Vanessa Mitter Leda and the Swan (Part two), 2021 Japanese Watercolour, Pencil, Pen and Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Vanessa Mitter is a painter and a performance artist, who lives and works in London. Mitter co-founded the all-female international artist collective, LaLa, with the artist Paige Perkins in 2019. Alice Butler (Frieze Writer's Prize, 2012) writes that 'in Vanessa Mitter's paintings, the personal is treated as a pliant material, a source of affect and investigation, but also of fiction and performance. Collage, paint and pigment find a way on to the canvas in ephemeral expressive gestures.' Mitter's work is held in private collections in Europe and America, including the Helen Rowe Collection, London and the collection of Dexter Dalwood, London. Education BTEC Higher National Diploma: Foundation Art and Design - Kingston University, Surrey BA Honours Fine Art: Painting, Central Saint Martins College, London Postgraduate Diploma and MA in Fine Art, Chelsea College of Art and Design, London Exhibitions/Awards Selected exhibitions include: With Love, Paint Talk, Objects of Desire, ASC Gallery (London), The Lore of the Land, Churchgate Gallery (London), Mother Art Prize, Mimosa House (London), Velvet Ropes, David Risley Gallery (Copenhagen), Velvet Ropes at Athina Art Fair (Athens) through 0-0 Gallery (Los Angeles), Ornamental Neon at ASC Gallery (London), You Are Here, Stockport War Memorial Art Gallery, The Lore of the Land, Churchgate Gallery (Somerset), Frivolous Convulsions, Turf Projects (London), I Am A Beautiful Monster, Arthouse1 Gallery (London), The Painting Game, K Projects (Berlin), de Kooning, de Kooning, de Kooning, David Risley Gallery (Copenhagen). Mitter was a joint winner of the Hackney Wicked Art Prize in 2015. She has been shortlisted for: The Mother Art Prize 2018, The Ruth Borchard Self-Portrait Prize 2017, The Red Mansion Foundation Art Prize 2011 and GAM - Gilbert de Botton Art Prize 2010 and longlisted for: 100 Painters of Tomorrow (Beers Gallery) 2013. Unit G Gallery, London and Procreate Project, London About the postcard artworks Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. In this triptych, I wanted to convey a sense of Leda being both overwhelmed and enveloped by the swan (Zeus), but also for her not to seem completely powerless. The images are layered and complex. There is an ambiguity about the eroticism and about who is doing what. Where do the swan and Leda begin and end? Is this an entirely unpleasurable and violent experience or not? I mean unpleasure in the psychoanalytic sense of inner pain, discomfort, or anxiety, which results from the blocking of an instinctual impulse by the ego. Is Leda completely overcome, or is she an active participant in what is happening?
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Vanessa Mitter Leda and the Swan (Part three), 2021 Japanese Watercolour, Pencil, Pen and Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Vanessa Mitter is a painter and a performance artist, who lives and works in London. Mitter co-founded the all-female international artist collective, LaLa, with the artist Paige Perkins in 2019. Alice Butler (Frieze Writer's Prize, 2012) writes that 'in Vanessa Mitter's paintings, the personal is treated as a pliant material, a source of affect and investigation, but also of fiction and performance. Collage, paint and pigment find a way on to the canvas in ephemeral expressive gestures.' Mitter's work is held in private collections in Europe and America, including the Helen Rowe Collection, London and the collection of Dexter Dalwood, London. Education BTEC Higher National Diploma: Foundation Art and Design - Kingston University, Surrey BA Honours Fine Art: Painting, Central Saint Martins College, London Postgraduate Diploma and MA in Fine Art, Chelsea College of Art and Design, London Exhibitions/Awards Selected exhibitions include: With Love, Paint Talk, Objects of Desire, ASC Gallery (London), The Lore of the Land, Churchgate Gallery (London), Mother Art Prize, Mimosa House (London), Velvet Ropes, David Risley Gallery (Copenhagen), Velvet Ropes at Athina Art Fair (Athens) through 0-0 Gallery (Los Angeles), Ornamental Neon at ASC Gallery (London), You Are Here, Stockport War Memorial Art Gallery, The Lore of the Land, Churchgate Gallery (Somerset), Frivolous Convulsions, Turf Projects (London), I Am A Beautiful Monster, Arthouse1 Gallery (London), The Painting Game, K Projects (Berlin), de Kooning, de Kooning, de Kooning, David Risley Gallery (Copenhagen). Mitter was a joint winner of the Hackney Wicked Art Prize in 2015. She has been shortlisted for: The Mother Art Prize 2018, The Ruth Borchard Self-Portrait Prize 2017, The Red Mansion Foundation Art Prize 2011 and GAM - Gilbert de Botton Art Prize 2010 and longlisted for: 100 Painters of Tomorrow (Beers Gallery) 2013. Unit G Gallery, London and Procreate Project, London About the postcard artworks Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. In this triptych, I wanted to convey a sense of Leda being both overwhelmed and enveloped by the swan (Zeus), but also for her not to seem completely powerless. The images are layered and complex. There is an ambiguity about the eroticism and about who is doing what. Where do the swan and Leda begin and end? Is this an entirely unpleasurable and violent experience or not? I mean unpleasure in the psychoanalytic sense of inner pain, discomfort, or anxiety, which results from the blocking of an instinctual impulse by the ego. Is Leda completely overcome, or is she an active participant in what is happening?
Charlotte Edey Feverish, 2021 Pencil and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Charlotte Edey is a British artist & illustrator working across print, textile and embroidery. Symbolism and myth inform her interdisciplinary exploration of the intersections of identity and the spiritual. The experience of womxn of colour is centered in her commentary on the politics of space. She has previously presented solo shows at Flowers Gallery, London (2018) and PUBLIC Gallery, London (2019). Her work has been included in group shows at TJ Boulting, London (2018 & 2019), MANA Contemporary, USA (2020), Mall Galleries, London (2019), Palazzo Monti, Italy (2019) and Arusha Gallery, Scotland (2020). Selected illustration clients include Miu Miu, New York Times, Penguin Random House, CNN, Soho House, GQ, WeTransfer, The Guardian & BBC News. Her work has been featured in Artsy, Creative Review, Vanity Fair, It's Nice That, Elle, Dazed, Elephant, AnOther Magazine & more. Education Chelsea College of Arts - Foundation Course 2011 Royal Drawing School - The Drawing Year 2021 Exhibitions She has previously presented solo shows at Flowers Gallery, London (2018) and PUBLIC Gallery, London (2019). Her work has been included in group shows at TJ Boulting, London (2018 & 2019), MANA Contemporary, USA (2020), Mall Galleries, London (2019), Palazzo Monti, Italy (2019) and Arusha Gallery, Scotland (2020). Selected illustration clients include Miu Miu, New York Times, Penguin Random House, CNN, Soho House, GQ, WeTransfer, The Guardian & BBC News. Her work has been featured in Artsy, Creative Review, Vanity Fair, It's Nice That, Elle, Dazed, Elephant, AnOther Magazine & more. SOLO EXHIBITIONS echolocation @ public gallery (London, 2019) artist of the day @ flowers gallery, cork street (London, 2018) SELECTED GROUP EXHIBITIONS transatlantico @ MANA contemporary (Jersey City, 2020-2021) small is beautiful @ flowers gallery, cork street (London, 2020) from cellar to garret @ south parade (London, 2020) ancient deities @ arusha gallery (Edinburgh, 2020) no time like the present @ public gallery (online/London, 2020) this tragedy w/ ginny on frederick @ fonda (online/Leipzig, 2020) the great women artists @ palazzo monti (Brescia, 2019) ING discerning eye @ mall galleries (London, 2019) motherline @ flowers gallery, kingsland road (London, 2019) subversive stitch @ tj boulting (London, 2019) dark night of the soul @ lewisham arthouse (London, 2019) every thing @ assembly point (London, 2018) in the company of @ tj boulting (London, 2018) the great women artists @ mother london (London, 2017) Condition Report: Condition Report Disclaimer
Suzanne Moxhay Pines, 2021 Print Hand Finished with Gouache Signed verso 15 x 10cm (5¾ x 3¾ in.) Moxhay (b.1976, Essex) lives and works in London. Education After completing a BA Hons in Painting at Chelsea College of Art she went on to The Royal Academy Schools where she graduated with a Post Graduate Diploma in Fine Art in 2007. Exhibitions/Awards She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, the FSC, the Lodeveans Collection and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Exhibitions include 'GSK Contemporary: Earth Art of a Changing World' and 'Constructed Landscapes' at the Royal Academy of Arts, 'Saatchi's New Sensations/ The Future Can Wait' at Victoria House, London and 'Human Made Things' at Aspex Gallery, Portsmouth and 'Modell-Naturen' which toured public museums in Germany in 2019. Her animation work has been shown as part of the programme 'Do Billboards Dream of Electric Screens?' on BBC public screens in cities across the UK and she has had three prints commissioned by the Royal Academy of Arts. BA Hons Fine Art: Painting, Chelsea College of Art, 2001-2004 Post Graduate Diploma Fine Art, Royal Academy Schools, 2004-2007Solo Exhibitions: 2020 Tableaux Vivants Galerie G, La Garde, France 2019 Conservatory James Freeman Gallery, London 2017 Tableau Vivant Anderson Gallery, Bridgewater State University, MA, USA 2016 Selected Works START with The LOFT at Lower Parel, Saatchi Gallery 2016 Tableau Vivant Anima-Mundi Gallery, St Ives 2014 Finta Realta TEN Gallery, Milan Group Exhibitions: 2021- High Art Orchestra, Galerie Jean-Louis Ramand, Aix-en-Provence, France 2020- Electric Avenue, James Freeman Gallery, London, online 2020- The Birds are Singing in the Distant Woods, The Violet Hour, London, online 2020- Royal Academy Winter Exhibition, Royal Academy of Arts, London 2019- RA Schools 250, Royal Academy of Arts, Exhibition of prints commissioned by the RA 2019- Modell- Naturen, Alfred Ehrhardt Stiftung, Berlin. Touring public galleries in Germany 2019-20 2019- STRATA, 1PROJECTS Bangkok, part of Photo Bangkok 2019- Expanded Landscapes, Galerie Jean-Louis Ramand, Paris 2019- In Edition, Bo Lee Gallery, London 2018- ABSRACT : REALITY, Saatchi Gallery, London 2018- Adventitious Encounters- Open Space Contemporary at Whiteleys, London 2017- Mixed Winter Exhibition- Anima-Mundi, St Ives 2017- Nature's Alchemy, Bo Lee Gallery, London 2017- You See Me Like a UFO, Marcelle Joseph Projects, Berkshire 2017- Nocturne, James Freeman Gallery, London 2017- Arles Summer Show / Voies Off, Arles, France 2017- Royal Academy of Arts Summer Exhibition, London 2017- Jamais on n'a vu..., Galerie Jean-Louis Ramand, Paris 2017- Traces, Bo Lee Gallery, London 2017- Selected Works, Galerie Jean-Louis Ramand, MIA Art Fair, Milan 2016- Trace Elements, James Freeman Gallery, London 2016- Liminal Space, The Loft at Lower Parel, Kochi, India 2016- Merge Visible, Mall Galleries, London 2016- Royal Academy of Arts Summer Exhibition, London 2016- Hinterlands and Pleasure Gardens, James Freeman Gallery, London 2015- Somewhere in Between- curated by Huma Kabacki, Karavil Contemporary, London. 2015- Brilliant Creatures, The Violet Hour at Strand Gallery, London 2015- Multiplied, Christies, London 2015- Royal Academy of Arts Summer Exhibition, London 2015- Progetto Pompeii- Andrea Ingenito Contemporary Art at MIA Art Fair Milan 2015- Eccentric Spaces- curated by Futurecity, The Gallery At Foyles, London 2014- Noir/ Blanc, The Loft at Lower Parel, Mumbai, India 2014- Vanitas, Karin Janssen Project Space, London 2014- The Combinational, Studio 1-1, Shoreditch, London 2014- Archaeologies, The Griffin Gallery, London 2014- Under Nature / Andrea Ingenito Contemporary Art, Naples, Italy 2014- Up and Coming Award/ Kids of Dada, Hoxton Art Gallery, London (Joint winner) 2013- Human Made Things, ASPEX Gallery, Portsmouth 2011- Saatchi's New Sensations/ The Future Can Wait, Victoria House, London 2011- Afternoon Tea, 54th Venice Biennale, Italy 2011- Royal Academy Editions (Print Commissioned), Royal Academy of Arts 2011- Constructed Landscapes, Royal Academy of Arts 2009- Earth: Art of Changing World, Royal Academy of Arts, London Awards: 2019 Print Commission- Royal Academy of Arts (RA Schools 250) 2015 Print Commission- Royal Academy of Arts (RA Editions) 2014 BNL BNP Paribas Group Award Finalist (MIA, Milan) 2014 Kids of Dada Up and Coming Award (Joint winner) 2011 Print Commission- Royal Academy of Arts (RA Editions) James Freeman Gallery, London/ The Contemporary London/ Galerie Jean-Louis Ramand, France About the postcard artworks Drawing from an archive of collected material, Suzanne Moxhay creates intricate and complex photomontages. Her method was derived in part from the early filmmaking technique of matte painting, where backdrops were painted on sheets of glass and integrated by the camera with the live-action on set. She builds up the image in her studio using cut-out fragments of source material, which she makes into small stage sets on glass panels. She then re-photographs the sets and manipulates the images digitally, an act of reprocessing which takes them further away from their original context and broadens the narrative potential. Her source material is drawn from an archive of collected imagery, which includes her own photographs of abandoned buildings as well as material collected from old books and magazines and fragments of paintings. She works intuitively with the material, finding points of connection between details, either through shared subject matter or formal considerations such as following the path of light from one image through another to create spaces, which at first may appear real but on closer inspection begin to dissolve. She plays with anomalies - of texture, surface, depth, space, scale, movement and architecture - to involve the viewer in the construction of the image, and to make them question it. In the finished work there is often an uneasy sense of a space that does not quite fit together - either formally or conceptually, but possesses a reality of its own. One which we are unable to pinpoint as factual or fictitious.
Olivia Strange Watermelon Pancakes, 2021 Sennelier Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Olivia Strange has a multi-disciplinary practice spanning drawing, painting, installation, sculpture and sound/moving image. She makes multimedia installations often using found objects and materials, poetry, sound & video projection. The works are characterized by a layered narrative which explores the queerness of objects through themes of female desire, notions of the 'exotic' and power-play whilst probing the uneasy intersection between fantasy and reality via a feminist gaze. Education Olivia completed MA Fine Art - Chelsea College of Art (Distinction) - 2016 Exhibitions/Awards Annka Kulty's Gallery (London), Southwark Park Galleries (online) and Basis Projektraum Frankfurt (upcoming). She has recently been selected for the 2021 cohort of the London Creative Network Artist Development Programme and is one of 12 selected artists for the Ellipsis Prints 2021 commissioning project designed to promote womxn and non-binary artists. Basis Projektraum Frankfurt 2021 Southwark Park Galleries 2020/21 Annka Kultys Gallery 2017 London Creative Network SPACE x Artist Development programme 2021 Ellipsis Prints 2021 commissioning project London Creative Network x SPACE Artist Development Programme 2021 Space Studio Award (shortlist), London, 2016 Vice Chancellor Scholarship 2015- MA Fine Art Chelsea College of Art About the postcard artwork The three postcards I have presented for International Women's Day each aim to surface queer experience and offer an alternative empowering image of female subjectivity in an eroticized state. Oppressive bodily narratives are criticised via a whimsical and subversive language to refute binary ideals of 'femininity' and womxnhood.
Olivia Strange Un-Mother, 2021 Acrylic Paint on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Olivia Strange has a multi-disciplinary practice spanning drawing, painting, installation, sculpture and sound/moving image. She makes multimedia installations often using found objects and materials, poetry, sound & video projection. The works are characterized by a layered narrative which explores the queerness of objects through themes of female desire, notions of the 'exotic' and power-play whilst probing the uneasy intersection between fantasy and reality via a feminist gaze. Education Olivia completed MA Fine Art - Chelsea College of Art (Distinction) - 2016 Exhibitions/Awards Annka Kulty's Gallery (London), Southwark Park Galleries (online) and Basis Projektraum Frankfurt (upcoming). She has recently been selected for the 2021 cohort of the London Creative Network Artist Development Programme and is one of 12 selected artists for the Ellipsis Prints 2021 commissioning project designed to promote womxn and non-binary artists. Basis Projektraum Frankfurt 2021 Southwark Park Galleries 2020/21 Annka Kultys Gallery 2017 London Creative Network SPACE x Artist Development programme 2021 Ellipsis Prints 2021 commissioning project London Creative Network x SPACE Artist Development Programme 2021 Space Studio Award (shortlist), London, 2016 Vice Chancellor Scholarship 2015- MA Fine Art Chelsea College of Art About the postcard artwork The three postcards I have presented for International Women's Day each aim to surface queer experience and offer an alternative empowering image of female subjectivity in an eroticized state. Oppressive bodily narratives are criticised via a whimsical and subversive language to refute binary ideals of 'femininity' and womxnhood.
Olivia Strange Let That Sizzle In Your Soul, 2021 Acrylic Paint on Board Signed verso 10 x 15cm (3¾ x 5¾ in.) Olivia Strange has a multi-disciplinary practice spanning drawing, painting, installation, sculpture and sound/moving image. She makes multimedia installations often using found objects and materials, poetry, sound & video projection. The works are characterized by a layered narrative which explores the queerness of objects through themes of female desire, notions of the 'exotic' and power-play whilst probing the uneasy intersection between fantasy and reality via a feminist gaze. Education Olivia completed MA Fine Art - Chelsea College of Art (Distinction) - 2016 Exhibitions/Awards Annka Kulty's Gallery (London), Southwark Park Galleries (online) and Basis Projektraum Frankfurt (upcoming). She has recently been selected for the 2021 cohort of the London Creative Network Artist Development Programme and is one of 12 selected artists for the Ellipsis Prints 2021 commissioning project designed to promote womxn and non-binary artists. Basis Projektraum Frankfurt 2021 Southwark Park Galleries 2020/21 Annka Kultys Gallery 2017 London Creative Network SPACE x Artist Development programme 2021 Ellipsis Prints 2021 commissioning project London Creative Network x SPACE Artist Development Programme 2021 Space Studio Award (shortlist), London, 2016 Vice Chancellor Scholarship 2015- MA Fine Art Chelsea College of Art About the postcard artwork The three postcards I have presented for International Women's Day each aim to surface queer experience and offer an alternative empowering image of female subjectivity in an eroticized state. Oppressive bodily narratives are criticised via a whimsical and subversive language to refute binary ideals of 'femininity' and womxnhood.
Margaret Ashman I Am Strong (1), 2020 Phototransfer and Monoprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Margaret Ashman is a printmaker whose work is a meditation on the unseen, spiritual, emotional and otherness of life. Using photographs or video stills, sometimes layering images from multiple sources she creates pieces in which a solitary dancer fills or interacts with a space. Dancers or Deaf signers are photographed performing contemporary dance or signing to particular songs or texts. She also works from video stills of dancers, always gaining the permission of the dance artist first. The manipulated imagery is transferred to multiple etching plates using traditional acids and aquatint, imparting a particular textural quality to the finished prints. She lives and works in London. Education Certificate in Further Education City & Guilds 7407, Kensington & Chelsea 2006 MA Printmaking & Professional Practice, University of Brighton and London Print Studio 2005 BA Fine Art, University of Hertfordshire 1998 - 2003 MA Physics, Somerville College, Oxford 1977 - 1980 Exhibitions & Awards 2019 Lawrence Art Supplies Prize, RE Originals, Bankside Gallery 2017 Hot Bed Press Purchase Prize, The Masters, Bankside Gallery 2017 London Print Studio Summer Exhibition, 1st Prize Winner 2015 Shifting Subjects Arts Council Commission, Abbey Walk Gallery, Grimsby 2012 Intaglio Printmaker Award, Royal Society of Painter Printmakers Exhibition 2011 International Print Prize, 3rd Guanlan Print Biennial, China Recent Exhibitions 2020 ING Discerning Eye, London New Work by the RE, Printmakers in Lockdown, Bankside Gallery Woolwich Print Fair In Print 20/20 Vision, Watts Contemporary Gallery, Surrey Summer Exhibition, Royal Academy of Arts, London Colour, Printmakers Council, Royal Overseas League, London Reawakenings, Lingwood Samuel, Godalming Stones from other Mountains: 2020 International Outstanding Printmaking Artists Works Exhibition, China Printmaking Museum Margaret Ashman and Pascale Simonet, Nagai Artist Space, Hiroo Shibuya,Tokyo 4th Red Dot Art Mini Print Exhibition, Anteros Arts Foundation, Norwich Printmakers Council, Scarborough Art Gallery, Scarborough Time, Printmakers Council, Highgate Literary and Scientific Institute, London 2019 The Mini Picture Show, Bankside Gallery Solo Show, Higher Ground, The Muse Gallery, London Pratt Institute, Brooklyn, New York PrintFest, Algarden, Boras, Sweden Summer Exhibition, Royal Academy of Arts, London Flow, Gallery 57, Arundel A Silent Space Between, Gallery 57, Arundel RE Original Prints, Bankside Gallery London Original Print Fair, Royal Academy Journeys, Printmakers Council, Touring Exhibition 2018 Woolwich Contemporary Print Fair, Woolwich Arsenal, 22nd - 25th November ING Discerning Eye Exhibition, Mall Galleries, 15th - 29th November 3rd Red Dot Art Mini Print Exhibition, Aldeburgh, 21st - 25th September and touring to UK venues National Original Print Exhibition, Bankside Gallery, 19th - 30 September International Triennial of Contemporary Graphic Arts,Novosibirsk 14th September - 4th November Memory, Royal Overseas League, London 28th August - 25th November Off the Wall, Bankside Gallery London Print Studio Members Summer Show Spirit of Place, Late November Gallery, Haverfordwest Royal Society of Painter Printmakers, Burton Gallery, Bideford RE Printmakers at For Arts Sake, For Arts Sake, Ealing RE Originals, Bankside Gallery Print REbels, Bankside Gallery Light/Matter: Art at the Intersection of Photography and Printmaking, 1954 - 2017, University of Alberta, Edmonton, Canada Affordable Art Fair, Hampstead Impress III, The Gallery, Fisherton Mill, Salisbury Embodying Gesture, The Muse Gallery, London The Muse Gallery, Notting Hill, Bankside Gallery, Printroom Studio, Lingwood Samuel, Newbloodart, Singulart. About the postcard artworks These works are original prints created by hand on Somerset etching paper using etching inks with a photocopy litho technique. The images are from video stills of the dancer Kehua Li also known as Lico. She embodies strength, positivity and resilience in her energetic and beautiful dances. I wanted to capture something of that spirit in these mini portraits.
Margaret Ashman I Am Strong (2), 2020 Phototransfer and Monoprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Margaret Ashman is a printmaker whose work is a meditation on the unseen, spiritual, emotional and otherness of life. Using photographs or video stills, sometimes layering images from multiple sources she creates pieces in which a solitary dancer fills or interacts with a space. Dancers or Deaf signers are photographed performing contemporary dance or signing to particular songs or texts. She also works from video stills of dancers, always gaining the permission of the dance artist first. The manipulated imagery is transferred to multiple etching plates using traditional acids and aquatint, imparting a particular textural quality to the finished prints. She lives and works in London. Education Certificate in Further Education City & Guilds 7407, Kensington & Chelsea 2006 MA Printmaking & Professional Practice, University of Brighton and London Print Studio 2005 BA Fine Art, University of Hertfordshire 1998 - 2003 MA Physics, Somerville College, Oxford 1977 - 1980 Exhibitions & Awards 2019 Lawrence Art Supplies Prize, RE Originals, Bankside Gallery 2017 Hot Bed Press Purchase Prize, The Masters, Bankside Gallery 2017 London Print Studio Summer Exhibition, 1st Prize Winner 2015 Shifting Subjects Arts Council Commission, Abbey Walk Gallery, Grimsby 2012 Intaglio Printmaker Award, Royal Society of Painter Printmakers Exhibition 2011 International Print Prize, 3rd Guanlan Print Biennial, China Recent Exhibitions 2020 ING Discerning Eye, London New Work by the RE, Printmakers in Lockdown, Bankside Gallery Woolwich Print Fair In Print 20/20 Vision, Watts Contemporary Gallery, Surrey Summer Exhibition, Royal Academy of Arts, London Colour, Printmakers Council, Royal Overseas League, London Reawakenings, Lingwood Samuel, Godalming Stones from other Mountains: 2020 International Outstanding Printmaking Artists Works Exhibition, China Printmaking Museum Margaret Ashman and Pascale Simonet, Nagai Artist Space, Hiroo Shibuya,Tokyo 4th Red Dot Art Mini Print Exhibition, Anteros Arts Foundation, Norwich Printmakers Council, Scarborough Art Gallery, Scarborough Time, Printmakers Council, Highgate Literary and Scientific Institute, London 2019 The Mini Picture Show, Bankside Gallery Solo Show, Higher Ground, The Muse Gallery, London Pratt Institute, Brooklyn, New York PrintFest, Algarden, Boras, Sweden Summer Exhibition, Royal Academy of Arts, London Flow, Gallery 57, Arundel A Silent Space Between, Gallery 57, Arundel RE Original Prints, Bankside Gallery London Original Print Fair, Royal Academy Journeys, Printmakers Council, Touring Exhibition 2018 Woolwich Contemporary Print Fair, Woolwich Arsenal, 22nd - 25th November ING Discerning Eye Exhibition, Mall Galleries, 15th - 29th November 3rd Red Dot Art Mini Print Exhibition, Aldeburgh, 21st - 25th September and touring to UK venues National Original Print Exhibition, Bankside Gallery, 19th - 30 September International Triennial of Contemporary Graphic Arts,Novosibirsk 14th September - 4th November Memory, Royal Overseas League, London 28th August - 25th November Off the Wall, Bankside Gallery London Print Studio Members Summer Show Spirit of Place, Late November Gallery, Haverfordwest Royal Society of Painter Printmakers, Burton Gallery, Bideford RE Printmakers at For Arts Sake, For Arts Sake, Ealing RE Originals, Bankside Gallery Print REbels, Bankside Gallery Light/Matter: Art at the Intersection of Photography and Printmaking, 1954 - 2017, University of Alberta, Edmonton, Canada Affordable Art Fair, Hampstead Impress III, The Gallery, Fisherton Mill, Salisbury Embodying Gesture, The Muse Gallery, London The Muse Gallery, Notting Hill, Bankside Gallery, Printroom Studio, Lingwood Samuel, Newbloodart, Singulart. About the postcard artworks These works are original prints created by hand on Somerset etching paper using etching inks with a photocopy litho technique. The images are from video stills of the dancer Kehua Li also known as Lico. She embodies strength, positivity and resilience in her energetic and beautiful dances. I wanted to capture something of that spirit in these mini portraits.
Natalie Bird Winter Mountain, 2021 Mixed Media on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Natalie Bird is an artist living in South West London who paints expressive landscapes and seascapes, inspired by her love of the outdoors and nature. Her work veers towards the abstract and her wish is to capture the beauty of light and atmosphere in her paintings through texture, mark making and colour. Exhibitions: Royal Academy London: Summer Exhibition - 2011 Mall Galleries, London: New English Art Club - 2015 and 2017 Mall Galleries London: Columbia Threadneedle Exhibition 2012 ING Discerning Eye Online - 2020 Hampshire Art Fair - 2015-2020 Chelsea Art Society - 2018 and 2019. Gallery Representation: Nadia Waterfield Fine Art, Richmond Art Society About the postcard artworks: My four postcards depict landscapes inspired by the winter light we see in January. The sun is low, it sets early and if we are lucky, casts a beautiful glow before it sets. I hope my abstract landscapes may somehow speak to women in some way, because nature is so healing. Women in prison can still see the beauty of the sky and clouds and sun and even flowers or trees. Condition Report: Condition Report Disclaimer
Natalie Bird Winter Landscape, 2021 Mixed Media on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Natalie Bird is an artist living in South West London who paints expressive landscapes and seascapes, inspired by her love of the outdoors and nature. Her work veers towards the abstract and her wish is to capture the beauty of light and atmosphere in her paintings through texture, mark making and colour. Exhibitions: Royal Academy London: Summer Exhibition - 2011 Mall Galleries, London: New English Art Club - 2015 and 2017 Mall Galleries London: Columbia Threadneedle Exhibition 2012 ING Discerning Eye Online - 2020 Hampshire Art Fair - 2015-2020 Chelsea Art Society - 2018 and 2019. Gallery Representation: Nadia Waterfield Fine Art, Richmond Art Society About the postcard artworks: My four postcards depict landscapes inspired by the winter light we see in January. The sun is low, it sets early and if we are lucky, casts a beautiful glow before it sets. I hope my abstract landscapes may somehow speak to women in some way, because nature is so healing. Women in prison can still see the beauty of the sky and clouds and sun and even flowers or trees.
Natalie Bird Winter Light, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Natalie Bird is an artist living in South West London who paints expressive landscapes and seascapes, inspired by her love of the outdoors and nature. Her work veers towards the abstract and her wish is to capture the beauty of light and atmosphere in her paintings through texture, mark making and colour. Exhibitions: Royal Academy London: Summer Exhibition - 2011 Mall Galleries, London: New English Art Club - 2015 and 2017 Mall Galleries London: Columbia Threadneedle Exhibition 2012 ING Discerning Eye Online - 2020 Hampshire Art Fair - 2015-2020 Chelsea Art Society - 2018 and 2019. Gallery Representation: Nadia Waterfield Fine Art, Richmond Art Society About the postcard artworks: My four postcards depict landscapes inspired by the winter light we see in January. The sun is low, it sets early and if we are lucky, casts a beautiful glow before it sets. I hope my abstract landscapes may somehow speak to women in some way, because nature is so healing. Women in prison can still see the beauty of the sky and clouds and sun and even flowers or trees.
Natalie Bird Winter Sea, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Natalie Bird is an artist living in South West London who paints expressive landscapes and seascapes, inspired by her love of the outdoors and nature. Her work veers towards the abstract and her wish is to capture the beauty of light and atmosphere in her paintings through texture, mark making and colour. Exhibitions: Royal Academy London: Summer Exhibition - 2011 Mall Galleries, London: New English Art Club - 2015 and 2017 Mall Galleries London: Columbia Threadneedle Exhibition 2012 ING Discerning Eye Online - 2020 Hampshire Art Fair - 2015-2020 Chelsea Art Society - 2018 and 2019. Gallery Representation: Nadia Waterfield Fine Art, Richmond Art Society About the postcard artworks: My four postcards depict landscapes inspired by the winter light we see in January. The sun is low, it sets early and if we are lucky, casts a beautiful glow before it sets. I hope my abstract landscapes may somehow speak to women in some way, because nature is so healing. Women in prison can still see the beauty of the sky and clouds and sun and even flowers or trees.
Margaret Ashman I Am Strong (3), 2020 Phototransfer and Monoprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Margaret Ashman is a printmaker whose work is a meditation on the unseen, spiritual, emotional and otherness of life. Using photographs or video stills, sometimes layering images from multiple sources she creates pieces in which a solitary dancer fills or interacts with a space. Dancers or Deaf signers are photographed performing contemporary dance or signing to particular songs or texts. She also works from video stills of dancers, always gaining the permission of the dance artist first. The manipulated imagery is transferred to multiple etching plates using traditional acids and aquatint, imparting a particular textural quality to the finished prints. She lives and works in London. Education Certificate in Further Education City & Guilds 7407, Kensington & Chelsea 2006 MA Printmaking & Professional Practice, University of Brighton and London Print Studio 2005 BA Fine Art, University of Hertfordshire 1998 - 2003 MA Physics, Somerville College, Oxford 1977 - 1980 Exhibitions & Awards 2019 Lawrence Art Supplies Prize, RE Originals, Bankside Gallery 2017 Hot Bed Press Purchase Prize, The Masters, Bankside Gallery 2017 London Print Studio Summer Exhibition, 1st Prize Winner 2015 Shifting Subjects Arts Council Commission, Abbey Walk Gallery, Grimsby 2012 Intaglio Printmaker Award, Royal Society of Painter Printmakers Exhibition 2011 International Print Prize, 3rd Guanlan Print Biennial, China Recent Exhibitions 2020 ING Discerning Eye, London New Work by the RE, Printmakers in Lockdown, Bankside Gallery Woolwich Print Fair In Print 20/20 Vision, Watts Contemporary Gallery, Surrey Summer Exhibition, Royal Academy of Arts, London Colour, Printmakers Council, Royal Overseas League, London Reawakenings, Lingwood Samuel, Godalming Stones from other Mountains: 2020 International Outstanding Printmaking Artists Works Exhibition, China Printmaking Museum Margaret Ashman and Pascale Simonet, Nagai Artist Space, Hiroo Shibuya,Tokyo 4th Red Dot Art Mini Print Exhibition, Anteros Arts Foundation, Norwich Printmakers Council, Scarborough Art Gallery, Scarborough Time, Printmakers Council, Highgate Literary and Scientific Institute, London 2019 The Mini Picture Show, Bankside Gallery Solo Show, Higher Ground, The Muse Gallery, London Pratt Institute, Brooklyn, New York PrintFest, Algarden, Boras, Sweden Summer Exhibition, Royal Academy of Arts, London Flow, Gallery 57, Arundel A Silent Space Between, Gallery 57, Arundel RE Original Prints, Bankside Gallery London Original Print Fair, Royal Academy Journeys, Printmakers Council, Touring Exhibition 2018 Woolwich Contemporary Print Fair, Woolwich Arsenal, 22nd - 25th November ING Discerning Eye Exhibition, Mall Galleries, 15th - 29th November 3rd Red Dot Art Mini Print Exhibition, Aldeburgh, 21st - 25th September and touring to UK venues National Original Print Exhibition, Bankside Gallery, 19th - 30 September International Triennial of Contemporary Graphic Arts,Novosibirsk 14th September - 4th November Memory, Royal Overseas League, London 28th August - 25th November Off the Wall, Bankside Gallery London Print Studio Members Summer Show Spirit of Place, Late November Gallery, Haverfordwest Royal Society of Painter Printmakers, Burton Gallery, Bideford RE Printmakers at For Arts Sake, For Arts Sake, Ealing RE Originals, Bankside Gallery Print REbels, Bankside Gallery Light/Matter: Art at the Intersection of Photography and Printmaking, 1954 - 2017, University of Alberta, Edmonton, Canada Affordable Art Fair, Hampstead Impress III, The Gallery, Fisherton Mill, Salisbury Embodying Gesture, The Muse Gallery, London The Muse Gallery, Notting Hill, Bankside Gallery, Printroom Studio, Lingwood Samuel, Newbloodart, Singulart. About the postcard artworks These works are original prints created by hand on Somerset etching paper using etching inks with a photocopy litho technique. The images are from video stills of the dancer Kehua Li also known as Lico. She embodies strength, positivity and resilience in her energetic and beautiful dances. I wanted to capture something of that spirit in these mini portraits.
A large collection of assorted prints, pictures and other assorted items to include: A View of Chelsea Water Works, engraving; Le Leviathan, Smith, 19th Century, engraving; Hammersmith Suspension Bridge, engraving, sketched by Redgrave; Cheesman, B., various originals; Meninsky, Limited Edition Print, 64/850; another similar, 53/850; Ballerina by Meninsky, 63/850; another similar, 56/850; Cuneo, Terence, Clapham Junction, 577/850, print; Hanwell Church by G. Noone; another similar of Perivale Church, by G. Noone; British Bus Preservation Group Print, Limited Edition, 68/950; The Maidenhead Bridge, engraving; an unsigned, framed and glazed oil on canvas of a farm scene; Royal Mail Coach engraving; Departure from Paddington, Cuneo, print, 16/850; Thrust II Explodes into Action; Approach to Christmas, engraving; View of the North East End of Clapham Common, 19th century engraving; oil on canvas of a horse and cart, signed lower right, indistinct; Shepherd, David, The East Somerset Railway print; Cuneo, Terence, limited edition print, The Golden Arrow, 359/850; Derby Day by Cuneo, print; Shepherd, David, Heavy Freight, print; three small framed railwayana engravings; Lambeth Palace, Surrey, engraving; Royal Jubilee 1887 handkerchief; various engravings and many others. Please inspect all photographs to get an idea of quantity within this lot.
A collection of six 1940's football programmes, Midlands interest, to comprise: Coventry City v. Tottenham Hotspur, 17/4/1948; Port Vale v. Northampton Town, 5/2/1949; Birmingham City v. Arsenal, 2/4/1949; West Bromwich Albion v. Grimsby Town, 11/12/1948; Derby County v. Manchester United, 18/12/1948; and Derby County v. Chelsea, 30/11/1946; general wear and creasing. (6)
A collection of assorted 1940's football programmes, London interest, comprising: Chelsea v. Blackpool, 8/3/1947; Crystal Palace v. Bristol City, 8/3/1947; Reading v. Grimsby, 11/1/1947; Fulham v. Chesterfield, 1/2/1947, Complimentary Programme; Millwall v. Chesterfield, 25/12/1946; Aldershot v. Torquay United, 12/3/1947; Charlton Athletic v. Stoke City, 28/12/1946; Queen's Park Rangers v. Bristol Rovers, 12/10/1946; Brentford v. Leicester City, 25/1/1947; Luton Town v. Burnley, 15/3/1947; and Watford v. Bournemouth & Boscombe, 7/12/1946, slight creasing and small tearing. (11)
A collection of assorted football programmes, to include: Benfica v. Juventus, 9th May 1968; Derby County v West Ham United Charity Shield Ticket 1975; Derby County v. Real Madrid 22nd October 1975 Ticket; Derby County v Chelsea 1948 programme, covers loose; Derby County v. Arsenal 10th May 1947 programme; 1966 World Cup Guide (Italian); two 1966 World Cup Souvenir programmes; limited edition 1966 World Cup Final 1966 replica programme, 1840/3500; and a collection of various 1960's to modern programmes. (one box)
Boulestin (X.M.) edit. The New Keepsake for the Year 1921, Chelsea Book Club, 1920, numbered limited edition of 20 copies on blue 'velin' (of total of 620), nine plates selected by J.E Laboureur, errata slip, original cloth (upper joint worn), preserved in solander box. [contributors include D.H. Lawrence, Aldous Huxley, Paul Nash, etc.]
A DERBY SALT CELLAR, C1760, THE COMPRESSED BOWL PAINTED WITH A LADY AND GALLANT BY A GATE, FLOWERS TO THE REVERSE, 45MM H AND A CHELSEA TEACUP, PAINTED WITH FLOWERS, STALK HANDLE, RED ANCHOR (2) Condition reportSalt cellar - long curling descending hairline crack and glaze stained mainly around the foot. Chelsea cup - broken in two and re-stuck, old repair to handle secured by two metal pins
Burrows (George Man). Cursory Remarks on a Bill now in the House of Peers for Regulating of Mad-Houses, its probable influences upon the physical and moral condition of the insane, and upon the interests of those concerned in their care and management: with observations on the defects of the present system, 1st edition, London: Harding, 1817, 104 pp., advertisement leaf at end, presentation inscription to title: "Rt. Honble. Lord Holland, with the respects of the author", modern cloth, spine lettered in gilt, 8voQty: (1)NOTESRare. No copies recorded at auction. George Man Burrows ( 1771-1846) was a general medical practitioner who specialised in the treatment of insane patients, opening a small asylum in Chelsea initially before founding a larger one, 'The Retreat' in Clapham in 1823. His better known work 'An Inquiry into Certain Errors Relative to Insanity; and their Consequences, Physical, Moral and Civil' was published in 1820.
WWI & II MEMORABILIA including an unmarked WWII medals, pair in original posting box to W R Gough, dog tags to 7366581 W Gough, buttons, badges and cufflinks for The Royal Army Medical Corps, two silver and enamel Chelsea School's Sports Association, fobs awarded to W Gough, a further unmarked 1939 - '45 War medal, 1914 Christmas tin, two further badges including one for Clan Macpherson 'Touch not the Cat but a glove' and a metal plate stamped 'Stalag V11B No 14357'
Postcards, Berks, a final RP selection of 15 cards of Wokingham & district, inc. Pinewoodites ready to start for the Chelsea v Reading 1st round FA Cup 1920/21, in Perkins Bros transport, Broad St & P.O, Station Rd, S.E.R. Rail, Broad St (5 different), Lucas's Hospital, Wiltshire Rd, Pelling Rd, Luckley Lodge & Reading Rd etc (mainly gd)
Football programmes, 1950/51, nine programmes, all 1950/51 season, Crystal Palace v Gillingham 7 Oct 50 (First season Gillingham), Birmingham v Preston 9 Sept 50, Blackpool v Chelsea 7 Oct 50, Bolton v Derby County 23 Sept 50, Burnley v Stoke City 30 Sept 50, Everton v Middlesbrough 30 Aug 50, WBA v Burnley 23 Sept 50, Wolves v Tottenham 16 Sept 50 & West Ham v Sheffield United 30 Sept 50 (some slight creasing, mostly gd/vg) (9)
Football programmes, 1950's, four big match programmes, England World Cup X1 v FA Canadian Touring Team 20 Sept 1950 FA Charity Shield played at Stamford Bridge, Chelsea (good) & three England home international matches v Jugoslavia 22 Nov 1950 at Highbury (gd), v Argentina 1951 (creased, grubby) & v Hungary 1953 (gd) (4)
Football postcards / photographs, 1960's, a collection of 50+ b/w postcard size photos of footballers, all 1960's including some Collectors Club issues, a mix of postcard & plain backs, various Clubs inc. Tottenham, Chelsea, Leeds, Burnley, Everton, Liverpool etc, players noted inc. Greaves, Roger Hunt, Tony Dunne, Ian St John, Ian Ure, Gilzean, Bobby Tambling, Ron Harris, Osgood, Norman Hunter & many others (several with red ink numbers to backs o/w gd/vg)
Football memorabilia, Southampton, 12 match tickets, homes v Chelsea (x2), Liverpool, Tottenham, Arsenal, Man Utd, Wolves, Ipswich & Coventry, plus two away tickets, Bristol City & QPR all 1978/9, together with Southampton v Nottingham Forest LC Final ticket 1979, sold with 26, 1970's Football League Reviews & a few other items (gen gd)
Football tickets etc, Chelsea FC, a collection of approx. 100 match tickets, home & away, 1980's onwards (mixed condition and some duplication), three Club Member Tickets for 1985-86 (unused) & 89/90 & 90/91, approx. 15 programmes & teamsheets inc. home v Leicester Reserves 60/1 & away v Arsenal Res Comb. Cup 49/50 etc, 1970 FA Cup Final songsheet (mixed condition, fair/vg) (approx. 120 items)
Football, a selection of Tottenham related items inc. programmes, flyers, 1962 FAC Final ballot card, European Match and flyer ticket information early 1960's, also 17 home programmes inc. 10 reserve & youth team games also GB v Netherlands Olympic Qualifier 59/60 & First Team games v Arsenal 59/60, Leeds 59/60, Chelsea 59/60 etc (some programmes with team changes, gen gd)
Cigarette cards, Taddy, Prominent Footballers, 8 cards, Aston Villa (2), F. Miles & W. Garrity (both No footnote), Chelsea J.E. Windridge (With footnote) & E.L. Birnie (No footnote), Middlesbrough (1) J. F. Wilcox (No Footnote), Portsmouth (1) T. Birtles (No footnote), Southampton (1) T. Burrows (No footnote) & Woolwich Arsenal (1) J. Satterthwaite (gd) (8)
Cigarette cards, ten, scarce, military type cards, Taddy (7), Victoria Cross Heroes (1, no 20), V.C. Heroes - Boer War (2, nos 59 & 77), Territorial Regiments (1, no 22), Prominent Footballers (No footnote, 3) Edmonson Bolton, Bridgeman Chelsea & Lindsay Fulham & Faulkner's Our Gallant Grenadiers (3), nos 13, 20 & 34 (some minor faults, gen gd) (10)
Collection of four 19th century Samson porcelain ‘Chelsea Derby’ figures, showing figures in front of bocage, three with anchor marks and one with a Crown Derby mark, 14.5cm to 18.5cm heightProvenance: Property of a Lady, removed from a Hertfordshire Country EstateCondition report: Some bocage chips. The pair of figures have restoration to the bocage and hands.
A Richard Marquand "Revenge of the Jedi" crew gift plate for Star Wars: Return of the Jedi (1983), gifted to Anthony Daniels (C3PO) with handwritten and autographed letter, a commemorative crew gift plate given by the Director to the production's crew, this particular plate was gifted to Anthony Daniels, who played C3PO, after the completion of filming, handmade by Chelsea Pottery bearing the original film title "Revenge of the Jedi" with the year of filming 1982, diameter 18.5cm
A Chelsea Derby oval dish painted with flowers in the manner of Withers under a Smith's blue and gilt border, blue crown D mark, length 24cmCONDITION: Minor hairline crack visible at underside of rim, approx. 6mm, not visible topside. Minor surface scuffs, one end with some wear to gilding.
An early 19th century pair of Derby biscuit figures of a boy with a cat and a girl with a dog and a Minton figure of a Chelsea pensioner seated at a table, incised marks to base.CONDITION: Seated male figure - chair back glue repaired. Female seated figure - right hand thumb and index finger missing; Discoloured firing crack around her waist, some flowers missing from beneath her knees. Smaller seated male figure approx. half of the table top has been professionally re-attached.
Bales at Hardley, August 2019 pastel on paper 58 x 76cm Footnote: Cornelia is a landscape painter based in East Anglia. She trained at Byam Shaw, and Chelsea School of Art. Her work, often the same subject depicted in different seasons, is a direct response to the changing colours, light and weather across the seasons, and is created outside in the plein air tradition.
Full Fathom Five IX; from a series of paintings based on Hokusai's 'Great Wave' acrylic on aluminium 20.3 x 15.4cm Footnote: Ann-Marie James was born in Buckinghamshire, UK and currently lives and works in Suffolk. James studied MA Fine Art at Wimbledon College of Art, London; Postgraduate Diploma in Fine Art at Chelsea College of Art and Design, London and BA (Hons) Fine Art at Central Saint Martins College of Art and Design, London. Awards include the Artists International Development Fund travel award, Arts Council England; The Derek Hill Foundation Scholarship at The British School at Rome; MFI Flat Time House Graduate Award, supported by the John Latham Foundation, London; The Jealous Graduate Print Prize, London and The Queen’s Award, Central Saint Martins Scholarship Awards. Public collections include The British Museum, London; The British School at Rome, Rome; Chelsea College of Art & Design Library, University of the Arts, London, The Victoria and Albert Museum, London and Kettle’s Yard, Cambridge.
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