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Georgia Pesket Bathroom Study VII, 2022 Oil and Pastel on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education   Epsom School of Art and Design   Select Exhibitions/Awards   Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation   Cupola Gallery Sheffield, Rise Art London, Singulart Paris   Statement about AOAP Submitted Artwork   Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Kate Mieczkowska Bird Cage, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Kate is a British artist working between the UK and Middle East. Like most normal artist's she juggles family life, a small business retraining racehorses and her art with varying degrees of success but never gives up in her aim to create poignant strong works of art very much in the zeitgeist. On her travels she finds 'nuggets' of contemporary life which she weaves into paintings. In recent times, her megalomania has driven her to paint on a massive scale in oils. Possibly a midlife crisis! However the challenge of making this wonderfully small work was well received. Visit www.katemieczkoeska.com for more examples of her work both large and small. Education Winchester School of Art BA (first class Sculpture) and Chelsea College of Art (MA Fine Art) Select Exhibitions/Awards Royal Academy Summer Exhibition 2022 (Included in Timeout Magazine's top ten must see pieces in the show) Venice Biennale (Group project) 2019 Winner of The Ward Thomas prize for Fine Art in NOA 2016 Statement about AOAP Submitted Artwork I was hugely honoured to be invited to submit work for the auction. In keeping with my desire to create paintings that hold both historical and contemporary imagery whilst making an observation on contemporary culture, I chose to make a watercolour based on a visit I made to a museum of Polish Folk Culture. I saw the women and the fighting taxidermy animals occupying different enclosed spaces, trapped in their different worlds. The 'spectacle' of the fighting creatures beautifully displayed, unable to ever cease their fight, juxtaposed with the women casually watching in from their safe but slightly darker enclosure enjoying the display. In our current times with focus on borders and disputes in Eastern Europe, I felt 'Birdcage' offers an interesting dialogue in relation the media coverage of war and climate change, and our passive participation and ghoulish appreciation of the 'spectacles' offered to us. I intended it to follow on from the work 'Chicken and Chips on a Friday Night' that was shown in Alison Wilding's 'Climate' themed exhibition at the Royal Academy this summer in terms of its dark humour and narration of contemporary culture. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Irini Bachlitzanaki Tea Towel Detail 1, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Irini Bachlitzanaki studied History of Art at UCL and Fine Art at Central Saint Martins, Chelsea College of Arts and most recently the Royal Academy Schools in London. To date, she has had two solo shows and has participated in group exhibitions in Greece and abroad. In addition to her practice she has curated a number of exhibitions and is interested in pursuing curatorial work in line with her artistic research.   Education   2017-2020/21: Postgraduate Programme, Royal Academy Schools, Royal Academy of Arts, London. 2006-2010: BA Fine Art, Chelsea College of Arts, London. 2005-2006: Diploma in Foundation Studies in Art & Design, Central Saint Martins, London. 2002-2005: BA History of Art, UCL, London.   Select Exhibitions/Awards   Solo Exhibitions 2021 The Combination Show. Wolfson College Cambridge. Royal Academy Schools Graduate Prize 2021 2018 just us on a different day, Elika Gallery, Athens. 2015 Emergent Qualities, Elika Gallery, Athens.   Selected Group Exhibitions & Projects 2021 Our Home, this Mortal Coil, Ione & Mann, Cromwell Place, London. Royal Academy Schools Degree show, London. All I Need is the Air that I Breathe, Artseen Contemporary Art, Nicosia. Curated by Maria Stathi. 2020 Yesterday, Today and Forever, Artseen Contemporary Art, Nicosia. Curated by Maria Stathi. Piccadilly Lights, London. Solo presentation curated by Circa Art. Prickly Pears in the Sun, Patio Project, London. Curated by Georgia Stephenson. 2019 Playing Ground, Athens Transmission, Athens. Curated by Christina Petkopoulou. Two-person exhibition: Irini Bachlitzanaki & Harminder Judge, Intrinsic Value Investors (IVI), London. Cream:Whipped!, Coningsby gallery, London. Curated by Nia Hefe Filioginni and Cream, Athens. Creekside Open 2019, A.P.T. Gallery, Deptford, London. Selected by Brian Griffiths. Premiums: Interim Projects 2019. Royal Academy of Arts, London. Τα Δημώδη / Aggeliki Xatzimichali Museum of Folk Culture and Tradition, Athens.Curated by Apostolis Artinos. 2018 Τα Δημώδη, Panourgias Estate, Amfissa, Greece. Curated by Apostolis Artinos. Serpent and Shadow, Royal Academy of Arts, London. Curated by Martin Westwood. Unguided Tour: Irini Bachlitzanaki, Vasilis Zografos, Maria Ikonomopoulou. Martinos Art Gallery, Athens. Honeymoon, Royal Academy Schools, London. 2017 Art-Athina 2017, Elika Gallery, Athens. Domestic Matter, Praxitelous 31, Athens. Curated by Katerina Papazissi. Sci-Fi Athens, Snehta Residency, Athens. Curated by Augustus Veinoglou. Paste in Place, Supersimétrica, Madrid. Curated by 3 137. 2016 Tramontane, Ileana Tounta Contemporary Art Centre, Athens. Curated by Alexios Papazacharias. Fournos, Githio, Lakonia. Curated by Maria Tzanakou and Vasiliki Sifostratoudaki. Art-Athina 2016, Elika Gallery, Athens. 2015 Curious Artefacts, The Artwall, Athens. Curated by Becky Campbell. Unknown Artist, Stegi Texnon, Molyvos, Lesvos. Curated by Christina Sgouromyti. European Night of Museums 2015 annual exhibition, Τhe National Bank of Greece Historical Archive, Athens. Work, Elika Gallery, Athens. Curated by Irini Bachlitzanaki. 2014 Minimum Structure, Romantzo, Bios, Athens. Curated by Apostolis Artinos. Microgeographies, as part of the WorldWideStorefront (WWSf), Athens. Curated by Hariklia Hari. Art-Athina 2014, Elika Gallery, Athens. Dayz of Glory, Open Show Studio, Athens. Desk Issues, curated by 3 137, Dynamo Project Space, Thessaloniki. Boundaries, Snehta and Artscape, Athens. Curated by Becky Campbell. 2013 Microgeographies, Chapter III: Toi et tes Épaves, Athens. Curated by Hariklia Hari. Thrills and Chills, CAN Gallery, Athens. Curated by Christina Androulidaki and Daily Lazy. Desk Issues, Sluice Art Fair, London. Curated by 3 137. Loxodrome, Remap 4, Athens. Message in a Bottle, Mithimna Municipal Gallery, Lesvos. Curated by Vasilis Zografos. Paradise Lost: Art Athina Contemporaries, Art Athina 2013, Athens. Curated by Artemis Potamianou. Pindaros/Third Floor - a project by irini Bachlitzanaki & Augustus Veinoglou, back to athens festival 2013, Athens. Déjà vécu, Anamesa, Athens. Curated by Evita Tsokanta. Boiling Point, CAMP, Athens. Curated by George and Dimitris Georgakopoulos.   2012 Kodra Fresh: What We Want, Action Field Kodra 2012, Thessaloniki. Curated by Vasilis Zografos. Boiling Point, Künstlerhaus, Vienna. Curated by George and Dimitris Georgakopoulos.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Irini Bachlitzanaki Tea Towel Detail 2, 2022 Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Irini Bachlitzanaki studied History of Art at UCL and Fine Art at Central Saint Martins, Chelsea College of Arts and most recently the Royal Academy Schools in London. To date, she has had two solo shows and has participated in group exhibitions in Greece and abroad. In addition to her practice she has curated a number of exhibitions and is interested in pursuing curatorial work in line with her artistic research.   Education   2017-2020/21: Postgraduate Programme, Royal Academy Schools, Royal Academy of Arts, London. 2006-2010: BA Fine Art, Chelsea College of Arts, London. 2005-2006: Diploma in Foundation Studies in Art & Design, Central Saint Martins, London. 2002-2005: BA History of Art, UCL, London.   Select Exhibitions/Awards   Solo Exhibitions 2021 The Combination Show. Wolfson College Cambridge. Royal Academy Schools Graduate Prize 2021 2018 just us on a different day, Elika Gallery, Athens. 2015 Emergent Qualities, Elika Gallery, Athens.   Selected Group Exhibitions & Projects 2021 Our Home, this Mortal Coil, Ione & Mann, Cromwell Place, London. Royal Academy Schools Degree show, London. All I Need is the Air that I Breathe, Artseen Contemporary Art, Nicosia. Curated by Maria Stathi. 2020 Yesterday, Today and Forever, Artseen Contemporary Art, Nicosia. Curated by Maria Stathi. Piccadilly Lights, London. Solo presentation curated by Circa Art. Prickly Pears in the Sun, Patio Project, London. Curated by Georgia Stephenson. 2019 Playing Ground, Athens Transmission, Athens. Curated by Christina Petkopoulou. Two-person exhibition: Irini Bachlitzanaki & Harminder Judge, Intrinsic Value Investors (IVI), London. Cream:Whipped!, Coningsby gallery, London. Curated by Nia Hefe Filioginni and Cream, Athens. Creekside Open 2019, A.P.T. Gallery, Deptford, London. Selected by Brian Griffiths. Premiums: Interim Projects 2019. Royal Academy of Arts, London. Τα Δημώδη / Aggeliki Xatzimichali Museum of Folk Culture and Tradition, Athens.Curated by Apostolis Artinos. 2018 Τα Δημώδη, Panourgias Estate, Amfissa, Greece. Curated by Apostolis Artinos. Serpent and Shadow, Royal Academy of Arts, London. Curated by Martin Westwood. Unguided Tour: Irini Bachlitzanaki, Vasilis Zografos, Maria Ikonomopoulou. Martinos Art Gallery, Athens. Honeymoon, Royal Academy Schools, London. 2017 Art-Athina 2017, Elika Gallery, Athens. Domestic Matter, Praxitelous 31, Athens. Curated by Katerina Papazissi. Sci-Fi Athens, Snehta Residency, Athens. Curated by Augustus Veinoglou. Paste in Place, Supersimétrica, Madrid. Curated by 3 137. 2016 Tramontane, Ileana Tounta Contemporary Art Centre, Athens. Curated by Alexios Papazacharias. Fournos, Githio, Lakonia. Curated by Maria Tzanakou and Vasiliki Sifostratoudaki. Art-Athina 2016, Elika Gallery, Athens. 2015 Curious Artefacts, The Artwall, Athens. Curated by Becky Campbell. Unknown Artist, Stegi Texnon, Molyvos, Lesvos. Curated by Christina Sgouromyti. European Night of Museums 2015 annual exhibition, Τhe National Bank of Greece Historical Archive, Athens. Work, Elika Gallery, Athens. Curated by Irini Bachlitzanaki. 2014 Minimum Structure, Romantzo, Bios, Athens. Curated by Apostolis Artinos. Microgeographies, as part of the WorldWideStorefront (WWSf), Athens. Curated by Hariklia Hari. Art-Athina 2014, Elika Gallery, Athens. Dayz of Glory, Open Show Studio, Athens. Desk Issues, curated by 3 137, Dynamo Project Space, Thessaloniki. Boundaries, Snehta and Artscape, Athens. Curated by Becky Campbell. 2013 Microgeographies, Chapter III: Toi et tes Épaves, Athens. Curated by Hariklia Hari. Thrills and Chills, CAN Gallery, Athens. Curated by Christina Androulidaki and Daily Lazy. Desk Issues, Sluice Art Fair, London. Curated by 3 137. Loxodrome, Remap 4, Athens. Message in a Bottle, Mithimna Municipal Gallery, Lesvos. Curated by Vasilis Zografos. Paradise Lost: Art Athina Contemporaries, Art Athina 2013, Athens. Curated by Artemis Potamianou. Pindaros/Third Floor - a project by irini Bachlitzanaki & Augustus Veinoglou, back to athens festival 2013, Athens. Déjà vécu, Anamesa, Athens. Curated by Evita Tsokanta. Boiling Point, CAMP, Athens. Curated by George and Dimitris Georgakopoulos.   2012 Kodra Fresh: What We Want, Action Field Kodra 2012, Thessaloniki. Curated by Vasilis Zografos. Boiling Point, Künstlerhaus, Vienna. Curated by George and Dimitris Georgakopoulos.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Grayson Perry RA Study for The Great Beauty (1), 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Perry studied at Braintree College of Further Education from 1978 to 1979 and graduated from Portsmouth Polytechnic in 1982. He was awarded the Turner Prize in 2003. He works in a variety of mediums but is best known as a ceramicist. There is a dissonance between the conventional forms of his vessels and the depictions that adorn them. He uses imagery and text to chronicle social concerns, his own formative experiences and to tell the story of his alter ego, Claire. The tone of his narratives is psychologically complex and often caustic. Although he uses traditional methods to make his pots, he employs a range of techniques, such as embossing and photographic transfers, to create intricate, animated surfaces.   Select Exhibitions/Awards   Recent solo exhibitions 2018 Grayson Perry, KIASMA, Helskinki; touring to Monnaie de Paris, Paris Grayson Perry: Making Meaning, The Gallery at Windsor, Vero Beach, Florida The Vanity of Small Differences, Royal Hibernian Academy, Dublin 2017 The Most Popular Art Exhibition Ever!, Serpentine Gallery, London; touring to Arnolfini, Bristol Making Himself Claire: Grayson Perry's Dresses, Walker Art Gallery, Liverpool Grayson Perry: The Life of Julie Cope, Firstsite Gallery, Colchester 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht; touring to ARoS Aarhus Art Museum, Aarhus 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2014 Who Are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre   Selected collections Arts Council Collection Birmingham Museums & Art Gallery Brighton & Hove Museums British Council Collection The British Library (Map Library) British Museum Chelmsford Museum Crafts Council Gallery of Modern Art, Glasgow Government Art Collection House of Commons Collection Leeds Museums and Galleries (City Art Gallery) Manchester City Galleries Museum of Art, Rhode Island School of Design The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York Stedelijk Museum, Amsterdam Tate, London Victoria & Albert Museum, London Yale Center for British Art, New Haven, Connecticut   Awards 2017 Royal Television Society Programme Award (Best Presenter and Best Arts Programme) Evening Standard Contemporary Art Prize Grierson Award (Best Presenter) 2016 Political Studies Association Award RIBA Honorary Fellowship GQ Men / Writer of the Year Award 2015 Chancellor of the University of the Arts, London Trustee of the British Museum BAFTA (Best Specialist Factual) 2013 BAFTA (Best Specialist Factual) Commander of the Order of the British Empire (CBE) 2003 Turner Prize winner Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grayson Perry RA Study for The Great Beauty (2), 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Perry studied at Braintree College of Further Education from 1978 to 1979 and graduated from Portsmouth Polytechnic in 1982. He was awarded the Turner Prize in 2003. He works in a variety of mediums but is best known as a ceramicist. There is a dissonance between the conventional forms of his vessels and the depictions that adorn them. He uses imagery and text to chronicle social concerns, his own formative experiences and to tell the story of his alter ego, Claire. The tone of his narratives is psychologically complex and often caustic. Although he uses traditional methods to make his pots, he employs a range of techniques, such as embossing and photographic transfers, to create intricate, animated surfaces.   Select Exhibitions/Awards   Recent solo exhibitions 2018 Grayson Perry, KIASMA, Helskinki; touring to Monnaie de Paris, Paris Grayson Perry: Making Meaning, The Gallery at Windsor, Vero Beach, Florida The Vanity of Small Differences, Royal Hibernian Academy, Dublin 2017 The Most Popular Art Exhibition Ever!, Serpentine Gallery, London; touring to Arnolfini, Bristol Making Himself Claire: Grayson Perry's Dresses, Walker Art Gallery, Liverpool Grayson Perry: The Life of Julie Cope, Firstsite Gallery, Colchester 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht; touring to ARoS Aarhus Art Museum, Aarhus 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2014 Who Are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre   Selected collections Arts Council Collection Birmingham Museums & Art Gallery Brighton & Hove Museums British Council Collection The British Library (Map Library) British Museum Chelmsford Museum Crafts Council Gallery of Modern Art, Glasgow Government Art Collection House of Commons Collection Leeds Museums and Galleries (City Art Gallery) Manchester City Galleries Museum of Art, Rhode Island School of Design The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York Stedelijk Museum, Amsterdam Tate, London Victoria & Albert Museum, London Yale Center for British Art, New Haven, Connecticut   Awards 2017 Royal Television Society Programme Award (Best Presenter and Best Arts Programme) Evening Standard Contemporary Art Prize Grierson Award (Best Presenter) 2016 Political Studies Association Award RIBA Honorary Fellowship GQ Men / Writer of the Year Award 2015 Chancellor of the University of the Arts, London Trustee of the British Museum BAFTA (Best Specialist Factual) 2013 BAFTA (Best Specialist Factual) Commander of the Order of the British Empire (CBE) 2003 Turner Prize winner Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grayson Perry RA Study for The Great Beauty (3), 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Perry studied at Braintree College of Further Education from 1978 to 1979 and graduated from Portsmouth Polytechnic in 1982. He was awarded the Turner Prize in 2003. He works in a variety of mediums but is best known as a ceramicist. There is a dissonance between the conventional forms of his vessels and the depictions that adorn them. He uses imagery and text to chronicle social concerns, his own formative experiences and to tell the story of his alter ego, Claire. The tone of his narratives is psychologically complex and often caustic. Although he uses traditional methods to make his pots, he employs a range of techniques, such as embossing and photographic transfers, to create intricate, animated surfaces.   Select Exhibitions/Awards   Recent solo exhibitions 2018 Grayson Perry, KIASMA, Helskinki; touring to Monnaie de Paris, Paris Grayson Perry: Making Meaning, The Gallery at Windsor, Vero Beach, Florida The Vanity of Small Differences, Royal Hibernian Academy, Dublin 2017 The Most Popular Art Exhibition Ever!, Serpentine Gallery, London; touring to Arnolfini, Bristol Making Himself Claire: Grayson Perry's Dresses, Walker Art Gallery, Liverpool Grayson Perry: The Life of Julie Cope, Firstsite Gallery, Colchester 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht; touring to ARoS Aarhus Art Museum, Aarhus 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2014 Who Are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre   Selected collections Arts Council Collection Birmingham Museums & Art Gallery Brighton & Hove Museums British Council Collection The British Library (Map Library) British Museum Chelmsford Museum Crafts Council Gallery of Modern Art, Glasgow Government Art Collection House of Commons Collection Leeds Museums and Galleries (City Art Gallery) Manchester City Galleries Museum of Art, Rhode Island School of Design The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York Stedelijk Museum, Amsterdam Tate, London Victoria & Albert Museum, London Yale Center for British Art, New Haven, Connecticut   Awards 2017 Royal Television Society Programme Award (Best Presenter and Best Arts Programme) Evening Standard Contemporary Art Prize Grierson Award (Best Presenter) 2016 Political Studies Association Award RIBA Honorary Fellowship GQ Men / Writer of the Year Award 2015 Chancellor of the University of the Arts, London Trustee of the British Museum BAFTA (Best Specialist Factual) 2013 BAFTA (Best Specialist Factual) Commander of the Order of the British Empire (CBE) 2003 Turner Prize winner Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grayson Perry RA Study for The Great Beauty (4), 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Perry studied at Braintree College of Further Education from 1978 to 1979 and graduated from Portsmouth Polytechnic in 1982. He was awarded the Turner Prize in 2003. He works in a variety of mediums but is best known as a ceramicist. There is a dissonance between the conventional forms of his vessels and the depictions that adorn them. He uses imagery and text to chronicle social concerns, his own formative experiences and to tell the story of his alter ego, Claire. The tone of his narratives is psychologically complex and often caustic. Although he uses traditional methods to make his pots, he employs a range of techniques, such as embossing and photographic transfers, to create intricate, animated surfaces.   Select Exhibitions/Awards   Recent solo exhibitions 2018 Grayson Perry, KIASMA, Helskinki; touring to Monnaie de Paris, Paris Grayson Perry: Making Meaning, The Gallery at Windsor, Vero Beach, Florida The Vanity of Small Differences, Royal Hibernian Academy, Dublin 2017 The Most Popular Art Exhibition Ever!, Serpentine Gallery, London; touring to Arnolfini, Bristol Making Himself Claire: Grayson Perry's Dresses, Walker Art Gallery, Liverpool Grayson Perry: The Life of Julie Cope, Firstsite Gallery, Colchester 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht; touring to ARoS Aarhus Art Museum, Aarhus 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2014 Who Are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre   Selected collections Arts Council Collection Birmingham Museums & Art Gallery Brighton & Hove Museums British Council Collection The British Library (Map Library) British Museum Chelmsford Museum Crafts Council Gallery of Modern Art, Glasgow Government Art Collection House of Commons Collection Leeds Museums and Galleries (City Art Gallery) Manchester City Galleries Museum of Art, Rhode Island School of Design The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York Stedelijk Museum, Amsterdam Tate, London Victoria & Albert Museum, London Yale Center for British Art, New Haven, Connecticut   Awards 2017 Royal Television Society Programme Award (Best Presenter and Best Arts Programme) Evening Standard Contemporary Art Prize Grierson Award (Best Presenter) 2016 Political Studies Association Award RIBA Honorary Fellowship GQ Men / Writer of the Year Award 2015 Chancellor of the University of the Arts, London Trustee of the British Museum BAFTA (Best Specialist Factual) 2013 BAFTA (Best Specialist Factual) Commander of the Order of the British Empire (CBE) 2003 Turner Prize winner Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Linn Backside, 2022 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Adam Linn (b. 1995, Pittsburgh, PA) is an artist from Pittsburgh, PA currently residing in Mt. Vernon, NY. Linn works in drawing, painting and printmaking. He holds a BFA in Printmaking from the Rhode Island School of Design. He has completed residencies at the Vermont Studio Center in Johnson, VT, the Anderson Ranch Arts Center in Snowmass Village, CO, and the Distillery Program at the Brewhouse Association in Pittsburgh, PA. Linn has exhibited at Below Grand, 5-50 Gallery, Trestle Art Space, Nonfinito Gallery, Shin Gallery and Ortega y Gasset Projects in NYC, the Westmoreland Museum of American Art in Greensburg, PA, Bunker Projects and the Brewhouse Association in Pittsburgh, PA and Martha's Contemporary in Austin, TX. In July, Linn opened his first international solo exhibition with JPS Gallery Tokyo in Tokyo, Japan. Forthcoming, his debut solo exhibition with Steve Turner will open in Los Angeles, CA on January 9th 2023. Adam is currently enrolled in the MFA program for studio art at SUNY Purchase. Linn's work explores queer self discovery, masculinity and the uncanny through the lens of anthropomorphism. He primarily works in a drawing based practice using colored pencils, pastels and watercolor. Education BFA Printmaking Rhode Island School of Design 2017 MFA SUNY Purchase College 2024 (expected) Select Exhibitions/Awards Solo and Group Exhibitions   2022 Crystal Topcoat, Martha's Contemporary, Austin, Texas Touch Wood, Prior Art Space, Berlin, Germany Curtain Call Solo Exhibition, JPS Tokyo, Tokyo, Japan Honey in the Hive, Shin Haus of Shin Gallery, New York, NY Art Central Hong Kong, JPS Gallery, Wan Chai, Hong Kong Himerica, Eve Leibe Gallery, London, UK Ortega Y Gasset Flat>ile Exhibition, Brooklyn, NY 2021 Art for Change, PERSAD BeneTit Auction, Pittsburgh, PA Not Just Another Anthropocentric Love Story, Trestle Gallery, Brooklyn, NY FlatTile September 2021, Paperview Auction FlatTile July 2021, Paperview Auction Borough Baroque, 5-50 Gallery, Queens, NY 2020 Sit...Play Dead, Super Duchess Gallery, New York, NY Seeking Truth, Distillery Group X Exhibition, Brewhouse Association, Pittsburgh, PA 2019 Associated Artists of Pittsburgh 107th Annual Group Exhibition, Westmoreland Museum of American Art, Greensburg, PA Witness, Group Exhibition with Pittsburgh Print Group, G1CW Gallery, Pittsburgh, PA Soak Rinse Repeat, Dual Exhibition with Bridget Quirk, Bunker Projects, Pittsburgh, PA Pittsburgh Print Group 2019 New Members Exhibit, PullProof Studio, Pittsburgh, PA Sugar In The Tank-A Solo Exhibition by Adam Linn, Imagebox Gallery, Pittsburgh, PA 2018 The End-AAP Curated Group Exhibition, Framehouse and Jask Gallery, Pittsburgh, PA Fragmented Realities, NonTinito Gallery, NY, NY Sight Lines-2018 AAP New Member Exhibition, Butler St. Lofts, Pittsburgh, PA   Publications   2022 LVL3 Artist of the Week, September 2022 It's Nice That, April 2022 Shin Gallery Blog, March 2022 2021 Ultra Contemporaries, December 2021 The Coastal Post: Remote Visits Part VII 2020 ArtMaze Magazine Anniversary Edition 20: curated by Zoe Fisher of Fisher Parrish Gallery   Residencies   2020 Distillery Residency at the Brewhouse Association-Artist in Residence, Pittsburgh, PA 2017 Anderson Ranch Arts Center-Artist in Residence, Snowmass Village, CO Vermont Studio Center-Artist in Residence, Johnson, VT Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Linn Minutes, 2022 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Adam Linn (b. 1995, Pittsburgh, PA) is an artist from Pittsburgh, PA currently residing in Mt. Vernon, NY. Linn works in drawing, painting and printmaking. He holds a BFA in Printmaking from the Rhode Island School of Design. He has completed residencies at the Vermont Studio Center in Johnson, VT, the Anderson Ranch Arts Center in Snowmass Village, CO, and the Distillery Program at the Brewhouse Association in Pittsburgh, PA. Linn has exhibited at Below Grand, 5-50 Gallery, Trestle Art Space, Nonfinito Gallery, Shin Gallery and Ortega y Gasset Projects in NYC, the Westmoreland Museum of American Art in Greensburg, PA, Bunker Projects and the Brewhouse Association in Pittsburgh, PA and Martha's Contemporary in Austin, TX. In July, Linn opened his first international solo exhibition with JPS Gallery Tokyo in Tokyo, Japan. Forthcoming, his debut solo exhibition with Steve Turner will open in Los Angeles, CA on January 9th 2023. Adam is currently enrolled in the MFA program for studio art at SUNY Purchase. Linn's work explores queer self discovery, masculinity and the uncanny through the lens of anthropomorphism. He primarily works in a drawing based practice using colored pencils, pastels and watercolor. Education BFA Printmaking Rhode Island School of Design 2017 MFA SUNY Purchase College 2024 (expected) Select Exhibitions/Awards Solo and Group Exhibitions   2022 Crystal Topcoat, Martha's Contemporary, Austin, Texas Touch Wood, Prior Art Space, Berlin, Germany Curtain Call Solo Exhibition, JPS Tokyo, Tokyo, Japan Honey in the Hive, Shin Haus of Shin Gallery, New York, NY Art Central Hong Kong, JPS Gallery, Wan Chai, Hong Kong Himerica, Eve Leibe Gallery, London, UK Ortega Y Gasset Flat>ile Exhibition, Brooklyn, NY 2021 Art for Change, PERSAD BeneTit Auction, Pittsburgh, PA Not Just Another Anthropocentric Love Story, Trestle Gallery, Brooklyn, NY FlatTile September 2021, Paperview Auction FlatTile July 2021, Paperview Auction Borough Baroque, 5-50 Gallery, Queens, NY 2020 Sit...Play Dead, Super Duchess Gallery, New York, NY Seeking Truth, Distillery Group X Exhibition, Brewhouse Association, Pittsburgh, PA 2019 Associated Artists of Pittsburgh 107th Annual Group Exhibition, Westmoreland Museum of American Art, Greensburg, PA Witness, Group Exhibition with Pittsburgh Print Group, G1CW Gallery, Pittsburgh, PA Soak Rinse Repeat, Dual Exhibition with Bridget Quirk, Bunker Projects, Pittsburgh, PA Pittsburgh Print Group 2019 New Members Exhibit, PullProof Studio, Pittsburgh, PA Sugar In The Tank-A Solo Exhibition by Adam Linn, Imagebox Gallery, Pittsburgh, PA 2018 The End-AAP Curated Group Exhibition, Framehouse and Jask Gallery, Pittsburgh, PA Fragmented Realities, NonTinito Gallery, NY, NY Sight Lines-2018 AAP New Member Exhibition, Butler St. Lofts, Pittsburgh, PA   Publications   2022 LVL3 Artist of the Week, September 2022 It's Nice That, April 2022 Shin Gallery Blog, March 2022 2021 Ultra Contemporaries, December 2021 The Coastal Post: Remote Visits Part VII 2020 ArtMaze Magazine Anniversary Edition 20: curated by Zoe Fisher of Fisher Parrish Gallery   Residencies   2020 Distillery Residency at the Brewhouse Association-Artist in Residence, Pittsburgh, PA 2017 Anderson Ranch Arts Center-Artist in Residence, Snowmass Village, CO Vermont Studio Center-Artist in Residence, Johnson, VT Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

STMTS Take a look in the sky pt.1, 2022 Acrylics on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   STMTS is a Greek visual artist, working in painting, street art and illustration. Born in 1993 in Athens, he studied at the Athens School of Fine Arts and began exhibiting at a young age. He has been featured in exhibitions, commissions, and collections in the USA, Europe and Middle East. His work appears in multiple museums and institutions, including the National Hellenic Museum in Chicago, the Benaki Museum, Stavros Niarchos Foundation Cultural Center, Onassis Cultural Centre (SGT) in Athens, and beyond. His work has been exhibited in several international art fairs, including Art New York, Art Miami, Art Wynwood, Palm Beach Modern + Contemporary, SCOPE Miami Beach etc. His commissions include projects for Nicky Jam, KPMG, Doctors Without Borders (MSF), SOS Children's Villages, Carpisa, Doctors of the World etc. He has also been featured in campaigns of Adidas and Reebok. His street art is some of the most recognizable in the city of Athens, generating global interest and impact. His street art can be found in publications like the New York Times, the Guardian, La Repubblica, Washington Times, Russia-24, i-D, Spiegel, YLE and Vice. His most well-known work 'I Love Life' has gone viral in recent years and is loved by people all over the world with some saying that it has reached iconic status.   Education   Athens School of Fine Arts   Select Exhibitions/Awards   STMTS selected exhibitions: Solo exhibitions: 2022 "Power of Innocence"/ Avant Gallery / Hudson Yards, New York City, NY, USA 2016 "Crossing the lines"/ Athens Art Gallery / Athens,GR Special participations / exhibitions / festivals : 2017 CHEAP festival / Bologna,IT 2015 "A.Tassos 1914-1985" / Benaki Museum / Athens,GR Group exhibitions: 2020 "A Child's World"/ Stavros Niarchos Foundation Cultural Center / Athens,GR 2019 Art New York / Avant Gallery (Stand 212) / New York City,USA Palm Beach Modern + Contemporary / Avant Gallery (Booth PB650) / Palm Beach,USA 2018 Art Miami / Avant Gallery (Booth AM337) / Miami,USA Art Wynwood / Avant Gallery (Booth AW318) / Miami,USA 2017 SCOPE Art Show / Avant Gallery (Booth G05) / Miami Beach,USA 2014 "The Street Is My Gallery" / National Hellenic Museum / Chicago,USA "No Respect" / Onassis Cultural Centre (SGT) / Athens,GR   Gallery Representation   AVANT GALLERY   Statement about AOAP Submitted Artwork   I painted 3 postcards using acrylic colours through brushes and sprays. For me they work all together as a unity, like a triptych, but of course the viewer could see each one of them separately as an independent work. The title is "Take a look in the sky" and is about an innocent glance of a girl looking in the sky at the migratory birds, the one sky captures colours of the sunrise and the another one of the sunset.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Robyn Litchfield Mahinapua, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   About   Robyn Litchfield was born in New Zealand and currently lives in North London. She is a painter and graduated from the City and Guilds of London Art School with an MA Fine Art (distinction) in 2017 and from The School of Art, Architecture and Design, London Metropolitan University with a BA in 2012.   Education   2015-2017 City and Guilds of London Art School, MA Fine Art (Distinction) 2008-2012 The School of Art, Architecture and Design, London Metropolitan University, BA Fine Art   Select Exhibitions/Awards   2022 Beep Painting Prize, Elysium Gallery, Swansea. 2022 The Summer Exhibition, Royal Academy of Arts, Selected by Bill Woodrow 2022 Horizon, Landscape and Beyond, The Cello Factory, London 2022 Affordable Art Fair with Darle and the Bear, Battersea 2022 Frequencies (For Healing), Confer Karnac Gallery, London 2021 The Contemporary British Painting Prize 2021 (long listed) 2021 Landscape's Unstilled Life, Darl-e and the Bear, Woodstock (curator and exhibitor) 2020 The John Moores Painting Prize (long listed) 2020 The Summer Exhibition, The Royal Academy, selected by David Remfry 2020 On the Strangest Sea, The Violet Hour 2020 Women's Lockdown Art, Zabludowicz Collection, womenandhealth.org.uk 2020 The London Art Fair with the Nunnery Gallery 2020 Jackson's Painting Prize 2020, awarded the Landscape/Cityscape/Seascape category prize Gallery Representation   Darle and the Bear, TinMan Art   Statement about AOAP Submitted Artwork   Robyn Litchfield uses wild landscape as a template for exploring personal history, notions of cultural identity, alienation and a sense of belonging. Her paintings are imbued with a longing for an idyllic Arcadia but haunted by the resulting violence, dispossession and ecological loss. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Robyn Litchfield Carew, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   About   Robyn Litchfield was born in New Zealand and currently lives in North London. She is a painter and graduated from the City and Guilds of London Art School with an MA Fine Art (distinction) in 2017 and from The School of Art, Architecture and Design, London Metropolitan University with a BA in 2012.   Education   2015-2017 City and Guilds of London Art School, MA Fine Art (Distinction) 2008-2012 The School of Art, Architecture and Design, London Metropolitan University, BA Fine Art   Select Exhibitions/Awards   2022 Beep Painting Prize, Elysium Gallery, Swansea. 2022 The Summer Exhibition, Royal Academy of Arts, Selected by Bill Woodrow 2022 Horizon, Landscape and Beyond, The Cello Factory, London 2022 Affordable Art Fair with Darle and the Bear, Battersea 2022 Frequencies (For Healing), Confer Karnac Gallery, London 2021 The Contemporary British Painting Prize 2021 (long listed) 2021 Landscape's Unstilled Life, Darl-e and the Bear, Woodstock (curator and exhibitor) 2020 The John Moores Painting Prize (long listed) 2020 The Summer Exhibition, The Royal Academy, selected by David Remfry 2020 On the Strangest Sea, The Violet Hour 2020 Women's Lockdown Art, Zabludowicz Collection, womenandhealth.org.uk 2020 The London Art Fair with the Nunnery Gallery 2020 Jackson's Painting Prize 2020, awarded the Landscape/Cityscape/Seascape category prize Gallery Representation   Darle and the Bear, TinMan Art   Statement about AOAP Submitted Artwork   Robyn Litchfield uses wild landscape as a template for exploring personal history, notions of cultural identity, alienation and a sense of belonging. Her paintings are imbued with a longing for an idyllic Arcadia but haunted by the resulting violence, dispossession and ecological loss. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Robyn Litchfield Tauparikaka, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   About   Robyn Litchfield was born in New Zealand and currently lives in North London. She is a painter and graduated from the City and Guilds of London Art School with an MA Fine Art (distinction) in 2017 and from The School of Art, Architecture and Design, London Metropolitan University with a BA in 2012.   Education   2015-2017 City and Guilds of London Art School, MA Fine Art (Distinction) 2008-2012 The School of Art, Architecture and Design, London Metropolitan University, BA Fine Art   Select Exhibitions/Awards   2022 Beep Painting Prize, Elysium Gallery, Swansea. 2022 The Summer Exhibition, Royal Academy of Arts, Selected by Bill Woodrow 2022 Horizon, Landscape and Beyond, The Cello Factory, London 2022 Affordable Art Fair with Darle and the Bear, Battersea 2022 Frequencies (For Healing), Confer Karnac Gallery, London 2021 The Contemporary British Painting Prize 2021 (long listed) 2021 Landscape's Unstilled Life, Darl-e and the Bear, Woodstock (curator and exhibitor) 2020 The John Moores Painting Prize (long listed) 2020 The Summer Exhibition, The Royal Academy, selected by David Remfry 2020 On the Strangest Sea, The Violet Hour 2020 Women's Lockdown Art, Zabludowicz Collection, womenandhealth.org.uk 2020 The London Art Fair with the Nunnery Gallery 2020 Jackson's Painting Prize 2020, awarded the Landscape/Cityscape/Seascape category prize Gallery Representation   Darle and the Bear, TinMan Art   Statement about AOAP Submitted Artwork   Robyn Litchfield uses wild landscape as a template for exploring personal history, notions of cultural identity, alienation and a sense of belonging. Her paintings are imbued with a longing for an idyllic Arcadia but haunted by the resulting violence, dispossession and ecological loss. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

STMTS Take a look in the sky pt.2, 2022 Acrylics on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   STMTS is a Greek visual artist, working in painting, street art and illustration. Born in 1993 in Athens, he studied at the Athens School of Fine Arts and began exhibiting at a young age. He has been featured in exhibitions, commissions, and collections in the USA, Europe and Middle East. His work appears in multiple museums and institutions, including the National Hellenic Museum in Chicago, the Benaki Museum, Stavros Niarchos Foundation Cultural Center, Onassis Cultural Centre (SGT) in Athens, and beyond. His work has been exhibited in several international art fairs, including Art New York, Art Miami, Art Wynwood, Palm Beach Modern + Contemporary, SCOPE Miami Beach etc. His commissions include projects for Nicky Jam, KPMG, Doctors Without Borders (MSF), SOS Children's Villages, Carpisa, Doctors of the World etc. He has also been featured in campaigns of Adidas and Reebok. His street art is some of the most recognizable in the city of Athens, generating global interest and impact. His street art can be found in publications like the New York Times, the Guardian, La Repubblica, Washington Times, Russia-24, i-D, Spiegel, YLE and Vice. His most well-known work 'I Love Life' has gone viral in recent years and is loved by people all over the world with some saying that it has reached iconic status.   Education   Athens School of Fine Arts   Select Exhibitions/Awards   STMTS selected exhibitions: Solo exhibitions: 2022 "Power of Innocence"/ Avant Gallery / Hudson Yards, New York City, NY, USA 2016 "Crossing the lines"/ Athens Art Gallery / Athens,GR Special participations / exhibitions / festivals : 2017 CHEAP festival / Bologna,IT 2015 "A.Tassos 1914-1985" / Benaki Museum / Athens,GR Group exhibitions: 2020 "A Child's World"/ Stavros Niarchos Foundation Cultural Center / Athens,GR 2019 Art New York / Avant Gallery (Stand 212) / New York City,USA Palm Beach Modern + Contemporary / Avant Gallery (Booth PB650) / Palm Beach,USA 2018 Art Miami / Avant Gallery (Booth AM337) / Miami,USA Art Wynwood / Avant Gallery (Booth AW318) / Miami,USA 2017 SCOPE Art Show / Avant Gallery (Booth G05) / Miami Beach,USA 2014 "The Street Is My Gallery" / National Hellenic Museum / Chicago,USA "No Respect" / Onassis Cultural Centre (SGT) / Athens,GR   Gallery Representation   AVANT GALLERY   Statement about AOAP Submitted Artwork   I painted 3 postcards using acrylic colours through brushes and sprays. For me they work all together as a unity, like a triptych, but of course the viewer could see each one of them separately as an independent work. The title is "Take a look in the sky" and is about an innocent glance of a girl looking in the sky at the migratory birds, the one sky captures colours of the sunrise and the another one of the sunset. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Katherine Perrins Washing 1, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Contemporary painter currently focusing on themes of the domestic and maternal   Education   Falmouth College of Art (Art foundation and BA) City and Guilds (MA Fine Art)   Select Exhibitions/Awards   Finalist For the Graduate Art Prize, 2017, Artist development Bursary Award, Somerset Art Works 2019/20 Close House- 'Between Still and Life' 2020 Royal Academy Summer Exhibition 2022   Gallery Representation   Close House Ltd   Statement about AOAP Submitted Artwork   This piece is based on a larger series entitled 'Washing'. It investigates the movement and ripple of light through a series of children's clothing hanging outside to dry. I wanted to focus on light in these pieces and connect the work to broader concerns within my practice of the temporal experience of motherhood. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sadie Tierney Explorer (Matterhorn), 2022 Japanese Woodblock on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   A graduate of the Royal College of Art, London, the artist works in a tradition of painter printmakers who abstract shape and colour to explore subject matter and express human emotion. Objects and places where form is linked to feeling, metaphor and movement or change are explored through celebratory use of colour and line. The vibrant and expressive paintings use drawings made in situ as their source material. Sadie Tierney lives and works in the UK. COLLECTIONS Portsmouth Museum & Art Gallery National Museum, Gdańsk, Poland, The Bronx Museum of the Arts, New York, Otter Collection, University of Chichester, Swindon Museum and Art Gallery, The Royal West of England Academy, Bristol, Clifford Chance, Baker & MacKenzie, The Royal Navy, Eton College, Royal College of Art   Education   Royal College of Art, London (MA), Newcastle University (BA)   Select Exhibitions/Awards   SELECTED EXHIBITIONS (SOLO): 2021 The Mountains are Calling, Rabley Gallery, 2019 Round Tower (solo), Portsmouth, 2017 From Here to There, Eton College 2017 The Night, The Light, and the Half Light, Rabley Gallery 2007 Ships and Sunsets, Rabley Gallery 2003 Funfair, Angela Flowers Ireland 1999 New Prints, Flowers East SELECTED EXHIBITIONS (GROUP): 2022 Royal Academy Summer Exhibition, London Original Print Fair 2021 RWA Annual Open Exhibition, Bristol, 5 January - 11 April Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, National Museum in Gdańsk, Poland Royal Academy Summer Exhibition Woolwich Contemporary Print Fair 2020 London Original Print Fair, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner) 2019 Royal Academy Summer Exhibition, Printfest Printmaker of the Year, Ulverston National Original Print Exhibition, London 2018 RWA, Sawdust and Sequins: The Art of the Circus 2017 Art Basel Miami, London Art Fair   Gallery Representation   Works on Paper with Rabley Gallery   Statement about AOAP Submitted Artwork   Mountains have a fascination for artists from Ruskin, Turner, Hiroshige. The geological drama, awe and power of inhospitable places, the contrast with low lying habitats where most if the population dwell. "In the mountains, in the snow, I am much more aware of my own mortality and the tiny fragile place I hold in space and time. The mountain series are about awe, fear and vitality." (ST) Fujisan - A powerful symbol of a nation, sometimes crystal clear at other times lost in haze and fog, symmetrical and timeless -it is as if it has always been there and always will be. "I felt blessed to have seen it at all, and the feelings of awe, transcience and feeling tiny in the enormity of its presence stayed with me and is still informing an ongoing series of work." (ST) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sadie Tierney Explorer 2 (Matterhorn), 2022 Japanese Woodblock on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   A graduate of the Royal College of Art, London, the artist works in a tradition of painter printmakers who abstract shape and colour to explore subject matter and express human emotion. Objects and places where form is linked to feeling, metaphor and movement or change are explored through celebratory use of colour and line. The vibrant and expressive paintings use drawings made in situ as their source material. Sadie Tierney lives and works in the UK. COLLECTIONS Portsmouth Museum & Art Gallery National Museum, Gdańsk, Poland, The Bronx Museum of the Arts, New York, Otter Collection, University of Chichester, Swindon Museum and Art Gallery, The Royal West of England Academy, Bristol, Clifford Chance, Baker & MacKenzie, The Royal Navy, Eton College, Royal College of Art   Education   Royal College of Art, London (MA), Newcastle University (BA)   Select Exhibitions/Awards   SELECTED EXHIBITIONS (SOLO): 2021 The Mountains are Calling, Rabley Gallery, 2019 Round Tower (solo), Portsmouth, 2017 From Here to There, Eton College 2017 The Night, The Light, and the Half Light, Rabley Gallery 2007 Ships and Sunsets, Rabley Gallery 2003 Funfair, Angela Flowers Ireland 1999 New Prints, Flowers East SELECTED EXHIBITIONS (GROUP): 2022 Royal Academy Summer Exhibition, London Original Print Fair 2021 RWA Annual Open Exhibition, Bristol, 5 January - 11 April Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, National Museum in Gdańsk, Poland Royal Academy Summer Exhibition Woolwich Contemporary Print Fair 2020 London Original Print Fair, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner) 2019 Royal Academy Summer Exhibition, Printfest Printmaker of the Year, Ulverston National Original Print Exhibition, London 2018 RWA, Sawdust and Sequins: The Art of the Circus 2017 Art Basel Miami, London Art Fair   Gallery Representation   Works on Paper with Rabley Gallery   Statement about AOAP Submitted Artwork   Mountains have a fascination for artists from Ruskin, Turner, Hiroshige. The geological drama, awe and power of inhospitable places, the contrast with low lying habitats where most if the population dwell. "In the mountains, in the snow, I am much more aware of my own mortality and the tiny fragile place I hold in space and time. The mountain series are about awe, fear and vitality." (ST) Fujisan - A powerful symbol of a nation, sometimes crystal clear at other times lost in haze and fog, symmetrical and timeless -it is as if it has always been there and always will be. "I felt blessed to have seen it at all, and the feelings of awe, transcience and feeling tiny in the enormity of its presence stayed with me and is still informing an ongoing series of work." (ST) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sadie Tierney Fujisan 1, 2022 Japanese Woodblock on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   A graduate of the Royal College of Art, London, the artist works in a tradition of painter printmakers who abstract shape and colour to explore subject matter and express human emotion. Objects and places where form is linked to feeling, metaphor and movement or change are explored through celebratory use of colour and line. The vibrant and expressive paintings use drawings made in situ as their source material. Sadie Tierney lives and works in the UK. COLLECTIONS Portsmouth Museum & Art Gallery National Museum, Gdańsk, Poland, The Bronx Museum of the Arts, New York, Otter Collection, University of Chichester, Swindon Museum and Art Gallery, The Royal West of England Academy, Bristol, Clifford Chance, Baker & MacKenzie, The Royal Navy, Eton College, Royal College of Art   Education   Royal College of Art, London (MA), Newcastle University (BA)   Select Exhibitions/Awards   SELECTED EXHIBITIONS (SOLO): 2021 The Mountains are Calling, Rabley Gallery, 2019 Round Tower (solo), Portsmouth, 2017 From Here to There, Eton College 2017 The Night, The Light, and the Half Light, Rabley Gallery 2007 Ships and Sunsets, Rabley Gallery 2003 Funfair, Angela Flowers Ireland 1999 New Prints, Flowers East SELECTED EXHIBITIONS (GROUP): 2022 Royal Academy Summer Exhibition, London Original Print Fair 2021 RWA Annual Open Exhibition, Bristol, 5 January - 11 April Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, National Museum in Gdańsk, Poland Royal Academy Summer Exhibition Woolwich Contemporary Print Fair 2020 London Original Print Fair, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner) 2019 Royal Academy Summer Exhibition, Printfest Printmaker of the Year, Ulverston National Original Print Exhibition, London 2018 RWA, Sawdust and Sequins: The Art of the Circus 2017 Art Basel Miami, London Art Fair   Gallery Representation   Works on Paper with Rabley Gallery   Statement about AOAP Submitted Artwork   Mountains have a fascination for artists from Ruskin, Turner, Hiroshige. The geological drama, awe and power of inhospitable places, the contrast with low lying habitats where most if the population dwell. "In the mountains, in the snow, I am much more aware of my own mortality and the tiny fragile place I hold in space and time. The mountain series are about awe, fear and vitality." (ST) Fujisan - A powerful symbol of a nation, sometimes crystal clear at other times lost in haze and fog, symmetrical and timeless -it is as if it has always been there and always will be. "I felt blessed to have seen it at all, and the feelings of awe, transcience and feeling tiny in the enormity of its presence stayed with me and is still informing an ongoing series of work." (ST) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sadie Tierney Fujisan 2, 2022 Japanese Woodblock on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   A graduate of the Royal College of Art, London, the artist works in a tradition of painter printmakers who abstract shape and colour to explore subject matter and express human emotion. Objects and places where form is linked to feeling, metaphor and movement or change are explored through celebratory use of colour and line. The vibrant and expressive paintings use drawings made in situ as their source material. Sadie Tierney lives and works in the UK. COLLECTIONS Portsmouth Museum & Art Gallery National Museum, Gdańsk, Poland, The Bronx Museum of the Arts, New York, Otter Collection, University of Chichester, Swindon Museum and Art Gallery, The Royal West of England Academy, Bristol, Clifford Chance, Baker & MacKenzie, The Royal Navy, Eton College, Royal College of Art   Education   Royal College of Art, London (MA), Newcastle University (BA)   Select Exhibitions/Awards   SELECTED EXHIBITIONS (SOLO): 2021 The Mountains are Calling, Rabley Gallery, 2019 Round Tower (solo), Portsmouth, 2017 From Here to There, Eton College 2017 The Night, The Light, and the Half Light, Rabley Gallery 2007 Ships and Sunsets, Rabley Gallery 2003 Funfair, Angela Flowers Ireland 1999 New Prints, Flowers East SELECTED EXHIBITIONS (GROUP): 2022 Royal Academy Summer Exhibition, London Original Print Fair 2021 RWA Annual Open Exhibition, Bristol, 5 January - 11 April Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, National Museum in Gdańsk, Poland Royal Academy Summer Exhibition Woolwich Contemporary Print Fair 2020 London Original Print Fair, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner) 2019 Royal Academy Summer Exhibition, Printfest Printmaker of the Year, Ulverston National Original Print Exhibition, London 2018 RWA, Sawdust and Sequins: The Art of the Circus 2017 Art Basel Miami, London Art Fair   Gallery Representation   Works on Paper with Rabley Gallery   Statement about AOAP Submitted Artwork   Mountains have a fascination for artists from Ruskin, Turner, Hiroshige. The geological drama, awe and power of inhospitable places, the contrast with low lying habitats where most if the population dwell. "In the mountains, in the snow, I am much more aware of my own mortality and the tiny fragile place I hold in space and time. The mountain series are about awe, fear and vitality." (ST) Fujisan - A powerful symbol of a nation, sometimes crystal clear at other times lost in haze and fog, symmetrical and timeless -it is as if it has always been there and always will be. "I felt blessed to have seen it at all, and the feelings of awe, transcience and feeling tiny in the enormity of its presence stayed with me and is still informing an ongoing series of work." (ST) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

STMTS Take a look in the sky pt.3, 2022 Acrylics on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   STMTS is a Greek visual artist, working in painting, street art and illustration. Born in 1993 in Athens, he studied at the Athens School of Fine Arts and began exhibiting at a young age. He has been featured in exhibitions, commissions, and collections in the USA, Europe and Middle East. His work appears in multiple museums and institutions, including the National Hellenic Museum in Chicago, the Benaki Museum, Stavros Niarchos Foundation Cultural Center, Onassis Cultural Centre (SGT) in Athens, and beyond. His work has been exhibited in several international art fairs, including Art New York, Art Miami, Art Wynwood, Palm Beach Modern + Contemporary, SCOPE Miami Beach etc. His commissions include projects for Nicky Jam, KPMG, Doctors Without Borders (MSF), SOS Children's Villages, Carpisa, Doctors of the World etc. He has also been featured in campaigns of Adidas and Reebok. His street art is some of the most recognizable in the city of Athens, generating global interest and impact. His street art can be found in publications like the New York Times, the Guardian, La Repubblica, Washington Times, Russia-24, i-D, Spiegel, YLE and Vice. His most well-known work 'I Love Life' has gone viral in recent years and is loved by people all over the world with some saying that it has reached iconic status.   Education   Athens School of Fine Arts   Select Exhibitions/Awards   STMTS selected exhibitions: Solo exhibitions: 2022 "Power of Innocence"/ Avant Gallery / Hudson Yards, New York City, NY, USA 2016 "Crossing the lines"/ Athens Art Gallery / Athens,GR Special participations / exhibitions / festivals : 2017 CHEAP festival / Bologna,IT 2015 "A.Tassos 1914-1985" / Benaki Museum / Athens,GR Group exhibitions: 2020 "A Child's World"/ Stavros Niarchos Foundation Cultural Center / Athens,GR 2019 Art New York / Avant Gallery (Stand 212) / New York City,USA Palm Beach Modern + Contemporary / Avant Gallery (Booth PB650) / Palm Beach,USA 2018 Art Miami / Avant Gallery (Booth AM337) / Miami,USA Art Wynwood / Avant Gallery (Booth AW318) / Miami,USA 2017 SCOPE Art Show / Avant Gallery (Booth G05) / Miami Beach,USA 2014 "The Street Is My Gallery" / National Hellenic Museum / Chicago,USA "No Respect" / Onassis Cultural Centre (SGT) / Athens,GR   Gallery Representation   AVANT GALLERY   Statement about AOAP Submitted Artwork   I painted 3 postcards using acrylic colours through brushes and sprays. For me they work all together as a unity, like a triptych, but of course the viewer could see each one of them separately as an independent work. The title is "Take a look in the sky" and is about an innocent glance of a girl looking in the sky at the migratory birds, the one sky captures colours of the sunrise and the another one of the sunset. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Martin Davis Work-Life Balance Dice, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Martin Davis is an ex-firefighter turned artist. After university he spent more than 30 years in the fire & rescue service, during which time he found painting was a perfect antidote to the operational stresses of his working life. He committed himself fully to his art in 2008 after retirement and has spent the last 14 years finding his distinctive artistic voice. Martin is by admission an instinctive artist.   Education   He graduated from the University of Birmingham in 1976 (2.1 Economics) but in terms of art he is almost wholly self-trained, his only formal qualification being an Art GCE "O" level from his schooldays. Even so his artwork is bought by private collectors around the world and he has secured gallery space throughout the UK as well as in his native Derbyshire where he works from his home studio in Swanwick.   Select Exhibitions/Awards   Notable events: "Looking to the stars" Group Exhibition, Hornshaw Gallery, Brick Lane Gallery Annexe, Sclater Street, London 2016 Midlands Open Art Exhibition 2016, Tarpey Gallery, Castle Donington, Derbys Pentrich Revolution Bicentenary Group Exhibition 2017, various locations throughout the year Derbyshire/Nottinghamshire Great Sheffield Art Show 2017 & 2019, Open exhibition, Millennium Gallery, Sheffield. Summer/Autumn & Winter Exhibitions, D31 Art Gallery, Doncaster, 2021 Contemporary Portraits, Fronteer Gallery, Sheffield, 2021 Royal Cambrian Academy of Art Open Exhibition, Conwy, 2022 Salon Contemporary Arts 2022, Museum of Making, Derby 2022 Royal Academy Summer Exhibition 2022, London, Flux virtual Summer Exhibition 2022, Gallery Representation   Salon Contemporary Arts, Derby Leabrooks Arts Complex, Leabrooks, Derbys Courtney Gallery, Ashbourne Derbys Hornshaw Gallery, London   Statement about AOAP Submitted Artwork   "Flying the Flag" is a good example of my figurative art as it is inspired by light, colour and a certain feeling in the composition which is almost wistful and surreal. My compositions are often associated with distant memories from childhood, here of hazy summers and the play of light and shadows. "Work-life balance dice" I guess is a still life, but a rapidly executed one. Much of my inspiration comes from words and phrases and modern concepts. I love to use the play of words against an image when on suggests the other, even out of it's usual context. Language and visual art are natural bedfellows. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Martin Davis Flying The Flag, 2022 Acrylic and Gesso on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Martin Davis is an ex-firefighter turned artist. After university he spent more than 30 years in the fire & rescue service, during which time he found painting was a perfect antidote to the operational stresses of his working life. He committed himself fully to his art in 2008 after retirement and has spent the last 14 years finding his distinctive artistic voice. Martin is by admission an instinctive artist.   Education   He graduated from the University of Birmingham in 1976 (2.1 Economics) but in terms of art he is almost wholly self-trained, his only formal qualification being an Art GCE "O" level from his schooldays. Even so his artwork is bought by private collectors around the world and he has secured gallery space throughout the UK as well as in his native Derbyshire where he works from his home studio in Swanwick.   Select Exhibitions/Awards   Notable events: "Looking to the stars" Group Exhibition, Hornshaw Gallery, Brick Lane Gallery Annexe, Sclater Street, London 2016 Midlands Open Art Exhibition 2016, Tarpey Gallery, Castle Donington, Derbys Pentrich Revolution Bicentenary Group Exhibition 2017, various locations throughout the year Derbyshire/Nottinghamshire Great Sheffield Art Show 2017 & 2019, Open exhibition, Millennium Gallery, Sheffield. Summer/Autumn & Winter Exhibitions, D31 Art Gallery, Doncaster, 2021 Contemporary Portraits, Fronteer Gallery, Sheffield, 2021 Royal Cambrian Academy of Art Open Exhibition, Conwy, 2022 Salon Contemporary Arts 2022, Museum of Making, Derby 2022 Royal Academy Summer Exhibition 2022, London, Flux virtual Summer Exhibition 2022, Gallery Representation   Salon Contemporary Arts, Derby Leabrooks Arts Complex, Leabrooks, Derbys Courtney Gallery, Ashbourne Derbys Hornshaw Gallery, London   Statement about AOAP Submitted Artwork   "Flying the Flag" is a good example of my figurative art as it is inspired by light, colour and a certain feeling in the composition which is almost wistful and surreal. My compositions are often associated with distant memories from childhood, here of hazy summers and the play of light and shadows. "Work-life balance dice" I guess is a still life, but a rapidly executed one. Much of my inspiration comes from words and phrases and modern concepts. I love to use the play of words against an image when on suggests the other, even out of it's usual context. Language and visual art are natural bedfellows. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sophie Wake Miniature Vase w/ Birds, 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I am a contemporary British artist, working from my studio in Ashburton, Devon I worked for almost 20 years as a busy freelance illustrator. Today however my fine art practice responds to the rhythms of meditation and ancient tree tea ceremony which has become a fundamental companion to my creative approach.Guided by direct somatic experience my works are instinctive and intuitive, each one a process of deep self enquiry and profound reflection. Working with oil on canvas or gouache on paper, my paintings imbue a liminal quality, a sense of in-betweenness that delights in intangible wordlessness. My fine art practice has become suffused with my spiritual practice. Any subject matter is treated as divine, iconic, and dances, uninhibited in its own light. Birds rejoice in liberation, female figures bathe in their own inner beauty and freedom. Influences of Shamanism, African rock art, Ancient clay models, and Greek pottery can be felt throughout the collections, which celebrate the power of storytelling and basic human emotion in simple and authentic form.   Education   Brighton University, BA Hons in Graphic Design & Illustration, graduated 1996.   Select Exhibitions/Awards   2017 Best Artists Open House Newcomer award 2018 HERD selected for the Royal Academy's 250th Summer Exhibition by Grayson Perry for his hand-curated Yellow Room. 2019 Best Artists Open House award for my solo show Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Ryan Mosley Big Cat, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in 1980, Chesterfield, UK Lives and works in London, UK. Mosley synthesizes art-historical themes, styles, and movements into surreal, folk-inspired paintings that are wholly contemporary, yet appear timeless. Mosley does not sketch his paintings beforehand, instead treating his paintbrush as a pencil to build large-scale images through layers of translucent washes for a batik quality. This spontaneous technique results in theatrical spaces and fantastic scenes, at once whimsical and tragic, ambiguous and intriguing. Mosley's work features recurring images of heads and masks, as well as harlequin-inspired, diamond patterned clothing, which serve as liberated and somber symbols of carnival and release.   Select Exhibitions/Awards   2014 Susanne Vielmetter Los Angeles Projects, Los Angeles, CA Alison Jacques Gallery, London, UK 2013 Thoughts of Man, Tierney Gardarin, New York, NY 2012 Reversed Limbo, Eigen + Art, Berlin, Germany 2011 Alison Jacques Gallery, London, UK Solo Presentation with Alison Jacques Gallery, The Armory, New York 2010 Painting Séance, Grand Arts, Kansas City, MO Alison Jacques Gallery, London 2009 A Gathering, Regina Gallery, Moscow Project Room, Alison Jacques Gallery, London 2008 Census, Engholm Engelhorn, Vienna Art Basel Miami Beach, Engholm Engelhorn, Miami 2004 Eight Years Ago and Before, Bloc Space, Sheffield GROUP EXHIBITIONS 2013 Zero Hours, S1 Artspace, Sheffield, UK Re-opening, Eigen + Art, Berlin, Germany 2012 Nightfall, Modem Museum, Hungary London Twelve: Contemporary British Art, City Gallery, Prague, Czech Republic Summer Exhibition, Royal Academy of Arts, London, UK Merging Bridges, Museum of Modern Art, Baku, Azerbaijan Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ryan Mosley Smoke Rings, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in 1980, Chesterfield, UK Lives and works in London, UK. Mosley synthesizes art-historical themes, styles, and movements into surreal, folk-inspired paintings that are wholly contemporary, yet appear timeless. Mosley does not sketch his paintings beforehand, instead treating his paintbrush as a pencil to build large-scale images through layers of translucent washes for a batik quality. This spontaneous technique results in theatrical spaces and fantastic scenes, at once whimsical and tragic, ambiguous and intriguing. Mosley's work features recurring images of heads and masks, as well as harlequin-inspired, diamond patterned clothing, which serve as liberated and somber symbols of carnival and release.   Select Exhibitions/Awards   2014 Susanne Vielmetter Los Angeles Projects, Los Angeles, CA Alison Jacques Gallery, London, UK 2013 Thoughts of Man, Tierney Gardarin, New York, NY 2012 Reversed Limbo, Eigen + Art, Berlin, Germany 2011 Alison Jacques Gallery, London, UK Solo Presentation with Alison Jacques Gallery, The Armory, New York 2010 Painting Séance, Grand Arts, Kansas City, MO Alison Jacques Gallery, London 2009 A Gathering, Regina Gallery, Moscow Project Room, Alison Jacques Gallery, London 2008 Census, Engholm Engelhorn, Vienna Art Basel Miami Beach, Engholm Engelhorn, Miami 2004 Eight Years Ago and Before, Bloc Space, Sheffield GROUP EXHIBITIONS 2013 Zero Hours, S1 Artspace, Sheffield, UK Re-opening, Eigen + Art, Berlin, Germany 2012 Nightfall, Modem Museum, Hungary London Twelve: Contemporary British Art, City Gallery, Prague, Czech Republic Summer Exhibition, Royal Academy of Arts, London, UK Merging Bridges, Museum of Modern Art, Baku, Azerbaijan Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sophie Wake Mother Earth (Sketch), 2022 Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I am a contemporary British artist, working from my studio in Ashburton, Devon I worked for almost 20 years as a busy freelance illustrator. Today however my fine art practice responds to the rhythms of meditation and ancient tree tea ceremony which has become a fundamental companion to my creative approach.Guided by direct somatic experience my works are instinctive and intuitive, each one a process of deep self enquiry and profound reflection. Working with oil on canvas or gouache on paper, my paintings imbue a liminal quality, a sense of in-betweenness that delights in intangible wordlessness. My fine art practice has become suffused with my spiritual practice. Any subject matter is treated as divine, iconic, and dances, uninhibited in its own light. Birds rejoice in liberation, female figures bathe in their own inner beauty and freedom. Influences of Shamanism, African rock art, Ancient clay models, and Greek pottery can be felt throughout the collections, which celebrate the power of storytelling and basic human emotion in simple and authentic form.   Education   Brighton University, BA Hons in Graphic Design & Illustration, graduated 1996.   Select Exhibitions/Awards   2017 Best Artists Open House Newcomer award 2018 HERD selected for the Royal Academy's 250th Summer Exhibition by Grayson Perry for his hand-curated Yellow Room. 2019 Best Artists Open House award for my solo show   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Ryan Mosley Deep Water, 2022 Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1980, Chesterfield, UK Lives and works in London, UK. Mosley synthesizes art-historical themes, styles, and movements into surreal, folk-inspired paintings that are wholly contemporary, yet appear timeless. Mosley does not sketch his paintings beforehand, instead treating his paintbrush as a pencil to build large-scale images through layers of translucent washes for a batik quality. This spontaneous technique results in theatrical spaces and fantastic scenes, at once whimsical and tragic, ambiguous and intriguing. Mosley's work features recurring images of heads and masks, as well as harlequin-inspired, diamond patterned clothing, which serve as liberated and somber symbols of carnival and release.   Select Exhibitions/Awards   2014 Susanne Vielmetter Los Angeles Projects, Los Angeles, CA Alison Jacques Gallery, London, UK 2013 Thoughts of Man, Tierney Gardarin, New York, NY 2012 Reversed Limbo, Eigen + Art, Berlin, Germany 2011 Alison Jacques Gallery, London, UK Solo Presentation with Alison Jacques Gallery, The Armory, New York 2010 Painting Séance, Grand Arts, Kansas City, MO Alison Jacques Gallery, London 2009 A Gathering, Regina Gallery, Moscow Project Room, Alison Jacques Gallery, London 2008 Census, Engholm Engelhorn, Vienna Art Basel Miami Beach, Engholm Engelhorn, Miami 2004 Eight Years Ago and Before, Bloc Space, Sheffield GROUP EXHIBITIONS 2013 Zero Hours, S1 Artspace, Sheffield, UK Re-opening, Eigen + Art, Berlin, Germany 2012 Nightfall, Modem Museum, Hungary London Twelve: Contemporary British Art, City Gallery, Prague, Czech Republic Summer Exhibition, Royal Academy of Arts, London, UK Merging Bridges, Museum of Modern Art, Baku, Azerbaijan Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ryan Mosley Open Water, 2022 Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1980, Chesterfield, UK Lives and works in London, UK. Mosley synthesizes art-historical themes, styles, and movements into surreal, folk-inspired paintings that are wholly contemporary, yet appear timeless. Mosley does not sketch his paintings beforehand, instead treating his paintbrush as a pencil to build large-scale images through layers of translucent washes for a batik quality. This spontaneous technique results in theatrical spaces and fantastic scenes, at once whimsical and tragic, ambiguous and intriguing. Mosley's work features recurring images of heads and masks, as well as harlequin-inspired, diamond patterned clothing, which serve as liberated and somber symbols of carnival and release.   Select Exhibitions/Awards   2014 Susanne Vielmetter Los Angeles Projects, Los Angeles, CA Alison Jacques Gallery, London, UK 2013 Thoughts of Man, Tierney Gardarin, New York, NY 2012 Reversed Limbo, Eigen + Art, Berlin, Germany 2011 Alison Jacques Gallery, London, UK Solo Presentation with Alison Jacques Gallery, The Armory, New York 2010 Painting Séance, Grand Arts, Kansas City, MO Alison Jacques Gallery, London 2009 A Gathering, Regina Gallery, Moscow Project Room, Alison Jacques Gallery, London 2008 Census, Engholm Engelhorn, Vienna Art Basel Miami Beach, Engholm Engelhorn, Miami 2004 Eight Years Ago and Before, Bloc Space, Sheffield GROUP EXHIBITIONS 2013 Zero Hours, S1 Artspace, Sheffield, UK Re-opening, Eigen + Art, Berlin, Germany 2012 Nightfall, Modem Museum, Hungary London Twelve: Contemporary British Art, City Gallery, Prague, Czech Republic Summer Exhibition, Royal Academy of Arts, London, UK Merging Bridges, Museum of Modern Art, Baku, Azerbaijan Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Szabotage Amy Winehouse, 2022 Hand Finished Unique Print Signed recto 15 x 10cm (5¾ x 3¾ in.) About   Gustav Szabo is a prolific, contemporary urban artist and designer known as Szabotage. He grew up in Hove, where he studied architecture before moving to London where he worked as an architect and designer. After moving to Hong Kong he quickly gained notoriety with sold-out exhibitions, solo shows, collaborative projects, private and commercial commissions with iconic brands such as Prada and Louis Vuitton. Characterised by bright colours and popular cultural references, Szabotage's visual language is high impact. His signature style uses layers of stencils to depict life and create personality in each unique piece. Szabotage works with a variety of formats. His collections range from walls, canvases, prints, and cars to sculptures, stencils and NFTs. He constantly challenges limitations and enjoys creating his art and sculptures using deconstructed aerosol cans, metals and wood. In the digital space, NFTs allow him to add extra dimensions using animation and sound. Szabotage's Koi tag is easily recognisable. The Koi represents strength, adversity and good fortune. Watch Szabotage's Ted Talk below to hear about he overcame his personal adversity with the power of art.   Education   DIP ARCH Part 2 2000 Westminster University London UK. ARCH BA (Hons) Part 1 1996 Kingston University London UK.   Select Exhibitions/Awards   2022 Affordable Art Fair Hong Kong, Presented by Art Supermarket Gallery 2022 Solo Show // Tech Week: The Business of Web, American Chamber Of Commerce 2021 Solo Show // Life Got Real, SHOUT Gallery Hong Kong 2020 Solo Exhibition // SPRAYCATION Art Supermarket, Hong Kong 2019 K11, Musea Art, Crockerydile, Hong Kong 2019 Group Show, LGBT Arcus Pride Art, Clifford Chance, Red Chamber Gallery 2019 The Objet Nomades, By Louis Vuitton, Tai Kwun, Hong Kong 2019 Wallskar, Graffiti and Street Art Festival, Hong Kong Edtion 2017 Solo Exhibition // FISH 'N' CHIPS, Art Supermarket, Hong Kong 2016 Solo Show + Exhibition // GONE FISHING! Loft 22, California Tower, LFK, Hong Kong 2016 Live Mural // Love Is Wild, Walls Of Change, Project C:Change, Hong Kong 2015 Street Art Festival // HK WALLS,, Hong Kong 2014 Finalist, Secret Walls, Hong Kong 2012 Solo Exhibition // Hackney Road Car Park, Shoreditch London 2010 Solo Show // SHHH Women's Erotic Emporium, Shoreditch, London   Gallery Representation   Shout Gallery - https://shout.art/index.php Art Supermarket - https://www.artsupermarketasia.com Awethentic Gallery - https://www.awethenticgallery.com/ WWW.SZABOTAGE.COM.HK Statement about AOAP Submitted Artwork   In this artwork, Szabotage visually contemplates the connections between the talent and tragedy of Amy Winehouse, one of the mystified members of the '27 Club,' the creative geniuses whose impactful lives were all cut short at the young age of 27. In a natural extension of the artist's street art practice, Szabotage interprets this hallowed personality through his signature stencil language. This portrait features stencils in the background relating to Amy's particular journey to greatness and destruction. He painted Amy as a way to commemorate one of the biggest influences in the British music scene who sadly died too young. After painting Frida Kahlo in 2018 and seeing how influential and fruitful yet tragic her life was, he realised that he could respond to her story and paint her passionately, which he wanted to continue with Amy. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Taylor Owl and The Pussy-Cat, 2022 Oil and Mixed Media on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.)     About   Adam Taylor is a Pembrokeshire based contemporary artist. His paintings can be described as abstract compositions influenced by the coastal landscape of his surroundings in rural West Wales. He strives to capture the atmosphere and mood of the land, distilling the basic forms into pleasing shapes and colour. He works predominantly in oils, but will use enamel paint and different textures at the beginning of the painting process, producing a final piece which is raw and layered.   Education   BA(Hons) (fine art) UWIC Cardiff 2001/04   Select Exhibitions/Awards   Ffin YParc solo show-March 2022 Hidden Uk/Hidden Ireland, an exhibition curated by Sean Scully at Flowers gallery London-July 2022   Gallery Representation   Ffin Y Parc (Wales)   Statement about AOAP Submitted Artwork   My piece is a homage to the postcards we'd send from seaside holidays in Wales as children. I liked the idea of using the old stamps I'd collected during my childhood to form a part collage/ part painting postcard replica.     Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Adam Taylor Postcard From Wales, 2022 Oil and Mixed Media on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.)     About   Adam Taylor is a Pembrokeshire based contemporary artist. His paintings can be described as abstract compositions influenced by the coastal landscape of his surroundings in rural West Wales. He strives to capture the atmosphere and mood of the land, distilling the basic forms into pleasing shapes and colour. He works predominantly in oils, but will use enamel paint and different textures at the beginning of the painting process, producing a final piece which is raw and layered.   Education   BA(Hons) (fine art) UWIC Cardiff 2001/04   Select Exhibitions/Awards   Ffin YParc solo show-March 2022 Hidden Uk/Hidden Ireland, an exhibition curated by Sean Scully at Flowers gallery London-July 2022   Gallery Representation   Ffin Y Parc (Wales)   Statement about AOAP Submitted Artwork   My piece is a homage to the postcards we'd send from seaside holidays in Wales as children. I liked the idea of using the old stamps I'd collected during my childhood to form a part collage/ part painting postcard replica.     Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Tristan Gittens Meditation, 2022 Fabric Tape and Resin on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tristan Starstreak Franco Gittens (TSFG) is an Artist from the United States living in the United Kingdom and pursuing an MA in painting at Royal College of Art. Tristan holds degrees in medical studies from the University of California at Berkeley and Stanford University. Tristan's practice examines factors that lead to a decline in and unravelling of the social fabric of humanity through exploring concepts of empathy and self. "I feel that societal order is being stressed by the loss of empathy. It is my belief that as we expand the radius of what we define as self we increase empathy. An increase in empathy leads to an increase in care which is a critical societal building block." Tristan approaches this through disciplines such as psychology, sociology, physics, and visual arts, and is dependent on an understanding of cultures and societies and the components that influence their behaviors. Education   BA (Bio-Psychology) UC Berkeley MS (Epidemiology) Stanford University MA (Painting) Royal College of Art   Select Exhibitions/Awards   SOHO Revue - Group Show (SOHO London 2022) Brixton Art Prize at Downstairs Brixton - Shortlist Show (Brixton 2022) Waverton Prize - Longlist (2022) British Painting 3 at Bermondsey Project Space - Group Show (Bermondsey London 2022) Home at The Regency Town House- Group Show (Brighton 2022) Gallery 46 - Group Show (Whitechapel London 2022) Diaspora at Bermondsey Project Space - Group Show (Bermondsey London 2022) Progression at D-Contemporary Gallery - Group Show (Mayfair London 2022) Residency: PADA / Turps Banana (Portugal 2022) Publications: Artist Talk Magazine - Issue 19 April 2022   Statement about AOAP Submitted Artwork   The three works that I submitted are fabric tape and epoxy resin on card. The work represents Meditation, Balance, and Permutations. These are all aspects of the natural world that can be found in everything from visual arts to mathematics.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Tristan Gittens Balance, 2022 Fabric Tape and Resin on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tristan Starstreak Franco Gittens (TSFG) is an Artist from the United States living in the United Kingdom and pursuing an MA in painting at Royal College of Art. Tristan holds degrees in medical studies from the University of California at Berkeley and Stanford University. Tristan's practice examines factors that lead to a decline in and unravelling of the social fabric of humanity through exploring concepts of empathy and self. "I feel that societal order is being stressed by the loss of empathy. It is my belief that as we expand the radius of what we define as self we increase empathy. An increase in empathy leads to an increase in care which is a critical societal building block." Tristan approaches this through disciplines such as psychology, sociology, physics, and visual arts, and is dependent on an understanding of cultures and societies and the components that influence their behaviors. Education   BA (Bio-Psychology) UC Berkeley MS (Epidemiology) Stanford University MA (Painting) Royal College of Art   Select Exhibitions/Awards   SOHO Revue - Group Show (SOHO London 2022) Brixton Art Prize at Downstairs Brixton - Shortlist Show (Brixton 2022) Waverton Prize - Longlist (2022) British Painting 3 at Bermondsey Project Space - Group Show (Bermondsey London 2022) Home at The Regency Town House- Group Show (Brighton 2022) Gallery 46 - Group Show (Whitechapel London 2022) Diaspora at Bermondsey Project Space - Group Show (Bermondsey London 2022) Progression at D-Contemporary Gallery - Group Show (Mayfair London 2022) Residency: PADA / Turps Banana (Portugal 2022) Publications: Artist Talk Magazine - Issue 19 April 2022   Statement about AOAP Submitted Artwork   The three works that I submitted are fabric tape and epoxy resin on card. The work represents Meditation, Balance, and Permutations. These are all aspects of the natural world that can be found in everything from visual arts to mathematics.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Tristan Gittens Permutation, 2022 Fabric Tape and Resin on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Tristan Starstreak Franco Gittens (TSFG) is an Artist from the United States living in the United Kingdom and pursuing an MA in painting at Royal College of Art. Tristan holds degrees in medical studies from the University of California at Berkeley and Stanford University. Tristan's practice examines factors that lead to a decline in and unravelling of the social fabric of humanity through exploring concepts of empathy and self. "I feel that societal order is being stressed by the loss of empathy. It is my belief that as we expand the radius of what we define as self we increase empathy. An increase in empathy leads to an increase in care which is a critical societal building block." Tristan approaches this through disciplines such as psychology, sociology, physics, and visual arts, and is dependent on an understanding of cultures and societies and the components that influence their behaviors. Education   BA (Bio-Psychology) UC Berkeley MS (Epidemiology) Stanford University MA (Painting) Royal College of Art   Select Exhibitions/Awards   SOHO Revue - Group Show (SOHO London 2022) Brixton Art Prize at Downstairs Brixton - Shortlist Show (Brixton 2022) Waverton Prize - Longlist (2022) British Painting 3 at Bermondsey Project Space - Group Show (Bermondsey London 2022) Home at The Regency Town House- Group Show (Brighton 2022) Gallery 46 - Group Show (Whitechapel London 2022) Diaspora at Bermondsey Project Space - Group Show (Bermondsey London 2022) Progression at D-Contemporary Gallery - Group Show (Mayfair London 2022) Residency: PADA / Turps Banana (Portugal 2022) Publications: Artist Talk Magazine - Issue 19 April 2022   Statement about AOAP Submitted Artwork   The three works that I submitted are fabric tape and epoxy resin on card. The work represents Meditation, Balance, and Permutations. These are all aspects of the natural world that can be found in everything from visual arts to mathematics.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Peter Jones Duckling, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Peter Jones (born 1968, Birmingham, UK) studied fine art at Reading University (1988-1992) and now lives and works in Hackney Wick, London. In 1996 Peter was selected for the Whitechapel Open which marked the beginning of regular exhibitions at galleries in London and outside the UK. Peter held his first solo shows at FRED in London and concurrently at the sister gallery in Leipzig in 2006. The Monkey Paintings series first shown at these two exhibitions confirmed Peter's reputation as an artist and earned him an enthusiastic following. Almost all of the vintage toy subjects of these still-life paintings are collected by the artist for this purpose. Traditionally the monkey in art symbolised the primitive beast within us, and although the paintings by Peter Jones don't deny this inherent quality, they are by turns capricious, playful and vulnerable. The monkey paintings were followed by a group of lamb paintings, dog paintings and an ongoing series of various animal portraits including bunnies and birds. These particular subjects acknowledge and communicate the traditional art historical symbolism of innocence, faithfulness and love. After a hiatus of several years, the monkey series was renewed in 2016, and continues to be the artist's signature subject.   Education   University of Reading 1988-92   Select Exhibitions/Awards   2022, Call Me A Horse, Bark Gallery, Berlin 2021, A Generous Space, Hastings Contemporary 2021, Drawing Biennial, The Drawing Room, London 2020, Hastings Open, Hastings Museum and Art Gallery 2019, ING Discerning Eye, London 2019, Still-Here, Newington Gallery, London 2019, Summer Exhibition, Royal Academy, London 2019, Darlings of the Underground, Subsidiary Projects, London 2019 Drawing Biennial, The Drawing Room, London 2018 Summer Exhibition, Royal Academy, London 2017 Make_Shift, Collyer Bristow Gallery, London 2017 Nature Morte, Guildhall Art Gallery, London (Previously at Four Domes Pavillion, Wroclaw, Poland; Konsthallen-Bohuslans Museum, Sweden; Ha Gamle, Prestegard, Norway.) 2017 Drawing Biennial, The Drawing Room, London 2016 Models and Materialities, Bay Arts, Cardiff 2016 The Small Things Matter, solo show, Clifford Chance Pride Exhibition, London 2015 Drawing Biennial, The Drawing Room, London 2014 Picaresque, Ha Gamle Prestegard, Norway   Gallery Representation   Alveston Fine Arts, Oxmarket Contemporary   Statement about AOAP Submitted Artwork   The Winter Auction Duckling is modelled on a very small soft toy which I found in St Leonards-on-Sea on Tuesday 19th July, the day when summer temperature records were smashed across the UK. A few days later when I was back in the sweltering hot studio, I decided that this new addition to my collection of lost and orphaned toys would be the subject for my postcard contribution for this year's Winter Auction. Looking ahead to when the auction would be held, I imagined the Duckling in a cool wintery setting and posed him like a Snowman, as sweat dripped off me as I struggled to finish the tiny painting in the stifling heat of my small studio in Hackney Wick.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Hannah Kate Absalom Hell Fire, 2022 Coloured Pencil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Absalom is a 2020 graduate of The Glasgow School of Art with a BaHons in Fine Art - Painting & Printmaking. Though originally from Northumberland, she is currently based in Glasgow, working as a practicing artist. Absalom has also studied at The Bezalel Academy of Arts and Design in Jerusalem, Israel, and over the last few years has taken part in several film festivals and exhibited internationally. In September 2022 she will be relocating to London to study a 2 year MFA at Central Saint Martins.   Education   The Glasgow School of Art   Select Exhibitions/Awards   Solo exhibition, Imbala, Jerusalem, 2019. Group exhibition, SOUP, Glue Factory, Glasgow, 2019. Group exhibition, Across the Sea, Pratt Institute, New York, 2019. Group exhibition, New Glasgow Society, Glasgow, 2020. Group exhibition, Ten Past Six, Six Foot Gallery, Glasgow, 2020. Group exhibition, The Pieces are in Flux, Salt Space Gallery, Glasgow, 2020. Films screened at Interlude Film Festival, SWG3 and ISO Design, Glasgow, 2021. Group exhibition, The Alternative Degree Show, The Briggait, Glasgow, 2021. Group exhibition, Open Cut, The Wunderkammer Project, Transmission, Glasgow 2022. Solo exhibition, Tchai Ovna, Glasgow, 2022. Solo exhibition, MIASMA, WASPS South Block, Glasgow, 2022. Gallery Representation   NewBlood Art   Statement about AOAP Submitted Artwork   The works I have submitted reflect by current practice of investigating religious and mythic dystopias within a contemporary framework. The figures on my postcards, such as the hooded figure and pale horse are reoccurring within my works and act as warning prophets of sorts. My work primarily focuses on concepts surrounding religion and mysticism through a contemporary interpretation of ancient iconography, ritual and folklore. Aside from narrative tales, I also explore collective thought, in which certain symbols, colours, creatures and bodily gestures invoke shared responses across time and culture. In addition to exploring the effect of religion upon traditional art forms, this investigation expands into a reflection of Judeo-Christianity on the aesthetics of the grotesque and horror. I aim to present a classical yet surreal interpretation of dystopias and apocalypses within the framework of contemporary concerns; political, societal and environmental. The uncanny is an underlying aspect of my practice. The imagery used within the postcard artwork is unsettling, disturbing and hypnotic in its blending of dream and dogma.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Hannah Kate Absalom Offerings From Syracuse, 2022 Coloured Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Absalom is a 2020 graduate of The Glasgow School of Art with a BaHons in Fine Art - Painting & Printmaking. Though originally from Northumberland, she is currently based in Glasgow, working as a practicing artist. Absalom has also studied at The Bezalel Academy of Arts and Design in Jerusalem, Israel, and over the last few years has taken part in several film festivals and exhibited internationally. In September 2022 she will be relocating to London to study a 2 year MFA at Central Saint Martins.   Education   The Glasgow School of Art   Select Exhibitions/Awards   Solo exhibition, Imbala, Jerusalem, 2019. Group exhibition, SOUP, Glue Factory, Glasgow, 2019. Group exhibition, Across the Sea, Pratt Institute, New York, 2019. Group exhibition, New Glasgow Society, Glasgow, 2020. Group exhibition, Ten Past Six, Six Foot Gallery, Glasgow, 2020. Group exhibition, The Pieces are in Flux, Salt Space Gallery, Glasgow, 2020. Films screened at Interlude Film Festival, SWG3 and ISO Design, Glasgow, 2021. Group exhibition, The Alternative Degree Show, The Briggait, Glasgow, 2021. Group exhibition, Open Cut, The Wunderkammer Project, Transmission, Glasgow 2022. Solo exhibition, Tchai Ovna, Glasgow, 2022. Solo exhibition, MIASMA, WASPS South Block, Glasgow, 2022. Gallery Representation   NewBlood Art   Statement about AOAP Submitted Artwork   The works I have submitted reflect by current practice of investigating religious and mythic dystopias within a contemporary framework. The figures on my postcards, such as the hooded figure and pale horse are reoccurring within my works and act as warning prophets of sorts. My work primarily focuses on concepts surrounding religion and mysticism through a contemporary interpretation of ancient iconography, ritual and folklore. Aside from narrative tales, I also explore collective thought, in which certain symbols, colours, creatures and bodily gestures invoke shared responses across time and culture. In addition to exploring the effect of religion upon traditional art forms, this investigation expands into a reflection of Judeo-Christianity on the aesthetics of the grotesque and horror. I aim to present a classical yet surreal interpretation of dystopias and apocalypses within the framework of contemporary concerns; political, societal and environmental. The uncanny is an underlying aspect of my practice. The imagery used within the postcard artwork is unsettling, disturbing and hypnotic in its blending of dream and dogma.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Kerry Louise Bennett Three Lemons, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Working from her home studio in Sheffield, Kerry Louise Bennett (b.1972) makes brightly coloured works loaded with texture and pattern. Her previous lives working in set design, upholstery, photography and as a writer, all feed into the semi-abstract interior and still life compositions she paints. Although she is largely a process led artist, an element of storytelling always emerges in her characterful paintings. Kerry's work is held in private collections in the UK, USA & Europe.   Education   University of Liverpool - Communications Studies (BA) Hallam University - Photography (CertEd) Shadwell College - Art Foundation Select Exhibitions/Awards   New Platform Art professional development cohort 2022 Janet Rady Fine Art - Canivals of Clouds (Group show) March 2022 Hightgate Contemporary Art - Winter - Spring (Group show) Feb 2022 Cupola Contemporary Art - Scion (Group show) Jan 2022 Spring Cheltenham - Small Works (Group show) Dec 2021 The Dovecot Gallery - Portrayal (group show) Sept 2021 Gallery Representation   Wychwood Art   Statement about AOAP Submitted Artwork   I was thrilled to be invited to contribute to this worthy cause and decided to showcase the colour pink in all my pieces - for me it is the most uplifting and impactful colour and even at this scale makes a lively statement. I chose to create two simplified tablescapes, one of my favourite compositional themes, and a pair of cups - one for tea, one for coffee - to indulge my love of pattern.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Kerry Louise Bennett Teacups, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Working from her home studio in Sheffield, Kerry Louise Bennett (b.1972) makes brightly coloured works loaded with texture and pattern. Her previous lives working in set design, upholstery, photography and as a writer, all feed into the semi-abstract interior and still life compositions she paints. Although she is largely a process led artist, an element of storytelling always emerges in her characterful paintings. Kerry's work is held in private collections in the UK, USA & Europe.   Education   University of Liverpool - Communications Studies (BA) Hallam University - Photography (CertEd) Shadwell College - Art Foundation Select Exhibitions/Awards   New Platform Art professional development cohort 2022 Janet Rady Fine Art - Canivals of Clouds (Group show) March 2022 Hightgate Contemporary Art - Winter - Spring (Group show) Feb 2022 Cupola Contemporary Art - Scion (Group show) Jan 2022 Spring Cheltenham - Small Works (Group show) Dec 2021 The Dovecot Gallery - Portrayal (group show) Sept 2021 Gallery Representation   Wychwood Art   Statement about AOAP Submitted Artwork   I was thrilled to be invited to contribute to this worthy cause and decided to showcase the colour pink in all my pieces - for me it is the most uplifting and impactful colour and even at this scale makes a lively statement. I chose to create two simplified tablescapes, one of my favourite compositional themes, and a pair of cups - one for tea, one for coffee - to indulge my love of pattern.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Kerry Louise Bennett Espresso Can, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Working from her home studio in Sheffield, Kerry Louise Bennett (b.1972) makes brightly coloured works loaded with texture and pattern. Her previous lives working in set design, upholstery, photography and as a writer, all feed into the semi-abstract interior and still life compositions she paints. Although she is largely a process led artist, an element of storytelling always emerges in her characterful paintings. Kerry's work is held in private collections in the UK, USA & Europe.   Education   University of Liverpool - Communications Studies (BA) Hallam University - Photography (CertEd) Shadwell College - Art Foundation Select Exhibitions/Awards   New Platform Art professional development cohort 2022 Janet Rady Fine Art - Canivals of Clouds (Group show) March 2022 Hightgate Contemporary Art - Winter - Spring (Group show) Feb 2022 Cupola Contemporary Art - Scion (Group show) Jan 2022 Spring Cheltenham - Small Works (Group show) Dec 2021 The Dovecot Gallery - Portrayal (group show) Sept 2021 Gallery Representation   Wychwood Art   Statement about AOAP Submitted Artwork   I was thrilled to be invited to contribute to this worthy cause and decided to showcase the colour pink in all my pieces - for me it is the most uplifting and impactful colour and even at this scale makes a lively statement. I chose to create two simplified tablescapes, one of my favourite compositional themes, and a pair of cups - one for tea, one for coffee - to indulge my love of pattern.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Kerry Louise Bennett Oranges?, 2022 Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Working from her home studio in Sheffield, Kerry Louise Bennett (b.1972) makes brightly coloured works loaded with texture and pattern. Her previous lives working in set design, upholstery, photography and as a writer, all feed into the semi-abstract interior and still life compositions she paints. Although she is largely a process led artist, an element of storytelling always emerges in her characterful paintings. Kerry's work is held in private collections in the UK, USA & Europe.   Education   University of Liverpool - Communications Studies (BA) Hallam University - Photography (CertEd) Shadwell College - Art Foundation Select Exhibitions/Awards   New Platform Art professional development cohort 2022 Janet Rady Fine Art - Canivals of Clouds (Group show) March 2022 Hightgate Contemporary Art - Winter - Spring (Group show) Feb 2022 Cupola Contemporary Art - Scion (Group show) Jan 2022 Spring Cheltenham - Small Works (Group show) Dec 2021 The Dovecot Gallery - Portrayal (group show) Sept 2021 Gallery Representation   Wychwood Art   Statement about AOAP Submitted Artwork   I was thrilled to be invited to contribute to this worthy cause and decided to showcase the colour pink in all my pieces - for me it is the most uplifting and impactful colour and even at this scale makes a lively statement. I chose to create two simplified tablescapes, one of my favourite compositional themes, and a pair of cups - one for tea, one for coffee - to indulge my love of pattern.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Susie Hamilton Dachshund 1, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition,Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College.   Education   BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize.   Gallery Representation   Paul Stolper, London   Statement about AOAP Submitted Artwork   These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Susie Hamilton Dachshund 2, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition,Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College.   Education   BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize.   Gallery Representation   Paul Stolper, London   Statement about AOAP Submitted Artwork   These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Susie Hamilton Dachshund 3, 2022 Acrylic and Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition,Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College.   Education   BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize.   Gallery Representation   Paul Stolper, London   Statement about AOAP Submitted Artwork   These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Susie Hamilton Terrier, 2022 Acrylic and Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition, Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College.   Education   BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize.   Gallery Representation   Paul Stolper, London   Statement about AOAP Submitted Artwork   These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Rory Prout Sea Stack II, 2022 Ash and Resin on Primed Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I am an Irish artist living and working in the UK. I have exhibited widely in Ireland and England and have undertaken residencies in Ireland, Italy, Belgium, and Ethiopia. My paintings have previously addressed experiences of the remote Irish landscape, and in more recent years, featured rural scenes from the south coast of England.   Education   M.A. Modern and Contemporary Art History, Theory and Criticism, UCC, 2015 B.A. Fine Art Painting, LSAD, 2008   Select Exhibitions/Awards   Summer Exhibition, The Royal Academy, London, 2022 Views From The Cloud Chamber, Project 78, St. Leonards, 2021 The Lowering Skies, Gallery Interlude, Limerick, 2019 The Sussex Open, Towner Art Gallery, Eastbourne, 2018 GREENHOUSE, Volt, Eastbourne, 2017 Folding Landscapes, Burren College of Art, Clare & 126 Gallery, Galway 2016 Emerging Irish Artist Residency Award, Burren College of Art, 2015 Painter in Residence, The Irish Embassy, Addis Ababa, Ethiopia 2015   Statement about AOAP Submitted Artwork   My paintings are made using oil paint on wooden panels, but also with ash, chalk, gesso, wax or resin. The work I have submitted to AOAP are resin and laser engraved ash on primed paper. I experiment with materials and processes in an effort to reinvent the painting medium for myself, in order to try and understand it, to define some part of it. That definitive part that I keep coming back to is the trace of an absent subject; the indexical sign normally associated with photography. Painting, however, is a self-indulgent activity and the traces it fixes are always those of the painter   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Rory Prout Sea Stack IV, 2022 Ash and Resin on Primed Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I am an Irish artist living and working in the UK. I have exhibited widely in Ireland and England and have undertaken residencies in Ireland, Italy, Belgium, and Ethiopia. My paintings have previously addressed experiences of the remote Irish landscape, and in more recent years, featured rural scenes from the south coast of England.   Education   M.A. Modern and Contemporary Art History, Theory and Criticism, UCC, 2015 B.A. Fine Art Painting, LSAD, 2008   Select Exhibitions/Awards   Summer Exhibition, The Royal Academy, London, 2022 Views From The Cloud Chamber, Project 78, St. Leonards, 2021 The Lowering Skies, Gallery Interlude, Limerick, 2019 The Sussex Open, Towner Art Gallery, Eastbourne, 2018 GREENHOUSE, Volt, Eastbourne, 2017 Folding Landscapes, Burren College of Art, Clare & 126 Gallery, Galway 2016 Emerging Irish Artist Residency Award, Burren College of Art, 2015 Painter in Residence, The Irish Embassy, Addis Ababa, Ethiopia 2015   Statement about AOAP Submitted Artwork   My paintings are made using oil paint on wooden panels, but also with ash, chalk, gesso, wax or resin. The work I have submitted to AOAP are resin and laser engraved ash on primed paper. I experiment with materials and processes in an effort to reinvent the painting medium for myself, in order to try and understand it, to define some part of it. That definitive part that I keep coming back to is the trace of an absent subject; the indexical sign normally associated with photography. Painting, however, is a self-indulgent activity and the traces it fixes are always those of the painter   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Alain Silberstein. A Limited Edition stainless steel automatic calendar chronograph wristwatchModel: Krono BauhausReference: LWO 5100, Limited Edition No.248/500Date: Circa 2000Movement: Jewelled Cal.5100 automaticDial: White, luminous dot hour markers, black outer 1/5th second markers, inner bezel with outer minute index, 24 hour subsidiary dial at 12, subsidiary dial at 6 for 12 hour recording, day and date apertures at 3, blue, red and yellow shaped handsCase: Polished round, screw down exhibition back, multi-shaped crown flanked by twin buttonsStrap/Bracelet: Red leatherBuckle/Clasp: Steel buckleSigned: DialSize: 40mmFootnotes:A native of Paris, Alain Silberstein created his own watchmaking firm at the end of the 1980s in Besançon, France. Trained as an architect and designer, he and a group of Swiss makers worked to revive the mechanical watch. These watches demonstrate extraordinary timekeeping and are also viewed as contemporary works of art. They are known for their unusual transparent cases which allow the movement to be appreciated from the reverse. Silberstein designs are famous for their Calder inspiration and use of colours.For further information on this lot please visit Bonhams.com

WICHMAN, Erich (1890-1929). (Head/"Maskerkop"). 1925. Oil on canvas board. 408 x 267 mm. Monogrammed 'W' and dated in lower right corner. W. sticker on back side w. text: 'Begeer Voorschoten'. NOTE:Erich Wichman, officially Wichmann, was a Dutch artist, eccentric, anti-parliamentary troublemaker, co-founder of the 'Rapaillepartij', anti-bourgeois writer and, towards the end of his life, attracted to fascism. From 1914 on, he would devote himself entirely to art and the following years were characterized by Wichmann's search for affiliation with the Dutch contemporary art world. He became involved in numerous art and artist groups. In 1916 he was married to Leni Kampfraat, a diamond polisher. At the same time, the collaboration with the Utrecht Silver Factory van Begeer started. Between 1917 and 1919 he manufactured all kinds of decorative and everyday objects at Begeer. However, he did not succeed in breaking through definitively. Wichman repeatedly turned to Begeer for financial support, as can be read in 'Geest, koolzuur en zijk. Briefwisseling'. Verz. en toegel. d. F.J. Haffmans. - This "maskerkop", is painted in an expressionistic way and fairly similar to a self-portrait from the same year in the Centraal Museum, Utrecht. Only some 50 paintings were made by Wichman in the period 1912-1928, according to Van Burkom (2019). From the estate of C.A.J. Begeer. - Pictured in the book (p. 91): 'Erich Wichman 1890-1929 tussen idealisme en rancune'. 1983 by F. v. Burkom (not present in his revised 2019 edition); See also: https://www.artsalonholland.nl/collectie-kunst-musea/erich-wichman-zelfportret

A contemporary window seat. Upholstered in orange and dark red Art Deco style zigzag pattern fabric, on tapering square legs, L117cm x D48.5cm x H56cm

Ca. 3000-2000 BC.A shallow terracotta bowl in a deep amber colour standing on a ring foot. The interior is decorated with concentric panels featuring geometric motifs. The Indus civilization, also called the Harappan civilization, is the earliest known urban culture of the Indian subcontinent and was an important Bronze Age culture that arose around ca. 3300 BC and lasted until ca. 1300 BC. It extended from modern-day northeast Afghanistan to Pakistan and northwest India. The nuclear dates of the civilization appear to be about 2500-1700 BC, though the southern sites may have lasted later into the 2nd millennium BC. Its heyday, to which this kind of ceramic vessel belongs, was in the 3rd millennium BC. Large numbers of ceramic vessels decorated with black slip have been found among the sophisticated urban settlements of South Asia's protohistoric Indus Valley civilization. To find out more about the Indus civilisation and its material culture, see Possehl, Gregory L., 2002. The Indus Civilization: a Contemporary Perspective. Walnut Creek, CA: AltaMira Pres.Size: L:100mm / W:280mm ; 1.11kgProvenance: From the private collection of a Central London gentleman; previously in a collection formed on the UK/European art market before 2000.

DAVID HOCKNEY (1937 Bradford, lebt in Los Angeles) Homage to Michelangelo, aus "Omaggio a Michelangelo"Radierung und Aquatinta in Schwarz und Rot auf Arches-Velin. 1975.46,6 x 66,5 cm (59,7 x 79,3 cm).Signiert "David Hockney" und datiert. Auflage 25 artist's proofs.Scottish Art Council 173. Museum of Contemporary Art Tokyo 162.Prachtvoller Druck des großformatigen Blattes mit breitem, vollen Rand, an zwei Seiten mit dem Schöpfrand.Aus dem Portfolio "Omaggio a Michelangelo", erschienen zum 500. Geburtstag von Michelangelo Buonarotti. Herausgegeben von Studio Bruckmann Kunst im Druck Fine Art GmbH, München 1975, gedruckt bei Atelier Crommelynck, Paris, mit deren Trockenstempel unten links. Außerhalb der Auflage von 200 nummerierten Exemplaren.

Cookery.- [King (William)] The Art of Cookery, in Imitation of Horace's Art of Poetry, first edition, half-title, browning to peripheral ff., contemporary panelled calf, upper cover detached (after title, text block broken), repair to spine head, for Bernard Lintott, 1708 § The Ladies' Assistant, for Regulating and Supplying the Table, being a Complete System of Cookery etc., sixth edition, half-title, some spotting, contemporary calf, spine with morocco label, extremities scuffed, [Bitting p.313; Oxford p.107], for J. Walter, 1787 § Raffald (Elizabeth) The Experienced English Housekeeper, for the use and ease of Ladies, Housekeepers, Cooks etc., a new edition, engraved portrait frontispiece, off-setting, 3 folding plates, some light damp-staining, occasional spotting, endpapers renewed, contemporary mottled calf, rebacked, upper cover lower fore-edge corner small tear and rubbed, for A. Millar et al., 1793 § Millswood (G.) The New Receipt Book [...] Brewing, Making and Preserving British Wines..., final 3 ff. lightly soiled, modern cloth-backed boards, Derby, by Wilkins and Son, [c.18.30]; and 9 others cookery, 19th century, 8vo (13)

Cookery.- Thomas (J.E.) The Housewife's Guide, or a Complete System of Modern Cookery, Leeds, Henry Spink, 1831; The New Whole Art of Confectionary, Leeds, 1831; The Servant's Companion..., Leeds, 1832, together 3 works in 1 vol., some later ink recipes and also several doodles to endpapers and mathematical annotations to title verso, contemporary half calf, rubbed, upper cover almost detached, worn, 8vo

NO RESERVE van Deventer (Hendrik) The Art of Midwifery Improv'd, lacking title & A1-A3, 5 engraved folding plates at rear, occasional spotting or soiling, plates rather worn, plate 1 with portion of loss, others frayed and nicked at edges, all creased and tender, contemporary calf, joints cracked, worn, 8vo, for E. Curll and J. Pemberton, [1716]. [sold not subject to return]

Mack, Heinz. Sammlung von 8 Publikationen. Verschiedene Orte und Verlage, 1967-2001. Verschiedene Formate und Einbände.I. Mack. Druckgraphik und Multiples. Stuttgart, Edition cantz, 1990. - II. Honisch, Dieter. Mack. Skulpturen. Düsseldorf, Econ, 1986. - III. Mack. Un Rotorelief. Paris, Denise René, 1967. - IV. Mack Szene. Mack Seen. Mack-A-Zine. Mackazin. Die Jahre 1957-1967. Publiziert von Mack für Mack. Um 1967. - V. Heinz Mack. Teheran. Wahlverwandtschaften. Teheran, Museum of Contemporary Art, 2001. - VI. Staber, Margit. Heinz Mack. Köln, DuMont, 1968. - VII. Thomas, Karin. Heinz Mack. Recklinghausen, Bongers, 1975. - VIII. Mack. strukturen. Düsseldorf, Droste, 1975. - Alles gut erhalten.

Signals. Newsbulletin of Signals London. 8 Hefte in 7 Heften. Mit zahlreichen Abbildungen. London, Signals, 1964-1966. Zeitungsfaltung."In August 1964, art critic Guy Brett, Paul Keeler and artists Gustav Metzger, Marcello Salvadori and David Medalla began to publish Signals Newsbulletin as part of the Centre for Advanced Creative Study... The newspaper-style publication edited by Medalla was named after the Greek artist Takis' Signals series of tensile sculptures, which he had begun in 1955. Signals Newsbulletin declared the group's aim to be 'dedicated to the adventures of the modern spirit' and was an important and influential aspect of their practice. With an experimental outlook, the news bulletin presented a wide range of international art, particularly kinetic art, alongside and often fused with poetry and progressive articles on architecture, agriculture, technology and science, among other topics." - (Dean, Martin. "Experimental Art and the Story of Signals London" in Contemporary Art 15.3.2018). - Mit den Heften Vol 1: Nr. 3/4, 6-10 und Vol. II, Nr. 2. - U.a. mit den Themenschwerpunkten Takis, Marcello Salvadori, Lygia Clark, Naum Gabo, Carlos Cruz-Diez, Soto und Otero. - Mit durchgehenden senkrechten und waagrechten Falzspuren, in den Falzen teils etwas gebräunt und berieben, etwas knickspurig, Rücken teils mit kleinen Fehlstellen und Einrissen, Blätter vereinzelt angerändert, ein Heft mit schwächer werdendem Wasserfleck.

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013),THE PTARMIGAN AND BLACK DOGoil on canvas, signed, titled versoimage size 120cm x 90cm, overall size 140cm x 110cm Framed.Comment: As was sometimes his way, Bellany inscribed the stated title (The Ptarmigan and Back Dog) verso but misspelled the word "Ptarmigan" as "Ptarmagan".Note: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months both by McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer) - probably the highest auction price achieved for a post 1969 example of these dimensions by Bellany.

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013),PORT SETONwatercolour on paper, signedimage size 37cm x 56cm, overall size 70cm x 88cm Mounted, framed and under glass.Note: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months both by McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer) - probably the highest auction price achieved for a post 1969 example of these dimensions by Bellany.