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*Dame Elisabeth Frink (1930-1993) Bishop bronze chess piece ‘Goggled Heads' 1967/9, signed and numbered from an edition of 10, NB: This chess piece featured in the 2008 Mumford Fine Art ‘Unknown Frink’ exhibition and is offered together with tall white painted plinth, approximately 130cm high, Provenance: Peter and Georgette Collins, Stanley Studios, Chelsea, thence by descentCondition report: Frink Catalogue raisonnee ref MRCF5

*Dame Elisabeth Frink (1930-1993) Queen bronze chess piece ‘Goggled Heads' 1967/9, signed and numbered from an edition of 10, 9cm high NB: This chess piece featured in the 2008 Mumford Fine Art ‘Unknown Frink’ exhibition and is offered together with tall white painted plinth, approximately 130cm high, Provenance: Peter and Georgette Collins, Stanley Studios, Chelsea, thence by descentCondition report: Frink Catalogue raisonnee ref MRCF5

*Dame Elisabeth Frink (1930-1993) King bronze chess piece ‘Goggled Heads' 1967/9, signed and numbered from an edition of 10, 10cm high. NB: This chess piece featured in the 2008 Mumford Fine Art ‘Unknown Frink’ exhibition and is offered together with tall white painted plinth, approximately 130cm high, Provenance: Peter and Georgette Collins, Stanley Studios, Chelsea, thence by descentCondition report: Frink Catalogue raisonnee ref MRCF5

*Dame Elisabeth Frink (1930-1993) bronze ‘Bird’, signed and dated ‘52 2/6, 20cm high x 24cm wide x 30cm deep, this sculpture was later cast with the assistance of the Frink Estate, taken from a plaster maquette formerly in the collection of Peter and Georgette Collins which was purchased directly from Frink whilst she was still a student. This sculpture featured in the 2008 Mumford Fine Art ‘Unknown Frink’ exhibition and although not included in the 1984 catalogue raisonné, relates closely to the 1952 ‘Bird’, purchased the following year by The Tate which ‘launched’ her career, one of a number of bird figures which Frink created at the start of her career, only a few known survivors from the period exist, other than the Tate bird, other owners included Benjamin Britten and The Arts Council of Great Britain, during this early period of Frink’s career she could rarely afford the bronze casting procedure so many maquettes remained un-cast and were subsequently lost, Peter and Georgette Collins played a significant role in preserving a number of these early works. Provenance: Peter & Georgette Collins, Stanley Studios, Chelsea, thence by descent

Chelsea porcelain dish, c.1750-52, polychrome painted with insects, fruit and flowers, the outside pale yellow, 27.5cm longCondition report: Several long breaks only visible from back

Chelsea Derby plate, circa 1770-75, polychrome painted with fruit and insects, anchor mark to base, 24cm diameter

A Chelsea small pot, circa 1755, and a Derby two handled cup, both polychrome decorated with flowers, the pot measuring 6cm high

A pair of Chelsea plates, circa 1760, polychrome painted with flowers, with red-painted scalloped rims, anchor marks, 22cm diameterCondition report: Both in good antique condition, with some enamel wear, a couple of small footrim chips, and some natural crazing.

Caughley 'Low Chelsea Ewer', circa 1780-85, printed in blue with fruit and flowers, 6.25cm high

Roy Hammond (b.1934) pair of charcoal and monochrome watercolours - Battersea & Chelsea, signed and dated ‘98, in glazed gilt frame, as one, 7cm x 20cm, 6.5cm x 20.5cmProvenance: Chris Beetles Ltd., London

Lowestoft ewer, circa 1790, of Low Chelsea form, polychrome painted with floral sprays, 5.75cm highCondition report: There is a crack on the rim near the handle. Tiny chip on the top of the handle. Some natural gilt wear.

Chelsea-Derby style cup and saucer, turquoise outline, painted with flowers; Meissen quatrefoil-shape cup and saucer; Worcester style blue ground cup and saucer; and a Dresden cabinet cup and saucer.

A box of sleeping bag, mats, folding tripod seat, cool bag, together with a boxed pair of Adesso Chelsea leather boots size 7 1/2, together with a pair of steel toe-capped work boots, size 8

Great Britain 1991 (16 July) Roses, The Gardener, Chelsea SW3, Official FDC, BLCS 66, BFDC 8

An Art Deco style tea service by Moorland Chelsea Works Burslem together with Punch & Judy character jugs and Poole Pottery china etc

Newcastle United football programmes various, for seasons 1992-1998, including the FA Cup Final, 16th May, 1998 v Arsenal; 2000-2018; Sunderland football programmes various, for seasons 1954-1990, mostly 1960's; together with FA Cup Final, 5th May 1973 Sunderland v Leeds United; Newcastle United football programmes for the season 1971-72, including 7th August 1971, Newcastle v Benfica (x 19); together with Texaco Cup Semi-Final, Newcastle v Derby, 8th December 1971; and Newcastle away to Huddersfield Town, 29th January 1972; Football programmes, London clubs: Millwall, Arsenal, Chelsea, Tottenham, Fulham and West Ham, 1950's and 1960's matches; and other Football programmes, magazines, souvenirs and sundry football ephemera. (qty)

A Chelsea studio potter plate together with 2 studio pottery horse figures.

H. ATKIN, LONDON A GOOD CASED 12-BORE PERCUSSION DOUBLE-BARRELLED SPORTING-GUN, no visible serial number, circa 1855, with browned 30in. barrels signed on the top-rib 'H. ATKIN FROM J. PURDEY'S, KINGS ROAD, CHELSEA, LONDON', the signature bracketed with an engraved fern-leaf, bead fore-sight, borderline and scroll engraved top-tang with shallow sighting groove, border and scroll engraved bar-action locks signed 'H. ATKIN', scroll engraved hammers, chequered walnut half-stock, the inside of fore-end numbered '1863' on both sides (possibly a date), engraved iron furniture and brass mounted ebony ramrod, in its almost certainly original makers oak storage case lined and compartmented in aubergine velvet and containing a period shot and powder flask, a nipple key, turn-screw, oil-bottle and two-piece cleaning rod.

Four character jugs. To include Chelsea Pensioner by Burleigh, Mr Micawber & Devonia jug etc. Condition fair. Some chips and cracks.

A SMALL GROUP OF CERAMICS AND GIFTWARE, to include Beswick 'King of Hearts' from Alice Series, height 9.5cm, Royal Crown Derby plates Caliph, diameter 18cm, another diameter 26.5cm, etc, an Abbeydale chrysanthemum plate diameter 22.5cm and Chelsea Rose sugar bowl, an Austrian 'Mardi Gras' wall plaque, height 18.5cm (chipped), Aynsley, Wedgwood, Mintons trinkets, etc, (Condition Report:- stained and dusty)

DAVID CORIO, 'Prince', Wembley arena, August 1986, silver gelatin fiber print, signed, A/P 1/3 with Royal archive Chelsea embossing, 35cm x 22cm, framed and glazed.

DAVID CORIO, 'The Pretenders', Nashville room, London 1978, silver gelatin fiber print, signed, A/P 1/3 with Royal archive Chelsea embossing, 35cm x 22cm, framed and glazed.

1933 Rolls-Royce 20/25hp Owen Sedanca Three-position Drophead CoupéCoachwork by Gurney NuttingRegistration no. AGJ539Chassis no. GEX28*One of the most elegant and admired coachwork designs on the 20/25 chassis*Featured in Lawrence Dalton's Those Elegant Rolls-Royce (1967, page 88)*Formerly part of a private collection in California for over 40 years*Refurbished since its return to the UKFootnotes:'This model was introduced to meet requests for a smaller, less expensive car in keeping with the trend after the First World War towards smaller cars for a wider market. Construction was simplified - but standards of workmanship were not compromised.' - Edward Eves, Rolls-Royce, 75 Years of Motoring Excellence.Changing times after WWI eventually forced the abandonment of Rolls-Royce's 'one model' policy, an all-new 20hp car joining the existing 40/50hp Silver Ghost in 1922. The 'Twenty' reflected Henry Royce's interest in contemporary trends within the American automobile industry, incorporating unitary construction of the engine and gearbox, the latter featuring the modern innovation of a central ball change, together with a 'Hotchkiss drive' rear axle. The engine, Rolls-Royce's first with overhead valves, was a six-cylinder unit displacing 3,127cc. Favourably received as the Twenty was, its three-speed transmission's central gearchange was not to everyone's taste, and when four-wheel, servo-assisted brakes were introduced in 1925, a four-speed gearbox with right-hand, gated change replaced the original three-speeder.The Twenty's introduction enabled its makers to cater for the increasingly important owner-driver market that appreciated the quality of Rolls-Royce engineering but did not need a car as large as a 40/50hp Ghost or Phantom. The car proved eminently suited to town use yet could cope admirably with Continental touring when called upon. Its successor, the 20/25hp, introduced in 1929, updated the concept with significant improvements, featuring an enlarged (from 3.1 to 3.7 litres) and more powerful version of the Twenty's six-cylinder overhead-valve engine. The latter's increased power allowed the bespoke coachbuilders greater freedom in their efforts to satisfy a discerning clientele that demanded ever larger and more opulent designs. Produced concurrently with the Phantom II, the 20/25 benefited from many of the larger model's improvements, such as synchromesh gears and centralised chassis lubrication, becoming the best-selling Rolls-Royce of the inter-war period.The Rolls-Royce 20/25hp was, of course, an exclusively coachbuilt automobile, and most of the great British coachbuilding firms offered designs, many of them unique, on the 20/25hp chassis. Some of the most widely admired were the work of J Gurney Nutting, a company associated with quality marques - Bentley in particular - from its earliest days and a supreme practitioner of the coachbuilding craft in the late 1930s. Founded in Croydon, Surrey in 1919, Gurney Nutting had bodied its first Bentley before moving to London's fashionable Chelsea district in 1924, and within a few years was established as the Cricklewood firm's foremost supplier of bodies after Vanden Plas.Gurney Nutting's work had a sporting flavour from the outset and succeeded in attracting the attention of society's upper echelons; the Prince of Wales and Duke of York were clients, and the firm gained its Royal Warrant in the early 1930s. Daimler and Rolls-Royce had been added to the Gurney Nutting portfolio in the mid-1920s, and the fruitful association with the latter continued into the succeeding decade.By general consent, Gurney Nutting's stunning drophead coupés - developed for fashionable retailers, H R Owen - are among the most handsome and best proportioned ever to grace the Rolls-Royce 20/25 chassis. The car offered here, chassis number 'GEX28', is one of these remarkable dropheads, differing slightly from the others by virtue of its extended bonnet, an original feature that enhances the already elegant proportions and further accentuates its resemblance to a Phantom II. 'GEX28' was off test on 10th February 1933 and sold new to a Captain Gladstone. The car's original registration was 'AGJ 539', which it retains. 'GEX28' is featured in Lawrence Dalton's Those Elegant Rolls-Royce (1967, page 88).'GEX28' has spent a large part of its post-WWII life in the USA, a not unusual fate among Rolls-Royces of its generation, and for over 40 years formed part of a private collection in California. Since returning to the UK the car has benefited from considerable upgrading, including refinishing to an excellent standard in Embassy Black, together with a new top in the correct duck material, and new carpets. The seats have been reupholstered in light caramel leather at some time in the last few years and still present beautifully. Said to be very pleasant to drive, with a smooth and powerful engine, this unique 20/25 drophead possesses all the qualities that make this one of the most desirable models of its decade.For further information on this lot please visit Bonhams.com

A 'Coracle' wicker-cased picnic set for four persons by G.W.Scott & Sons, 1930s,the wicker case with leather handles and straps, with lid and fall-front opening to wicker framework interior, fitted with central wicker-handled copper kettle with burner and stand, two flasks by Thermos and Autotherm, two wicker-covered glass bottles, two smaller glass bottles, two Coracle brand ceramic-based food containers, a smaller enamel based food container, a set of four Royal Chelsea bone china tea-cups with saucers and side-plates, four stacked gilt-lined beakers and two condiments jars, with cutlery housed behind leather straps in the lid, the case measuring 73 x 26 x 33cm overall. This lot is subject to the following lot symbols: † ◊† VAT at the prevailing rate on Hammer Price and Buyer's Premium.◊ £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com

18th century engraving, A Perspective View of the Town and Fortifications of Malta, coloured engraving, published, 1750, 27cm x 41 cm Together with three further colour engravings titled, ?A View of Chelsea Water Works?, ?A View taken near Mr Smith?s House at Battersea looking up the Thames?, ?West View of the City of Edinburgh? (4)

Large Royal Doulton character jugs to include Chelsea Pensioner D6817 and George Washington D6669 (2). In good condition with no obvious damage or restoration.

Group of decorative plates, mainly of Beethoven, the bases with cancelled Meissen crossed swords mark, and other plates decorated in Chelsea style with pheasants (qty) Beethoven plates 26cm diam

Selection of pottery to include Shelley Chelsea, Yellow Phlox, Regent shape etc, 3 cups do have small cracks, otherwise overall good condition

A SILVER POCKET WATCH BY CHARLES PITT, circular white enamel dial with Roman index and outer minute track, separate seconds dial at 6 o'clock with a combination of gilt and blued steel hands, rear cover hinges open to reveal winding aperture, front cover hinges open to allow access to fusee movement with a diamond endstone, signed Charles Pitt 152 Sloane St. Chelsea, hallmarked Sterling Silver London 1832.CONDITION REPORTWatch is currently functioning but timekeeping not tested, a slight hairline crack to the dial at 8/9 o'clock position.

Football - Two binders containing a collection of home and away teamsheets, tickets etc for Manchester City 2008/09, Chelsea 2009/10 & Wigan Ath 2005/06, some European ties noted, gen vg (120+ items)

Three Moorland Chelsea Art Deco Style Flat Figure Groups including Jazz Band and Dancing Figures, tallest 23cms

Football - FA Youth Cup 2007-11, a binder containing approx. 45 programmes, mostly single sheets, some with tickets, to include semi finals and final, various clubs, Manchester City, Arsenal, Chelsea etc, gen vg

Adge Baker(British, 1920 - 1980), Wooden Sculpture in the form of a Torso, on metal base, signed to base ' Adge Baker, Chelsea ', 47cms high

Tea set for 12 by New Chelsea

A Moorland Chelsea Works Burslem art pottery vase and matching pair of lidded vases decorated with dragonflies

Madeline A Manton (Mid 20th century): 'Jaqueline' bust portrait, oil on board, titled with artist's address 124 Kings Road London on Chelsea Artists exhibition label verso 49cm x 32cm

Catherine Tyler (British 1949-): 'Cadiz Garden', oil on canvas signed and dated '01, titled verso with Chelsea Art Society exhibition label 53cm x 44cm

Sarah Gould (British 1955-): 'Gooseberry' Botanical Study, watercolour on vellum signed with monogram, artist's studio label verso 16cm x 14cm Notes: Sarah is a qualified Landscape Architect. Member of the Leicestershire Society of Botanical Illustrators; Fellow of the Chelsea Physic Garden Florilegium Society (from 2002). Her work is held in the permanent collections of the RHS Lindley Library, The Highgrove Florilegium, The Hunt Institute and the Chelsea Physic Garden. Teaches for the Chelsea Botanical Art School. On the selection Panels for LSBI and Eden Project Florilegium Society. Exhibited at the 12th International at the Hunt in 2007, the Natural History Museum and Shirley Sherwood Gallery.

LATE 19TH CENTURY SAMSON OF PARIS PORCELAIN FIGURE OF A PARAKEET, after Chelsea, modelled perched on a branch, pseudo-gold anchor mark towards base, 26.4cm high Provenance: The William Mowat-Thomson Collection

19TH CENTURY ENGLISH PORCELAIN LEMON BOX AND COVER, after Chelsea, the cover with hoop handle, modelled as a citrus fruit forming part of a posy applied with leaves and flowers, fitted interior, 9.9cm high Provenance: The William Mowat-Thomson Collection

MID-18TH CENTURY CHELSEA PORCELAIN PLATE, the lobed dish hand-painted in the Imari palette with a central floral spray within a diaper and foliate border, blue anchor mark to base, 24.9cm wide Provenance: The William Mowat-Thomson Collection

LATE 19TH CENTURY ENGLISH PORCELAIN FIGURE OF JOHN FALSTAFF, after Chelsea Derby, modelled with sword hilt and shield, swaggering forward with hand on hip, on a Rocaille base with pseudo gold anchor mark to the reverse, 42.5cm high Provenance: The William Mowat-Thomson Collection

A Brief Record of the Arsenal Stadium London In Commemoration of the opening of The West Stand by HRH Prince Of Wales KG on Saturday 10th December 1932, the Match being Arsenal Vs Chelsea. 16 pages. Unique and rare item. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Autographed Stoke City 12 X 8 Photo Col, Depicting The 1972 League Cup Winning Squad Posing With Their Trophy During A Photo Shoot At The Victoria Ground After A Memorable 2 1 Victory Over Chelsea, Signed By Greenhoff, Elder, Smith, Conroy, Mahoney And Marsh In Black Marker. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Twiggy, stunning 8x10 photo signed by 60's fashion icon Twiggy, pictured on the King's Road in Chelsea. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

A 1950's Chelsea Football Club v Norwich City program together with 1940's Norwich City Handbook and Stanley Matthews Soccer Manual (3)

A late 19th Century Ridgway 'Salmon Carnation' dessert service of six side plates and three comports plus eight Meakin 'Chelsea' pattern plates

Aynsley 'Chelsea Flowers' China Mantle Clock, Wedgwood jasper ware, jar-cover, etc:- One Tray.

A SAMSON CHELSEA DERBY PORCELAIN FIGURE of a man, a basket of flowers on his back 9ins high.

Pair of Chelsea strawberry sauceboats circa 1755, both modelled with twig handles, painted to the exterior and interior with floral blooms, anchor mark visible to one 19.5cm across (2)Condition report: One with a large crack all over which has some staple repairs, other cracks, and restoration visible, the other very worn with possible restoration

A pair of continental porcelain figurines, two Chelsea style figurines, a pair of Sampson miniature vases, and a Meissen style leaf shape dish

An Oliver Brown of Chelsea Irish linen two piece suit, with an associated waistcoat, 46" chest, 40" waist

CHARLES I - PRIVY COUNCILDocument signed by William Laud (Archbishop of Canterbury), John Montague, Earl of Manchester (Lord Privy Seal), Francis Cottingham, Baron Cottingham (Chancellor of the Exchequer) and Francis Windebank (Secretary of State and Joint Postmaster General), to the Countess of Nottingham, regarding payment of an annual pension of six hundred pounds for her lifetime, mentioning payments owing and ordering 'Tallies to be strucken from time to time for the payment of said pension', with papered seal, docketed on verso, one page on a bifolium, dust staining particularly to verso where folded and exposed, adhesive marks where previously affixed to album, folio (295 x 205mm.), Whitehall, 8 June 1635Footnotes:Margaret Stewart, Countess of Nottingham (c.1591-1639) was the daughter of James Stewart, 2nd Earl of Moray. After the Union of 1603 she served as a lady-in-waiting to Anne of Denmark and in September of that year became the second wife of the much older Charles Howard, 1st Earl of Nottingham (1536-1624), Lord High Admiral and victor over the Spanish Armada under Elizabeth I. The marriage, seen an allegory of the union of England and Scotland, prompted much chatter among the court, with Anne writing to her husband King James I that it was a match between Mars and Venus. On her marriage she was given Chelsea Place and the annual pension of £600 mentioned here. Her brother was the sailor and patron of Ben Jonson, Sir Frances Stuart, and she married for a second time to the Regicide William Monson, 1st Viscount Monson.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Football : Nice lot of programmes 1950's onward inc reserves inc Chelsea, Leeds etc (28)

Football : Chelsea home programmes 1960/61 - 1969/70 x250 - generally in good cond

Football : Chelsea home programmes 1946-1959/60 x90 - general fair/vg

A mixed lot to include a pair of Victorian spelter figures on marble bases, mixed Chelsea Flower Show plates and a brass fire guard

Royal Doulton Chelsea Pensioner Past Glory Figure. Royal Doulton figure number 2484. … Accompanied by Royal Doulton figure Nanny 2221 (2 items)

A quantity of 1960s Chelsea football programmes, home and away, to include some signed copies with signatures to include Ron Harris, Tommy Docherty, Ron Yates of Liverpool, further folders containing Chelsea programmes for 1967, 68, 69 and 70 seasons.

Three albums of Chelsea football programmes, home and away, a number signed to include West Ham United Geoff Hurst, Mike Summerbee Manchester City, Ipswich Mick Mills, etc.