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Twentieth-century European School, stylised monotype of a sitting figure, framed and glazed, image size 41 x 28.5cm. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

Twentieth-century print in colours, promenade with umbrella to foreground. Framed and glazed. Image size 44 x 64cm. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

J. Craw, 'No Need to Shout', coastal scene with seagull and old man. Oil on board. Signed lower left. 52.5 x 79cm. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

George Gault (1916-2001), landscape in green and yellow, watercolour, signed in pencil to margin, framed and glazed, image size 7 x 14cm, with three further framed and glazed watercolour drawings attributed to the same artist. (4)From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

George Gault (1916-2001), landscape in red and green. Watercolour. Framed and glazed. Image size 9 x 14cm. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

George Gault (1916-2001), half length portrait of Pierrot (1977). Gouache. Signed and dated to right-hand margin. Framed and glazed. 14 x 11cm. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

George Gault (1916-2001), coastal scene with figure in red to foreground. Watercolour. Monogrammed lower left. Framed and glazed. Image size 9 x 11.5cm.From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

George Gault (1916-2001), coastal scene with figure to foreground. Pastel. Framed and glazed. Image size 12.5 x 17.5cm. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

George Gault (1916-2001), landscape in brown and yellow (1989). Watercolour. Monogrammed and dated to lower right margin. Framed and glazed. Image size 9 x 13cm. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

George Gault (1916-2001), mother and child with crescent moon to background. Gouache. Signed to lower right margin. Framed and glazed. Image size 12.5 x 8cm. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

George Gault (1916-2001), snowy wooded landscape. Acrylic on board. Monogrammed lower left. Framed. Image size 13.5 x 16cm. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

George Gault (1916-2001), two figures on a snowy lane. Watercolour. Monogrammed lower right. Framed and glazed. Image size 12.5 x 16cm. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

George Gault (1916-2001), abstract landscape (1983). Watercolour. Signed and dated in pencil to lower right margin. Framed and glazed. Image size 10 x 14cm.From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

George Gault (1916-2001), abstract composition in red, blue and green. Watercolour. Monogrammed to lower right margin. Framed and glazed. Image size 12.5 x 9cm. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

Twentieth-century British School, abstract composition in light blue, brown, pink and black. Acrylic. Framed and glazed. Image size 21 x 21cm.From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017. Condition Report: Good condition overall, with some minor surface wear consistent with age.

Twentieth-century British School, coastal landscape with cliffs. Oil on board. Framed. Image size 9 x 24.5cm. With two framed and glazed watercolour landscapes, sample image size 10 x 15cm. (3)From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

George Gault (1916-2001), landscape in blue and green. Watercolour. Signed in pencil to lower right margin. Personal dedication verso. Image size 9 x 10cmFrom the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

The Whole Book Of Psalms In Meter According To The Art Of Short Writing, by Jeremiah Rich, circa 1660, contemporary dark brown Morocco and gilded leather binding, 6cm x 4cm

Charles Berbeck Design. 'The Windle Chair'. Modern design chair in wood. Height 177cm. Height to seat 43.5cm. Width at widest point 53.5cm. Sold with original invoice dated 1992. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.

STANSMORE RICHMOND LESLIE DEAN STEVENSON (SCOTTISH 1866 - 1944),THE BLUE RIBBONoil on canvas, titled label versoimage size 54cm x 43cm, overall size 62cm x 51cm Framed.Provenance: The Stevenson Family; dispersal sale of a descendent. Note: Dean studied at Glasgow School of Art from 1883-1889, a contemporary of Bessie MacNicol. Represented in the Scottish National Portrait Gallery.

* DOROTHY JOHNSTONE ARSA (SCOTTISH 1892 - 1980),BOUQUET IN AN ITALIAN JARoil on canvas, signed and dated 1978, titled versoimage size 62cm x 46cm, overall size 77cm x 62cm Framed and under glass.Label verso: Royal Scottish Academy Exhibition 1978. Note: Dorothy Johnstone was a pioneer of women’s art in the early 20th century; she was the star student at Edinburgh College of Art, graduating in 1912. Not long after the new College was created out of the old Trustees Academy. Johnstone was clearly aware of contemporary developments in Paris, and certainly, the College wasn't cut off from artistic European trends. Her older contemporaries in Edinburgh included the Scottish Colourists Peploe and Cadell. Although their example might have influenced her work, in reality, it was a woman artist who seemed to liberate both her style and palette, Laura Knight exhibited eleven pictures at the Royal Scottish Academy in 1916. Significantly too she had already shown a picture there in 1911 when Johnstone was still a student. It was called On the Rocks, a title that could fit several of Knight's marvellous paintings from that time of girls, rocks and the sea on the Cornish coast. The artist's seaside paintings were particularly vivid. For instance, A Dark Pool, housed in the Laing Art Gallery, depicts a girl in a bright orange dress standing beneath a vast blue sky and sea. When it came to colour, Knight acknowledged the impact of the Scottish artist Charles Mackie (1862–1920). Through his friendship with Paul Sérusier, the artist had close links to the French painters working alongside Gauguin at the turn of the century. Johnstone has works in many major public collections and her work is rare to the market.

Dame Elisabeth Frink R.A. (British, 1930-1993)Herring Gull, from 'Seabirds' (Wiseman 88) Lithograph printed in colours, 1974, on wove, signed and numbered 35/150 in pencil, printed by Curwen Studio, Chilford, published by Christie's Contemporary Art, London, with their blindstamp, the full sheet printed to the edges, 652 x 475mm (25 5/8 x 18 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Elisabeth Frink R.A. (British, 1930-1993)The Shearwater, from 'Seabirds' (Wiseman 90) Lithograph printed in colours, 1974, on wove, signed and numbered 8/150 in pencil, printed by Curwen Studio, Chilford, published by Christie's Contemporary Art, London, with their blindstamp, the full sheet printed to the edges, 653 x 476mm (25 5/8 x 18 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Elisabeth Frink R.A. (British, 1930-1993)Osprey, from 'Seabirds' (Wiseman 91) Lithograph printed in colours, 1974, on wove, signed and numbered 139/150 in pencil, printed by Curwen Studio, Chilford, published by Christie's Contemporary Art, London, with their blindstamp, the full sheet printed to the edges, 652 x 476mm (25 5/8 x 18 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper C.H. (British, 1903-1992)Ruined Church, Bawsey (Levinson 341) Screenprint in colours, 1982, on wove, signed and numbered 53/100 in pencil, printed by Kelpra Studio, London, published by Christie's Contemporary Art, London, with margins, 443 x 597mm (17 1/2 x 23 1/2in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper C.H. (British, 1903-1992)Oxburgh Hall, Norfolk (Levinson 266) Lithograph printed in colours, 1977, on wove, signed and numbered 89/120 in pencil, printed by Curwen Studio, Chilford, co-published by Christie's Contemporary Art and The National Trust, London, with their blindstamps, with margins, 575 x 442mm (22 5/8 x 17 3/8in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper C.H. (British, 1903-1992)South Lopham (Levinson 264) Screenprint in colours, 1976, on wove, signed and numbered 69/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with the Christie's Contemporary Art blindstamp, with full margins, 1030 x 620mm (40 1/2 x 24 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

An early 17th century Tosa school four panel folding screen for tea room use "The joys of lake Biwa": a small four-panel folding screen for tea-room use, ink, colours, and gofun (crushed calcified shell) on paper, in silk mounts, depicting various figures walking through hills over bridges, pine and cherry trees, with temples in the background; signed bottom right panel with red stamp . Overall: 90cm x178cm each panel: 90cm x 44cm. Tosa school, hereditary school of Japanese artists, consisting of members of the Tosa clan and other artists adopted into the clan, forming an official school contemporary with that of the Kanō family. Both lineages claim descent from great 15th-century masters of Japanese art. The two schools lasted until the end of the Edo period (1603–1867). The Tosa school devoted its talents to subjects and techniques traditional to the indigenous art of Japan and, in theory, provided the official painters attached to the court

American Book Collector magazines, Art Review, Contemporary Art magazines, and other related publications. (2 shelves)

DICKENS (CHARLES)Dombey and Son, FIRST EDITION IN THE ORIGINAL 19/20 PARTS, earliest issues of p.324 in part 11 ('Capatin'), and p.426 of part 14 ('if' omitted at head of line 9, but with page no. 431 present), half-title, 2-line errata leaf, engraved frontispiece, additional pictorial title and 38 engraved plates by Hablot K. Browne ('Phiz'), 'The Dombey & Son Advertiser' in each part, and all the inserted advertisements called for by Hatton & Cleaver, and with 4 additional advertisements in part 8 (see footnote) and a 32pp. catalogue for E. Moses and Son in parts 19/20 not listed in H. & C., plates with toning at edges, publisher's blue-green pictorial wrappers, slightly frayed at fore-edge of upper wrapper to part 11, small loss at foot of spine to part 11, some spines with neat restoration, preserved in cloth chemise and morocco-backed slipcase [Eckel, pp.74-76; Gimbel A102; Hatton and Cleaver, pp.227-50], 8vo, Bradbury and Evans, October 1846-April 1848Footnotes:FINE SET IN ORIGINAL PARTS, WITH ALL THE ADVERTISEMENTS AND INSERTS, of Dombey and Son, 'now recognized as one of the greatest of all his [Dickens] works... It is also the first one to have an explicitly contemporary setting. The railway features strongly in the story, which is also much concerned with the fate of women in contemporary middle-class English society' (ODNB).This copy has all the advertisements and slips called for by Hatton and Cleaver, and 4 additional advertisements ('Catalogue of Books Published by Charles Cox', dated 1 February 1847; 'Chapman and Hall's New Publications', dated 1 December 1846; 'Punch'; 'The Atlas, a Family Journal...') in part 8, and a 32-page catalogue for E. Moses and Son in parts 19/20 not called for by Hatton & Cleaver.Provenance: ?18 Milton Street, light pencil inscription in upper margin of most upper wrappers; B. George Ulizio, his 'Charles Dickens' bookplate tipped into part 1; his sale at American Art Association/Anderson, 30 January 1931; Kenyon Starling, bookplate; Christie's New York, William E. Self Family Collection, Part I. The Kenyon Starling Library of Charles Dickens, 2 April 2008, lot 127.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

An art-glass contemporary sculpture mounted on a simulated slate backboard, 22” wide x 7¼” high.

Dave Ross, contemporary, oil on board seascape - Mersea, Essex, signed and dated '97, 34cm x 45cm, framedExhibited: Colchester Art Society Very good condition, ready to hang.

Plat, Sir Hugh - The Jewel House of Art and Nature: Containing divers rare and profitable inventions, together with sundry new experiments on the art of husbandry. 1653. Sm 4to, contemporary mottled calf, re-backed, hinges tenderProvenance: From the collection of Professor Robert ("Bobby") Boutflour, CBE (1890-1961), Principle of The Royal Agricultural College, Cirencester and an important Agricultural reformer. Thence by family descent.*Please note- Book is dated 1653 (as seen in the image), not 1652 as originally catalogued.Binding deteriorated at the spine, Rebacked, corners slightly curled. Old lot details retained inside probably refer to this copy. Blank end papers replaced, title page has some worm holes and deterioration and staining, generally other contents are better, single worm hole to first three leaves. Tear to p238, browning and time staining to edges, some creases and folds but contents generally ok. Curiously page numbering jumps from 155 (right facing) to 162 (left facing) to the reverse page, but then proceeds with 158 etc. All printed contents are present

Heresbach, Conrad - Foure Bookes on Husbandriem collected by M. Conradus Heresbachios, Councellor to the high and mighty Prince, The Duke of Cleve: containing the whole art and trade of Hasbandrie, Gardening, Grassing and planting with the antiquities and commendation thereof, Newly Englished and increased by Barnaby Googe 1586. Sm 4to. Contemporary limp vellum partially detached. Bookplate of Charles LilburnProvenance: From the collection of Professor Robert ("Bobby") Boutflour, CBE (1890-1961), Principle of The Royal Agricultural College, Cirencester and an important Agricultural reformer. Thence by family descent.

Ladi Kwali, MBE, (Nigerian 1925-1984) large pottery water pot with incised designs of birds, insects and fish in a sgraffito style, the base rim marked 'LK', for a very similar pot see Bonhams Modern & Contemporary African Art, October 2021 Lot 52, and also a very similar example in the V&A Collection. 34cm highA light crack around the outside near the bottom, possibly a firing crack. Otherwise in good condition. From a local private client.

Richard Hambleton (1952-2017)/Red Devil (Shadow Head Berlin), 1982/signed and numbered 22/50 verso/giclee print on aluminium, 104cm x 78cm/Provenance: Woodbury House Contemporary Art CONDITION REPORT: There is a small scratch to back of head with metal showing through, scratches to surface on the reverse, otherwise good condition. Please note there is no certificate with this lotCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfectionARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Hank O'Neal (born 1940)/Richard Hambleton and Jean Michel Basquiat - Skull 34th Street, 2015/signed and numbered 23/50 verso/C-Print on Aluminium, 104cm x 81cm/with certificate of authenticity from Woodbury House Contemporary Art CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfectionARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

CONTEMPORARY ART DECO DESIGN SILK RUG, 226cm x 153cm, geometric silver field.

A GROUP OF LAMPS, VASES AND OTHER CERAMICS AND GLASSWARES, to include a brass Duplex oil lamp with shade and chimney, a multicoloured opaque glass hanging lampshade, three small opaque glass lampshades, a Galileo thermometer approximate height 62cm, an art glass vase, a ceramic mantel clock with Japanese scene verso, a contemporary table lamp, a large ceramic piggy bank, a vase containing artificial flowers, a chalkware religious figurine, assorted animal figures and other decorative homewares, etc (sd) (Qty)

Original vintage advertising poster Random War by Charles 'Chuck' Csuri and James Shaffer, is a computer-generated lithography, depicting a toy soldier in black and red over white background, the image is part of a larger artwork that included a computer generated list of soldiers' names that by means of a computer program would be killed, wounded, missing or commended in battle. This work is part of Cybernetic Serendipity exhibition at London's Institute of Contemporary Arts. Published by Motif Editions, London. Horizontal. Cybernetic Serendipity was an exhibition of cybernetic art curated by Jasia Reichardt, shown at the Institute of Contemporary Arts, London, England, from 2 August to 20 October 1968, and then toured across the United States. Fair condition, foxing, staining, tape marks, creasing, . Country of issue: UK, designer: C. Csuri and J. Shaffer, size (cm): 51x76, year of printing: 1960s.

Set of ten original vintage art exhibition advertising posters. 1. Original vintage advertising poster for Hans Coper 1920-1981 exhibition at Serpentine Gallery Kensington Gardens 7 June - 15 July 1984, featuring a photograph of a ceramic vase. Hans Coper (1920-1981) was German-born British studio potter, an abstract but functional vessel artist, known for making vases, fruit bowls, candle holders. Printed by Skelton's Press, Wellingborough, Northamptonshire. Good condition, creasing, folds. Country of issue: UK, designer: Unknown, size (cm): 60x42, year of printing: 1984.; 2. Lucas Samaras: Polaroid photographs 1969-1983 at the Serpentine Gallery 6 September - 12 October 1986, featuring a photograph of a nude man sat on a chair with floral and black fabric, and a face of a bearded man, possibly Samaras, looking at the camera. Lucas Samaras (b.1936) is a Greek-American artist, known for photography, sculpture, printmaking. Fair condition, folds, creasing, tears on edges. Country of issue: UK, size (cm): 84x60, year of printing: 1986.; 3. Caravaggio to Giordano Painting in Naples 1606-1705 exhibition at the Royal Academy of Arts 2nd October - 12th December 1982, featuring Portrait of a Woman by an Italian Baroque painter Massimo Stanzione (1585-1656), depicting a lady in an ornate dress with various patterns holding a chicken, Martini logo in the right bottom corner. Good condition, folds, pinholes, staining, creasing. Country of issue: UK, size (cm): 76x51, year of printing: 1982.; 4. The Treasury of San Marco presented by Olivetty - The greatest Classical, Byzantine, Islamic and Western Medieval treasures from the Basilica of San Marco, Venice at the British Museum 12 July - 2 September 1984, featuring a photograph of golden 12th century reliquary of the Holy Blood in the shape of a church, with silver and golden patterns on the walls and the domes with crosses of the church. Good condition, folds, creasing, tears, pinholes, small paper loss in top left corner. Country of issue: UK, size (cm): 76x51, year of printing: 1984.; 5. English Romanesque Art 1066-1200 at the Hayward Gallery 5 April - 8 July 1984, featuring an illustration detail of - Leaf related to the Winchester Bible c.1160-80, depicting a soldier with a sword and a shield with a crowned man holding a shield and ornate patterns. Poster designed by Philip Miles. Printed in England by UDO Litho Ltd. Good condition, folds, creasing, pinholes, country of issue: UK, size (cm): 76x51, year of printing: 1984.; 6. for Islamic Bookbindings 14 December 1983 - 4 March 1984 at the Victoria & Albert Museum as part of World of Islam Festival Trust, featuring a stunning floral pattern book binding with peacocks, deer, hares, panthers and wild goats. Good condition, folds, creasing, pinholes, country of issue: UK, size (cm): 76x51, year of printing: 1984.; 7. Murillo, presented in association with The Prado, Madrid, 15th January-27th March 1983 at the Royal Academy of Arts, Sponsored by BAT Industries, featuring an oil canvas painting Children Eating a Tart by a Spanish Baroque painter Bartolome Esteban Murillo (1617-1682), depicting two children smiling as they eat a tart, with a dog looking at them and a basket of fruit with apples and oranges before them. Good condition, creasing, pinholes, folds. Country of issue: UK, designer: Bartolome Murillo, size (cm): 76x51, year of printing: 1983.; 8. Japonisme - Japanese Reflections in Western Art that took place at the Northern Centre for Contemporary Art 18 September - 1 November 1986 Supported by Northern Arts The Great Britain, Sasakawa Foundation, Sunderland Borough Council; the poster features an artwork titled The Fisherman by a French impressionist Jean-Louis Forain (1852-1931) depicting a fisherman and a dog fishing with the sky reflection on the still water. Good condition, folds, creasing. Country of issue: UK, designer: Jean-Louis Forain, size (cm): 60x42, year of printing: 1986.; 9. Henry Peach Robinson Master of the Art of Pictorial Photography 25 February to 24 April 1988 at the Barbican Art Gallery, featuring a photograph by an English pictorialist photographer H.P. Robinson (1830-1901) titled Sleep from 1867, depicting two children asleep in bed with a window overseeing the sea. Good condition, folds, creasing. Country of issue: UK, size (cm): 76x51, year of printing: 1988.; 10. W.H. Smith illustration Awards exhibition at the Victoria & Albert Museum 15 July - 1 November 1987, featuring artwork by a Welsh illustrator Ralph Steadman (b.1936) for 'I, Leonardo', Cape, 1983, depicting a man in red and blue robes sat at the table with 'Ralph Steadman' written in black ink and illustration of gears behind him. Good condition, folds, creasing. Country of issue: UK, designer: Ralph Steadman, size (cm): 76x51, year of printing: 1987.

Set of ten original vintage art exhibition advertising posters. 1. Eugene Atget (b. 1857) exhibition Photographs of Old France in Serpentine Gallery, Kensington Gardens W2, 25 February - 25 March 1984, open daily 10-5.30, admission free, from Museum of Modern Art New York, Art Council of Great Britain. The poster features the photograph of a town square at Pontoise, Place du Grand-Martroy, France, 1902. Eugène Atget was a French photographer documenting the architecture and street scenes. Good condition, creasing, folds, minor staining. Country of issue: UK, , size (cm): 76x51, year of printing: 1984.; 2. What's new at the Victoria & Albert Museum? Summer 1987 featuring announcements of various art exhibitions - Wally Gilbert and Thomas Gentile Jewellery Gallery, Alvar Aalto in association with the Museum of Modern Art MOMA New York, Judaica from the V&A, Susie Cooper Productions, Francis Williams Exhibition Contemporary book and magazine illustration, Zika Ascher - Fabric Art Fashion. Good condition, creasing, folds, pinholes. Country of issue: UK, designer: Unknown, size (cm): 76x51, year of printing: 1987.; 3. Step Into Summer 1985 Victoria & Albert Museum, featuring photographs of three centuries of shoes in the Dress collection, a yellow silk shirt with caption - Explore the decorative riches of the East, One of our 15000 plates most are in the ceramics Galleries, Take tea in the Restaurant or strawberries and cream in the Garden - with a couple seated under a red umbrella. Good condition, creasing, folds, pinholes, minor staining. Country of issue: UK, size (cm): 76x51, year of printing: 1985. 4. Spring Events Calendar 1985 by Victoria & Albert Museum, featuring artwork inviting to visit various exhibitions - The People and Places of Constantinople Watercolours by Amadeo, Count Preziosi; William Staite Murray and His Pupils Studio Pottery of the 1920s and 1930s; From Manet to Hockney Modern Artists' Illustrated Books; Frances Bendixson Contemporary Jewellery; Mouton Rothschild Paintings for the Labels; Handel in St. Martin's Lane Theatre Museum in association with English National Opera. Good condition, creasing, folds. Country of issue: UK, size (cm): 76x51, year of printing: 1985.; 5. What's New at the Victoria & Albert Museum? Spring 1986, inviting to visit the museum for various exhibitions - Designs for British Dress and Furnishing Fabrics 18th Century to the Present; Photographs by Roger Mayne; Characters in Cloth Textile Portraits; Chess in Art and Society - French 18 Century Drawings - Swiss Stained Glass Designs of the Formation; American Dolls The Lawrence Scripps Wilkinson Collection; and The New Restaurant reviewed by The Guardian. Good condition, creasing, folds. Country of issue: UK, size (cm): 76x51, year of printing: 1986.; 6. What's New at the Victoria & Albert Museum? Summer 1986, inviting to visit the museum for various exhibitions - Characters in Cloth Textile Portraits; American Dolls The Lawrence Scripps Wilkinson Collection; Knit One Purl One; 17th Century Tapestries; American Potters Today. Good condition, creasing, folds, pinholes. Country of issue: UK, size (cm): 76x51, year of printing: 1986.; 7. Edward Middleditch (b. 1923) exhibition in Serpentine Gallery, Kensington Gardens W2, A South Bank Centre touring exhibition, 9 April to 15 May 1988, open daily 10am to 6pm, admission free, supported by City of Westminster and funded by Art Council. The poster features the painting Flowers, Chairs and Bedsprings, 1956 and travel information: Underground: South Kensington or Lancaster Gate, buses: 9 52 73 12 88. The poster is designed by Trilokesh Mukherjee, printed by Expression Printers Ltd. London N7. Good condition, creasing, folds, minor staining, tears on edges. Country of issue: UK, designer: Trilokesh Mukherjee, size (cm): 76x51, year of printing: 1988.; 8. Lights at the Crafts Council. An Exhibition of Innovative Lighting 17 November 1982 - 30 January 1983 in Crafts Council Gallery 12 Waterloo Place Regent Street London SW1 4AU. The poster features a collage of a photo of a lamp and its scheme and another advertisement of The Well Dressed Christmas Tree. Nine Craftspeople Decorate Christmas Trees 17 November 1982 - 9 January 1983. Trees provided by the British Christmas Tree Growers Association. Crafts Council is the organisation for contemporary craft in the UK. Good condition, creasing, folds. Country of issue: UK, size (cm): 76x51, year of printing: 1982.; 9. What’s New In the Arts Council Collection in Wolverhampton Art Gallery, Lichfield Street Wolverhampton, 9 February - 16 March 1985, Monday to Saturday 10am - 6pm, Arts Council of Great Britain. The poster features artworks Toy by Richard Wentworth (b.1947), Bingo Bango Bongo by Bruce McLean (b. 1944), Head of Miss DeianTaylor by John Clinch (b. 1934), Study for Massacre of the Innocents by Jacqueline Morreau (b. 1929). The Arts Council Collection is a collection of modern and contemporary British art. Good condition, creasing, folds. Country of issue: UK, size (cm): 59x42, year of printing: 1985.; 10. David Drew Baskets, A Crafts Council touring exhibition with documentary photographs of Chris Chapman Provision for blind and partially sighted and exhibition by Vanessa Robertson Woven ikat Rugs 22 January - 30 March 1986 in Crafts Council Gallery 12 Waterloo Place, Lower Regent Street, London SW1. The poster features two photographs of artists with baskets and a loom by Chris Chapman. Good condition, creasing, folds. Country of issue: UK, size (cm): 76x51, year of printing: 1986.

Original vintage advertising poster for Ascher Fabric - Art - Fashion exhibition 15 April - 14 June 1987 at the Victoria & Albert Museum The National Museum of Art and Design, featuring an illustration of a person holding a screen-printed Silk Head Square with a face drawing on it, designed and signed by Jean Cocteau for Ascher, set over black background. Zika Ascher (1910-1992) was a Czech textile businessman, artist and designer, his textile company became known for having famous contemporary artists design scarf prints. Good condition, folds, creasing. Country of issue: UK, designer: Unknown, size (cm): 76x51, year of printing: 1987.

BronzeSouth-India , 17th centuryDimensions: Height 8 cmWeight: 183,8 gramsFine statue of the Goddess of War. The base is a lotus throne with beaded rim. The ten-armed Durga is holding her weapons and ritual objects while standing on her mount and vahana, the tiger. She is slaying and ultimately decapitating the buffalo demon Mahishasura who was known for pursuing his evil deeds by shape-shifting. This scene called Mahishasuramardini “Crusher of Mahishasura” is a popular theme and has been reproduced in countless murals, manuscript paintings and even contemporary art.

A collection of vintage and contemporary costume jewellery to include a 1/5th 9ct gold metal core bangle' Art Deco belt and earrings, 1940s/1950s bracelet, a scent bottle and trinket box, brooch, 9ct gold bow and bale, Venetian glass beads, etc

Bruce Onobrakpeya, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian College of Arts, zahlreiche internationale Sammlungsvertretungen u. Ausstellungen u.a. Tate Modern (2001); Vertreter einer dekolonisierten, unabhängigen afrikanischen Kunst; verhandelt im Bewusstsein westlicher Prägung traditionell westafrikanischer Themen, hier: 'Apenerive' aus der Serie 'The Mask and the Cross' in Auseinandersetzung mit dem christlichen Glauben aus einem nigerianisch-folkoristischenStandpunkt heraus; Metal Foil Deep Etching: durch den Künstler entwickeltes plastographisches Verfahren: in Metallfolie graviertes Motiv, verso mit Harz gefüllt u. auf Trägerplatte befestigt, Ed. 9/30, betitelt, signiert u. datiert 'Dec. 1974', ca. 61x47, aus Privatbesitz nach Ankauf vom KünstlerBruce Onobrakpeya, born 1932, contemporary Nigerian artist, studied at the Nigerian College of Arts with a European-British influence, numerous international collections and exhibitions, including Tate Modern (2001);Representative of a decolonized, independent African art; negotiates traditional West African topics in the awareness of western influences, here: # 'Apenerive #' from the series # 'The Mask and the Cross #' dealing with the Christian faith from a Nigerian-folk point of view; Metal Foil Deep Etching: plastographic process developed by the artist:motif engraved in metal foil, filled with resin on the reverse and attached to a carrierplate, Ed. 9/30, titled, signed and dated # 'Dec. 1974 #', approx. 61x47, from private ownership after purchase from the artist

Bruce Onobrakpeya, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian College of Arts, zahlreiche internationale Sammlungsvertretungen u. Ausstellungen, u.a. Tate Modern (2001); Vertreter einer dekolonisierten u. unabhängigen afrikanischen Kunst, verhandelt in westlicher Prägung traditionell westafrikanische Themen, hier: 'Call for Prayers II', Darstellung von Yoruba in höfischem Ornat, aus einer Phase der Verarbeitung v.a. historischer Persönlichkeiten, Metall Foil Deep Etching, plastographisches Verfahren mit gravierter u. bronzierter Metallfolie, Reliefstruktur, Ed. 1/30, betitelt, signiert u. datiert 1981, ca. 69x50 cm, aus Privatbesitz nach Ankauf vom KünstlerBruce Onobrakpeya, born 1932, contemporary Nigerian artist, studied at the Nigerian College of Arts with a European-British influence, numerous international collections and exhibitions, including Tate Modern (2001);Representative of a decolonized and independent African art, negotiates traditional West African topics in a western style, here: # 'Call for Prayers II #', representation of Yoruba in courtly regalia, from a phase of processing, especially historical personalities, metal foil deep etching, plastic graphics Process with engraved and bronzed metal foil, relief structure, Ed. 1/30, titled, signed and dated 1981, approx. 69x50 cm, from private ownershipafter purchase from the artist

Horror of Dracula (1958), Mondo Alamo Drafthouse poster, starring Christopher Lee & artwork by Francesco Francavilla, flat, not backed, 24 x 36 inches.Information - Mondo, the collectible art boutique of the Alamo Drafthouse Cinema chain, focuses on bringing art back to movie posters by commissioning and producing limited edition screen-printed film posters by contemporary artists. As well as re-imagining cult classics, Mondo produces posters for featured Alamo Drafthouse events and special screenings. This poster was produced in a limited edition of 245, issued by Mondo as part of their SDCC Comic-Con @Home 2021 event. The artwork by Francesco Francavilla portrays a striking and bloodthirsty green-coloured image of Christopher Lee as Dracula.Condition Report: Near Mint, colours bright and image excellent.

Horror of Dracula (1958), Mondo Alamo Drafthouse poster, starring Christopher Lee & artwork by Francesco Francavilla, flat, not backed, 24 x 36 inches.Information - Mondo, the collectible art boutique of the Alamo Drafthouse Cinema chain, focuses on bringing art back to movie posters by commissioning and producing limited edition screen-printed film posters by contemporary artists. As well as re-imagining cult classics, Mondo produces posters for featured Alamo Drafthouse events and special screenings. This poster was produced in a limited edition of 245, issued by Mondo as part of their SDCC Comic-Con @Home 2021 event. The artwork by Francesco Francavilla portrays a striking and bloodthirsty white-coloured image of Christopher Lee as Dracula.Condition Report: Near mint, colours bright and image excellent.

JEAN LURÇAT (1892-1966) FOR ATELIER GOUBELY BELZÉBUTH, CIRCA 1960 coloured wools, woven signature LURÇAT and GG monogram, sewn label verso(170cm x 120cm)Footnote: Note: French artist and weaver Jean Lurçat is widely credited for the revival of contemporary tapestry. Studying in Paris, he was very familiar with the Cubism and Expressionism movements, becoming enmeshed in the circles of Pablo Picasso, Georges Braque and Henri Matisse. His earliest work incorporated abstracted forms in a colourful palette, clearly derived from his contemporaries. Though he initially worked as a painter, Lurçat became intrigued by tapestry after learning more its history, and downfall as an authentic art form. During the Renaissance, many artworks by painters such as Raphael were re-created as tapestries. As a result, traditional weaving techniques were applied in ways which set out to copy painterly effects of colouring and shading. Lurçat firmly believed that tapestry and paintings were two separate entities, distinguished by the fact that a tapestry is often custom made for the wall on which it is displayed, and thereby works in unison with the surrounding architecture to transform the space it inhabits. He set out to create original and striking compositions; inspired by medieval bestiaries, his work often features mythical beasts and creatures that fill the space entirely. As in the present lot, the central animal dominates and is captured in the midst of movement: entwined with a vivid mass of leafy foliage, creating an incredibly dynamic work. By embracing the origins of tapestry, adopting bold colour palettes and unique energetic compositions, Lurçat helped restore the integrity of a lost art form and re-positioned it as a respected and valued medium of contemporary art.

HERBERT HORNE (1864-1916) FOR THE CENTURY GUILD 'PRAISE OF THE SOUL', RARE FABRIC PANEL, CIRCA block-printed velveteen, manufactured by Simpson & Godlee, Swinton, Manchester, later framed(panel 112cm x 80cm)Footnote: Literature: Livingstone, K. et al., C.F.A. Voysey: Arts and Crafts Designer, V&A Publishing, London, 2016, p. 65, pl. 79 illus. Parry, L. British Textiles from 1850 to 1900 V&A 1993, pl.103 illus. Note: Herbert Horne was a writer, architect, designer and member of the Century Guild. He was apprenticed to Arthur Heygate Mackmurdo in 1883 and the two were business partners from 1885 to 1890. The Century Guild was established in 1883 by A. H. Mackmurdo and Selwyn Image with several others, including Horne. This design is one of the most recognisable designs produced by the Century Guild. Known as 'Angel with Trumpet' or 'Praise of the Soul' it was exhibited at a number of exhibitions for the Century Guild. Not all contemporary critics were impressed, one reviewer of the 1897 Manchester Royal Jubilee exhibition in the Journal of Decorative Art described it as 'at the best a very weak effort'. Nevertheless, it is now seen as exemplifying the Guild's swirling designs that pre-empted the Art Nouveau era. As well as velveteen it was also produced as printed cotton. The two differ in one detail; in the cotton, the angel's halo contains a cross (usually signifying Jesus Christ), in the present velveteen example it has a dot, which may suggest that Horne amended the design, and that the velveteen was produced after the cotton.

Interior Design - contemporary art, a pair of acrylic abstract designs on canvas, 77cm x 61cm; three motor car acrylic on canvas pictures, 50cm x 70cm (5)

Interior Design - contemporary art, a collection of five acrylic designs on canvas, each 50cm x 60cm (5)

SPACE/ FREE/ CONTEMPORARY/ BOP - JAZZ LPs. A quality selection of 15 jazz LPs. Artists/ titles include Sun Ra - Shadow World (DB 500 93), John Coltrane inc Africa/ Bass (IMPL 8015), Live In Paris (AFFD 24), A Love Supreme (IMPL 8001), Love Supreme: Live In France (FC106), Live At Birdland (JAS 11), Live At Birdland feat Eric Dolphy (AFF79). Ornette Coleman - Crisis (IMPL 8002), The John Handy III Quintet - In The Vernaculas (VJD 530), Art Ensemble Of Chicago - The Paris Session (FLPX 41106/7), Eric Dolphy inc Copenhagen Concert (Prestige 24027), Fire Waltz (PR 24085), Out To Lunch (BST 84163, French reissue), Berlin Concerts (Enja 3007+9) & The Upsetters - Scratch The Upsetter Again (TTL28). Condition is generally VG+ to Ex+.

* STUART LUKE GATHERER (SCOTTISH b. 1971),THE RED FLOWER RINGoil on canvas, signedimage size 80cm x 101cm, overall size 97cm x 119cm Framed.Note: Stuart Luke Gatherer was born in England in 1971 to Scottish and Dutch parents. He was brought up in the Eastern Highlands of Scotland, and attended Edinburgh College of Art from where he graduated in 1995 with an MA Honours degree in Fine Art. He has had hugely successful shows in London, New York and Scotland with an ever-widening following of collectors, and with an escalating commercial value he is firmly established as one of Scotland’s most exciting young painters, building on the classical tradition of figurative painting to develop his own unique style. Gatherer produces dramatic compositions of figurative art that reflect his debt to the old masters. Rembrandt, Caravaggio, Vermeer, Rubens and Degas are listed as strong influences, but although his work is informed by these and other past masters, Gatherer is firmly dedicated to exploring and expressing themes and subjects that are relevant in today’s world. His paintings entice the viewer to interact with contemporary scenes from the vantage point of an unseen onlooker. This creates a psychological ambiguity that is emphasised by strong forms and colours modelled in dramatic light and shade. "The Red Flower Ring" is, so far as we can ascertain, the largest and most impressive example of Stuart Luke Gatherer's work to appear at auction, anywhere.

* GRAEME WILCOX (SCOTTISH b. 1967),BLURRY HEADoil on canvas, signed and titled versoimage size 37.5cm x 28.5cm, overall size 52cm x 43cm Framed.Provenance: McTear's, November 2017. Note: After graduating from Glasgow School of Art in 1993, Wilcox continues to prosper as a painter based in Glasgow. He exhibits regularly in solo shows and group exhibitions throughout the UK and Europe. Recent work depicts people and events experienced in public spaces around the city. These paintings show figures engaged in ambiguous actions in half-remembered spaces. These situations and scenes have lodged in the memory due to some resonance or poignancy that can't quite be dismissed. The resulting paintings are partly an attempt to balance a sense of stillness with a sense of movement; a tension that hopefully generates a heightened feeling of the strangeness of everyday life and those around us. Graeme has collaborated on a number of multimedia projects with Mischief-la-bas-performance group and with other artists, culminating in projects at the Arches and Tramway in Glasgow and the Albany Theatre in London. He has also organised two large scale mural projects in collaboration with the East End Community Arts for Glasgow Health Board and devised and ran "Face to Face" photography project in Glasgow. This Arts Council funded project culminated in a temporary public artwork at the East End Festival in Glasgow. In 2011 he completed a prestigious portrait commission for the newly opened Conway Hall in London. Graeme's work is held in private collections in Europe, the USA and Canada and in public collections in Petrezovodsk, Russia and the Gulf State of Qatar. He is also held in the Corporate Collection of the Royal Bank of Scotland, Edinburgh. The most recent example of Graeme Wilcox's work we have offered was "On the Same Page" (a 112 x 102 cm oil on canvas) which was sold in The Scottish Contemporary Art Auction of 28th March 2021, lot 722 for £5000 (hammer).

* ELEANOR CHRISTIE-CHATTERLEY,YOUNG BOYciment fondu sculpture, 164cm highNote: Eleanor Munro was born (1929) and educated in Scotland. She studied sculpture at The Glasgow School of Art and Camberwell School of Art. She taught Sculpture at London Marylebone Institute (St John's Wood Sculpture School) from 1970 - 84 and at Blackheath School of Art from 1987 - 93. In 1952 she married the artist Fyfe Christie (1918 - 1975). Some eighteen years after the death of her first husband (1993) Eleanor married the music producer Albert "Jack" Chatterley (died 2016). Eleanor Christie-Chatterley has exhibited her sculptures at numerous venues including Woodlands Art Gallery (London), Blackheath Gallery (London), Old Cattan House Gallery (Norwich), Buckenham Galleries and at Cyril Gerber Fine Art (Glasgow). Her sculptures are in numerous private collections in the UK, the US and in France. In The Scottish Contemporary Art Auction of 5th December 2021 "Woman of the North" by Eleanor Christie-Chatterley sold for £5000 (hammer) and In The Scottish Contemporary Art Auction of 24th October, "Green Man Walking" by her sold for £3800 (hammer) with three small stoneware sculptures also achieving hammer prices of £480, £500 & £500. SHIPPING: Aardvark Art Services Ltd have quoted £150 to collect this sculpture and deliver it to most (except the more remote) UK mainland locations (further details on request).

* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),IN THE STUDIOmixed media on paper, signedimage size 64cm x 49cm, overall size 82cm x 66cm Mounted, framed and under glass.Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world. In The Scottish Contemporary Art Auction of 24th October 2021 "The Baptism" a 40 x 50cm gouache by Goudie sold for £2600 (hammer).

* SHEILA MACMILLAN DA PAI (SCOTTISH 1928 - 2018),THE CLYDE FROM GOVANoil on board image size 30cm x 40cm, overall size 48cm x 59cm Framed and under glass.Note: Sheila Macnab Macmillan was born in Glasgow in 1928. She attained a degree in Geography at Glasgow University and went on to train as a teacher. However, she had always painted and her talent was strongly encouraged by her uncle the distinguished Iain Macnab RE ROI (1890 - 1967) who persuaded Sheila to come to London and train under him. Iain Macnab had been Principal at Heatherley's Art School (1925 - 1940) and then went on to be founding Principal of the hugely influential Grosvenor School of Modern Art. Sheila's London influences and Glasgow School foundations evolved into a distinctive and individual style. She usually worked "en plein air" and her work is semi abstract. She focused mainly on landscape where her training as a geographer, allowed her to use her understanding of land formation, the delicate balance of the seasons and the interaction between Man and the environment. Her uncle's concept of "rhythm" is evident in Sheila's work and remained a constant throughout her career. She painted in Scotland, Spain. France and Italy and exhibited widely especially in Glasgow, Edinburgh, London and Newcastle. Her work appeared frequently at the Royal Scottish Academy, Royal Glasgow Institute, Paisley Art Institute annual exhibitions and at the Royal Academy Summer Exhibition (London). She won numerous awards and prizes over a long and distinguished career. In The Scottish Contemporary Art Auction of 24th October 2021, lot 510A "RONDA, SPAIN", a slightly larger picture by Macmillan, sold for £1700 (hammer).

*ELEANOR CHRISTIE-CHATTERLEY, JOYFUL WOMANciment fondu sculpture177cm high.Note: Eleanor Munro was born (1929) and educated in Scotland. She studied sculpture at The Glasgow School of Art and Camberwell School of Art. She taught Sculpture at London Marylebone Institute (St John's Wood Sculpture School) from 1970 - 84 and at Blackheath School of Art from 1987 - 93. In 1952 she married the artist Fyfe Christie (1918 - 1975). Some eighteen years after the death of her first husband (1993) Eleanor married the music producer Albert "Jack" Chatterley (died 2016). Eleanor Christie-Chatterley has exhibited her sculptures at numerous venues including Woodlands Art Gallery (London), Blackheath Gallery (London), Old Cattan House Gallery (Norwich), Buckenham Galleries and at Cyril Gerber Fine Art (Glasgow). Her sculptures are in numerous private collections in the UK, the US and in France. In The Scottish Contemporary Art Auction of 5th December 2021 "Woman of the North" by Eleanor Christie-Chatterley sold for £5000 (hammer) and In The Scottish Contemporary Art Auction of 24th October, "Green Man Walking" by her sold for £3800 (hammer) with three small stoneware sculptures also achieving hammer prices of £480, £500 & £500. SHIPPING: Aardvark Art Services Ltd have quoted £150 to collect this sculpture and deliver it to most (except the more remote) UK mainland locations (further details on request).Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues. Artwork shows evidence of wear from being outdoors, mostly at the base. Additional images have been uploaded to our website.