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* ALFRED ROBERT HAYWARD NEAC ROI RP (BRITISH 1875 - 1971), GREENOCK, WARSHIPS AT ANCHOR ON TAIL O' THE BANK oil on canvas, inscribed verso 30cm x 60cm Framed. Provenance: Leigh Underhill Gallery label verso. Note: Painter in oil and water-colour of landscapes and portraits. Also a mural artist strongly influenced by the Impressionists. Born in London on 21st February 1875. He studied art at the R.C.A 1891-94 and at The Slade School 1895-97, under Brown, Tonks and Steer. During the period up to World War 1 Hayward travelled to West Indies, Central America and Italy, which he always loved. After serving in Artists’ Rifles, Hayward was appointed an official war artist, 1918-9, his resulting work being held by the Imperial War Museum. Exhibited at the R.A., N.E.A.C. of which he was a member, Leicester Galleries, Wildenstein, R.P., R.W.S and Gallery Edward Harvane. His work is represented in several public collections including The Tate. Hayward was a founder member of Chelsea Arts Club
Theatre/Entertainment, a collection of 20 window cards & posters, mostly 1950's but including a few earlier (1923), wide ranges of venues inc. Empire Oldham, Chelsea Palace, Finsbury Park Empire, Empire Swansea, Empire Leeds etc, acts include Harry Lester & the Hayseeds, Anne Shelton, Donald Peers, Billy Cotton, Derek Roy etc (gen gd)
Football, selection, mostly 1960's/60's inc. Sport Magazines (2) with Chelsea teamgroups to covers 1951/2 & 1954/5, Tottenham programmes home & aways (approx 25 inc. FA Cup Final 1967, Olympique Lyonnais ECWC 67/8, friendlies etc), various Colchester United press cuttings 1950's plus later press photos & other items, a good selection of Club handbooks/booklets (12), Sport colour teamgroup trade cards 1949/50 (16), GWR excursion Football match flyer 1907 etc (gen gd/vg) (qty, 1 box)
Football, London selection, Evening Standard London Football Special Newspapers, 1970, set of 12 in special folder, plus London Five a Side Championship programmes, 1958, 1970 (with ticket), 1979 (won by Millwall) & 1984 together with a large, 1980's, Chelsea Squad jigsaw puzzle (complete) (gen gd)
‡SIR LAWRENCE BURNETT GOWING CBE (1918-1991)Mare Street, Hackney, 1937oil on canvas28 x 36 in (71.2 x 91.4cm)Exhibited:The Storran Gallery, Piccadilly, London 1938 The Ashmolean Gallery, Oxford 'Members of the Euston Road Group' May-June 1941 no.17 Royal Academy of Arts, London 'British Art in the Twentieth Century' Jan-April 1987, no.162 Musee D'Arte Moderne, Paris. 'Annees 30's en Europe' Feb-May 1997Literature: Bruce Laughton. The Euston Road School. Scolar Press. 1986 (col. ill plate 7)For another London view by the artist cf. 'A view of Wellington Square (Chelsea)', sold Bearne's, Hampton and Littlewood, 4th Sept 1991Laughton wrote that 'Mare Street Hackney' was the best known work that Gowing executed while a pupil at the Euston Road School in 1937/38. It was painted over the winter of 1937-8 as the artist recorded 'mostly before Christmas'. 'Mare Street, Hackney' was exhibited as one of the 'Fifteen Paintings of London' shown at the Storran Gallery, Piccadilly in October 1938, in the company of other works by founding members of the School including William Coldstream, Victor Pasmore and Claude Rogers. Claude Rogers is said to have referred to the painting with affection as 'Lawrence's Tram'.The painting features a no 31 double decker London tram car negotiating a bend in the main street of the Borough of Hackney. It was singled out by Clive Bell in his review of the Exhibition as 'the surprise of a surprising Exhibition'. Recognising it as a significant work by a student of the School, Clive Bell wrote in 'The Statesman and Nation' in November 1938 that if 'Rogers is sensitive, Gowing is supersensitive' by which he meant the delicacy of Gowing's perception of colour.Laughton also noted of the painting 'The artist's apprehension of the subject and place is highly lyrical- in spite of the ostensible drabness of the venue, he paints it as a Venetian might have painted The Grand Canal. But the light is not that of Venice. Grey and Shadowless, it gives the houses of predominantly yellow-grey London brick, dense and tangible surfaces within their sharp silhouettes. Against these grey planes unusual details such as the white lozenge of awning over a shop front, the odd geometric structures of the red and ochre tram,and the two non-conforming house facades (a cream by a red) stand out with increased luminosity'. The various foot passengers, and the belisha beacons (introduced by Mr Hare-Belisha, Minister of Transport in Neville Chamberlain's Government of 1938) are recorded with a provision surely inspired by Coldstream and comparable to the details in the latter's 'St. Pancras Station' which was also displayed in the 1938 Exhibition.Claude Rogers noted in his Memoirs that the Tram itself was slightly 'askew' in the road, a feature which pleased him because compositionally it acted as a stabiliser to the thrust of the orthogonal lines in the picture. 'On the skyline every black chimney-pot is measured in relation to its stack, point by point. the sky is pale and of a grey transparency, giving the whole illumination a feeling of the kind of clarity that occurs after rain' (Laughton, op. cit)The painting also had a profound impact on Graham Bell, one of his fellow artists in the Euston Road School. In the early war years when the prospect of a German victory in Europe loomed, Bell reproduced 'Mare Street, Hackney' in a late 1940 edition of The Studio. He included it within an article that he termed 'Art in the Island Fortress, a survey of contemporary British Art from Walter Sickert and Ethel Walker to Graham Sutherland and Lawrence Gowing'
A Chelsea Derby Gold Anchor plate and a Derby plate, Chelsea plate has a green floral border with a gilded rim, the Derby plate decorated with green floral sprays and a green rim, c. 1780, Chelsea plate 21 cm diameter, Derby Plate 17 cm diameter (2) Condition: Good condition, no restoration or damage, just slight ware to to the foot rim of the Chelsea plate
Gregori (Mina). Paintings in the Uffizi & Pitti Galleries, Bulfinch Press, 1994, numerous colour illustrations, original blue cloth in dust jacket, spine slightly faded, large 8vo, together with Longford (Elizabeth), Images of Chelsea, 1980, numerous black and white illustrations, original blue cloth in dust jacket, spine slightly faded, large 8vo, (limited edition 236/1000), plus Hagen (Rose-Marie & Rainer), Masterpieces in Detail, volumes 1 & 2, 2010, numerous colour illustrations, original white cloth in slipcase, large 8vo, plus other modern masterpieces and art gallery reference, mostly hardback publications, many original cloth in dust jackets, G/VG, 8vo/folio (5 shelves)
London. Cary (John), Cary's New and Accurate Plan of London and Westminster, the Borough of Southwark and parts adjacent: viz. Kensington, Chelsea, Islington, Hackney, Walworth, Newington &c with an Alphabetical list of upwards of 500 of the most principal streets with references to their situation, 1792, engraved map, sectionalised and laid on linen, contemporary outline colouring, with a list of over 500 of the principal streets, contained in a contemporary marbled card slipcase with printed label to upper board, worn and rubbed at extremities, 815 x 1245 mm J.Howego. The Printed Maps of London, no.184, state 3. (1)
An oil painting on canvas by Lionel Edwards showing Master Francis Egerton on his pony in a landscape setting, signed bottom left Lionel Edwards and inscribed verso - Francis Egerton on his pony George at Dean and Chapter Farm, Codrington, Chipping Sodbury, painted 1965, with framer's instructions and Egerton address details and J J Patrickson of Chelsea, London framer's label, 50 x 60 cm approx in moulded frame with distressed finish together with a related pencil study by Lionel Edwards inscribed Francis Egerton, in a double sided frame inscribed Lionel Edwards 1878-1966 to the mount, with further sketch verso of a highland Ghillie standing and also with a stag, 14 x 21 cm approx in black and gilt frame (together with accompanying information regarding the commission of the painting)
An oil painting on canvas by Lionel Edwards showing Captain David Egerton on his hunter, signed bottom right Lionel Edwards and dated 65, inscribed verso - Captain David Egerton of Dean and Chapter Farm, Codrington, Chipping Sodbury in the Duke of Beaufort's Hunt on his hunter Walking Stick at Codrington Gorse with a view of Tyning Farm, with further inscribed framer's instructions and address details for Captain Egerton and framer's label for J J Patrickson of Chelsea, London, 50 x 75 cm approx in moulded frame with distressed finish (together with accompanying information regarding the commission of this picture)
Charlie Shiels (British, 1947-2012) - 'Two Women at Herculaneum' Signed, titled verso, approx. 60x45cm, framed. NB: Charlie Shiels was born in Stockport and lived in Manchester. He lectured in art and design at Stockport College of Further Education, later to become Senior Lecturer. Charlie had a one man exhibition at The Blythe in Manchester, The Union Gallery in Chelsea, and The Woolff Gallery in Shoreditch, London. Charlie also produced commissioned work for BBC Publications, London Underground (poster design), Corgi Books, Marks & Spencer and numerous others.
Charlie Shiels (British, 1947-2012) - 'The Clown' Pastel, signed, approx. 66x44cm, framed. NB: Charlie Shiels was born in Stockport and lived in Manchester. He lectured in art and design at Stockport College of Further Education, later to become Senior Lecturer. Charlie had a one man exhibition at The Blythe in Manchester, The Union Gallery in Chelsea, and The Woolff Gallery in Shoreditch, London. Charlie also produced commissioned work for BBC Publications, London Underground (poster design), Corgi Books, Marks & Spencer and numerous others.
Anita Klein (b. 1960) - 'The Secret' Pencil signed limited edition etching, no 3/15, signed and dated (19)92, approx 22x18cm, framed. NB: Anita Klein was born in Australia in 1960 and moved to England while young, studied at both Chelsea School of Art and The Slade School of Art and was made a fellow of The Royal Society of Painter Print Makers in 1985 and elected president in 2002. For further information please see www.anitaklein.com.
Anita Klein (b. 1960) - 'Upstairs Phone' Pencil signed etching, signed and dated (19)90, approx 25x20cm, framed NB: Anita Klein was born in Australia in 1960 and moved to England while young, studied at both Chelsea School of Art and The Slade School of Art and was made a fellow of The Royal Society of Painter Print Makers in 1985 and elected president in 2002. For further information please see www.anitaklein.com.
1971 ECWC FINAL - REPLAY Real Madrid v Chelsea played 21 May 1971 in Piraeus, Greece. Rare "Dicen" daily Spanish football magazine / newspaper dated 21 May 1971. Includes full programme style team line-ups and previews with front cover headline coverage. Also reviews including team line-ups Badalona v QPR Friendly played 20 May 1971 in Badalona. Ink writing on cover. Fair-generally good
1940'S Collection of London area programmes, mainly Wartime, comprises Aldershot v Brighton 4/5/46 (worn and tear along fold), Fulham v Brighton 3/3/45 and 30/12/44, Fulham v Aston Villa 27/10/45 and v Brentford 4/11/44, Chelsea v Brentford 16/12/44 and v Portsmouth 20/1/45 and Charlton v Brentford 2/3/46 (FA Cup). Most are generally good, slight folds etc, occasional team change or minor tear. Fair-generally good
WEST HAM TICKETS Collection of West Ham tickets, 107 away match tickets 2000 onwards, + away at Palermo 28/9/2006, 4 x 2004 Play-Off Final tickets, 4 x 2005 Play-Off Final, 2 x 2012 Championship Final, 4 x FA Cup Semi-Final 2006, 2 x Cup Final 2006, 2 x Hammers Player of the Year Awards Dinner 2006, 4 x West Ham home tickets 1980s including v Chelsea 25/11/86 (Full Members Cup), away tickets at Tottenham 83/4, QPR 83/4, Arsenal 84/5 and 85/6., 14 x West Ham home tickets (90s) and several other tickets including 2 x Barry Manilow 2011 at O2 and Chickenfoot at O2Academy, Brixton 2012. Around 150 tickets in total, some folds etc but mostly generally good-good. As described
PROGRAMME MISCELLANY Collection of 23 single sheets and 4 pager programmes. 1953-2002 mainly Reserves and Youth including London v Berlin at Arsenal 1952/53, Chelsea Reserves v Arsenal 1955/56, Chelsea v Southampton (FAYC) 1957/58, Chelsea v Arsenal (FR) 1976/77, Coventry Reserves v Luton Reserves 1960/61, single sheet. Some faults. Generally good
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42501 item(s)/page