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1944 FA Cup Final Chelsea v Charlton Athletic football ticket

A PAIR OF SAMSON, CHELSEA DESIGN VASES AND COVERS, the vases of lobed baluster form with pierced covers, having fruit knops, on raised pierced bases, painted with exotic birds and bouquets, bears gold anchor mark to base, 28cm high

Augustus Edwin John (1878 - 1961), etching of two female nudes, one reclining on the ground, signed on the mount in pencil and impressed Chenil for Chenil Gallery, Chelsea, 7cm x 7.5cm, black frame DDS

Augustus Edwin John (1878 - 1961), etching of St John the Baptist, signed on the mount in pencil and impressed Chenil for Chenil Gallery, Chelsea, 7.5cm x 6.5cm, black frame DDS

***REOFFER MAY £10/20*** A 19th Century Mr Punch Toby jug (Staffordshire) a boxed Bunnykins 'Mystic' Masons ironstone china, four plates, all different, a Grindleys Chelsea ivory meat plate, pair of Chinese ginger jars and covers, etc, parcel lot (one box)

A pair of boy and girl figurines, possibly Sampson, but in the style of Chelsea and gold anchor mark (2)

A Wade paradise gallery collection jug together with Sadler Art Deco style teapot and Chelsea Moorland jug

A CHELSEA SHIPS BELL BULK HEAD CLOCK with silvered Arabic dial, fast/slow regulation below 12 o'clock and moon hands with black case, 19cm diameter overall

A Royal Chelsea English Rose tea service, for six including teapot, sugar bowl, milk jug, sandwich plate, cups and saucers and side plates

[PORTUGAL] Copy of the Proceedings upon the Inquiry relative to the Armistice and Convention, &c. made and concluded in Portugal, in August 1808, between the Commanders of the British and French Armies; - held at the Royal Hospital at Chelsea (November and December), 1808. 265pp.; together with Papers Presented to the House of Commons . . . Copies of, or Extracts from, Instructions to the Commanders . . . in Spain and Portugal, together with such Communications as have been received . . . 182pp. old half calf & marbled boards (defective), folio. Ordered, by the House of Commons, to be printed, 31st January 1809 & 1st March, 1809. * following on are a further series ('Papers Relating to Spain and Portugal') lettered A-N (of approx. 320pp.), and printed (by order of the House), March-May 1810; a valuable series of State Papers.

A Chelsea teabowl and a Derby silver-shaped oval dish, the first circa 1752-58, red anchor mark, the second circa 1760-65, the teabowl painted with a loose bouquet and flower sprays, the dish painted with flowers beneath a turquoise feuille de choux border, the dish 23.6cm.wide.

A pair of Bow octagonal plates, a Chelsea octagonal teabowl, circa 1755-60, painted with bouquets and flower sprays beneath brown line rims, the plates 19.1cm.wide.

TWO WORCESTER LOW CHELSEA EWERS 18TH CENTURY both decorated with flower sprigs and moulded acanthus to the bases, gilt rims (2) one 11cm long; the other 11.5cm long

Pair of Chelsea Derby Figures of lady and gentleman with drum, finely painted costume and bocage background on rococo bases having blue and gilt details, 10in, gold anchor mark, some damage

Pair of Minton Plates with pierced edges painted scenes of Chelsea Hospital and Black Friars Bridge, another pair with bird and floral design, moulded decoration, a pair of floral Plates in the Coalport style and Royal Worcester Plate with painted scene of thatched cottage, signed R. Rushton

Lorna Bailey conical sugar sifter, together with Chelsea works Burslem trial moorland sugar sifter Leopard pattern, smaller Lorna Bailey conical sugar sifter, Royal Albert Mr McGregor Beatrix Potter figure, and Border of Fine Arts The World of Beatrix Potter Peter Rabbit posting a letter. (5)

A Chelsea-Derby vase and associated cover, c.1770, the main body applied with fabric swags issuing from ring handles and suspended from tied green ribbons, between bands of masks and flowerheads on a blue ground, raised on a square foot, some restoration, 28.6cm. (2)

A Chelsea-Derby two-handled chocolate cup and saucer, c.1770-75, painted in green and black with scenes of figures in a harbour and before rural buildings, gold anchor marks, and a Chelsea saucer decorated in the same palette with a windmill before small terraced buildings, one saucer broken and restuck, 12.5cm. (3)

A large Chelsea-Derby pot pourri vase, c.1770-75, left in the white and applied with large and detailed flowers, supported on large scrolls above a circular foot, and a Derby coffee pot well-painted with a seated Chinese dignitary holding a parasol and being waited on by an attendant, the covers lacking, 25cm max. (2)

Six Chelsea-Derby coffee cups, c.1770-80, two with angular handles, variously painted with leaf swags and floral wreaths between blue and gilt narrow bands, one fluted and decorated with green monochrome flowers, one spiral-moulded and one plain, both with polychrome flowers, the last moulded with vertical ribs beneath a blue and gilt border, various marks, 7cm max. (6)

A Chelsea strawberry plate, c.1755, the well painted with a posy of flowers, the rim moulded with three sprays of wild strawberries, red anchor mark, 22.8cm. Provenance: from a private collection in London.

An unusually large Chelsea silver-shape dish, c.1752-55, decorated in the Kakiemon palette with a red tiger gazing up to a large scaly dragon entwined around a bamboo stem above prunus spikes, with colourful ruyi scrolls issuing from its sinuous tail, damages, 38.2cm.

A Chamberlain's Worcester creamer, late 18th century, of low Chelsea ewer form, decorated in polychrome enamels with the Stag Hunt pattern, 12cm. Paper label for the Godden Reference Collection.

An English porcelain Goat and Bee jug, 19th century, possibly Coalport, modelled after Chelsea with two recumbent goats at the base of the jug, a single bee clambering over leafy branches, incised triangle mark, a few small chips to the applications, 11.5cm. Provenance: from a private collection in London.

A small Chelsea two-handled dish, c.1755, the oval form moulded with basket work to the exterior, the interior painted with sprays of fruit including sloes, plums, strawberries and a large apple, together with a mushroom and asparagus spear, the handles issuing from applied flowers and leaves, red anchor mark, some restoration, 22cm across.

A large Chelsea-Derby oval basket, c.1775, the interior painted with small floral sprays, the exterior of the pierced sides applied with small flowerheads highlighted in turquoise and yellow enamels, the twist handles issuing from further applied flowers and leaves, gilt anchor and D mark, 24.8cm.

Two Chelsea dessert plates, c.1760, one painted with an arrangement of fruit and a large colourful moth, the other with a floral spray and single scattered blooms, both within feather-moulded rims, brown anchor marks, minor faults, 22.3cm max. (2) Provenance: from a private collection in London.

A late 20th century Chelsea Pottery vase, decorated with clematis and signed with initials, H. 16cm.

A 19th century Sampson Chelsea-style lidded urn decorated with pheasants

A Wedgwood 'Gold Chelsea' pattern dinner service

A Steven Gerrard Liverpool signed white card and photo, together with a signed Gianfranco Zola Chelsea photo

7 FJ Cullen 'Chelsea' (RD2665) plates, 2 Dartington crystal vases, table mats etc

Mixed lot to include pair of Post Office scales and weights, Masons Old Chelsea pattern part tea service etc

TWO TEA SETS comprising a Royal Albert 'Lady Hamilton set' and a Chelsea set, both with gilt and floral decoration

Nicholas Anelka in Chelsea strip signed colour 12x8 photo. Good condition

A pair of Samson Chelsea porcelain pot pourri vases and covers, late 19th century, of baluster form decorated with exotic birds, raised on four scroll feet, 20.5cm high.

A Chelsea porcelain twin handled inkwell, late 18th century, in the form of a water lily, red anchor mark, 17 by 7cm, a 19th century blue and white Chinese tea bowl, pearlware blue and white fluted coffee cup with scalloped edge, chinoiserie decorated, and a porcelain, late 18th century spiral fluted tea bowl decorated with a band of flowers. (4)

A Whittard of Chelsea Tea for Two painted with cats, boxed, and a Brexton picnic hamper.

•PHILLIP TOWNSEND A photograph of The Rolling Stones, their first photo shoot at Chelsea Harbour, ink signature lower right, artist proof and numbered 3/5 to the margin, black and white photograph, 17" x 16". See illustration Accompanying this lot is the original Phillip Townsend "The Limited Editions" book with inscription "To Karen and Emily, all best wishes, thanks for buying a print, with thanks again, Phillip Townsend 2009"

Four trays inc. modernist vase, Carnival glass, Sadler ginger jar, collection of Chelsea flower show collector plates, 1930s marbled glass shade, three Royal Doulton series ware dishes, vintage potato ricer, Wedgwood jasperware jug, crested ware submarine etc

Eighty-One (81) Piece Spode "Chelsea Garden" Partial Dinner Service. This Set Includes 14 Dinner Plates (one with Hairline), 10-3/4 Inches Diameter; 12 Salad Plates; 5 Luncheon Plates; 14 Bread and Butter Plates; 2 Square Luncheon Plates; 13 Saucers; 14 Cups; 4 Fruit Bowls; Lidded Sugar; Open Sugar; Cream Pitcher; Oval Serving Dish. All Pieces Signed with Spode Backstamp. Good condition or as mentioned. Shipping $28 0.00

Charming Vintage Chelsea Porcelain "Baby Faun with Birds" Unsigned. Good Condition. Measures 8-1/2 Inches Tall. Shipping $55.00

1776 entire Biddenden to Chelsea?... uprated from single sheet to dbl with good BIDDENDEN s / l on back ( £100 in Gibbons Collect Br. Pmks) plus early bishop mark Reserve: £30

Roy of the Rovers original artwork and speech bubble lay-over for 28 / 4 / 90 page 18 signed by Tommy Laughton player for Chelsea, Arsenal, Burnley etc Reserve: £40

A pair of 18th century Chelsea Derby porcelain ornaments of lady and man gardeners, she with basket of flowers, he with watering can at his feet, both decorated in bright colours and standing before a floral bocage, on scroll bases (gold anchor marks), 26cm high

A set of six Royal Chelsea Country Pleasures plates designed by Edward Ardizzone CBE RA, printed to the well with country pursuits; Courting, Fishing, Drinking, Bathing, Boating, and The Picnic, titled to the rim, printed factory marks, facsimile signature Diz to well, crack to Courting 26.5cm. diam.

•Charles Vyse (1882-1971) a stoneware vase, covered to the foot in a Chun glaze incised C Vyse Chelsea 12cm. high

A Caughley creamboat, circa 1780, of Chelsea ewer form, transfer-printed in the Fisherman pattern, interior with associated cell and spearhead border, 5.5cm high (star crack to base)

A New Chelsea Woodland china teaset. Approx. forty three pieces

Small quantity of blue and white china including Chelsea flow blue jug

A Chelsea coffee cup and saucer , circa 1756 A Chelsea coffee cup and saucer , circa 1756, painted in the Meissen manner with deutsche Blumen , brown line rims, the cup with iron-red £6 mark, the saucer with red anchor

▲ David Wynne born 1926 Lovers Norwegian rose marble Signed David Wynne and dated 1968 174cm.; 68½ins high by 104cm.; 41ins wide by132cm.; 52½ins deep David Wynne OBE, 1926-2014 was one of Britain's best loved sculptors of the 20th Century. Educated at Stowe School he then served in the Royal Navy during World War II and read Zoology at Trinity College, Cambridge, before taking up sculpture professionally in 1950. In London alone, Wynne was responsible for a huge number of important public commissions. He carved one of the capital's best-loved animal figures, Guy the Gorilla, in Crystal Palace Park (1961). He sculpted the iconic Boy with a Dolphin at the Chelsea end of Albert Bridge,(1974) and Girl with a Dolphin outside Tower Bridge.(1973). Elsewhere he sculpted the Tyne God fountain in Newcastle upon Tyne; (1968), Christ and Mary Magdalene at Ely Cathedral;(2000) and a Risen Christ for the front of Wells Cathedral, one of his most famous commissions.(1985) His portraits included the Queen and the Prince of Wales, (1970) Sir John Gielgud,(1962), Sir Yehudi Menuhin,(1963), Sir Thomas Beecham (who said the piece reminded him of all the mistakes his orchestra had made in the previous 10 years),(1956), the four Beatles(1964) and the Maharishi Mahesh Yogi (whom he introduced to the group), as well as the Derby-winning racehorse Shergar. In 1973 he designed the linked hands on the 50p pieces that marked Britain's entry into the European Community. Some of Wynne's most striking pieces were designed for garden settings. He created works for the Abbey Gardens at Tresco, including Gaia, a sculpture made from South African marble, which has a South African planting around it. The Prince of Wales was so taken by the figure he commissioned a similar piece, called Goddess of the Woods, for his gardens at Highgrove. Equally as versatile in bronze, stone or marble, this unique group of The Lovers, fits into the earlier part of his oeuvre. He made the first maquettes, I-IV for The Lovers in plaster and then bronze in 1964, before revisiting the idea in 1965 Maquette V and 1966 with maquettes VI and the VII which was cast in bronze in an edition of 6. The cover of T. Boase's definitive book David Wynne's Sculpture 1949-1967 shows the plaster Lovers maquette VII with this Norwegian rose marble group in an unfinished state in Wynne's studio. (see picture). Wynne always took particular care in his choice of materials. A commission in 1957 for the façade of the Taylor Woodrow headquarters in London resulted in a distinctive 100 ton block of granite being blasted from a Cornish quarry and being worked on in the rough in situ before being precariously transported to Wynne's studio in Wimbledon. Likewise, when Pepsi Cola gave him carte blanche for a large piece, he spent three weeks in the Rocky Mountains and came out with a plan for a grizzly bear fashioned from a 36-ton block of marble. The beautifully variegated colours of this Norwegian Rose marble act as the perfect counterpoint to the simplicity of line in the piece, whilst on a more simplistic level, the soft glowing pink of the marble demonstrates the colour of love. The group was finally finished in 1970 and shipped to its new home in Chicago, Illinois. Provenance: Christie's, New York, 11th July 2006, lot 219 Literature: David Wynne's Sculpture 1949-1967, T.S.R. Boase , Michael Joseph, 1968, front cover and page 147.

A Royal Botanic Gardens Kew collector's plate, kew Flora Exotica; a Royal Horticultural Society Chelsea Flower Show Plate, 1995; others, similar (18)

Collection of twelve miniature Tea Pots to include various reproductions of items in the Victoria and Albert Museum such as Meissen, Chelsea, and various others, largest piece 6 1/2" wide

A 19th Century Sampson Bocage Back copy of a Chelsea Bagpiper Figure with attendant dog, raised on a shaped plinth base, decorated throughout in colours, 11" high

A pair of 18th century Chelsea plates, decorated with scattered foliate sprays within c-scroll and foliate borders picked out in gilt, gold anchor marks, 22cm diameter

A PAIR OF CHELSEA RED ANCHOR PLATES moulded with floral sprigs and garlands and delicately painted with floral sprays, 9 1/2ins. (24cms.) dia.

A CHELSEA RED ANCHOR MINIATURE FIGURE OF A REAPER standing before a stump with his scythe, red anchor mark, 2 1/4ins. (5.5cms.) high, ex R.D. David Butti collection

A PAIR OF CHELSEA BROWN ANCHOR HANS SLOANE PLATES brown feather moulded rim, 8 1/4ins. (21cms) dia, together with another similar with a silver border, 9 1/4ins. (23.5cms.) dia. (3).

18th century Chelsea porcelain silver shaped dish, polychrome painted with flower spray, sprigs, butterfly and caterpillar, 29cm long CONDITION REPORT Overall condition fair, one large chip on front of plate, one large chip on rear of plate, another small chip on border, wear to painted border and some of the floral decoration. Scratching and slight discolouration to glaze