A Chelsea teacup and saucer, spirally-fluted and moulded in relief with fronds of leaves picked out in green, puce and sallow enamels, well-painted in polychrome enamels with sprays of English flowers, scroll handle, the saucer 12.5cm diam, Red Anchor and stilt marks, c.1755 Provenance: Woolley & Wallis, English and European Ceramics and Glass, 23rd May 2017, Lot 5223, labelled; the Wilder Collection, labelled. Condition Report: Very slight surface wear and some rubbing. The saucer with two restored cracks, the cup restored and with a remodelled handle.
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A pair of Worcester scallop shell three-section pickle dishes or sweetmeat stands, encrusted overall in the high Rococo taste with various seashells, corals and seaweed, vividly picked out in bright tones, the reservoirs painted in polychrome enamels with country flowers in bloom, each dish or stand centred by a marine cornucopia picked out in alternating tones to its counterpart, gilt rims, shaped bases, 11cm high, 16cm wide, c. 1768-70, (2) The modelled shells were probably the work of John Toulouse who moved to Worcester from the Chelsea factory when it closed in 1768. A conforming three-tier centrepiece was sold in these rooms, The Single-Owner Worcester Sale: Part 2, 26th September 2018, Lot 398; another three-tier centrepiece was sold at Bonhams, The Zorensky Collection: Part I, 16th March 2004, Lot 220.
Ron Harris signed 10x8 colour photo pictured with the Fairs Trophy while at Chelsea. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Football Chelsea collection 9 signed FA trading cards from names such as Dennis Wise, Dave Beasant, Steve Clarke, Graeme Le Saux, Kerry Dixon, Gordon Durie, Tony Dorigo, Peter Nicholas and David Lee. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Henry Pether (British, active 1828-1865)Cheyne Walk, Chelsea indistinctly signed (lower left)oil on canvas laid to board35.5 x 66cm (14 x 26in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Walter Greaves (British, 1846-1930), AND Henry Greaves (British, 1850-1900)Cheyne Walk, Chelsea signed and dated 'H&W Greaves/1868' (lower right) pencil and watercolour 43.2 x 63.5cm (17 x 25in).Footnotes:ProvenanceWith Michael Parking Gallery, London. Private collection, UK., purchased from the above in 1991.For further information on this lot please visit Bonhams.com
A Chelsea gold anchor boar hunt group, c.1765, H. 21.5cm Condition: With numerous losses to the oak tree and flowers, there are cracks to the back of the upper hound, across the back of the boar the lower hounds hing right leg and across the base. It is possible a further hound figure or branch is missing behind the boar's head, no evidence this is missing a candle fitting
A Chelsea figure of a lady holding a flower basket, c.1765, H. 17.5cm Condition: unmarked, restoration to her right hand and missing a posy?, losses to encrusted flowers and leaves and fingers on her left hand, unglazed patch on the back of her dress, possibly in manufacture or where something has been lost and ground off?
A Chelsea gold anchor Sevres style ecuelle, cover and stand, c.1765, 18cm Condition: The cover and its handle have been restored, and the restoration is slightly discoloured underneath, the bowl has wear to the gilding, scratching to the interior, the stand has heavy crazing to the glaze and wear to the gilding on the edges
Two Chelsea gold anchor figures of a shepherdess and a huntsman, c.1765, 27.5 and 22.5cm Condition: Both with typical small losses to the flower and leaves, the shepherdess has discoloured restoration to her hat, head, neck, torso, both arms, both hands, staff and re-painting of her green waistcoat, the huntsman has an impressed R mark and has restoration to the front brim of his hat, left hand, gun, right fingers and the game birds left wing and head
An unusual Chelsea red anchor 'cobnut' handled basket, c.1756, 31cm Condition: Re-built and restored leaves and stalks to each handle and one cobnut, some of which has been re-glued, crack to one side of the piercing emanating from a firing crack which has been over-enamelled with a random flower
A Chelsea brown anchor 'butterfly and fruit' basket, c. 1758-60, and a Chelsea red anchor 'bird and insect' small basket, c.1756, W. 28.5 and 9.5cm Condition: The larger lozenge shaped basket has two broken and messily repaired handles, one missing foot rebuilt in resin and other occasional small cracks to the pierced sections, the small basket is missing both handles and has stained cracks to the base and sides
A Chelsea gold anchor 'bird and insect' plate and a similar pair of floral plates, c. 1765, 22 and 23cm Condition: All with some wear to the glaze and enamels, and areas of heavy crazing to the glaze, the bird plate with some staining and the fruit plates with a small shallow rim and foot chips,
A Chelsea red anchor 'artichoke' plate and a similar 'fruit and butterfly' plate, c.1755, 21.8 and 22cm Condition: The artichoke plate has restoration to a small section of the rim, a small shallow rim chip, heavy stained crazing and black speckling with some wear to the enamels and the fruit plate has been broken and messily reglued, has a few small shallow edge chips, heavy crazing to the glaze and some wear to the glaze,
A rare Chelsea red anchor 'Hans Sloane' botanical dessert dish, c.1755, length 22.5cm Condition: The dish is missing a section of the tip at one end with two other smaller chip losses and associate cracks, the dish has been broken into several sections and re-fixed including some old rivet repairs visible underneath.
Two Chelsea red anchor period fluted oval stands or dishes, c.1755, length 25cm Condition: The example with a red anchor mark has typical black fritting and browning to the edges in places and some minor scratching to the glaze, the example with a brown anchor has heavy stained crazing to the glaze all over and a crack extending from the centre to the edge.
A Chelsea red anchor period vine leaf moulded dish, c.1755 and a Chelsea gold anchor bird and flower painted octagonal plate, c.1765, 24cm and 22cm Condition: The oval vine leaf dish has wear to the enamel painting in the centre, typical fritting and glaze imperfections and a few small overglazed firing cracks to the edges, the gold anchor plate has some heavy crazing to the glaze all over and two cracks through the raised foot visible on top as well, some occasional light staining and wear to the gilding.
A Chelsea red anchor small basket and stand and a similar sauceboat, c.1756, Condition: The 14.5cm basket has the tip of one leaf missing and another leaf tip re-built and messily re-glued, there are green over enamelled firing cracks to the borders, and a firing crack to the edge of the base, the 19.5cm stand is heavily crazed and stained with a large crack from centre to edge and a section of the pierce work re-built and now discoloured and re-glued, the 16cm long sauceboat has been sprayed all over (slightly discoloured) so it is difficult to say how much damage may be hidden, the handle is restored at the top and bottom, there are small chips to the edge, the anchor mark is re-painted, (3)
A Chelsea red anchor toy figure of a gallant gentleman, c.1755, 6.5cm Condition: Discoloured restoration around his neck, pony tail, shoulders, shins and the base, losses to base and a tiny chip to the back of his coat, and to the encrusted flowers and leaves,ex Christie's, 14 March? 1991, lot 369 label.
Edme Samson - Samson Of Paris - A pair of 19th Century French antique porcelain figurines depicting Hermes / Mercury and a winged classical lady / god likely Nike the God of Victory. Hand painted in beautiful colours and raised on scrolled bases. Gold painted Chelsea anchor marks to versos Some fingers AF but overall in good condition. Measures 29cm tall
Apothecary to Charles II and to the College of Chelsea.- Garnier (Isaac, apothecary, of Vitry-le-François, Marne, 1610-92).- Louis XIV (King of France, 1638-1715) Permission given to Isaac Garnier to become Apothecary to Charles II, D.s. "Louis", ?secretarial signature, manuscript in French, on vellum, docket at head in another hand, yellowed and creased, 222 x 363mm., 6th July 1682.⁂ After the revocation of the Edict of Nantes in 1648, Isaac Garnier escaped to England. In 1691 he became Apothecary General to the College of Chelsea. Charles II must have intervened with Louis XIV to obtain this document giving permission to become apothecary to Charles II.
Football programmes, 1940's/50's selection, 15 programmes inc. Everton homes v Arsenal, Chelsea & Newcastle all 1949/50, Millwall v Totting & Mitcham FAC 48/9, Accrington v Hartlepool 53/4, Accrington v Stockport 54/5, Man City v Glasgow Celtic Fr 53/4, Millwall v Man City Fr 54/5 etc (some with minor faults, gen gd) (15)
Football programmes, selection of approx 35 programmes, 1940's/60's, all with faults inc. Chelsea homes v Derby 45/6 & Aston Villa 45/6, Charlton v Burnley 48/9, Leyton Orient v Millwall 49/50, WBA v Barnsley 46/7 (ph), Aston Villa v Wolves FA Cup semi final 59/60, Aston Villa homes early 1960's (22) etc. (all sub-standard)
Football programmes, a collection of approx 75 programmes, 1948/9 to 1959/50, good Arsenal, Fulham & Bristol Rovers content, noted Arsenal v AIK Stockholm 49/50 Fr, Arsenal v Eintracht Frankfurt 57/8 Fr (4 pages), Chelsea v Middlesbrough 50/1, Bristol Rovers v Chelsea FAC 54/5, Fulham v Liverpool 50/1, a few reserve issues etc (a few with ph, fair/gd) (approx 75)
Football autographs, selection of 12 signed, large, magazine pages, colour & b/w, all showing individual players, portraits & match action, 1950's, inc. Hassell (Huddersfield), Gordon Smith (Hibs), Mannion (Middlesbrough), Roy Bentley (Chelsea), Ivor Allchurch (Swansea), Billy Elliot (Sunderland) etc (gd/vg)
Football programmes, Arsenal FC, 1960/1, 21 home league matches, plus friendly v Vienna Sports Club & Reserve match v Portsmouth. four away programmes v Sunderland FAC & league matches v Leicester, Fulham & Chelsea. The lot also includes England v Spain 26 Oct 1960 & England v Wales 23 Nov 1960 with two match tickets, and also Leicester v Tottenham FA Cup Final with numerous cuttings, songsheet & two match tickets. All in Club binder & some with press cuttings included. (many with tc & match notes, some with sof, fair/gd)
Football programmes etc, selection, mostly 1940's/60's inc. Fulham v Brentford LCS 44/5, Reading v Chelsea Fr 56/7, Crystal Palace v Wycombe Wanderers Fr 1950's (4 pages), Bishop Auckland v Huddersfield Rudd Testimonial 1940's (with supplement), London Boys v Manchester Boys 8 April 1961 (at Tottenham), Bristol Rovers Res v Cardiff Res 68/9 (single sheet), Man Utd v Southport Lancs FA Youth Cup 13 Nov 1976 (single sheet), Hampshire v Oxfordshire FA County Youth Cup 20 Sept 1952 at Fratton Park, Portsmouth (single sheet) etc (gd/vg)
ALAN HUDSON football autographed 12 x 8 photo, a superb image depicting the Stoke City fan favourite posing for photographers prior to a First Division encounter with Chelsea at the Victoria Ground in 1974, it has been signed using a black marker. Good Condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
STOKE CITY football autographed 12 x 8 photo, a superb image depicting Stoke City's GEORGE EASTHAM and JIMMY GREENHOFF holding aloft the League Cup in celebration during a lap of honour following a 2-1 victory over Chelsea in the 1972 Final at Wembley, signed by both players using a blue marker. Good Condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
The Most Distinguished Order of St. Michael and St. George Knight Commander K.C.M.G. set of neck badge & breast star in case of issue, attributed to Sir William Grey Ellison Macartney, former Governor of Tasmania & Western Australia. Neck badge in silver, gold and enamel, complete with full neck ribbon, with star, silver, in silver-gilt & enamel, with retaining pin. Both in exceptionally fine condition, with no faults or cracks to enamel. In original R & S. GARRARD & Co case. Rare.The set comes with copied paperwork relating to Sir William Grey Ellison Macartney (1852-1924), Governor, born 7/6/1852 in Dublin, whose father's chief estate was in Tyrone, in which he represented in parliament in 1874-85. He was educated at Eton and Exeter College, Oxford, taking a first class in modern history (1875), with law and politics becoming his dominant areas of interests. Already grand secretary of the Grand Orange Lodge of Ireland, he became Conservative member for South Antrim in 1885. In January of that year he convened a meeting which inaugurated the parliamentary Ulster Unionist Party, and duly served as whip. His speeches in the Commons concentrated on Irish matters in predictable style.Macartney was a competent secretary to the Admiralty from 1895 until a ministerial reshuffle ousted him in 1900. As a result, he was admitted to the Privy Council. Resigning from parliament in 1903, he became deputy master of the Royal Mint where his work won official commendation. On 5th August 1897 at Holcombe, Somerset, he married Ettie Myers Scott who bore him a son and two daughters. Her brother was Robert Falcon Scott, whose career Macartney helped: 'you have been a brick', the explorer wrote, whilst awaiting death in Antarctica.In December 1912 Macartney was appointed K.C.M.G. and governor of Tasmania. Irish Nationalists protested that his Orange links would offend Tasmanian’s sympathetic to Home Rule. Secretary of State (Lord) Lewis Harcourt averred that the Tasmanian government had approved the choice, but there was some local criticism.The Tasmanian sojourn was made eventful by a constitutional dispute. In April 1914, with Labor and Liberal parties near deadlock, Macartney agreed that John Earle form a Labor ministry, on condition inter alia that an election follow. Earle became premier but, under pressure from all sides, sought no dissolution. Macartney had to suffer the mortification of having his procedure repudiated by the secretary of state while his pertinent dispatches, argued with learning and vigour, were not published.Macartney's comments on Tasmanian affairs were often acid. 'Any comprehensive criticism … appears to be beyond the capacity of either of the Legislative Houses', he wrote of budget debates in October 1915. Politicians he saw as concerned to hold their well-paid seats, profligate with public moneys and subject to narrow interest groups. His view of the State at large was more generous, and he discharged public duties with due form. Perhaps he was happiest as grand master of the Grand Lodge of Tasmania.In April 1917 Macartney transferred to the governorship of Western Australia, where, during his two years and nine months term, he witnessed three changes of political leadership. Government, however, remained in conservative hands. The governor avoided public skirmishes with his ministers, but, as in Tasmania, he seems never to have regarded them highly. Toward the end of 1917 he secretly advised Whitehall that State administration was 'a monument of inefficiency, incompetence and waste'. He travelled extensively within his domain and in Perth continued to participate in Freemasonry, replacing Archbishop Riley as grand master in 1918. On returning to the United Kingdom in 1920, Macartney gave his name and leadership to educational and philanthropic good works, before dying at Chelsea, London, on 4th December 1924.
After Claire Eva Burton 'Royal Academy Lester Piggott up' The Breeders Cup, limited edition 431/950 colour print, signed in pencil with blind stamp for Chelsea Green Editions', 42.5cm x 46.5cm; after Desmond Snee, 'The Official Portrait of Desert Orchid (April '92)', limited edition 519/750 colour print, signed in pencil, 41.5cm x 49cm; and after D.A.Denyer 'Dawn Run and Jonjo O'Niell', limited edition 199/700 colour print, signed in pencil and inscribed with provenance, verso 55cm x 61.5cm, (3)
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