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Lot 978
TOTTENHAM HOTSPUR Fifteen home League programmes for season 1950/1 in which they won the League Championship. Fifteen programmes are in sub-standard condition with either punched holes, tears or frayed edges. Missing Stoke City, Middlesbrough, Aston Villa, Fulham, Huddersfield Town and Everton. The programmes in generally good condition are Manchester United, Blackpool, scores entered, Arsenal, creased, Chelsea, WBA and Liverpool, scores entered Poor to fair
Lot 1566
COLLECTION OF PROGRAMMES, CIRCA 1960s ONWARDS predominantly English clubs, including Germany vs. Mexico 8th Septmeber 1971, Switzerland vs. Chile 1960, Belgium vs. Portugal 3rd May 1964, Sporting Lisbon vs Manchester United 18th March 1964, Nuremburg vs. Man. Utd. 10th August 1965, further Man Utd. European and domestic, Borussia Dortmund vs Liverpool 5th May 1966, 1977 EC Final programme, Liverpool vs. Burnley 7th April 1965, further Liverpool, Kenny Dalglish First 100 Caps, Bayer Leverkusen vs. Real Madrid CL Final 2002, Arsenal vs. Bolton 10th Devember 1960, FL Cup Final 1969, FA Cup final 1979 and 1980, Chelsea including Barcelona and Milan home - 1966, Chelsea West Ham 24th August 1963 (and further 1960s), Everton including vs. Preston North End 8th October 1960, Stoke including vs. Ajax 18th September 1974
Lot 1632
ENGLISH CLUBS, COLLECTION OF PROGRAMMES, CIRCA 1960/70s including Leeds vs. Zagreb 6th Sep 1967, Chelsea vs. Sofia 4th Nov 1970 and vs. Aris Salonika 30th Sep 1970, Real Madrid vs. Man Utd 15th May 1968, Arsenal vs. Leeds CF 2nd March 1968, Everyon vs West Brom CF 18th May 1968, Munich vs West Ham ECWC Final 19th May 1968, Ian St. John Testimonial, George Taylor Testimonial, and more
Lot 8
LEEDS UNITED F.C., EUROPEAN CUP SEMI-FINAL JERSEY APRIL 1970 vs. Celtic F.C., UMBRO label, stitched crest, and number 4 verso, long sleevedNote: Believed worn by Billy Bremner during the 2nd leg tie at Hampden, 15th April 1970. Swapped with Bertie Auld; The Bertie Auld Collection."No manager could wish for a greater leader or a greater player. If I was in the trenches at the front line, the man I would want on my right side is Billy Bremner.” Don RevieBorn in Stirling in 1942, midfield firebrand, Billy Bremner, was the driving force behind Leeds United's most successful years under manager Don Revie in the 1960s and early 1970s.Despite being rejected by Arsenal and Chelsea for his height, Bremner signed for Leeds at just 17 and proved his worth by helping the club secure promotion to the top-flight in 1964. He became team captain in 1966, holding the role until his departure from the club.Wearing his distinctive No 4 jersey, Bremner won a haul of trophies at Leeds including the First Division (1968–69 and 1973–74), Second Division (1963–64), Inter-Cities Fairs Cup (1968 and 1971), FA Cup (1972), League Cup (1968) and FA Charity Shield (1969).Although he marked out for his passionate nature and tough tackling, which occasionally got him into trouble, Bremner was a skilled player with the ability to score crucial goals. In his 772 appearances he found the back of the net 115 times with countless assists to boot.He was named as the FWA Footballer of the Year in 1970 and has since been voted Leeds United's greatest player of all time, with a statue erected outside the south-east corner of their Elland Road stadium.Internationally, Bremner played a significant role in Scotland's rise during the 1970s, playing a key role in the side’s 1974 World Cup campaign and garnering praise from none other than Brazilian legend, Pele.Despite his legendary status, the European Cup eluded Bremner, with one of the bitterest defeats coming in the ‘Battle of Britain’ – the momentous European Cup semi-final clash against Celtic in 1970.In the second leg, Leeds faced an uphill battle after losing the first match 1-0 at Elland Road. Despite Bremner's powerful strike that levelled the tie on aggregate, Celtic emerged victorious, with second-half goals from John Hughes and Bobby Murdoch giving them an unassailable 3-1 advantage. The historic victory assured Celtic qualified for the European Cup final, facing Feyenoord in Milan.The game at Hampden Park drew a European record crowd of 136,505, mainly Celtic fans. The game was ranked as one of Celtic's greatest victories ever, with Jimmy Johnstone's performance earning him praise as a legend throughout Europe.Billy Bremner's illustrious career and Leeds United's memorable European Cup battle against Celtic remain significant chapters in football history, leaving a lasting impact on the sport and the fans who witnessed these momentous events. Condition generally good. There are some pulled threads below the collar which has created two ladders. Some loose threads around the number. Some minor bobbling. Some dirt marks and minor discolour, likely from having been worn. This iconic shirt is the one Bertie Auld swapped following the match, and there are a number of photographs of him holding it aloft whilst celebrating on the pitch. Additional images now available.
Lot 308
ERNESTO TATAFIORE (ITALIAN B.1943) UNTITLED (NUDE ON RED)acrylic with gold paint on canvas24 x 30cm; 9 1/2 x 11 3/4in (oval)35.5 x 41.5cm; 14 x 16 1/2in (framed)Property from a Private Collection, ChelseaProvenanceBCA, LondonPurchased from the above by the husband of the present owner.Painted in 2002.ARR may apply
Lot 309
ERNESTO TATAFIORE (ITALIAN B.1943) ROBESPIERRE - LA VERTUsigned Tatafiore lower rightwatercolour, gouache and collage on paper38.5 x 57.5cm; 15 1/4 x 22 3/4in42 x 61cm; 16 1/2 x 24in (framed)Property from a Private Collection, ChelseaExecuted in 1996.ProvenanceRaab Boukamel Gallery, LondonPurchased from the above by the husband of the present owner.ARR may apply
Lot 311
JAMES MOONEY (BRITISH B.1944) RED DEVILinscribed with the artist's marks λ z 4 lower rightoil on board15 x 19cm; 5 3/4 x 7 1/2in22 x 26cm; 8 3/4 x 10 1/4in (framed)Property from a Private Collection, ChelseaProvenanceEverard Read Gallery, Cape TownPurchased from the above by husband of the present ownerARR may apply
Lot 312
JAMES MOONEY (BRITISH B.1944) CARD PLAYERSwith the artist's stamp and titled CARDPLAYERS lower rightoil on board53 x 41.5cm; 21 x 16 1/4in71 x 59.5cm; 28 x 23 1/2in (framed)Property from a Private Collection, ChelseaProvenanceEverard Read, Cape TownPurchased from the above by the husband of the present owner.ARR may apply
Lot 317
KEN CURRIE (BRITISH B.1960) THE JEW AND OTHER STORIESsigned, titled, and inscribed with the measurements and the medium and dated 1993 on the reversepastel, charcoal, oil pastel and beeswax on paper31 x 23cm; 12 1/4 x 9in57 x 47cm; 22 1/2 x 18 1/2inProperty from a Private Collection, ChelseaProvenanceRaab Boukamel Gallery, LondonPurchased from the above by the husband of the present owner.
Lot 18
ALBERT RUTHERSTON (BRITISH 1881-1953) NUDE STUDY OF PATRICIAsigned and dated Albert R 1941 lower left pencil and crayon20.5 x 16.5cm; 8 x 6.5in58.5 x 43.5cm; 23 x 17 1/4in (framed)Rutherston's introduction to Patricia Koring in 1938 by the artist and designer Barnett Freedman inspired him to return to oil painting, a medium he had barely touched for twenty-five years. A student at Chelsea Polytechnic, Koring became Rutherston's model and muse for the next decade.ARR may apply
Lot 24
MICHAEL ROTHENSTEIN (BRITISH 1908-1993) Michael Rothenstein (lots 24-30) IntroductionMichael Rothenstein was born in Hampstead where he grew up on Church Row, the youngest child and second son of William Rothenstein and Alice (née Knewstub) (lots 1-13). He studied painting at Chelsea Polytechnic and the Central School of Arts and Crafts (1924-27), and had an early solo exhibition at the Warren Gallery on Maddox Street, London W1 in 1931. His fluid youthful style is reflected in such faintly satirical works as Making Hay (lot 24). Rothenstein suffered from bouts of depression, but towards the end of the ‘thirties painted a series of bravura landscapes (lots 25-28) a selection of which he exhibited at the Matthiesen Gallery in 1938. After War broke out, his careful observation of the English countryside made him well suited to participating in the Pilgrim Trust Recording Britain project set up by Sir Kenneth Clark. But thereafter increasingly Rothenstein turned to print making. Among his early successful prints was Timber Felling (1945), which he made for the School Prints Series to give children an understanding of contemporary art. He also made drawings for the War Artists Committee. And he visited S W Hayter’s Atelier 17 in Paris, returning to England to make colour etchings. In 1954 he moved to Great Bardfield in Essex, home to a thriving coterie of artists, amongst them Edward Bawden and Kenneth Rountree, where he set up a graphic workshop while also teaching at Camberwell School of Art and Stoke-on-Trent College of Art. (lots 29 & 30). During the 1950s and ‘60s Rothenstein burnished his reputation as one of the most experimental print makers in Britain. Accolades included winning the Giles Bequest Competition for colour woodcuts and linocuts in 1954 and 1956. He lectured extensively, wrote several books on the subject, amongst them Frontiers of Printmaking (1966), and was instrumental in the formation of the printmakers Council, serving as its first chairman. In 1977 he was voted ARA, and in 1984 RA. MICHAEL ROTHENSTEIN (BRITISH 1908-1993)MAKING HAYsigned and dated Michael Rothenstein 1931 upper leftgouache65 x 60cm; 25 1/2 x 23 3/4 in 80 x 76 cm; 31 1/2 x 30in (framed)ARR may apply
Lot 508
Three: Aircraftman 2nd Class S. G. S. Brown, Royal Air Force British War and Victory Medals (158167. Boy. S. G. B. Brown. R.A.F.); India General Service 1908-35, 1 clasp, Afghanistan N.W.F. 1919 (158167 A.C. 11 S. G. [sic] Brown, R.A.F.) mounted on card for display, nearly extremely fine and rare to rank of ‘Boy’ (3) £160-£200 --- Stanley George Shrewsbury Brown was born in Chelsea, London in January 1901. He joined the Royal Flying Corps as a Boy in December 1917, and transferred as a Boy in to the Royal Air Force in April 1918. Brown served with 99 Squadron in India from April 1919, and was discharged in April 1921.
Lot 565
Waterloo 1815 (William Fowler, 33rd Regiment Foot.) fitted with replacement steel clip and ring suspension, edge bruising and small test cut to rim, otherwise nearly very fine £1,800-£2,200 --- Provenance: Watters Collection, June 1913. William Fowler was born in the Parish of Beeston, Yorkshire, and enlisted into the 33rd Foot on 8 December 1813, aged 25, a collier by trade. He was slightly wounded in the head at Waterloo on 18 June 1815, and was discharged as a Private at Chelsea on 6 June 1816. Sold with copied research.
Lot 586
Turkish Crimea 1855, Sardinian issue (933. Sergt. F. W. Kisbie. 6th. Dragoons.) contemporarily engraved naming, pierced with ring suspension, nearly very fine £100-£140 --- Franklin Kisbie attested for the 6th Dragoons at Chelsea on 16 June 1846, aged 14, and served with the Regiment throughout the Crimea campaign, being promoted Trumpeter on 1 October 1854. The musters show that he was effective from 1 October to 31 December 1854, and consequently it is probable that he rode in the Charge of the Heavy Brigade at Balaklava on 25 October 1854.
Lot 592
India General Service 1854-95, 1 clasp, Umbeyla (114 I Brocklehurst H.Ms. 101st. Regt.) edge bruising, nearly very fine £140-£180 --- Isaac Brocklehurst was born at Hyde, Lancashire, around 1840, and attested for the 101st Regiment of Foot (Royal Bengal Fusiliers) at Bolton in 1859. According to a copy of entry in the Admittance Book as an out-patient of the Royal Hospital, Chelsea, Brocklehurst served for over nine years in India, commencing with training at the Honourable East India Company depot, followed by a posting to the 5th Battalion, European Infantry, on 18 December 1859. He arrived at a time of serious unrest in the Battalion over the proposal to transfer troops en-block to Crown control. Many mutinous troops objected that they were not property that could be transferred without consent and were prepared to use force if necessary. The situation proved a serious headache for the British authorities and was only put down with the execution of the ringleader and incarceration of his supporters. Transferred to Malta, Cyprus, and Halifax, Nova Scotia, Brocklehurst was finally discharged on 1 June 1880, his intended place of residence noted as Manchester.
Lot 74
Military General Service 1793-1814, 1 clasp, Martinique (H. McElsander, R. Arty.) edge bruising and contact wear, otherwise nearly very fine £1,000-£1,400 --- Provenance: Glendinings, February 1980. Henry McElsander/McKelsander was born in the Parish of Donoughmore, County Tyrone. A weaver by trade, he attested for the Royal Artillery at Charlemont, County Tyrone, on 23 January 1804, aged 18 years. He served as a Gunner & Driver in the West Indies from 1 December 1808 to 14 April 1809 (capture of Martinique), and afterwards in America for a period of 15 years. He was promoted to Bombardier & Corporal on 18 August 1814; to Sergeant on 2 March 1818; and was appointed Master Gunner on 1 March 1846. This latter rank he held for more than 11 years until his final discharge from 7th Battalion R.A. at Leith on 30 April 1857, by which time he had served a remarkable 53 years 187 days, being aged 71 years 7 months. He was admitted to a Chelsea out-pension of 3/- a day (the maximum), which he collected at Edinburgh until his death on 13 February 1879. Sold with copied discharge papers.
Lot 290
Album of greetings cards including woodcut and similar examples, many with artsist's name in pencil, including Christopher Collier, Clarke Hutton, High Chesterman, Wyndham Payne, Chelsea Illustrators, Antonia Hall, Turberville, S.F. Turner, A.J.Casson, Gwen White, Nevil Shute Norway and Raven Press
Lot 296
GLASGOW AND CHARLES RENNIE MACKINTOSH COLLECTION OF TEXT BOOKS, PAMPHLETS AND CATALOGUES (Pamela Robertson ed.), The Chronycle, The letters of Charles Rennie Mackintosh to Margaret Macdonald Mackintosh, Hunterian Art Gallery 2001Raymond O’Donnell, James Salmon, Rutland Press 2003Patrick Nuttgens, Mackintosh and his Contemporaries, John Murray 1988(Pamela Robertson ed.), Doves and Dreams, Lund Humphries 2006Pamela Roberton and Philip Long, Charles Rennie Mackintosh in France, NGS 2005Perilla Kinchin, Miss Cranston, NMS 199Perilla Kinchin, Taking Tea with Mackintosh, Pomegranate 1998Elaine Grogan, Beginnings: Charles Rennie Mackintosh’s Early Sketches, National Library of Ireland 2002(Pamela Robertson ed.), Charles Rennie Mackintosh: Architectural Sketches, Hunterian Art Gallery 1999George Rawson, Fra H. Newberry, Foulis Press 1996(Pamela Robertson ed.), Charles Rennie Mackintosh: The Architectural Papers, Cockade 1990Pamela Robertson, Charles Rennie Mackintosh: Art is the Flower, Pavilion 1995David Stark, Charles Rennie Mackintosh & Co., Stenlake 2004Richard Scott, The Walberswick Enigma, Ipswich Borough Council 1994Roger Billcliffe, Visiting Charles Rennie Mackintosh, Frances Lincoln 2012Charles Rennie Mackintosh Scotland Street School, Glasgow Print Studio 1980Charles Rennie Mackintosh Furniture, Glasgow School of Art 1968Charles Rennie Mackintosh Ironwork and Metalwork, Glasgow School of Art 1968Charles Rennie Mackintosh and the Glasgow School of Art, Glasgow School of Art 1961 R. Mackintosh: The Chelsea Years, (Exhibition catalogue, Hunterian Art Gallery, 1994)David Brett, R. Mackintosh: The Poetics of Workmanship, Reaktion 1992Charles Rennie Mackintosh 1868-1928, (Exhibition Catalogue, Scottish Arts Council, 1968)Gerald and Celia Larner, The Glasgow Style, Astragal Books 1980Ray McKenzie, Sculpture in Glasgow, Foulis Archive Press 1999Perilla and Juliet Kinchin, Glasgow’s Great Exhibitions, White CockadeCharles Rennie Mackintosh, (Exhibition catalogue, Hida Takayama Museum of Art, 1998)(William Buchanan ed.), Mackintosh’s Masterwork: The Glasgow School of Art, Chambers 1998Roger Billcliffe, Charles Rennie Mackintosh: The Complete Furniture Drawings Etc., Lutterworth Press 1980Alan Crawford, Charles Rennie Mackintosh, Thames & Hudson 1995William Buchanan, The Art of the Photographer, J. Craig Annan, NGS 1992(William Buchanan ed.), Mackintosh’s Masterwork: The Glasgow School of Art, A & C Black 2004(Jude Burkhauser ed.), Glasgow Girls, Canongate 1990Harry Taggin et al, Glasgow Revealed, Heritage Books 1998Andor Gomme & David Walker, Architecture of Glasgow, Lund Humphries 1987Janice Helland, The Studios of Frances and Margaret Macdonald, Manchester University Press 1996Robert Macleod, Charles Rennie Mackintosh, Country Life Books 1968Timothy Neat, Part Seen, Part Imagined, Canongate 1994Alistair Moffat, Remembering Charles Rennie Mackintosh, Colin Baxter 1989A. Oakley, The Second City, Blackie & Sons 1967Wendy Kaplan, Charles Rennie Mackintosh, Glasgow Museums 1996The Doctor Thomas Howarth Collection, Christie’s catalogue, 1994Timothy Neat & Gillian McDermott, Closing the Circle, Iynx Publishing 2002Roger Billcliffe, Mackintosh Furniture, Lutterworth Press 1984Thomas Howarth, Charles Rennie Mackintosh and the Modern Movement, Routledge & Keegan Hall Ltd. 1952Charles Rennie Mackintosh Making the Glasgow Style, Glasgow Museums catalogue 2018William Eadie, Movements of Modernity, Routledge 1990Robin Crichton, Monsieur Mackintosh, Luath Press 2006John Nisbet, A Sketch Book, Adam & Charles Black 1913Irene Maver, Glasgow, Edinburgh University Press 2000Roger Billcliffe, Mackintosh Watercolours, Carter Nash Cameron 1978Roger Billcliffe, Charles Rennie Mackintosh Textile Designs, Pomegranate 1993Roger Billcliffe, Architectural Sketches and Flower Drawings by Charles Rennie Mackintosh, Academy Editions 1977(Jackie Cooper ed.), Mackintosh Architecture, Academy Editions 1984Pamela Robertson, The Mackintosh House, Hunterian Art GalleryTalwin Morris designer The Book of the Home, 6 Volumes, Gresham Publishing Co. 1900 and a quantity of pamphlets to include:Mackintosh Watercolours RSA exhibition catalogue 1986; The Private Library: Talwin Morris, Blackie and the Glasgow Style; 78 Derngate Guide Book; C.R. Mackintosh Architectural Drawings, Hunterian exhibition catalogue, 1990; Architectural Jottings, edited by Andrew Young; Charles Rennie Mackintosh Scottish Art Review 1968; The Glasgow Style Glasgow Museums exhibition catalogue 1984; The 1933 memorial Exhibition: A reconstruction, The Fine Art Society catalogue 1983; Charles Rennie Mackintosh at the Hunterian Art Gallery 1991; Glasgow Society of Lady Artists in 1882, exhibition catalogue 1982; Helensburgh and the Glasgow School, exhibition catalogue 1972; Mackintosh Flower Drawings, Hunterian Gallery exhibition catalogue 1993; The Hill HouseSold as seen, not subject to return Provenance:Provenance: The Estate of the late Dr James Macaulay
Lot 112
Roberto Di Matteo signed 7x5 colour Chelsea Stanford Bridge photo. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Lot 10
A GROUP OF TWENTY 18TH/ 19TH CENTURY PROVINCIAL TOKENS including a Middlesex, 1795, Chelsea Halfpenny, D&H 277; a Lincolnshire 1794, Spalding Halfpenny, edge reads PAYABLE AT T. IENNINGS'S SPALDING & HOLBEACH - X -, D&H 4; a Yorkshire, 1812, Canada Duke of Wellington Peninsular Halfpenny, CCT# WE-11A; etc. (20)
Lot 52
A CHELSEA DERBY SCENT BOTTLE AND STOPPER, CIRCA 1775 finely painted front and back with a hummingbird feeding off painted flowers, the sides encrusted with flowers and pale green leaves, the stopper further encrusted with flowers and leaves, the foot richly gilded and with a star on the underside. 8.2cm highMinor losses to some leaves and petals. Some wear to the gilding.
Lot 53
A ST. JAMES'S (CHARLES GOUYN) OR CHELSEA PORCELAIN SCENT BOTTLE AND STOPPER, CIRCA 1755 modelled as Cupid pointing to a clock supported amidst the branches of a rose tree by a scantily clad Venus, a spotted dog seated between them and inscribed around the arched sides of the base L'HEURE DU BERGER FIDELLE, gilt-metal mount. 7.5cm highWith Guitel Montague, New York, (paper label)Kate Foster illustrates another example of this model in her paper 'Chelsea Scent Bottles - 'Girl in a Swing' and another Group', Transactions of the English Ceramic Circle, 1967, Vol. VI, pt. 3, pl. 213 (a), listed on p. 288 as no. 11 in the "second Category" of these types of scent bottles.Minor losses to petals. Some crazing visible to the rear of the fgroup.
Lot 55
A CHELSEA PORCELAIN SCENT BOTTLE, CIRCA 1756 in the form of a three-storied dovecote, mounted in gold, painted with enamels and gilded, with yellow thatched roofs and windows from which some show doves peeping, the stopper surmounted by a dove, a lamb reclines at one side, a gilded rose on the underside. 9.7cm highA similar example in the collection of the V&A, South Kensington, accession no. C.209-1940An ear of the lamb missing. One bird without head. Some wear to commensurate with age.
Lot 134
LONDON PRINTS: 1- Gibb, J: The South West prospect of the church of St. Martin in the Fields 1738 (41 vx 32 cm); Plus: Nicholls, S: Le St. Mary Le Strand (44 x 33 cm); 2- Seven engravings, mainly on the Thames, including: Old Cheyne Walk; Chelsea (Bridge); Twickenham; Old Chelsea church; St. Pauls from the Thames; etc. Plus: four others 19th. Century; 3- Twenty views of London, including five coloured, three by Ackermann: Piccadilly, 1810; Soho Square, 1812; & Regent St. 1823; Plus three others of the Thames. (qty.)From the Paul Bentley collection of maps and atlases.
Lot 61
LONDON MAP: Cary's New and Accurate Plan of London and Westminster, the Borough of Southwark and parts adjacent: viz. Kensington, Chelsea, Islington, Hackney, Walworth, Newington &c with an Alphabetical list of upwards of 500 of the most principal streets with references to their situation, Jan 1, 1806, Linen backed, folding & with some hand colouring. tears to folds (125 x 82 cm).From the Paul Bentley collection of maps and atlases.
Lot 294
A collection of approx. fifteen silver Masonic medals and badges, in leather case. Condition Report: There is slight damage to the enamel on the two Chelsea lodge badges, but the two Cheyenne badges are in good condition, all four badges have pin intact and all four are hallmakred as silver.please see additional images.
Lot 55
A collection of Punk LPs and 12" to include (1) Penetration - Danger Signs (1979 UK 12" Press); (2) Scars - Author! Author! (1981 UK Press); (3) Sex Gang Children - Beasts (1982 UK 12" Repress, Press); (4) Big Audio Dynamite - Medicine Show (1986 UK Limited Edition 12" Press); (5) Hash 'n' Thrash - The Chillum Mix (1987 UK Press); (6) Chelsea - Evacuate (1982 UK Press); (7) Stiff Little Fingers - Go For It (1981 UK Press); (8) G.B.H - Leather, Bristles, Studs & Acne (1981 UK 12" Press); (9) Poison Girls - Hex (1979 UK 12" Press); (9) Daisy Chainsaw - Love Sick Pleasure (1991 UK 12" EP Press); (10) Subhumans - The Day The Country Died (1990 UK Reissue Repress Press); (11) Crass - The Feeding Of The Five Thousand (1979 UK 12" EP Repress Press); (12) Devo - Q: Are We Not Men? A: We Are Devo! (1979 UK Picture Disc Press); (13) Various - Oi! Glorious Oi! (1987 UK Repress Press); (14) Public Image LTD - Paris Au Printemps / Paris In The Spring (1980 UK Press); (15) The Vibrators - Flying Home (1984 UK 12" Maxi-Single Press); (16) Skeletal Family - Burning Oil (1984 UK Press); (17) Last Resort / Combat 84 - Death Or Glory (1987 UK Repress Press); (18) U.K. Subs - Recorded 1979-1981 (1983 Germany Clear Red Vinyl Press); (19) UK - U.K. (1978 US Press); (20) UK - Danger Money (1979 UK Press); (21) Back To The Planet - Teenage Turtles (1993 UK 12" Orange Vinyl Press); (22) Various - No More Heroes (1990 UK Press); (23) Various - Live Stiffs (1979 UK Reissue Press); (24) Lou Reed & The Velvet Underground - Super Star Series (1982 Italy Press); (25) Empire & Dance - Sex & Sin (1987 UK 12" Maxi-Single); (26) The Dogs D'Amour - Empty World (1990 UK 12" Limited Edition Box Set, Poster Include); All condition vary from Fair to Good Plus with generally Fair to Good sleeves. (26)
Lot 276
A Collection of Various Masons Blue and White China to comprise 'Vister' Pattern Teapot, Old Chelsea Cups, 'Willow' Pattern Teacups and Saucers, Miniature 'Vister' Pattern Jugs Etc together with Copeland and Garratts Morning Coffee, Afternoon Tea Dish and Two Ringtons Masons Teapot and Jug Collection Plates
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