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A 1930s pale floral Liberty print tea dress with bow detail to the neck; together with a 1930's full-length white with blue spots muslin dress, with cap sleeves and a pleated bodice; a fine cotton blue and white medallion print short-sleeved summer dress of a similar date; a 1960s tiered floral cotton Chelsea Girl maxi-skirt; a cream crochet shawl; and a 1940s leather handbag, (6).
A mid 18th Century Chelsea Plate (circa 1752-58) with a lobed edge, hand decorated and gilded in the Imari palette in the Brocade pattern with a spray of chrysanthemums within a border of alternate panels of flowering plants and a diaper pattern, blue anchor mark to underside, 24.5cm wide, purchased with Stockspring Antiques 2011
A mid 18th Century Chelsea Plate (circa 1752-58) lobed rim, hand decorated and gilded in the Imari palette in the Brocade pattern with alternating panels of flowering plants etc., blue anchor mark to underside, a profusions of original labels including Frank Hurlbutt Collection, purchased Klaber & Klaber 2006
A Chelsea Plate (circa 1752-58) with lobed rim, hand gilded and decorated in the Imari palette in the Brocade pattern with a spray of chrysanthemums within alternate panels etc., ex. Robert Drane Collection (Cardiff), paper label verso, 24.5cm diameter together with one other similarly decorated Plate (badly damaged and repaired), both bear labels for Klaber & Klaber (2)
Two mid 18th Century Chelsea Porcelain leaf shaped Dishes, each finely decorated with floral and applied sprays and sprigs, the handles modelled as branches, circa 1754, various labels to underside (including Christie's), originally purchased Klaber & Klaber 1909, 27cm long, (some hairlines), painted red anchor mark to underside
A George III mahogany and satinwood crossbanded sideboard , circa 1790 A George III mahogany and satinwood crossbanded sideboard , circa 1790, the compound serpentine top above a blind frieze drawer flanked by convex and concave cupboards and drawers, on eight fluted square tapering legs, the frieze drawer with ivorine label for MURRAY, 51, King's Road, Chelsea, LONDON, 93cm high, 268cm wide, 94cm deep Provenance: From Cherkley Court, former home of Lord Beaverbrook
A Tournai plate c.1765-70, painted probably by Duvivier, in puce monochrome with a figure standing beside frolicking goat kids and a large recumbent bull in a rural landscape, the shaped rim with narrow spiral moulding, blue crossed swords and Xs mark, 24.5cm. Henri Joseph Duvivier came to Tournai from England, where he was believed to have worked at Chelsea. He is particularly associated with this style of painting.
A Bow figure of a Flower Girl c.1755-60, modelled with a basket of flowers suspended from the crook of her right elbow, her left hand holding the hem of her overskirt, wearing a puce jacket and dark blue hat, some good restoration to her hat, 15cm. Cf. Peter Bradshaw, Bow Porcelain Figures, pl.128. Bradshaw suggests that this figure is perhaps a copy of a Chelsea figure of Spring.
A small Chelsea basket c.1755, of circular form, the sides formed of interlocking circles and applied to the exterior with small yellow flowerheads at the intersections, the interior well painted with a yellow rose and purple crocus, brown line rim, red anchor and 9 mark, a section of the rim broken and restored, 14.7cm dia. Paper label for the Spencer Collection at Althorp House.
A Chelsea allegorical figure group c.1760, modelled as three putti huddled together on a tall scrolled base, two reading a scroll, while the central third raises his left hand, a furled scroll held in his right, standing before flowering bocage with further flowers to the base, impressed R mark, some damages, 25cm.
A set of Derby figures of the Four Quarters of the World c.1820, each modelled as a child emblematic of Africa, America, Europe and Asia, with various attributes representing each continent, raised on scrolled titled bases highlighted in pink and gilt, blue crossed swords marks, some restorations, 21cm. (4) The models for this series originate from a series of adult Continents modelled by Kändler at Meissen, and adapted into children by Meyer. These were copied by Chelsea from which the Derby figures probably derive.
An early Chelsea white-glazed small salt c.1746-48, formed as a deep scallop shell resting on a base of coral, seaweed and further tiny applied shells, a section broken and cleanly repaired, 8cm across. Cf. F. Severne MacKenna, Chelsea Porcelain: The Triangle and Raised Anchor Wares, pl.4, no.10 for an identical example bearing an incised triangle mark.
Walter Greaves (1846-1930) - The Old Archway, Chelsea Watercolour, traces of black chalk and graphite Signed lower right, with titled inscribed lower left in margin 34.5 x 26 cm. (13 5/8 x 10 1/4 in) Original letter from artist attached to reverse that reads: 'Charterhouse/ Dear Sir/ In reply to your/ letter, the Drawing/ I think was done/ about the early/ Seventies, I don't/ know the Date/ Yours truly/ W. Greaves', dated 2nd December ' by a later hand.
A mixed lot to include a Chelsea part tea set comprising two teacups, seven saucers, five plates, a pair of cake plates and a sugar bowl. A Royal Worcester Roanoke part tea set comprising a teacup, six saucers, nine tea plates, milk jug and a pair of cake plates. Four Royal Worcester Evesham ramekins and a butter dish.
Chelsea Gold Anchor plate and a Chelsea Derby matching plate circa 1760 - 1770, both painted with classical urns, swags and insects, gilt painted marks to base, (2) The Chelsea plate measures 21.5cm diameter, the Chelsea Derby plate measures 23cm diameter. Condition report: Minor scuffing to both central decorations. The Chelsea Derby plate is free from damages, the Chelsea plate has a rim chip and a star crack to the body.
Collection of seven Coalport low Chelsea ewers circa 1800, four printed in blue and white, three painted in polychrome, (7) Condition report from left to right, top to bottom of main image: 1: staining, filled chip and associated hairline. 2: two hairline cracks. 3: Enamel wear. 4: No damage or restoration. 5: Restored spout. 6: Small foot chip. 7: No damage or restoration, gilt wear.
Caughley teabowl and saucer circa 1780, painted with target pattern, also two low Chelsea ewers painted in polychrome with flora, (4) Condition report: The teabowl and saucer are free from damages except for a minor nick to the teabowl foot. One ewer has a hairline from the rim to the base and a glazed over foot fault, the other ewer has a hairline to the base of the handle.
Three Caughley low Chelsea ewers circa 1780, printed with pleasure boat and two versions of Image pattern, one marked with S+, (3) 6cm high Condition report: The pleasure boat ewer has rim chips and a stained hairline, the small Image patterned ewer has two short hairlines, the large Image patterned creamboat has a long stained hairline and filled chip.
Two Worcester sauceboats circa 1770, one with moulded body, another with strap fluted body, painted in underglaze blue, also a low Chelsea ewer painted in polychrome with flora, (3) the largest sauceboat measures 17cm long Condition report: The moulded sauceboat has a chip to the edge as well as the kick of the handle, the strap fluted sauceboat has a three small rim chips. The ewer has stained cracks.
Ceramic reference books relating to the 18th century English factories, to include: Adams 'Chelsea Porcelain, Adams and Redstone 'Bow Porcelain', Bradshaw 'Bow Porcelain Figures', Smith 'Lowestoft Porcelain' vols 1 and 2, Watney 'Longton Hall Porcelain' also 'Liverpool Porcelain', Horne 'Liverpool Printed Tiles' Godden 'Caughley and Worcester Porcelains 1775-1800' Barrett 'Caughley and Coalport Porcelain' together with twelve others (23)
England, a collection of 24 home programmes, 1943 Wales, 1945 France, 1946 Belgium, 1946 Switzerland (at Chelsea), Wales (at Man City), 1947 France (At Arsenal), Sweden (At Arsenal), Northern Ireland (At Everton), 1948 Wales (A.Villa), Switzerland (At Arsenal), 1949 Republic Of Ireland (At Everton), Northern Ireland (At Man City), Italy (at Totteham), 1951 Argentina, Portugal (at Everton), Austria, Northern Ireland (At Aston Villa), 1952 Wales, Belgium, 1953 Rest Of The World, Northern Ireland (At Everton), Hungary, 1954 Wales, Germany
A collection of over 160 football programmes from 1955/56 to 1959/60, a wide variation of clubs, to include 1957/58 Clapton v QPR (FAC), 1958/59 Tooting & Mitcham (FAC), 1958/59 Barking v West Ham (Floodlights), 1959/60 Swansea v Brighton, Brighton Res v Bristol City Res, plus good content of Chelsea, Tottenham and Workington home programmes
1914/1915 Tottenham Hotspur, a bound volume of 49 football programmes, to include 19 League games, 1 FA Cup, 16 Reserve games, other games include London League games, other Tottenham homes include Arsenal (Friendly 22/08/1914), Fulham (Friendly, 06/02/1915), Chelsea (Friendly, 30/01/1915), and Arsenal v Crystal Palace (London Challenge Cup S/F)
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42501 item(s)/page