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A Chelsea red anchor tea bowl and saucer, decorated with floral bouquets, 13cm, painted marks.

Two model ships in bottles, HMS Shannon, 33cm, and another `Chelsea Lady`, 31cm.

A Chelsea Clock Company bakelite radio room bulkhead clock, the silvered dial with Arabic 12 and 24 hour division and red painted sections at 3 and 9 positions, in a black bakelite case, 20cm diameter, together with an Air Ministry spit bar compass (2).

Football League itinerary for the Ben Warren Benefit Match North v South played at Chelsea 27th April 1914, printed with team details, travelling arrangements and instructions

1922 F.A. Cup final memorabilia Huddersfield Town v Preston North End played at Stamford Bridge, comprising a Football Association refreshments ticket for admittance to the Tea Room (Billiard Room above the Chelsea Club Offices); A Staffordshire F.A. itinerary for the final; a Football Association dinner menu for the Holborn Restaurant on the evening after the match; and an invitation from Preston North End FC for their Cup Final Dinner held at the Public Hall, Preston, 1st May (4)

Two Chelsea v West Bromwich Albion match tickets season 1921-22, both games played at Stamford Bridge and for admittance to the Director`s Stand, the first the F.A. Cup tie on 7th January, the second for the League fixture on 11th March

A ticket stub for the F.A. Charity Shield Corinthians v Cardiff City played at Chelsea FC 12th October 1927, for admittance to a Reserved Council Seat in the Directors` Box

The illuminated testimonial presented to Ron "Chopper" Harris by Chelsea FC in recognition of his record number of appearances for the club between 1962 and 1979, dated 17th September 1979, signed by the chairman and directors, and with a statistical breakdown of his 753 fully competitive matches wearing Chelsea colours, mounted, framed & glazed, 56 by 44cm., 22 by 17 1/2in.

A gold disc presented to Ron "Chopper" Harris by Chelsea FC, the gold-sprayed vinyl record with paper label bearing the club crest, mounted on a red velvet backboard with title plaque inscribed PRESENTED TO RON HARRIS, TO CELEBRATE `20 GOLDEN GREATS` FROM EVERYONE AT CHELSEA FOOTBALL CLUB, framed & glazed, 20 by 41cm., 8 by 16in. This presentation was to mark Ron Harris`s 20 years service at Chelsea FC

A signed official 6 1/2 by 8 1/2in. b&w photograph of the 1951-52 Chelsea squad, signed in pen by 11 of the 14 featured players

Autographed Chelsea memorabilia, comprising: a framed replica home jersey signed by the winning squad of the last F.A Cup final held at the old Wembley Stadium, 16 signatures in gold marker pen, mounted with a replica ticket and official match day pennant, under plexiglass, 100 by 70cm., 39 1/2 by 27 1/2in.; together with a Chelsea home boys-size replica jersey signed by the championship winning squad of 2005; Frank Lampard and John Terry signed white cards and two posters of the players with the Premiership trophy; and four signed Peter Osgood items (two framed) comprising a three part action photo montage in black and white, a dressing room picture with the F.A Cup also signed by McCalliog, a book titled `Ossie King of Stamford Bridge,` and a colour print showing Osgood scoring with a diving header in the 1970 Cup final replay (10)

The autographs of the England team that beat France 6-0 in Paris 26th May 1927, in ink on a sheet of paper dated Paris 25 Mai 1927 including Dean, Bishop, Goodall, Edwards, Hulme etc., additional signatures for the Chelsea trainer and four F.A. official including Wagstaffe Simmons (manager)

F.A. Charity Shield programme Chelsea v Newcastle United played at Stamford Bridge 14th September 1955

Two Chelsea programmes season 1908-09, v Brentford in the London F.A. Cup 5.10.08 and the League match v Bradford 31.10.08

26 Chelsea wartime home programmes, dating between 6.1.1945 and 27.4.46, all Football League (South) fixtures except for a `pirate` for the Allied International match v Moscow Dynamo, all horizontally folded

A bound volume of Chelsea programmes from the 1954-55 Championship winning season, covers preserved, blue cloth binder, containing all first team matches, reserves and youth issues, friendlies, and England v Italy U-23 international

A collection of Chelsea Youth and Reserves team programmes, mostly from the 1960s onwards, a few earlier examples, homes and aways, the lot including a rare away friendly from the 1954-55 Championship season at Hayes, a home Combination Cup issue v Reading in 1948-49, a Dorrett & Martin postcard from 1908-09 entitled "Chelsea New Players" and a ticket from the Fairs Cup q/f v TSV Munich 26.3.66 (a qty.)

Corinthians Football Club, the lot comprising a menu for the visit of the South African team in 1907; F.N.S. Creek`s 1933 book "A History of the Corinthian Football Club, blue cloth covers stamped gilt; and two programmes, an away at Grasshoppers Zurich season 1930-31 and an away (friendly) at Chelsea in season 1923-24 (4)

A rare bound volume of Millwall programmes for the wartime season 1915-16, containing 19 very scarce single-sheet issues for special wartime arrangement fixtures, lacking only the Crystal Palace game on 29th April, opposition comprising Arsenal (twice), Brentford, Chelsea, Clapton Orient, Croydon Common (twice), Crystal Palace, Fulham (twice), Luton, QPR (twice), Reading, Tottenham Hotspur, Watford, West Ham (twice) and The Scots Guards, dark blue cloth covered boards

A bound volume of Millwall programmes season 1925-26, comprising a full set of 21 Football League Division Three (South) fixtures, plus 3rd, 4th & 5th rounds of the F.A. Cup v Oldham, Bury and Swansea and a friendly v Clapton Orient, 22 London Combination fixtures, 17 Southern League fixtures (Millwall were Champions), practice match blue v red, Millwall v Dulwich Hamlet and Millwall v Clapton Orient (replay) in the London Challenge Cup, Millwall v Chelsea in the Professional Charity Fund 9th November plus the replay 30th November, International Trial Match England v The Rest and Essex Referees v Kent Referees, all programmes with covers preserved, dark blue cloth covered boards

A bound volume of Millwall programmes season 1926-27, comprising a full set of 21 Football League Division Three (South) fixtures, plus 3rd, 4th & 6th rounds of the F.A. Cup v Huddersfield, Middlesbrough & Southampton and a friendly v Corinthians, 21 London Combination fixtures, 17 Southern League fixtures, practice match blue v red, Millwall v Plymouth Championship Southern League, Millwall v Tottenham Hotspur London Challenge Cup, Kent Referees v Essex Referees, The Army v The Football League, Chelsea v Crystal Palace London Challenge Cup semi-final and F.A. Amateur Cup final Barking Town v Leyton, all programmes with covers preserved, dark blue cloth covered boards

A collection of football programmes mostly dating from the 1960s but with an element of earlier and later issues, Chelsea the predominant club including some seasons in club-issue slip cases, the collection also covering a wide selection of other clubs but with Brentford, Fulham and Aston Villa prominent, also Chelsea away fixture, plus F.A. Cup finals, England internationals etc. (a qty.)

16 ticket stubs, including two 1966 World Cup for the semi-final & 3rd/4th play-off; together with 14 other ticket stubs mainly involving Chelsea and including 1967 F.A. Cup final & semi-final

An official Chelsea Football Club 50th anniversary photograph album, large folio size, inscribed gilt to front cover CHELSEA FOOTBALL CLUB, 1905-1955, and named to MR. C.J. PRATT, the interior hinged with high quality b&w photographs of the players, directors and officials, the trophy room and images from the celebration banquet

A collection of six clip framed QPR football action photographs, all good quality press photographs including a signed example by Ray Wilkins portraying a stunning save by Liverpool `keeper Bruce Grobelaar in 1991, other subjects comprising: matches v Cardiff 1970, Coventry 1989, Newcastle 1984, Chelsea 1985 & Southampton 1984, various sizes, the illustrated example 41 by 51cm., 16 by 20in. overall

Marcel Desailly: a signed blue France No.8 international jersey, signed to the front in silver marker pen, short-sleeved, the reverse lettered DESAILLY. This jersey was gifted by Desailly to the current vendor while he was playing for Chelsea FC

Martin Laursen: a claret & blue Aston Villa No.5 jersey worn in the match v Chelsea at Stamford Bridge 5th October 2008, short-sleeved, Barclays Premier League flashes to sleeves, the reverse player lettered This jersey was swapped with a Chelsea player after the match

A Chelsea FC red No.2 tracksuit top circa 1970, with blue & white detailing

Mikel: a blue Chelsea No.12 F.A. Community Shield jersey 2009, inscribed THE FA COMMUNITY SHIELD 2009, WEMBLEY-9TH AUGUST, F.A/sponsor`s flashes to both sleeves, the reverse player lettered

Nicolas Anelka: a signed blue Chelsea No.39 jersey season 2008-09, signed in black marker pen to the reverse below the No.39, long-sleeved, Barclay`s Premier League flashes to sleeves, the reverse player lettered

Petr Cech: an orange Chelsea goalkeeping jersey season 2008-09, long-sleeved, Barclays Premier League flashes to sleeves, the reverse player lettered

Joe Cole: a signed blue Chelsea No.10 Champions League jersey season 2008-09, signed in black marker pen to the reverse just above and left of the No.10, short-sleeved, UEFA Champions League flash to right sleeve, the reverse player lettered

Didier Drogba: a signed blue Chelsea No.11 jersey season 2008-09, signed in black marker pen to the reverse No.11, long-sleeved, Barclay`s Premier League flashes to sleeves, the reverse player lettered

John Terry: a blue Chelsea No.26 jersey season 2008-09, short-sleeved, Barclay`s Premier League flashes to sleeves, the reverse player lettered

Juliano Belletti: a blue Chelsea No.35 jersey from the 2009 summer tournament in America the World Football Challenge, short-sleeved, tournament flash to right sleeve, the reverse player lettered

The 2009 World Football Challenge in the USA: a Chelsea and an A C Milan jersey from the tournament, a Daniel Sturridge blue Chelsea No.23, short-sleeved, tournament flash to right sleeve, the reverse player lettered; and a Giacomo Beretta white A C Milan No.55 colour change jersey, tournament flash to right sleeve, European Cup trophy flash marked "7" to the other sleeve, the reverse player lettered (2) For illustrations of identical looking jerseys see the previous two lots

? The Little Ranelagh House by Peter Hill Jones modern 366cm.; 144ins high by 225cm.; 88½ins deep by 303cm.; 119ins wide, together with chestnut picket fence, laid hedges entwined with hawthorn, guelder rose, hazel and field maple together with a miniature wooden seat and carved stone birdbath Quotations can be obtained for reconstructing the Little Ranelagh House and gardens in the UK Little Ranelagh House was so named because in it`s prime incarnation in May this year, it appeared within Ranelagh Gardens which forms part of the site that comprise the RHS Chelsea Flower Show. The building which is also considered to be a `Sculpted Casket for Diverse Purpose` by its creator, Peter Hill Jones, was exhibited as a Trade Stand and was complete "with an interior specifically designed to be hostile to children yet with an exterior that was appealing to them! The garden was designed to be appealing to passerine birds in particular and bryologists!" (Bryology is the study of mosses, liverworts and hornworts) "The building does not have an age or purpose bias", says Peter. "But there are 2 distinct entrances: the front door which is clearly for people under 30" in height and a `secret` side door which could accommodate a tall person or even a wheel chair bound adult. "In short it can be used for whatever you like: to keep the dogs, pigs, chickens or donkey in. As a hide, study - particularly for natural history, dark room, explosives factory or drug manufacturing unit! A wendy house - whatever that is - or an area for children to attempt to fulfil themselves or not, or just address the problems encountered from being a child! A den for adults to keep children out? A private cinema to watch dubious films or library to collect operatic scores or decent First Editions. A space to encourage bats to go when the Planning Authority has deemed the bat roost in your loft is going to really Muck Up your Application to demolish all/some/a bit of your house!"! The building/casket is designed to have an upstairs which is present in a basic form here in The Walled Garden. The building itself is constructed entirely from FSC accredited timber which means that it all comes from sustainable forests. The original building, Little Burndell House, which is the prototype of this one, is situated at Peter`s yard in Yapton, West Sussex and is largely constructed from recycled timber. The window design was extensively researched (despite it`s apparent simplicity) to achieve the `correct look` and designed by Peter and features a design of glazing bar based on the so-called Georgian `knife-edge` glazing bar. The undersized `Sussex Red` roof tiles and half round ridges were hand made as were the clay chimney stack and its 2 undersized pots (one of which is in fact a bird nesting box and other could function as a real pot). The `mortar` on the stack is specially coloured to mimic lime mortar. Such detail was of major importance to Peter! An important feature present are the two `Teddy windows` at either end of the the buildings upstairs area. The term is self explanatory (if you possess a pair of psycho-killer teds as Peter does: Teddy Binns and Hopscotch). Every quarter has a look out point and the house is equipped with three above ground `escape` points and the facilities for an underground tunnel. The `wall paper` at the opposite end to the `secret/adult` door comprises an original motif by Peter. The pattern consists of 4 squares with a central square - like the side depicting `5` on a dice. The 4 outer squares depict a man looking at his dog: the dog has the man`s eyes and the man`s eyes are dentures! The central motif depicts one of Michelangelo`s sculptural male heads but with inserts into the face of Walker`s `Special Edition Spice Girls` crisp packets! Peter`s stand and garden of Little Ranelagh House won an Award of Commendation at the RHS show and over 6,000 people viewed it including Prince Charles and the Duchess of Cornwall. (John Savings of Abingdon, who provided Peter with the plants for his laid hedge is Prince Charles` teacher in the methods of laying a hedge. The Prince is an enthusiast of this ancient country craft. Peter Hill Jones who has exhibited at the Royal Academy of Art Summer Exhibition twice and the Royal Society of British Artists some 4 times is a scrap metal merchant and general dealer by trade and botanist, free-lance journalist and occasional-artist by inclination! He was - he admits - born with an EPNS spoon in his mouth and was slightly over educated "on the proceeds of scrap" he is also on show in London 24 hours a day 365 days of the year as `Peas` one of the 120 sculpted motifs on the gates at The Globe Theatre.

AFTER GUILLAUME REGANEY "A road mender`s horse cart", study of three horses pulling cart and a man with pick in foreground, watercolour heightened with white and body colour, unsigned, 29.5 x 48 cm bears "Ernest Alden Chelsea SW3" label stamp verso) (ILLUSTRATED)

GORDON C. ARNOLD The Thames at Chelsea. Watercolour. Signed, inscribed to the reverse. 15 x 22ins., approximately, unframed. Together with ephemera relating to the artist

SANDRA BLOW 1982 Craft Fair Chelsea Exhibition poster. Signed in ink by the artist and numbered 109 from an edition of 550. 29 3/4 x 19 3/4ins

George Jones RA, 1815 PORTRAIT OF AN OFFICER ON HORSEBACK signed and dated oil study, 41cm x 31cm (16.25" x 12.25") believed to be a study for the painting `The Battle of Waterloo` in The Royal Chelsea Hospital

George Jones RA, 1815 PORTRAIT OF THREE OFFICERS signed and dated oil study, 32cm x 31cm (12.5" x 12.25") believed to be a study for the painting `The Battle of Waterloo` in The Royal Chelsea Hospital

George Jones RA, 1815 PORTRAIT OF A DEAD OFFICER signed and dated oil study, 32cm x 38cm (12.5" x 15") believed to be a study for the painting The Battle of Waterloo in The Royal Chelsea Hospital

A Shelley part Tea Service decorated in the Chelsea pattern with floral sprays. (19 pieces).

A group of four resin pebble seats designed by Ben Barrell for the Cancer Research UK, Chelsea Garden the largest 102cm.; 40ins wide Ben was delighted to be asked by Robert Myers to create Pebble Seats for the show garden as all his work is inspired by nature and the shapes created by its movements. Living in Cornwall, Ben has the ideal surroundings to create work which reflects the rhythm of the sea, the movement of creatures passing through the sea and the landscape of the Cornish coast. Ben typically designs large sculptural pieces and also specialises in creating outdoor sculptural seating... "The bench looks better every day. I sit on it every morning and I am astonished that I am actually sitting on a work of art." Melvyn Bragg. His work can be found at Goodwood Sculpture Park and in public spaces and private gardens.

A Chelsea pale-yellow-ground ozier-moulded shaped oval dish, painted with insects and flowers, 26.5cm in length, circa 1760 (some wear) Visit www.dnfa.com for condition reports

A Chelsea ozier-moulded basket, painted with birds and flowers within a brown-line rim, 18cm in length, circa 1760 (handles lacking) Visit www.dnfa.com for condition reports

A pair of Chelsea octagonal plates in the Meissen style, painted with scattered flowers and insects and moulded in relief with flowers, the butterflies with shadows, with a brown-line rim, 23.5cm diameter, circa 1750-55 Visit www.dnfa.com for condition reports

A selection of mostly New Hall type porcelains, including a Coalport low Chelsea ewer, a Spode cream jug, painted pattern no. 1926 and another jug, various dates, late 18th and early 19th centuries Visit www.dnfa.com for condition reports

MILNE A. A.: (1882-1956) English Author, creator of Winnie-the-Pooh. A good A.L.S., A. A. Milne, one page, 8vo, Mallord Street, Chelsea, 30th May 1939, to a gentleman. Milne states that he is delighted to have a copy of his correspondent`s book and adds `I shall try to read every word of it before the school holidays begin; because when once my boy sees it, he will annex it for his own.` The author continues, `He is captain of his Prep School XI, and a very much better cricketer than his father ever was. In fact, if you can arrange for a new edition in, say, 1942, I think there will be a Milne (Christopher Robin) on p.114 or so.` A fine letter in which Milne makes a rare reference to Christopher Robin. VG

A Poole pottery floral decorated vase, together with a 19th Century lustre ware tankard, WH Goss small thistle decorated vase, a Maling Crocus pattern bowl, a Chelsea pottery dish, further 18th Century and later ceramics and treen.

A pair of New Chelsea globe and shaft vases decorated with Oriental panels to a blue ground, 22cm high. (2).

TWO SAMPSON OF PARIS CHELSEA STYLE PLATES decorated with birds, foliage and rocks with underglazed red anchor mark to the underside and a fluted Sampson Chelsea style coffee cup, with painted bird decoration, gold anchor mark to the base, two further dessert dishes with relief decoration and floral sprays and one further similar plate

A Doulton vase table lamp 20th century, converted, the two handled vase with a dark blue ground, decorated in gilt and mauve with trailing flowers, 10.5in. (26.5cm.) high, the shade handpainted with images of Chelsea public houses.

TWO NINE CARAT GOLD SPORTS MEDALS for `St. Mark`s College School, Chelsea, 1907` and `Rose and Thistle Bowling Club, 1926` (2)

A Chelsea oval dish, painted with three birds of highly coloured plumage, perched on a rocky stump and within leafy branches, feather moulded rim, brown anchor mark, c.1757, some flaking, crazing and wear, 28cm.

A Chelsea scolopendrium leaf moulded plate, finely painted with a floral bouquet amidst individual scattered blooms, the leaves to the underside picked out in shades of green, yellow and pink, red anchor mark, c.1755, a small rim chip, 21.5cm.

A Chelsea plate, painted with three colourful exotic birds perched in fruiting branches and on rockwork, within a feather moulded border, brown anchor mark, c.1757, peppered and crazed, 22cm.

A Chelsea écuelle, cover and stand, finely painted with flower stems and sprays, the cover finial modelled as a large blossoming bud, the handles formed as green-tinged leaves, red anchor marks, c.1755, small base cracks to the stand, 20cm. (3)

A Worcester polychrome jug, and a Pennington`s Chelsea ewer, both painted with Oriental figures, 2nd half 18th century, some damages, 11.5cm max. (2) Paper label for the Watney collection to the former.