AN 18TH CENTURY CHELSEA PORCELAIN GOLD ANCHOR PERIOD TEA BOWL AND SAUCER painted with images of classical cameos, the saucer 12.5cm diameter, both pieces with gold anchor marks together with a Wedgwood dish decorated with Imari coloured flowers and an African knife, reputedly the gift of a Zulu Chieftain, the knife 30.5cm long Condition: the tea bowl with small restored flaking chip and associated hairline crack; the tea bowl with hairline crack, both with minor wear to the gilding etc; the Wedgwood dish with hairline crack and discolouration to the glazed surface beneath; the knife with minor oxidisation and wear to the leather handle
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Subbuteo, a collection of boxed football teams including Wolves, Wales, Crystal Palace, Chelsea 2nd, Man City, Ireland Spurs, Coventry, West Ham, Brazil, Stoke city, Scotland Watford, Southend United, England (white and Red), Arsenal, QPR, Inter Milan, Argentina etc, some teams have broken players, Goals, interchangeable goal keepers, Fence surround and Astro pitch etc
A RARE NEW HALL CREAM JUG, CIRCA 1785Of 'Low Chelsea Ewer' form, painted to pattern number 20 with Chinese figures with a parasol and windmill by a garden fence.11.5cm from handle to spout. 7.5cm high overall.Provenance:Purchased from Roderick Jellicoe, 1 August 2001.The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Tiny crack to the tip of the spout, in otherwise good condition.
A RARE NEW HALL CREAM JUG, CIRCA 1785Of 'High Chelsea Ewer' form, painted to pattern number 20 with Chinese figures with a parasol and windmill by a garden fence.12.5cm from handle to spout. 9cm high overall.Provenance:Purchased from Charnwood Antiques, 9 August 1997.The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Star crack to the base. Tiny hairline crack to lip.
Subbuteo sets, consisting of 782 Coventry City, 792 Manchester United 3rd kit, 448 Liverpool, 663 Liverpool, 664 Liverpool 2nd kit, 630 Aston Villa, 683 Arsenal, 781 Ipswich Town, three premier league sets- Liverpool, Nottingham Forest and Chelsea, Italy and Scotland (both incomplete) (qty)Scotland set missing two figures, Italy set missing seven figures and a goalkeeper, some bends and damage to boxes
Leeds United Jack Charlton, Football Autographed 12 X 8 Photo, A Superb Image Depicting Charlton Heading The Opening Goal In A 2 2 Draw With Chelsea In The 1970 Fa Cup Final At Wembley, Signed Using A Black Marker. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
CRESTED CHINA - LONDON & MIDDLESEX Twenty-five pieces of Goss china, with crests for Battersea (1); Chelsea (1); Fulham (1); Greenwich (1); Hammersmith (1); Holborn (1); Islington (1); Kensington (1); Kilburn (1); Shoreditch (2); Wandsworth / Surrey (1); Wembley Urban District Council (2); A Present from Wembley (2); British Empire Exhibition, Wembley, 1924 (1); City of Westminster (2); Westminster School (1); St. Paul's Cathedral (1); Brentford (1); Harrow (1); and Middlesex (2).
CRESTED CHINA - LONDON & MIDDLESEX Twenty-eight pieces of Goss china, with crests for Barnet (1); Battersea (1); Camberwell (1); Chelsea (1); Ealing (2); Finchley (1); Finsbury (1); Hackney (1); Hammersmith (1); Holborn (1); Hornsey (1); Kensington (1); Lewisham (1); Shoreditch (1); Stepney (1); Stoke Newington (1); St. Pancras (1); Wembley Urban District Council (1); Westminster (1); Willesden (1); Woolwich (1); Westminster Abbey (1); Guys Hospital (1); Urban District Council of Enfield (1); Harrow (1); Staines (1); and Middlesex (1).
CRESTED CHINA - LONDON & MIDDLESEX Twenty-two pieces of Goss china, with crests for Acton (1); Camberwell (1); Chelsea (1); Finsbury (1); Fulham (1); Hornsey (1); Islington (1); Lewisham (1); Shoreditch (1); St. Pancras (1); City of Westminster (1); Willesden (1); Woolwich (1); St. Paul's Cathedral (1); Westminster Abbey (2); Cardinal Wolsey, Built Hampton Court (1); transfer print of The Gardens, Wembley, B.E.E., 1924 (1); Brentford (1); Ealing / Middlesex / H.M. Queen Victoria (1); and Middlesex (2).
*VINCENT HENRY LINES (1909-1968) 'Margaret Fisher Prout Painting' etching, 19cm x 24cm; together with another work by the same Artst, 'Fishing, Canal St-Martin Paris c1930' etching, 17.5cm x 29.5cm and a copy of the auction catalogue for the remaining studio of Margaret Fisher Prout, Tuesday 11th November, Phillips, Son & Neale (3)Millicent Margaret Fisher Prout ARA (1875- 9 December) was a highly successful and productive artist who helped improve perceptions of modern art in Britain. Prout was born in Church Street, Chelsea, on 31 March 1875, the only daughter of the painter Mark Fisher R.A. She studied under her father and at the Slade School of Art between 1894 and 1897. By 1914 she was teaching life drawing at the Hammersmith School of Arts and Crafts and had her first solo exhibition at the Beaux Arts Gallery in 1922. Prout was a painter of flowers, landscape and figures in an Impressionist style. She produced various subjects including animals, landscapes, figures, flowers, and other still life. In 1908 she married a farmer, John Prout, and was based in various locations throughout her career including Harlow, Essex, London, Sawbridgeworth in Hertfordshire, East Grinstead and was most latterly associated with Sussex and remained there until her death in 1963. Prout had an extensive career over a period of at least 58 years. She exhibited at the New English Art Club from 1897 (which was an alternative institution for showcasing artists as opposed to the Royal Academy of Arts, which was mostly unwelcoming to the work of female artists), the Royal Scottish Academy (1935), the Royal Hibernian Academy (1924-39), the Royal Glasgow Institute (1928-58) and the Royal Academy itself in 1921-64. She also exhibited with the Society of Women Artists (1927-63) and the Women's International Art Club, both institutions for the promotion of the work of women. Prout was elected an associate member of the Royal Academy in 1948. She was a member of the Society of Women Artists from 1935 to 1937 and from 1952 to 1958 and was also a member of the New English Art Club. A retrospective exhibition of Prout's work was held at the Worthing Art Gallery in 1961, the Royal Watercolour Society held a memorial exhibition in 1966 and Blond Fine Art also held a retrospective in 1979. Vincent Lines, a neighbour of Fisher Prout's in St Leonards-on-Sea, wrote a book on Mark Fisher and Margaret Fisher Prout "Mark Fisher and Margaret Fisher Prout, Father and Daughter: A Record of a Hundred Years of Painting" with the image of Fisher Prout painting offered here featured on the front cover.*Artist Resale Right may apply to this lot
Royal Doulton Prototype Only - Extremely Rare Character Jug - Not Listed ' Chelsea Pensioner ' Variation of Colour, Black Tunic and Collar, Black Hat, Trimmed with Yellow Colour, Different Colour Handle. Marked to Base - Prototype Only, Never Produced In This Colour. Height 7 Inches - 17.5 cm. 1st Quality and Mint Condition.
Football programmes & tickets, Chelsea FC, a collection of home and away programmes, 1950's onwards inc. League, Friendlies, European matches etc with also approx. 100 modern team sheets inc. some reserve matches and also 70+, mostly home, match tickets 1990's onwards, (mixed condition, fair/vg) (approx. 250 items)
Football Programmes, selection of 8 programmes from the 1940's, Lincoln v York 49/50, Everton v Charlton 49/50, Sheffield Utd v Blackburn 46/47, Huddersfield v Middlesbrough 48/49, Bury v Sheffield United 49/50, Liverpool v Man Utd 49/50 (wtf), Sheffield Wednesday v Nottingham Forest 46/47 and Chelsea v Arsenal 47/48 (some with minor faults, fair to gd)
Football Programmes, selection of 9 programmes from the 1940's, Bromley v Romford FA Amateur Cup Final 1949, Chelsea v Luton 46/47, Crystal Palace v Torquay 45/46, Southend v Notts Forest 49/50, Millwall v Notts County 49/50, Exeter v Notts County 49/50, Brentford v WBA 47/48, Orient v Port Vale 47/48 and Vauxhall Motors v RAF (Henlow) 4 April 1945 (featuring several top players from Arsenal, Tottenham , West Ham) etc. (some with minor faults, fair to gd)
Football Programmes, 1940's/50's selection, Man City v Stoke 15 September 1945, Chelsea v Stoke 1947/48, Barnsley v Bradford PA 1949/50, Liverpool v Wolves 1949/50, Stoke v Hull City 1954/55 and England v France amateur International played at Ilford 3 April 1948 (some minor faults, generally gd) (6)
Football Autographs, selection of signatures mostly from 1950's and mainly on magazine extracts, inc. Cockburn, Carey (both Man Utd), Harris (Portsmouth), Thompson (Liverpool), Scott (Arsenal), Blunstone (Chelsea), G Smith (Hibs) and other Scottish interest etc. (approx. 25 signatures in total) (generally gd)
Finlay (Ian Hamilton). Fish-Sheet One, 1963, single sheet, printed in black to one side only, folded, with poems and visual texts by Pete Brown, Spike Hawkins, Ian Hamilton Finlay, J.F. Hendry, Anselm Hollo and Edwin Morgan, sheet size 207 x 333 mm (8.2 x 13.1 ins), together with 4 Sails, Chelsea School of Art, School of Graphics, [1966], folding yellow card, printed in black, typography by Ed Wright, minimal fading to spine and top and bottom edges of rear cover, slim square 8vo, 165 x 165 mm (6.5 x 6.5 ins), plus 6 small pears for eugen gomringer, Wild Hawthorn Press, Summer 1966, 10 leaves, with text printed in blue and orange, printed at the Sunfish Press, Edinburgh, original white card wrappers, printed in blue to upper wrapper and stapled as issued, very minor soiling, small oblong 8vo, limited numbered edition 52/100, 92 x 145 mm (3.6 x 5.75 ins), and 6 Small Songs In 3's, Wild Hawthorn Press, 1966, 12 leaves (including blank leaf at front and rear), original linocuts by Zeljko Kujundzic, printed in orange, printed at The Salamander Press, original plain card wrappers, stapled as issued, with green dust wrapper, printed to upper cover in black and orange, slim tall 8vo, 210 x 95 mm (8.25 x 3.75 ins), stapled card, dust jacket, slim 8vo, plus Standing Poem 4 (Pole/Night), Opening number 3, edited by John Furnival, Woodchester, Gloucestershire, [1969], single multi-folded sheet, printed in black and blue, printed by Glevum Press, limited edition 492/500, slim 8vo, 229 x 114 mm (9 x 4.5 ins) when folded, and Finlay (Ian Hamilton, & Furnival, John). After the Russian, Woodchester, Gloucestershire, Openings Press, June 1969, single folded sheet, printed in black and dark blue, 216 x 153 mm (8.5 x 6 ins), plus Xmas Star, Poem/Print No. 11, Wild Hawthorn Press, Christmas 1969, folded card, printed in black and red, 117 x 165 mm (4.6 x 6.5 ins) and Snow Sail Drop Flake, Moschatel Press, 1974, 4-word poem printed in green on mottled white paper, with green card outer wrapper, stapled as issued, 100 x 57 mm (3.9 x 2.25 ins), with original publisher's envelope (Qty: 8)NOTESGraeme Murray, Ian Hamilton Finlay & The Wild Hawthorn Press, 1.3; 5.3; 3.17; 3.18; 4.17; 3.30; 4.21; 3.57.
A New Chelsea blue and gilt decorated tea set comprising cake plates, teacups and saucers, tea plates, sugar bowl and milk jug, a Marlborough Old English ironstone jug and matching plates depicting various fish, Spode "Oaklea" coffee cans and saucers in green, etc CONDITION REPORTS New Chelsea - there are two cake plates, a milk jug and sugar bowl, twelve tea plates, twelve saucers and seven cups. Condition - one cake plate has all over crazing and is badly discoloured. The other has a hairline fracture / star crack to base. Milk jug has crazing and discolouration. One cake plate has bad hairline fractures and the other one small crack to the glaze. Saucers - two saucers have crazing / hairline fractures throughout. One cup has a chip to the rim, another has hairline fractures. All items have wear and tear including knife marks and some wear to the gilding, crazing on various pieces, etc.
THREE BAR QUEENS SOUTH AFRICA MEDAL TO 3100 PTE B GROVES BERKSHIRE REGIMENT Roll confirms entailment to the medal and bars Queen South Africa Medal - Cape Colony, Orange Free State and Transvaal - correctly impressed 3100 Pte B Groves 2nd Rl Berks Regt With Ghost dates Condition VF. Missing rivet between CC & OFS. ( Regt rubbed) contacting in obverse field KINGS SOUTH AFRICA MEDAL TO 24083 SAPR W HALEY ROYAL ENGINEERS William Haley joined the Royal Engineers at London on 1st October 1889 aged nineteen. Haley served with 1 Division Telegraph Battalion Royal Engineers and was awarded a Queen South Africa Medal (fours bars) along with the KSA He became a Chelsea Pensioner and died in March 1947. King South Africa Medal with bars 1901 & 1902 Correctly impressed 24083 Sapr W Haley RE Polished but VF
A Sitzendorf pair of shepherd and shepherdess figures holding flowers and a pair of Samson Chelsea style bocage figures holding flowers, on scrolled bases with gold anchor marks, tallest 24.5cmCONDITION: Several losses to petals and leaves, the lady with the basket is missing the tip of her right index finger.
A Chelsea red anchor period octagonal tea bowl and saucer, c.1756, painted with floral sprays and insects, red anchor marks, saucer 11.5cmCONDITION: The tea bowl has a rim chip to one corner with associated crack extending down to the edge of the foot and some wear to the brown edge line. The saucer has a splinter chip to the inner edge of the foot.
DINNER AND TEAWARES etc, to include Royal Doulton 'Oxford Green' comprising ten each of dinner plates, 20cm plates, 16.5cm plates, soup bowls, five cups and saucers, three vegetable dishes, two platters, tureen with lid and gravy boat, all seconds, together with Wedgwood 'Gold Chelsea' eight cups, seven saucers, coffee pot, milk, sugar, all firsts and Japanese Lotus Flower shaped bowl of graduating sizes
Artist: James A. M. Whistler (American, 1834 - 1903). Title: "Sketch on the Embankment". Medium: Original etching. Date: Composed 1886. Dimensions: Overall size: 3 3/16 x 7 1/4 in. (81 x 184 mm). Image size: 1 3/4 x 5 3/8 in. (44 x 137 mm).Lot Note(s): Only state. Cream laid paper. Ample margins. A very good, well inked impression. Very good to fine condition; pale light staining and pencil annotations lower margin, else fine. Literature/catalogue raisonne: Kennedy 260; Glasgow 268. Provenance: Swann Auction Galleries, New York City. Comment(s): A rare Whistler print. "Gordon's Print Prices" lists only five sales in the past 35 years, the last sale being in 2010. This etching is sometimes titled "Chelsea Embankment". [30083-1-1200]
Artist: William Russell Flint (Scottish, 1880 - 1969). Title: "The Little Flower Girl, Senlis". Medium: Original color collotype. Date: Composed 1961. Printed 1961. Dimensions: Overall size: 22 5/16 x 27 7/8 in. (567 x 708 mm). Image size: 17 3/4 x 24 in. (451 x 610 mm).Lot Note(s): Signed lower right; blindstamp lower left. Edition of 775. Cream wove paper. The full sheet. Fine impression. Good to very good condition; pale lightstaining; remains of mounting tape verso; presents very well. Literature/catalogue raisonne: GC68. Comment(s): According to 'Gordon's Art Reference' the auction record for another impression of this print is $2,180 (£1,000) at Bonhams (Chelsea) - 12/08/90 - lot #69. Image copyright © Susan Russell Flint. [29215-5-600]
London.- Mawman (Joseph), printer. London and Westminster, 1669, distant panorama from rural Chelsea to the Tower, etching and aquatint printed in sepia, on wove paper without watermark, sheet 227 x 850 mm. (8 7/8 x 33 1/2 in), trimmed to platemark at left and right edges, old folds as issued, unframed, 1821.
Carlyle, Thomas [Robert Burns] 2 fragments of letters by Carlyle, both signed 'T. Carlyle', 5 Cheyne Row, Chelsea, 1853 and n.d., commenting perhaps on his biography of Burns 'I have not read these Proofs; but I find several errors here and there, and therefore return them with the copy' and on the forthcoming biography of Burns: 'I think the Burns is now nearly altogether correct; at any rate I will commit wholly to you ; desiring to see no more of it till Mr Chapman send me 12 copies in the finished edition,' torn, folds (2) Note: Carlyle's biography of Burns was published by Chapman and Hall in 1854.
A Chelsea scent bottle, c.1755, modelled as a bottle contained in a yellow wicker basket, the neck painted with sprays of flowers, moulded with a bottle ticket inscribed 'Eau de Senteur', with a gilt metal mount and a stopper formed as a colourful butterfly with folded wings, restoration, 9.8cm.
Three Caughley creamers, c.1780-85, one painted in underglaze blue with the Rock House Island pattern, another left in the white with traces of gilding to the rim, the last of low Chelsea ewer form, painted with the Simple Posy pattern, 11.2cm across max. (3) The white creamer from the Godden Reference Collection.
A pair of Spode plates, c.1820, printed with arrangements of fruit, the rims moulded with entwined dolphins and foliate motifs, and a Chelsea soup plate, c.1755, of Gotzkowsky type, moulded with bands and sprays of flowers, painted with scattered single blooms, a ladybird and other flying insects, 23.5cm max. (3)
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