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12 Charlton Athletic Reserves Combination football programmes from the late 1940's early 1950's to include 1947/48 x 2 v Aldershot & Cardiff City, 1949/50 x 2 v Brentford & Millwall (Cup), 1950/51 x 3 Fulham (Cup), Leyton Orient (Cup) and Millwall (Cup), 1951/52 x 3 Reading (Cup), Portsmouth (Cup) and West Ham (Cup) 1952/53 V Chelsea and Plymouth Argyle
Follower of Sir Peter Lely (1618-1680) Portrait said to be of Hortense Mazarin, Duchess of Mazarin (1646-1699), niece of Cardinal Mazarin pastel on canvas, unframed 38 x 30cm (15 x 12in) Hortense Mancini, Duchesse Mazarin (6 June 1646, Rome – 9 November 1699, Chelsea) was the favourite niece of Cardinal Mazarin, chief minister of France. She was a mistress of Charles II, King of England, Scotland and Ireland. She was the fourth of the five famous Mancini sisters, who along with two of their female Martinozzi cousins, were known at the court of King Louis XIV of France as the Mazarinettes. Charles II of England, the first cousin of Louis XIV, proposed to Hortense in 1659, but his offer was rejected by Cardinal Mazarin who believed the exiled king to have little in the way of prospects. Mazarin realised his mistake when Charles was reinstated as King of England only months later. Mazarin then became the supplicant and offered a dowry of 5 million livres, but Charles refused.Unframed and dirty.
Robert Fowler RI (Scottish, 1853-1926) Study of a Pre-Raphaelite beauty signed lower right "Robert Fowler" oil on canvas 27 x 17cm (11 x 7in) Other Notes: Robert Fowler studied at the Heatherley School of Fine Art and the South Kensington Schools. After his studies he moved back to Liverpool and took a studio in Castle Street, which became his base for several decades. He exhibited his work at the Liverpool autumn exhibitions in 1875, and at the Royal Academy, London, in 1876. He designed posters for the Walker Gallery, and also had work exhibited abroad in Paris and Munich. He moved to London in the early 1900s and had a studio in Tite Street, Chelsea for some years. Fowler became a member of the Royal Institute of Painters in Water Colours (RI) in 1891. His work was influenced by artists such as Frederic Leighton, Albert Moore, George Watts, James Whistler, Frederick Walker and David Woodlock.Under glass. Support and paint layer in good condition. A few small losses to the paint surface and a scratch to the sitter's face. Minor wear and abrasions. Thin varnish layer slightly yellowed. Surface dirt and accretions present. Frame is in good condition.
A pair of Chelsea red anchor plates and two dishes, the plates painted with sprigs and sprays of flowers within feather moulded rims painted iron red and green, 22cm (8.75 in) diameter, the oval and round dishes further painted with fruit, 22.5cm (9 in) (4) Some wear to the enamelling but genereally good condition
A PAIR OF PENNINGTON LIVERPOOL PORCELAIN COFFEE CUPS, c.1770, of plain ribbed form painted in underglaze blue with the "Horse-Tail" pattern enclosing a script monogram "BHM", unmarked, 2" high, together with a Seth Pennington high Chelsea ewer printed with a chinoiserie figure with a bird on her left wrist and a porter carrying a bundle on a stick, unmarked, 3 1/4" high, a pair of First Period Worcester ribbed coffee cups and en trembleuse saucers with painted blue borders, saucers 5 1/4" diameter, saucers with differing workmen's marks, cups with crescents, and a later Worcester wrythen moulded trio and a similar saucer dish (11) N.B. See B. Watney "Liverpool Porcelain" 1997, fig. 366 for a matching monogrammed cup, and fig. 407 for a similar high Chelsea ewer. See Branyan, French & Sandon "Worcester Blue and White 1751-1790" pp. 410 border pattern no. 48 for trembleuse cups and saucers
REFERENCE BOOKS. TWITCHETT (JOHN) DERBY PORCELAIN DeLuxe Edition illustrated, 26/150 of signed and numbered copies, navy morocco, slip case, 1980 § Derby Porcelain 1748-1848 Illustrated Guide, signed, 2002 § H G Bradley, editor, Ceramics of Derbyshire 1750-1975, 1978, § P Bradshaw, Derby Porcelain Figures 1750-1848, 1990 § W D John, William Billingsley 1968, § F Stoner, Chelsea, Bow and Derby Porcelain Figures Their Distinguishing Characteristics 1955 (6)
REFERENCE BOOKS. HASLEM (JOHN) THE OLD DERBY CHINA FACTORY John Keys' copy, signed by him and dedicated to Samuel Keys on the ffe, dated September 1900, illustrated, later cloth, 1876 § S Mitchell, The Marks on Chelsea-Derby and Early Crossed-Baton Useful Wares 1770-c1790, soft covers, 2007 § R Blackwood and C Head, Old Crown Derby Chinaworks The King Street Factory 1849-1935, 2003 and a quantity of other reference books, Derby Porcelain and related subjects, including Derby Porcelain International Society Journals, magazine articles and catalogues
Princess Diana's Catherine Walker sea-green sequined evening gown, worn for the State visit to Austria in 1986, labelled 'The Chelsea Design Co Ltd, London', of Jacob Schlaeper sequined satin, figure-hugging with ruching down the centre-front seam, the skirt with front slit to the knee, bust 86cm, 34in, waist 61cm, 24in This dress formed part of a large group order from Catherine Walker about a month before the Princess' intended State visit to Austria. Diana had enormous faith in Catherine's taste and judgement, so much so that on this occasion she didn't even ask to see provisional sketches - just asked her to select and make the dresses on her behalf. This extremely glamorous, sparkling gown was the only totally sequined example to form part of the Princess' 1980s wardrobe. Diana wore it with a diamond and emerald choker necklace, which she had been given as a wedding present by H.M. The Queen Mother. She was photographed wearing the dress many times: To the Vienna Burgtheater in 1986; To a charity ball at Osterley House to raise funds for the British Paraplegic Society; To the 1993 film premiere of 'Biggles'. Provenance: 'Dresses from the Collection of Diana Princess of Wales' auction, Christies, 25th June, 1997, lot 50. This dress was then sold in 'Fit for a Princess: Important dresses formally in the collection of Diana, Princess of Wales' auction, Kerry Taylor Auctions, 19th March 2013, lot 4. CONDITION REPORT: Good condition. No obvious losses of sequins. Very faint discolouration along satin lining to neckline edge (minor). Very, very faint deodorant marks on underarm lining. Satin lining has been let out from underarms to waist (the Princess put on weight between 1986 and 1993, the last occasion she wore it). 1cm spot stain to lining above rear skirt slit. Very, very faint fading along crease lines to satin lining at sides of slit opening.
A pair of Lowestoft porcelain cream boats, of low Chelsea ewer form, the leaf moulded bodies polychrome decorated with sprays of flowers, the rim heightened in gilt, , circa 1770, h.6cm Condition Report / Extra Information Both with significant giltwear. Both with minor rim frits at spout. One with small chips to inner rim.
A 19th Century Continental porcelain figure in the "18th Century Chelsea Derby" manner of a shepherdess holding a lamb with a ewe at her feet, on rococo base encrusted with floral ornament, 11.5ins high (Chelsea gold anchor mark to back - extensively restored and bocage damaged and chipped), and a Rosenthal modern glass "Christmas" plate decorated by Bjorn Winblad - "Angel with Glockenspiel", 11.5ins diameter
Judy Collins signed 10 x 8 inch colour photo of the Music Star, nice image playing guitar on stage. Collins' debut album A Maid of Constant Sorrow was released in 1961, but it was her cover of Joni Mitchell's "Both Sides, Now", the lead single from her 1967 album Wildflowers, that gave Collins international prominence. The single hit the Top 10 on the Billboard Pop Singles chart and won Collins her first Grammy Award for Best Folk Performance. She enjoyed further success with her covers of "Someday Soon", "Chelsea Morning", "Amazing Grace", and "Cook with Honey". Collins experienced the biggest success of her career with her cover of Stephen Sondheim's "Send in the Clowns" from her best-selling 1975 album Judith. The single charted on the Billboard Pop Singles chart in 1975 and then again in 1977, spending 27 nonconsecutive weeks on the chart and earning Collins a Grammy Award nomination for Best Pop Vocal Performance, Female, as well as a Grammy Award for Sondheim for Song of the Year. Good condition. All signed items come with Certificate of Authenticity. Can be shipped worldwide.
FOOTBALL TICKETS A miscellany of English tickets 1970's - 2000's including FA Cup Final 1961, 1970, 1982 Replay and 1990 Replay all creased, England homes v. Yugoslavia 1956 and 1960 and Belgium 1964, Tottenham v. Burnley 1961 FA Cup S-F creased, Tottenham Hotspur homes 18 X 75/6 and 4 X 74/5 and Directors Box tickets for Leicester City v. Chelsea 16/10/1981 and Chesterfield v. Coventry City 8/4/1950. Most are slightly creased. Generally good
FOOTBALL MAGAZINES / STICKER ALBUMS Magazines: 35 World Soccer March 1970 - December 1983, 14 The Footballer No 2 July / August 1988 - No. 35 May / June 1996. Sticker Albums: FKS 1969/70 1st Division incomplete and Mexico 70 complete with tape on spine inside, Panini Dutch Voetbal 78 and 83 both incomplete and American Football 91 complete plus a Futera complete folder 1998 Chelsea FC Collector Card Series Players' Edition limited No. 351 of 500. Generally good
SUB-STANDARD 1940'S FOOTBALL PROGRAMMES Forty five programmes, all with various faults, including Aston Villa v. Middlesbrough 2/4/1921 with tape down the spine of all pages, England v. Scotland 21/3/1931 Amateur International at Chelsea folded, worn, torn and marked, Arsenal v. Chelsea 10/12/1932 with a third of the front cover missing, Brentford v. Chelsea 22/10/1938 punched holes, Southampton v. Millwall 4/5/1946 tape on back, Fulham v. Charlton 5/5/1945, Everton v. Liverpool 29/12/1945 worn, Sheff. Weds. V. Bradford P.A. 11/3/1944 worn and torn and 13 homes and 4 aways for Charlton Athletic from the late 1940's with punched holes. Poor - fair
SUB-STANDARD 1950'S & 60'S FOOTBALL PROGRAMMES Over 125 programmes, 89 X 1950's and 49 X 1960's, all with various faults, including Bristol City v. Arsenal 30/3/1954 Friendly, several non-League, Swansea v. Chesterfield 15/4/1950, Bradford PA v. Swansea 22/4/1950, Sunderland v. Middlesbrough 7/4/1950 punched holes repaired, Stoke v. Middlesbrough 26/3/1951, Gillingham v. Lovell's Ath 7/1/1950 Southern League, Arsenal v. Chelsea 61/2 Youth Cup and 3 Leeds United homes from 1960/1. Poor to fair
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42501 item(s)/page