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Yayoi Kusama (B.1929), Acrylic on Canvas. Image Size: 20 3/4 by 17 7/8 inches (53 by 45.5 cm) All measurements are approximate. Signed (reverse). Yayoi Kusama (B.1929) is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, video art, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. She has been acknowledged as one of the most important living artists to come out of Japan. Please read our policy carefully:. 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

Andy Warhol (1928-1987), Pencil on Paper. Image Size: 26 3/4 by 21 3/8 inches (68 by 54.5 cm) All measurements are approximate. Signed (lower right). Andy Warhol (1928-1987) was an iconic American artist, filmmaker, and leading figure in the Pop Art movement. Known for his exploration of consumer culture and celebrity, Warhol's work often featured iconic symbols and mass-produced images, such as the Campbell's Soup cans and Marilyn Monroe portraits. His signature style employed vibrant colors and repetitive patterns, challenging traditional notions of art and celebrity. Warhol's influence on contemporary art and popular culture is profound, and his ability to capture the essence of modern society through his art solidified his status as a cultural icon and visionary artist of the 20th century. Please read our policy carefully:. 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

Yayoi Kusama (B.1929), Acrylic on Canvas. Image Size: 39 1/4 by 31 5/8 inches (100 by 80.5 cm) All measurements are approximate. Signed (reverse). Yayoi Kusama (B.1929) is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, video art, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. She has been acknowledged as one of the most important living artists to come out of Japan. Please read our policy carefully:. 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

Yayoi Kusama (B.1929), Silkscreen Print. Image Size: 26 3/4 by 20 1/4 inches (68 by 51.5 cm) All measurements are approximate. Signed (lower right). Yayoi Kusama (B.1929) is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, video art, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. She has been acknowledged as one of the most important living artists to come out of Japan. Please read our policy carefully:. 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

Andy Warhol (1928-1987), Pencil on Paper. Image Size: 22 3/8 by 18 7/8 inches (57 by 48 cm) All measurements are approximate. Signed (lower left). Andy Warhol (1928-1987) was an iconic American artist, filmmaker, and leading figure in the Pop Art movement. Known for his exploration of consumer culture and celebrity, Warhol's work often featured iconic symbols and mass-produced images, such as the Campbell's Soup cans and Marilyn Monroe portraits. His signature style employed vibrant colors and repetitive patterns, challenging traditional notions of art and celebrity. Warhol's influence on contemporary art and popular culture is profound, and his ability to capture the essence of modern society through his art solidified his status as a cultural icon and visionary artist of the 20th century. Please read our policy carefully:. 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

Willem de Kooning (1904-1997), Oil on Canvas. Image Size: 40 7/8 by 30 1/2 inches (104 by 77.5 cm) All measurements are approximate. Signed (reverse). Willem de Kooning (1904-1997) was a pioneering Dutch-American artist central to the Abstract Expressionist movement. Renowned for his dynamic and innovative approach, de Kooning's art evolved from gritty urban scenes to groundbreaking abstract works. De Kooning's iconic "Women" series, marked by expressive brushwork and bold colors, challenged conventional depictions of femininity. His abstract paintings, characterized by gestural strokes and layered compositions, conveyed a sense of emotional intensity and kinetic energy. A driving force in shaping post-war American art, Willem de Kooning's legacy endures as a testament to his ability to capture the essence of his time and emotion through his art. His contributions continue to inspire artists and shape the trajectory of contemporary art worldwide. Please read our policy carefully:. 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

Zeng Fanzhi (B.1964), Oil on Canvas. Image Size: 39 1/4 by 31 3/8 inches (100 by 80 cm) All measurements are approximate. Signed (lower right). Zeng Fanzhi (B.1964) is a prominent Chinese contemporary artist celebrated for his captivating and introspective works. His distinctive style, often characterized by bold brushwork and emotive expressions, offers a profound exploration of the human condition. Zeng's art delves into themes of identity, societal changes, and personal struggles, reflecting the complexities of modern life in China. His portraits, often featuring enigmatic figures with haunting eyes, convey a sense of vulnerability and emotional depth. As a leading figure in the contemporary art scene, Zeng Fanzhi's contributions have resonated globally. His ability to evoke raw emotions and evoke introspection through his art showcases his mastery in capturing the nuances of the human experience, making him a source of inspiration for artists and art enthusiasts around the world. Please read our policy carefully:. 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

Yue Minjun (B.1962), Oil on Canvas. Image Size: 39 1/4 by 31 3/8 inches (100 by 80 cm) All measurements are approximate. Signed (lower left and reverse). Yue Minjun is a Chinese contemporary painter known for his iconic "grinning" self-portraits. Born in 1962 in Heilongjiang province, Yue studied at the Hebei Normal University before relocating to Beijing in the 1980s to pursue his art career. His work is characterized by the use of bold, bright colors and a satirical approach to traditional Chinese iconography. Yue's art has been exhibited around the world, including at the Venice Biennale and the Museum of Contemporary Art in Chicago. Today, he is regarded as one of China's most important contemporary artists and his work continues to inspire and captivate audiences around the globe. Please read our policy carefully:. 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

Two boxes of modern / contemporary art books including, Gauguin, Gerard Hoffnung (x8), Klimt, Rossetti, Whistler, Francis Bacon, Matisse, Paolozzi (2 boxes)

Aldo Salvadori (Italian,1905-2002), "La Veste Marocchina", limited edition screenprint, signed and numbered 56/200 in pencil, 43x59cm, framed and glazed. Christie's certificate of authenticity and contemporary art label attached on backboard.

An unusual naturalistic contemporary burr elm sculpture, with a dark stained waney edge and inset to centre with blue art glass roundel, signed Scott Irvine verso H55cm

Essex House Press.- Shelley (Percy Bysshe) Prometheus Unbound. A Lyrical Drama, one of 200 copies on paper, printed in red and black in Prayer Book type, woodcut plate by C.R. Ashbee, original vellum with yapp edges, uncut, boards warping, some browning to edges, original green ties, Chipping Campden, Essex House, 1904 § Members of the Art Workers Guild, Beauty's Awakening, A Masque of Winter and of Spring, engraved frontispiece, initials, and vignettes, lithographic plates and illustrations, some in colour, bookplate, with offset to front free endpaper, some light spotting, contemporary green cloth, t.e.g, others uncut, covers faded, and bumped at extremities, spine gilt, slightly rubbed, The Studio, 1899; and 3 others, plays, v.s. (5)

NO RESERVE Annerel (Stefan) What You See is Never What You Get, signed by the artist, Antwerp, 2009 § Schuiten (François) Trente Ans d'Aventures en Images; Trente Originaux Couleur, Paris, 2013 § Schotten (Uta) My Kingdom is not of this World, Berlin, 2014 § Zurstrassen (Yves) Free 2009 2019, Brussels, 2019 § Delvoye (Wim) Fabrica, Ghent, 2003 § Vandenberg (Philippe) Crossing the Circle, 2016 § Bram Bogart, 2020 § Majerus (Michael) Los Angeles, Berlin, 2004, illustrations, many colour, original cloth or boards, the last two with dust-jackets, the last a little rubbed; and c.35 others, contemporary Dutch & Belgian art, 4to (2 boxes)

NO RESERVE Barney (Matthew) The Cremaster Cycle, New York, 2002 § Rider (Alistair) Carl Andre: Things In Their Elements, 2011 § Grynsztejn (Madeleine, editor) The Art of Richard Tuttle, San Francisco, 2005 § Guberman (Sidney) Frank Stella: An Illustrated Biography, New York, 1995 § Bonami (Francesco, editor) Rudolf Stingel, Chicago, 2007 § South (Will) Found in Translation: The Art of Steven Naifeh, Columbia, SC, 2013 § Stark (Frances) Uh-Oh: Frances Stark 1991-2015, Los Angeles, 2015 § Shafrazi (Tony) Why Not, original wrappers fastened with plastic cable ties, signed and inscribed by the artist on rear wrapper, New York, 2012, illustrations, many colour, all but the last original cloth or boards with dust-jackets; and c.145 others, modern & contemporary American art, some sculpture, v.s. (5 boxes)

NO RESERVE Barron (Stephanie) German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies, 2 vol., Los Angeles, 1989 § Frederick R.Weisman Art Foundation Collection, Los Angeles, 2007 § Fondation Cartier pour l'Art Contemporain: 30 Ans, 2 vol., Paris, 2014 § Haskell (Barbara) & Lisa Phillips. The American Century: Art & Culture 1900-1950 [&] 1950-2000, together 2 vol., New York & London, 1999, illustrations, many colour, original cloth or boards, the first and last with dust-jackets, the first three with slip-cases; and c.80 others, collections of modern and contemporary art, a few duplicates, 4to (5 boxes)

NO RESERVE Borland (Polly) All I Want to Be When I Grow Up, original wrappers, slip-case with carrying handle, signed by the artist on slip-case, slightly creased, Madrid & New York, 2010; The Babies, signed and inscribed by the artist on half-title, New York, 2001 § Willliam Mackinnon, n.p., n.d. § Ron Mueck, New York, 2005 § Mark Newson, original wrappers, 1999 § Davis (Kate ) Role Forward, presentation copy from the artist with inscribed slip clipped to half-title, original wrappers, Glasgow, 2010, illustrations, many colour, all but the first and last two original cloth or boards; and c.35 others, contemporary Australian art, some duplicates particularly the third, 4to (a box)

NO RESERVE Bowie (David) [Sale Catalogue] Bowie/Collector: The Personal Art Collection of David Bowie, 3 vol., original wrappers, together loose in pictorial wrapper, Sotheby's, 2016 § Saatchi Gallery. The Triumph of Painting, original boards, dust-jacket, 2005 § Fondazione Prada. When Attitudes Become Form: Bern 1969/Venice 2013, original cloth, dust-jacket, Venice, 2013 § Hoet (Jan) & Phillip Van den Bossche. Das Meer/The Sea/La Mer/De Zee: Hommage à Jan Hoet, original cloth, Ostfildern, 2013 § Fundació per Amor a l'Art. Ornament = Crime?, original wrappers, Valencia, 2017 § Emily Tsingou Gallery. Ten Years: March 1998 - February 2008, one of 500 copies, original boards, slip-case, 2008, illustrations, many colour; and a large quantity of others, mostly relating to contemporary art including exhibition catalogues, sale catalogues, periodicals etc., some duplicates, v.s. (11 boxes)

NO RESERVE Buchhart (Dieter) & Anna Karina Hofbauer. Basquiat: Museum Security (Broadway Meltdown), Munich, 2015 § Guston (Philip) Nixon Drawings 1971 & 1975, Zurich, 2017 § Minter (Marilyn) Pretty Dirty, Houston & Denver, 2015 § Taaffe (Philip) The Life of Forms: Works 1980-2008, Ostfildern, 2008 § Jonathan Lasker, Brussels, 2006 § James Nares, New York, 2014 § Robert Therrien, New York, 2008 § Caio Fonseca, Valencia, 2003 § Vliet (Don van) Stand Up to Be Discontinued, Ostfildern, 1993, illustrations, many colour, original cloth or boards, the first with slip-case, the last five with dust-jackets; and c.140 others, modern & contemporary American art, v.s. (4 boxes)

NO RESERVE [Fontana (Lucio)] Manifiesto Blanco; White Manifeste [2 copies]; Le Manifeste Blanc, together 4 issues, each 8pp., loose, lightly browned or creased at edges, [Buenos Aires], Color Sonido Movimento, 1946 § Brodsky (Estrellita B.) Julio Le Parc: Form into Action, Miami, 2017 § Muniz (Vik) Metachromes, 2016 § Biro (M.) & others. Martinez Celaya: Working Methods, Barcelona, 2012 § Mejía (Hermann) Obra Reciente, Caracas, 2016 § Brüggemann (Stefan) World's End, one of 500 copies, original pictorial wrappers, slip-case (unnumbered), 2010, illustrations, some colour, all but the first and last original cloth or boards, the second with dust-jacket; and c.65 others, Latin American modern and contemporary art, 4to & 8vo (2 boxes)⁂ In the first three items Fontana proclaimed the foundations of spatialism. The manifesto was issued in Spanish, English, French and Italian, the first three of which are present here.

NO RESERVE Friedel (Helmut) Noriyuki Haraguchi: Catalogue Raisonné 1963-2001, Ostfildern, 2001 § Takamatsu (Jiro) All Drawings, Hiroshima, 2009 § Yang Liming, Paris, n.d. § Kazuo Shiraga, New York & London, 2015 § Maekawa II, Antwerp, 2016 § Ryuji Tanaka, Antwerp, 2016, illustrations, some colour, original cloth or boards, the first three with dust-jackets, the second with wrap-around (torn); and c.90 others, modern & contemporary Asian art, mostly Japanese, some duplicates, particularly of the last, v.s. (4 boxes)

NO RESERVE Hirst (Damien) Theories, Models, Methods, Approaches, Assumptions, Results and Findings, with tipped-in toxicological report form as frontispiece, original rexine, sleeve wrapper (slightly yellowed), 2000 § Hemsworth (Gerard) Hidden Agenda, signed by the artist on loosely-inserted headed sheet, Bern, 2009 § Starr (Georgina) I Am a Record, one of 250 copies, Paris, 2010 § Cooper (Johnnie) Sunset Strip, signed by the artist on title, 2018 § Simpson (Michael) Paintings and Drawings 1989-2019, 2019 § Batchelor (D.) & others. Bob Law: A Retrospective, faded spine, 2009 § Perry (Grayson) The Tomb of the Unknown Craftsman, 2011 § Livingstone (M.) & Gordon Burn. Richard Woods, 2006 § Young British Art: The Saatchi Decade, 1999, illustrations, many colour, original cloth or boards, the last three with dust-jackets; and c.160 others on British modern & contemporary art, some pamphlets, 4to & 8vo (4 boxes)

NO RESERVE Klyukin (Vasily) Civilization. The Island of the Day Before, Vienna, 2021; In Dante Veritas, Venice, 2019; Live Sculptures, Milan, 2018 § Radish Tordia: Painting Graphics, 2010 § Temo Japaridze: Painting, Graphics, Collage, Sculpture, 2010; Irakli Parjiani: Painting, Graphic Illustration, n.d. § Polish! Contemporary Art from Poland, Ostfildern, 2011 § Amirsadeghi (Hossein, editor) Frozen Dreams: Contemporary Art from Russia, 2011, illustrations, many colour, original cloth or boards, the first two and last with dust-jackets; and c.35 others, contemporary Russian, Polish, Georgian and Eastern European art, some duplicates, particularly of the first, 4to (2 boxes)

NO RESERVE Lipovetsky (Gilles) & others. Joana Vasconcelos, Porto, 2011 § Darío Villalba: Una Visión Antológica 1957-2007, Barcelona, 2006 § José-María Cano: Materialismo-Matérico, Malaga, 2007 § Carandente (Giovanni) Eduardo Chillida, Barcelona, 1999 § Joan Hernández Pijuan: Obra Sobre Papel (1987-2002), original wrappers, Madrid, 2003 § Marenzi (Luca) Miquel Barceló: Raccolta di Polvere, one of 500 copies, original wrappers tied with cord, torn at spine, Milan, 2002, illustrations, some colour, all but the last two original cloth or boards with dust-jackets, one or two slightly frayed at edges; and c.45 others, modern and contemporary Spanish and Portuguese art, v.s. (2 boxes)

NO RESERVE Merz (Mario) L'Horizont de Lumiere Traverse Notre Vertical du Jour, inscribed by the artist on half-title, original wrappers, Turin, 1996 § Celant (Germano) Piero Manzoni, original wrappers, 1998 § Clemente (Francesco) Emblems of Transformation, with an essay by Kiran Desai, 2015 § Dal Bon (Giovanna) Ida Barbarigo, Antwerp, 2013 § Gallo (Giuseppe) All In, Mannheim, 2008 § Webb (Peter) Sphinx: The Life and Art of Leonor Fini, New York, 2009 § Burri (Alberto) Dalla Concretezza Reale all'Incanto della Forma, Turin, 2011, illustrations, many colour, all but the first two original cloth or boards, the last two with dust-jackets; and c.40 others on Italian modern and contemporary art, 4to (2 boxes)

NO RESERVE Richter (Gerhard) Editionen 1965-1993, Bremen, 1993 § Baumeister (Willi) Zeichnungen, Gouchen, Collagen, Stuttgart, 1999 § Kuspit (Donald) Szczesny, Cologne, 1995 § G.K.Pfahler: Werkzeichnis der Druckgrafik 1960-75, Karlsruhe, 1975 § Calvocoressi (Richard) Anselm Kiefer: Morgenthau Plan, Paris & New York, 2013 § Najjar (Michael) Bionic Angel 2006-2008, signed by the artist on title, original wrappers, New York & Santander, 2008, illustrations, some colour, all but the last original cloth or boards, the first four with dust-jackets, the fifth with slip-case; and c.160 others, modern & contemporary art, mostly German, 4to & 8vo (5 boxes)

NO RESERVE Schwabsky (Barry) & others. Vitamin P: New Perspectives in Painting, reprint, original wrappers, 2012; Vitamin D: New Perspectives in Drawing, reprint, 2012; Vitamin P3: New Perspectives in Painting, 2016; Vitamin C: Clay + Ceramic in Contemporary Art, 2017; Vitamin T: Threads & Textiles in Contemporary Art, 2019; Vitamin C+: Collage in Contemporary Art, 2023 § Meyer (James) Minimalism, 2000 § Bradway (Todd) & others. Landscape Painting Now: From Pop Abstraction to New Romanticism, New York, 2019 § Braine (Sophie) Afroprophetic: Art Transforming Minds and Nature, 2023 § Spampinato (Francesco)& others. Art Record Covers, Cologne, 2017, illustrations, many colour, all but the first original cloth or boards, most with dust-jackets; and c.110 others on modern and contemporary art, a few duplicates, some pamphlets, 4to & 8vo (6 boxes)

NO RESERVE Veilhan (Xavier) Xavier Veilhan at Hatfield, signed and inscribed by the artist on upper cover, original pictorial wrappers with clear green acetate dust-jacket, 2012 § Mimran (Patrick) Recent Works and Old Obsessions, Rome, 2007 § Peng (Lü) & others. Dimitri Kosiré: Paintings 20004-2014, Croatia, 2015 § Lucien Billy: Das Bildnerische Werk, vol.1, Rolandseck, 1983 § Firman (Daniel) Switch Up, n.d., illustrations, many colour, all but the first original cloth or boards, the last two with dust-jackets, a little rubbed; and c.25 others on French contemporary art, folio & 4to (c.30)

NO RESERVE Wateridge (Jonathan) Enclave/Expatria, 2019 § Fadi Yazigi, Damascus, 2009 § Zvavahera (Portia) I'm with You, Cape Town, 2017 § Dadi (Iftikhar, editor) Anwar Jalal Shemza, 2015 § Shamma (Sara) Modern Slavery, 2019 § Fuhrer (Ronald) David Nipo: About a Portrait, presentation copy from the author inscribed on half-title, Tel Aviv, 2012; and c.20 others, contemporary African, Middle Eastern & Indian art, 4to & 8vo (1 box)

NO RESERVE Yoon (Jin Sup) The Art of Dansaekhwa, Seoul, 2014 § Lee Kang- So, signed by the artist in silver ink on front free endpaper, Seoul, 2016 § Kang Hong-Goo, Seoul, 2010 § Yun Hyong-Keun, Berlin, 2019 § Lee Ufan: Painting Sculptures, Venice, 2007 § Park Saeng Kwang, Yongin-Si, 2004, illustrations, many colour, original cloth or boards, the last two with dust-jackets, the third with wrap-around; and c.35 others, modern & contemporary Korean art, some duplicates, some still sealed in shrink-wrapping, v.s. (2 boxes)

NO RESERVE Briggs (Richard) The English art of cookery, according to the present practice; being a complete guide to all housekeepers, second American edition, 22 typographic bills of fare, lacking pp.443. onwards, foxing and damp-staining, contemporary calf, rubbed, 8vo, Boston, for W. Spotswood, 1798. sold not subject to return.

* MOIRA BEATY (SCOTTISH 1922 - 2015), DISTANT HILLS oil on board, signedframedimage size 25cm x 35cm, overall size 34cm x 44cm Note: Moira went to Glasgow School of Art in 1939 where her contemporaries included Joan Eardley and Margot Sandeman. These three young women were regarded by their lecturers as the brightest stars of their generation. After one year as a student she was recruited to Bletchley Park where she worked as a code breaker, one of Churchill's 'corkscrew thinkers'. She returned to GSA in 1947 to complete her studies. Moira's enduring talent was recognised again in 2014 at the age of 92 with a sell-out exhibition in Kirkcudbright. Moira Beaty was a resolute and determined woman who was an integral part of the famous group at Bletchley Park who did much to aid the Allies' victory in the Second World War. She worked in Hut 8 where Alan Turing and Peter Twinn set up the Naval Enigma Code. Beaty was responsible to Twinn - the first mathematician to be recruited to Bletchley. ''I discovered something,'' Beaty modestly remarked years later, ''a code within a code. I was immediately moved to within the codebreakers and became a cryptographer working on the German Secret Service codes.'' The Twinn team was involved in breaking the secretive Abwehr codes which were even more complicated than the ordinary military messages. The information this provided to the Allies in such major operations as the desert campaign, the D-Day landings and the sinking of the battleship Tirpitz proved vital to the war effort. Her first solo exhibition was at the Open Eye Gallery in Edinburgh in 1979 and at the Collins Gallery in Glasgow. Her works were also seen at the Cadogan Contemporary Gallery in London and around Dumfries - notably at the Gracefield Arts Centre. In 2001 Gracefield held a major retrospective exhibition of both Moira and Stuart Beaty's works, entitled Full Circle. In 2014 Beaty officially opened the Kirkcudbright Summer Art Exhibition: Glasgow Girls 1920 - 1960, and held a solo exhibition in the town's Harbour Cottage Gallery. Both exhibitions were hugely popular and, at 92, Moira Beaty was still making a strong impression and gaining new collectors.

* MARIE DE BANZIE (SPANISH 1918 - 1990), CRAIL oil on board, signed and dated '45, titled label versoframedimage size 44cm x 34cm, overall size 61cm x 51cm Exhibition label verso: Independent Painting In Glasgow 1940 - 55, William Hardie Limited, Glasgow.Note: The New Scottish Group was a loose collection of artists based in Glasgow, who exhibited from 1942 to 1956. It was formed around John Duncan Fergusson after his return to Glasgow in 1939. It had its origins in the New Art Club formed in 1940, and had its first exhibition in 1942. Members did not have a common style, but shared left-wing views and were influenced by contemporary continental art. Members included Donald Bain, William Crosbie, Marie de Banzie and Isabel Babianska. Tom MacDonald, Bet Low and William Senior formed the Clyde Group to pursue political painting that manifested in urban industrial landscapes. The group helped start the careers of a generation of Glasgow-based artists and was part of a wider cultural "golden age" for the city. Marie de Banzie was influenced by expressionism and particularity the post-expressionist work of Gauguin, as can be seen in her 1945 painting Shadow, which borrows from his Haitian pictures.

* MICHAEL SCOTT (SCOTTISH 1946 - 2006), PIED PIPER oil on canvas, signed, titled label verso framed and under glass image size 77cm x 62cm, overall size 93cm x 77cm Label verso: The Contemporary Fine Art Gallery, Eton.Note: Born in Aberdeenshire in 1946, Michael Scott (Mike Scott) studied Political Science at Liverpool before doing a one year's teacher training course in Huddersfield. After moving to Glasgow, Scott took a full-time research post at Glasgow University followed by a lecturing post at the re-named Glasgow Caledonian University. By 1997 demand for his work had become so great that he had to resign his post at the University to paint full time. Awards Include The David Cargill Senior Award, Royal Glasgow Institute. Exhibitions Include 1988~John D Kelly Gallery, Glasgow: 1994~Roger Billcliffe Fine Art, Glasgow ~Contemporary Fine Art, Eton; 1995~Portland Gallery, London; 1997~Fosse Gallery, Stowe on Trent ~Contemporary Fine Art, Eton; 1998~Portland Gallery, London; 2001~Portland Gallery, London, 2004~Portland Gallery, London; 2010~A Memorial Exhibition, Roger Billcliffe, Glasgow. Collections Include Distillers plc, Robert Fleming Holdings Ltd, Spencer Stuart & Associates, Teachers Whisky, Whyte and Mackay and others. To mark the 10th anniversary of Michael Scott's death, The Roger Billcliffe Gallery staged an exhibition of his work 1st April - 30th April 2016. In The Scottish Contemporary Art Auction of 24th October 2021, lot 599 "Echo & Narcissus" a 60 x 60cm oil by Michael Scott sold for £3800 (hammer) and in recent times, other examples in our auctions have more than once achieved prices in excess of £4000 (hammer). In The Scottish Contemporary Art Auction of 23rd December 2021, lot 655 "Dancing The King" sold for £5000 (hammer).

* GEORGINA MCMASTER (SCOTTISH b. 1980), NICHOLAS oil on canvas, signed, titled versoframedimage size 112cm x 143cm, overall size 134cm x 165cmNote: In The Scottish Contemporary Art Auction of 6th March 2022, "Camouflage" (lot 206, a 91 x 121cm oil on canvas) by Georgina McMaster sold for £4400 (hammer) setting another UK auction record price for one of Scotland's most notable young artists.

* ERNI UPTON FRSA (SCOTTISH b. 1936), CRYSTAL CLEAR MORNING, ANNRAIDH, IONA oil on canvas, signed, titled and dated 2008 versoframed image size 61cm x 92cm, overall size 80cm x 110cm Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer). Another painting by Erni Upton "TRAIGH NA CRICHE" was sold in our March 2023 auction (lot 119) for £2400 (hammer).

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), STILL LIFE WITH WHITE FLOWERS oil on canvas, signedframedimage size 122cm x 92cm, overall size 13cm x 104cmNote: After Bellany's 1988 life-saving liver transplant, his room at Addenbrooke's Hospital became full of flowers and plants sent by family, friends and loved ones. Bellany had escaped death and these flowers symbolized and celebrated ''life''. Bellany convalesced at Little Eversden, Cambridgeshire where he began a series of still life paintings, a subject which he'd never focused on before. This fine composition is a celebration of life, of family and of colour.Note 2: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficullt to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer).

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), ANNALUNA oil on canvas, signedframedimage size 70cm x 100cm, overall size 79cm x 109cmNote: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficullt to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer).

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), THE CHINESE GIRL watercolour on paper, signedmounted, framed and under glassimage size 36cm x 26cm, overall size 51cm x 41cm Note: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficullt to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer).

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), IN THE SMOKEHOUSE limited edition lithograph signed and numbered 11/50unframedimage size 58cm x 45cm, sheet size 75cm x 54cm Provenance: 'With the haddock hanging up to be smoked behind her a fish gutter stands in deep contemplation exuding the profound spirituality that is imbued in the fishing fraternity.' Helen BellanyNote: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficullt to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer).

* JOHN LOWRIE MORRISON OBE (JOLOMO) (SCOTTISH b. 1948), MO & CORRY ON IONA oil on canvas, signed and dated 2001, titled label verso framed and under glassimage size 89cm x 89cm, overall size 116cm x 116cm Label verso: Corrymella Scott Gallery, Newcastle-Upon-Tyne.Comment: It's extremely rare to see human figures in John Lowrie Morrison's landscape paintings, and "Mo & Corry on Iona" features John's wife Maureen and their old dog Corry. Not only is this picture a very large and spectacular example, it has a special personal connection with the artist.Comment 2: Acquired by the vendor at the same time as lot 63 and lot 66.Note: Jolomo remains one of Scotland's most celebrated contemporary artists. In The Scottish Contemporary Art Auction of 13th December 2020, lot 717 "Birlinn Leaving the Uists" by Jolomo sold for £7000 (hammer) and on 20th June 2021 lot 641 "Nick's Tug at Crinan" achieved £6000 (hammer). In our August 2021 auction, "Portnahaven, Islay" sold for £6000 (hammer). These being just three of numerous recent auction prices which reflect the strong and ever-growing collector demand from both the UK and abroad for the vibrant work of John Lowrie Morrison. In The Scottish Contemporary Art Auction of 28th September 2023 lot 38 LEE SHORE - NO LANDING ON STAFFA, sold for £8000 (hammer) setting a new auction record for a painting by John Lowrie Morrison.

* JOHN LOWRIE MORRISON OBE (JOLOMO) (SCOTTISH b. 1948), TRAIGH BAN, ISLE OF IONA oil on canvas, signed and dated 2001, titled versoframed and under glassimage size 41cm x 41cm, overall size 68cm x 68cm Comment: Acquired by the vendor at the same time as lot 62 and lot 66.Note: Jolomo remains one of Scotland's most celebrated contemporary artists. In The Scottish Contemporary Art Auction of 13th December 2020, lot 717 "Birlinn Leaving the Uists" by Jolomo sold for £7000 (hammer) and on 20th June 2021 lot 641 "Nick's Tug at Crinan" achieved £6000 (hammer). In our August 2021 auction, "Portnahaven, Islay" sold for £6000 (hammer). These being just three of numerous recent auction prices which reflect the strong and ever-growing collector demand from both the UK and abroad for the vibrant work of John Lowrie Morrison. In The Scottish Contemporary Art Auction of 28th September 2023 lot 38 LEE SHORE - NO LANDING ON STAFFA, sold for £8000 (hammer) setting a new auction record for a painting by John Lowrie Morrison.

* IAN MACINNES (SCOTTISH 1922 - 2003), RAIN SQUALL IN THE PENTLAND FIRTH oil on board, signed, titled label versoframed image size 61cm x 81cm, overall size 64cm x 84cm Label verso: Society of Marine Artists. Note: Painter, teacher, political cartoonist, born and lived in Stromness, Orkney Isles. MacInnes attended Gray’s School of Art in Aberdeen, 1939–41 and 1945–7, teachers including Robert Sivell and D M Sutherland. He went on to Head the Art Department at Stromness Academy, becoming Second Master and then Headmaster until retirement. MacInnes was a member of the 47 Group, which included Alberto Morrocco; took part in other mixed shows; and had numerous shows in Orkney, Aberdeen and Edinburgh, notably at the Torrance Gallery. MacInnes was a painter of the landscape and people of Orkney. He was a close friend of George Mackay Brown from childhood and illustrated many of his books and dust covers. After his retirement he carried on painting with even greater zeal, and was preparing for another eagerly awaited exhibition in Edinburgh when, in 1997, he suffered the first of the strokes that crippled and ultimately killed him. For his memorial he leaves us a richly evocative display of paintings on countless Orcadian walls - and far beyond his islands. Eleven of his paintings are held in Scottish Public Collections. In The Scottish Contemporary Art Auction of 1st August 2021, three examples of the artist's paintings sold for £650, £700 and £900 (all hammer prices) and another on 24th October 2021 achieved £750 (lot 640).

* JOHN LOWRIE MORRISON OBE (JOLOMO) (SCOTTISH b. 1948), BEN MORE FROM IONA oil on canvas, signed and dated 2001, titled label versoframed and under glass image size 41cm x 41cm, overall size 68cm x 68cm Comment: Acquired by the vendor at the same time as lot 62 and lot 63.Label verso: Corrymella Scott Gallery, Newcastle-Upon-Tyne.Note: Jolomo remains one of Scotland's most celebrated contemporary artists. In The Scottish Contemporary Art Auction of 13th December 2020, lot 717 "Birlinn Leaving the Uists" by Jolomo sold for £7000 (hammer) and on 20th June 2021 lot 641 "Nick's Tug at Crinan" achieved £6000 (hammer). In our August 2021 auction, "Portnahaven, Islay" sold for £6000 (hammer). These being just three of numerous recent auction prices which reflect the strong and ever-growing collector demand from both the UK and abroad for the vibrant work of John Lowrie Morrison. In The Scottish Contemporary Art Auction of 28th September 2023 lot 38 LEE SHORE - NO LANDING ON STAFFA, sold for £8000 (hammer) setting a new auction record for a painting by John Lowrie Morrison.

* JOHN HASKINS (BRITISH b. 1938), HAY FIELDS AT CHESFIELD, NEAR STEVENAGE HERTS oil on board, signed, titled versoframedimage size 47cm x 56cm, overall size 59cm x 68cm Note: John Haskins is a contemporary painter with vibrant flair and an impressionist style and remains a firm favourite among collectors. With a successful career spanning decades, Haskins has firmly established himself among some of the country’s most popular and collectible artists of today. He began his artistic career in illustration. After gaining his City and Guilds Diploma in illustration at art school, Haskins had a successful early career as a Chief Technical Illustrator with British Aerospace, Rolls Royce and NASA. Today, from his home studio in the heart of the English countryside, Haskins continues to create paintings that reflect all the atmosphere and colour of his surroundings. His life-long attention to detail lends an authenticity to the rural scenes he depicts in his landscapes. His figurative work too remains equally authentic; occasionally using his daughters and grandchildren as models, his figurative paintings vividly evoke intimate memory and nostalgia. John Haskins’ long and established career as an artist has seen great success. The universal popularity of his work has yielded successful exhibitions and one-man shows over the years in London, Frankfurt, Paris, Edinburgh, Los Angeles, Melbourne and Sydney, among others. His paintings can be found in major galleries and private collections around the world, and continue to be sought-after by a wide range of collectors. His published work also continues to thrive, with many international publishers specially commissioning his work for prints, limited editions and greeting cards.

* JOHN HASKINS (BRITISH b. 1938), DOG WALK oil on board, signedmounted, framed and under glassimage size 29cm x 39cm, overall size 53cm x 62cm Note: John Haskins is a contemporary painter with vibrant flair and an impressionist style and remains a firm favourite among collectors. With a successful career spanning decades, Haskins has firmly established himself among some of the country’s most popular and collectible artists of today. He began his artistic career in illustration. After gaining his City and Guilds Diploma in illustration at art school, Haskins had a successful early career as a Chief Technical Illustrator with British Aerospace, Rolls Royce and NASA. Today, from his home studio in the heart of the English countryside, Haskins continues to create paintings that reflect all the atmosphere and colour of his surroundings. His life-long attention to detail lends an authenticity to the rural scenes he depicts in his landscapes. His figurative work too remains equally authentic; occasionally using his daughters and grandchildren as models, his figurative paintings vividly evoke intimate memory and nostalgia. John Haskins’ long and established career as an artist has seen great success. The universal popularity of his work has yielded successful exhibitions and one-man shows over the years in London, Frankfurt, Paris, Edinburgh, Los Angeles, Melbourne and Sydney, among others. His paintings can be found in major galleries and private collections around the world, and continue to be sought-after by a wide range of collectors. His published work also continues to thrive, with many international publishers specially commissioning his work for prints, limited editions and greeting cards.

* JOHN LOWRIE MORRISON OBE (JOLOMO) (SCOTTISH b. 1948), WEE CROFT, ROSS OF MULL oil on canvas, signed and dated 2001, titled versoframed image size 41cm x 41cm, overall size 64cm x 64cm Label verso: Richard Hagen Gallery, WorcestershireNote: Jolomo remains one of Scotland's most celebrated contemporary artists. In The Scottish Contemporary Art Auction of 13th December 2020, lot 717 "Birlinn Leaving the Uists" by Jolomo sold for £7000 (hammer) and on 20th June 2021 lot 641 "Nick's Tug at Crinan" achieved £6000 (hammer). In our August 2021 auction, "Portnahaven, Islay" sold for £6000 (hammer). These being just three of numerous recent auction prices which reflect the strong and ever-growing collector demand from both the UK and abroad for the vibrant work of John Lowrie Morrison.

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), HARBOUR oil on canvas, signedunframedoverall size 92cm x 122cmNote: Collector demand has never been higher for the work of John Bellany and numerous examples have been sold in recent months by both McTear's and others at ever more impressive prices. In The Scottish Contemporary Art Auction of 29th May 2022 "The Finnon Smoker" by Bellany sold for £80,000 (hammer) and in the same sale, "Bass Rock Fable" (a 76 x 61cm unframed oil) sold for £12,000 (hammer). In our 21st August 2022 auction, lot 137 "The Newspaper Hat" (a 61 x 51cm oil) sold for £9500 (hammer). "Like-for-like" auction prices for original paintings are usually difficullt to assess, but in The Scottish Contemporary Art Auction of April 2023, two Bellany paintings which had been acquired in our auctions in September and November 2014 were consigned for sale by the same owner. The original 2014 selling prices were £1800 and £4000 and the same paintings sold in April for £3800 and £7000 (all hammer prices). This equates to a growth in value of 86.2% in fewer than nine years. In The Scottish Contemporary Art Auction of 25th May 2023, lot 282, "Restless Wave" a 90 x 90cm oil (by Bellany) sold for £9000 (hammer).

Craig Davison (Contemporary) Timberylynesigned 'CRAIG / DAVISON' (lower right); numbered 37/75giclee print on canvas121 x 75cmProvenance:with Washington Green Fine Art and accompanied by a Certificate of Authenticity

A large contemporary art glass free standing abstract square sculpture on glass base, unmarked. 41cm high x 46cm base

ELISABETH FRINK RA (1930-1993) (ARR) A framed and glazed 1973 lithograph, 'Eagle Owl' (Wiseman 87) in colours, pencil signed and numbered 170/250. Christies Contemporary Art publishing blind stamp bottom right. 77.5cm x 57.5cm The print looks to be in very good order, there is a slight wave to the paper in the centre but there is no obvious signs of foxing or tears. It looks to be in its original frame but I am unsure as how the print is attached to the backing paper although there is no sign of any glue staining. The frame and glass is dirty and there are a few scuffs to the frame itself.

REG CARTWRIGHT (b.1938) A framed and glazed limited edition print 'The Cyclists'. Pencil signed and dated '84 and numbered 34/150. 75cm x 55cm. With Christies Contemporary Art Prints certificate.

A contemporary bathroom mirror in Art Deco style 120cmH

Frances Mabel Hollams (British, 1877-1963)'Buster', 'Shandy', and 'Bluett' - Dalmatians signed and dated 'F.M.HOLLAMS/'36' (lower right), inscribed with dogs' names (lower edge)oil on panel41 x 54cm (16 1/8 x 21 1/4in).Footnotes:Frances Mabel Hollams was an animal painter who specialised in canine and equestrian portraits. She studied at the Frank Calderon School of Animal Painting in South Kensington, and at the Atelier Julian in Paris, the contemporary 'mecca' for animal painters.One of Hollams' trademarks was to paint the dog or horse on board, sometimes varnished, with the grain of the wood showing through, and invariably with no background and the animal's name inscribed on the board. She worked with great speed in order to satisfy her many commissions. She is alleged to have rarely discussed money for a painting, but her butler always waited to bid farewell to clients with a silver salver on which they were expected to place £25 in cash. In 1899, Hollams was elected an associate of the Society of Women Artists and by 1902 her qualities had been quickly recognised and she made a full member. She exhibited extensively including at the Royal Academy (8); the Society of Women Artists (19); and at the Walker Art Gallery in Liverpool (2). In June 1929 she had 'A Loan Exhibition of Oil Paintings of Horse and Dogs', of 66 paintings, at the New Bond Street Walker's Galleries. It was a remarkable tribute, with 54 paintings being kindly lent by many titled and wealthy owners of show champions, pets and famous kennels. In 1937, the New Bond Street dealers Arthur Ackermann & Son paid tribute to Hollams again with 'A Loan Exhibition of Oil Paintings of Horses and Dogs' in which 38 paintings were shown. Hollams' patrons included the Earls of Sefton, Beatty, and Cornwallis. Lord Cornwallis was the Master of the Linton Beagles, and she painted him with his beagles. She also painted for the royals, one of her last oils, executed in 1963, was that of Princess Alexandra Dutchess of Kent with a young friend on horseback.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Frederick Thomas Daws (British, 1878-1956)'Meurice' of Mannerhead - A Very Fine Poodle signed and dated 'FT DAWS/50' (lower right), inscribed ''Meurice' of Mannerhead' (lower left) oil on canvas board32.5 x 40.5cm (12 13/16 x 15 15/16in).Footnotes:Thomas Frederick Daws was born in London on the 2nd of October 1878. He is particularly notable for his bold, colourful palette, and his use of colour and thickly applied strokes. His technique created striking styles and produced paintings of a different character and more modern form than his contemporaries in the world of dog painting. Daws studied at the Lambeth School of Art. From 1896 at the age of just 18, he exhibited his first work at the Royal Academy – he went on to exhibit a further 11 works at the academy. He also exhibited at The Paris Salon; the Glasgow Institute of the Fine Arts; the Royal Institute of Oil Painters; the Walker Gallery in Liverpool; and at the Royal Society of British Artists. Perhaps Daws is most famous for his many paintings of Mrs Campbell-Inglis' Poodles from the famous Wimbledon Mannerhead Kennels, which Daws produced over 20 years. As with his contemporary, Rueben Ward Binks, he painted many of the prize dogs of well-known dog fanciers.Perhaps less well known are Daws's sculptures in bronze, including commissions again for Mrs Campbell-Inglis. He was a master of canine anatomy and his bronzes, while little known, are important records of top-winning show dogs, as are his paintings.In 1930, Daws became the main artist designing a range of porcelain champion Crufts winning dogs for Royal Doulton, which were issued from 1931 to 1968. This included the English Springer Crufts Champion, 'Dry Toast'. His paintings were also reproduced on a series of thirty-six post cards for the Spratts Dog Food Company. The Samoyed, 'Champion Loga of the Arctic', painted for Miss Marion Keyte Perry was published as the cover to the Christmas supplement to 'Our Dogs'. The painting is now in the collection of the Kennel Club together with others by the artist. His works depicting the Afghans and Mannerhead Poodles can be seen in the collection of the American Kennel Club.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Three: General W. C. F. Gosling, Royal Horse Artillery, late Turkish Contingent and Madras Horse Artillery Indian Mutiny 1857-59, 1 clasp, Central India (Captn. W. C. F. Gosling, F. Tp. H Bde. Madras Art.); Ottoman Empire, Order of the Medjidie, Fourth class breast badge, silver, gold and enamel; Turkish Crimea 1855, British issue, unnamed as issued, the first mounted on ornate contemporary wearing brooch, the second and third mounted together on a larger foliate design brooch, contact marks to Mutiny Medal, this nearly very fine, the Ottoman awards good very fine (3) £700-£900 --- William Clarke Francis Gosling was born in Bath, Somerset, on 9 August 1822. He joined the Army of the Honourable East India Company and was appointed to a commission in the Madras Artillery on 11 June 1840. He was raised Lieutenant on 31 December 1842, Brevet Captain on 11 June 1855, and Captain on 9 October 1856. Gosling was employed in the Crimean Campaign of 1855-56, subsequent to the fall of Sebastopol, for which service he obtained the Order of Medjidie 4th Class and the Turkish Crimea medal whilst Assistant Adjutant General in the Turkish Contingent. Gosling witnessed further service with General Whitelock’s Field Force in Bundelcund, being present at the Battle of Banda on 19 April 1858, and the affair at Jheengan. He was further promoted Lieutenant-Colonel on 11 February 1865, Lieutenant-General on 12 May 1882, and General in 1883. He died at Folkestone on 14 June 1885. Sold with copied research.

Contemporary Art - a collection of contemporary sculptures, various coquettish poses (quantity)

† ATTRIBUTED TO MALCOLM SUTCLIFFE; a contemporary Art Glass bowl, decorated with dolphins, unsigned, diameter 18cm.Condition Report: Light surface but good condition.

JOHN DITCHFIELD FOR GLASFORM; a contemporary Art Glass paperweight modelled as a silver frog on lily pad, diameter 10cm.Condition Report: Light wear but good condition.

2009 canvas, Caroline Shotton tries a different approach to her love of cows in this limited edition Giclee On Boxed Canvas titled ' It Must Be Love ' by masking the cows inside a heart.  A poem moving from the centre of one heart off to the other side in a scrolling design adds to the beautiful composition. The poem reads ' as soon as I wake up every night every day I know that it's moo I need to take the blues away '.   Established British artist Caroline Shotton creates whimsical, irreverent pieces positively rammed with extra helpings of delicious humour, yet simultaneously laced with sophisticated overtones of impressionism and surrealism; which hit the contemporary artistic spot, time after time and are as quintessentially British as they come. For quintessentially British read, quirky, bordering on eccentric, laced with irony and other departments of mirth. And her predominant subject matter? The visual text that’s made Shotton a headline act on the UK’s a la mode art scene? Cows. Or bovines to afford them their correct, agricultural terminology.  Signed to edge. Limited edition 214/295. Measures approximately 47cm x 76cm.

A CORAL, ENAMEL AND DIAMOND BLACKAMOOR BROOCH, BY CARTIER, CIRCA 1935 the black enamelled bust wearing seed pearl earrings, on a reeded gold neck and wearing a cream enamel turban with coral corallium rubrum highlight and rose-cut diamond detail, mounted in 18K gold, signed Cartier Paris, numbered. 3.5cm long, 11.1 grams grossThe house of Cartier was founded in Paris in 1847 by Louis-François Cartier. A family venture soon saw the growth of Cartier and the expansion to London and New York, with subsequent generations taking the helm. Cartier has established itself as one of the world's preeminent crafters of high-end, modern, and vintage jewellery. Its watches have adorned the wrists of celebrities and royalty alike, with King Edward VII of England once referring to Cartier as the jeweller of kings and the king of jewellers. Cartier's extensive collections are known to embody revival, Art Deco, and more contemporary styles, making them a sought-after commodity for generations both past and present. Jeanne Toussaint was made Creative Director for jewellery in 1933 and she continued to work for Cartier until her retirement in 1970. The working relationship between Louis Cartier and Toussaint was very successful, with Cartier imparting his knowledge of gemstones, diamonds, settings and technique, and Toussaint bringing her joie de vivre, relentless creativity and eye for contemporary fashions. By the time she retired from Cartier in 1970, Toussaint had established her legacy as an artistic visionary; always experimenting, exploring and creating jewels for those with a worldly outlook and an eye on the future. Cartier is a notable creator of pieces depicting elaborate Blackamoor heads, which had been introduced by the Venetian form of Nardi. Blackamoor jewellery, also known as Moretti jewellery, was particularly popular during the 17th and 18th centuries and it is believed that it was originally created as amulets to ward off evil, or invasion by the Moors into Italy. Cartier first released their Blackamoor brooches in the early 1930’s. Blackamoor brooches depict black figures within the design, they are typically male with a head covering, usually a turban and covered in rich jewels and gold leaf. Early examples often have European racial features, apart from the colour. They are typically enamelled, carved from ebony or painted black to contrast with the bright colours of the embellishments. Depictions may only represent the head, or head and shoulders, facing the viewer in a symmetrical pose.The brooch on sale is a lovely example of a typical Blackamoor brooch, made of black enamel, detailing a white enamel turban and surrounded by precious gems, including coral, seed pearls and diamond. The head faces the viewer in a symmetrical pose and sits on a yellow gold reeded neck.