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*Kocke (Hugo, 1876-1956). Flight Lieutenant Desmond J. Rarp, R.A.F., oil on board, half-length portrait with the motto of the Royal Air Force in the background, signed top right and dated 1946 top left, titled verso 'Desmond J. Rarp. Geboren 3.10.1924. gemalt von Hugo Kocke. Westerland-Sylt', 16.75 x 13.5 ins (42 x 35 cm), together with Keithshaw (W.), Portrait of a Chelsea Pensioner, oil on board, shown wearing his India General Service, Boer War and Great War Medals, with label verso for 'City Literary Institute Annual Eisteddfod, inscribed in pencil Mr W. Keithshaw, No. of Competition 37, Competitor's No.283', 49.5 x 37 cm (19.5 x 14.5 ins), both framed (2)
Cigarette cards, Taddy, Prominent Footballers, 31 cards, mostly 1907 issue, Blackburn (5), Bradford City (1), Chelsea (7), Fulham (1), Liverpool (2), New Bromton (1), QPR (6), Richmond (1), Swindon (3), Southampton (1), West Ham (2) plus one other QPR with London Mixture back (poor) (mixed condition, 2 poor, rest fair/gd) (31)
English School (early 19th century), broadside, The Pig-Faced Lady of Manchester Square, Drawn and Published By Her Late Attendant, While At Dinner, Sold at 98, Cheapside; 50, Piccadilly; and at all Book [and Printesellers], [London c.1815], hand-coloured etching with satirical verse, 32.5cm x 27cm, framed, Chapman Bros. Ltd. of Kings Road, Chelsea, label to verso The legendary stories of pig-faced women originated almost simultaneously in Holland, England and France in the late 1630s. Word was spoken of a wealthy woman whose body was of normal human appearance, however her face was that of a pig. In the story's earliest forms, the woman's appearance was the result of witchcraft. There was a resurgence in late 1814/early 1815, when it was claimed that a pig-faced woman was living in Marylebone of all places. Her existence was widely reported as fact - an 'alternative fact' of the day, and numerous alleged portraits of her published such as this lot. N.B. For another example of this broadside see, print00557.dc, Harvey Cushing/John Hay Whitney Medical Library, Yale University
Jean Audran (1667-1756) after Sir Peter Paul Rubens (1577-1640), Henri IV délibére sur son futur marriage [...], drawn and published by Jean-Marc Nattier (1685-1766), Paris [c.1740], 55cm x 39cm, the margins with collector's pencil inscriptions; Catherine Elizabeth Lempereur (1726-1780) after Claude-Joseph Vernet (1714-1789), Le Calme, Dédié Monsieur Watelet de Valogny, Maréchal des Camps [...] Armées du Roy, [Paris c.1770], engraving, 32.5cm x 47cm; Jean-Baptise Patas (1741-18178) after Paolo Veronese (1528-1588), La Mort D'Adonis, [from] De la Galerie S.A.S. Monseigneur le Duc de Orléans, [Paris c.1770], engraving, 22.5cm x 16.5cm, MS numbered collector's mount; after William Hogarth (1697-1764), The Company of Undertakers, restrike, etching, 30cm x 21.5cm; after George Cruikshank (1792-1878), The Examination, of a Young Surgeon, restrike, etching, 23cm x 42cm; other restrikes; 18th century View of Chelsea, hand-coloured engraving; etc (folio)
Approximately twenty-five 1940s and 1950s football programmes to include Liverpool, Portsmouth, Chelsea and Manchester City examples. CONDITION REPORT Barnsley, Bristol, Manchester United, Portsmouth, Tottenham Hotspur, Nottingham Forrest, Chelsea, Blackpooll Leyton Orient, Hearts, Arsenal, QPR etc.
Gogol (Nicolas). The Diary of a Mad Man, translated by Prince Mirsky, illustrated with aquatints by A. Alexeieff, Cresset Press, 1929, monochrome aquatint plates, original yellow cloth, a little rubbed and some light marks, spine slightly split to head of rear joint, and with minor discolouration at foot, 4to, limited edition 230/250, together with Pushkin (Alexander), The Queen of Spades, engravings in colour by A. Alexeieff, preface by Prince D. Sviatopolk-Mirsky, Blackamore Press, 1928, colour wood engravings, a few spots to endpapers, top edge gilt, original quarter vellum gilt, limited edition 220/250, large 8vo, plus Edgworth (Maria), Angelina or L'Amie Inconnue, Wood Engravings by Helen Binyon, Chelsea, The Swan Press, 1933, monochrome wood engravings, untrimmed, original quarter cream cloth over patterned boards, some marks and a little wear to outer corners, 4to, limited edition 11/100, and other illustrated and private press editions, including Thackeray, The Newcomes, illustrated by Edward Ardizzone, 2 volumes, Limited Editions Club, 1954, Nina Hamnett, Laughing Torso, 1st edition, 1932, An Eighteenth Century Miscellany, Swan Press, 1930, & Bernard de Fontenelle, A Plurality of Worlds, Nonesuch Press, 1929, 4to/8o (8)
A rare Chelsea figure of a shepherdess c.1760, the maiden seated and stretching out her right arm, while her left hand rests on the neck of a sheep climbing into her lap, raised on a scroll base applied with flowers and leaves, restoration, 19.6cm. It is probable that this figure once had an open bocage surmounted with a candle sconce. Provenance: from the Brian Adams collection.
A Worcester blue and white creamboat c.1770-80, of low Chelsea ewer shape, moulded with spiralled leaves and simply painted with a spray of convolvulus, a cell diaper band to inside rim, open crescent mark, and a pickle leaf dish painted with the Pickle Leaf Vine pattern, workman's mark, 11.5cm max. (2) Provenance: the Professor Richard Clarke Collection. Purchased from Stockspring Antiques in 1997 and 2001 respectively.
A large pair of Chelsea figures of the Imperial Shepherds c.1765, he with his right arm outstretched and holding a staff in his left hand, his dog seated by his right foot, his companion holding a small posy of flowers in one hand, a basket of further blooms tucked under her other arm, a sheep standing to her left, both standing before flowering bocage and raised on scrolled bases applied with further flowers and picked out in gilt, gold anchor marks, some small damages, 32cm. (2)
A PAIR OF CHELSEA STYLE PORCELAIN FIGURES OF AN 18TH CENTURY COUPLE, each holding flower groups, dressed in period costume, on flower encrusted base, bearing gold anchor mark; together with a pair of German porcelain figures of young girls; a contemporary porcelain figure of a young gallant; a pair of Meissen figures of a young boy and girl seated; and a Meissen figure of a boy standing with draped robe. (8)
A CHARLES GOUYN ST. JAMES'S FACTORY PASTORAL FIGURE GROUP, the lady cradling a lamb on her lap, seated beside a tree stump, a man sitting beside her with his hand raised to the lamb's chin, c. 1750-54, probably London decorated prior to 1755, 5.25" high. Provenance: By descent in the family of the vendor since the 18th century (lots 211-219) For a similar example see "Chelsea Porcelain" by Elizabeth Adams, p.48, pl.35. A comparable pair of these figural groups may be seen in the Museum of Fine Arts, Boston. Another group is in the Collection of the Victoria and Albert Museum.
A CHARLES GOUYN ST. JAMES'S FACTORY FIGURE GROUP, the lady holding a dove on her lap seated beside a tree trunk, a man sitting beside her with his hand raised to the dove, c.1750-54, probably London decorated prior to 1755, 5" high. Provenance: By descent in the family of the vendor since the 18th century (lots 211-219) For a similar example see "Chelsea Porcelain" by Elizabeth Adams, p.48, pl. 35.
A PAIR OF CHELSEA PORCELAIN OVAL BUTTER DISHES, covers and stands, enamelled in colours with flowers, the covers modelled with fruit handles, brown line rims, c.1750-55, the stands 7.75" wide, overall height 4". Provenance: By descent in the family of the vendor since the 18th century (lots 211-219)
MOORCROFT; a modern Collectors' Club floral tube line decorated twin handled vase of tapering form on dark turquoise ground, impressed marks and monograms to the base, height 14.5cm, and a Lise B. Moorcroft Chelsea work baluster lustre glazed vase tube line decorated with Wisteria, printed marks to base, height 13cm (2). CONDITION REPORT: Both vases appear to be in good condition.
A Meissen shell shaped serving dish with gilded rim and floral decoration, 21.5cm, and two floral decorated leaf pattern dishes of differing design, one with a rustic handle (A/F) together with A 19th Century English floral encrusted basket, 21cm (cracked) and a red anchor Chelsea leaf pattern dish (cracked) (5)
2007 FA Cup Final, Manchester Utd v Chelsea, a very rare 'Royal Box' Issue, a limited edition programme in a hardback presentation box, with a silver numbered cover, this is number 004, comes with VIP Hospitality passes, colour teamsheet, time table etc, a superb package, in excellent condition
A collection of 13 football programmes from 1946/47 to 1957/58, in various condition, 1946/47 Man Utd v Wolves, 1947/48 Man City v Wolves, Torquay Res v Worcester City, Everton v Wolves, 1949/50 Bradford PA v Preston, 1950/51 Bradford City v Stockport Co, 1952/53 Newcastle Utd v Middlesbrough, Sunderland v Wolves, Carlisle v East Fife, Sheff Utd v Barnsley (CCS/F), 1955/56 Shrewsbury Res v Wolves Res (joint issue with Shrewsbury v Ludlow, Welsh Cup game), 1957/58 Aberdeen Res v Queen Of The South Res (SLSC Reserves), Coventry Res v Chelsea Res
1920/1921 Le Miroir Des Sports, A bound volume of the French sporting magazine, Contains 52 weekly magazines, from July 1920-July 1921, outstanding sporting content featuring the 1920 Olympics Games held In Antwerp, Football, Boxing, Rugby, Athletics, Cycling/Tour De France, previews/reviews English Touring sides Huddersfield Town, Clapton Orient, Corinthians, Newcastle United & France Amateurs v England Amateurs, French International games (all sports) featured, 1921 FA Cup Final Tottenham Hotpsur v Wolverhampton Wanderers [At Chelsea] Images from the game, as well as weekly content & Images of the French & English game! Many other sports also covered, Closer Inspection will reward
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42501 item(s)/page