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Lot 579
LONDON, Chelsea, King’s Private Road, type III, oval copper, 1737, crowned gr monogram, rev. the king’s priuate roads, monogram tr dividing date, stamped 1578, 36 x 32mm, 14.51g (Bendall 13; W 1164; D & W 320/6; cf. DNW 165/1155). Usual die flaw on obverse, about fine; pierced for suspension £60-£80 --- Saleroom Notice The monogram is TR (Thomas Ripley) not JR --- Provenance: W.J. McKivor Collection
Lot 213
Middlesex (Rural), Chelsea, Henry Butts, Halfpenny, 1667, 3.14g/12h (N 9103; BW. 23); William Freeman, Halfpenny, 1667, 1.31g/6h (N 9108; BW. 26); Thomas Munden, Halfpenny, 1666, 2.30g/3h (N 9104; BW. 27) [3]. N 9108 good very fine and rare, N 9104 fair, N 9103 bent and surface damaged £120-£150 --- Provenance: N 9103 bt September 1977; N 9104 bt Seaby April 1968; *N 9108 SNC January 1973 (474)
Lot 59
Emily Young (British, born 1951)Poet Warrior Purbeck freestone80 cm. (31 1/2 in.) high (including the stone base)Carved in 2000Footnotes:ProvenanceThe Artist, from whom acquired directly by the present ownerPrivate Collection, U.K.'Britain's greatest living stone sculptor' (Financial Times, 2013)Emily Young was born into a creative family in London, her grandmother was the sculptor Kathleen Scott, a colleague of Auguste Rodin and her uncle Sir Peter Scott started the Wildfowl and Wetlands Trust in 1961. She began her career as a painter, studying at Chelsea School of Art and Central St Martins in London before travelling extensively, but by the 1980s she had started to carve stone, a medium she has since dedicated herself to for the last forty years.Young practices 'free sculpture', where she approaches each block of stone with no pre-conceived ideas or preparatory drawings but rather allows the material to speak and guide the form that emerges. Using that most ancient of mediums, her unique vision is at once contemporary and antique. The monumental heads are Michelangelesque in their organic emergence from the rock, part polished, part rough-hewn, with each example wholly individual as the stone itself dictates the final outcome with every fault, vein and split celebrated rather than concealed. The artist's lifelong preoccupation with humanity and our troubled relationship with the planet is clear and these still, dignified forms invite private reflection from the viewer, looking both to our past and our future. Youngs sculpture is held in many public and private collections around the globe and she has exhibited at prestigious institutions including The Getty, California, the Imperial War Museum and the Victoria and Albert Museum, London.We are grateful to the Artist and EY Sculpture UK Ltd for their assistance in cataloguing the present work.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 30
Prunella Clough (British, 1919-1999)Gate II oil on canvassigned 'Clough' (verso)166.4 x 182.8 cm. (65 1/2 x 72 in.)Painted 1978-79Footnotes:ProvenanceWith New Art Centre, London, where acquired by Geoffrey Darke, thence by descent to the present ownersPrivate Collection, U.K.ExhibitedSheffield, Mappin Art Gallery, The British Art Show, organised by the Arts Council of Great Britain, 1 December 1979-27 January 1980, cat.no.79; this exhibition travelled to Newcastle, Laing Art Gallery and Hatton Gallery, 15 February-23 March, Bristol, Bristol Museum and Art Gallery, Royal West of England Academy and Arnolfini, 1-24 MayLiteratureBryan Robertson, 'Harper's & Queen', 1979 (col.ill, in a prior state)The present work is informed by the architecture of the then recently constructed East Stand of Stamford Bridge football ground, located close to Clough's Chelsea studio. The stand was built in 1972 by architects John Darbourne and Geoffrey Darke, the work's first owner. The painting was selected by William Packer for inclusion in the Arts Council's inaugural British Art Show.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 31
A George III silver gilt boot hook, of T shape with pivoted angular handle, crested, 80mm h, by Thomas Webb, James Phipps II and Edward Robinson II, London 1814, 1oz 17dwts Provenance: Sold in these 'rooms, 30 September 1999, £506 The crest and initial are those of General Sir George Townshend Walker, BT, KTB, GCB (1764-1842), Lieutenant Governor of Chelsea Hospital Good condition with light wear to crest and initial
Lot 610
Rackham (Bernard) ‘ The Glaisher Collection of Pottery and Porcelain, 2 vols, plates, navy cloth, teg, Cambridge 1935 and other English ceramics reference works, to include Godden ‘ English Blue & White Porcelain, Chamberlain-Worcester Porcelain 1788-52 (and others by the same), A Dawson ‘ English & Irish Delftware 1570-1840, E Adams ‘ Chelsea Porcelain and 2 others, Continental Ceramics (30)
Lot 655
Football Frank Richard George Lampard (born 20 September 1948) is an English former professional footballer who played as a left back. He played most of his career for West Ham United, had a brief spell with Southend United, and was capped twice for the England national team. He is the father of former Chelsea midfielder and manager, Frank Lampard, and is often referred to as "Frank Lampard Senior" or "Frank Senior" when there is a chance of confusion between the two. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 669
Football, Jimmy Graves signed 16x12 colourised photograph pictured during his time playing for Chelsea, where he was the only player to have ever scored 100 goals before the age of 21. Greaves began his professional career at Chelsea in 1957 and played in the following year's FA Youth Cup final. He scored 124 First Division goals in just four seasons before being sold on to Italian club A.C. Milan. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 663
Football Tammy Abraham signed 12x8 Chelsea colour photo. Kevin Oghenetega Tamaraebi Bakumo Abraham (born 2 October 1997), known as Tammy Abraham, is an English professional footballer who plays as a striker for Serie A club Roma and the England national team. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 167
6 Arsenal football programmes from 1948 to 1951, including Arsenal v Preston North End 31st January 1948, Arsenal v Tottenham Hotspur FA Cup 3rd Round 8th January 1949 (small tear to foreedges), Chelsea v West Bromwich Albion (at Arsenal F.C) 11th February 1953, Arsenal v Blackpool 9th December 1950, Arsenal v Preston North End 19th March 1953, Arsenal v Rangers 17th October 1953 (torn on spine). Some pencil scores otherwise good clean condition.
Lot 166
12 Chelsea football programmes from 1947 to 1953, includes Chelsea v Portsmouth 13th Dec 1947, Chelsea v Liverpool 28th February 1948, Chelsea v Charlton Athletic 13th March 1948 x2, Chelsea v Blackpool 3rd December 1949, Chelsea v Manchester United 10th September 1949, Chelsea v Everton 19th November 1949, England World Cup XI v F.A. Canadian Touring Team 20th September 1950 at Stamford Bridge , Chelsea v Derby County 25th November 1950, Chelsea v Newcastle United 12th March 1952, Chelsea v Burnley 7th March 1953. Some neat pencil scores otherwise in good clean condition.
Lot 339
Three trays of assorted 19th and 20th Century china including a four-legged, lidded Limoges trinket box, small Swansea pottery mug with W. Crapper dealers stamp entitled Welsh costumes, decorated with equestrian scene and group of Welsh women, collection of cabinet cups and saucers including triangular German cup and saucer, Copland cornflower garland cup and saucer, Continental miniature coffee pot with matching cup and saucer, three Wedgwood cups, Wedgwood two-handled jar, Royal Doulton condiments dish, pair of Royal Doulton Burslem 19th century chrysanthemum plates, new Chelsea lidded flask decorated with stockman and animals, miniature cup and saucer hand decorated with thistles, Welsh pottery jug, Rockingham Works Brameld vase hand painted with garden flowers, etc. (B.P. 21 + VAT)Rockingham vase - crazing, chip to underside.Triangular cup and saucer - chip with hairline crack to cut.Hexagonal saucer and cup - each has a hairline crack.Miniature coffee pot with the, appearing Meissen mark, - chip to inside of rim, small chip to securing knob on inside of lid, very small chip to spout (see pics)W. Crapper mug - 2 hairline cracks to baseRed cup and saucer - small chip to rim of cup and possible small restoration to saucer.Llanwrtyd Wells jug - wear to gilding and hairline crack to base.Bird cup - Blemishes to glaze on base.Gold and cream Wedgwood cup + saucer, crack and possible restoration to one handle. Tobacco Jar - 2 large chips + repair to lid. some wear to body. Royal Doulton dish - crazing to glaze, crack to handle. Doulton chrysanth - crazed glazing, discolouration, one hairline crack. 3 Wedgwood cups - one is cracked, repaired and blemished.
Lot 413
Selection of memorabilia relating to the city of Sheffield and Sheffield Wednesday football club including books on the history of Sheffield, football programs including 1966 FA Cup Final Tie v. Everton including ticket, 1935 Final Tie Wembley Programme, Newcastle United 1966 programme, Cup Final 1966 v. Everton / 1970 v. Chelsea community singing sheets, 3 black and white photos of football grounds, ties, scarf etc.
Lot 245
A pair of 19th century Sampson of Paris porcelain figures, after Chelsea, each figure in 18th century dress and upon a floral encrusted Rococo base, each bearing gold anchor mark, h.24cmCondition report: Him – restored to hat, left hand, bird wings, and branch behind wings (well done restoration).Her – restored to right hand, back of hat and ribbon on back of dress.Otherwise no further faults.
Lot 539
Two boxes of miscellaneous items to include 1960s Film Review magazines, England v. West Indies two-day International 1988 Marylebone Cricket Club ticket, Norwich Speedway programmes, Chelsea Football Club match day programmes, A & BC Chewing Gum Ltd Topstars album of Famous Footballers, British Philatelic bulletin etc
Lot 163
1963 Bentley S3 Transmission: automaticMileage:94729The last Bentley to be built on a separate chassis, 1962 saw the introduction of the Bentley S3 factory bodied, standard steel saloon and, at first glance, it would appear that the all new S3 was merely an S2 with different headlamps. The introduction of the twin headlamps was clearly the most obvious change, but the differences did not end there. Further changes included the introduction of smaller bumper overriders and the repositioning of the front indicators and side lamps into one single unit on the front wing, resulting in a more attractive appearance. The S3's interior now had individual front seats in place of the split bench seat found in the earlier S-Types and some, like this one, had electric windows and front seat belts. Mechanically speaking the S3 was the same as the S2 with a 6230cc, Rolls-Royce V8 engine and automatic gearbox but this model was fitted with larger carburettors, improved power steering to aid smoother movement at parking speed and a Lucas vacuum-advance distributor to aid fuel consumption, making it almost identical in mechanical specification to the S3 Continental that was being produced at the same time. On 11th February 1963 this beautiful example of the marque was supplied new with the electric window option by Bristol Motors Co. Ltd. to Mr. F.G. Pratten. In 1990, the well-known marque specialist, Chelsea Workshop sold the car to a gentleman who took and stored the car at his family home near St. Tropez in the South of France; upon its return to the UK 20 years later he gave the car back to Chelsea Workshop and instructed them to renovate the Bentley, cost for which amounted to £60,000. Part of the renovation was to repaint the car in the original colour of Masons Black whilst retaining the original Tan leather interior and fit a very discreet air conditioning system. Mechanically the car was completely gone through including a brake overhaul, front suspension overhaul including replacing the front road springs, re-tempering the rear springs, overhauling the power steering ram, replacing PAS hoses and carrying out a full 24,000 mile service. Since all this work has been done the car has covered a mere 3,700 miles and looks, runs and drives as it did when it came out of Chelsea Workshop. The current owner purchased the Bentley in 2015, again from Chelsea Workshop; he lived almost next door to them and used the car as his local transport around London. This Bentley S3 is supplied with UK V5C registration document and a file containing copies of the chassis cards supplied by the R.R.E.C. and the MoT history confirming the mileage. Here is a fantastic opportunity to buy one of the best, post war Bentleys that can still be used as an 'everyday motor car'.Interested parties should satisfy themselves as to the description and condition of each lot prior to the sale. Accordingly, buyers are on notice that each vehicle is offered ‘as is/as seen’ subject to the Terms and Conditions for the auction. Buyers are advised to inspect the vehicle in person or use a professional to carry out this service. Historics will not entertain disputes over descriptions.
Lot 228
1993 Bentley Turbo RL Transmission: automaticMileage:26000The manufacture of the Bentley Turbo R began in 1985 and, in total, 7230 units of this model were produced during its 12 year production period. The 'R' stood for 'Road-holding' to set it apart from its predecessor, the Mulsanne, courtesy of substantially stiffer anti-roll bar settings, a Panhard rod system and increased damping. Wider tyres on alloy wheels were also a first for a Bentley on the Turbo R, which looked great. The suspension changes transformed the soft ride of the Mulsanne into that of a real performer with the motoring press proclaiming this model to be more faithful to Bentley's racing pedigree. In 1995, a 'new' Turbo R was launched featuring, amongst other things, fuel injection. This contributed towards a mighty 385bhp output which resulted in terrific performance outpacing any smaller ‘hot hatch’ at that time!This stunning long wheel base example of the Turbo R is presented in black with cream hide and boasts just one owner from its registration on 7th July 1993. Between 1993 and 1998 the car was used as his daily transport and the last service in June 1998 by Jack Barclay displayed a mileage of just 23,296. Shortly thereafter the car was stored in a specialist car storage facility as the owner had relocated overseas and used sporadically when the owner visited the UK. There is no paperwork between 1998 and February 2006 when the next invoice shows the mileage on a new odometer of 0098 shortly after its replacement. We are informed that the client only used the car in central London when visiting the UK and thus we believe the mileage is likely sub 30,000 and probably around 25-26,000 which is also indicated by those who have inspected the car, as well as the pristine condition of the interior which is almost ‘as new’. Between 2006 and 2008 the Chelsea Workshop cared for the car, but since then the car has remained unused in long term storage. To bring the car back into commission considerable work was carried out over the last 18 months to the engine and running gear by various engineers including Bentley specialists Hillier and Hill. With little predicted future use the vendor now wishes to pass this low mileage example to the next owner. Within the history file are numerous invoices and the original book pack, MoT certificates including current until September 2022 and UK V5C certificate. A low mileage, one owner car which will undoubtably attract significant interest from collectors and enthusiasts.*Odometer reading is an estimate based on an odometer change please see descriptionInterested parties should note that the V5 for this lot has been misplaced and the vehicle will be sold without this document, the new owner will need to apply for a V5 using a V62 form from the DVLA.Interested parties should satisfy themselves as to the description and condition of each lot prior to the sale. Accordingly, buyers are on notice that each vehicle is offered ‘as is/as seen’ subject to the Terms and Conditions for the auction. Buyers are advised to inspect the vehicle in person or use a professional to carry out this service. Historics will not entertain disputes over descriptions.
Lot 28
AMANDA VESEY (b. 1939) 'Dog (red) 2019' Charcoal & pastel on Indian paper,35 x 28 cms Guide £900Amanda VeseyBorn in 1939, trained at Salisbury School of Art and Chelsea College of Art. At Chelsea Vesey was taught by Shelia Fell, Julian Trevelyan and Jack Smith and given great encouragement by Prunella Clough. Her work was shown in the Young Comporaries Exhibition 1959. In addition to painting she has written and illustrated several award winning children’s books. Vesey’s work is sought after by private and corporate collectors.Solo shows include: Yellow Sky, 2014, The Art Stable; Art First, 2001, 2006, 2009; East West, 1996, and mixed shows: Another World, Deutsche Bank, curated Tracey Emin; Towards Night, 2016, Towner Art Gallery; Small is Beautiful, 2010, Flowers; Summers Lease, 2009, Eagle Gallery; Starting a Collection, 2003, 2001, 1999, Art First.
Lot 24
MICHAEL ROTHENSTEIN RA (1908-1993) 'Abstract with tiger & parrots' (kindly donated by Henrietta Gough) Linocut, 54 x 36 cms Signed Edition no. 9/100 Guide £450Michael Rothenstein RABorn in 1908, the son of Sir William Rothenstein; his brother John was Director of the Tate Gallery. He studied art at Chelsea Polytechnic and the Central School of Arts before settling in rural Essex. Rothenstein produced landscape watercolours and drawings throughout the 1920s. In the late 1940s he turned to print making, which remained his abiding obsession.In the 1950s Rothenstein attended the avant-garde Atelier 17 print studio in Paris and his work was constantly evolving through the 1960s and beyond. He made numerous mixed media prints, often using abstract symbols, and his colour woodcuts and linocuts won international recognition. This, combined with his outstanding lithographs and screen prints, confirmed Rothenstein’s position at the very forefront of the 20th century British printmaking renaissance.
Lot 1255
FA Cup final programmes, comprising: Aston Villa V Tottenham Hotspur February 27, 1971, Chelsea V Leeds United 11 April 1970, Arsenal V Leeds United 6 May 1972, Norwich City V Tottenham Hotspur 3 March 1973, Leeds United V Liverpool May 1, 1965 (x2), and two copies of Community Singing sheets for Leeds United V Liverpool 1 May 1965.
Lot 1269
FA Cup football programs from the 1950s and 60s, including: York city V. Sunderland 1956, Sunderland V. Middlesbrough 1962, Sunderland V. Luton Town 1962, Standard V Sunderland 1962, Huddersfield V. Sunderland, 1954, Middlesbrough V. Oxford 1967, Arsenal V Sunderland 1954, Manchester City V Sunderland 1956 (x2), Liverpool V Sunderland 1960, Chelsea V Sunderland 1956, Sheffield United V Sunderland 1956 (baring various Stan Anderson signatures), Middlesbrough V Sunderland 1961, West Bromwich V Newcastle 1965, F.A. XI V Tottenham Hotspur 1961, Colin Bainbridge testimonial match All Stars V Northern League XI 1965, American soccer league professional soccer guide 1954-5, and Middlesbrough celebration dinner card 1967, International soccer program Sunderland versus Philadelphia May 22, 1955, and HFS Jubilaeumskamp V Newcastle May 1965.
Lot 86
Edward Seago, RWS, RBA (British, 1910-1974)Cheyne Row, Chelsea signed 'Edward Seago' (lower left); bears title (on the reverse)oil on board51 x 77cm (20 1/16 x 30 5/16in).Footnotes:ProvenancePrivate collection, UK.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 285
A collection of framed works, comprising:- a Watercolour by Philip Brown (British 1801-1868) 33cm x 42cm; A watercolour of a bridge by H.W. Beaven, signed bottom right 34cm x 40cm; An etching of Chelsea by J.A. Whistler 35cm x 44cm; two small beach scene watercolours mounted in the same frame 37cm x 25cm; and a Chinese watercolour of a lady making hats 41cm x 35cm (5)Please note all the dimensions are the frame sizes.
Lot 803
With Manuscript Notes on Donovan & Belleek Pottery etc., Marryat (Joseph)ÿA History of Pottery and Porcelain, Mediaeval and Modern, 8vo L. 1857.ÿSecond Edn., fine cold. frontis & 5 cold. plts., with m/ss notes thro-out, in pencil.ÿNotes on the Manufacture of Porcelain at Chelsea, by Augustus W. Franks, 10pp bound in at end, inscribed on front loose blank, 'C. Villiers Bayly from the Author.' also with letters, notes and sketches bound in or loosely inserted. A.e.g. full green mor. gilt fillet borders & gilt spine in panels, by Leighton. With bookplates of Thos. Gaisford, & of the author Joseph Marryat. V. good. (1) * Note on fly leaf, 'This vol. when firstÿ;published was given by me to my old friend Chas. Villiers Bayly 1857. When he died twenty years after, his Executors gave it to me. It has been bound and illustrated with various notes in his hand writing, T. Gaisford.'
Lot 110
dated Windsor, 28th August 1688, appointing Edward Greg of Newcastle (upon Tyne) to the position of Free Merchant, signed ‘James R’, countersigned by Lord Sunderland, addressed to Timothy Davison, Governor of the Company of Merchants, Newcastle upon Tyne, 19 x 30.5cm, some browning, a few neat repairs; Bolingbroke, Henry St John, Viscount, 1678-1751 Letter Signed, dated Whitehall, 28th July 1714, on paper, writing to ‘Mr Topham or his Deputy’ asking that Monsieur Corville, Envoy Extraordinary from France, be admitted to The Tower to review records kept there, on behalf of the Signeur d’Arche (the author of a history of France) and on behalf of M. Desmarck, who is searching for documents to support a lawsuit, 2pp., 17.5 x 22.5cm; Walpole, Robert, 1676-1745 Order for Payment, signed [and the Royal Hospital at Chelsea] dated October 6th 1734, order to pay Charles Lord Cornwallis £375 without account for one quarter of a year “on his several allowances of Seven hundred pounds per ann and of Eight hundred pounds per annum and these together with His ? assigns acquittances shall be your Discharge herein”, signed Walpole, Halifax and others, 23.5 x 37cm, a little chipping and worming; [Idem] Sum of accounts, dated 6th September 1733, "Accounting in all to the Sume of One Hundred Fifty One Pounds, and Sixpence... And Our Will and Pleasure is, And we do hereby Authorize and Direct, That out of any Payments, you shall make to the said reduced Officers of Our Land Forces and Marines... you deduct Six Pence in the Pound which is to be Applied towards the Support of Our Royall Hospitall at Chelsea...", signed Walpole, Clayton and Yonge, on paper, 29 x 46 cm (4)
Lot 218
Football related Monopoly, comprising 2010 Fifa World Cup South Africa, 2006 Fifa World Cup Edition, Manchester United Editions (x3), Arsenal Edition, The FA Premier League Edition 1999-2000, World Cup France 98 Edition,. Rangers Football Club Edition and Chelsea Football Club Edition, all boxed. (10)
Lot 330
A porcelain and yellow metal mounted 'Girl-In-A-Swing' polychrome scent bottle, modelled as a goat herder and goat on a bocage ground, gilt highlights to the figure and foot rim, by Charles Gouyn's St James's factory c.1750, 6.5cm highBIOGRAPHICAL NOTE FROM THE BRITISH MUSEUM: Charles Gouyn, a Huguenot born in Dieppe, was a jeweller with premises in St James's. Gouyn helped Nicholas Sprimont set up the Chelsea Porcelain Factory. But in about 1748 Gouyn severed his links with Sprimont and the Chelsea Porcelain Factory and set out to compete with his own 'Girl-in-a Swing' manufactory, so called after a figure in the V&A which has given its name to a whole class of similar porcelain figures. Gouyn's factory also made small scent bottles, etc usually with gold or gilt metal mounts collectively known as 'toys'. Some 'Girl-in-a-Swing' products appear to imitate Chelsea porcelain models and vice versa.
Lot 562
Three Derby bocage figures, late 18th century, each modelled as a putti holding a flower basket on a gilt highlighted rococo base, the tallest 13cm high, with two similar Chelsea-Derby bocage figures, painted gold anchor marks to bases, each 12cm high and a mid 19th century treacle glazed flask modelled as Queen Victoria (6) (at fault) CONDITION REPORT:All three Derby figures show evidence of repair, most noticeably to the arms and the bocage stands. All three appear to show evidence of over-painting to the bodies. One shows losses to the glazed surface on the shoulders. One of the Chelsea-Derby figures shows a failed repair to the bocage tree (now detached but present). All pieces show losses to the floral encrustation and rubbing to the gilt highlights.
Lot 259
A GOOD COLLECTION OF ENGLISH 'CHINOISERIE' DECORATED WARES, 18th century, comprising Worcester 'Rockerfella' pattern teapot, lacking cover, 19cm long, a rare 'Chelsea ewer' in the same pattern, 8.5cm high, and a number of tea bowls and saucer dishesCondition Report: Teapot with old restoration to tip of spout and lacking cover, good condition overallThe small ewers, Newhall example, in excellent conditionThe other ewer in good condition with minor shallow chip to foot and old restoration to handle, very little surface wearThe tea bowls in good condition, one saucer dish with faint hairline crack (red anchor example)See images
Lot 258
A GROUP OF FOUR 18TH CENTURY BLUE AND WHITE 'CHELSEA EWERS', various factories, and a miniature sauceboat, moulded with ribbed sides and decorated with oriental pagoda landscape, 13cm long, and three polychrome 'Chelsea ewers',(8)Condition Report: One example with several cracks towards back and handleOne example with old metal repairs to the handle and two crack alongside itAll examples show signs of wear and tear to rimSee images
Lot 174
Terence Cuneo (British, 1907 - 1996) a group of three Calendar pages, depicting industrial scenes after the artist, 1951 - 1952. two paintings on each calendar, signed in the print, comprises: 1). 'Koehring twinbatch paver in action on runway construction'. the image for May / June 1951, signed and dated June 1950 in the print; With 'Overhauling heavy equipment at the Plant Depot'. the image for September / October, 1951, signed in the print; 2). 'New machine house for South Africa Pulp and Paper Industries Limited, Springs, South Africa'. the image for March / April 1952, signed and dated May (year clipped); With'Cofferdam and river intake works in the Cattlewater Estuary, Plymouth, Devon'. the image for May / June 1952, signed and dated February 1951 in the print; 3). 'Generating station and wharf construction for the British Electricity Authority at Plymouth, Devon'. the image for September / October, 1952, signed and dated June 1951 in the print; With 'Amphitheatre at Voortrekker Monument, Pretoria, South Africa'. the image for November / December, 1952, signed and dated April 1951 in the print, John Lang and Son Limited., Building and Civil Engineering Contractors, London, Carlisle, Lusaka, Johannesburg, loose sheets, 55 x 80cm. Terence Tenison Cuneo, was a prolific English painter. He studied at Sutton Valence School in Kent, Chelsea Polytechnic and the Slade School of Art, before working as an illustrator for magazines, books and periodicals. Following the second world war Cuneo was commissioned to produce a series of works illustrating manufacturing, railways, bridges, locomotives, mineral extraction, and road building, including the M1. He was also the official artist for the Coronation of Queen Elizabeth II in 1953.Provenance: Royston Cooper. (1931-1985). balloonist, artist, designer, and typographer, by descent from the family of Royston Cooper to the present owner. (Qty 3). Condition Report: 1. 'Koehring twinbatch paver in action on runway construction', With 'Overhauling heavy equipment at the Plant Depot'. the image for September / October, 1951 - small clean edge tear lower l.h. centre edge (approx. 1.5cm.), some very light marks to margins, and light creasing, o/w. clean and bright.2. 'New machine house for South Africa Pulp and Paper Industries Limited, Springs, South Africa'.the image for March / April 1952, With 'Cofferdam and river intake works in the Cattlewater Estuary, Plymouth, Devon'. the image for May / June 1952 - clean edge tear to l.h. centre edge, (approx. 2.5cm.), some minor creasing and very light marks, o/w. clean and bright.3. 'Generating station and wharf construction for the British Electricity Authority at Plymouth, Devon'. the image for September / October, 1952, With 'Amphitheatre at Voortrekker Monument, Pretoria, South Africa'. the image for November / December, 1952 - some minor creasing, (lower r.h. corner with a fold crease), very light marks, o/w. clean and bright.Condition Report Disclaimer
Lot 347
A Chelsea figure of a river God reclining on a rock, circa 1754, encrusted with flowers and foliage, 17cm wide, derived from the marble figures by Edme Bouchardon on the fountain of Grenelle in Paris/Literature: see Cushion (J and M), A Collectors History of British Porcelain, page 42/see illustration/Provenance: Rous Lench Collection and by descent to the current owner CONDITION REPORT: There appears to be some excellent restoration to a break across his right shoulder and neck. His thumb and forefinger on that hand are lacking and the other digits appear to be restored. There is a firing crack in the base which is visible through the front and travels around where he is seated. Also through the mould join of the barrel.
Lot 1075
After Jacobus Collins/Half Birds-eye View of the Royal Hospital of Greenwich/sold by Henry Overton, engraving, 48cm x 67cm and three smaller hand coloured engravings comprising the North View of Row-Hampton, View of the Royal Hospital at Chelsea and the Rotunda in Ranelaigh Gardens and View of Greenwich from Deptford
Lot 1052
*Dame Elisabeth Frink (1930-1993) Rook bronze chess piece, 8cm high, from the ‘Goggled Heads' incomplete series of chess pieces, 1967/9, signed and numbered to underside from an edition of 10 NB: This chess piece featured in the 2008 Mumford Fine Art ‘Unknown Frink’ exhibition and is offered together with tall white painted plinth, approximately 130cm high, Provenance: Peter and Georgette Collins, Stanley Studios, Chelsea, thence by descentCondition report: Frink Catalogue raisonnee ref MRCF5
Lot 1053
*Dame Elisabeth Frink (1930-1993) Pawn bronze chess piece ‘Goggled Heads' 1967/9, signed and numbered from an edition of 10, 6cm high. NB: This chess piece featured in the 2008 Mumford Fine Art ‘Unknown Frink’ exhibition and is offered together with tall white painted plinth, approximately 130cm high Provenance: Peter and Georgette Collins, Stanley Studios, Chelsea, thence by descentCondition report: Frink Catalogue raisonnee ref MRCF5
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