazil; Museum of Fine Arts Boston, Massachusetts; and Museum of Contemporary Art Taipei, Taiwan. Tchäpe's work is found in important public collections including Centre Pompidou, Paris, France; Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; Harvard Art Museum, Cambridge, Massachusetts; Museu de Arte Moderna do Rio de Janeiro, Brazil; Moderna Museet, Stockholm, Sweden; Thyssen-Bornemisza Art Contemporary, Vienna, Austria; and the Solomon R. Guggenheim Museum, New York, among others. She has completed public commissions in New York City; Miami Beach, Florida; São Paulo, Brazil; and Holbæk, Denmark. Education 1997-1998 Master in Fine Arts, School of Visual Arts, New York 1992-1997 Bachelor of Fine Arts, Hochschule für bilende Künste, Hamburg, Germany   Gallery Representation Sean Kelly Gallery in New York / Fortes D'Aloia & Gabriel, São Paulo, Brazil / Galleri Bo Bjerggaard, Copenhagen, Denmark / nca | nichido contemporary art, Tokyo, Japan

ISMAEL DE LA SERNA GONZÁLEZ (Guadix, Granada, 1898 - Paris, 1968)."Still life violin". Watercolour and coloured pencils.Signed in the lower right area.Size: 30 x 41,5 cm; 48 x 54,5 cm (frame).Ismael González de la Serna began his art studies in Granada and concluded them in Madrid, at the San Fernando School of Fine Arts. In his early years he developed an eclectic pictorial style, drawing on impressionist, symbolist and modernist sources. One of the first examples of his youthful language can be found in the illustrations he made for his childhood friend Federico García Lorca, in what was to be his first book, "Impresiones y paisajes" (1918). That same year, Ismael de la Serna held his first exhibition in Granada, and shortly afterwards he presented his works at the Ateneo in Madrid. In 1921 he moved to Paris in order to broaden his artistic horizons, joining the circles of the School of Paris. Among his Parisian friends was Pablo Picasso, who influenced his work but was, above all, the Granada painter's protector. During this period De la Serna's style was permeable to the influences of the avant-garde, particularly Cubism and Expressionism, which he worked in a highly personal manner. Likewise, the initial influence of Impressionism was always evident in his work. The year 1927 marked the beginning of a period of strong influence on his work, which began with the painter's solo exhibition at the influential Paris gallery of Paul Guillaume. This exhibition was followed by many others, both in Paris and in Berlin, Brussels, Copenhagen, Granada and Mexico. In 1928 he was commissioned by the director of "Cahiers d'Art", Christian Zervos, to illustrate a special edition of twenty sonnets by Góngora. The key to his recognition lies in his sensual interpretation of the forms of Cubism, based on the relevance of a drawing with a sinuous and highly decorative line, combined with strong chromatic contrasts. With a marked spatial sense and without ever abandoning figuration, De la Serna mainly depicted still lifes, in which he emphasised the sensory aspect of his painting with metaphorical sensory references such as music, fruit or open windows. He also worked on landscapes and portraits. After inaugurating the activities of the Asociación de Artistas Ibéricos in Madrid with a solo exhibition in 1932, the painter embarked on new avenues of artistic experimentation which, after the Second World War, led to a more schematic and simplified style of painting, close to contemporary abstract solutions. Ismael de la Serna is represented in the Patio Herreriano Museum in Valladolid, the Reina Sofía Museum in Madrid, the Fine Arts Museums of Granada and Seville, the ARTIUM in Vitoria, the Popular Museum of Contemporary Art in Vilafamés and the Museum of Modern Art in Paris, among many others.

JULIA MINGUILLÓN IGLESIAS (Lugo, 1907 - Madrid, 1965)."Landscape".Oil on panel.Signed in the lower right corner.Measurements: 70 x 48 cm; 82 x 58 cm (frame).Julia Minguillón began her artistic training at the age of eleven with the painter Castro Cires in Valladolid. She later completed her studies in Madrid, first at the School of Arts and Crafts and later at the San Fernando School of Fine Arts, finally graduating in 1932 as a teacher of drawing and painting. During these years of apprenticeship she was taught by Manuel Benedito, Cecilio Pla, Joaquín Valverde, Ignacio Pinazo and Eduardo Chicharro. Minguillón developed a personal style halfway between postmodernism and naturalism, and painted both landscapes and genre scenes, the latter brimming with a naive lyricism full of sensitivity that would mark later Galician painting. He became known through the National Exhibitions of Fine Arts, and in 1941 he was awarded a gold medal for "Escuela de Doloriñas" (Museo del Prado, on deposit at the Provincial Museum of Lugo). This work perfectly exemplifies Minguillón's style which, according to M.V. Carballo-Calero, is characterised by a tendency towards primitivism, which generally led him to paint on panel rather than on canvas, and by a schematic style with post-Cubist touches in its composition. She also took part in the most important international competitions, as well as in various group exhibitions. In 1948 she was awarded the Grand Prize for Fine Arts, and a year later she moved to Galicia, where she was appointed a corresponding member of the Galician Royal Academy. After a trip to America, in 1961 she settled permanently in Madrid, where she died four years later. She is currently mainly represented in the Provincial Museum of Lugo, although her works also form part of other collections such as the Nova Caixa Galicia, the Museum of Contemporary Art in Madrid and numerous museums in Galicia, the rest of Spain and abroad.

RICARDO OPISSO I SALA (Tarragona, 1880 - Barcelona, 1966)."Bar scene".Oil crayon on paper.Signed in the lower right corner.Size: 25 x 20 cm; 48 x 42 cm (frame).Opisso was a painter, draughtsman and cartoonist. In his youth he took part in the modernist environment of Barcelona, and in fact in 1894 he began to work as an apprentice with Antoni Gaudí in the works of the Sagrada Familia. Two years later, backed by the architect, he became a member of the Círculo Artístico de Sant Lluc, with whom he would later exhibit at the Sala Parés. He was linked to the group Els Quatre Gats, together with Ramon Casas, Manuel Hugué, Isidre Nonell and Pablo Picasso, among others. In 1901 he made a trip to Paris, where Picasso and Hugué were already there. He worked as an illustrator in publications such as "Cu-cut!" and "L'Esquella de la Torratxa", signing drawings aimed at political satire, in a style close to art nouveau. In 1907 he took part in the Fine Arts Exhibition in Barcelona and was awarded a third-class medal. Due to the dictatorship of Miguel Primo de Rivera, Opisso abandoned political satire and his drawings moved towards genre themes, specialising in popular scenes. His works from this period are characterised by the presentation of motley crowds of people in popular Barcelona settings. After exhibiting several times in succession at the Sala Parés, he held his first solo exhibition in 1935 at the Syra galleries in Barcelona. During the post-war period he continued to exhibit in various galleries in Barcelona, and reaped considerable success with both critics and the public. In 1953 he received recognition from his home town at the 4th Tarragona Art Fair. Most of his work is kept in the Opisso Museum in Barcelona, but it is also present in the National Art Museum of Catalonia and the Museum of Modern and Contemporary Art in Strasbourg. In terms of exhibitions, the one held at the Thyssen-Bornemisza Museum in 2004 under the title "Catalan Painting, from Naturalism to Noucentisme", in which his work "Carnival" was exhibited, is particularly noteworthy. He has also had anthological exhibitions at the Saló del Tinell (1979), the Palau de la Virreina (1980), the Barcelona International Boat Show (1973), the Fundació La Caixa (1988, 2004, 2008) and the Caixa Tarragona (2003).In the scene proposed by Opisso, the author uses humour and caricature as he often does. With a forced point of view, from the lower, swooping area, Opisso portrays in the foreground a marine's attempt to kiss a beautiful woman. The positions of their bodies create diagonal lines, some of them opposing each other, especially if we look at the couple's legs. While the sailor aggressively approaches the woman, she is cornered at the right edge of the work, being subjected to his kiss. Meanwhile, in the background, the sailor's companions are also enjoying the effervescent atmosphere of the place.

VICENTE PALMAROLI GONZÁLEZ (Zarzalejo, Madrid, 1834 - Madrid, 1896)."Portrait of a lady.Oil on canvas.With restorations.Signed in the lower right area.Measurements: 89 x 70 cm.Portrait of a lady with a long bust, the work follows the precepts established by the genre of the portrait during all the history of art; the neutral background that monumentalizes the figure, the position in the foreground and the strict frontality among other characteristics. However, it is worth noting the pose of the sitter, who is shown before the viewer with her arms crossed, clasping her hands and leaning slightly to one side, which shows how tired she is from hours of posing before the artist and leaves the viewer with an anecdotal element that describes the sitter's personality. Palmaroli was a vigorous portraitist who knew how to delve deeply into the psychology of the sitter and recreate the minute details of her clothing. With a virtuoso brushstroke, he expressed the plasticity of the clothes and the brilliance of the adolescent flesh tones in a veristic language. The son of an Italian lithographer, Palmaroli entered the School of Fine Arts at the San Fernando Academy in Madrid in 1848. A few years later, in 1853, he succeeded his father in the post of lithographer at the Museo del Prado, created especially for him by the king consort Francisco de Asís with the support of José de Madrazo. In 1857 this post enabled him to go to Italy to further his training, accompanied by Eduardo Rosales and Luis Álvarez Catalá. On his return he submitted two paintings executed during his trip to the National Exhibition of Fine Arts of 1862, which were awarded second and first medals. From his earliest works, Palmaroli began to move away from the official aesthetic of his time, evolving towards much more intimate, refined plastic works inspired by contemporary and even everyday motifs. He returned to Italy in 1863 and stayed there for three years, during which time he painted "The Sermon in the Sistine Chapel" (Caja Duero, Salamanca), a work of enormous success which won him the first medal at the National Exhibition of 1866 and very good reviews in Paris. During this period of splendour and pictorial maturity he also painted numerous portraits, including that of the Infanta Isabel de Borbón (Royal Palace, Madrid). Once he settled in Madrid again, in 1871 he obtained his third first-class medal at the National Academy, and the following year he was appointed a member of the San Fernando Academy. In 1873 Palmaroli settled in Paris, where he worked extensively as a painter of tableautins for ten years, at the end of which he was called to Rome as director of the Rome Academy. In the Italian capital he continued with the same genre of anecdotal inspiration until 1894, when he was appointed director of the Museo del Prado, a post he held until 1896. Towards the end of his life, his painting cautiously approached symbolism in such significant works as his Martyrdom of Saint Christina (Prado, on deposit in Jaen). Palmaroli was also the teacher of prominent painters such as Carlota Rosales, daughter of Eduardo Rosales, Casimiro Sainz, Eduardo León Garrido and Domingo Muñoz Cuesta, among others. Vicente Palmaroli is currently represented in the Prado Museum, the Malaga Municipal Museum, the museums of Jaén, L'Empordà, Granada and La Coruña, the Ministry of Public Works and the Royal Theatre in Madrid, the Royal Academy of San Fernando and the Romantic Museum in Madrid, among others.

A contemporary decorative gilt over mantel mirror in the Art Nouveau manner. Central mirror glass within a composite gilt frame decorated to each side with peacocks / birds of paradise. Measures 75cm x 102cm.

Al-Askalany, Ahmed (Nagi Hammad 1978, lebt in Kairo), Stier, Skulptur aus Masse, beide Hörner geklebt, auf Holzsockel montiert, Figur: L 24,5 cm, H 16 cm; Sockel: 19,5 x 33,5 cm, H 5 cm, auf Unterseite Sockel: Ausstellungsplakat Gallery for Contemporary Art Kairo 2002/03. 3144-002

David Hockney R.A. (British 1937-) "My Pool and Terrace", 1983, signed, dated and numbered 85/250 in pencil in the margin, from the portfolio 'Eight by Eight to Celebrate the Temporary Contemporary', published by the Museum of Contemporary Art, Los Angeles, etching and aquatint in colours, on wove paper.plate size 60.5cm x 90.5cm (23.75in x 35.75in) sheet size 74cm x 106.5cm (29in x 42in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. There are some very minor creases, stains and one or two spots of foxing in the margins. The sheet appears to be attached in each corner. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

A GILT COPPER ALLOY FIGURE OF BUDDHA, 11TH-12TH CENTURYCentral Tibet. Superbly cast, seated in dhyanasana on a double lotus base, the right hand lowered in bhumisparsa mudra and the left above his lap holding a separately cast alms bowl. His richly pleated monastic robe is draped over both shoulders and cascades in voluminous folds. The exquisite face with heavy-lidded eyes below gently arched, remarkably wide eyebrows. Centered by an urna above full lips forming a benevolent smile, flanked by long, pierced, rectangular earlobes. The hair arranged in tight curls surmounted by a domed ushnisha with a distinctive four-petaled bud finial (see fig. 2).Provenance: From a noted Hungarian private collection, by repute acquired in Central Asia between 1950 and 1960, thence by descent in the same family.Condition: Excellent condition, fully commensurate with age. The base possibly resealed a long time ago. Some wear and casting irregularities. Small nicks, minor dents, and light surface scratches. Fine, naturally grown patina overall. Remnants of ancient pigments and old varnish.Weight: 1,668 gDimensions: Height 20.6 cmThis fine and distinctive sculpture of Shakyamuni Buddha, created during a period that marks both the revival of Buddhism in Tibet and a formative phase in Tibetan Buddhist art, has arguably more in common with Buddha images of North India and Central Asia from the previous 500 years than with those produced during the subsequent millennia of Tibetan sculpture. The face's blend of Indian and Tibetan features results in a countenance of confident nobility. Its distinct modeling makes this gilt bronze a rather singular depiction of Shakyamuni Buddha from Tibet, while at the same time wonderfully encapsulating the archaism of Tibetan art at a pivotal moment of its history.Produced between 1081-93, the murals of Drathang correlate to the present lot. Borrowings from the Pala-Sena style are apparent throughout. For example, while the present Shakyamuni's handsome face has a squarer, more Tibetan physiognomy than Buddhist bronzes made in India around the 11th century, his mouth, eyes, and brow mimic features of the Pala style – a combination present throughout the host of bodhisattvas painted at Drathang. Compare the treatment of the plump lower lip and recessed rounded corner of the smile of a painted Maitreya (see fig. 1). The present Shakyamuni also adopts the undulating upper lid of Maitreya's eye, as well as his sinuous brow with upturned ends.The idiosyncratic sculpture and painting created in Central Tibet during the 11th century embrace contemporary doctrinal and stylistic innovation while also celebrating the Buddhism that was practiced in Tibet when the religion was first introduced. As such, this Buddha provides a rare glimpse into the formative period of the Second Diffusion, when Tibet revived its patronage of Buddhism.Literature comparison: Compare a related but larger Central Tibetan gilt bronze seated Buddha Shakyamuni, dated to the 12th century, in the collection of the Metropolitan Museum of Art, accession number 2012.458; and a closely related Central Tibetan gilt bronze seated Buddha Shakyamuni, dated c. 11th century, in the Los Angeles County Museum of Art, accession number AC1996.26.1.Auction result comparison: Compare a closely related Central Tibetan gilt copper-alloy standing Buddha, dated 11th-12th century, 81.5 cm high, at Bonhams New York in Indian, Himalayan & Southeast Asian Art on 23 September 2021, lot 1204, bought-in at an estimate of USD 800,000-1,200,000. Note the similar four-petaled finial atop the ushnisha (see fig. 2) as well as the similarly cast face with undulating upper lid, full lips, and rectangular lobes.十一至十二世紀銅鎏金坐佛像西藏。以精銅鑄造，鎏金璀璨。結全跏趺坐，右手自然下垂，施降魔觸地印，左手托鉢於腹前，坐於仰覆蓮座上。肉髻高隆呈塔形，螺髮排列規整，寶珠頂嚴。寬額豐頤，雙耳垂肩，彎眉細長與鼻脛相連，點丹白毫，雙目微合下視，嘴角微露笑意，神態怡然，法相莊嚴。頸施三道弦紋，胸膛寬闊，腰部收束，著袒右肩袈裟。薄衣貼體，衣紋轉折流暢自然，富有層次感。蓮瓣寬大飽滿。座下固封裝藏保存完好，底蓋中央鏨刻精美十字金剛杵紋。 來源：匈牙利知名私人收藏，據説於上世紀五十至六十年代購於中亞，自此保存在同一家族至今。 品相：狀況極佳，與年齡完全相稱。 底座可能很久以前曾重新密封過。 一些磨損和鑄造不規則。 小刻痕、輕微的凹痕和表面劃痕。 整體上包漿精細自然。古代顏料和舊清漆的殘餘物。 重量：1,668 克 尺寸：高 20.6 厘米 這尊精美而獨特的釋迦牟尼佛像應該製於於藏傳佛教復興與其藝術形成階段時期，與隨後數千年的藏傳造像相比，他可以說與過去500年來北印度和中亞的佛像有更多共同之處。他的面部融合了印度和西藏的特徵，顯得自信高貴。 其造型獨特更加體現了西藏藝術的古樸。 扎塘寺的壁畫創作於 1081 至 1093 年間，與現在的拍品密切相關。他顯而易見自始至終都借用了帕拉塞納風格。 例如，雖然現在釋迦牟尼的面容比 11 世紀左右印度製造的佛教造像更為方正，但他的嘴、眼睛和眉毛卻模仿了帕拉風格——這種組合存在於扎塘寺壁畫。 比較彩繪彌勒佛豐滿下唇和笑容凹陷圓角的處理（見圖1），現在的釋迦牟尼也採用了彌勒的上眼瞼起伏，眉梢上翹。 11世紀，來自西藏中部的獨特造像和繪畫包含了當時的教義和風格的創新，同時也頌揚了西藏當時所奉行的佛教。 因此，這尊佛陀提供了一個難得的機會，讓我們得以目睹佛教第二次在西藏得到發揚時的光輝。 文獻比較：比較一件十二世紀更大型的來自西藏的銅鎏金釋迦牟尼坐像，收藏於大都會藝術博物館，編號 2012.458; 一件十一世紀西藏銅鎏金釋迦牟尼坐像，見洛杉磯美術館，編號 AC1996.26.1。 拍賣結果比較：比較一件十一至十二世紀西藏銅鎏金立佛，高81.5厘米，見紐約邦翰思Indian, Himalayan & Southeast Asian Art 2021年9月23日 lot 1204, 估價USD 800,000-1,200,000，注意其四瓣寶珠頂嚴 (見圖 2) 與面容表現以及起伏的上眼瞼、豐滿的嘴唇和長方形的耳垂。

'HERDING UNDER WILLOWS', BY LI KERAN (1907-1989)China. Ink and watercolors on paper. Finely painted with two boys wearing farmer's hats and white shirts, each riding a water buffalo, the animals' bodies only partly visible as they move across a river under a willow tree, one boy pulling on a vine.Inscriptions: Upper left, signed 'Li Keran'. Lower left with a lengthy inscription. Three seals of the artist.Provenance: UK trade, by repute acquired from an English private collection. Condition: Excellent condition with minor wear, soiling, and creasing.Dimensions: Image size 82.5 x 54.8 cm, Size incl. mounting 124 x 68.3 cmLi Keran (1907-1989) was a contemporary Chinese guohua painter and art educator. Considered one of the most important Chinese artists in the latter half of the 20th century, he was also an influential professor at the Central Academy of Fine Arts where he taught a generation of Chinese artists. Although trained in Western oil painting, he was known for his traditional literati paintings with influences from Qi Baishi and Huang Binhong, two renowned masters in Chinese painting. Li is also noted for the enlivened water buffaloes in his paintings.Auction result comparison: Compare a closely related painting by Li Keran, also depicting two boys herding buffalo under a willow, at Sotheby's Hong Kong in Fine Chinese Paintings on 21 April 2021, lot 2507, sold for HKD 945,000. 李可染(1907-1989)《牧牛圖》中國。紙本設色。畫中有兩個戴著笠帽的男童，各自騎著一頭水牛，嬌小可愛，與體型較大的水牛形成對比，其愉快的神情則與水牛的酣然之態一致。一個男孩拉著一根柳樹條。整幅畫構圖巧妙，款識：《牧牛圖》，可染鈴印：可染來源：英國古玩市場，據説來自英國私人老收藏。品相：狀況極佳，輕微磨損、汙漬和摺痕。尺寸：畫面82.5 x 54.8厘米，總124 x 68.3厘米拍賣結果比較：比較一幅相近的李可染《牧牛圖》，見香港蘇富比Fine Chinese Paintings 2021年4月21日 lot 2507, 售價HKD 945,000。

AN INDIAN MINIATURE PAINTING OF AN EPIC BATTLE SCENE, PROBABLY FROM THE RAMAYANA, EARLY 19TH CENTURYIndia, Kangra or Garhwal, c. 1810-1820. Ink, watercolors, and gold on wasli. Finely painted with a dense battle scene depicting Rama probably at the top right and again below, as well as various other deities and human figures engaged in vicious fights with many severed limbs, flying spears, and blood, one man riding an elephant and another a horse-drawn carriage, all wearing elaborate robes and jewelry, brandishing swords and other weapons. To the left and right of this scene are white buildings filled with peaceful figures and deities.Inscriptions: To reverse, a lengthy inscription of thirteen lines in black ink.Provenance: From the collection of Karl Stirner, and thence by descent. Karl Stirner (1923-2016) was a German-born American sculptor known internationally for his metalwork. His art has been shown at the Museum of Modern Art in New York, the Pennsylvania Academy of Fine Arts, the Philadelphia Museum of Art, the Corcoran Gallery, the La Jolla Museum of Contemporary Art, the James A. Michener Art Museum, the Grounds for Sculpture in Hamilton, New Jersey, and the Delaware Art Museum, among other places.Condition: Excellent condition with minor wear, little soiling, and few minuscule losses to edges. Matted and framed behind glass.Dimensions: Image size 37.3 x 23.8 cm, Size incl. frame 50 x 36 cmAuction result comparison: Compare a closely related miniature painting from a dispersed Ramayana series, depicting the battle between Rama and Ravana, at Christie's New York Indian and Southeast Asian Art on 19 March 2014, lot 1105, sold for USD 15,000, and another depicting Rama and Sita participating in rituals at Sotheby's New York in Indian, Himalayan & Southeast Asian Works of Art on 20 September 2021, lot 396, sold for USD 25,200.