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Lot 645
A group of English porcelain, 18th century, comprising; a Longton Hall dish with branch handle, circa 1755, painted in the manner of the `Trembly Rose' painter with flower sprays, 22cm. wide; a Chelsea red anchor small silver shaped dish painted with flowers, 21cm. wide; a Bow pine cone moulded coffee cup and saucer; a Worcester slop bowl, printed and coloured with chinese figures, 15cm. diameter, (a.f).
Lot 662
A group of English porcelain, late 18th century, comprising; a Bristol milk jug, circa 1775, painted with flowers beneath a border of undulating laurel leaves, (a.f), 12cm.high; a New Hall helmet shaped milk jug painted with a basket of flowers, 12.5cm. high; a Derby spiral fluted coffee cup and saucer; A Coalport cream jug of low Chelsea ewer form, and a Caughley blue and gilt fluted saucer.
Lot 680
A group of English porcelain, 18th/early 19th century, comprising; a Chelsea-Derby lozenge shaped dish, circa 1770, painted with fruit and insects, (a.f ), 25cm. wide; a Derby oval fluted dish, circa 1760, painted with cherries and insects, 24.5cm. wide; a Derby teacup and saucer, circa 1775, painted with flower garlands and laurel swags, blue crowned D mark; a Derby plate, early 19th century, painted with pink roses and other flowers, 22cm.diameter; and a pair of porcelain dishes painted with birds.
Lot 675
A Coindex; containing a collection of late 18th/early 19th century copper tokens, three silver tokens, a George III silver shilling and sixpence, bank token, dated 1814 and five 17th century copper tokens, together with a silver medal; 'The Royal Horticultural Society', awarded to 'Lady Carr...Chelsea Show 1936' (a lot)
Lot 156
A Chelsea Red Anchor period leaf shaped dish, decorated in pink and green enamels. Length 25 cm (see illustration). CONDITION REPORT: The dish is crazed to the entirety of the body which is discoloured. There is also a section of restoration to the base of the leaf which is approximately 5 x 3 cm. There is also quite a lot of wear to the flowers in the bottom of the dish and on the pink veins.
Lot 129
Two Chelsea plates circa 1760, painted with exotic birds within a feather and floral moulded border, gold anchor mark to base of one plate, (2) The largest plate measures 21.5cm diameter Condition report: The feather moulded plate has a small rim and foot chip, the floral border plate has a rim chip, and a star crack to the body. Both plates have scuffs and wear to the decoration.
Lot 138
A William De Morgan Chelsea Period Vertical Flower Stems tile, painted with three Tudor rose flower stems in blue and green on a white ground, another William De Morgan Bedford Park Daisy tile painted with five flowers in aubergine, green and turquoise and three other William De Morgan Persian tiles, impressed marks, chips 15.5cm. square (5) Literature Jon Catleugh William De Morgan Tiles, Richard Dennis, page 87 catalogue number 109 for the main tile design illustrated, page 52 catalogue number 28 for the Bedford Park Daisy design illustrated.
Lot 132
Angel with Dove a rare watercolour design for a mosaic on paper by William De Morgan, framed, image 60 x 45.5cm. Provenance Mrs A.M.W. Stirling at Old Battersea House, private collection Literature William Gaunt & M De Clayton Stamm William De Morgan Studio Vista, page 87 plate 64 for an illustration of the mosaic panel. Catalogues Notes The mosaic is held in the Kensington & Chelsea Borough collection - given by William De Morgan to the library in 1896. Born in London in 1865, Anna Maria Diana Wilhelmina Pickering (later Stirling) was the younger sister of Evelyn De Morgan and the sister in law of William De Morgan.
Lot 297
Charles Vyse (1882-1971) an unusual stoneware bowl, moulded to the interior with three scaly fish amidst carved geometric waterweed, glazed celadon under a curdled blue glaze, the exterior olive green incised C Vyse Chelsea to base 20cm. diam. Literature Charles Vyse Richard Dennis/Fine Art Society exhibition catalogue, page 49 catalogue number 88 for this design in a Lung Chuan glaze.
Lot 303
VELVET UNDERGROUND/NICO - Nice pack of 8 x LP's to include early pressings. To include Chelsea Girl (MGM reissue 2353025), Desert shore (US original RS 6424), Drama Of Exile, The End… (pink rim ILPS 9311), The Marble Index (EKS-74029 w/insert), White Light/White Heat (2353 024 SELECT), S/T (2353 022 SELECT) and S/T & Nico (2315 056 SUPER reissue with cut-outs and newspaper clippings). Condition is generally VG to Ex.
Lot 588
†PERCIVAL BRIDGER (FL 20TH CENTURY) THE GREEN SCARF signed, oil on board, 44 x 31cm ++In fine condition, no damage or restoration, undisturbed in the original 1950/60s frame with the Chelsea Art Society Chenil Gallery's back label on the reverse with inscription and artist's address 20 The Cloisters Windsor Castle, price 12gns
Lot 28
A CHELSEA PLATE, CIRCA 1755 brightly painted with a vignette of a bird perched on a branch framed by scattered bouquets of flowers and smaller flower sprigs, the rim crisply moulded with three cartouches separated by flowers and scrolls, red anchor and l mark 24cm diameter Provenance: With Albert Amor, London (paper label to base); acquired from Albert Amor, March 1988
Lot 34
A CHELSEA SOUP PLATE, CIRCA 1755 of 'Warren Hastings' type, painted with scattered flower sprays and sprigs, the rim crisply moulded with three cartouches picked out in puce reserving panels of birds in flight, separated by moulded flowers, scrolls and daiper panels, red anchor mark 24cm diameter Provenance: with Earle Vandekar, London (paper label to base); acquired from Earle Vandekar, February, 1988
Lot 292
18th century Caughley blue and white Chelsea ewer cream boat with printed Chinese landscape, C mark to base, 10.5cm diameter, Caughley polychrome enamelled coffee cup with floral decoration and blue and white coffee cup with Chinese taste decoration (3) CONDITION REPORT Cream boat - chip to rim. Blue and white cup - star crack to body. Polychrome cup - good order - bright enamels and gilding
Lot 2434
* CARL CHEEK (BRITISH 1927 - 2011), THE FISHMARKET oil on canvas, signed and dated summer 1950, further signed and titled verso 91.5cm x 122.5cm Framed Note: Cheek studied at Chelsea School of Art under Raymond Coxon and Ceri Richards from 1945 to 1948 and at the Royal College of Art under Ruskin Spear, Carel Weight, Robert Buhler, John Minton and Francis Bacon from 1948-51. From the early 1950's he exhibited widely at the Royal Academy, Redfern Gallery, Leicester Gallery, Beaux Arts Gallery, Piccadilly Gallery and at the John Moores Liverpool Exhibition.
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