Gavin Turk, "The Moment", Mappe mit 2 Blättern, Siebdruck von 2015, signiertGavin Turk, *1967 Guildford, Surrey, England, Bildhauer und Installationskünstler, der zu den Young British Artists gezählt wird, studierte am Chelsea College of Arts and Design von 1986 bis 1989 und besuchte anschließend das Londoner Royal College of Art bis zum Jahre 1991, zahlr. Ausst., seit 2012 Prof. an der Bath Spa University in Bath, hier: Hände, Siebdruck, 42 x 29,5 cm und Textblatt, beide sign., dat. u. num. 43/75, in Mappe, aus der 'The Print and The Poem' Serie, Hrsg. von Jealous and Enitharmon Editions
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Cecil Gordon Lawson (1851 - 1882), oil on canvas, The Foundling (Chelsea Harbour on the Thames) 1869, one of Lawson's earliest recorded paintings painted when he was 18 years old, published description printed verso, 45cm x 34cm, framedGood clean condition, no canvas damage patches or repairs, gesso frame also in good condition
Late 19th century Pre-Raphaelite School, mother and children, oil on canvas, 129x153cmProvenance: from the collection of Roysia and Raffaello RomanelliMrs Romanelli writes 'The other day you asked me for the name of my mothers’ grandparents’ Home and I have not answered because I don’t have that information. However, I realise that kind of information would be helpful in connection to their friendship with the Pre-Raphaelites. So what I do know is the following. My mothers’ family lived in Chelsea until 1911 when they moved to Kew. My mother’s Uncle, William Arthur Jones, was Editor of the Weekly Times for thirty years and more, and he was part of the Literary and artistic circle who had once surrounded the Rossetti's. Sunday afternoons were most often spent in Uncle Wills’ house for the two families were very close. It was over tea or dinner in her Uncle Will’s House, with its’ gardens that backed onto those of the Crystal Palace, that my mother came across such people as Algernon Swinburne and Theodore Watts – Dunton. I think this gives a sprinkling of information as to where these connections came from.'
Chelsea Reserves Football Programmes 1980-84. A collection in an album with Homes (67) and Aways (55) including: Junior Floodlit Cup, Football Combination, Friendly, Senior Cup, with 1985 Zurich, Swindon, Millwall, Watford, Westham, Bristol, Swansea, Luton (Overs), each with a match report "The Senior players showed little desire to help or support younger players", Reading, Brighton, Arsenal, Crystal Palace, Southampton, West Ham, Leicester, Oxford, Cardiff, Ipswich, Q.P.R., Cambridge University, Orient, Tottenham, Harrow, Plymouth, Hayes. Mostly in excellent condition. Quite scarce (120+)
Steve Marriott/The Blockheads: An Epiphone Frontier FT-110 Acoustic Guitar,1959,Serial No. 66077, with engraved Lariat and Cactus-themed pickguard, flat top with maple back and sides, sunburst finish, bound rosewood fingerboard with slotted block markers, maker's label to the interior noting style FT110 and Epiphone FRONTIER, in hardshell case with orange plush lining labelled J.T. ACOUSTIC in black marker on tape, together with accompanying letters of provenance from John Turnbull and the Managing Director of Blockheads Ltd,CITES license no.622654/01, the guitar 41 1/2in (105.5cm) longFootnotes:Provenance:Steve Marriott (1947-1991), (guitar, Small Faces, Humble Pie), who sold the guitar to a London guitar dealer.Acquired by John Turnbull (guitar, The Blockheads) from Sound City, London, in 1974.Steve Marriott played this model on the Small Faces special edition of 'Colour Me Pop', performing the track 'Mad John' broadcast on BBC 2 on the 21st June 1968. This broadcast is one of just five surviving episodes of the show. He continued to perform with this model with Humble Pie, including the song 'For Your Love' for Beat-Club around 1970.Soon after purchasing the present guitar in 1974, John Turnbull returned to the Lots Road studio in Chelsea, where Steve Marriott and Ronnie Lane of the Small Faces visited on the same day. On seeing the Epiphone, Marriott recognised it as the guitar he had recently sold to a London guitar dealership and requested another jam session with it. According to Turnbull, Marriott and Lane explained that the guitar was previously used in the writing of several Small Faces tracks including 'Itchycoo Park'. Since being in Turnbull's possession the guitar's legacy has extended further, featuring on numerous Blockheads recordings and on Bob Geldof solo albums when Turnbull has featured as guitarist.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
French School, 18th century- Head of a sleeping child; red chalk heightened with touches on white on laid paper laid down on card, 24.5 x 22 cm. Provenance: A. J. Ballingal, Chelsea, London; By descent. Note: The present work bears similarities to several sketches executed by Jean-Michel Moreau (1741-1814) of his daughters. See, for example, Anon. sale, Christie's, Paris, 21 March 2002, lot 176, as well as examples at the British Museum, the Institut Néerlandais in Paris, and at the Museum of Fine Arts in Boston. The handling here, however, is looser than that typical to Moreau.Stuck down at lower edge recto to window mount. Please refer to department for condition report
1943 Football League South War Cup Final, Charlton Athletic v Arsenal, a folded single sheet pirate programme from the game played at Wembley on May 1st 1943, published by Blooms Printing Works, London, E1; and five post-war F.A. Cup round matches played at neutral grounds comprising Chelsea v Arsenal at Tottenham March 22nd 1950; Luton Town v Brentford at Arsenal February 18th 1952; semi-final replay Manchester United v Fulham at Arsenal March 26th 1958; Manchester United v West Ham United at Hillsborough March 14th 1964; and Chelsea v Sheffield Wednesday at Villa Park April 23rd 1966 (6)Condition Report:1943 - score of 1 v 7 pencilled lightly on front cover.1950 - folded single sheet chipped and creased around the edges with manuscript team changes.All generally reasonably good condition just a little grubby consistent with age and use.
Chelsea F.C. 1940s/50s - twenty programmes for home matches including September 28th 1946 versus Charlton Athletic and October 12th 1946 versus Stoke City (souvenir programme 'entirely the work of ex-Servicemen'); the remainder 1947/48 - 1959/60 (20)Condition Report:Condition of most is reasonable consistent with age and use with the usual rusting of staples and general grubbiness with traces of vertical pocket folding.Some manuscript team changes.Pin holes to top left corner of most programmes.
Arsenal F.C. - WW2 home match programme versus Chelsea November 6th 1943 when Arsenal had to play their home games at Totternham, single sheet; and five 1946/47 programmes for October 19th versus Stoke City; February 4th versus Manchester United; February 8th versus Blackpool; April 26th versus Grimsby Town; all folded single sheets; and May 31st versus Everton (6)Condition Report:Condition is consistent with age and use being generally grubby.1943 has been folded vertically and horizontally.Everton has rusty staples causing minor rust stains to other programmes.Some manuscript team changes.
Eight Hull City A.F.C. match programmes 1946-66 and two Last Match at Boothferry Park programmes December 2002; fourteen other football programmes 1960s/70s including Manchester United, Chelsea, Leeds United, England v Czechoslovakia 1974 etc; and other sporting programmes for Wrestling, Snooker, TT Races etcCondition Report:Condition varies but most consistent with age and use.One Hull programme poor.
CECIL GORDON LAWSON (BRITISH 1851-1882)CHEYNE WALK AND CHELSEA OLD CHURCH BY BATTERSEA OLD BRIDGE Oil on canvas 24 x 44.5cm (9¼ x 17½ in.)Provenance:Sale, Christie's, London, The London Sale, 24 May 2002, lot 72 Condition Report: Light surface dirt throughout and light scattered craquelure. Inspection under UV reveals scattered retouching to the lower half of the picture. Condition Report Disclaimer
A good selection of 1940s and other football autographs, to include various teams, some on newspaper clippings, etc., to include Bill Shankly, Crystal Palace, Bournemouth, West Ham United, to include E Gregory, Joe Payne, A Hall, Hampton, a 1948 football programme front with various signatures, to include Black, Webber, Curtis, etc., others for Sheffield Wednesday, Brentford, Birmingham City, Barnsley, other hand signed signatures, a caricature of Dennis Westcott Wolverhampton Wonderers with signature on lined paper, Manchester United paper clippings to include Jack Carey, another probably of Carer hand signed, John Rawley, printed signatures, other hand written signature, Billy Steel Derby County, various other Derby County, early Chelsea autographs, Charlton Athletic, Newcastle United to include Jacky Milburn, a further autograph album and further autographs of cricketers, Australian Touring Team WA Brown, Keith Miller, William Johnston, Toshack, Worcestershire Cricket Club early signatures, small quantity of Surrey related newspaper clippings, other football, etc. (a large quantity)
A very-near complete collection of 51 tickets from the 1998 World Cup in France, lacking only ticket No.27, Japan v Croatia in Nantes, but including the Final which has been signed by three members of the winning France team Marcel Desailly, Frank Leboeuf and Emanuel Petit, ten tickets are unused, the England v Romania ticket has been signed by Dan Petrescu who scored the winning goal in the match for Romania and Graeme Le Saux who ironically as a club team-mate at Chelsea was the defender prominent in England conceding the winning goal.
Football programmes, 1950s, including Portsmouth, Preston, Southampton, Queens Park Rangers, Rotherham, Rochdale, Sheffield Wednesday, Newcastle, Norwich, Milwall, Leeds, Ilkeston Town, East Fife, Arbroath, Notts County and Forest, Mansfield Town, Torquay, Everton, Chelsea and Arsenal ( 95 approx)
A SET OF FOUR NEO-CLASSICAL STYLE GILT-METAL TWIN LIGHT WALL APPLIQUÉS (4)20th CenturyWith pineapple finials, 32cm highProvenance: Originally supplied by Nicky Haslam, NH Studio Ltd for Stanley House, Chelsea. Condition report: These are made for electricity - with wires running through the arms. They will need to be rewired. Tarnishing and rubbing to the metal work - commensurate with age and use. Some elements would benefit from tightening. Some plastic candlenozzles are chipped at the top
A PAIR OF REGENCY STYLE BRASS MOUNTED TOLE-PEINTE HANGING LIGHTS (2)The conical shades each mounted with a repousse gallery, supported on a scroll frame, with a reservoir burner below, adapted for electricity, 24cm highProvenance: Originally supplied by Nicky Haslam, NH Studio Ltd. for Stanley House, Chelsea.
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