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A box of Old Chelsea pattern coffeeware; still life oil on board; mother of pearl card case etc.

'CHELSEA' CONTEMPORARY SILK AND WOOL CARPET, 430cm x 305cm.

A quantity of boxed Divine ladies Chelsea boots (10)

A quantity of boxed Divine ladies Chelsea boots (10)

A quantity of boxed Divine ladies Chelsea boots, together with different style boots (8).

A quantity of boxed Divine ladies Chelsea boots: together with ladies pumps (9)

AFTER PABLO PICASSO, PORTRAITS IMAGINAIRES 30.3.69 I, Chelsea Green Editions blindstamp, limited edition print no. 32/50, framed. Sheet 77cm by 59cm

Pair of Chelsea porcelain figures depicting a musical couple with instruments, dog and lamb, with gold anchor marks to the base (20cm high)

Grimsby Town Football Club programme, Town v Cardiff City 22nd January 1949, two World Cup 1966 Championship programmes, F.A. Cup Final Chelsea v Tottenham Hotspur 20th May 1967 and over thirty other football programmes 1964-67 including Scunthorpe United, Sheffield Wednesday and United, Doncaster Rovers, Exeter City, Chester, Rochdale, Spurs etc Condition Report Click here for further images, condition, auction times & delivery costs

ASSORTED BLUE & WHITE CHINA including mainly Old Chelsea patterned by Furnivals including platters, bowls ETC

Cookery.- H. (E.) [Collection of recipes], manuscript, 104pp. excluding blanks, in a variety of hands, browned, numerous ink and splash marks, original vellum, lettered direct on upper cover, soiled and stained, sm. 4to, 1808-30.⁂ Recipes include: "Italian Cheese"; "A Bread Pudding"; "English Madeira"; "Champagne from Green Grapes"; "Parsnip Wine"; "A Receipt for making Salad"; "The Chelsea Pensioners Receipts for the Rheumatism"; "Guava Jelly"; "Topsy Cake... Mrs. Beeton" etc.

A George III silver panelled navette shaped tea caddy by Andrew Fogelberg & Stephen Gilbert, London 1789, having flush-hinged domed cover with ring finial, the front bearing the arms of Elers of Chelsea, 15cm wide, 14.5oz

A pair of porcelain parrots heightened in gilt, bearing golden anchor Chelsea mark near base, each 25cm high

A pair of Chelsea pottery hunting figurines, heightened in gilt on a bocage base, the lady holding a game bird with attendant hound, the gentleman holding a gun with a hound at his feet, each 22.5cm high

A pair of Carl Thieme Dresden figurines, blue marks to base, a sitting woman and gentleman each with a chicken and basket, both 9.5cm high; together with Chelsea pottery figurine of a gentleman shearing a sheep (af), golden anchor mark near base, 8cm high

Football 1938-1945 Tottenham Resident autograph album with Fulham Team, few Watford, Chelsea + Millwall, QPR, Tommy Lanton and Spurs 1941-42 (10) a very fine album

A Tibet Medal 1903-04 to Gunner T. Mahoney, 7th Battery Royal Garrison Artillery, clasp: Gyantse (18871 Gunr. T Mahoney 7th Mtn By R.G.A.), good very fine. Confirmed as a Chelsea Pensioner 08/08/38.

A rare Chelsea saucer, circa 1750-52The fluted form painted in the famille rose palette with a branch issuing prunus and peony flowers, a colourful butterfly in flight above, 12cm diam, inventory numbers in redThis lot is subject to the following lot symbols: * 

A very rare early Chelsea white milk jug, circa 1745-49Of fluted baluster form, the scroll handle with an elaborate acanthus leaf upper terminal issuing three sprays of flowers, the pedestal foot applied with leaves and strawberries, 13.8cm high, incised triangle markThis lot is subject to the following lot symbols: *

A rare Chelsea figure, circa 1760Modelled by Joseph Willems as the muse Calliope, turning her crowned head to gaze over the books held in her right hand, standing on a low mound base with applied flowers, her costume picked out in rich colours and gilding, 30.2cm high, gold anchor mark and gilt number '5'

An important early Chelsea white model of a finch, circa 1745-49Naturalistically modelled with its head turned to the right and its left wing outstretched, perched on an oak tree stump applied with trailing branches issuing oak leaves, 17.7cm highThis lot is subject to the following lot symbols: *

A pair of Chelsea fable candlesticks, circa 1765-70On high scrolled bases picked out in gold, one representing the fable of 'The Dog in the Manger', the selfish dog lying in a manger full of hay as the hungry cow looks on, the other 'The Selfish Ass', the ass carrying panniers laden with dead game, the hungry dog lying before it, both highly coloured and set before elaborate bocage surmounted by candle nozzles, 33.5cm and 31cm high, gold anchor marks (2)

A Chelsea dish, circa 1756-58Of leaf shape with a naturalistically modelled green stalk handle, moulded veins picked out in puce, and a green shaded rim, the centre painted with a scattered sprig and spray of flowers, 20.5cm wide, red anchor markThis lot is subject to the following lot symbols: *

A Chelsea beaker and stand, circa 1756Spirally moulded with leaf fronds around the footrims picked out in green, yellow and puce, painted in Meissen style with large sprays of flowers and smaller sprigs, the rims picked out with a brownish red line, saucer 14cm diam, red anchor mark (2)

A very rare Chelsea beaker, circa 1750-52Of fluted form, vibrantly painted in the famille rose palette with a yellow crested ho-ho bird with blue wings and red tail feathers, perched upon a branch of flowering peony issuing from a blue scholar's rock, the reverse with two small winged green insects, 6.6cm high, raised anchor mark

A Chelsea scolopendrium beaker, circa 1750-52The exterior moulded with five pointed leaves growing up from the base, the five-lobed rim picked out with a brownish-red line, finely painted with small flower sprays, sprigs and two insects including a caterpillar, the interior with a single sprig, 7.5cm high, raised anchor markThis lot is subject to the following lot symbols: *

A rare Chelsea teabowl, circa 1750-52Of fluted form, delicately painted in the famille rose palette with trailing oriental flowering plants and grasses, the reverse with a flowering branch, the interior with a single flower, 4.9cm high, inventory numbers in redThis lot is subject to the following lot symbols: *   

A Chelsea 'Hans Sloane' dish, circa 1755-58Of lobed circular form, painted in characteristic style with a tied bunch of ombrierte asparagus, two further crossed asparagus spears, and a spray of green leaves, with four scattered insects including a moth, caterpillar and two beetles, brown line rim, 20.3cm diam, red anchor markThis lot is subject to the following lot symbols: *

A rare Nantgarw plate, circa 1818-20Painted in London in Chelsea style, the centre with two fancy birds by a tree, another smaller bird perched in its branches, the border with three more birds and an insect in flight, the unevenly lobed rim picked out in red, 21.3cm diam, red anchor mark

A pair of Chelsea figures, circa 1760-65Modelled as a gallant and his companion holding wickerwork baskets, he proffering a bun in his right hand, she holding a flower, their patterned costumes picked out in green, puce and gold, raised on scrollwork bases applied with flowers, 21.5cm and 22cm high, gold anchor marks (2)

A Chelsea-Derby 'Encampment Scene' sucrier and cover, circa 1783Of plain circular form with a pointed finial, painted in puce monochrome with a continuous landscape, including three soldiers on horseback within a small military encampment, a cottage and a broad stretch of water to the reverse, the rims and finial picked out in gold, 11.5cm high, gold anchor mark (2)

4 COALPORT LADIES BEAU MONDE BEATRICE, VALENTINE DEBUTANTE FOREVER YOURS, AGE OF ELEGANCE MATINEE PERFORMANCE AND CHELSEA RECEPTION

Two trays of Clarice Cliff Bizarre pattern china, to include: a limited edition plate; cup and saucer; and other china in the Clarice Cliff style by Wren and Chelsea.

Royal Doulton Old Leeds Sprays part tea set; a New Chelsea part tea set; and another part tea set.

Three tea sets, to include: Royal Chelsea Golden Rose set of six trios; a Regency white and pink for twelve; and an unmarked white and blue part tea set.

MARK FRANCIS (b.1962)Linear AxisOil and acrylic on canvasSigned, inscribed and dated 2009 on versoKerlin Gallery label on versoMark Francis creates elegant abstract paintings that at first glance could be seen as fine examples of classical, formal abstraction. And on one level they are. That is, he makes grid-based compositions, usually with a very sparse, precise palette, and often with black linear scaffolding that obliquely recalls Mondrian. But there is another important dimension to his work. It relates to the nature and complexity of the world beyond the limits of conventional vision. The forms, shapes and patterns he employs derive from reality as revealed by electron microscopes at one extreme and radio telescopes at another, from the subatomic to the cosmic.Born in Newtownards in Northern Ireland, he went to study at St Martin’s and then Chelsea School of Art in London. While he has been loosely associated with the YBAs, and featured in Sensation, the Royal Academy’s celebrated and controversial 1997 exhibition of the Saatchi collection, Francis has followed a highly individual path of consistent and rigorous exploration that has gained him international recognition. Around the end of the 1980s, he was painting close-up, analytical studies of plant structures. In the early 1990s, he began to reference microscopic views of organic forms and processes at a molecular level, creating striking compositions evoking the clusters and patterns of basic cellular structures.The idea of the grid gradually gained importance. The grid is an underlying matrix against which the world unfolds: matter, energy and life flare into being and fade away. All of this is charged with a sense of mystery. The grid is not a guarantee of a reassuring order: it is unstable, shifting, multiple, reflecting the continual play of order and chaos. Just as it is in this work from 2009, in which a network of overlapping lattices suggests a process of delicate calibration. The viewer is cast in the role of an observer trying to make sense of multiple data streams, constantly readjusting to a changing, compelling reality.Aidan Dunne, October 2019

18th century Chelsea octagonal saucer, with compartmentalised Kakiemon-style pattern, and an 18th century Bow two Quail pattern plate, 13.5cm and 20.5cm across. (2)

A Chelsea plate painted exotic birds within a gold and turquoise foliate border, gold anchor mark, 21cm diameter CONDITION REPORT: No damage or restoration. Slightly misshapen to rim in manufacture, stacking wear to central well and light scratching to central enamels.

A Samson Chelsea ram and bocage figure, a Continental bisque porcelain figure of Ariadne and the panther and a Continental hound head stirrup cup (3)

A quantity of Royal Worcester Evesham pattern wares including tureens and covers, seven dinner sized plates, etc, together with a New Chelsea tea for two set, etc

A collection of Royal Doulton Countess pattern wares comprising six oval graduated meat plates, a tureen and cover, a pair of sauce tureens covers and stands, twelve dinner plates and twelve dessert plates, together with further ceramics including Furnivals Old Chelsea pattern blue and white printed wares, various tea wares, a small oriental blue and white vase with dragon detail, etc

Two Royal Copenhagen models of birds, no 2144 and 2238, a Goebel model of a robin and further continental bird in the Chelsea manner with gilt anchor mark, a pair of figures of Tam O'Shanter and Souter Johnnie and a Royal Worcester jug of tapering form with blue painted landscape dejection and printed number to base 1047, together with a green glazed humorous model of a pixie - Biliken, etc

A Stowells of Chelsea advertising mirror

Single sheet programme for this War Cup S/F played at Chelsea. Fold + score noted

Rare single sheet programme for this War Cup S/F played at Chelsea. Good condition

3 Pages that include Chesea autographs x 16 & Portsmouth x 6 all from early 90's Chelsea include - Kevin Wilson, Ken Monkou, Kerry Dixon, Andy Townsend, Tony Dorigo, David Lee, Gordon Durie, Graeme Le Saux, John Bumstead, Dave Beasant, Graham Stuart, Bobby Campbell ( Manager ), Vinny Jones, Dennis Wise, Eddie Niedzwiecki Portsmouth include - Steve Wigley, Guy Butters, Mark Chamberlain, Andy Awford

Nice collection of Chelsea memorabilia to include Photographs, Fixture lists, Official team sheets, Christmas cards etc. In excess of 100 items.

CHELSEA TEXTILES GUSTAVIAN BUREAU, DROP DOWN DESK, 105cm x 50cm x 96cm.

Original vintage World War Two propaganda poster commissioned by the C.E.M.A. (Council for the Encouragement of Music and the Arts - later to become the Arts Council of Northern Ireland), it features a painting by the respected artist Harold Sandys Williamson (1892-1978) titled 'September Hop-picking' and it was originally intended to be hung "where war workers congregate". In 1940, during the Second World War, the Council for the Encouragement of Music and the Arts (CEMA), was appointed to help promote and maintain British culture. Chaired by Lord De La Warr, President of the Board of Education, the Council was government-funded and after the war was renamed the Arts Council of Great Britain. The interest in the arts during World War II led to the first government subsidy of the arts in Britain with the founding of the Arts Council in 1946, championed by Jenny Lee. Williamson was born in Leeds and attended the Leeds School of Art from 1911 to 1914, when he moved to London to study at the Royal Academy schools. During the year he was at the Academy school he was awarded the Turner Gold Medal. At the start of World War One, Williamson sought to enlist in the Britiah Army and was, at his second attempt, accepted as a private in the King's Royal Rifle Corps in January 1916. Williamson was injured at least twice during the fighting on the Western Front in France. The first occasion was during the Battle of Delville Wood in September 1916, when he was hit by a grenade fragment. Whilst recovering from a subsequent infection, he undertook orderly work in the operating theatre at No. 6 General Hospital in France and made a number of paintings based his experiences there. Williamson was also injured in April 1918 at the Villers-Bretonneux sector, when the sunken road his unit was defending was overrun by German forces. This action became the subject of his painting A German Attack on a Wet Morning, April 1918, which Wiiliamson completed in the spring of 1919. The painting was shown at the Royal Academy in 1919 to some public acclaim and was purchased by the British War Memorials Committee. Although Williamson wrote an extensive set of notes to accompany the painting, he left it to others to point out that the figure in the work facing the viewer with an injured hand was a self-portrait. After the War, Williamson established himself as a commercial artist. He designed posters for the London Underground and London Transport between 1922 and 1939 and also for the Empire Marketing Board, the GPO and the Council for the Encouragement of Music and the Arts. In 1930 he was appointed Head of the Chelsea School of Art, a post he held until 1958. During his tenure there he recruited Henry Moore to lead a new department of sculpture at the college. Other artists employed by Williamson as teachers included Graham Sutherland, Ceri Richards and Claude Rogers. Williamson was elected to the London Group in 1933 and, from 1937 to 1943, he served as the Group's chairman. He also exhibited on a regular basis with the New English Art Club and at the Royal Academy. In World War Two, Williamson completed a number of short-term commissions for the War Artists' Advisory Committee on the work of the Post Office in the London Blitz.Year of printing: 1943, country of printing: UK, designer: Harold Sandys Williamson, dimensions (cm): 76x101.5. Good condition, small creases and minor tears in margins.

Original vintage Champagne advertising poster for Tattinger Collection by Arman. This poster shows a photograph of a bottle of Taittinger Champagne designed by French artist Arman, against a black background. Arman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or paint traces they leave ("cachet", "allures d'objet") to using them as the painting itself. He is best known for his "accumulations" and destruction/recomposition of objects. Arman can be seen in Andy Warhol's film Dinner at Daley's, a documentation of a dinner performance by the Fluxus artist Daniel Spoerri that Warhol filmed on March 5, 1964. Fascinated with the scene in New York, Arman took up part-time residency there from his home in Nice in 1961, after his first exhibition at the Cordier Warren Gallery. In the city, he met Marcel Duchamp at a dinner given by the artist and collector William Copley. First living at the Chelsea Hotel and later in Church street while keeping a studio in Bowery, then in TriBeCa, Arman began work on large public sculptures. There were varied expansions of the accumulations. Their content included tools, watches, clocks, furniture, automobile parts, jewelry, and, of course, musical instruments in various stages of dismemberment. Musical instruments, specifically the strings[3] and bronze, through his collaboration with a foundry in Normandy, France, became a major avenue in Arman's work. Of Arman's accumulations, one of the largest is Long Term Parking, which is on permanent display at the Château de Montcel in Jouy-en-Josas, France. Completed in 1982, the sculpture is an 18-meter (60-ft.) high accumulation of 60 automobiles embedded in over 18,000 kg (40,000 lbs.) of concrete. Just as ambitious was the 1995 work Hope for Peace, which was specially commissioned by the Lebanese government to commemorate 50 years of the Lebanese military's service. Standing in once war-torn Beirut, the 32-meter (105-ft.) monument consists of 83 tanks and military vehicles. Taittinger is a French wine family who are famous producers of Champagne. The estate is headed by Pierre-Emmanuel Taittinger (born 1953), a member of the consultative committee of the Banque de France. Its diversified holdings included Champagne Taittinger, Société du Louvre and Concorde Hotels, whose flagship is the famed Hotel de Crillon on the Place de la Concorde in Paris, France as well as the Loire Valley wine-producing firm of Bouvet-Ladubay, and a partnership in Domaine Carneros in California, until it was sold to Starwood Capital in 2005.Year of printing: 1981, country of printing: France, designer: Arman (Bottle) / Anna (Poster), dimensions (cm): 168x115. Good condition, restored folds, repaired tears, minor paper losses, backed on linen.

A Royal Albert Chelsea Bird pattern part dinner service comprising large, medium and small plates, soup coups and saucers, tureen and two oval platters Condition Report: Available upon request

A quantity of miscellaneous plates to include a Midwinter cake plate, two Villeroy and Boch plates, Homemaker plate (a/f.), Masons plate, 1985 Chelsea Flower Show plate, Wedgwood Jasperware trinket dishes etc.

A quantity of blue and white 'Old Chelsea' china made by Furnivals Ltd., England, reg. nos. 647812 including eighteen cups (one chipped), seven saucers, two handled sucrier no lid, two slop bowls, three bread/butter plates and 14 tea plates.

After Pablo Picasso (Spanish 1881-1973): 'Seated Portrait of Dora Maar, 1939', limited edition gouttelette on bamboo No.3/50, pub. Chelsea Green Editions, with certificate 86.5cm x 71cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

LARGE QTY OF CHELSEA FOOTBALL CLUB BOOKS & MEMORABILIA a large collection including a wide variety of hard back and soft back books, programmes, autographs, football cards (Topps Chewing Gum etc, from the 1970's to modern), a large qty of badges (mostly modern), etc. Also with some Panini football albums, stickers etc.

1960s Chelsea Football Signed presentation. Two autographed Chelsea FC letterheads signed by 28 legends, framed and mounted to an overall size of 55 x 38cm. Includes Barry Bridges, John Dunn, Ron Harris, Peter Bonetti, Peter Osgood, Joe Fascione, Ken Shelito, Eddie McCreadie, Bobby Tambling, George Graham, Bobby Howitt, John Hollins, John Boyle, Marvin Hinton, Billy Sinclair, George Adams, Roger Wosahlo, Pat Purcell, Bert Murray, Roy Bentley, Tom Hughes, David Webb, Jim Thompson. Good condition. Good condition Est.

A Chelsea Derby type porcelain figure of a shepherdess and sheep bearing BADA customs label to base together with a pair of Derby style figures of a shepherd with lamb and a basket of flowers and woman with basket of eggs

Dante Gabriel Rossetti, Ballads and Sonnets, first edition, signed and inscribed by the author [London, 1881] single volume, half-title inscribed and signed by Rossetti, publication page with ex-libris stamp, 4pp. autograph manuscript letter tipped-into end of volume (appearing before the advertisements), Chelsea Library ex-libris presentation bookplate to upper pastedown, original decorated cloth, spine and covers gilt, paper label pasted to spine,, bright and attractive copy, 8vo Provenance: Gifted by D.G. Rossetti to Norman MacColl (1843-1904, editor of the Athenaeum), in 1881. Then passed by descent to MacColl's nearest relative Alice Mabel Erskine Jackson, her autograph letter tipped into the end of the volume, dated 17 January 1926.

J. Steven Dews: a pair of large framed signed limited edition coloured prints, depicting America's Cup racing yachts, one entitled "Stars and Stripes", No. 205/850, the other No. 209/950, both signed in pencil to the margin and bearing Chelsea Green Editions blindstamps

Stoneware, tenmoku glaze with speckled olive green glaze to the neck and shoulder, incised C VYSE CHELSEA markH 15.8cm, D 11.5cmPROVENANCE: Private Collection, Miami, United States ACQUIRED: Bonhams, London | 14 July 1994 | Contemporary Ceramics, Lot 3CONDITION: Perfect condition with no damage or restoration