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Alison Jackson Camilla as Keeler Giclée hahnemühle german etching Signed on Verso & Recto 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Alison Jackson, a contemporary, BAFTA and multi award-winning artist, photographer and filmmaker explores the cult of celebrity - an extraordinary phenomenon manufactured by the media, publicity industries and the public figures themselves. To raise questions about this, Alison creates celebrity 'news' that appears real and plausible but isn't. She creates convincingly realistic work portraying the imagined private lives of public figures using cleverly styled lookalikes. Resemblance becomes real, and fantasy touches on the plausible. Alison creates scenes that the public have all imagined but never seen. It's an exploration of our insatiable desire to get personal with public personalities, raising questions about the power and seductive nature of imagery which incites voyeurism and our need to believe - Alison challenges our preconceptions. Alison takes portraits of (real!) famous actors, politicians and celebrities, collected by Museum collections, such as at the National Portrait Gallery, The Parliamentary Art Collection in London and SF MOMA, San Francisco amongst many others. In 2019 Alison founded and launched the photography initiative to include photography workshops, programs, competition and exhibition of A Day in Your Life/Young Artists to cultivate, nurture and celebrate the future creatives of tomorrow from under - represented, lower socio-economic, minority backgrounds, and people living with disabilities. Anyone who hasn't had a chance to showcase their talent yet - A Day in Your Life/Young Artists can provide creative lifelines but also life-changing opportunity for all ages: from 7 upwards. Alison mentors young people and is a Member of the Alumni Council for The Royal College of Art, Trustee of Chelsea Art Theatre; Ambassador to the K&C Foundation; Ambassador to the Spinal Injuries Association. Jackson supports a number of charities, including MacMillan Cancer Support, Marie-Curie, Jeans for Genes Day and Cancer Research UK amongst others. She has published numerous books including Private Confidential, by Penguin, Confidential by Taschen, Up the Aisle, Stern Private. Her work has been acquired by many public museum collections including The Parliamentary Art Collection, London; The National Portrait Gallery, London; SF MOMA, San Francisco; London; Musée de la Photographie, Charleroi, Brussels; The Frances Foundation, Paris and The International Centre of Photography amongst others. Education Royal College of Arts, University of the Arts Select Exhibitions/Awards BAFTA, Creative Circle Award, CLIO Awards, D&DA Gallery Representation National Portrait Gallery, The Parliamentary Art Collection in London and SF MOMA, San Francisco amongst many others. Statement about AOAP Submitted Artwork Alison creates convincingly realistic work portraying the imagined private lives of public figures using cleverly styled lookalikes. Resemblance becomes real, and fantasy touches on the plausible. Alison creates scenes that the public have all imagined but never seen. It's an exploration of our insatiable desire to get personal with public personalities, raising questions about the power and seductive nature of imagery which incites voyeurism and our need to believe - Alison challenges our preconceptions.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Eska Marsh Mourning Pins Drypoint etching on somerset paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eska Marsh (b.1994) is a multidisciplinary artist from the south coast of England. She primarily works in print at her private studio in Bristol. Her painterly style of drypoint etchings appear to the viewer like aged old relics of a forgotten past, taking inspiration from ephemeral objects. She describes her work as the spawn of Edward Gorey and Edgar Allan Poe. Eska's limited edition work is shown in selected galleries, exhibitions and arts houses in England and Wales. Education Falmouth University BA (Hons) Contemporary Crafts 2012-2015 The Arts University, Bournemouth Extended Diploma in Art and Design 2010-2012 Select Exhibitions/Awards Eska has exhibited in numerous shows across the UK, highlights this year include Royal Academy Summer Exhibition 2023, Woolwich Contemporary Print Fair 2023, Atelier Open curated by Tutton & Young, Darktown Seaside Beano: Jonny Hannah & Friends. She has also been awarded at Atelier Open by Tutton & Young this year as 'Best in Show' and featured on the front cover with an 8- page article in international print publication Pressing Matters. Gallery Representation Atelier Besides the Sea, Brighton (Tutton & Young) Statement about AOAP Submitted Artworks Making mischief with the macabre. Dead and Lovely (yes that is a Tom Waits reference) drypoint etchings inspired by the darker side of life.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Eska Marsh Devil Makes Three Drypoint etching on somerset paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eska Marsh (b.1994) is a multidisciplinary artist from the south coast of England. She primarily works in print at her private studio in Bristol. Her painterly style of drypoint etchings appear to the viewer like aged old relics of a forgotten past, taking inspiration from ephemeral objects. She describes her work as the spawn of Edward Gorey and Edgar Allan Poe. Eska's limited edition work is shown in selected galleries, exhibitions and arts houses in England and Wales. Education Falmouth University BA (Hons) Contemporary Crafts 2012-2015 The Arts University, Bournemouth Extended Diploma in Art and Design 2010-2012 Select Exhibitions/Awards Eska has exhibited in numerous shows across the UK, highlights this year include Royal Academy Summer Exhibition 2023, Woolwich Contemporary Print Fair 2023, Atelier Open curated by Tutton & Young, Darktown Seaside Beano: Jonny Hannah & Friends. She has also been awarded at Atelier Open by Tutton & Young this year as 'Best in Show' and featured on the front cover with an 8- page article in international print publication Pressing Matters. Gallery Representation Atelier Besides the Sea, Brighton (Tutton & Young) Statement about AOAP Submitted Artworks Making mischief with the macabre. Dead and Lovely (yes that is a Tom Waits reference) drypoint etchings inspired by the darker side of life.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Edit Toaso Money Plant Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Edit Toaso is a fine artist who is currently interested in painting her immediate environment, particularly plants, gardens, and landscapes. She's preoccupied with exploring the topic of roots or rather lack thereof and female identity through them. Her preference is to use oil paint on linen, watercolour, and non-synthetic art materials for her paintings. Education Edit completed her Masters in Fine Arts at the Academy of Fine Arts, Budapest and won a scholarship to study Experimental Printmaking, with a focus on etching and aquatint, at the Royal Academy of Fine Arts in The Hague, the Netherlands. Select Exhibitions/Awards Edit's work has been selected for group exhibitions including: Summer Exhibition, The Royal Academy of Arts London, UK. Wales Contemporary, Milford Haven, Green & Stone, Chelsea, UK & NY International Print Show, Manhattan Graphics Center, USA; International Miniprint Biennale, Rosario, Argentina; Première Vision, Paris, France. She had a solo presentation, Flow, at Platform 39 Gallery, London, UK. She also won third prize at Wales Contemporary and has been longlisted for the Contemporary British Painting Prize.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Edit Toaso Money Plant 2 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Edit Toaso is a fine artist who is currently interested in painting her immediate environment, particularly plants, gardens, and landscapes. She's preoccupied with exploring the topic of roots or rather lack thereof and female identity through them. Her preference is to use oil paint on linen, watercolour, and non-synthetic art materials for her paintings. Education Edit completed her Masters in Fine Arts at the Academy of Fine Arts, Budapest and won a scholarship to study Experimental Printmaking, with a focus on etching and aquatint, at the Royal Academy of Fine Arts in The Hague, the Netherlands. Select Exhibitions/Awards Edit's work has been selected for group exhibitions including: Summer Exhibition, The Royal Academy of Arts London, UK. Wales Contemporary, Milford Haven, Green & Stone, Chelsea, UK & NY International Print Show, Manhattan Graphics Center, USA; International Miniprint Biennale, Rosario, Argentina; Première Vision, Paris, France. She had a solo presentation, Flow, at Platform 39 Gallery, London, UK. She also won third prize at Wales Contemporary and has been longlisted for the Contemporary British Painting Prize.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Harriet Porter Little Blessing Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Harriet Porter is a London-based artist specialising in still-life oil painting, making quiet monochromatic works of solitary reflective objects. "I paint from observation, concerned with finding patterns of tone within the whole scene, focusing on the glints of light set off by shapes of shadow. I use layers of translucent glaze to build up the feeling of luminosity. The space I create is a world where nothing bad ever happens: a sparse dreamy place filled with a still, tranquil glow". Harriet's preoccupation is informed by her previous career as an art director and stylist. Working in film and photography, she found the camera increasingly frustrating. As a capturing device it became insufficient to describe the wonder with which she perceived the shimmer that constantly caught her eye. She found that painting achieved more accurate results, bypassing unwelcome photographic detail. Education 1979 - 1982 Central St Martins Select Exhibitions/Awards 2023 Royal Academy Summer Exhibition 2022 Beaux Arts, Bath - Solo Exhibition 2022 Royal Academy Summer Exhibition 2021 Beaux Arts, Bath 'Still' exhibition. 2020 Beaux Arts, Bath - Solo show. 2019 Cameron Contemporary, Brighton. 2019 The Stratford Gallery, Stratford-on-Avon. 2019 Affordable Art Fair Battersea. 2019 Affordable Art Fair New York 2018 Cameron Contemporary, Brighton. 2018 The Stratford Gallery, Stratford-on Avon   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Harriet Porter Small Mirage Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Harriet Porter is a London-based artist specialising in still-life oil painting, making quiet monochromatic works of solitary reflective objects. "I paint from observation, concerned with finding patterns of tone within the whole scene, focusing on the glints of light set off by shapes of shadow. I use layers of translucent glaze to build up the feeling of luminosity. The space I create is a world where nothing bad ever happens: a sparse dreamy place filled with a still, tranquil glow". Harriet's preoccupation is informed by her previous career as an art director and stylist. Working in film and photography, she found the camera increasingly frustrating. As a capturing device it became insufficient to describe the wonder with which she perceived the shimmer that constantly caught her eye. She found that painting achieved more accurate results, bypassing unwelcome photographic detail. Education 1979 - 1982 Central St Martins Select Exhibitions/Awards 2023 Royal Academy Summer Exhibition 2022 Beaux Arts, Bath - Solo Exhibition 2022 Royal Academy Summer Exhibition 2021 Beaux Arts, Bath 'Still' exhibition. 2020 Beaux Arts, Bath - Solo show. 2019 Cameron Contemporary, Brighton. 2019 The Stratford Gallery, Stratford-on-Avon. 2019 Affordable Art Fair Battersea. 2019 Affordable Art Fair New York 2018 Cameron Contemporary, Brighton. 2018 The Stratford Gallery, Stratford-on Avon   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Will Fice Jester, 2023 Oil paint, oil pastel and coloured pencil Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Will Fice (b.1999) is a British artist based between Leeds and Surrey, UK. His work deals with themes surrounding self and manhood, working from found images to piece together semi-autobiographical and social narratives. After graduating from Leeds Arts University in 2020 with a BA in Fine Art, Will had a solo presentation with Patrick Davies Contemporary Art and has since exhibited online over the pandemic, and in the United States. In 2023; he had his first solo gallery exhibition with Monti8, Italy. Education BA Fine Art Leeds Arts University (2017-2020) Select Exhibitions/Awards 2023 Monti8 at Artsy Foundations 2023 Nashville Hot Summer, Red Arrow Gallery, Nashville, US (group) 2023 Beautiful losers, Monti8, Latina, Italy (solo) 2022 Transference: A Study of Space, KO Arts & Antiques, UK (Artsy online presentation) 2022 Exit 26, Monti8, Latina, Italy (group) 2022 #1 Exhibition, Artsinsquare, US (Artsy online presentation) 2021 Waiting room, Patrick Davies Contemporary Art (solo) Statement about AOAP Submitted Artwork These works aim not to take themselves too seriously. Each postcard demonstrates a fleeting, disregarded moment, translated in a playfully loose painting style as something rich with purpose.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

John Simpson Willow Ink and charcoal on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About John Simpson's prints and drawings fuse image meaning and medium to explore our relationship with the natural world. The process and examination of drawing is at the core of his practice. Often abandoning the control of the studio and working with public collaborators, he embraces an element of chaos and the natural mutations which occur in printmaking. This symbiotic process is one way in which his work looks to biology to explore our relationship with nature. The frequent use of natural materials like earth and wood reflects both the subject and the wild nature of these works. John's latest drawings and prints have their origins in a time spent exploring local woodlands with his young twin daughters whilst seeking refuge from their city apartment. These works evolved from being continuously immersed in this environment. The process and materials directly relate to the physicality and texture of these hidden spaces. He has exhibited at major UK institutions as well as internationally with solo exhibitions in London, Los Angeles and Sao Paulo. He has led interactive printmaking and drawing projects at Spike Island, Bristol and at Tate Modern in 2017, 2018 and 2019. Education 1995 - 1998: Cambridge School of Art, BA Hons 1994 - 1995: University of Gloucestershire, Foundation Art Select Exhibitions/Awards 13 June - 20 August 2023: Summer Exhibition - Royal Academy of Arts, Burlington House, Piccadilly, London W1 17 April - 21 April 2019: The Museum as Ecosystem; Interactive drawing for Tate Exchange - Tate Modern, London 28 February - 3 March 2019: Hepworth Wakefield Print Fair - Hepworth Wakefield, Yorkshire 2 February - 4 February 2018: Mitosis; Interactive Cellular Printing for Tate Exchange - Tate Modern, London 31 May - 10 June 2013: John Simpson, Dream and Metamorphosis - Hoxton Gallery, London E2 27 April 2013: Brit Week - John Simpson, Beverly Hills Gallery, Los Angeles 21 November - 20 December 2008: John Simpson - O Contemporary, 193 Wardour Street, London W1 3 July - 14 August 2008: John Simpson - Galeria Choque Cultural, Rua Joao Moura, 997, Sao Paulo, Brazil Statement about AOAP Submitted Artwork These drawings examine a sensation of complete immersion in the natural landscape. Working at a postcard scale was a fascinating exercise in how very diverse marks can be made at a scale many times smaller than in my regular practice.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Ant Carver Study I Oil paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Ant Carver (b.1991) graduated from Oxford Brookes with a degree in Fine Art and now works from a studio in Whitechapel, London. He is a figurative painter who combines traditional oil painting techniques with a contemporary style working on aluminium panel. His paintings combine realistic elements together with looser more abstract mark making and sketched elements. His work explores life experiences, most recently linked to his own reflections on grief and loss. Alongside his colourful or monochromatic figures, he incorporates symbolism to ask questions about relationships human interaction and the vulnerability of life. His interest in art originated from a passion for street art and graffiti.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Will Fice Leaving Blues Oil paint, oil pastel and coloured pencil Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Will Fice (b.1999) is a British artist based between Leeds and Surrey, UK. His work deals with themes surrounding self and manhood, working from found images to piece together semi-autobiographical and social narratives. After graduating from Leeds Arts University in 2020 with a BA in Fine Art, Will had a solo presentation with Patrick Davies Contemporary Art and has since exhibited online over the pandemic, and in the United States. In 2023; he had his first solo gallery exhibition with Monti8, Italy. Education BA Fine Art Leeds Arts University (2017-2020) Select Exhibitions/Awards 2023 Monti8 at Artsy Foundations 2023 Nashville Hot Summer, Red Arrow Gallery, Nashville, US (group) 2023 Beautiful losers, Monti8, Latina, Italy (solo) 2022 Transference: A Study of Space, KO Arts & Antiques, UK (Artsy online presentation) 2022 Exit 26, Monti8, Latina, Italy (group) 2022 #1 Exhibition, Artsinsquare, US (Artsy online presentation) 2021 Waiting room, Patrick Davies Contemporary Art (solo) Statement about AOAP Submitted Artwork These works aim not to take themselves too seriously. Each postcard demonstrates a fleeting, disregarded moment, translated in a playfully loose painting style as something rich with purpose.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Ant Carver Study II Oil paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Ant Carver (b.1991) graduated from Oxford Brookes with a degree in Fine Art and now works from a studio in Whitechapel, London. He is a figurative painter who combines traditional oil painting techniques with a contemporary style working on aluminium panel. His paintings combine realistic elements together with looser more abstract mark making and sketched elements. His work explores life experiences, most recently linked to his own reflections on grief and loss. Alongside his colourful or monochromatic figures, he incorporates symbolism to ask questions about relationships human interaction and the vulnerability of life. His interest in art originated from a passion for street art and graffiti.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Ken Nwadiogbu In the Wave Charcoal and acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Ken Nwadiogbu (b. 1994, Lagos, Nigeria) is a self-taught multidisciplinary artist, based in Lagos, Nigeria. A trained civil engineer, he soon pivoted to fine art, first embracing hyperrealism and charcoal drawing before expanding his creative horizon to more conceptual works and a wider array of techniques, including acrylic painting, sculpture and installation. His works are inspired by iconic American contemporary art figures such as J.-M. Basquiat, Kehinde Wiley, Toyin Ojih Odutola and Kerry James Marshall. On Ken's large canvases, stories superimpose themselves in multiple layers. Mixing together hyperrealism with contemporary elements, he creates ingenious, politically charged visual illusions that deploy a singular outlook, daring the audience to question their own, for "value lies in the perspective". Defending an art that can be at once smart and fun, he explores grave matters in intense colours and playful cut-outs, addressing altogether black representation and identity, displacement, and socio-political control. Popularly known as KenArt, Ken is credited for introducing the "Contemporealism" movement and was named by Guardian Life as one of the most "Outstanding Personalities" in Nigeria. In 2019, he was awarded the prestigious The Future Awards Africa in recognition of his contributions to the Nigerian arts community. A core focus for him is to inspire and encourage young creatives. He does this through public speaking and mentorship, as well as through his creative companies. He nurtures an art collective called 'Title Deed' and co-found Artists Connect NG, the largest artist gathering in Nigeria, created to foster creativity, collaboration and community. His works have been exhibited in a number of galleries including Omenka Gallery ('Insanity' group show, Lagos, 2016), Retro Africa ('In the making', Abuja, 2018), Bricklane Gallery ('Contemporealism', London, 2019), Bomb Factory Art Foundation ('Journey Mercies', London, 2021) and Thinkspace ('Ubuntu', LA, 2021). His works were showcased at ART X Lagos on several occasions, at 154 London, and Prizm Art Fair, in Miami. He has worked on multiple projects with respected international brands like Martell Cognac, McMillan Publishers, Flight Logistics, and many others. Ken enjoys expanding his perspective -and ours, rarely ever leaving anything to chance, but rather proceeding from a place of joy, and intentional care. He is constantly revitalizing his practice by challenging modes of Black representation. His oeuvres do not just encompass various forms of painting but most recently transcends into photography, sculpture, installation, NFT and video Education MA Painting, Royal College of Art Select Exhibitions/Awards Awards: 2019: The Future Awards Africa Prize for Art Exhibitions: 2022, SCOPE Art Fair Miami, 2020, Prizm International Art Fair Miami, 2020, 1-54 African Art Fair New York, Portrait of a Top boy and Summer exhibition Royal Academy Gallery Representation Retro Africa Gallery and Kristin Hjellegjerde Gallery. Statement about AOAP Submitted Artwork In my artistic endeavours, I explore my personal experiences while also providing a social commentary on the shared experiences of others. For this AOAP project, I have delved into my own encounters in London, using them as a lens to shed light on the collective experiences of African immigrants in the city.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Ken Nwadiogbu Red Dots Charcoal and acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Ken Nwadiogbu (b. 1994, Lagos, Nigeria) is a self-taught multidisciplinary artist, based in Lagos, Nigeria. A trained civil engineer, he soon pivoted to fine art, first embracing hyperrealism and charcoal drawing before expanding his creative horizon to more conceptual works and a wider array of techniques, including acrylic painting, sculpture and installation. His works are inspired by iconic American contemporary art figures such as J.-M. Basquiat, Kehinde Wiley, Toyin Ojih Odutola and Kerry James Marshall. On Ken's large canvases, stories superimpose themselves in multiple layers. Mixing together hyperrealism with contemporary elements, he creates ingenious, politically charged visual illusions that deploy a singular outlook, daring the audience to question their own, for "value lies in the perspective". Defending an art that can be at once smart and fun, he explores grave matters in intense colours and playful cut-outs, addressing altogether black representation and identity, displacement, and socio-political control. Popularly known as KenArt, Ken is credited for introducing the "Contemporealism" movement and was named by Guardian Life as one of the most "Outstanding Personalities" in Nigeria. In 2019, he was awarded the prestigious The Future Awards Africa in recognition of his contributions to the Nigerian arts community. A core focus for him is to inspire and encourage young creatives. He does this through public speaking and mentorship, as well as through his creative companies. He nurtures an art collective called 'Title Deed' and co-found Artists Connect NG, the largest artist gathering in Nigeria, created to foster creativity, collaboration and community. His works have been exhibited in a number of galleries including Omenka Gallery ('Insanity' group show, Lagos, 2016), Retro Africa ('In the making', Abuja, 2018), Bricklane Gallery ('Contemporealism', London, 2019), Bomb Factory Art Foundation ('Journey Mercies', London, 2021) and Thinkspace ('Ubuntu', LA, 2021). His works were showcased at ART X Lagos on several occasions, at 154 London, and Prizm Art Fair, in Miami. He has worked on multiple projects with respected international brands like Martell Cognac, McMillan Publishers, Flight Logistics, and many others. Ken enjoys expanding his perspective -and ours, rarely ever leaving anything to chance, but rather proceeding from a place of joy, and intentional care. He is constantly revitalizing his practice by challenging modes of Black representation. His oeuvres do not just encompass various forms of painting but most recently transcends into photography, sculpture, installation, NFT and video Education MA Painting, Royal College of Art Select Exhibitions/Awards Awards: 2019: The Future Awards Africa Prize for Art Exhibitions: 2022, SCOPE Art Fair Miami, 2020, Prizm International Art Fair Miami, 2020, 1-54 African Art Fair New York, Portrait of a Top boy and Summer exhibition Royal Academy Gallery Representation Retro Africa Gallery and Kristin Hjellegjerde Gallery. Statement about AOAP Submitted Artwork In my artistic endeavours, I explore my personal experiences while also providing a social commentary on the shared experiences of others. For this AOAP project, I have delved into my own encounters in London, using them as a lens to shed light on the collective experiences of African immigrants in the city.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Ken Nwadiogbu Pay Attention Charcoal and acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Ken Nwadiogbu (b. 1994, Lagos, Nigeria) is a self-taught multidisciplinary artist, based in Lagos, Nigeria. A trained civil engineer, he soon pivoted to fine art, first embracing hyperrealism and charcoal drawing before expanding his creative horizon to more conceptual works and a wider array of techniques, including acrylic painting, sculpture and installation. His works are inspired by iconic American contemporary art figures such as J.-M. Basquiat, Kehinde Wiley, Toyin Ojih Odutola and Kerry James Marshall. On Ken's large canvases, stories superimpose themselves in multiple layers. Mixing together hyperrealism with contemporary elements, he creates ingenious, politically charged visual illusions that deploy a singular outlook, daring the audience to question their own, for "value lies in the perspective". Defending an art that can be at once smart and fun, he explores grave matters in intense colours and playful cut-outs, addressing altogether black representation and identity, displacement, and socio-political control. Popularly known as KenArt, Ken is credited for introducing the "Contemporealism" movement and was named by Guardian Life as one of the most "Outstanding Personalities" in Nigeria. In 2019, he was awarded the prestigious The Future Awards Africa in recognition of his contributions to the Nigerian arts community. A core focus for him is to inspire and encourage young creatives. He does this through public speaking and mentorship, as well as through his creative companies. He nurtures an art collective called 'Title Deed' and co-found Artists Connect NG, the largest artist gathering in Nigeria, created to foster creativity, collaboration and community. His works have been exhibited in a number of galleries including Omenka Gallery ('Insanity' group show, Lagos, 2016), Retro Africa ('In the making', Abuja, 2018), Bricklane Gallery ('Contemporealism', London, 2019), Bomb Factory Art Foundation ('Journey Mercies', London, 2021) and Thinkspace ('Ubuntu', LA, 2021). His works were showcased at ART X Lagos on several occasions, at 154 London, and Prizm Art Fair, in Miami. He has worked on multiple projects with respected international brands like Martell Cognac, McMillan Publishers, Flight Logistics, and many others. Ken enjoys expanding his perspective -and ours, rarely ever leaving anything to chance, but rather proceeding from a place of joy, and intentional care. He is constantly revitalizing his practice by challenging modes of Black representation. His oeuvres do not just encompass various forms of painting but most recently transcends into photography, sculpture, installation, NFT and video Education MA Painting, Royal College of Art Select Exhibitions/Awards Awards: 2019: The Future Awards Africa Prize for Art Exhibitions: 2022, SCOPE Art Fair Miami, 2020, Prizm International Art Fair Miami, 2020, 1-54 African Art Fair New York, Portrait of a Top boy and Summer exhibition Royal Academy Gallery Representation Retro Africa Gallery and Kristin Hjellegjerde Gallery. Statement about AOAP Submitted Artwork In my artistic endeavours, I explore my personal experiences while also providing a social commentary on the shared experiences of others. For this AOAP project, I have delved into my own encounters in London, using them as a lens to shed light on the collective experiences of African immigrants in the city.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Will Fice Walking, Not Talking, 2023 Oil paint, oil pastel and coloured pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Will Fice (b.1999) is a British artist based between Leeds and Surrey, UK. His work deals with themes surrounding self and manhood, working from found images to piece together semi-autobiographical and social narratives. After graduating from Leeds Arts University in 2020 with a BA in Fine Art, Will had a solo presentation with Patrick Davies Contemporary Art and has since exhibited online over the pandemic, and in the United States. In 2023; he had his first solo gallery exhibition with Monti8, Italy. Education BA Fine Art Leeds Arts University (2017-2020) Select Exhibitions/Awards 2023 Monti8 at Artsy Foundations 2023 Nashville Hot Summer, Red Arrow Gallery, Nashville, US (group) 2023 Beautiful losers, Monti8, Latina, Italy (solo) 2022 Transference: A Study of Space, KO Arts & Antiques, UK (Artsy online presentation) 2022 Exit 26, Monti8, Latina, Italy (group) 2022 #1 Exhibition, Artsinsquare, US (Artsy online presentation) 2021 Waiting room, Patrick Davies Contemporary Art (solo) Statement about AOAP Submitted Artwork These works aim not to take themselves too seriously. Each postcard demonstrates a fleeting, disregarded moment, translated in a playfully loose painting style as something rich with purpose.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Laura Hope Eye Spy I, 2023 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About My work is centred around unspoken emotions and quiet inner lives. Created from my own staged photographs of models, it is often a response to memories, relationships and personal crisis. Through composition, cropping and reversing the image, I strive to convey an uneasy narrative that shines a light on subtle feelings that often hide in the shadows. With hints to another era, my figures live in a world that is both nostalgic and present. I sit on the fence between painting and drawing - feeling that 'painting' better describes my process but knowing that 'drawing' is my method of creation. My training as an illustrator as well as my time working as a memorial artist (hand etching onto granite) have cemented the importance of line and mark making in my practice. A combination of thick, harsh scribbles and precise, light touches alongside a unique translation of colour are the voices used to tell my stories. Education BA (hons) Illustration - Cardiff School of Art and Design - First Class Select Exhibitions/Awards   2023 - Awards Winner - NG Art Creative Residency (Wells Contemporary) Shortlisted - Jackson's Painting Prize Longlisted - Women in Art Prize Honourable Mention - Arthouse Z 'Emerging Artist Prize' 2023 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Rising Artists, Jackson's Painting Prize - Bankside Gallery, London Wells Art Contemporary - Wells Cathedral, Wells Summer Exhibition - Green & Stone Gallery, London 2022 - Awards Winner - de Laszlo Foundation Award for Excellence Longlisted - Jackson's Painting Prize 2022 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Summer Exhibition - Green & Stone Gallery, London Tendencies in Painting - London Paint Club (online) Annual Open - Southwark Park Galleries, London Small Works Winter Show - Spring Cheltenham 2017 Winner - Best Memorial in Show - NAMM Craftex Awards 2015 Winner - Illustration Award - Cardiff School of Art and Design CSAD - Summer Show - Cardiff Behind the Door - Dyffryn House (National Trust) 2014 First Impressions - View Art Gallery, Bristol OUTSET Exhibition - Gate Gallery, Cardiff Autumn/Winter Exhibition - Cardiff MADE Artist in Residence - Beyond the Border Story Telling Festival Le Violon D'Ingres - The Gate Gallery Cardiff 2011 Winner & Highly Commended - Rotary Club Young Artist of the Year Award Statement about AOAP Submitted Artwork Feeling watched and watching... Looking through a crack in a door or spying through a keyhole was something I wanted to explore with these tiny works. The scale is much smaller than I usually work, so I decided to work to a crop rather than reducing the image. Crops fascinate me, especially in portraiture... Without all the features, can you still translate their expression? How are you being watched? Is it a menacing stare or a loving gaze?   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Daisy Collingridge Facescape (Miniature 1) Textiles and wood on paper Signed on Verso 10.5 x 15 x 1.7cm (4 x 5¾ x ¾ in.) This lot has been curated by Millie Foster About Daisy is a multi-disciplinary work investigating the human form as the central theme. The work sits in a place of tension between, sculpture, performance and art. The 'flesh suits' are an exploration of fabric, form and flesh. Their tactile fabric bodies and inviting colour exaggerate the warmth and softness of flesh- these elements which signify a living thing. They are visceral. There is a desire to touch. Fabric offers skin like qualities that traditional sculpting materials do not have. Education 2010-2014 | BA diploma fashion design womenswear, Central St Martins 2009-2010 | Art Foundation Diploma, Loughborough University   Select Exhibitions/Awards 2023 | 'Within + Without', Unit Gallery, Group Show, London 2023 | 'Hysteria', Gillian Jason Gallery, Group Show London 2022 | 'Grossly Affectionate', Boulder Museum of Contemporary Art, Group show, USA 2021 | 'Best seat in the house', WaterAid UK, Oxo Gallery, Group show, London 2020- 2022 | Sarabande Foundation Artist in Resident, London   Statement about AOAP Submitted Artwork These pieces are small scale versions of the 'Facescapes' created earlier this year. Working on smaller scale fabric works emphasise intricacy and delicacy in portraying facial features. This miniature approach invites viewers to closely examine the fine textures and stitches that bring a face to life fostering a sense of intimacy.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Daisy Collingridge Facescape (Miniature 2) Textiles and wood on paper Signed on Verso 10 x 15 x 1.8cm (3¾ x 5¾ x ¾ in.) This lot has been curated by Millie Foster About Daisy is a multi-disciplinary work investigating the human form as the central theme. The work sits in a place of tension between, sculpture, performance and art. The 'flesh suits' are an exploration of fabric, form and flesh. Their tactile fabric bodies and inviting colour exaggerate the warmth and softness of flesh- these elements which signify a living thing. They are visceral. There is a desire to touch. Fabric offers skin like qualities that traditional sculpting materials do not have. Education 2010-2014 | BA diploma fashion design womenswear, Central St Martins 2009-2010 | Art Foundation Diploma, Loughborough University   Select Exhibitions/Awards 2023 | 'Within + Without', Unit Gallery, Group Show, London 2023 | 'Hysteria', Gillian Jason Gallery, Group Show London 2022 | 'Grossly Affectionate', Boulder Museum of Contemporary Art, Group show, USA 2021 | 'Best seat in the house', WaterAid UK, Oxo Gallery, Group show, London 2020- 2022 | Sarabande Foundation Artist in Resident, London   Statement about AOAP Submitted Artwork These pieces are small scale versions of the 'Facescapes' created earlier this year. Working on smaller scale fabric works emphasise intricacy and delicacy in portraying facial features. This miniature approach invites viewers to closely examine the fine textures and stitches that bring a face to life fostering a sense of intimacy.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Laura Hope Eye Spy II, 2023 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About My work is centred around unspoken emotions and quiet inner lives. Created from my own staged photographs of models, it is often a response to memories, relationships and personal crisis. Through composition, cropping and reversing the image, I strive to convey an uneasy narrative that shines a light on subtle feelings that often hide in the shadows. With hints to another era, my figures live in a world that is both nostalgic and present. I sit on the fence between painting and drawing - feeling that 'painting' better describes my process but knowing that 'drawing' is my method of creation. My training as an illustrator as well as my time working as a memorial artist (hand etching onto granite) have cemented the importance of line and mark making in my practice. A combination of thick, harsh scribbles and precise, light touches alongside a unique translation of colour are the voices used to tell my stories. Education BA (hons) Illustration - Cardiff School of Art and Design - First Class Select Exhibitions/Awards   2023 - Awards Winner - NG Art Creative Residency (Wells Contemporary) Shortlisted - Jackson's Painting Prize Longlisted - Women in Art Prize Honourable Mention - Arthouse Z 'Emerging Artist Prize' 2023 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Rising Artists, Jackson's Painting Prize - Bankside Gallery, London Wells Art Contemporary - Wells Cathedral, Wells Summer Exhibition - Green & Stone Gallery, London 2022 - Awards Winner - de Laszlo Foundation Award for Excellence Longlisted - Jackson's Painting Prize 2022 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Summer Exhibition - Green & Stone Gallery, London Tendencies in Painting - London Paint Club (online) Annual Open - Southwark Park Galleries, London Small Works Winter Show - Spring Cheltenham 2017 Winner - Best Memorial in Show - NAMM Craftex Awards 2015 Winner - Illustration Award - Cardiff School of Art and Design CSAD - Summer Show - Cardiff Behind the Door - Dyffryn House (National Trust) 2014 First Impressions - View Art Gallery, Bristol OUTSET Exhibition - Gate Gallery, Cardiff Autumn/Winter Exhibition - Cardiff MADE Artist in Residence - Beyond the Border Story Telling Festival Le Violon D'Ingres - The Gate Gallery Cardiff 2011 Winner & Highly Commended - Rotary Club Young Artist of the Year Award Statement about AOAP Submitted Artwork Feeling watched and watching... Looking through a crack in a door or spying through a keyhole was something I wanted to explore with these tiny works. The scale is much smaller than I usually work, so I decided to work to a crop rather than reducing the image. Crops fascinate me, especially in portraiture... Without all the features, can you still translate their expression? How are you being watched? Is it a menacing stare or a loving gaze?   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Cherry Aribisala Sour (The Lemon Farmer) Acrylic, ink, oil, oil paint collage and oil pastel on paper Signed on Verso 17 x 11.8cm (6½ x 4½ in.) This lot has been curated by Millie Foster About Cherry Aribisala (b.2000, Lagos Nigerian) is an artist currently based in London. She is known for her innovative and vibrant artwork that combines elements of comic book aesthetics, contemporary figuration, and expressive brushwork. Her art explores themes such as mental well-being, escapism, vulnerability, and emotional landscapes while incorporating contemporary pop sensibilities. Cherry's work invites viewers to delve into intricate relationships among figures and their surroundings, reflecting her personal growth and a desire for experimental artistry. Her art touches upon themes of order, mystery, and sanctuary, offering a universal language that transcends borders and encourages introspection. Education - BA Fine Art, Goldsmiths University of London, UK Select Exhibitions/Awards SELECTED SOLO EXHIBITIONS/PRESENTATIONS 2023 - Art Saloon, The Vault Residency, Lagos, Nigeria DUO EXHIBITIONS 2023 -TETE A TETE, Pi Artworks Gallery, London, UK SELECTED GROUP EXHIBITIONS 2023 - Hari Art Prize Exhibition, Hari, London UK - YOU CAN'T ALWAYS GET WHAT YOU WANT, Haricot Gallery, London, UK - FELT Vol 04, Felt Collection, London, UK - 'Art on a Postcard' Autumn Auction for Hepatitis C Trust - ABOUT DAMN TIME, SABO ART Gallery, Lagos, Nigeria - DADA Residency Exhibition, DADA Gallery, London, UK 2022 - FACE TO FACE, Gillian Jason Gallery, London, UK - 50x50, The Auction Collective, London, UK - TRANSFORMATION, Saatchi Gallery, London, UK - FRAGMENTS, Omer Tiroche Gallery, London, UK - IF WORDS WERE FLOWERS, London, UK - JINX, Amersham Gallery, London, UK AWARDS & RESIDENCIES - The Hari Art Prize UK 2023 - The Vault Residency, Lagos, Nigeria 2022-2023 SELECTED FAIRS - START ART Fair, Saatchi Gallery, London, UK COLLECTIONS 2022 - Private Collections in United Kingdom, Nigeria, Los Angeles, New York, and Canada.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Laura Hope Eye Spy III, 2023 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About My work is centred around unspoken emotions and quiet inner lives. Created from my own staged photographs of models, it is often a response to memories, relationships and personal crisis. Through composition, cropping and reversing the image, I strive to convey an uneasy narrative that shines a light on subtle feelings that often hide in the shadows. With hints to another era, my figures live in a world that is both nostalgic and present. I sit on the fence between painting and drawing - feeling that 'painting' better describes my process but knowing that 'drawing' is my method of creation. My training as an illustrator as well as my time working as a memorial artist (hand etching onto granite) have cemented the importance of line and mark making in my practice. A combination of thick, harsh scribbles and precise, light touches alongside a unique translation of colour are the voices used to tell my stories. Education BA (hons) Illustration - Cardiff School of Art and Design - First Class Select Exhibitions/Awards   2023 - Awards Winner - NG Art Creative Residency (Wells Contemporary) Shortlisted - Jackson's Painting Prize Longlisted - Women in Art Prize Honourable Mention - Arthouse Z 'Emerging Artist Prize' 2023 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Rising Artists, Jackson's Painting Prize - Bankside Gallery, London Wells Art Contemporary - Wells Cathedral, Wells Summer Exhibition - Green & Stone Gallery, London 2022 - Awards Winner - de Laszlo Foundation Award for Excellence Longlisted - Jackson's Painting Prize 2022 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Summer Exhibition - Green & Stone Gallery, London Tendencies in Painting - London Paint Club (online) Annual Open - Southwark Park Galleries, London Small Works Winter Show - Spring Cheltenham 2017 Winner - Best Memorial in Show - NAMM Craftex Awards 2015 Winner - Illustration Award - Cardiff School of Art and Design CSAD - Summer Show - Cardiff Behind the Door - Dyffryn House (National Trust) 2014 First Impressions - View Art Gallery, Bristol OUTSET Exhibition - Gate Gallery, Cardiff Autumn/Winter Exhibition - Cardiff MADE Artist in Residence - Beyond the Border Story Telling Festival Le Violon D'Ingres - The Gate Gallery Cardiff 2011 Winner & Highly Commended - Rotary Club Young Artist of the Year Award Statement about AOAP Submitted Artwork Feeling watched and watching... Looking through a crack in a door or spying through a keyhole was something I wanted to explore with these tiny works. The scale is much smaller than I usually work, so I decided to work to a crop rather than reducing the image. Crops fascinate me, especially in portraiture... Without all the features, can you still translate their expression? How are you being watched? Is it a menacing stare or a loving gaze?   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Nikki Ward Moths and the Moon Collage Signed on Verso 10 x 15 x 0.8cm (3¾ x 5¾ x ¼ in.) This lot has been curated by Katherine Kittoe About I am an assemblage and collage artist. I work with found objects and damaged books, combining them to make my work. Education BA Hons in Visual and performing arts BETEC in general art and design Select Exhibitions/Awards Frauen museum Wiesbaden: Kaleidoskop Affordable Art Fair: Battersea Ditching Museum of art and craft: Ditching The Coach House Gallery: Alfriston Lewes Art Wave: Ringmer Translations. Regency Town House: Brighton Made Gallery: Cirencester Brighton Books: Brighton Two Kats and a Cow Gallery: Brighton Neptune: Hove E5 Bakehouse Gallery Representation Kittoe Contemporary London Statement about AOAP Submitted Artwork Collage using books from the last century depicting moths flying to the light of the moon   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Kate Scott Trees 1, Loire Valley Collage, gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About I am an artist making both figurative and abstract work, mostly involving collage. I also make ceramics. Education Exeter University and Art College (English and Fine Art degree) City and Guilds School Of Art. Select Exhibitions/Awards Discerning Eye, Royal Watercolour Society show at the Bankside Gallery; St Cuthbert Mill prize. Gallery Representation Kittoe Contemporary, Piers Feetham Gallery. Contemporary Ceramics Centre Statement about AOAP Submitted Artwork These works are based on sketchbook work from a holiday in august in the Loire Valley near Saumur.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Kate Scott Trees 2, Loire Valley Collage, gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About I am an artist making both figurative and abstract work, mostly involving collage. I also make ceramics. Education Exeter University and Art College (English and Fine Art degree) City and Guilds School Of Art. Select Exhibitions/Awards Discerning Eye, Royal Watercolour Society show at the Bankside Gallery; St Cuthbert Mill prize. Gallery Representation Kittoe Contemporary, Piers Feetham Gallery. Contemporary Ceramics Centre Statement about AOAP Submitted Artwork These works are based on sketchbook work from a holiday in august in the Loire Valley near Saumur.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Kate Scott Dark Tree, Loire Valley Collage, gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About I am an artist making both figurative and abstract work, mostly involving collage. I also make ceramics. Education Exeter University and Art College (English and Fine Art degree) City and Guilds School Of Art. Select Exhibitions/Awards Discerning Eye, Royal Watercolour Society show at the Bankside Gallery; St Cuthbert Mill prize. Gallery Representation Kittoe Contemporary, Piers Feetham Gallery. Contemporary Ceramics Centre Statement about AOAP Submitted Artwork These works are based on sketchbook work from a holiday in august in the Loire Valley near Saumur.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Kate Scott Windmill, Loire Valley Collage, gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About I am an artist making both figurative and abstract work, mostly involving collage. I also make ceramics. Education Exeter University and Art College (English and Fine Art degree) City and Guilds School Of Art. Select Exhibitions/Awards Discerning Eye, Royal Watercolour Society show at the Bankside Gallery; St Cuthbert Mill prize. Gallery Representation Kittoe Contemporary, Piers Feetham Gallery. Contemporary Ceramics Centre Statement about AOAP Submitted Artwork These works are based on sketchbook work from a holiday in august in the Loire Valley near Saumur.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Selina Snow Alsorts - Yellow Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About My paintings are visual diaries in response to my travels and surroundings. Having lived and worked in London, Paris, Sydney and Tokyo, the cross-cultural and ritualistic elements from these societies have always fascinated me, along with strong culinary influences and references, which are reflected in my work. In particular, I explore the significance of seemingly incongruous foods, and place them within my paintings. Education Camberwell Foundation/Bristol BA/ Slade MA Select Exhibitions/Awards Kittoe Contemporary various / AAF London National Portrait Gallery- Australia (Chefs and Dishes) National Open Art, Chichester Southampton City Art Gallery -Indian Series. Southampton Japan Foundation/Sydney Art House Gallery/ Sydney Liberty/ London Daniel Arnaud/ London Sunday Times Watercolour exhibition/London Gallery Representation Kittoe Contemporary Statement about AOAP Submitted Artwork All sorts yellow and orange. Classic childhood memory of buying sweets in beautiful jewel like colours.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Selina Snow Alsorts - Orange Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About My paintings are visual diaries in response to my travels and surroundings. Having lived and worked in London, Paris, Sydney and Tokyo, the cross-cultural and ritualistic elements from these societies have always fascinated me, along with strong culinary influences and references, which are reflected in my work. In particular, I explore the significance of seemingly incongruous foods, and place them within my paintings. Education Camberwell Foundation/Bristol BA/ Slade MA Select Exhibitions/Awards Kittoe Contemporary various / AAF London National Portrait Gallery- Australia (Chefs and Dishes) National Open Art, Chichester Southampton City Art Gallery -Indian Series. Southampton Japan Foundation/Sydney Art House Gallery/ Sydney Liberty/ London Daniel Arnaud/ London Sunday Times Watercolour exhibition/London Gallery Representation Kittoe Contemporary Statement about AOAP Submitted Artwork All sorts yellow and orange. Classic childhood memory of buying sweets in beautiful jewel like colours.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Charlotte Farmer Sugar, Sugar Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Charlotte is a screen printer and illustrator. Her work is about finding beauty in everyday objects and she has a particular affinity for bold colours and fine detail. From matchboxes and vintage tins to tropical birds and wild cats, Charlotte's prints are all about storytelling and the characters within each narrative. Education MA Communication Design - Central St Martins, BA Fine Art (Printmaking) Select Exhibitions/Awards Royal Academy Summer Exhibition, Woolwich Contemporary Print Fair Statement about AOAP Submitted Artwork The artwork in the show focusses on my love of collections - in this case sugar cubes.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Hurvin Anderson The Avenue Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe   About Born in 1965, Birmingham, United Kingdom, Hurvin Anderson lives and works between London and Cambridgeshire. Hurvin Anderson's paintings explore spaces occupied by Caribbean immigrants, such as public parks, gardens, barbershops and domestic interiors, which function as sites for both social gathering and economic enterprise. These settings represent the artist's personal and cultural memories of functional spaces and shared experiences of the Caribbean. Born to parents of Jamaican descent, Hurvin studied at the Wimbledon School of Art followed by the Royal College of Art, where he explored the relevance of figuration in a world dominated by abstraction and Conceptual art. Since then, he has pursued both landscape and abstract painting, exploring his own relationships to place by recalling social history and memory. Education Wimbledon School of Art (1991-1994), Royal College of Art (1996-1998) Select Exhibitions/Awards Solo Exhibitions: 2023 Salon Paintings: Hurvin Anderson, Hepworth Wakefield, Wakefield 2021 Reverb: Thomas Dane Gallery, London, England
 Hurvin Anderson: Anywhere but Nowhere, The Arts Club of Chicago, Chicago IL
 2019 Hurvin Anderson, They have a mind of their own, Rat Hole Gallery, Tokyo, Japan 2016 Hurvin Anderson: Dub Versions, New Art Exchange, Nottingham, England Hurvin Anderson: Backdrop, Art Gallery of Ontario, Toronto, Canada 2015 Hurvin Anderson: Backdrop, Contemporary Art Museum St. Louis, St. Louis MO 2013 Hurvin Anderson: reporting back, Ikon Gallery, Birmingham, England Group Exhibitions: 2024 Forthcoming: The Time is Always Now: Artists Reframe the Black Figure, National Portrait Gallery, London, England 2022 Radical Landscapes, Tate Liverpool, Liverpool, England [travelling to Mead Gallery, Coventry, England; William Morris Gallery, London, England] 2021 Life Between Islands: Caribbean-British Art 1950s - Now, Tate Britain, London, England [travelling to: Art Gallery of Ontario, Toronto, Canada] Mixing It Up: Painting Today, Hayward Gallery, London, England British Art Show 9, Hayward Gallery, London, England [travelling to Aberdeen Art Gallery, Aberdeen, Scotland; Wolverhampton Art Gallery, Wolverhampton, England; University of Wolverhampton School of Art, Wolverhampton, England; Castlefield Gallery, Manchester, England; Centre for Chinese Contemporary Art (CFCCA), Manchester, England; HOME, Manchester, England; Manchester Art Gallery, Manchester, England; The Whitworth, Manchester, England; KARST, Plymouth, England; The Levinsky Gallery, Plymouth, England; The Box, Plymouth, England; Plymouth College of Art, Plymouth, England] Hurvin Anderson was shortlisted for the Turner Prize in 2019. Gallery Representation Thomas Dane Gallery, London and Michael Werner Gallery, New York   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Henry Ward Untitled Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Henry Ward is a painter living and working in London. He works primarily as a painter, but also makes drawings and small sculptures. He is interested in exploring the language of paint by investigating the threshold between abstraction and representation. He maintains three specific sites of practice; his kitchen table, where he makes small objects, his shed, where he paints on paper, and the studio. These three spaces create an ongoing dialogue between different ways of working and different paces. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022, and longlisted for the Contemporary British Painting Prize 2021. He is included in the inaugural "The Football Art Prize" in 2022. His work has been included in numerous exhibitions. The first substantial publication about his work, "Shed Paintings - Henry Ward", was published in February 2021 by Hato Press and features 101 works on paper and a new essay by Ben Street. Education Winchester School of Art; Goldsmiths College; Middlesex University Gallery Representation Vivienne Roberts Projects Statement about AOAP Submitted Artwork Small paintings forming part of my ongoing series of "Shed Paintings"   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Henry Ward Untitled (2) Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe   About Henry Ward is a painter living and working in London. He works primarily as a painter, but also makes drawings and small sculptures. He is interested in exploring the language of paint by investigating the threshold between abstraction and representation. He maintains three specific sites of practice; his kitchen table, where he makes small objects, his shed, where he paints on paper, and the studio. These three spaces create an ongoing dialogue between different ways of working and different paces. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022, and longlisted for the Contemporary British Painting Prize 2021. He is included in the inaugural "The Football Art Prize" in 2022. His work has been included in numerous exhibitions. The first substantial publication about his work, "Shed Paintings - Henry Ward", was published in February 2021 by Hato Press and features 101 works on paper and a new essay by Ben Street. Education Winchester School of Art; Goldsmiths College; Middlesex University Gallery Representation Vivienne Roberts Projects Statement about AOAP Submitted Artwork Small paintings forming part of my ongoing series of "Shed Paintings"   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Henry Ward Untitled (3) Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Henry Ward is a painter living and working in London. He works primarily as a painter, but also makes drawings and small sculptures. He is interested in exploring the language of paint by investigating the threshold between abstraction and representation. He maintains three specific sites of practice; his kitchen table, where he makes small objects, his shed, where he paints on paper, and the studio. These three spaces create an ongoing dialogue between different ways of working and different paces. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022, and longlisted for the Contemporary British Painting Prize 2021. He is included in the inaugural "The Football Art Prize" in 2022. His work has been included in numerous exhibitions. The first substantial publication about his work, "Shed Paintings - Henry Ward", was published in February 2021 by Hato Press and features 101 works on paper and a new essay by Ben Street. Education Winchester School of Art; Goldsmiths College; Middlesex University Gallery Representation Vivienne Roberts Projects Statement about AOAP Submitted Artwork Small paintings forming part of my ongoing series of "Shed Paintings"   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Dawn Beckles Temporary Relief Acrylic and collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Dawn Beckles reimagines classic still life with vibrant colours and contemporary settings, infused with her Barbadian roots. A mixed media expert, she seamlessly combines painting, collage, and screen printing, juxtaposing man-made beauty with nature's wonders. Her paintings blend high fashion and bespoke interiors with orchids and birds of paradise from her personal collection. Dawn's art celebrates the intimate connection between objects and their owners, revealing their stories through context. Whether crafting lavish roomscapes or studying simple clay pots adorned with crocosmia, Dawn invites viewers to discover homeowners' essence as she does.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Dawn Beckles That We Can Make It Acrylic and collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Dawn Beckles reimagines classic still life with vibrant colours and contemporary settings, infused with her Barbadian roots. A mixed media expert, she seamlessly combines painting, collage, and screen printing, juxtaposing man-made beauty with nature's wonders. Her paintings blend high fashion and bespoke interiors with orchids and birds of paradise from her personal collection. Dawn's art celebrates the intimate connection between objects and their owners, revealing their stories through context. Whether crafting lavish roomscapes or studying simple clay pots adorned with crocosmia, Dawn invites viewers to discover homeowners' essence as she does.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Rebecca Hardaker Appreciate me no.1, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

William Packer Dandelion and Lesser Hawkbit Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About William Packer (born 1940) has had a long career as a painter. He first exhibited at the RA in 1963 and has shown his work whenever possible ever since, both in group and solo exhibitions. He was a visiting lecturer for many years at art schools around the country and later an examiner and advisor. He is also a writer and art critic, having been the art critic of the FT for many years. He has written for various other newspapers, journals, and magazines, and has published several books on art and artists. He has served on many exhibition selection panels and institutional boards and committees, including the Crafts Council, the Government Art Collection, the Council for Academic Awards, and Heatherley's Art School. He has also curated a number of exhibitions, including the first British Art Show and a major Elizabeth Blackadder Retrospective. He is married to Clare Packer, who is also an artist, and they live in Brixton. Education Windsor Grammar School, Wimbledon School of Art and Brighton College of Art. Select Exhibitions/Awards Many group exhibitions over the years, notably with the RA on occasion and regularly with the New English Art Club of which he is a member: regular solo shows until lately with the Piers Feetham Gallery, and recently with Kittoe Contemporary. Gallery Representation Kittoe Contemporary Statement about AOAP Submitted Artwork Since the 1990s, most of my work has been still life, though never exclusively so - a small family of familiar pots, jars and cans, and flowers from the garden, however so modest they may be. These are what were immediately and typically to hand.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

William Packer Geranium Psilostemon Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About William Packer (born 1940) has had a long career as a painter. He first exhibited at the RA in 1963 and has shown his work whenever possible ever since, both in group and solo exhibitions. He was a visiting lecturer for many years at art schools around the country and later an examiner and advisor. He is also a writer and art critic, having been the art critic of the FT for many years. He has written for various other newspapers, journals, and magazines, and has published several books on art and artists. He has served on many exhibition selection panels and institutional boards and committees, including the Crafts Council, the Government Art Collection, the Council for Academic Awards, and Heatherley's Art School. He has also curated a number of exhibitions, including the first British Art Show and a major Elizabeth Blackadder Retrospective. He is married to Clare Packer, who is also an artist, and they live in Brixton. Education Windsor Grammar School, Wimbledon School of Art and Brighton College of Art. Select Exhibitions/Awards Many group exhibitions over the years, notably with the RA on occasion and regularly with the New English Art Club of which he is a member: regular solo shows until lately with the Piers Feetham Gallery, and recently with Kittoe Contemporary. Gallery Representation Kittoe Contemporary Statement about AOAP Submitted Artwork Since the 1990s, most of my work has been still life, though never exclusively so - a small family of familiar pots, jars and cans, and flowers from the garden, however so modest they may be. These are what were immediately and typically to hand.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

William Packer Aster Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by Katherine Kittoe About William Packer (born 1940) has had a long career as a painter. He first exhibited at the RA in 1963 and has shown his work whenever possible ever since, both in group and solo exhibitions. He was a visiting lecturer for many years at art schools around the country and later an examiner and advisor. He is also a writer and art critic, having been the art critic of the FT for many years. He has written for various other newspapers, journals, and magazines, and has published several books on art and artists. He has served on many exhibition selection panels and institutional boards and committees, including the Crafts Council, the Government Art Collection, the Council for Academic Awards, and Heatherley's Art School. He has also curated a number of exhibitions, including the first British Art Show and a major Elizabeth Blackadder Retrospective. He is married to Clare Packer, who is also an artist, and they live in Brixton. Education Windsor Grammar School, Wimbledon School of Art and Brighton College of Art. Select Exhibitions/Awards Many group exhibitions over the years, notably with the RA on occasion and regularly with the New English Art Club of which he is a member: regular solo shows until lately with the Piers Feetham Gallery, and recently with Kittoe Contemporary. Gallery Representation Kittoe Contemporary Statement about AOAP Submitted Artwork Since the 1990s, most of my work has been still life, though never exclusively so - a small family of familiar pots, jars and cans, and flowers from the garden, however so modest they may be. These are what were immediately and typically to hand.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

William Packer Gaura Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About William Packer (born 1940) has had a long career as a painter. He first exhibited at the RA in 1963 and has shown his work whenever possible ever since, both in group and solo exhibitions. He was a visiting lecturer for many years at art schools around the country and later an examiner and advisor. He is also a writer and art critic, having been the art critic of the FT for many years. He has written for various other newspapers, journals, and magazines, and has published several books on art and artists. He has served on many exhibition selection panels and institutional boards and committees, including the Crafts Council, the Government Art Collection, the Council for Academic Awards, and Heatherley's Art School. He has also curated a number of exhibitions, including the first British Art Show and a major Elizabeth Blackadder Retrospective. He is married to Clare Packer, who is also an artist, and they live in Brixton. Education Windsor Grammar School, Wimbledon School of Art and Brighton College of Art. Select Exhibitions/Awards Many group exhibitions over the years, notably with the RA on occasion and regularly with the New English Art Club of which he is a member: regular solo shows until lately with the Piers Feetham Gallery, and recently with Kittoe Contemporary. Gallery Representation Kittoe Contemporary Statement about AOAP Submitted Artwork Since the 1990s, most of my work has been still life, though never exclusively so - a small family of familiar pots, jars and cans, and flowers from the garden, however so modest they may be. These are what were immediately and typically to hand.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Rebecca Hardaker Appreciate me no.2, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Laura Jane Scott Considered Interior paint on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by Katherine Kittoe About Laura Jane Scott is an artist working in minimalist, geometric abstraction and colour-field painting. Her desire for formal simplicity through geometric form and her striking use of colour enables her to produce work where painting explores a model of architectural form and where colour embodies a physical structure. The resulting work is a refined visual vocabulary of form and colour. "My aim is always to express an idea as simply and as elegantly as possible. To strip everything back to only what is necessary to communicate that idea. My work is primarily an exploration of balance, of positive and negative space, of presence and absence." Education Laura studied at Camberwell College of Arts and Ravensbourne University London. Select Exhibitions/Awards Laura's work has been exhibited widely over the past seven years in London, Edinburgh, New York and Hamburg and has featured twice in the Royal Academy's Summer Exhibition. Gallery Representation Laura is represented by Kittoe Contemporary in London and frequently shows work with &Gallery in Edinburgh. She also sells work independently and accepts commissions for large scale installations. Statement about AOAP Submitted Artwork Laura has submitted two works to Art on a Postcard Winter 2023. The first is a miniature of her relief series 'Necessary Limits' which explores colour, balance and form within the confines of some self-imposed boundaries.   The second piece 'Considered' is a minimalist painting of saturated, clean-edged shapes using colours from Laura's signature palette and the component shapes that often appear in her work.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Laura Jane Scott Necessary Limits (Mini) 2 Greyboard, interior paint Signed on Verso 11.1 x 15.2 x 0.8cm (4¼ x 5 x ¼ in.) This lot has been curated by Katherine Kittoe About Laura Jane Scott is an artist working in minimalist, geometric abstraction and colour-field painting. Her desire for formal simplicity through geometric form and her striking use of colour enables her to produce work where painting explores a model of architectural form and where colour embodies a physical structure. The resulting work is a refined visual vocabulary of form and colour. "My aim is always to express an idea as simply and as elegantly as possible. To strip everything back to only what is necessary to communicate that idea. My work is primarily an exploration of balance, of positive and negative space, of presence and absence." Education Laura studied at Camberwell College of Arts and Ravensbourne University London. Select Exhibitions/Awards Laura's work has been exhibited widely over the past seven years in London, Edinburgh, New York and Hamburg and has featured twice in the Royal Academy's Summer Exhibition. Gallery Representation Laura is represented by Kittoe Contemporary in London and frequently shows work with &Gallery in Edinburgh. She also sells work independently and accepts commissions for large scale installations. Statement about AOAP Submitted Artwork Laura has submitted two works to Art on a Postcard Winter 2023. The first is a miniature of her relief series 'Necessary Limits' which explores colour, balance and form within the confines of some self-imposed boundaries.   The second piece 'Considered' is a minimalist painting of saturated, clean-edged shapes using colours from Laura's signature palette and the component shapes that often appear in her work.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Jess Quinn What Have We Done? Mixed media - pen, paint and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Jess Quinn creates surreal worlds, filled with colour and pattern, that mix the magical and the mundane. She weaves together memories and real events with fictional characters and places. These imagined worlds, inhabited by women and wild animals, offer an escape, the possibility of a new existence. However, there is always suggestion of darkness, a looming threat. Her characters look out at us with an unflinching gaze that we are compelled to return. They are represented as protectors and builders, the wild animals as guardians representing their strength. Education Fine Art at Glasgow School of Art Select Exhibitions/Awards GROUP EXHIBITIONS Kittoe Contemporary Christmas Exhibition (2018) The Affordable Art Fair, Battersea and Hampstead (2019) The Art & Antique Fair Olympia (2019) Kittoe Contemporary Christmas Exhibition (2019) MOSTYN open 21 (2019) The Affordable Art Fair, Battersea (2020) The Affordable Art Fair, Battersea (2022) The Affordable Art Fair, Battersea (2023) SOLO EXHIBTIONS The London Art Fair - Project Space (2020) The Fitzrovia Gallery, London - A Gathering of Ancestors (2023) Collections Works owned by private collectors in the U.K. and internationally. Prizes Selected for the Mostyn Agored Exhibition 2019. Selected for the ING Discerning Eye Exhibition 2020. Gallery Representation Kittoe Contemporary   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Jess Quinn Calling All Our Mothers And All Our Daughters - Gather Around Pencil and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Jess Quinn creates surreal worlds, filled with colour and pattern, that mix the magical and the mundane. She weaves together memories and real events with fictional characters and places. These imagined worlds, inhabited by women and wild animals, offer an escape, the possibility of a new existence. However, there is always suggestion of darkness, a looming threat. Her characters look out at us with an unflinching gaze that we are compelled to return. They are represented as protectors and builders, the wild animals as guardians representing their strength. Education Fine Art at Glasgow School of Art Select Exhibitions/Awards GROUP EXHIBITIONS Kittoe Contemporary Christmas Exhibition (2018) The Affordable Art Fair, Battersea and Hampstead (2019) The Art & Antique Fair Olympia (2019) Kittoe Contemporary Christmas Exhibition (2019) MOSTYN open 21 (2019) The Affordable Art Fair, Battersea (2020) The Affordable Art Fair, Battersea (2022) The Affordable Art Fair, Battersea (2023) SOLO EXHIBTIONS The London Art Fair - Project Space (2020) The Fitzrovia Gallery, London - A Gathering of Ancestors (2023) Collections Works owned by private collectors in the U.K. and internationally. Prizes Selected for the Mostyn Agored Exhibition 2019. Selected for the ING Discerning Eye Exhibition 2020. Gallery Representation Kittoe Contemporary   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Jess Quinn Come And Join Us Pencil and pen on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Jess Quinn creates surreal worlds, filled with colour and pattern, that mix the magical and the mundane. She weaves together memories and real events with fictional characters and places. These imagined worlds, inhabited by women and wild animals, offer an escape, the possibility of a new existence. However, there is always suggestion of darkness, a looming threat. Her characters look out at us with an unflinching gaze that we are compelled to return. They are represented as protectors and builders, the wild animals as guardians representing their strength. Education Fine Art at Glasgow School of Art Select Exhibitions/Awards GROUP EXHIBITIONS Kittoe Contemporary Christmas Exhibition (2018) The Affordable Art Fair, Battersea and Hampstead (2019) The Art & Antique Fair Olympia (2019) Kittoe Contemporary Christmas Exhibition (2019) MOSTYN open 21 (2019) The Affordable Art Fair, Battersea (2020) The Affordable Art Fair, Battersea (2022) The Affordable Art Fair, Battersea (2023) SOLO EXHIBTIONS The London Art Fair - Project Space (2020) The Fitzrovia Gallery, London - A Gathering of Ancestors (2023) Collections Works owned by private collectors in the U.K. and internationally. Prizes Selected for the Mostyn Agored Exhibition 2019. Selected for the ING Discerning Eye Exhibition 2020. Gallery Representation Kittoe Contemporary   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Melanie Goemans Free as the air (1) Oil, charcoal and 22 ct. gold leaf on gesso on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Melanie grew up in the Lincolnshire fens, spending time in Italy between studying Florentine Renaissance Art, then Fine Art (painting). After university in London, through residencies and teaching posts, she relocated to Gloucestershire, Devon, then back to London and now works from her studio in Cambridgeshire. Education BA Hons. and MA History of Art - Courtauld Institute of Art, University of London, 1990-95. MA Fine Art (Painting) - University of Gloucestershire, 1996-98. Select Exhibitions/Awards 2021: John Moores Painting Prize 2020, Walker Art Gallery, Liverpool 2020: ING Discerning Eye Exhibition, online 2016: 20th National Open Art Exhibition (NOA), Mercers' Hall, London EC2V 2015: ING Discerning Eye Exhibition, Mall Galleries, London SW1 (invited artist) 2007: Deep Inspiration, Jerwood Space. London SE1 (commended work) Gallery Representation Beaux Arts Bath, Cornwall Contemporary Penzance, and Eastwood Fine Art Hampshire Statement about AOAP Submitted Artwork "Walking my dogs in the early morning I notice the small seasonal shifts. I think about the quiet beauty in the everyday, particularly in the natural commonplace things, rarely celebrated. My paintings are inspired by what I see around me: the form of a tree; the long lines of twining stems; the intricacies of birds in flight. Often I am reminded of a poem or a piece of music and revisit an idea resonating there. Before the layers of gesso, I draw in charcoal or acrylic and the subsequent gilding or linseed oil shine in contrast. I paint in oil from my photographs, tracing the lines loosely with a fine square ended brush, observing the tonal shifts, and the marks build up the complicated patterns of the whole. Using traditional materials, my work draws attention to these fleeting moments and underscores their value." Melanie Goemans 2023   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Melanie Goemans Free as the air (2) Oil, charcoal and 22 ct. gold leaf on gesso on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by Katherine Kittoe About Melanie grew up in the Lincolnshire fens, spending time in Italy between studying Florentine Renaissance Art, then Fine Art (painting). After university in London, through residencies and teaching posts, she relocated to Gloucestershire, Devon, then back to London and now works from her studio in Cambridgeshire. Education BA Hons. and MA History of Art - Courtauld Institute of Art, University of London, 1990-95. MA Fine Art (Painting) - University of Gloucestershire, 1996-98. Select Exhibitions/Awards 2021: John Moores Painting Prize 2020, Walker Art Gallery, Liverpool 2020: ING Discerning Eye Exhibition, online 2016: 20th National Open Art Exhibition (NOA), Mercers' Hall, London EC2V 2015: ING Discerning Eye Exhibition, Mall Galleries, London SW1 (invited artist) 2007: Deep Inspiration, Jerwood Space. London SE1 (commended work) Gallery Representation Beaux Arts Bath, Cornwall Contemporary Penzance, and Eastwood Fine Art Hampshire Statement about AOAP Submitted Artwork "Walking my dogs in the early morning I notice the small seasonal shifts. I think about the quiet beauty in the everyday, particularly in the natural commonplace things, rarely celebrated. My paintings are inspired by what I see around me: the form of a tree; the long lines of twining stems; the intricacies of birds in flight. Often I am reminded of a poem or a piece of music and revisit an idea resonating there. Before the layers of gesso, I draw in charcoal or acrylic and the subsequent gilding or linseed oil shine in contrast. I paint in oil from my photographs, tracing the lines loosely with a fine square ended brush, observing the tonal shifts, and the marks build up the complicated patterns of the whole. Using traditional materials, my work draws attention to these fleeting moments and underscores their value." Melanie Goemans 2023   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Melanie Goemans The day before Oil on gesso on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Melanie grew up in the Lincolnshire fens, spending time in Italy between studying Florentine Renaissance Art, then Fine Art (painting). After university in London, through residencies and teaching posts, she relocated to Gloucestershire, Devon, then back to London and now works from her studio in Cambridgeshire. Education BA Hons. and MA History of Art - Courtauld Institute of Art, University of London, 1990-95. MA Fine Art (Painting) - University of Gloucestershire, 1996-98. Select Exhibitions/Awards 2021: John Moores Painting Prize 2020, Walker Art Gallery, Liverpool 2020: ING Discerning Eye Exhibition, online 2016: 20th National Open Art Exhibition (NOA), Mercers' Hall, London EC2V 2015: ING Discerning Eye Exhibition, Mall Galleries, London SW1 (invited artist) 2007: Deep Inspiration, Jerwood Space. London SE1 (commended work) Gallery Representation Beaux Arts Bath, Cornwall Contemporary Penzance, and Eastwood Fine Art Hampshire Statement about AOAP Submitted Artwork "Walking my dogs in the early morning I notice the small seasonal shifts. I think about the quiet beauty in the everyday, particularly in the natural commonplace things, rarely celebrated. My paintings are inspired by what I see around me: the form of a tree; the long lines of twining stems; the intricacies of birds in flight. Often I am reminded of a poem or a piece of music and revisit an idea resonating there. Before the layers of gesso, I draw in charcoal or acrylic and the subsequent gilding or linseed oil shine in contrast. I paint in oil from my photographs, tracing the lines loosely with a fine square ended brush, observing the tonal shifts, and the marks build up the complicated patterns of the whole. Using traditional materials, my work draws attention to these fleeting moments and underscores their value." Melanie Goemans 2023   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Rebecca Hardaker Appreciate me no.3, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Melanie Goemans Afterwards Oil on gesso on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Melanie grew up in the Lincolnshire fens, spending time in Italy between studying Florentine Renaissance Art, then Fine Art (painting). After university in London, through residencies and teaching posts, she relocated to Gloucestershire, Devon, then back to London and now works from her studio in Cambridgeshire. Education BA Hons. and MA History of Art - Courtauld Institute of Art, University of London, 1990-95. MA Fine Art (Painting) - University of Gloucestershire, 1996-98. Select Exhibitions/Awards 2021: John Moores Painting Prize 2020, Walker Art Gallery, Liverpool 2020: ING Discerning Eye Exhibition, online 2016: 20th National Open Art Exhibition (NOA), Mercers' Hall, London EC2V 2015: ING Discerning Eye Exhibition, Mall Galleries, London SW1 (invited artist) 2007: Deep Inspiration, Jerwood Space. London SE1 (commended work) Gallery Representation Beaux Arts Bath, Cornwall Contemporary Penzance, and Eastwood Fine Art Hampshire Statement about AOAP Submitted Artwork "Walking my dogs in the early morning I notice the small seasonal shifts. I think about the quiet beauty in the everyday, particularly in the natural commonplace things, rarely celebrated. My paintings are inspired by what I see around me: the form of a tree; the long lines of twining stems; the intricacies of birds in flight. Often I am reminded of a poem or a piece of music and revisit an idea resonating there. Before the layers of gesso, I draw in charcoal or acrylic and the subsequent gilding or linseed oil shine in contrast. I paint in oil from my photographs, tracing the lines loosely with a fine square ended brush, observing the tonal shifts, and the marks build up the complicated patterns of the whole. Using traditional materials, my work draws attention to these fleeting moments and underscores their value." Melanie Goemans 2023   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Daniel Preece Cake Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by Katherine Kittoe About Born in London in 1970, Daniel Preece lives and works in London. Daniel's paintings celebrate the urban environment. Ranging from vast, majestic panoramas to intimate studies of shop fronts and overlooked corners rendered in his unique, vivid colour palette. 'My intention is to encourage the viewer to consider the city differently and I hope lead them to reassess their daily surroundings with a different eye.'   Education 2006-07 The Royals Drawing School, London E1. Post Graduate Drawing Year 1989-93 Slade School of Fine Art, London, WC1. BA (Hons) Fine Art 1988-89 Chelsea School of Art, London, SW7. Foundation Course Select Exhibitions/Awards SELECT SOLO EXHIBITIONS 2017 'Paintings about Everything and Nothing', One Paved Court, London 2015 'Intimate Isolation', Project Gallery, Arundel, West Sussex 2013 'Olympic Paintings', Canary Wharf Windows, Gallery London   SELECT GROUP EXHIBITIONS 2017 The Lynn Painter Stainers Painting Prize Exhibition, London 2016 The First International Invited Exhibition of Emei Contemporary Art, China 2015 The Lynn Painter Stainers Painting Prize Exhibition, London 2014 Christmas Show, Browse and Darby, London   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Daniel Preece Cakes Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Born in London in 1970, Daniel Preece lives and works in London. Daniel's paintings celebrate the urban environment. Ranging from vast, majestic panoramas to intimate studies of shop fronts and overlooked corners rendered in his unique, vivid colour palette. 'My intention is to encourage the viewer to consider the city differently and I hope lead them to reassess their daily surroundings with a different eye.'   Education 2006-07 The Royals Drawing School, London E1. Post Graduate Drawing Year 1989-93 Slade School of Fine Art, London, WC1. BA (Hons) Fine Art 1988-89 Chelsea School of Art, London, SW7. Foundation Course Select Exhibitions/Awards SELECT SOLO EXHIBITIONS 2017 'Paintings about Everything and Nothing', One Paved Court, London 2015 'Intimate Isolation', Project Gallery, Arundel, West Sussex 2013 'Olympic Paintings', Canary Wharf Windows, Gallery London   SELECT GROUP EXHIBITIONS 2017 The Lynn Painter Stainers Painting Prize Exhibition, London 2016 The First International Invited Exhibition of Emei Contemporary Art, China 2015 The Lynn Painter Stainers Painting Prize Exhibition, London 2014 Christmas Show, Browse and Darby, London   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Jon Burgerman Roman Ink and Crayon on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Jon Burgerman (b. 1979 UK) is a New York-based British artist whose works have been acquired by prestigious public collections such as London's Victoria and Albert Museum and the OÖ-Kultur Museum in Linz, Austria. His art has been described by critics as "bright, and intuitive, focused on the visceral energy of play as a tenet of communication" (Cate McQuaid, The Boston Globe, July 2021). Jon's highly distinctive fuzzy-edged characters in day-glo bright pinks, yellows, greens and blues epitomise the paradoxes of contemporary life. Their seemingly simple googly eyes betray a range of emotional complexities and anxieties, with comically distressed expressions and collapsing forms underlined by titles such as Xanax, Dualist, Fortitude and Chameleon (2022). At once friendly and scary, happy and sad, Jon achieves a form of emotional Cubism that relates directly to "a generational mental health crisis, [exacerbated] by climate anxiety, the pandemic, the narrowing of political choice and financial insecurity. And yet, there is always an elastic resilience, a wry smile, joy in the process and chance of hope" (Jon Burgerman personal statement 2022). Each of Jon's paintings reveals a studied balance of contrasts: hazy, indistinct huddles and isolated, lonely forms; crude graffitied marks versus fluid, soft forms achieved with an aerosol can. Improvised rhythms informed by electronic music permeate his works, creating staccato visual melodies that allow each work to perform satisfactorily to both eye and ear in a continuum of Miró and Kandinsky. Jon has developed a new visual language all of his own, painting with a hitherto unknown simplicity and captivating optimism that allows his subjects to establish a remarkable immediacy and intimacy with his viewers, in the same vein Keith Haring mastered. "I want to make expressive and open works, where the viewer can not only play with narrative strands suggested by the characters and forms but also emotionally connect with the textures, colours and very fabric of the painting itself." Jon Burgerman, 2023. Education Fine Art BA Hons at Nottingham Trent University Select Exhibitions/Awards SELECTED EXHIBITIONS SOLO SHOWS 2022 Hot Spot, Ojiri Gallery, London, UK New Friends, WOAW Gallery, Hong Kong, China Group Therapy, WOAW Gallery, China No Hard Feelings, Galerie Slika, Lyon, France Harbour City, Hong Kong, China 2021 Eye Candy, Praise Shadows, Boston, USA Solo booth, Urban Break Art Fair, Seoul, Korea Fuzzy Faces, Thinkspace, LA, USA Face Time, Dopeness Art Lab, Taipei, Taiwan GROUP SHOWS 2023 SG Art Fair, WOAW Gallery, Singapore Search Party, Hong Kong Group show, Tatjana Pieters, Belgium 2022 BAMA Art Fair, Busan, Korea Vision X, Chengdu Times Art Museum, China Punchline, Jane Lombard Gallery, New York L21 Gallery, Palma, Spain 2021 Can't Wait To Meet You, Primary, Miami, USA Caterpillar, Galerie Silka, Lyon, France ARCO Madrid Art Fair, L21 Gallery booth, Madrid, Spain Summer Camp, GR Gallery, Manhattan, NY, USA MISA Art fair, König Galerie, Berlin, Germany NFTism: No Fear in Trying, curated by Kenny Schachter, Institut, Unit, London, UK Badass, Dopeness Art Lab, Taipei, Taiwan Art Taipei Fair Booth, Dopeness Art Lab, Taipei, Taiwan MISA Art Fair, König Galerie, Cologne, Germany Gallery Representation WOAW Gallery Hong Kong Statement about AOAP Submitted Artwork Nervous characters rendered in ink and crayon.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Jon Burgerman Tom Ink and Crayon on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Jon Burgerman (b. 1979 UK) is a New York-based British artist whose works have been acquired by prestigious public collections such as London's Victoria and Albert Museum and the OÖ-Kultur Museum in Linz, Austria. His art has been described by critics as "bright, and intuitive, focused on the visceral energy of play as a tenet of communication" (Cate McQuaid, The Boston Globe, July 2021). Jon's highly distinctive fuzzy-edged characters in day-glo bright pinks, yellows, greens and blues epitomise the paradoxes of contemporary life. Their seemingly simple googly eyes betray a range of emotional complexities and anxieties, with comically distressed expressions and collapsing forms underlined by titles such as Xanax, Dualist, Fortitude and Chameleon (2022). At once friendly and scary, happy and sad, Jon achieves a form of emotional Cubism that relates directly to "a generational mental health crisis, [exacerbated] by climate anxiety, the pandemic, the narrowing of political choice and financial insecurity. And yet, there is always an elastic resilience, a wry smile, joy in the process and chance of hope" (Jon Burgerman personal statement 2022). Each of Jon's paintings reveals a studied balance of contrasts: hazy, indistinct huddles and isolated, lonely forms; crude graffitied marks versus fluid, soft forms achieved with an aerosol can. Improvised rhythms informed by electronic music permeate his works, creating staccato visual melodies that allow each work to perform satisfactorily to both eye and ear in a continuum of Miró and Kandinsky. Jon has developed a new visual language all of his own, painting with a hitherto unknown simplicity and captivating optimism that allows his subjects to establish a remarkable immediacy and intimacy with his viewers, in the same vein Keith Haring mastered. "I want to make expressive and open works, where the viewer can not only play with narrative strands suggested by the characters and forms but also emotionally connect with the textures, colours and very fabric of the painting itself." Jon Burgerman, 2023. Education Fine Art BA Hons at Nottingham Trent University Select Exhibitions/Awards SELECTED EXHIBITIONS SOLO SHOWS 2022 Hot Spot, Ojiri Gallery, London, UK New Friends, WOAW Gallery, Hong Kong, China Group Therapy, WOAW Gallery, China No Hard Feelings, Galerie Slika, Lyon, France Harbour City, Hong Kong, China 2021 Eye Candy, Praise Shadows, Boston, USA Solo booth, Urban Break Art Fair, Seoul, Korea Fuzzy Faces, Thinkspace, LA, USA Face Time, Dopeness Art Lab, Taipei, Taiwan GROUP SHOWS 2023 SG Art Fair, WOAW Gallery, Singapore Search Party, Hong Kong Group show, Tatjana Pieters, Belgium 2022 BAMA Art Fair, Busan, Korea Vision X, Chengdu Times Art Museum, China Punchline, Jane Lombard Gallery, New York L21 Gallery, Palma, Spain 2021 Can't Wait To Meet You, Primary, Miami, USA Caterpillar, Galerie Silka, Lyon, France ARCO Madrid Art Fair, L21 Gallery booth, Madrid, Spain Summer Camp, GR Gallery, Manhattan, NY, USA MISA Art fair, König Galerie, Berlin, Germany NFTism: No Fear in Trying, curated by Kenny Schachter, Institut, Unit, London, UK Badass, Dopeness Art Lab, Taipei, Taiwan Art Taipei Fair Booth, Dopeness Art Lab, Taipei, Taiwan MISA Art Fair, König Galerie, Cologne, Germany Gallery Representation WOAW Gallery Hong Kong Statement about AOAP Submitted Artwork Nervous characters rendered in ink and crayon.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Jon Burgerman Greg Ink and Crayon on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea   About Jon Burgerman (b. 1979 UK) is a New York-based British artist whose works have been acquired by prestigious public collections such as London's Victoria and Albert Museum and the OÖ-Kultur Museum in Linz, Austria. His art has been described by critics as "bright, and intuitive, focused on the visceral energy of play as a tenet of communication" (Cate McQuaid, The Boston Globe, July 2021). Jon's highly distinctive fuzzy-edged characters in day-glo bright pinks, yellows, greens and blues epitomise the paradoxes of contemporary life. Their seemingly simple googly eyes betray a range of emotional complexities and anxieties, with comically distressed expressions and collapsing forms underlined by titles such as Xanax, Dualist, Fortitude and Chameleon (2022). At once friendly and scary, happy and sad, Jon achieves a form of emotional Cubism that relates directly to "a generational mental health crisis, [exacerbated] by climate anxiety, the pandemic, the narrowing of political choice and financial insecurity. And yet, there is always an elastic resilience, a wry smile, joy in the process and chance of hope" (Jon Burgerman personal statement 2022). Each of Jon's paintings reveals a studied balance of contrasts: hazy, indistinct huddles and isolated, lonely forms; crude graffitied marks versus fluid, soft forms achieved with an aerosol can. Improvised rhythms informed by electronic music permeate his works, creating staccato visual melodies that allow each work to perform satisfactorily to both eye and ear in a continuum of Miró and Kandinsky. Jon has developed a new visual language all of his own, painting with a hitherto unknown simplicity and captivating optimism that allows his subjects to establish a remarkable immediacy and intimacy with his viewers, in the same vein Keith Haring mastered. "I want to make expressive and open works, where the viewer can not only play with narrative strands suggested by the characters and forms but also emotionally connect with the textures, colours and very fabric of the painting itself." Jon Burgerman, 2023. Education Fine Art BA Hons at Nottingham Trent University Select Exhibitions/Awards SELECTED EXHIBITIONS SOLO SHOWS 2022 Hot Spot, Ojiri Gallery, London, UK New Friends, WOAW Gallery, Hong Kong, China Group Therapy, WOAW Gallery, China No Hard Feelings, Galerie Slika, Lyon, France Harbour City, Hong Kong, China 2021 Eye Candy, Praise Shadows, Boston, USA Solo booth, Urban Break Art Fair, Seoul, Korea Fuzzy Faces, Thinkspace, LA, USA Face Time, Dopeness Art Lab, Taipei, Taiwan GROUP SHOWS 2023 SG Art Fair, WOAW Gallery, Singapore Search Party, Hong Kong Group show, Tatjana Pieters, Belgium 2022 BAMA Art Fair, Busan, Korea Vision X, Chengdu Times Art Museum, China Punchline, Jane Lombard Gallery, New York L21 Gallery, Palma, Spain 2021 Can't Wait To Meet You, Primary, Miami, USA Caterpillar, Galerie Silka, Lyon, France ARCO Madrid Art Fair, L21 Gallery booth, Madrid, Spain Summer Camp, GR Gallery, Manhattan, NY, USA MISA Art fair, König Galerie, Berlin, Germany NFTism: No Fear in Trying, curated by Kenny Schachter, Institut, Unit, London, UK Badass, Dopeness Art Lab, Taipei, Taiwan Art Taipei Fair Booth, Dopeness Art Lab, Taipei, Taiwan MISA Art Fair, König Galerie, Cologne, Germany Gallery Representation WOAW Gallery Hong Kong Statement about AOAP Submitted Artwork Nervous characters rendered in ink and crayon.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Jon Burgerman Shiv Ink and Crayon on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by Frankie Shea About Jon Burgerman (b. 1979 UK) is a New York-based British artist whose works have been acquired by prestigious public collections such as London's Victoria and Albert Museum and the OÖ-Kultur Museum in Linz, Austria. His art has been described by critics as "bright, and intuitive, focused on the visceral energy of play as a tenet of communication" (Cate McQuaid, The Boston Globe, July 2021). Jon's highly distinctive fuzzy-edged characters in day-glo bright pinks, yellows, greens and blues epitomise the paradoxes of contemporary life. Their seemingly simple googly eyes betray a range of emotional complexities and anxieties, with comically distressed expressions and collapsing forms underlined by titles such as Xanax, Dualist, Fortitude and Chameleon (2022). At once friendly and scary, happy and sad, Jon achieves a form of emotional Cubism that relates directly to "a generational mental health crisis, [exacerbated] by climate anxiety, the pandemic, the narrowing of political choice and financial insecurity. And yet, there is always an elastic resilience, a wry smile, joy in the process and chance of hope" (Jon Burgerman personal statement 2022). Each of Jon's paintings reveals a studied balance of contrasts: hazy, indistinct huddles and isolated, lonely forms; crude graffitied marks versus fluid, soft forms achieved with an aerosol can. Improvised rhythms informed by electronic music permeate his works, creating staccato visual melodies that allow each work to perform satisfactorily to both eye and ear in a continuum of Miró and Kandinsky. Jon has developed a new visual language all of his own, painting with a hitherto unknown simplicity and captivating optimism that allows his subjects to establish a remarkable immediacy and intimacy with his viewers, in the same vein Keith Haring mastered. "I want to make expressive and open works, where the viewer can not only play with narrative strands suggested by the characters and forms but also emotionally connect with the textures, colours and very fabric of the painting itself." Jon Burgerman, 2023. Education Fine Art BA Hons at Nottingham Trent University Select Exhibitions/Awards SELECTED EXHIBITIONS SOLO SHOWS 2022 Hot Spot, Ojiri Gallery, London, UK New Friends, WOAW Gallery, Hong Kong, China Group Therapy, WOAW Gallery, China No Hard Feelings, Galerie Slika, Lyon, France Harbour City, Hong Kong, China 2021 Eye Candy, Praise Shadows, Boston, USA Solo booth, Urban Break Art Fair, Seoul, Korea Fuzzy Faces, Thinkspace, LA, USA Face Time, Dopeness Art Lab, Taipei, Taiwan GROUP SHOWS 2023 SG Art Fair, WOAW Gallery, Singapore Search Party, Hong Kong Group show, Tatjana Pieters, Belgium 2022 BAMA Art Fair, Busan, Korea Vision X, Chengdu Times Art Museum, China Punchline, Jane Lombard Gallery, New York L21 Gallery, Palma, Spain 2021 Can't Wait To Meet You, Primary, Miami, USA Caterpillar, Galerie Silka, Lyon, France ARCO Madrid Art Fair, L21 Gallery booth, Madrid, Spain Summer Camp, GR Gallery, Manhattan, NY, USA MISA Art fair, König Galerie, Berlin, Germany NFTism: No Fear in Trying, curated by Kenny Schachter, Institut, Unit, London, UK Badass, Dopeness Art Lab, Taipei, Taiwan Art Taipei Fair Booth, Dopeness Art Lab, Taipei, Taiwan MISA Art Fair, König Galerie, Cologne, Germany Gallery Representation WOAW Gallery Hong Kong Statement about AOAP Submitted Artwork Nervous characters rendered in ink and crayon.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Faith XLVII Untitled (1) Red Wax Crayon on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Liberty's journey as an artist began on the streets of South Africa in 1997, as a young graffiti writer known as Faith47. She rose to prominence on the international street art scene before becoming widely recognised for her multidisciplinary artistic practice. Monumental and intimate, private and public, her artwork takes the form of murals, sculptures, video installations, tapestries and drawings. Deconstructing notions of value and place, investigating forms of domination, she explores the shapes of human perception. In quest of the divine, she expresses a longing for a deeper connection to the wisdoms of the natural world. There is too the active investigation and questioning of the human condition, its deviant histories and our own inherent existential search. She has shown at the Musée des Beaux-arts in Nancy, France, the Calais Museum of Fine Art, the Bernard Magrez Foundation in France, Mana Contemporary and the Brooklyn Museum, both in the USA. Select Exhibitions/Awards SELECT EXHBITIONS 2023 CO\LAB 5, Torrence Museum, California, USA CLAIR - OSCUR, Solo Exhibition, Musée des Beaux-arts, Nancy, France CLAIR - OSCUR, Solo Exhibition, Daynsz Gallery, Paris, France Cape Town Art Fair, Cape Town, South Africa Art Residency, Common Ground and KRNT Studios, Kauai, Hawaii 2021 CHANT, Solo Exhibition, Everard Read Gallery, Cape Town, South Africa The Land War Installation, MUCA Museum, Munich, Germany Foundation, Group Show, Heron Gallery, San Fransisco, USA Tiblisi Mural Festival, Tiblisi, Georgia Mural Commission, Johannesburg, South Africa 2020 Staring Straight to the Future, Everard Read Gallery, Cape Town, South Africa One World, Fabien Castanier Gallery, Miami, USA Unprecedented Times, Kunsthaus Bregenz, Vienna, Austria PINK, Everard Read Gallery, Johannesburg, South Africa Cape Town Art Fair, Cape Town, South Africa 2019 20 Year Anniversary Exhibition, Cory Helford Gallery, Los Angeles, USA Together Group Exhibition, KP Projects Gallery, Los Angeles, USA Conquête Urbaine, Calais Museum of Fine Art, Paris, France Veni, Vidi, Vinci, Fluctuart, Paris, France Tàpia, B-Murals, Barcelona, Spain 2018 Elixir, Solo Exhibition - Fabien Castanier Gallery - Miami, USA Short Film Festival CortoLovere - Italy Mana Contemporary Group Exhibition - New York Grand Opening Mirus Gallery - Denver, USA Beyond The Streets - Los Angeles, USA 2017 Dislocation, Group Show - Everard Read Gallery - Cape Town, South Africa Invisible Exhibition, The Centre for the Less Good Idea, Johannesburg Urban Currents, group show, Gallerie Kirk - Denmark Digard Auction, Tribute to Paris - Paris, France Magic Cities exhibition, Munich, Germany 2016 XX: A moment in time - Saatchi Gallery, - London Freedom as Form Group Exhibition - Wunderkameren Gallery - Milan, Italy PM10 - Urban Nation Museum Group Exhibition - Berlin, Germany Agitprop, Brooklyn Museum - New York, USA Cities of Hope Mural Project - Manchester, UK 2015 AQUA REGALIA Solo Exhibition - Jonathan Levine Gallery, New York,USA Landfill Meditation Street Intervention - Johannesburg, South Africa Art Liberté Group Exhibition, Du Mur de Berlin - Gare de l'Est, Paris, France The Psychic Power of Animals Street Intervention - New York, USA Dragon Tiger Mountain Mural Project - Nanachang, China 2014 Aqua Regalia Solo Exhibition - London, UK Berlin Wall 25th Anniversary Group Show - Paris, France Library Street Collective Group Show - Basel, Miami, USA Redux Group Show - Inoperable Gallery, Vienna, Austria A Study of Warrick Triangle at Rush Hour - Large Scale Freeway Overpass Commission, City of Durban, South Africa 2013 Women on the Walls Group Exhibition, Jeffrey Deitch and Wynwood Walls - Miami, USA Wooster Collective 10 Year Anniversary Show, Jonathan Levine Gallery - New York, USA XII. Into the Dark Group Exhibition - Unit44, The Victoria Tunnel, Newcastle, UK Brotkunsthalle Group Show - Vienna, Austria Beyond Eden Group Exhibition - Thinkspace Gallery, Los Angeles, USA   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Faith XLVII Untitled (2) Red Wax Crayon on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Liberty's journey as an artist began on the streets of South Africa in 1997, as a young graffiti writer known as Faith47. She rose to prominence on the international street art scene before becoming widely recognised for her multidisciplinary artistic practice. Monumental and intimate, private and public, her artwork takes the form of murals, sculptures, video installations, tapestries and drawings. Deconstructing notions of value and place, investigating forms of domination, she explores the shapes of human perception. In quest of the divine, she expresses a longing for a deeper connection to the wisdoms of the natural world. There is too the active investigation and questioning of the human condition, its deviant histories and our own inherent existential search. She has shown at the Musée des Beaux-arts in Nancy, France, the Calais Museum of Fine Art, the Bernard Magrez Foundation in France, Mana Contemporary and the Brooklyn Museum, both in the USA. Select Exhibitions/Awards SELECT EXHBITIONS 2023 CO\LAB 5, Torrence Museum, California, USA CLAIR - OSCUR, Solo Exhibition, Musée des Beaux-arts, Nancy, France CLAIR - OSCUR, Solo Exhibition, Daynsz Gallery, Paris, France Cape Town Art Fair, Cape Town, South Africa Art Residency, Common Ground and KRNT Studios, Kauai, Hawaii 2021 CHANT, Solo Exhibition, Everard Read Gallery, Cape Town, South Africa The Land War Installation, MUCA Museum, Munich, Germany Foundation, Group Show, Heron Gallery, San Fransisco, USA Tiblisi Mural Festival, Tiblisi, Georgia Mural Commission, Johannesburg, South Africa 2020 Staring Straight to the Future, Everard Read Gallery, Cape Town, South Africa One World, Fabien Castanier Gallery, Miami, USA Unprecedented Times, Kunsthaus Bregenz, Vienna, Austria PINK, Everard Read Gallery, Johannesburg, South Africa Cape Town Art Fair, Cape Town, South Africa 2019 20 Year Anniversary Exhibition, Cory Helford Gallery, Los Angeles, USA Together Group Exhibition, KP Projects Gallery, Los Angeles, USA Conquête Urbaine, Calais Museum of Fine Art, Paris, France Veni, Vidi, Vinci, Fluctuart, Paris, France Tàpia, B-Murals, Barcelona, Spain 2018 Elixir, Solo Exhibition - Fabien Castanier Gallery - Miami, USA Short Film Festival CortoLovere - Italy Mana Contemporary Group Exhibition - New York Grand Opening Mirus Gallery - Denver, USA Beyond The Streets - Los Angeles, USA 2017 Dislocation, Group Show - Everard Read Gallery - Cape Town, South Africa Invisible Exhibition, The Centre for the Less Good Idea, Johannesburg Urban Currents, group show, Gallerie Kirk - Denmark Digard Auction, Tribute to Paris - Paris, France Magic Cities exhibition, Munich, Germany 2016 XX: A moment in time - Saatchi Gallery, - London Freedom as Form Group Exhibition - Wunderkameren Gallery - Milan, Italy PM10 - Urban Nation Museum Group Exhibition - Berlin, Germany Agitprop, Brooklyn Museum - New York, USA Cities of Hope Mural Project - Manchester, UK 2015 AQUA REGALIA Solo Exhibition - Jonathan Levine Gallery, New York,USA Landfill Meditation Street Intervention - Johannesburg, South Africa Art Liberté Group Exhibition, Du Mur de Berlin - Gare de l'Est, Paris, France The Psychic Power of Animals Street Intervention - New York, USA Dragon Tiger Mountain Mural Project - Nanachang, China 2014 Aqua Regalia Solo Exhibition - London, UK Berlin Wall 25th Anniversary Group Show - Paris, France Library Street Collective Group Show - Basel, Miami, USA Redux Group Show - Inoperable Gallery, Vienna, Austria A Study of Warrick Triangle at Rush Hour - Large Scale Freeway Overpass Commission, City of Durban, South Africa 2013 Women on the Walls Group Exhibition, Jeffrey Deitch and Wynwood Walls - Miami, USA Wooster Collective 10 Year Anniversary Show, Jonathan Levine Gallery - New York, USA XII. Into the Dark Group Exhibition - Unit44, The Victoria Tunnel, Newcastle, UK Brotkunsthalle Group Show - Vienna, Austria Beyond Eden Group Exhibition - Thinkspace Gallery, Los Angeles, USA   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.