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1908/09 Chelsea v Norwich City, a programme from the South Eastern League match played on 06/02/1902.

1947/48 Aston Villa, a collection of 24 home programmes from the season, overall condition good, to include games against Everton, Manchester Utd (FAC), Northampton (Friendly), Birmingham (Friendly), Newcastle (Friendly), Chelsea, Manchester Utd (League). There are also a few issues that include reserve games played against, Chesterfield Res, Bolton Reserves, Everton Res, Man City Res.

Sheffield Utd, a collection of 3 away programmes in various condition, 1930/31 Chelsea (ph), 1933/34 Chelsea (crsd & worn, torn back page), 1935/36 Fulham (hvy rusty staples).

Liverpool, a small collection of various items, to include 1947, The Sports Spectators Story Of Liverpool Football Club, 1892 to 1947, by George Thompson, plus 1964/65 FA Cup Semi-Final, Liverpool v Chelsea at Aston Villa, a programme and 2 tickets from the game, plus 4 other items.

1925/26 Lord Kinnard Memorial Fund, Amateurs v Professionals, a programme from the game played at Chelsea on 03/05/1926, ex bound volume, plain back.

1935/36 Chelsea v Plymouth, a game from the FA Cup game played on 25/01/1936, folded, rusty staple.

1945/46 A collection of 3 football programmes, Manchester Utd v Sheffield Wednesday, Wolves v Arsenal, Chelsea v Aston Villa (FAC).

1928/29 FA Amateur Cup Semi-Final, Dulwich Hamlet v Ilford, a programme from the game played at Chelsea on 09/03/1929, ex bound volume.

1920 FA Cup Final, Aston Villa v Huddersfield, a programme from the game played at Chelsea on 24/04/1920, sellotaped spine, detached covers, no doubt could be professionally repaired!.

1921 FA Cup Final, Tottenham v Wolves, a programme from the game played at Chelsea on 23/04/1921, folded, slight creased, contents good.

1922 FA Cup Final, Preston v Huddersfield, a programme from the game played at Chelsea on 29/04/1922, folded, split spine, tape on back page, could be easily professionally repaired.

1910/11 Chelsea v Swindon, a programme from the FA Cup tie, played on 11/03/1911, ex bound volume in very good condition.

A collection of over 330 football programmes, mainly from the 1960`s but earlier are noted, plus Chelsea Blue Supporters Club Magazines, a variation of clubs, but many Arsenal, Chelsea, Luton, and non league noted.

West Ham Utd, a collection of 20 home programmes in various condition, all from the 1940`s (some very good, some poor!), 1945/46 Chelsea, Millwall (poor), Portsmouth (poor), Newport County, 1946/47 Fulham (poor), Newcastle (poor), Plymouth (poor), Southampton (poor), Barnsley, Bury (poor), 1947/48 Leeds, Cardiff, Plymouth (poor), Brentford, Doncaster, Bradford, Barnsley (poor), Birmingham, 1948/49 Luton, Leicester, Southampton, Lincoln (poor).

1955 Chelsea, a souvenir ashtray, 1905-1955 for the 50 Year Jubilee, Brown Pottery, Brenda Cole, Chelsea on reverse, the Chelsea Lion on the front.

A collection of 4 big match programmes, in various condition, 1963/64 FL Cup S/F, Leicester v West Ham, 1964/65 FL Cup S/F, Aston Villa v Chelsea, 1963 FA Charity Shield, Everton v Manchester Utd, 1967 FA Charity Shield, Man Utd v Tottenham.

Leeds Utd, a collection of 15 football programmes to include 1975 European Cup Final, Bayern Munich v Leeds Utd, played in Paris, 1970 FA Cup Final Replay, Chelsea v Leeds Utd, played at Manchester Utd, various other european homes, 1949/50 Leeds v Southampton (hvy rusty staples), plus pirate and emergency issues.

Aston Villa, a collection of 82 home football programmes, in various condition, from 1953/54 to 1962/63, the majority of the programmes are from 1958 onwards, duplication noted, the programmes include 1954/55 against Chelsea.

Doncaster Rovers, a collectoon of 48 home programmes in various condition, 1945/46 Darlington, Oldham, 1946/47 Portsmouth, Southport, 1947/48 WBA, Southampton, Plymouth, Fulham, 1948/49 Southport, 1949/50 Stockport, Barrow x2, Gateshead, Chester, 1950/51 (7), 1951/52 West Ham, 1952/53 International XI, 1953/54 (4), 1954/55 8, and 13 onwards, including 1957/58 Chelsea (FAC).

Autographs, a book collected by Cecil Shaw, of West Bromwich Albion in the 1937/38 & 1938/39 season, he collected signatures prior to each game, indeed many of the pages are dated, all autographed pages are plain-backed (some teams appear more than once), a total of 30 signed pages, 1937/38 WBA, Everton, Huddersfield, Blackpool, Portsmouth, Newcastle, Chelsea, York City, Charlton, Preston, Bolton, Grimsby, Leeds Utd, Sunderland, Derby, Man City, Arsenal, Everton, Brentford, Huddersfield, Blackpool, Wolves, 1938/39 Luton, Plymouth, Sheff Utd, Burnley, Tottenham, Coventry, Norwich, Southampton.

A collection of football memorabilia, to include, autographed programmes & tickets, with a bias towards Arsenal, there is a rare uncut 78/79 Arsenal v Chelsea programme, booklets, the building of the Emirates, World Cup and Olympic games programmes etc..

A Myott & Co dinner service, Chelsea Bird pattern

A pair of Samson porcelain figures, late 19th Century, modelled as a maiden holding a lamb with a sheep at her feet, and a gentleman accompanied by two dogs, bagpipes at his feet, on rococo scroll bases, pseudo Chelsea gold anchor mark to bases, height approx 27cm (faults).

A ROYAL DOULTON `CHELSEA PENSIONER` CHARACTER JUG modelled by Stanley James Taylor, number D6817, 1988. 17cm(h) Good order

A Chelsea style lobed dish, painted with lily-of-the-valley and other flowers together with a similar dish with pierced border `Sweetest Jasmine`

A pair of Chelsea style bocage figures of a lady and a gentleman on scrollwork bases

A Royal Doulton character jug, Chelsea Pensioner

A Chelsea Derby Figure of boy with faggot of sticks, `Hunter`, on rocky base, slight damage, 8 1/2in

Oliver Stockman (20th century British school), an interior genre study of two WWII soldiers drinking with a Chelsea pensioner, signed lower right, oil on canvas. H.46cm W.60cm

Chelsea Ship`s Clock with Subsidiary Second Dial {Diameter 7 1/4 inches} Starting price: $120

Chelsea Derby Cabinet Plate, 1861-35 date mark.

A Chelsea pottery dish depicting cockerel, signed to back, approx. 14 cms.

A CHELSEA DERBY BULBOUS TANKARD, CIRCA. 1775, blue bands painted with flowers. Gold anchor mark and D (handle chipped).

A CHELSEA DERBY BOUGH POT, CIRCA. 1771, blue bands and painted with flowers. 7ins wide.

A CHELSEA GOTZKOWSKY MOULDED WHITE GROUND OCTAGONAL PLATE, CIRCA. 1754, painted with flowers and butterflies. 9.25ins diameter.

Queen Victoria New Zealand 1863-5, and an Indian Mutiny medal 1857-8, to 2453 Wm Oakley, 70th Reg., East Surrey Regt., no ribbons, sold with parchment certificate confirming medals and 21 years service. William Oaklry became a Chelsea PensionerCertificate says that when he was promoted he was in posession of a good conduct badge and that if he had not been promoted he would have been in posession of four good conduct badges. It does not mention any medals.

JAMES ABBOTT McNEIL WHISTLER (American 1834 - 1903) - Chelsea, etching with butterfly motif, 13cms x 20cms ++good

Archival Material from the Collection of Ernest Marsh, Collector, Writer, Lecturer and Generous Lender and Donator to numerous museums including the British Museum and Victoria & Albert Museum. The Martin Brothers 5 typescripts, some with ms. additions for his article The Martin Brothers, Studio Potters of London and Southall, Middlesex, in Apollo magazine; and another inscribed part II, part ms; together with an ms letter from Marsh to the editor of Apollo regarding the articles and hoping that his exceeding both the word count and the number of illustrations will be tolerated. Typescript with ms additions for his lecture on the Martins at the Central Library, Fulham, May 9th 1929. Ms In pencil on the Martins. Ms in pencil, seemingly a draft for an article or autobiography on Marsh's relationship with the Martins including the description of a firing (includes a pencil washing list!). Photocopy typescript of the Frank Knight Collection of Martinware at Southall District Library. Original photographs of various pots, some with ms. descriptions, in a re-used addressed envelope. A rare Martin Brothers printed and folded Brochure with quotes from magazines about their work: '… it is no exaggeration to say that no more interesting and, in its own line, superior pottery has ever been turned out in England'. The Pall Mall Gazette, January 23rd 1897. A Brochure, also rare, with a three page article by Sidney Greenslade (the brothers' patron), the slate-grey cover with a photograph of the brothers in their studio. Apollo, October and November 1944, illustrated articles by Marsh on the Martins. Miscellaneous press cuttings, auction catalogues, magazine articles etc., mostly on the Martin Brothers. Other works Typescript of article on collecting (mainly Chinese). Apollo, May 1925, seven-page, illustrated article on Reginald Wells. Shoji Hamada. Invitation cards for an exhibition at The Little Gallery, London, SW1 (probably 1942 or 1943) together with photographs of pots by him and Kawai (in addressed envelope) together with a five-page ms draft of Three Modern Japanese Potters, Shoji Hamada, Kanjiro Kawai and Kenkichi Tomimoto, together with two, five-page typescripts for the article and a three-page extract on Kawai with ms corrections and additions. W.Staite Murray; Studio Potter of Bray, Berkshire. Typed six-page article (two copies). Nora Braden. A fascinating four-page autograph, signed, letter to Marsh from Cobwebs - West Hoathley - Sussex, 22.2.43, which touches on, inter alia, the war and her fear of not getting a job when it ends, apologising for only having five photographs left of her work for Marsh's Apollo article and pleading for them back, not having made pots for six years and being refused a licence by the Board of Trade to make more; a meeting with W.B.Honey at the V&A, her cv and more; together with: a five-page letter to Marsh (numbered x-3) from Katherine PBouverie (so signed)The Mill, Coleshill, Swindon, Wilts, Jan. 19.43, regarding Marsh's article for Apollo and mentioning her year with Bernard Leach at St Ives in 1924, followed by Norah Braden; a three page Autograph Letter to Marsh from Katherine PBouverie, dated Jan. 31.43 largely about the same article and photographs, s.a.e.;together with Miss K.Pleydell-Bouverie and Miss D.K.N. Braden, Studio Potters of Coleshill, Wiltshire, ink four-page ms, apparently an early (first?) draft for his article, together with a typed, seven-page article (three copies) one inscribed by Marsh in pencil 'First Draft', presumably from the ms. Interestingly, Marsh sets out on page one in confident style, but by the end is making numerous crossings-out, substitutions and marginalia. 'A Short Talk on Modern Pottery' six-page ink ms draft (first?) with numerous corrections, together with two eight-page, typed copies. The Fremlington Pottery 1889, typescript, five pages, 2 copies. Charles & Nell Vyse. Studio Potters of Chelsea, six-page typescript with ms corrections. Draft pencil ms on the Etchers Art, five pp. CONDITION REPORT: All in sleeves, stapled articles, pamphlets worn. Provenance - East Sussex collector

A Coldrum Chelsea pottery bowl, probably Reginald Wells, with a light-grey and blue-streaked glaze, impressed 'Coldrum, Chelsea', 15cm CONDITION REPORT: Crazing throughout - some fritting to the body. Additional images available on request.

*Roland Vivien Pitchforth RA (1895-1982), CHELSEA BRIDGE AND BATTERSEA POWER STATION; A TRAWLER IN A HARBOUR Both signed l.l., watercolour 22 x 29cm and 20.5 x 28.5cm (2) *Artist's Resale Right may apply to this lot.

Derrick Latimer Sayer (1917-1992), 'UNIVERSITY OF NATIVE PLEASURE' Signed, inscribed with title and dated '67, mixed media 75 x 50cm; and two others by the same hand, mixed media 57 x 41cm (3) Born in 1917, Derrick Sayer trained at Chelsea School of Art under the aegis of Henry Moore and Graham Sutherland. This was followed by a period at Ben Nicholson's studio in Paris. With the same spirit of co-operative idealism as Nicholson and the St. Ives Group, Sayer founded the Mousehole Group Art School in 1936 in collaboration with George Lamborn and Guy Allen. Sadly, this venture was short-lived, but provided a perfect start that served him well as he put his graphic talent to excellent use for major advertising campaigns, record covers and book illustrations. During the time that he was producing commercial work, he showed with a variety of galleries including the Redfern, Leicester and Storran galleries, receiving thoughtful critical attention.

A Chelsea Derby Copeland porcelain figure of a sportsman, together with another Sitzendorf figure of shepherdess, c.20.5cm high (2)

A collection of studio pottery wares to include a set of ten pottery goblets, each stamped "th (?)", together with a matching carafe / bottle, a Chelsea pottery shallow dish, a Nao figure of a girl and a slab sided vase

A collection of English and Continental ceramics to include a Susie Cooper rectangular dish, a Shelley teapot, jug and sugar bowl, a Poole pottery crescent shaped flower trough, small Poole pottery vase, three graduated jugs embossed with Mr Punch design, Continental embossed lidded jug, porcelain inkwell in the Chelsea manner, painted with a bird amongst foliage, two Gray's pottery "Sunbuss" meat plates, etc

A Continental porcelain jardinier decorated with cottage scene, a pottery Toby jug, a 19th Century pottery Christmas charger, a collection of Spode Copeland's "Chelsea" pattern tea / dinner wares retailed by Harrods Limited Brompton Road London, etc

Chelsea Pottery, London. A polychrome decorated earthenware dishes decorated with flowers, the largest 33cm

CHELSEA FOOTBALL CLUB SIGNED SHIRT, and boxed plate (2)

TWO CHELSEA RED ANCHOR PERIOD BOTANICAL `HANS SLOAN` type plates with moulded and enamelled feathered edges, 8 1/2" (21.5cm) diameter

A Portmeirion coffee pot, a quantity of Royal Doulton Chelsea Flower Show collector`s plates and similar decorative ceramics

An English porcelain dessert plate, probably Chelsea-Derby, 1760's, centre painted with dispersed sprigs, the border with bird motifs, diameter 22cm and a Derby saucer dish (2).

The following five lots are from the Estate of the Late Mary Lambert, British 1923-2013 Mary Lambert was christened Doreen Lambert and used the name Mary from about 1965. Mary's first job after leaving the Mount School in York was with the Civil Service making maps in the Air Ministry department. In 1944 Mary started attending evening classes at the York School of Art and during this time she exhibited a sculpted head of a fellow student, for which she gained much acclaim. Mary achieved a National Diploma in Painting, a Diploma in ceramics (both from Chelsea College of Art) a Diploma in Ceramics from Goldsmith's College, An ATD Teaching Diploma from London University. She was a teacher for 10 years at Hammersmith College of Art and 3 years at Willesden Polytechnic as well as the previous years at Isleworth Polytechnic which became Hounslow Borough College. Whilst at the Chelsea College of Art, she met many well-known artists including Victor Pasmore, Henry Moore and Mervyn Peake among others. She was great friends with John and June Berry, Ruth and Ian Auld, Steven and Jean Sykes and Erasmos Fernandez whom she was taught by. John Brown, British School, mid-late 20th century- Portrait of a woman with blue head scarf; gouache on board, 73x55cm: together with a collection of drawings and sketches by the same hand, various sizes, (part unframed) (alot)

A silver gilt commemorative Chelsea Flower Show pendant for 1988, in original presentation case

YIN MIGNONETTE CHENG [AMERICAN B. 1933], WATERCOLOR ON PAPER, H 30", W 22", UNTITLED COMPOSITION: Signed lower right; 30" x 22" paper size; floated in frame; ex. collection Marian Titus, University of Michigan artist. Purchased from River Gallery Chelsea MI2001. Many of her items are in prominent collections e.g. Ford Motor Co., Minneapolis Museum, University of Michigan, Corcoran Museum, etc.

A Chelsea Derby porcelain figure of a lady, circa 1769-84, modelled standing wearing a colourful dress beside an open wicker hamper, resting on a flower encrusted stump with pug at her feet, on a Rococo scroll moulded base picked out in gilt and green, height approx 22cm (some restoration and chips).

Chelsea Potteries, London. A collection of earthenware bowls, pots etc, including a 'hunny' preserve pot and cover, serving dishes, teapot etc.

Chelsea Potteries, London. Three polychrome decorated earthenware dishes, decorated with flowers in the Art Nouveau taste. Largest dish, D: 33cm

Chelsea Pottery, London. A polychrome earthenware dish, decorated with owls amongst a pine tree. D: 32cm

Chelsea Potteries, London. A polychrome decorated urban ware dish decorated with cats. Diameter:32cm

Chelsea pottery, London, England. Two polychrome decorated earthenware bowls, painted with flowers in the Art Nouveau style, the largest diameter.31cm

A pair of dessert plates in the 18th century Chelsea manner with alternating painted floral sprays on a white ground and gilt exotic bird and floral and insect decoration on a dark blue ground, with gilt anchor marks to reverse