Circle of George Engleheart, Portrait of `William Aiton Esqre. author of Hortus Kewensis`, shoulder length, 6.4cm x 5.3cm, oval. Titled verso. In a verre ŽglomisŽ slip and a black papier mache rectangular frame. From the portrait by George Engleheart in the collection of the Royal Botanic Garden, Kew (accession no. LO 001) William Aiton (1731-1793) was born near Hamilton in Scotland. Having been trained to the profession of a gardener, he travelled to London in 1754, and became assistant to Philip Miller, then superintendent of the Chelsea Physic Garden. In 1759 he was appointed director of the newly established botanical garden at Kew, where he remained until his death. He effected many improvements at the gardens, and in 1789 he published Hortus Kewensis, a catalogue of the plants cultivated there.
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FOOTBALL PROGRAMMES, SIGNATURES ETC. Bristol City v. Liverpool, 24 Aug. 1957; Chelsea v. West Ham, 14 Oct 1959; Chelsea v. Bristol City, 11 Apr 1960; Chelsea v. PNE, 26 Apr 1960; Stanley Matthews signed photo, "The Swerve; Tom Finney signed photo; plus many other players c2000 on; plus other ephemera.
A Derby style part tea service, early 19th century, consisting of a cream, a sugar, cups of various size, side plates and saucers, overall decorated with pink and gilt scrolling foliage on peach ground, with stylised gilt leaf on blue ground borders; a Royal Crown Derby Imari style 383 pattern part tea service, mid/ late 20th century, to include cups and saucers, espresso cups and saucers and side plates, overall decorated with Imari style flowers in blue and iron red with gilt embellishment; a pair of Spode `Chelsea` figures, 20th century, of a man and woman in early dress on Rococo style bases, (a lot).
Bernard Howell Leach, British 1887-1979 exh 1925-1927- "St Luke`s Chelsea/The Gothic Spire"; etching, signed with initials and titled in pencil, 28.5x22cm, (may be subject to Droit de Suite) Provenance: with The Chenil Gallery, London, according to label attached to the reverse of the frame, Note: The label on the reverse of this picture is inscribed with the artist`s address being 32 Rue St Cloud, Clamait Seine, Paris
Norah McGuinness HRHA (1901-1980) BARLEY MOON oil on canvas signed lower right; with original label on reverse 76.2 by 127cm., 30 by 50in. L "Dawson Gallery, Dublin; Whence purchased by the first owner; Adam`s & Bonhams, Dublin, 30 May 2007; Private collection" `Norah McGuinness Exhibition`, Dawson Gallery, Dublin, 1964, catalogue no. 14 In the original frame of the Dawson Gallery, Dublin.This dark impressive landscape was exhibited at the Dawson Gallery, Dublin in 1964 during which time McGuinness had returned to live in Ireland. Having been formally trained at the Metropolitan School of Art, Dublin, the Chelsea Polytechnic, London, and on Mainie Jellett’s advice, under André l’Hôte in Paris, McGuinness, who was originally from Derry, proved to be a rounded, well travelled and informed artist at this point in her career. The present work, which is likely to have been executed from her cottage studio in the Dublin Mountains where she was living from 1957, shows the artist at her most confident. Her brushwork, while loose and fluid, retains control of technique with its precise application. The tone of Barley Moon is romantic both in title and subject matter. A full September moon dominates the sky and filters into the body of the work before resting in a pool of creamy luminosity in the foreground of the canvas. There is a sense of theatricality to this autumnal moonlight - an element to the work that perhaps resonates her time spent in the theatre world, in The Abbey, Dublin in the mid-twenties and later in the Westminster Theatre in London in the mid-thirties. The spotlight however in this case is focused on Barley Moon’s poetic lunar activity; the overall effect is sensual, mysterious and distinctly feminine.
Lady Blanche Lindsay (née Fitzroy) (c.1844-1912) PORTRAIT OF A YOUNG GIRL oil on board with faintly inscribed label on reverse detailing artist`s name, address [41 Hans P., Chelsea] and price [ten?] 10.16 by 10.16cm., 4 by 4in. L "Caroline Blanche Elizabeth (née FitzRoy), Lady Lindsay daughter of Hon. Henry Fitzroy (the son of Lord Southhampton) and Hannah Mayer de Rothschild was an amateur painter, poetess, musician and wife of Sir Coutts Lindsay whom she married in1864. Together they founded the Grosvenor Gallery in 1877 which was heralded at the time as a favourable alternative to the Royal Academy and a chief artistic and social venue for second-generation pre-Raphaelites among other artists of the day. Although only thirteen years in operation the Lindsays` innovations in terms of their exhibition practices had far reaching effects. The couple later separated but Lady Lindsay continued to play a vital role in the arts community, hosting gatherings which included Mary Shelley, Browning, Eliot and Tennyson among others at her home in 41 Hans Place, Chelsea.A portrait miniature of Lady Lindsay was painted by Dickens` daughter Kate Perugini (see lot 43).
Football programmes and memorabilia 1960s period including 1966 World Cup Final plus official souvenir programme, England Internationals (16), FA Cup Finals (7), FA Amateur Cup Finals (6), Schools Internationals (7), various clubs including Chelsea, Fulham, Crystal Palace etc plus selection of black and white press photographs of items and action shots, two autograph albums including Surrey Cricket team 1960s, Chelsea and Crystal Palace autographs etc plus some rugby league and other programmes
A 19th Century porcelain soup bowl in the Chelsea manner, of shaped circular form with gilded rims, the centre painted with an exotic bird amidst foliage, butterflies and insects, within floral garland borders, interspersed with shaped panels, decorated in gilt with moths and butterflies on a blue ground, bears gold anchor mark to base, and remnant of old collection label, 23.5 cm diameter and a similar shaped circular side plate, the centre painted with an exotic bird with town in distance amidst foliage, butterflies and insects within floral garland borders and shaped panels decorated with butterflies on a blue ground, bears gold anchor mark to base, 22 cm diameter (ILLUSTRATED)
A CHELSEA CHRYSANTHEMUM LOBED DISH decorated with the Brocade pattern, painted in red and gilt with a large central kiku mon, the wide border enamelled with a fabulous beast, textile patterns and further mon, the underside with the Three Friends in pinkish purple and gilt, 23cm diam, with old inscription B Robinson`s Collection and museum label, c1760 Provenance: Worcester Royal Porcelain Works Museum. ++Large section of the border broken out and riveted back into position; localised wear especially to the gilding on the rim but unusual
TWO CHELSEA PLATES painted in polychrome with insects and three pairs of exotic birds in puce scrolling cartouches and lightly moulded turquoise and gilt feather moulded border, 20cm diam, gold anchor, c1760 A documentary plate of the same pattern and possibly painted by the same hand, signed Thos F is in The Victoria & Albert Museum. It is illustrated Rice (D G), Derby Porcelain The Golden Years 1750-1770, 1983, plt 109. ++One with slight wear, the other with moderate wear
A CHELSEA-DERBY CREAM JUG of slender spirally fluted form with gilt strap handle, painted in green monochrome and heightened in gilt with a spray and scattered flowers, 11cm h, collector`s label, c1785 Provenance: Geoffrey Godden Reference Collection. ++Handle broken and restuck, wear to gilding on the edges of the handle. The lip slightly chipped.
A CHELSEA-DERBY FLUTED COFFEE CUP AND SAUCER painted in green monochrome with pendulous sprays of flowers alternating with claret and gilt tooled panels with oak leaves, the rims and handle gilt, saucer 12.5cm diam, c1770, the ground colour and gilding later ++In fine condition, the underside especially the saucer, exhibiting the characteristic spit out found on redecorated wares but interesting
A CHELSEA-DERBY COFFEE CUP AND SAUCER of leaf moulded and shanked form, decorated with a version of the Queen Charlotte pattern in underglaze blue and gilt with reserves of stylised flowers and scrolling foliage alternating with iron red pendulous foliage, the rims and handle gilt, saucer 13cm diam, gold anchor and D, c1770-77 ++Localised wear to gilding on the rims only
A CHELSEA-DERBY TEA BOWL of porcelaneous paste, painted in two tones of underglaze blue in the style of transfer printing with Chinese landscapes, one with a solitary fisherman and with inner scale border, gilt dentil rim, 8cm diam, painted crown over D in blue, c1778-81 ++Slight wear to the gilding on the rim only. In fine condition and unusual (see note in Mitchell - The Marks on Chelsea-Derby, plt 4i)
TWO CHELSEA-DERBY COFFEE CANS AND STANDS painted en puce camaieu with Putto on a cloud in gilt dentil rim, the handle and footrim gilt, stands 11and 11.5cm w, gold anchor and D, or unmarked, c1770-75 ++One coffee can with slight wear to the dentil gilding, the other restored, both stands cracked
A CHELSEA-DERBY PLATE possibly by James Banford, painted en puce camaieu with Putto on a cloud framed by interlaced pink, blue and gilt C scrolls, the fluted border with swags and single roses in beaded gilt circular frames, scalloped dentil rim, the footrim also gilt, 21.5cm diam, incised 2, c1780 ++In fine condition
TWO CHELSEA PLATES one enamelled with exotic birds in turquoise shell moulded cavetto and with six floral sprays to the moulded border, the other with a loose bouquet and scattered sprigs, the border painted with exotic birds or butterflies in gilt or puce rim, gold anchor, c1768-70 and a Chelsea-Derby plate enamelled with floral swags suspended from gilt florets around a sepia urn, c1770-77 (3) ++Chelsea bird plate - enamels scratched and some abrasion of the glaze around the cavetto. Second Chelsea plate with minor hairline cracks around the border, Chelsea-Derby plate with wear to enamels and gilding
TWO CHELSEA-DERBY TEA BOWLS AND SAUCERS decorated in a blue and gilt set pattern with broad gilt hatched and arcaded border beneath grapevines, the other enamelled with scattered flowers within black, grey and gilt swags and gilt dentil rim, saucers 14 and 13cm diam, puce painted crown over D or gold anchor and D, c1775-85 Illustrated: (blue and gilt tea bowl and saucer), Twitchett (J), Derby... an Illustrated Guide, Woodbridge 2002, p242. ++Blue and gilt saucer with minor hairline crack, swagged tea bowl with rubbed gilding on the rim
A CHELSEA-DERBY TEA BOWL AND SAUCER enamelled with a Japan pattern, the border with alternating diaper and puce whorls with lobed blue and gilt frames of mythical beasts or plants heightened in gilt, the underside of the saucer with elaborate lotus and leaf decoration, saucer 13.5cm diam, pseudo seal mark in blue, c1784-86 Subsequently pattern 3 in the Derby factory`s Plate Pattern Book. ++In fine condition
A DERBY BOTANICAL PLATE made as a Chelsea replacement, with fluted cavetto, finely painted with a convolvulus in turquoise and brown feather moulded rim , 21cm diam, impressed G, painted 20 in red, collector`s label, c1792-4 Provenance: J A Robinson Collection. This unusual and interesting plate and its source print "Convolvulus Nil/Azure Convolvulus was published in W Curtis`s Botanical Magazine in April 1792 and is discussed at length and illustrated in an article in DPIS Journal 2, 1991, Derby Botanical Dessert Services 1791-1811 by A P Ledger, pp 79-101, figs 5 and 6. ++In fine condition with slight stacking wear only
A DERBY PLATE painted in warm brown monochrome with an angler and another figure in a hilly landscape in apricot, brown and gilt cavetto and fluted gilt honeysuckle border, 23cm diam, painted mark, 116 and title Streights of Dovedale Derbyshire in blue script, c1790-94 Another plate of pattern 116 with a similar view in Dovedale is illustrated Mitchell (Stephen), The Marks on Chelsea-Derby... 1770-c1790, 2007, plt 99i. ++Localised wear to the gilding on the rim and some retouching
A CHELSEA-DERBY PLATE FROM THE NORTHUMBERLAND SERVICE en suite with the preceding plate, painted by Edward Withers, 25cm diam, painted crown over D in blue, dealer`s and collector`s labels, c1779-81 Provenance: Peel Collection; Klaber & Klaber, London (1992 Derby Exhibition) ++Slight scratches only
WILLIAM EDWARD MOSLEY (D1954) AFTER HARRY SAMPSON HANCOCK (1870-1934) CHELSEA BIRDS watercolour, 27 x 22cm Illustrated: Blackwood (R) and C Head, Old Crown Derby China Works The King Street Factory 1849-1935, 2003, p150. The King Street Bottle Vase painted by H S Hancock, 1916, from which the present watercolour was copied, is illustrated, Twitchett (J) & B Bailey, Royal Crown Derby, Third Edition, Woodbridge 1988, plt 11b. ++In fine condition
A CONTINENTAL COFFEE CAN AND STAND with angular gilt handle and gilt with sprigs beneath a panelled puce ribbon border with pale green batons at intervals, stand 13cm diam, painted pseudo anchor and D in puce, 19th c Illustrated: Twitchett (J), Derby... an Illustrated Guide, Woodbridge 2002, p190. A matching coffee can thought to be Vienna, with the same bogus mark is discussed and illustrated Mitchell (Stephen), The Marks on Chelsea-Derby... 1770-c1790, 2007, p69 & plt 52v. ++In fine condition
CHELSEA AND BOW PORCELAIN, SUBJECT. BRYANT (G E) THE CHELSEA PORCELAIN TOYS large 4to, plates with tissue guards, half title, 132 of 650 numbered copies signed by the author, worn buckram, 1925, Frank Stoner - Chelsea Bow and Derby Porcelain Figures, 1955, John C Austin - Chelsea Porcelain at Williamsburg, 1977 and thirteen others including Hurlbutt`s Bow Porcelain [2 copies] and catalogues (16) ++++
A PAINTED SNUFF BOX COVER, PROBABLY BY SAMUEL RAVEN (1775?-1847) with a Chelsea Pensioner taking a dish of tea, 10cm diam, painted title The Chelsea Pensioner in red script and numbered 6489 ++A well preserved example with slight scratch like surface wear extending in an arc from the figures right elbow to the piece of bread held in the left hand although not too apparent and does not detract, free from edge knocks, cracks, chips or warping
Early 1940s England Football Programmes: England v Wales 16th October 1943 played at Maine Road, Manchester [P], England v Wales 16th September 1944 played at Anfield, Liverpool (punch holes), England v Scotland played at Villa Park 3rd February 1945 [F], England v Switzerland 11th May 1946 played at Stamford Bridge, Chelsea [G] & England v Scotland (Bolton Disaster Match) 24th August 1946 covers detached at spine. (5).
Football Ephemera: The Sunday Post “Famous Football Clubs 1933/4” a collection of 20 team groups with legend below, teams include England, Scotland, Chelsea & Celtic etc. with original blue cover, all with punch holes, otherwise [VG] plus 2 Daily Citizen team groups 1913/14 of Everton & Queen’s Park, Clem Stephenson & Fred Keenor supplements & 2 Northern Europe magazine Team Groups of Middlesbrough & Brentford. A good lot. (27).
Collection of 1950s Tottenham Hotspur football programmes, noted Charlton Athletic ‘51-2 & ‘53-4, Middlesbrough, Arsenal, Chelsea, Wolverhampton Wanderers, Sheffield United, W.B.A. all ‘53-4, Port Vale FAC, ‘54-5, Blackpool, W.B.A., Chelsea, Huddersfield Town, Sheffield United + others all ‘55-6, Leeds United, Manchester United, Burnley, W.B.A., P.N.E., Newcastle United, Chelsea FAC, Sunderland, Arsenal, Portsmouth + another 6 all ‘56-7, 14 x’ 57-8, 15 x ‘58-9 and 22 from ‘59-60, about a dozen are fair condition with the rest rated good – very good. (81)
Collection of mainly 1980s Chelsea football programmes (A), which seems to have several near complete seasons. Programmes from all teams Chelsea played during this era in the League, F.A. Cup, all versions of the League Cup, noted Middlesbrough Division 2 Play-off 1987-8, @ Tooting & Mitcham for Opening of ground 2002 (with Ticket), Crystal Palace Friendly 4 pages ‘86. Well worth an inspection for those “in the know” Good. (170)
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42501 item(s)/page