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FOOTBALL AUTOGRAPH BOOK 1909-10 INCLUDING MANCHESTER UNITED An album in which Speirs collected the signatures of players who played against Bradford City including 17 full teams: Bradford City signed by 26 players, Bolton Wanderers X 12, Nottingham Forest X 13, Sunderland X 15, Everton X 12, Middlesbrough X 13, Manchester United X 12 including Bell, Livingstone, Turnbull, Picken, Whalley, Quinn, Hayes, Wall Stacey, Moger, Young and Rimshaw, Notts. County X 13, Tottenham Hotspur X 11, Chelsea X 13, Blackburn Rovers X 11, Liverpool X 12, Bristol City X 15, Aston Villa X 13, Sheffield United X 11, Woolwich Arsenal X 13 and Sheffield Wednesday X 13. Good

CHELSEA AUTOGRAPHS 1950/1 Two lines sheets mounted on board with 31 signatures including Macaulay, Bobby and Jim Smith, Pickering, Bob and Stan Edwards, Lewis, Kell, Oelofse, Bowman, Randall, Allister, Collins, Leadbetter, Parsons, Sillett, Hughes, Jones, Stubbs, Tennant, Wilson, Dicks, Harris, Bathgate, Armstrong, Robertson, Lee, Thomson, D'Arcy and Berry. Good

CHELSEA Programme for the away Friendly v Shamrock Rovers 2/5/1955 in their Championship season, very slightly creased and slight ageing marks on the back cover. Generally good

CHELSEA Programme for the away Friendly v Plymouth Argyle 18/10/1954 in their Championship season, slightly creased and staples removed. Generally good

CHELSEA Single sheet programme for the away Friendly v Bournemouth & Boscombe 12/8/1961, slightly creased and team changes. Generally good

CHELSEA Programme for the away Battle of Britain Trophy match v Wealdstone 4/9/1962, slightly creased, scores entered and team changes. Generally good

CHELSEA Programme for the away Friendly v Hearts 27/4/1949. Generally good

CHELSEA Single sheet programme for the away Testimonial v Southend United 30/4/1956, slightly creased and team changes. Generally good

CHELSEA Single sheet programme for the away Friendly v American All Stars 30/5/1954, slightly vertical crease. Generally good

CHELSEA Joint issue programme and single sheet insert for the Tour of the Netherlands 26/7/1970 - 1/8/1970 v Ajax, NAC Breda and PSV Eindhoven. The single sheet was issued for the match v PSV Eindhoven on 1/8/1970. Good

CHELSEA Single sheet programme for the away F.L. South match v Fulham 10/4/1944, team changes. Generally good

FULHAM Five home programmes for FL South matches in season 1944/5 v Crystal Palace, Southampton, QPR, Arsenal and Chelsea. All are slightly creased and some have team changes and scores entered. Generally good

CHELSEA Single sheet programme for the away Football Combination Cup tie v Fulham 17/1/1948, slightly creased and slightly ageing marks. Generally good

CHELSEA Single sheet programme for the away London Challenge Cup tie v Fulham 14/11/1949, slightly creased. Generally good

CHELSEA Programme for the away Football Combination match v Fulham 10/11/1951, slightly creased Generally good

ARSENAL V CHELSEA 1922 Programme for the League match at Arsenal 14/1/1922, slight horizontal crease and slightly marked. Generally good

1921 FA CUP FINAL AT CHELSEA F.C. / TOTTENHAM HOTSPUR V WOLVES Programme lacking the back cover, front cover creased and missing bottom right corner and creases and tears throughout. Poor

1954/55 FA YOUTH CUP SEMI-FINAL / CHELSEA V MANCHESTER UNITED Programme for the 1st Leg at Chelsea 16/4/1955, scores entered, Generally good

1955 CHARITY SHIELD / CHELSEA V NEWCASTLE UNITED Programme for the match 14/9/1955 at Stamford Bridge, slightly creased. Generally good

CHELSEA Programme for the away Football Combination match v QPR 8/9/1951, slightly creased. Generally good

CHELSEA Programme for the home League match v Glossop 2/12/1911, slightly creased. Generally good

CHELSEA Programme for the FL South Regional League match v Millwall 14/10/1939. Good

CHELSEA Programme for the away FL South War League match v Brentford 19/9/1942, slight creases and scores entered. Generally good

CHELSEA Programme for the away League match v Stoke City 3/4/1948. Generally good

TOTTENHAM HOTSPUR Joint issue programme for the home Eastern League matches v Cardiff City 1/1/1915 and Chelsea 2/1/1915, ex-binder. Generally good

EUROPEAN COMPETITION SEMI-FINAL PROGRAMMES Twenty five programmes: 14 X Fairs / UEFA Cup, Birmingham v Barcelona 23/10/1957, Birmingham v St. Gilloise 11/11/1959, Man Utd v Ferencvaros 31/5/1965, Leeds v Real Zaragoza 11/5/1966, Rangers v Newcastle 14/5/1969, Newcastle v Rangers 21/5/1969, Liverpool v Leeds 14/4/1971, Leeds v Liverpool 28/4/1971, Wolves v Ferencvaros 19/4/1972, Tottenham v AC Milan 8/4/1972, Liverpool v Tottenham 10/4/1973, Tottenham v Liverpool 25/4/1973, Tottenham v Leipzig 24/4/1974 and Liverpool v Barcelona 14/4/1976. 11 X ECWC, Nurnberg v Atletico Madrid 10/4/1963, West Ham v Real Zaragoza 7/4/1965, West Ham v Borussia Dortmund 5/4/1966, Celtic v Liverpool 14/4/1966, Liverpool v Celtic 19/4/1966, Cardiff v Hamburg 1/5/1968, Man City v Schalke 15/4/1970, Chelsea v Man City 14/4/1971, Man City v Chelsea 28/4/1971, Leeds v Hajduk 1/4/1973 and West Ham v Eintracht 14/4/1976. Mix of slightly and heavily creased, rusty staples and have team changes and scores entered. Fair and generally good.

TOTTENHAM HOTSPUR V CHELSEA 1915 FRIENDLY Programme for the Reserve Team match at Tottenham 30/1/1915, ex-binder. Generally good

TOTTENHAM HOTSPUR V CHELSEA 1914 Programme for the League match at Tottenham 5/9/1914, ex-binder. Generally good

TOTTENHAM HOTSPUR V CHELSEA 1913 Programme for the South Eastern League match at Tottenham 18/1/1913, ex-binder. Generally good

1960/1 FOOTBALL LEAGUE CUP 1ST SEASON / DONCASTER ROVERS V CHELSEA Programme for the tie at Doncaster 16/11/1960, very slightly creased. Generally good

CHELSEA Programme for the away League match v West Ham United 13/9/1930, punched holes and slightly creased. Fair to generally good

CHELSEA Single sheet programme for the away FL South Cup tie v West Ham United 20/4/1940, slightly worn and creased. Fair

CHELSEA Programme for the away London Challenge Cup tie v West Ham United 8/10/1951. Very good

TOTTENHAM HOTSPUR V CHELSEA 1930 Programme for the League match at Tottenham 1/2/1930, very slightly creased and 2 punched holes. Fair to generally good

CHELSEA Single sheet programme for the home Junior Challenge 2nd Leg v Newcastle 22/10/1957, slight horizontal crease. Generally good.

TOTTENHAM HOTSPUR V CHELSEA 1935 Programme for the League match at Tottenham 30/1/1935, very slightly creased. Generally good

TOTTENHAM HOTSPUR V CHELSEA 1935 Programme for the London Combination match at Tottenham 2/2/1935, creased, worn and minor tears. Poor to fair

TOTTENHAM HOTSPUR V CHELSEA 1937 Single sheet programme for the London Combination match at Tottenham 30/3/1937 , team changes. Generally good

TOTTENHAM HOTSPUR V CHELSEA 1938 Single sheet programme for the London Combination match at Tottenham 12/1/1938. Generally good

CHELSEA Programme for the home London FA Cup tie v Crystal Palace 17/10/1955, slightly creased. Generally good

William Tillyer (British, b 1938)  York Vases - Chinese Red- 1981 Woodblock print  Edition no. 84/100 Signed and numbered in pencil bottom right Framed and glazed 77 x 62cm (30.5" x 24 5/8") William Tillyer is a celebrated British painter and watercolourist whose work has been shown frequently in London and New York since the 1970s. Tillyer was born in Middlesbrough and studied painting at Middlesbrough College of Art. He then went on to study at London's Slade School of Fine Art. He began to make radically experimental work, which raised questions about the relationship of art to the world, and of man to nature. The 1970s saw Tillyer return to printmaking with renewed vigour, using a variety of techniques - from etching to five-tone screenprinting - to create lattices that Pat Gilmour described as 'a cool and unpeopled world...in which to reflect the surrounding flux of nature'. Tillyer has been invited to work internationally in locations including Cadiz, Spain; Tobago, Republic of Trinidad and Tobago; Count Kerry, Ireland for the Cill Rialaig Project; and Melbourne, Australia. Tillyer has served as a visiting professor at Brown University in the United States, the Bath Academy of Art, and the Chelsea School of Art. Tillyer has exhibited internationally, and his work can be found in the collections of major institutions including the Brooklyn Museum and Museum of Modern Art in New York; the Art Gallery of Western Australia in Perth; the Arts Council Collection; the Middlesbrough Institute of Modern Art; and Tate and the Victoria and Albert Museum in London. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Andy Council (British, b. 1974) Sacred Heart Print on paper Limited edition 4 / 30 Signed & numbered in pencil to bottom right Framed & glazed 46 x 35cm (18" x 14") Andy Council is a Bristol UK based artist who creates composite beasts made up of architectural landmarks and other recognisable elements. He often incorporates collaboration with communities in his process; identifying local and personal landmarks with  people which are then included in the pieces. His work takes the form of illustration,painting and huge murals which can be seen across the UK and beyond. Andy has pieces in Bristol City Museum's permanent collection and two large scale works in Chelsea & Westminster Hospital, London. He has exhibited in the US and has had his work published internationally.  This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Sir Charles Bennet Lawes-Wittewronge, 2nd Bart., (British, 1843-1911): A carved white marble figural group of Venus and Cupid (Opus 2)The semi-clad goddess looking down on the standing winged putto, his face upheld and clutching his bow, her folded robe and jewelled belt draped across her raised left knee, her hair dressed in an elaborate curling chignon, her foot resting on a rustic outcrop, on square integral plinth base, signed to the front left corner LAWES and inscribed and dated to the right rear corner OP 2 1873, 157cm high, 72cm wide, 56cm deep overall approximatelyFootnotes:ExhibitedThe Royal Academy, Annual Exhibition, 1873, cat.1507.The entry for no. 1507 from the original 1873 Annual (now called Summer) Exhibition catalogue reads as follows:'1507 Female figure and Cupid...C.B Lawes'Sir Charles Bennet Lawes-Wittewronge, 2nd Baronet (1843–1911) was an English rower, athlete and sculptor. Educated at Eton and Trinity College, Cambridge, Charles married his first cousin Marie Amelie Rose Fountaine. After initial successes in the fields of rowing and running whilst at University, he changed direction in the later 1860's, training as a sculptor under the renowned British sculptor John Henry Foley RA (1818-1874) who was a favourite of Queen Victoria's and who made the model for the statue of Albert for the Albert Memorial. Later he trained under the German sculptor Hugo Hagen (1818-1871) before returning to London where he rented a studio in Chelsea. In 1872, he exhibited his work 'Girl at the Stream', the first of twelve exhibited works, at the Royal Academy with later works including 'Daphne' in 1880 and 'The Panther' in 1880. During this period he also won an honourable mention at the Paris Universal Exhibition in 1878. In 1882 he was involved in an infamous libel case with the magazine Vanity Fair concerning the authorship of another sculptor's work and in 1889 he took up competitive cycling. Later in 1901 along side Sir Arthur Conan Doyle, he judged the world's first major bodybuilding competition organised by Eugene Sandow at London's Royal Albert Hall in 1901. In 1906, five years before his death, Laws returned to the field of sculpture, when he executed a bronze group entitled 'The Death of Dirce' based on the Farnese Bull. This work was subsequently realised in more monumental form in marble where it was exhibited at the Franco-British Exhibition in 1908, the same year that as the bronze group was being exhibited at the Royal Academy. The marble is now in the grounds at Rothamsted. After the Law's death, his widow offered the bronze version to the National Gallery of British Art (later the Tate Gallery) where it was installed on an outside entrance where it still stands today.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

ZOLA GIANFRANCO: (1966- ) Italian footballer. A white souvenir short sleeve Umbro football jersey issued to celebrate Chelsea FC's victory against Aston Villa in the FA Cup final at Wembley Stadium (the last to be played at the old stadium) on 20th May 2000. Signed by Zola in black ink across the front of the jersey, 'con simpatia, G Zola'. VG

[WHISTLER JAMES MCNEILL]: (1834-1903) American painter. The personal printed black bordered small oblong 12mo Visiting Card of Whistler, unsigned, featuring his printed name ('Mr. J. McNeill Whistler’) to the centre and addresses at both Cheyne Walk, Chelsea (London) and Rue du Bac (Paris) to the base. Accompanied by the original envelope addressed to Madame and Mademoiselle Mallarme at Rue de Rome and postmarked at Paris, 1898. Some light age wear to the envelope, otherwise VG Genevieve Mallarme (1864-1919) Daughter of the French symbolist poet Stephane Mallarme and the subject of James McNeill Whistler’s painting Rose et gris: Genevieve Mallarme (1897).

FREUD LUCIAN: (1922-2011) British painter. A good, rare A.L.S., with his initial L, two pages, 8vo, Rue de Seine, Paris, n.d. (1953), to Ann [Fleming], on the printed stationery of the Hotel La Louisiane. Freud announces ‘In spite of Doc. Leadinghams (sic) warning “Life is cruel, my dear!” we are very well’ and explains that Caroline [Blackwood] will be coming to London for two days on the 18th, ‘so could you please make a date for her with leadface for the 19th?’, further writing of his upcoming marriage, ‘I think a Paris wedding would perhaps be best as one needs no documents except my divorce papers but where-ever it takes place do please be my best man! The main advantage of being married here is that it can be done at dusk so that one can emerge, spliced, into the Paris night’. Freud also makes a reference to Ann’s husband, Ian Fleming, stating ‘I am becoming rather like Ian in so much so that a number of subjects can not safely be mentioned in my presence’. A letter of good content and association. Some very light, extremely minor creasing, otherwise VGAnn Fleming (1913-1981) British socialite whose third husband, from 1952, was Ian Fleming (1908-1964) British writer of the James Bond series of spy novels. Ann Fleming’s friends included the artists Francis Bacon and Lucian Freud, the latter of whom painted her portrait.Lady Caroline Blackwood (1931-1996) English writer, socialite and dilettante. Blackwood, the Guinness heiress, was depicted in Freud’s painting Girl in Bed (1952) as well as the autobiographical Hotel Bedroom (1954), the latter also featuring Freud himself and painted at a time when his relationship with Blackwood was beginning to unravel. Both paintings were executed at the Hotel La Louisiane, from where the present letter was written. Ann Fleming had introduced Blackwood to Freud and in December 1952 the two lovers eloped to Paris. Freud’s marriage to his first wife, Kitty Garman, was formally dissolved on 27th November 1953 and two weeks later, on 9th December, Freud and Blackwood were married in a civil ceremony at the Chelsea Register Office in London.

A WORCESTER FLUTED FANCY TEACUP AND SAUCER circa 1778-82, painted in columns, each with an exotic bird before a tree in the Duvivier style, the interior of the cup and the border of the saucer each with three-quarter trellis panels with double puce swags between, 13.2cm diameterProvenance: Hugh Langmead, Duke's July 28th 2016 lot 232.The collection of the late Anthony du Boulay FSA (1929-2002).Literature: This type of design represents the last phase of the Dr. Wall period. The exotic birds first painted at Chelsea over 20 years previously is typically portrayed.

Boxed Subbuteo Table Soccer Super Set (with red & blue teams), together with three LW teams (Manchester United, Arsenal & Chelsea), C.126 Passing Tee & Dribbling accessory set and C.105 goalkeepers

Nell Dunn, titles: 'Up the Junction', London, Macgibbon & Kee, 1963, 1st edition, card signed by Nell Dunn and Jeremy Sandford loosely inserted, postally used with hand written address, stamp and Chelsea postmark dated 20 January 1967 verso, original cloth gilt, dust wrapper (12s 6d price intact), 'Talking to Women', L, Macgibbon & Kee, 1965, 1st edition, orig. cloth gilt, dust wrapper, 'Poor Cow', L, Macgibbon & Kee, 1967, 1st edition, orig. cloth gilt, d/w (18s net price intact) (3)

(Interior Design, Georgina Fairholme, John Fowler.) Five books on interior design, art etc. from the estate of the interior designer Georgina Fairholme (1921-2019,) protégé of decorator John Beresford Fowler (1906-1977), founder of the esteemed London firm of Colefax & Fowler, some with autograph letters signed from John Fowler to Georgona Fairholme loosely inserted, others signed & inscribed by Fowler to Fairholme or by the author to Fairholme. Items include Richard Hampton Jenrette: 'Adventures With Old Houses', foreword by HRH The Prince of Wales, Charleston, Wyrick & Company, 2005, 1st edition, content includes 1 Sutton Place North (p.33-41), New York town house purchased by Richard H. Jenrette in 1972. Jenrette decided that he wanted a distinctly British look for the interiors, so he called New York designers Harrison Cultra (1941-1983) and Georgina Fairholme (1927-2019) for a “quick fix on this grand English-style Georgian house.” (p.37.) With 25 mainly black & white photographs of the interior of the property loosely inserted, Cultra-Fairholme inkstamps verso, together with 2 Autograph Letters Signed from John Fowler to Georgina Fairholme 1974, "...My Dear Georgina. It was so nice to hear from you and to hear that you are doing well & enjoying it. I am so glad...I am better thank you but feel weak & very tired but i'm getting better I am sure. I probably work too hard both for the N.T. & now that P.[rince] Charles has decided to make Chevening his home there is a great deal to do & organise. I saw him there last week & he's so thrilled with the possibilities of the house it's very fine & we must make it really nice; he's such a dear fellow...I shall much look forward to seeing you when you are over & I do hope you will come for a weekend here. No more now as i've got to go up to London this morning. I hate it! Lots of Love J.", 39 lines, 2 leaves, The Hunting Lodge, Odiham, Hampshire headed paper, original hand written addressed postally used envelope, with another 23 line ALS from Fowler to Fairholme similar period, plus original Typed Letter Signed from the firm Sibyl Colefax and John Fowler Ltd., 10th September 1964, to Georgina Fairholme offering her the job as advertised, signed D.J. Nuttman, secretary, all loosely inserted in the book, original pictorial wraps; plus John Fowler and John cornforth: 'English Decoration in the 18th Century', L, Barrie & Jenkins, 1974, 1st UK edition, 20 page ALS from John Fowler to Georgina Fairholme c.1970's loosely inserted, together with some other associated cuttings and ephemera incl. John Fowler in memoriam Order of Service 24th November 1977 etc., orig. cloth gilt, dust wrapper (d/w worn); plus Stalker & Parker: 'A Treatise of Japanning Varnishing and Guilding 1688', L, Alec Tiranti, 1960, John Fowler's copy with his ownership signature dated Jan. 1961 at head of FFEP, subsequently signed & inscribed by Fowler to Georgina Fairholme beneath and dated October 1970, orig. boards gilt, Stella Margetson: 'Leisure and Pleasure in the Eighteenth Century', L, Cassell, 1970, 1st edition, signed & inscribed on FFEP from Fowler to Fairholme Christmas 1970, orig. cloth, dust wrapper, plus Erica Brown: 'Interior Views - Design at Its Best', NY, Viking Press, 1980, 1st edition, signed & inscribed by the author to Georgina Fairholme on FFEP "For Georgina With love - & admiration Erica Brown", orig. cloth gilt, dust wrapper. Interior designer John Beresford Fowler CBE (1906–1977) joined the decorating and antiques firm Thornton Smith, where he painted Chinese-style wallpaper (sold as 18th century originals), and learned other paint decoration techniques, such as marbling and graining, and subsequently decorated furniture for Peter Jones. He established his own business on the Kings Road in Chelsea in 1934, and then went into business with Sybil Colefax, founding Colefax & Fowler. Nancy Lancaster employed him to help with the decoration of her own rooms but became fascinated with decoration herself. At the end of World War II she bought the firm that became Colefax and Fowler from the retiring Colefax. He leased the Hunting Lodge at Odiham in Hampshire from the National Trust in 1947, and his simple but elegant decorative scheme made a great impact. Fowler was involved in the redecoration of dozens of substantial country houses and town houses, including Radbourne Hall, Daylesford House, Tyninghame House and Grimsthorpe Castle. He also worked on decorative schemes for Buckingham Palace, Holyroodhouse, Chequers, Chevening, Christ Church, Oxford, and the Bank of England. In the 1960s and '70s Fowler was still engaged in major commercial projects but increasingly preferred to work with the National Trust. By the time of his death in 1977, at the age of 71, John Fowler was recognized as the éminence grise of English decoration.Georgine Fairholme was born in London, 18 August 1927, and attended St Martin’s School of Art in London. She subsequently worked at interior designer Joy King’s Elizabeth Eaton shop in Belgravia before joining the esteemed London firm Colefax & Fowler in 1964, where she became a protégé of decorator John Fowler, founder of the firm. She re-located to New York to work in the firm’s Manhattan office and later joined Rose Cumming, in whose studio she presumably met the designer Harrison Cultra (1941-1983.) Together they formed the Cultra-Fairholme partnership, clients included Richard H. Jenrette and Jacqueline Kennedy Onassis amongst others. Following the dissolution of the partnership, in 1978 she opened her own firm in New York City in a fiercely competitive sector but ran a book with many famous and notable clients including Jacqueline Kennedy Onassis, Mr. and Mrs. Paul Mellon as well as Mr. and Mrs. John Hay “Jock” Whitney. In 1986, Architectural Digest called Fairholme the “doyenne of English Country Style.” In addition to designing interiors, she designed furniture, china, fabrics and wall coverings. On retirement she moved to Italy thence for the last 17 years of her life to Lavenham, Suffolk. She died in Bury St Edmunds 27 August 2019 – soon after her 92nd birthday. Provenance by descent

(Classical Music.) Jacques Blumenthal (1829-1908), German pianist and composer, settled in London, where he became the pianist to Queen Victoria, Autograph Letter Signed, [3]pp, on Queen's House, Cheyne Walk, Chelsea headed paper, 10 June 1907 "My dearest Pamela...I covet the great pleasure of fulfilling one of your .. wishes. I had the whole of Germany surveyed to find a copy of the completely extinct (out of print) Beethoveniana 2 volumes printed in 1872 & 1889. I am sorry it took such a long time, but at last I succeeded & here they are & you must allow me to lay them at your feet...Your devoted old friend Jacques Blumenthal', possibly to one Pamela Margaret Jekyll (1889-1943) of Chelsea, daughter of Dame Agnes Lowndes Jekyll (1861-1937) and Herbert Jekyll, niece of Gertrude Jekyll (1843-1932), the notable horticulturist and garden designer. Together with the 2 volumes mentioned in the letter, Gustav Nottebohm: 'Beethoveniana - Zweite Beethoveniana', Leipzig, J. Rieter-Biedermann, 1872, 1887, vol. 1 203pp, a/f, lacks wraps, vol. 2 590pp, old cloth, gilt lettered title label to spine (3)

Mixed collection of ceramics and glass inc. a signed Art glass flower vase, Crown Staffordshire 'Chelsea Manor' posy vase, Bunnykins bowl, Coalport ware, Sylvac ware, etc. (qty. in 3 boxes)

A QEII King's Own Scottish Borderer's warrant officer's tunic and trews, together with as-new Army Chelsea boots (size 10), Sanders officer's brown leather shoes, leather gloves, sash, Sam Browne belt and sword frog

ENGLISH FOOTBALL, ARSENAL, EVERTON AND CHELSEA F.C. COLLECTIONS comprising, Arsenal 1960s programmes home, away, vs. Brazil, cups League and FA, Chelsea programmes in Europe and pennant, Everton programmes league and cup, also pennant

David Pugh Evans (1942 - 2020), A Large Room and a Bed, signed, pencil on paper, 39 x 57 cm, framed and glazed 56 x 72.5 cm The Estate of Dame Barbara Mary Quant, DBE CH FCSD RDIGilbert Parr Gallery, King's Road, Chelsea label verso, Owner: A. Plunket Greene

Chelsea GirlsAndy Warhol Films, 1966,British poster, signed and dated in black ink by Alan Aldridge, 1971, artwork by Alan Aldridge 30in x 20in (76cm x 51cm)Footnotes:LiteratureNourmand, T & March, G. 'Film Posters of the 60s', (Aurum Press, 1997), p.39 (illus.)For further information on this lot please visit Bonhams.com

Punk: A Collection of Punk Flyers,circa 1976-1982,including seven flyers for The Roxy, featuring Heartbreakers, Chelsea, Eater, Siouxsie and the Banshees, Buzzcocks, Johny Moped Band, X-Ray Spex; The Stranglers; Wayne County, and The Slits; a flyer for the Marquee Club featuring Generation X; The Vortex featuring The Heartbreakers; The Clarendon Hotel featuring Killing Joke; Drill Hall featuring Crass; Kings Hall, Manchester, featuring Public Image Ltd (two copies); and additional flyers for Tribe, Scala, The Other Cinema, Rough Trade Records, and Sex Pistols, the majority approx. 8 1/4 x 11 1/2in (21cm x 29cm)smallest 8in x 5 1/2in (20cm x 14cm)(Qty)For further information on this lot please visit Bonhams.com

Mr Freedom: Two Long-Sleeved Star Shirts By Mr Freedom,1969-1970,comprising two long-sleeved cotton shirts, one orange shirt with red-brown stars, label to inside collar printed with the letter B; the other cream shirt with brown stars, label to inside collar printed MR FREEDOM, orange shirt approx. 28in (71cm) chestcream shirt approx. 32in (81cm) chest Footnotes:Provenance:From the collection of Music Agent/Manager, Tony Howard.Mr Freedom (Trevor Myles) operated his fashion boutique out of 430 Kings Road in Chelsea, London. The site was later acquired by Malcolm McLaren who went on to run the store under the names Let It Rock (1971-1973) Too Fast To Live, Too Young To Die (1973-1974), SEX (1974-1976), Seditionaries (1976-1980), and World's End (from 1980).There are examples in the V&A collection, in the acquisitions overseen by Cecil Beaton when he curated the country's first substantial retrospective exhibition, Fashion: An Anthology (Oct 1971 to Jan 1972). This design was popular among musicians, worn in photoshoots and performances by Marc Bolan, Barry Ryan, Nick Mason of Pink Floyd and Black Sabbath drummer Bill Ward, as well as appearing in advertising for Orlon.For further information on this lot please visit Bonhams.com

Elvis Presley: An Acetate Recording Of That's All Right,1954, a single-sided 10in, 45rpm disc, Memphis Recording Service label with typewritten details and misspelling, That's All Right Elvis Pressley with Scotty and Bill, also stamped W.H.B.Q. Memphis, the blank reverse etched WHBQ 10-3-55 (illegible) out no good, in later sleeve, with letter signed by Johnny Earle on JEMusic headed paper, undated, 10in x 10in (25.5cm x 25.5cm)Footnotes:This important acetate contains Elvis Presley's version of blues singer Arthur Crudup's composition from the late 1940s and was Elvis' debut single release.It was recorded on 5th July 1954, during Elvis' fifth visit to Sam Phillips' Sun Studio in Memphis. Previously, Phillips had heard nothing by Elvis that had caught his attention but on this occasion, in a break in recording with Scotty Moore on electric guitar and Bill Black on string bass, Elvis began singing an improvised, up-tempo version of Crudup's That's All Right, Mama with his acoustic guitar and Phillips thought he was hearing something special. They recorded it 'live', with all parts performed together and put down on one track, with no drums or additional instruments. Phillips then gave acetate copies to several local disc jockeys, including WHBQ's Dewey Phillips.Two days after the recording, Dewey played the acetate on his show and was met with such a reaction that he apparently played it more than a dozen times and received more than forty phone calls from listeners. It was officially released on 19th July and sold in the region of 20,000 copies, reaching No.4 in the local Memphis chart. Whether or not this can be regarded as the first rock 'n' roll record is arguable, but it is certainly the one that launched Elvis Presley's career, bringing him to a national, then global audience, and eventually earning him the title 'The King Of Rock 'n' Roll'.Provenance:Ex-lot 229, Bonhams Chelsea, High Art, Rock & Pop, 5th August 1998.Ex-lot 59, Whyte's, Irish Art & Collectibles, 24th March 2013.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Chris Wood/Traffic: A 'Granny Takes A Trip' Jacket Owned By Chris Wood,circa 1969,the gold coloured jacket with green and pink embroidered flower motifs, Nehru collar, single-breasted with plastic buttons, fully lined with a green geometric silk fabric with a GRANNY TAKES A TRIP, THE WORLD'S END, CHELSEA' label on the inside, with letter of provenance,Footnotes:Provenance:Property from the Estate of Chris Wood (1944-1983).Literature:Chris Wood: Evening Blue, 2017, pp. 162-163 (illustrated).Exhibited:The Rock And Roll Hall Of Fame, Cleveland, after the induction of Traffic to the Hall of Fame in 2004.Chris Wood (1944-1983) was a British rock musician, best known as a founding member of the rock band Traffic, along with Steve Winwood, Jim Capaldi and Dave Mason. Chris's younger sister Stephanie designed clothes for the Spencer Davis Group, based in Birmingham, and it was through her that Wood was first introduced to fellow Birmingham native Steve Winwood.At the age of 18, Winwood abandoned the Spencer Davis Group at the height of their popularity and, along with Wood, Capaldi and Dave Mason, formed Traffic. Wood played with Jimi Hendrix in 1968, appearing on the Electric Ladyland album. In 1969, Wood also appeared on the eponymous second album of Free and the Small Faces' The Autumn Stone In 1970, Wood and his wife, along with Steve Winwood, joined Ginger Baker's Air Force, releasing one album before reforming Traffic. Wood remained with Traffic from the time of its 1970 reformation until its 1974 breakup.The present jacket is believed to be the only surviving article of stage clothing from Chris Wood's days with Traffic, and would have first been worn during Traffic's 1970 US tour, ahead of the release of John Barleycorn Must Die.For further information on this lot please visit Bonhams.com