Tottenham Hotspur Cup Football Programmes with Ticket Stubs: v Manchester City FA Cup Final 1981, v Manchester City Cup Final Replay 1981, v Arsenal FA Cup Semi Final '93, v Wolves FA Cup Semi Final '81, v QPR FA Cup Final 1982, v QPR FA Cup Final Replay '82 , v Liverpool FA Charity Shield '82, v Aston Villa FA Charity Shield '81, v Leicester City Worthington Cup Final, v Wolverhampton Wanderers '81, v RSC Anderlecht UEFA Cup Final First Leg '84. Tottenham Hotspur Cup Football Programmes without Ticket Stubs: v Burnley '62 FA Cup Final, v Chelsea FA Cup Final '67, v Watford FA Cup Semi Final '87, v Leicester City FA Cup Semi Final '82, v Arsenal FA Cup Semi Final '91, v Coventry FA Cup Final '87, v Arsenal FA Charity Shield '91, v Aston Villa FA Cup Final '71, v Norwich Football League Cup Final '73, v Liverpool Football League Milk Cup Final '82. Other Cup Football Programmes: Aston Villa v Norwich City '75, Liverpool v West Ham '80, Liverpool v Manchester Utd '77, Fulham v West Ham Utd '75, Brighton & Hove Albion v Manchester Utd FA Cup Replay '83, Liverpool v Wimbledon '88, Man City v Wolverhampton Wanderers '74, Arsenal v Man Utd '79, Man Utd v Southampton '76, 19 Ticket Stubs for Tottenham Games from '70's & '80s, Jimmy Greaves Testimonial Tottenham v Feyenoord '72, Tottenham v RSC Anderlecht '84, v Hajduk Split '84, Queens Park FC v British Amature Select '67 & Celtic v Tottenham '67, Arsenal v Tottenham FA Semi '68, v FC Barcelona '82, England v Czechoslovakia '78, Tottenham v FC Lokomotive Lepzig '73, Spurs v Scotland John White Memorial '64, Atletico Madrid v Spurs '63, Derby Co v West Ham '75, Tottenham v Feyenoord European Cup Winners Cup '92
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Britains Petite, 5591 Scots Guard Colour Party with state colour, plus 00142 mounted officer and gun crew, 00091 Scots Guards colour party and sentry box, RBL1 set the Chelsea Pensioners, Scots Guards bandmaster, Quartermaster, Sgt Major, 1st Battalion and corporal Crack rifleman (x8) (M,BM)
A BLUE CHELSEA SHORT-SLEEVED SHIRT, No.9, with v-neck collar and embroidered cloth badge, inscribed CFC, UEFA Cup Winners Cup, Winners, 1998, the reverse lettered Vialli, the front of the shirt autographed and the reverse dedicated and autographed With the pleasure to be remembered by you, in double-sided glass framed, 37.1/2 x 28in. (95.4 x 71cm) overall. The above shirt was worn by Gianluca Vialli and was given to Mick Hucknall by the player. THIS LOT IS THE PROPERTY OF SIMPLY RED'S LEAD SINGER MICK HUCKNALL
BLACKPOOL V. MANCHESTER UNITED, F.A.CUP FINAL MATCH PROGRAMME, 24/4/48, seven F.A.Cup Final, match programmes 1950; 51, with song sheet; 53; 56; 58; 59; and 1960, Chelsea v. Sheffield Wednesday, F.A.Cup, semi-final, match programme, 23/4/66; Leyton Orient v. Chelsea, F.A.Cup, 3rd round, 5/1/57; and four F.A.Cup Final ticket stubs, 1945; 1953; 1956; and 1967, programmes in fair condition with staining throughout (a lot).
A NEAR COMPLETE RUN OF CARDIFF CITY HOME LEAGUE MATCH PROGRAMMES, SEASON 1952-53, lacking Manchester United, 15/11/52; Sunderland, 13/12/52; Derby County, 14/3/53; Chelsea, 28/3/53; and Portsmouth, 11/4/53, including Bolton Wanderers, postponed match, 29/11/52, some duplicate examples; Cardiff City v. Reading, combination match programme, 25/10/52, programmes generally in good condition (19).
A COLLECTION OF ENGLISH LEAGUE MATCH PROGRAMMES FROM 1948 TO 1977, including Reading v. Bournemouth, 4/9/48, Aston Villa v. Cardiff City, F.A.Cup, 4th round, 29/1/49, Arsenal v. Cardiff City, 7/3/54, Manchester United v. Wolverhampton Wanderers, 21/2/53, Derby County v. Cardiff City, F.A.Cup, 5th round, 12/2/49, Chelsea v. Tottenham Hotspur, 27/8/70, the programme bearing seven autographs including Martin Peters and Pat Jennings etc (a lot). A complete list of programmes is available. Please contact if you wish to receive a copy.
ARSENAL V. CHELSEA, F.A.CUP, 3RD ROUND, 2ND REPLAY, MATCH PROGRAMME 20/1/47, four Arsenal v. Chelsea F.A.Cup, semi-final, match programmes, comprising: 18/3/50; 22/3/50, replay; 29/3/52; 7/4/52, replay; Chelsea v. Burnley, F.A.Cup, 4th round, 4th replay, 15/2/56; and Luton Town v. Norwich City, F.A.Cup, semi-final, 14/3/59, all match played at White Hart Lane, programmes in fair condition (7).
FIVE TOTTENHAM HOTSPUR HOME MATCH PROGRAMMES, comprising: Bournemouth & Boscombe A. Reserves, 1/1/38; F.A. Eleven, G.W. Hall Benefit Match, 7/5/46; Arsenal, 16/2/46; Chelsea, 24/11/45; Newport County, 27/4/46; and two Arsenal home match programmes, comprising: Brentford, 29/4/46; and Birmingham City, 2/2/46, programmes in fair condition (7).
TWELVE TOTTENHAM HOTSPUR AWAY MATCH PROGRAMMES, comprising: Arsenal, 9/2/46; West Ham United, 19/10/46; Luton Town, 16/11/46; 27/8/55; Fulham, 2/11/46; 22/11/47; Wolverhampton Wanderers, 18/4/56; Arsenal, 14/1/56; Birmingham City, 1/10/55; Charlton Athletic, F.A.Cup, 3rd round, 31/12/55; Brentford, L.C. Cup, 17/10/55; and Chelsea, 15/10/55, programmes in fair condition (12).
TWELVE TOTTENHAM HOTSPUR AWAY MATCH PROGRAMMES, comprising: Queen's Park Rangers, 12/3/49; Luton Town, 22/10/49; Arsenal, 8/1/49; 26/8/50; 16/4/51; Fulham, 4/12/48; 23/3/51; Brentford, 18/4/49; Everton, F.A.Cup, 5th round, 11/2/50; Brentford Reserves, 4/10/50; Chelsea, 14/10/50; Charlton Athletic, 2/9/50, programmes in fair condition (12).
D.Y. Cameron (1865-1945) - 'Distant view of Winchester', etching, initialled DYC, 10 x 16 cm; Sir Francis Seymour Haden (1818-1910) - 'A Water Meadow', etching, 15.5 x 24 cm; verso bears Folio Fine Art Ltd label; and 'Old Chelsea - Out of Whistlers window', etching, fore-edge signed, 18 x 26 cm (3)
A rare Chelsea figure of Summer, modelled as young woman holding a sheaf of corn threaded with cornflowers, raised on a low pad base applied with flowers, red anchor mark, c.1755, a small section of the base broken off and repaired, 13cm. Cf. F. S. MacKenna, Chelsea Porcelain, The Red Anchor Wares, no. 129.
A CHELSEA DERBY PORCELAIN RIBBED COFFEE CUP painted in polychrome enamels with swags of flowers, marked in gilt, a Paris porcelain tea bowl and saucer painted with a vignette within gilt swag borders, pseudo Chelsea Derby mark, three Spode cups including pattern no.2842, a New Hall cup pattern no.1865 and another cup (7)
A Chelsea-Derby glazed porcelain neo-classical vase-stand, the top of square shape with egg-and-dart rim supported by four griffins linked by swags, the base with projecting corners, 9.5cm h, William Duesbury & Co, incised 12, patch marks, c1775. ++In very good condition with a few minor edge knocks, including two of the creatures beaks; no restoration
A Chelsea-Derby dessert dish, of fluted lozenge shape, painted in sepia and enamelled with a central urn festooned with roses in blue and gilt entwined frame and a wide border with three sepia trophies suspended from green husks in dentil rim, 29cm w, William Duesbury & Co, gilt conjoined anchor and D, 1773-77. ++On the underside some discolouration and black speckling of the glaze. A few light scratches to the glaze do not detract
A Chelsea two handled, pineapple moulded cup and saucer, Gold Anchor Period, painted with birds on boughs or in flight and with puce and gilt scale work, entwined handles and dentil rim, stand 15cm diam, painted anchor in gilt , c1770. ++Insignificant firing crack on the underside of the stand; some wear to the gilding on the rim of the cup. No restoration
A Chelsea figure of Putto with a basket, Gold Anchor Period, naked save for a turquoise and puce drapery and standing beside a floral encrusted stump on low mound base, 11.5cm h, painted anchor in gilt, c1765; a Derby figure of Cupid as a hunter, enamelled and gilt, 10cm h, Robert Bloor & Co, incised No 202, c1820. ++Both lacking both wings. The Chelsea figure also lacking most of the quiver, both with minor restorations
A pair of 18th century Worcester 'Blind Earl' pattern green painted sweetmeat dishes, 1765-70. each of circular scalloped form with a branch form handle terminating in moulded flower buds, the well with moulded leaf decoration and painted in green with pears, plums, flowers and leaves (2). 16cm wide . Note: this design of dish originated at the Chelsea porcelain factory and was produced by Worcester from the 1750s. In the 19th century the pattern was named after the Earl of Coventry who lost his sight in a riding accident. He ordered a service in this pattern so that he could feel the raised decoration.
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