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MANCHESTER CITY, 1955-1959, a bound volume of 33 programmes, not a complete run. 1955/1956 (17) 13 League Games - Aston Villa, Arsenal, Manchester United, Cardiff City, Blackpool, Preston North End, West Bromwich Albion, Tottenham Hotspur, Newcastle United, Luton Town, Wolverhampton Wanderers, 4 FA Cup - Blackpool (postponed), Blackpool, Huddersfield Town Everton. 1956/1957 nil. 1957/1958 (14) 13 League Games - Chelsea, Portsmouth, Sheffield Wednesday, Leicester City, Luton Town, Everton, Burnley, Nottingham Forest, West Bromwich Albion, Birmingham City, Blackpool, Arsenal, Sunderland, 1 Friendly - Hibernian. 1958/1959 (3) League Games - Blackpool, Aston Villa, Leicester City (programmes in various condition, some folds, some team changes, some crosswords filled in, some token missing).
QUEENS PARK RANGERS, 1962-1970, a collection of 14 home programmes, the majority of which centre around the clubs move from Loftus Road to White City Stadium in 1962. 1962/1963 Season, 3 early season issued played at Loftus Road - Brighton And Hove Albion, Swindon Town, Crystal Palace, plus 5 games scheduled for White City - Hull City (due to be first game - but Postponed), Notts County (1st Game At White City), Bradford Park Avenue (writing on front), Watford (Last Game At White City). Also included 31/08/1963 Peterborough United (First Game Back At Loftus Road), 23/04/1962 Northampton Town (includes special 4 page leaflet on move to White City), 09/09/1963 Shrewsbury Town, 20/04/1964 Walsall, 11/03/1967 Peterborough, 21/02/1970 Chelsea [FA Cup].
* Whistler (James Abbott MacNeill, 1834-1903). La Marchande de Moutarde, 1858, etching on pale cream laid paper, the 5th state (of 5), with printer's name and address removed, light mount stain, short closed tears to lower left and lower right blank corners, plate size 158 x 88 mm (6.2 x 3.5 ins), sheet size 323 x 241 mm (12.75 x 9.5 ins), together with other prints by or after Whistler, including La Robe Rouge, 1894, lithograph (printed in an edition of approximately 3000, as published in The Studio, November 15, 1895, framed and glazed, colour lithographs by Thomas Robert Way after Whistler (Bead-stringers, Venice, 2 copies, Sunset: Venice, The Purple Cap, Baby Leyland, and The Blue Girl), as published in The Studio, 1903-1905, all framed and glazed or mounted, plus a reproduction of Whistler's Chelsea etchingQty: (9)NOTESKennedy 22, v/v; Glasgow Online Catalogue, 20, v/v (75 known impressions).
* Whistler (James Abbott MacNeill, 1834-1903). Chelsea, etching on pale cream wove paper, depicting Old Battersea Bridge and Chelsea Church, butterfly monogram to lower margin within image, pencil note to upper left blank margin, some faint creases and minor marks, plate size 13.1 x 20.6cm (5.25 x 8ins), sheet size 28.5 x 40.2cm (11.25 x 15.75ins), together with: Haden (Francis Seymour, 1818-1910) , Egham Lock, etching on pale cream laid paper, depicting an open lock on the Thames in Surrey, a little light creasing, mostly marginal, short nick in upper left edge, plate size 15 x 22.5cm (6 x 9ins), sheet size 18.5 x 27.5ins)Qty: (2)
* Roberts (John, 20th c.). Floral Heads, 1982, mixed media, captioned, signed & dated in pencil to lower margin, image size 30.5 x 49.5cm (12 x 19.5ins), framed & glazed, together with Take a Card, 1983, uncoloured lithograph of male figure holding an ace of spades playing card, captioned, signed & dated in pencil to lower margin, image size 41.5 x 24cm (16.5 x 9.5ins), framed & glazed, (limited edition 15/50), together with Brangwyn (Frank, 1867-1956). Busy street scene before an Abbey , lithograph, heightened with watercolour, apparently unsigned, 41 x 31 cm (16 x 12.25ins), framed and glazed, plus Sorel (Agathe, 1935-). Rochers , colour etching, 1960, signed, titled and numbered 22/30, plate size 45.5 x 35.5 cm (18 x 14 ins), framed and glazed, and Howerd (Geoffrey, 20th c.). Chelsea Pensioners , mounted colour lithograph, signed and dated in pencil to lower margin, 35 x 25cm (13.75 x 9.75ins), framed and glazed, plus four other framed and glazed prints by various artists including Peter Godfrey Coker and Hubert Andrew FreethQty: (9)
Album of drawings and watercolours, circa 1905-1921, 22 original drawings and watercolours, mostly signed or initialled, and dated variously 1905-1921, some portraits, topographical views, cartoons, etc., including Wang Zhen Hai, of Shanghai, Three Chinese ladies with porcelain vases, signed in Chinese script in black ink above artist's red ink stamp, sheet size 16 x 20cm (6.25 x 8ins), a watercolour by Alfred Egerton Cooper (1883-1974), titled 'Ready for Chelsea Arts Ball', circa 1920, watercolour full length portrait of a seated young woman wearing a long skirt split to the thigh, cropped top, bead anklet and dangling earrings holding an ostrich feather fan, titled and signed, a pen, ink, and wash female head study by Arthur Waller, a pen & ink drawing of a semi-nude female on a rock titled '"The Fallen Angel'" by J.G. Manley, a pencil drawing of Miss Gladys Cooper by F. Bahr, and a double-page watercolour cartoon of figures engaged in various activities on a beach by Walt Kuhn, some light spotting and marks, sheet size (for all leaves) 16 x 20cm (6.25 x 8ins), marbled endpapers, contemporary inscription on verso of front free endpaper: 'To wish you many happy returns of the day To Nellie from Peter. Shanghai: 22. October 1905', rear hinge split, all edges gilt, page-block becoming loose in original black padded morocco, rubbed, oblong 4toQty: (1)
* Rushbury (Henry George, 1889-1968). The Dial of Dundas, 1950, pen, brown ink and watercolour on paper, depicting an ornate fountain surmounted by a sundial, in the grounds of Dundas Castle, near Edinburgh, titled to lower left, signed and dated to lower right, 39 x 41cm (15.25 x 16ins) mount aperture, framed and glazed, with contemporary label of Chapman Brothers (Chelsea) Limited to versoQty: (1)
Peter Bonetti Chelsea Football legend signed 10 x 8 inch colour goal keeping photo. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
CHELSEA COONEY; a perforated porcelain vase in the shape of an elephant's foot, height 16.5cm. (D)Provenance: Purchased at Art in Clay, Hatfield.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
CHELSEA COONEY; a group of five porcelain bottle and vase forms, tallest 15.5cm (5). (D)Provenance: Purchased at Art in Clay, Hatfield.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Chelsea School of Art, two portfolios of prints, one by Students and Staff of the Printmaking Department 1992, solander box comprising Christine W. Marshall, Untitled, etching, signed and numbered 12/30, 39 x 37.5cm; Fernanda Santos, 'Trace of Time', etching, titled, signed and numbered 12/34, 38 x 37cm; Deirdre Leyden, 'Our Symbols, Our Signs', lithograph, signed and numbered 12/30, 37 x 38cm; and Morgan Doyle, 'A Shadow of My Former Self', screenprint and etching, signed, titled and numbered 12/30 (4); the other box containing portfolio of prints from Printmaking Department 1990, comprising James Read, 'Bauble', etching; Margaret Regan, 'Cock on Pedestal', lithograph; Stuart Jebbitt, 'God's Gift to Women', lithograph and woodblock; Alexandra Ashton, 'Garden of Oysters', screenprint; Katherine Frajbis', 'Sutton Hoo: East by North East, etching; Clare Hennessy, 'Blind Entanglement', lithograph; Amanda Lewis, 'Witloof, screenprint; Volker Schoenwart, 'Box Open/Closed', screenprint; and Christine Blackburn, 'Electric Avenue, Brixton', etching, each signed, titled and numbered 31/35,(9) 2 boxes, total 13 prints
* Sundial. A Victorian ivory pedestal sundial by Comyns, Kings Road, Chelsea c.1840, the paper sundial housed under convex glass, the pedestal with a thermometer and makers marks, the ivory finely detailed with leafy rim and geometric base, 11.5cm high, presented under a glass dome with oak baseQty: (1)NOTESProvenance: Collection of Jack Webb (1922-2019), London Henry Comyns, Optician, first appeared in trade directories in 1833.
* Rowing. A silver Doggett badge and medal belonging to William Giles East, King's Bargemaster and Winner of Doggett's Coat Badge, comprising a large Victorian silver arm badge by Mappin & Webb, Sheffield 1887, the oval badge with the White Horse of Hanover beneath a banner inscribed 'Liberty', inscribed beneath the horse is 'Won by William Giles East July 30th 1887', with four rings to the back, 20 x 17cm, together with a large Rowing medal with central oval plaque surrounded by laurel leaves on one side and oak leaves on the other, crossed sculls behind, two enamelled shields at the top surmounted by 'Champion', with a blue enamelled scroll at the bottom inscribed 'Tyne 1891', the centre engraved 'Presented to W.G. East Champion Sculler of England by the Proprietors of the Sportsman London, Nov 30th 1891' 9 x 6cm, in a fitted leather box, plus an extensive collection of research including an original monochrome photograph of the recipientQty: (2)NOTESProvenance: Collection of Jack Webb (1923-2019), London. The medal included in this lot was purchased by Jack Webb at DNW on 15 September 2004 (Pat Grierson's Medal Collection, lot 395). William Giles "Bill" East (1866-1932) was born in Lambeth, the son of William East who was a boat builder and in later years had a boathouse on the Thames in Putney. William "Bill" junior spent his whole life on or by the Thames, and became a waterman's apprentice in 1882, the year he won the Putney Badge. In 1887, Bill won the Doggett's Coat and Badge Race, and in 1891, the English Sculling Championship. However, he never defended this title. Seven years later, in 1898, he was appointed a waterman to the Queen. He retired from professional sculling around 1903/04 and in June 1906, he became the King's Bargemaster. He also stroked in the winning Champion Fours in the National Regattas of 1890 and 1891, and also the Champion Pairs.Bill was a very popular person on the Thames and was early on connected to Cambridge University Boat Club, to train and coach the crews. He published the 'how-to' book Rowing and Sculling in 1904. In later life, Bill became a publican and ran the Prince's Head hotel and the Pigeon Hotel at Richmond. The Doggett Coat and Badge The race is the oldest rowing race in the world. Up to six apprentice watermen of the Thames compete for this prestigious honour, which has been held annually since 1715. The 4 miles 5 furlongs (7.44km) race is rowed upstream from London Bridge to Cadogan Pier, Chelsea, passing under a total of 11 bridges.
Y A Victorian mahogany and stained ivory mounted Billiards score marker, by Thurston & Co, late 19th century, titled 'by appointment of Her Majesty and H. R. H. The Prince of Wales, THURSTON & CO, Catherine St. Strand, and Cheyne Walk, Chelsea, London.', 83cm high, 96cm wide, together with a late Victorian mahogany revolving cue stand, 118cm high, and a collection of cues, various sizesProvenance: Private Collection, BerkshireCondition Report: Marks, knocks, scratches, and abrasions consistent with age and use,The score missing an ivory disk ball marker (as per the catalogue image) this is not present with the lot, the scoreboard with signs of age and use - the lower score marker lacking the protective material - old holes and marks where this has probably been appliedThe cues of various ages and in various condition - variously missing tips and ends, Dreweatts cannot test or guarantee any are either unwarped or to what extent any warping might beThe stand with some bent holders, some not holding the cues securely, other marks, knocks, and losses,Please refer to additional images for visual reference to condition Condition Report Disclaimer
Rossetti (Dante Gabriel, 1828-1882). The Monumental Effigies of Great Britain... , by C.A. Stothard, 1st edition, printed for the author, 1817[-1832], engraved portrait plate and 147 hand-coloured or tinted plates, scattered offsetting, small stain to lower margin extremities of some leaves, ink presentation inscription to front free endpaper, 'D.G. Rossetti from John Ruskin, 1856' in an unidentified hand, large armorial bookplate of Charles Eamer Kempe to front pastedown, contemporary red half morocco over marbled boards, rubbed along joints and on raised bands, folio (37.5 x 29 cm)Qty: (1)NOTESProvenance: 1) Dante Gabriel Rossetti. See The Valuable Contents of the Residence of Dante G. Rossetti, 16, Cheyne Walk, Chelsea, To be sold by Auction, by Messrs. T.G Wharton, Martin & Co., 5-7 July 1882 , lot 486 [a facsimile of the catalogue is included with the lot]; 2) Charles Eamer Kempe (1837-1907) who bought Lindfield, Sussex in 1875. Kempe was a stained glass artist and manufacturer and guests at Lindfield included William Morris and William De Morgan. 3) Sotheby's, London, 27 April 1965, lot 27, bought by the current owner. Dante Gabriel Rossetti and the Pre-Raphaelite brotherhood were influenced by Ruskin's theories, and Ruskin in turn praised their devotion to nature and the rejection of conventional methods of composition. The close relationship between Ruskin and Rossetti, however, was short-lived, and from 1856 their relationship became increasingly ambivalent. The inscription here dates from the end of the happy period and may be in the hand of Ruskin's amanuensis George Hobbs. This book would no doubt have been a much-used artistic sourcebook for Rossetti who, after 1856, became an inspiration for the medievalising strand of the pre-Raphaelite movement.
Ashley Cole Chelsea Signed 12 x 8 inch football photo. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Gianfranco Zola Chelsea Signed 10 x 8 inch football photo. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Gianfranco Zola Chelsea Signed 16 x 12 inch football photo. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Alan Hudson Chelsea Signed 12 x 8 inch football photo. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Bobby Tambling Chelsea Signed 12 x 8 inch football photo. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Very large collection of football programmes from 1960/70s including some runs, Internationals, FA Cup Finals, World Cups, minor leagues etc, teams too numerous to mention but all notable teams of the time featured. Runs include Halifax, Newport, Leeds United, European and domestic, some individually wrapped, Wokingham, Hereford United, Challenge Cup Trophy Finals, Wigan Athletic etc. Individual small multiples including Liverpool, Chelsea, Arsenal, Sheffield United, Manchester United / City, Bradford, Ipswich, Doncaster, Waterford, Nottingham Forest etc.
A Chelsea or Charles Gouyn St. James's Factory figural scent bottle of a maiden and spotted hound, circa 1755, modelled holding a bird, 7cm high; a small English porcelain model of a basket of flowers, second half 19th century 7cm high; and Meissen miniature porcelain model of a pigeon, circa 1900, blue crossed swords mark, 3cm highCondition Report: Scent bottle is missing stopper and is restored to the base, chips to the flowers in the basket and a sizeable chip to the base of the Meissen pigeon.Condition Report Disclaimer
An early William De Morgan Persian Chelsea Period Roumelian tile, painted with stylised flowers and foliage in shades of blue, turquoise and green on a white ground, impressed factory mark, bottom right corner museum repaired, 15.5cm. square Literature Martin Greenwood, The Designs of William De Morgan, Richard Dennis, page 137 catalogue number 619 for the original design illustrated.
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42501 item(s)/page