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NINE VARIOUS DECORATIVE PLATES BY ROYAL WORCESTER, ROYAL DOULTON, SPODE AND ROYAL CROWN DERBY, including two Spode The Cabinet Collection Arundel and Kingswood, both 20.5cm diameter, two Royal Crown Derby Chelsea Garden, both 21.5cm diameter and four Royal Worcester designs reproduced from patterns created for the Prince Regent in 1811 (9)
A 1920s/30s conical shaped vase with flared rim and foot, with Chinese inspired floral and exotic bird decoration, partial stamp to base Fieldings, Stoke on Trent, England, Chelsea (31cm) and another modern bottle shaped vase depicting Lillies, stamped Franz with Chinese character to base (2)
Quantity (11) of London MAPS & PLANS prepared in 1903/04 for the Royal Commission on London Traffic. Includes plans for an elevated railway along Chelsea Embankment, tramway subways in the Strand, proposed new street with trams above and trams/trains below, City & South London Railway with proposed extensions and Light Railways and Tramways in the County of Middlesex. A treasure trove of fascinating information. Generally in very good condition. [11]
signed and dated (lower left), oil on canvas49.5cm x 42cm (19.5in x 16,5in)Provenance:Property of a Gentleman, Glasgow. Exhibited:Royal Society of British Artists (RBA) & Royal Institute of OiI Painters (ROI), Joint Summer Exhibition, Suffolk Street Galleries, London 1942, no.23. Literature:Woman’s Journal Magazine, May 1942 (illustrated on front cover). The current work will be included in the forthcoming catalogue raisonné of David Jagger by Timothy Dickson. Footnote: Provenance:Property of a Gentleman, Glasgow. Exhibited:Royal Society of British Artists (RBA) & Royal Institute of OiI Painters (ROI), Joint Summer Exhibition, Suffolk Street Galleries, London 1942, no.23. Literature:Woman’s Journal Magazine, May 1942 (illustrated on front cover). The current work will be included in the forthcoming catalogue raisonné of David Jagger by Timothy Dickson.Jagger was at the height of his fame on the outbreak of the Second World War. The doubts and uncertainties of war-time London did not diminish his output, notable portraits included the future Prime Minister, Winston Churchill (1939) and the theatre and film actress, Vivien Leigh (1941) This head and shoulders portrait of Mrs. Olive Thelma Exley Bader, née Edwards (1907-1971), wife of Wing-Commander Douglas Bader, D.S.O., D.F.C., was painted at a point when the country was in the depth of the conflict and her husband, the famed and inspirational RAF fighter pilot, had been captured and held prisoner by the Germans. Douglas Bader had become a legend because of his skill and dogged determination, and in refusing to let the loss of both his legs following a plane crash in 1931 prevent him flying Spitfires during the Second World War. He fought valiantly over Dunkirk in the Battle of France. During the Battle of Britain he was given the command of No. 242 Squadron which brought down 67 German aircraft. His luck ran out during a mission over France in 1941, when his plane was damaged and he was captured, but he continued to make multiple escape attempts from countless prisons including Stalag Luft III (the scene of the Great Escape) eventually ending up in Colditz from where he was freed in 1945. As a counterpoint to his rather austere male portraits of British military personnel, Jagger painted a select group of portraits of female sitters. These included Dorothy Hyson, a cryptographer at Bletchley Park, Eileen Joyce, an Anglo-Australian concert pianist, who rose to fame during the Second World War and was regarded by the general public in a similar vein to Gracie Fields and Vera Lynn and latterly Mrs. Thelma Bader, wife of Wing-Commander Douglas Bader, D.S.O., D.F.C. Jagger also produced two portraits of countesses, one of whom was an ATS ambulance driver. Most of the aforementioned female portraits were reproduced as front cover images for the popular magazine, ‘Women’s Journal’. The portrait images were carefully selected to ‘reflect strength and fortitude during a time of adversity’. This portrait of Mrs. Thelma Bader is arguably the most visually striking and accomplished work of the group. Unusually for Jagger the portrait of Mrs. Thelma Bader was painted at her residence in Bagshot, Surrey. Most of Jagger’s portrait sittings were conducted in his Chelsea studio but it had been virtually destroyed during the London Blitz two years earlier. We are grateful to Timothy Dickson for his kind assistance in cataloguing the current work.
Roy Bentley signed 16x12 black and white print Chelsea centre forward Roy Bentley enjoys a mid-air battle with the Charlton goalkeeper Sam Bartram as reigning League Champions Chelsea beat their London rivals 2 1 at The Valley in October 1955. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Bobby Tambling signed Chelsea Legend Bobby Tambling 16x12 black and white print Bobby Tambling of Chelsea tries a shot at goal from an acute angle as Burnley's Les Latcham and Harry Thomson attempt to block him Stamford Bridge 1969. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
CHARLES VYSE (1882-1971); a stoneware vase covered in banded grey and white glaze with floral decoration, incised 'Charles Vyse Chelsea', height 13.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
SET OF SIX CHINESE BOWLS AND OTHER CERAMICS,along with a ginger jar, Yixing tea pot and jug and other ceramics including a Palissy-type crab dishCondition report: Two of the bowls chipped, some decoration losses to vase, scratches and scuffs to yixing tea pot, rice inset bowl with hairline, imperfection to rim of New Chelsea vase, scratches to black and gold vase, some small chips to moulded detail of Palissy-type dish
Gardens.- Amherst (Hon. Alicia) A History of Gardening in England, second edition, 1896 § Jekyll (Gertrude) Children and Gardens, 1908 § Maxwell (Sir Herbert) Scottish Gardens..., 1908 § Blunt (Wilfrid) In for a Penny: A Prospect of Kew Gardens..., 1978 § Le Rougetel (Hazel) The Chelsea Gardener: Philip Miller 1691-1771, 1990 § Thompson (Ian) The Sun King's Garden, 2006, plates and illustrations, some colour, original cloth or boards, the first pictorial gilt, the first three rubbed, the last three with dust-jackets, the last nicked at lower outer corner; and 3 others on garden history and design, 8vo & 4to (9)⁂ The first is the first scholarly account of the history of gardening and contains an extensive bibliography.
Théodore ROUSSEL (1847-1926)Chelsea Palaces (Scarab, Grecian Key and Fly Pattern Mount)Coloured etching and aquatint on hand-coloured mount26 x 29cmWorks from the same series are held by The V&A, London and The Met, New York. 'This print belongs to a set of colour prints made by painter and etcher Theodore Roussel in the 1890s. Each print was the result of considerable experimentation and is printed in colours ground and mixed by the artist. Each is mounted on one of two etched mounts also designed by the artist and printed in a range of colours selected especially for the image. Roussel was born in Britanny and educated in Paris. In 1874 he moved to England. It was at Whistler's suggestion that he took up etching, developing the master's highly personal and private vision into public decorative works intended for the domestic interior. His approach to colour printing was revolutionary and fundamental to printing in colours in the twentieth century. In 1910 he became the first President of the Society of Graver Printers in Colour. This set, issued at the end of the nineteenth century, has a key place in the development of the print from the private 'portfolio' works to public pieces with a decorative role akin to painting.' - The V&A
PLEASE NOTE ONE TURQUOISE SAUCER IS BROKEN (SEE ADDITIONAL IMAGE) Collection of studio pottery, to include a polychrome glazed teapot, incised marks for Nick Juniper Bideford Pottery to base, a vase marked 'B and J, February 19th 1955-1985', h17.5cm, six yellow and black glazed pottery jars and covers for rice, thyme (no cover), parsley, paprika, pepper and peppercorns, a salt and pepper, brown glazed ashtray, blue glazed dish decorated with a frog on lily pads, a honey pot marked Chelsea England, h8cm diameter 26cm, a pottery owl, a similar dog money bank, cups, saucers and milk jug and others (qty) Condition Report: One of the turquoise saucers is broken. Another with fritting to rim. All three with crazing and minor surface scratches. Crazing to circular plaque.Honey pot - fritting to rim, scratches and fritting to rim of base. Planter - scratches and fritting to feet, scratches to base.Iden pottery jug - crazing to base.Small double handled vase - fritting to rim and scratches to base. Teapot - possible repair to spout. Paprika jar - chips to lid and minor losses to glaze on rim of jar.Peppercorn jar - minor fritting to rim of lid. Chip to rim of jar.Rice jar - firing imperfection to base. Thyme jar - missing lid.B and J vase - repaired breaks to rim, chips to rim and crazing throughout. Frog vase - Hairline crack to rim. Scratches to exterior and interior. Firing imperfection to base.
An 18th century porcelain wall pocket, possibly Chelsea gold anchor (unmarked), painted with birds, 15 cm x 22.5 cm, together with other porcelain items, 18th century and later.Estate of the late Della Howard. Please see the related article on https://www.dawsonsauctions.co.uk/Condition report: All with damages and or restoration - see online imagesSmall cup with fully restored handle.Pictorial saucer with Y shape and vertical rim to foot rim hairline cracks.One of the pair of saucers has a large crack to the underside which is visible on the upper surface. The other matching saucer has large restoration patches and hairline cracks.One of the matching mugs has a restored handle.The wall pocket has a break at the top and a large crack running around the base, the bottom egde has rim chips to the front.The square pot has two restored sides and the cover knop and one corner has been restored.Red ground cup has been fully restored with overspray all through the interior, handle also restored, the cover knop has numerous chips.The leaf shape dish is missing 50% of its handle, has small rim chips and a large rim chip to the underside.Decoration and any gilding on all items is rubbed or partially erased.
SEBASTIAN PETHER(England, 1790-1844)."Landscape."Oil on canvas.Measurements: 43 x 53 cm; 64 x 74 cm (frame).Sebastian Pether was an English landscape painter. Eldest son of Abraham Pether, he was a pupil of his father and followed him in subject matter. Marrying young and having a large family of nine children, he had few opportunities to create commissioned works and exhibit, but he did have a few dealers. Pether's main works consisted of twilight landscapes, moonlight and sunsets. In 1814 Pether sent to the Royal Academy View from Chelsea Bridge of the Destruction of Drury Lane Theatre, and in 1826 A Caravan Overtaken by a Whirlwind, a commission from John Fleming Leicester.
A William de Morgan 'Leaf and Berries' type Tile, 1882-1888, of 'Small B' type, with sixteen squares and coloured in green, blue and turquoise, impressed Merton Abbey mark, 15.7cm square and a German ceramic 'Leaf and Berries' vase by Christian Neureuther, circa 1910-1920, decorated with blue and turquoise flowers on a mottled tan ground, factory mark 'K.A.W.' [Kunstabteilung Wachtersbach] and 'C.N' and numbered '5985' and '6100', 14.3cm high (2) Provenance: From the Mohamed Makiya CollectionCompare with an earlier Chelsea period version of this tile painted on a Poole pottery blank, Jon Catleugh, William de Morgan Tiles, p. 50, pl,. 22Condition Report: the vase with some dirt and old water deposits inside but no apparent damagethe tile with glaze grazing and some relatively minor chips to edgesCondition Report Disclaimer
Lowestoft porcelain cream boat c.1764 of low Chelsea ewer form with underglaze blue decoration of daisies and trailing foliate and spider beneath spout, 6cm high (hair crack). See Sheenah Smith, Lowestoft Porcelain in Norwich Castle Museum, 1975, item 135, also Michael Berthoud, A Cabinet Of British Creamers, 1999, pl.97.
A Large Vintage Military Headquarters Wooden Sign, HQ 47 Infantry Brigade, 123cm x 125cm. The 47 Infantry Brigade were part of the 16th (Irish) Division and served in Belgium and France from 1915-18. During the Second World War, it was redesignated as the 47th (London) Infantry Division in 1940 before being further redesignated as the 47th Infantry(Reserve) Division in 1944, in which capacity it remained through the rest of the war. Equally, this sign could be later and relate to the Territorial Unit. Records show that HQ 47th Infantry Brigade (TA) had their drill hall at the Duke of York's HQ, King's Road, Chelsea in 1947 and was attached to the 44th Home Counties Infantry Division
A 19th Century Chelsea Derby style ceramic figural group, depicting figures before a floral bocage, bearing gold anchor mark to verso, 22cm high, together with a ceramic model of a boar, 11cm high, and a spill vase modelled as a gnome and piglet seated on a garden bench, 14cm high (3)Condition report: figural group:extensive chips and losses all overfoliage largely broken offfingers missingeggs missingpaint losses alloverchips to base etc boar:small chip to ear spill vase:paint losses alloversmall chips to edges
ROYAL DOULTON HISTORIC SERIES WARE, comprising Plymouth Hoe plate, Stratford Church dish, Temple Bar bowl, Haddon Hall and Chelsea Hospital squared plates, HMS Victory dish featuring Lord Nelson, The Tower of London rectangular tray, two pin trays, cottage scene and Sedan chair, Robin Hood sugar bowl, all D5940, together with a pair of old English costume plates, (Condition Report:- overall condition good, no chips or cracks, light scratches in places, some wear to the borders) (12)
Football Memorabilia Box: Includes cards, Super 8 cine film of the 1966 World Cup Final and 1978 FA Cup Final, 1965 Stanley Matthews Stoke City pennant, 1985 European Cup Final pennant Juventus v Liverpool. 48/49 Arsenal team group picture, Sporting Mirror magazines, Chelsea late 60s autographs to include Peter Osgood Tommy Docherty Ron Harris and lots more. Worth a look.
1950s Football Programmes: Must view fresh to the public lot to include 1955 London 5 A Side, 50/51 Plymouth v Notts Forest autographed, Preston v Man City + 2 poor Bolton, 51/52 Southend v Norwich, Bury v Leicester, Barnsley v Sheffield United + Birmingham, 52/53 Blackpool v Blackburn Central League, Watford v Bristol Rovers, Walthamstow v Stockport, 54/55 Chelsea v Everton and more. 50 programmes plus a further 16 from the early 60s in mixed conditions. (est 70)
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42501 item(s)/page